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theafterglow83 · 11 days

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Stray thoughts from an unhinged mind caused by a song called Robin

Since my teens, I have always been a Karlie Kloss fan. No amount of vitriol from the Swifty’s has ever strayed or strained my conviction that Karlie is on many levels, and aside from being absolutely gorgeous, a better human being than Taylor Swift.

By that I mean she seems to project a warmth and a level of kindness and humanity out into the world that is so pure and honest, when compared to Taylors, sometimes vengeful and darker persona ~as well as her being Queen Mother to one of the worlds most vindictive and exhausting cults who would gladly fillet anyone at “Mother’s “ request. Taylor (the brand) has made a career and a fortune from feeding her tales of romantic misfortune and presumed ex lovers to her hungry mob with merchandise to match.

Karlie on the other hand has a nurturing and supportive side to her and don’t let her beautiful and seductive exterior fool you for below that sultry surface she gives off a warm and fuzzy golden vibe- like a puppy. She’s sophisticated, highly intelligent, NYC chic and street smart , often silly and maturing like fine wine while somehow becoming more beautiful as she ages. She also appears to be one Hell of a good mother to those babies.

All that being said about their personalities is exactly why I believe Karlie’s sunshine is the perfect match for Taylor and her moody, broken, impulsive ,often over indulgent, midnight rain personality. Not only are they equal in status - they have a Yin Yang balance to them - Only that sunshine can dry up the rain in Taylor .

I’ll continue.

While listening to songs off of the TTPD I was stopped dead in my tracks when I came to the song, Robin. I listened three times and found a tear rolling down my right cheek. I was choked up and the tiny hairs on my arms stood up . To say I was moved would be an understatement. There was something so raw, so pure and so loving in those lyrics. I had to sit with my thoughts for a while but I feel the need to share them now among those who i consider “my people”.

The Kaylors.

Sidebar confession: Yes, I’m a Kaylor.

I firmly believe Taylor Swift, and Karlie Kloss had a long running romantic relationship. They were more than friends. They were lovers too. The level of denial it takes to doubt that is astonishing. It wasn’t just Kissgate that sealed the deal. It’s the way those two looked at each other and communicated in a secret language all their own. They were deeply in love.

I believe it all started prior to the public meet up at the VS Fashion Show and even long before the “your kitchen or mine cookie “tweet.

I believe Taylor and Karlie first met when Taylor was showing up at fashion shows that Karlie was walking in as far back as 2009. Where they had a relationship then? Probably not because they were both involved with others but the sparks were flying. Thats when the foundation was laid. The attraction was there. The seeds planted. Destiny and the Universe did the rest.

Think Love Story lyrics

“We were both young when I first saw you” which I believe Taylor wrote about Karlie and which also happens to be Karlies favorite song. I believe they had an ongoing relationship that continued on until late 2017-early 2018 and then I believe something happened and they broke up, as many long-term relationships often do. My guts tell me it was cheating and it was on Taylor’s part and the regret from that will haunt Taylor for her entire life because it caused the trajectory of their path to change.

Karlie married in 2018 yet many speculate they were still together and the unofficial story is the real trouble actually came in mid 2019.

Taylor was furious over the masters, fingers were pointing everywhere, cheating rumors flew. This entire story certainly has all the drama of a Netflix series that could easily do 8 seasons

There’s so much more to this Masters incident than the public is aware of. Also the fact that Josh’s families company ~ the Carlisle Group provided the funding to Scooter is an often overlooked storyline.

Was Taylor angry at Karlie for that but how could Karlie control that if she was even in that loop of that drama. Or~ was there more -because in any good mystery - there’s always several layers more .

What did Scooter have to leverage getting that kind of money from them to buy the masters? Being Karlie’s manager at the time perhaps he has something on her or Taylor or both of them and used it as that leverage . It’s a whole other rabbit hole that I don’t have time to visit right now but regardless Taylor is still angry about to this very day which tells me it goes way deeper and my gut feeling is that Taylor’s dad was the one involved with knowing things and not Karlie Kloss who got fed to the sharks over the situation.

