i kinda don’t get people who characterize maccready as like… secretly generous, or having a heart of gold or anything. like don’t get me wrong i don’t think he’s downright malicious or anything, but the dude is absolutely a selfish jerk once you get past the charming facade. that’s the part that’s compelling!
like, he’s nice enough and open enough with the player once you get high enough affinity with him, but his reactions to player actions still point to him being a jerk overall. the sosu just happens to be in His Circle of people he can be vulnerable with. that includes you, his son, and maybe daisy. everyone else can kick rocks, the same way it was in little lamplight
he HAD to grow up with that kind of “us vs the world, every man for himself” mentality in the capitol wasteland. doing so otherwise gets you killed or taken advantage of, which is just protracted death anyways. having grown up in a place where slavers run rampant, people are all pushing each other further down just to boost themselves up and live one more day, and it’s literally impossible to make renewable food sources because the ground is so poisoned i genuinely don’t blame him for ending up a little tight fisted. the fact that he was the mayor of little lamplight just meant that he ended up being able to accept a few people as His To Protect instead of being a total lone wolf.
the way he reacts to the players open generosity isn’t just for show, he Actually Dislikes when you give stuff away without expecting anything in return. you might need that thing and now its just gone!! that person might see you as a sucker! you give an inch and they’ll take a mile! and it makes sense for his character to be like that considering everything. i don’t get why people want to change that into him just being kind of tsundere.
i understand that having your babygirl blorbo comfort character be a canonical asshole in ways that aren’t just kinda charming can be offputting, but like…. the way he treats the sosu is a very notable exception to the rest of his life & it’s a much more interesting dynamic imo. especially if you’re playing a goody two shoes martyr. but that’s just me
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Hey so also have Sir Crocodile brainrot and have recently reread Impel Down. This is probably nothing at all but it made me question the artistic choice made. Like we dont see Crocodiles full face until Luffy recognizes him. Before that tho he joins in on Jinbei & Ace's convo about Whitebeard and is shown to (non-)react to Boa Hancocks visit. But we only get his face in shadows or see the hook. Which. Why. Oda we know what he looks like and who the guy with the stitches on his face and the hook is. WHY OBSCURE HIM.
My friend, this is what we call a "cocktease"
Okay jokes aside, yes it was an artistic choise. More specifically, a storytelling technique Oda masterfully used to build up hype and excitement to Crocodile's eventual reveal and re-introduction into the story.
So thanks to Ms Goldenweek's cover story (which ran back during Water 7/Enies Lobby) we already knew Crocodile along with Daz, Bon-chan and Galdino had all been sent to Impel Down, when we also learned about Impel Down, Marineford and the Gates of Justice (+ the giant whirlpool between the three locations) to some extent. ((Now of course, if you were an anime-only then you would've had no idea about the former BW members being in Impel Down. And even if you had read the manga you still would've had to actually pay attention to the cover story and its lore, and not forgotten all about it))
So even before Luffy decides he's going to head to Impel Down to save Ace, we know Crocodile's going to be somewhere down there. The second Luffy arrives there, we are immidiately reminded of the fact when Domino mentions Crocodile taking the traditional "bath" new inmates take at the entrance. And as we descend deeper and deeper into Impel Down, with those cuts to what's happening down at Level 6 every now and then, as well as with the Baroque Works Countdown, Oda time and time again keeps on reminding of us of Crocodile's looming presence in the background.
This is all absolutely deliberate. Crocodile was arguably the most iconic (maybe not most popular but iconic) One Piece villian at the time, if given an opportunity of course the readers wanted to see him again. But just letting us see him right away would be anti-climactic, and distracting from what's actually important (Ace, and Luffy getting to him as fast as possible). So keeping him hidden could serve multiple purposes:
For one, Crocodile doesn't get to steal the spotlight from the other characters (at least not too early). We can focus on Luffy, Ace, all the new Impel Down characters and the other returning characters in peace, while Crocodile waits for his turn.
Another thing is that Crocodile's presence being downplayed gives off the impression that perhaps him being there isn't that important to the story. Thus, him teaming up with Luffy to break out isn't such an obvious twist (and so when that happens, it's ever more hype as a result)
But indeed, the most important part is that by teasing us constantly through out Impel Down, Oda creates hype. He makes us the readers excited if/when we might get to see the bastard, even if it was just a quick little cameo. So when Luffy finally reaches Level 6 and we finally do get that reveal, everyone loses their fucking marbles over the HISASHIBURI DANA MUGIWARA when we finally get to see The Motherfucker Himself. (And indeed, then getting to see him fight alongside Luffy is cool as fucking hell, completely unexpected and absolutely delightful)
But there's also another thing building up to Crocodile's reveal does. Compare his original introduction to the re-introduction
Compare Crocodile at the height of his power and influence, to the absolute rock bottom he has hit. No longer happily laughing while looking down on people (literally), he's filthy, he has given up on life, with sunken eyes and a hollow look on his face, only moved by a thirst for petty revenge (/an opportunity to go out with a bang). He doesn't even get the whole page for his grand reveal anymore, he's been shuffled to the side so the plot can progress on the same page.
Oh, how the mighty have fallen.
And to some degree, this is kind of meant to be a shocking realization to the readers. That this is not the same Crocodile we remember from Alabasta, that Crocodile died when Luffy defeated him. This is just the husk that remains, a shadow of what was once there. It's a sad sight, and probably not what the readers who loved Crocodile The Villian wanted to see. It's not the epic Return of the (Evil) King they wanted.
