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#I could apologize for all the
zackmartin · 1 year
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And now I can feel the vibe has shifted. I'm gonna go. PROM PACT (2023) ☆ dir. anya adams
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fawnforevergone · 5 months
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crazy how hozier compared the fact he couldn't tell his relationship was failing because he was too blinded by love to the idea that icarus could not tell he was dying because he was too enamoured by the sun and we were supposed to just carry on living like everything's normal.
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mroddmod · 14 days
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she’ll be alright because she had you.
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voltaical-art · 4 months
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im in agony. a little self indulgent but I think wyll deserves to be told he's loved and have a small breakdown about it
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rendevok · 11 months
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“Take my hand” pages 5-11
1 - day 2 - truth - 3
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lostboywriting · 4 months
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OHHH, I just thought of something.
It's been bugging me that Norris, Chester, and Augustus started speaking around a year ago, and I've been wondering about the significance of that timing. At first I thought maybe it was some consequence of whatever RedCanary stumbled into at the Magnus Institute, because that was a bit over a year and a half ago--we know from the case numbering system that the episodes are taking place in the present day (episode 2 was taking place on Jan 18 2024; note for my fellow US folks that the dates are the UK standard with day first, not month). And from the dates on the forum posts, RedCanary's series of unfortunate events was in April 2022.
BUT based on their case numbers, which give the date the case's events happened even if that's not said in the episode, all the incidents Sam has looked at so far were from mid 2022. They're not perfectly grouped together; the dolls and Arthur and RedCanary were all April through May 2022, while Daria's therapy appointment was September--that last one's a bit of a jump, but it could have happened depending on how cases are being allotted among the various workers. But they're all close enough that it's a plausible assumption, I think, that FR3-D1 is generally finding these things roughly as they're posted and then adding them into people's queues for review. This would mean they're at a current backlog of around a year and a half. (Looking at you, Gwen...)
If that's the case, and if the OIAR's workers have been maintaining a roughly constant rate, then around a year ago they would probably have been reviewing a lot of cases that FR3-D1 found in early to mid-2021. Which means they'd have been opening files that have been sitting in their database untouched since that time.
MAG200 aired on March 25, 2021.
Whether Chester and Norris are a Ushanka'd JMart, or something resulting purely from Annabelle Caine's manipulation of their voices, or something else entirely... l don't know. But I am betting that they didn't start as part of the system, like Colin thinks they did. I think there was some direct consequence of MAG200's events which led to them being embedded in a post that FR3-D1 scraped up, and that they simply weren't activated and "let loose" until some unknowing office worker clicked on their file.
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sneez · 1 month
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads: 'Pest', a film by Robert Wiene Alfred Abel as Victor Kain Ernst Busch as Grief Lil Dagover as Katerina Saburova Ernst Deutsch as the Bachelor Carl de Vogt as Vlad the Younger Marlene Dietrich as the Inquisitor Willy Fritsch as Mark Immortell Alexander Granach as Andrey and Peter Stamatin Bernhard Goetzke as General Block Dolly Haas as the Changeling Ludwig Hartau as the Haruspex Brigitte Helm as Anna Angel Brigitte Horney as Maria Kaina Emil Jannings as Big Vlad Gerda Maurus as Yulia Lyuricheva Lothar Menhert as Georgiy Kain Asta Nielsen as Lara Ravel Ossi Oswalda as Eva Yan Fritz Rasp as Stanislas Rubin Conrad Veidt as Alexander Saburov and Tragedian Paul Wegener as Oyun Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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bromcommie · 2 months
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tbh I still think Brock Rumlow was an interesting character and upon further examination way more unsettling a villain than most to me because like. Let’s be real, the second you lay eyes on Robert Redford as Pierce monologuing in his pristine suit and glass office high up in the sky he just screams Evil Politician! at you. You can see it coming a mile away. Meanwhile Rumlow is….Just Some Guy. On the surface, he’s just some side dude. He’s not enhanced, he’s not in some major position of power, he’s just someone who’s really good at what he does and seems dedicated enough to the work and functions well with his team. He respects Steve, might admire him even, but not so much that he gets starry eyed like everybody else. He’s lighthearted but focused, he’s no nonsense, he’s the everyman Steve can relate to way more than spooks like Natasha or Fury.
And okay, maybe what Rumlow does for a living is beat intimidate and kill people, but it’s not like that’s the primary objective, right, because SHIELD are the good guys and this is what Steve does now, too, anyway; except that Steve doesn’t really use any weapons other than the shield, he holds back, he doesn’t carry a gun anymore which is usually fine since he’s dangerous enough without it. But when that leaves him vulnerable, he’s covered: Rumlow’s got his six, and he does it well, and he earns some of his trust. This is familiar to Steve.
And maybe Rumlow’s a little too good, fine, maybe he shoots a guy in the head within the first fifteen minutes of the movie when he doesn’t necessarily have to and then cracks jokes immediately after but that’s alright too, because that guy had Steve at gunpoint and that guy was Bad whereas Rumlow is One of the Good Guys just doing his job, right. Rumlow’s joking around because he’s used to the violence, they’re all used to it, and this is just how it works. They’re just soldiers doing the grunt work and following orders, and this is familiar, too.
Except that they’re not soldiers and this isn’t a war, except that the work is for an intelligence agency whose job it is to hoard and steal information and monitor civilians and orchestrate and sabotage and meddle in internal and external state affairs. Except that the Good Guys, in reality, are extremely grey at best. Except that many of the Good Guys turn out to be Nazis on top of everything else, and it’s not that far of a stretch.
But when it’s all starting to unravel, you’re still thinking well maybe some of these guys didn’t know. Maybe they didn’t do it out of individual belief, and if faced with the right choice, they can be redeemed.
That is until you realize that Rumlow maybe didn’t respect Steve and what he did so much as what Steve could do if only Steve weren’t “weak” in other ways, if Steve had chosen the right side. That it not being personal is less a cop out and more a taunt the same way just following orders has always been, for Rumlow and many many men that came before him and will continue to come after. Until the vault when, by the most charitable of interpretations, Rumlow looks at the Winter Soldier letting himself be smacked around and crying and getting shocked like he’s maybe a little unnerved (if not just downright fascinated) by the whole thing, but not enough that it really changes anything for him, because the end justifies the means and it’s not really his problem, anyway.
Until Sam shows up and Rumlow looks at him like a bird of prey and says This is gonna hurt with a fucking smile on his face, and then you think: shit, man, obviously. How was it not clear from the start.
To me, what makes someone like Rumlow a good villain, even a side one, is not that he’s straight up Insane & Evil™️ or suffering from Tragic Backstory Syndrome or all hopped up on magic superstrength juice or whatever, but precisely the fact that he’s Just Some Guy with a cockroach survival mentality who operates well within the established system and just so happens to be really good at his job - a job that he might’ve even joined thinking it was for a good cause, or because he had something to prove, or simply because it gave him one hell of an excuse to be a bully. Because he either wholeheartedly believes in HYDRA or he just doesn’t give much of a shit either way so long as he gets his due in the end, and both are just as bad.
Because when you strip away all the grand scale superhero theatrics, you’ve seen this before. You’ve seen Rumlows in your school and in your neighborhood and in the military and the cop car patrolling your street. They’re the ones who sometimes say or do somewhat offputting shit but you figure it’s fine because they’re otherwise real nice or charismatic or normal looking, or maybe they work a job that’s framed as helpful or protective or inherently good despite the power dynamics at play, or they share your background and interests and you chat about the weather being crap this time of year.
And every time one of them turns out to be a violent, hateful piece of shit, you’re still somehow surprised then, too, when you really shouldn’t be.
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how about that uhhhhh Fantasy Julie. she gets her sword <3 no one can take it from her <3
rambles:
SIKE you get an extra, lower quality doodle
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SIKE AGAIN here's the rambles
yeah... i caved and gave her a tail... I'm Not Sorry! it's cute! i wanted to stick with her sorta flower motif - it's stronger in her princess look, since I imagine that when she was part of the royals she was very blatantly flower power based. it was her Thing!
but a Julie free of her noble shackles... she deserves her big sword. like yeah, she has flower magic, but who needs it when she has a Giant Blade??? on the royalty vein, and if we're classifying "rainbow monster" as a species, i feel like horn size/curve would be a status symbol of some kind. maybe Julie would have kept her horns filed short. but if she ran away from that life... longer horns! i like to imagine that they'll keep growing until she has a pair of Extra Weapons attached to her head! curved forward like mammoth tusks maybe!