And that juxtaposition helps, because Crocodile doesn't return into the story as a villian, but as a frenemy/ally-on-thin-ice. And that idea is easier to signal to the readers in a lowkey manner when you do his re-introduction like this.
So yes, Oda refusing to show Crocodile's face until Luffy found him was 100% a deliberate artistic choise. This is fantastic storytelling
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I'm back talking about Harry Potter and Snape's worst memory because while I hate the author y'all bug me.
Snape worst memory isn't James bulling him or string him up in front of the school, (that was bad I'm not saying it wasn't) it was Lily ending her friendship with him because he called her a Mudblood. With evidence.
To prove my point we have to go read the Deathly Hallows when Snape gave Harry his memories! We get to see the scene again but this time the thing that sticks out the most is Snape calling Lily a Mudblood. Now if that's not enough proof the next memory goes like this.
*Outside Gryffindor Tower*
Snape: I'm sorry
Lily: I'm not interested
S: I'm sorry!
L: save your breath... I only came out here because Mary told me you were threatening to sleep here.
S: I was. I would have done. I never ment to call you a Mudblood it just-
L: Slipped out? It's too late. I've made excuses for you for years. None of my friends can understand why I even talk to you. You and your precious little Death Eater friends- you see, you don't even deny it! You don't even deny that's what you're all aiming to be! You can't wait to join You-Know-Who, can you? I can't pretend anymore. You've chosen your way, I've chosen mine.
S: No-listen, I didn't mean-
L:-to call me a Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?
*Lily leaves. Memory ends*
The next memory is Snape becoming a turn coat for Dumbledore so he could keep Lily safe because Voldemort wouldn't spare her.
Snape has had worse experiences then a teenage James Potter being a bully (even if it was shitty). so we look at the rest of the memory and lo and behold what do we see? The actual worst moment of Snape life, the moment he lost Lily forever.
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Something I realised quite recently is how much my views of Girl Meets World changed as I got older and how much more critical I am of it now.
I went from saying "everyone who says the Maya becomes Riley plotline doesn't make sense is stupid" to "Yep that plotline made no sense"
When I was Maya's age I thought her relationship with Josh was adorable and once I got to Josh's age I immediately went absolutely the fuck not
I think such a big appeal of GMW canon comes from a younger perspective, at least for me, and now I'm older I have a much more canon critical viewpoint of the show.
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Is it ok if I reference your art? I want to make a reference sheet for my character and you're so good at drawing my body type. I would NOT directly trace yours, but it might come out as the same pose as whatever I end up referencing. If that's not okay, I understand and it's completely fine! If it makes you uncomfortable, I will not use your art as a reference. (Sorry I'm bad at wording things)
sure! referencing poses or w/e is super okay with me ^^
also tbh, i don't mind if people trace* my art,
****AS LONG AS*****
they're not posting it, and especially not posting it claiming it's their own.
anyone can *privately * use my work to learn shapes or lines or whatever else, tracing is a good tool to feel out the shapes in art.
👍
note: by tracing, i specifically mean breaking down the art to bare bones shapes. finding the circles and squares and bean shapes that compose the anatomy in a piece, NOT just tracing along the lines. direct tracing does not work as a tool, and is something i'm very not okay with happening to my work.
... annnd is something i very heavily encourage you to avoid for the sake of learning on your own.
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OC DUALITY
was tagged by @morvaris to take this uquiz for my ocs >:) thank you nico this was super fun!!
tagging: @numbaoneflaya @time-is-a-lake @aartyom @nuclearstorms @girlbosselrond @druidgroves @malefiicarum @swordcoasts @aldcaldos @sufferthorn @steelport @calenhads @lavinet and anyone else who’d like to join in !!
you and the hat man
oh boy you're fighting demons aren't you? it's like you're in a constant staring competition with something that's always in the peripheral. what the fuck. (at least, that's how people who don't know you would react). at this point you've probably gotten pretty familiar with the hat man. he's a reliable kind of guy. keeps to himself, sure, but you can trust him to be there. maybe a haunting isn't too bad if it's never left your side. you can only imagine what it will be like when he's not there any more.
god-hungry scientist and their abominable child
you stitched something together inside of yourself and gave it life with light from the sky and now it won't die and you can't kill it because part of you loves it and you're not quite right in the head or the person you used to be but at the end of the day it's simply a beast of sadness. you crave the mercy you didn't get from your creators and so i'm telling you please forgive yourself. please hold the monster by the hand.
moon curse of the werewolf
you have found yourself hungered or sickened or ambitious to the point of emotional carnage. you are fine, until you're not, and then you could rip someone in your way apart with your bared teeth by complete accident, and later claw at yourself in fits of pain trying to apologize. do you look at the moon that blessed you in her name, at her marred beauty and baneful eyes, and wish she could just crush that loving-hateful heart of yours before it crushes itself? every bite you take out of flesh is a response to the threads of silver bullets in you that haven't healed. the duality is that the human inside is howling too, gnashing, and without the wolf pelt, everyone can ignore it and turn away. at some point, you got tired of the moon being your only witness. now the wolf is there to make sure others know that you are hurt, and deserving of humanity, of attention to wounds. because that wolf loves you; all of you; and knows when you are hurt better than yourself.
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