i imagine that like Frank, she goes with minimal armor - range of movement over protection, yk? some scale mail over her front, a thick leather flower over her chest w/ scalloped leather pauldrons, wrist armor and metal knuckles! i'd think that the faux-suspenders include a back sheath for her sword... i wish i'd thought of that Before i finished the little ref! i don't feel like going back and editing!
i imagine that she was forced to cut her hair when it got caught in something (a gelatinous cube, mayhaps). it didn't look good! don't let anime and Mulan fool you! cutting your own hair with a blade will not look nice! but someone - Eddie, probably, he's good with scissors i'd assume - cleaned it up for her. and hey, it didn't look bad! plus, Julie probably liked being able to just tuck up her long strands into her hat when she's feeling a bit more like a Julius than a Julie!
it's been a fun challenge transforming their canon outfits into a similar variation with fantasy flavoring and twists! i want them to suit the setting but still maintain Themselves! Julie's was tough i gotta admit. i was messing around with the princess look and the fighter look side-by-side. it worked better when i sat back and thought "fighter Julie is Julie unrestrained. that version would be more aligned with her canon look"
i wanted her princess form to look Restrained! she has to be a ~delicate flower~, a noble woman, pristine and poised and very much a princess. soft colors, poofy clothing, bright white gloves that are not to be sullied. carefully bundled up hair! jewelry! that dress must be Heavy and hard to move in! her tail must be so cramped under there!
but Julie Unleashed? violent pinks! rose gold accents! short skirt so that she can sprint and Kick! fun boots that she can be active in and delight in watching them get dirty! her hair is free to whip in the wind and get caught in things! fun straps and Deadly Accessories! a sword that she stole from the royal armory on her way out the window! she has forearm wraps both to match Frank and to support her wrists!
#yessss this was mainly an excuse to draw jules with short hair and a tail. i do not apologize#i like to think that poppy has a bottomless bag that she's too scared to use herself#but everybody keeps things in there#julie keeps her hair-hiding-hat in there and some pants and a cape for that Julius Vibe#(yes i could have gone with julian. but julius makes me think of orange julius and. yum)#i've said in initial rambles that i think that julie has Mild plant magic#I TAKE THAT BACK SHE'S SO FUCKING POWERFUL#i think she could hold her own against wally here tbh!#she wouldn't win if home had the reins but yk! it would still be Close!#but why would she use boring magic when she can slash punch kick#she can definitely talk to all plants. like im carrying that over thats so cool#trees warning her of an ambush... trodden-on flowers pointing her in the direction of her quarry...#roots arching out of the ground to trip anyone about to beat her in a race#scribble salad#wh fantasy au#so in canon julie left The Cave#which. fuck is that supposed to be a reference to plato's cave? ok no now's not the time for speculation#so she left the cave to seek out a life of her own#so i imagine that she left the royal life for much the same reason! she didn't want to sit on a throne in a poofy dress and lead!#she wanted to Adventure! see the world! be unrestrained!#i imagine that her repeated sneaking out is how she met frank - then when she ran she went to him cause she knew he wanted to leave#and she went 'hey im ditching this joint wanna come' and Of Course the answer was yes!#adventuring duo that never regret it for a second!#also as im making refs im adding them to a Lineup. which i'll post when ive collected all the pokemon (neighbors). size refs!!!
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It's actually so important to me that the first time we see Ed actually cry in Fullmetal Alchemist (Brotherhood and Manga) - apart from the automail surgery - is when Hohenheim offers him his life to bring back Alphonse.
Throughout the entire story Ed doesn't cry because of his misguided love-filled promise to Al. No matter how horrible their odds, no matter how traumatizing their journey, Ed refuses to cry. He comes close. So, so close. When Izumi tells them it's okay to be sad, offering comfort after a long time without. After Nina dies and Ed and Al let the rain wash away their sorrow. When Hughes dies and guilt becomes an even heavier cloak weighing their shoulders down. When death comes knocking on Ed's door and he decidedly sends it packing.
Ed laughs and rages and smiles and screams.
But he doesn't cry.
Just because Al can't.
Ed was eleven when he made that promise. He was a child suffering through something truly horrific when he promised himself and the world that he wouldn't cry as long as his brother wasn't allowed to do the same.
Which is painful to watch - especially since it tells us that Ed knows how much crying is a part of life. He gave something up, not out of some misguided idea of masculinity, but because he knew it would be a sacrifice to keep himself from crying. A punishment since his brother could no longer offer his tears in the face of sorrow.
But by the end of the story Ed has cried. And it's not tears of joy, like the ones he promised Winry. No, Ed is angry when he cries - and Alphonse is no longer there.
In a way Ed kept his promise to Al - he only cried when the person he made this promise to (be it silent and secretive) was gone.
As far as they knew Al was dead.
But that truth alone didn't bring tears to Ed's eyes, though it certainly shattered his heart and made him quiver in desperation. No, in the end it was Hohenheim who finally allowed Ed to spill tears kept locked away for four long years.
And I love it.
I love that Hohenheim trying to do something truly loving, something completely selfish, something absolutely sacrificial was the thing that pushed Ed over the edge.
Because Ed never forgave his father for leaving, but by the end of the story he understands why he left.
Because Ed is so unbelievably angry with this man who abandoned him, and he still cares for him - partially because he knows Alphonse does.
Because Ed was never forced to forgive Hohenheim, but we still know that Hohenheim loves his children and his wife and would do everything for them.
Even, no, especially if it means dying.
And Ed can't take it.
So many others have died by this point, they are all painted in blood and pain, and Ed has lost his only constant - and now his father wants to make an ultimate sacrifice?
No.
So, Ed gets angry. And he cries. And he saves Al on his own - with the help of all of his friends, and Hohenheim.
Because no matter Ed's feelings on the man who gave him life, he doesn't want to see anyone else die. He doesn't want anyone else's blood on his hands.
And he wants Hohenheim to get a chance to be a rotten father - because at the end of the day Hohenheim is someone worth crying over even, no, especially by the boy who promised he wouldn't cry.
(there is something to be said about Hohenheim crying on their family portrait, only to be mirrored by Ed grinning while holding his own child - there is something to be said about Hohenheim willingly offering his life, only to be stopped by the tears running down his son's angry face - there is something to be said about Ed's anger and Hohenheim's soft grief and their shared past)
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shirecorn · 1 year
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Gay horse man looks like a princess
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Gay horse man learns to respect trans butch lesbians and various other people who won't date him
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andy-clutterbuck · 3 months
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desultory-novice · 1 year
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“Apologies”
Warnings: HCs abound. No backgrounds. Zero happiness.
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--
Oops, I turned this into a whole series now..
[Apologies AU] “Apologies”  [You Are Here] “One Sneeze”   “Summer”   “A Walk in the Snow”   “The Swordsman” “Wonderful Gift” "Damnation" "Salvation" "Unstoppable" "Brightest Star"
[Apologies AU Masterpost] (Check ^ for Arc 2 + Extras)
[Original Text Post]
Dess wants to apologize too...
That said, who else here knew that Dark Matter Blade was originally designed side by side with a human version of himself?! (They said it was just to help conceptualize his actual form, but still...WOW!)
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Add in the fact that RtDL DX shows us (via the True Arena) that a victim of Dark Matter will lose more and more of their original form until they resemble nothing more than an eyeball with scraps of clothing and accessories and Dess’s brain started cooking.
"You know, his human form looks a little like Adeleine..."
While this is about as out there a HC as you can get, I do think it’s interesting in one of DMB’s cameo appearances (Super Kirby Clash) his eye is purple, just like Adeleine’s eyes.
--
(PS: Oh yes. For extra angst, you can imagine that DMB's protective older brother feelings come from half-remembered fragments of memories of his childhood with Adeleine...)
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bbreaddog · 8 months
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Practising Goncharov Theme by @caramiaaddio on violin bc I thought it would add an extra layer of haunting…ness (is that a word?)
Here’s the excerpt I’m playing in the video:
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Despite it being in a fuck off key for violin it is a really beautiful piece and it’s absolutely worth the trouble of practising in second position (world’s most hated position) and I’m HOPING 🤞 I can record and (maybe) post a full cover of it someday
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lord-squiggletits · 3 months
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
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Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
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And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
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drawnfamiliarfaces · 2 months
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hot man hot birdman im so sorry hot fire bird man?!?!
aka glorious gijinka!Tengu Jin design by @hirumi25 has made me 👀💦?!?! because wowie thats some hecking fire design!
and of course i couldnt just not draw Hirumi's Nomi-kun with him too
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