So I’m going on record here saying I never believed Karlie had anything to do with Masters Heist. I believe that story was used as an explanation to explain their separation. I know there’s a whole other level of messy lore involving this and a love blackout and Trumps election and Karlie’s association with the Kushner’s but I’m going to skip over that season and move on -except to say that it was absolutely shameful the level of hate Karlie was forced to endure because of that and still her sun shinned while she was being made the villain online and much of it still continues to this day. At any point during that scandal Karlie could have spoken out but she didn’t. She quietly took one for the team.

I’m not going to pretend that I know what happened during that murky period or what is happening now - because honestly -I do not…but there have been a strange set clues and way too many “koincidences to simply chalk up to being coincidences.

It’s just a gut feeling but I also don’t believe their connection went fully went away or ever will for that matter. They are and will forever be tied together even in the times they are apart but I kinda think they reunited ( again) in early to mid 2020.

I’ve read all the theories. I’ve heard all the rumors ,I’ve been to the rabbit hole, I’ve climbed out, I’ve fallen back in, and most days now you’ll find me sitting on the edge dangling my feet still and kinda wondering. I live my life ~ they live theirs.

So am I a LSK?

No, not really, but some days …ok, maybe. You see for as much as I try to say no…there’s just this tiny string I can’t help but see so I keep my feet planted on the ground but my mind open.

By open I mean open to the possibility that Taylor and Karlie are in one of those kind of “relationships” where as hard as they try ~they just can’t seem to quit each other and they go through periods of on and off times. “pauses” is what I like to call the brakes or bumps along the way. You know that couple that’s over but they’re never really over ?

Where are they now? I have no idea.

Taylor has another year of touring and promoting and probably Travis. My money says Taylor Swift will be the halftime show at next years Super Bowl.

Karlie, along with her modeling contacts ( Carolina Herrera, Estée Lauder, Donna Karen etc ) is venturing into the business world. Along with running Kode with Klossy, she’s CEO of her newly formed media company. She bought I-D magazine and also Life magazine, which Josh also invested in , this year. She’s got a lot on her plate

Yes, Karlie is married but is she really married in the traditional sense of what we all consider marriage to be? On the surface, yes… but once again- the layers and the lore here is incredible.

What a character she’d be on that Netflix show I imagine in my head . Just give her an Emmy already.

Does she love Josh? I’m absolutely sure she does- but the real question is…is she IN love with Josh? You know- romantic love -which, I as an observer ~don’t believe she is or ever has been. You can just kinda tell and no matter how many pictures she posts the connection just isn’t there and whenever I see her with her beautiful babies (even if he’s in the photo) she gives off that “ single mother vibe “

That level of chemistry, no matter how the pictures are posed~ or the hand in hand walks are staged -the passion ~ the look in their eyes - it just isn’t there and honestly it never was.

They have always given off that bff energy and frankly ~ Karlie’s friendship with her “big brother “ Derek actually feels more real, relaxed and genuine.Then there are the gay rumors ( past and present) surrounding their entire little multiverse ~but we won’t go into them right now either. We’d be here all night.

And yes, Taylor has had her share of public relationships but have they been real? Have they had their moments? probably. Did some become more than PR for a brief period of time. Possibly She’s been linked to everyone she even walks by or talks to but somehow it all pales and fades in time. I’m sure there have been flings along the way but flings don’t fly and usually run their course in that 9 1/2 week period that flings seem to take.

If I’m being honest, as I observe from the treetops all of Taylor’s relationships and Karlies relationship with Josh, they never reach the level of the real connection and happiness that I saw between Taylor and Karlie. That’s something you just can’t fake or reproduce with another .

Whatever is going on with Travis is so cringey and sadly embarrassing.I tend to think it’s PR but if it’s real then he truly is her obnoxious karma and karma isn’t usually a good thing. But hey the moneys good. Maybe they’ll even get lavender married so she can stay in her closet and continue to throw red meat to the $wifties.

The future is yet unwritten.

All that being said, I’ll get back to my original point of this ramble and that’s a song called Robin.

So yes, I’ve heard the rumors, I’ve read the theories, I’ve seen photographs of visual evidence. Karlie Kloss was in Los Angeles during the pandemic, the same place where Taylor was in fort part of 2020. When she returned to NYC if you count the months - she was pregnant even if she didn’t look it. I also believe Karlie was there in the shadows during the Long Pond Studio recordings in Upstate NY. Jack kind of gave it away when he referenced “Joe the dog” as being who he thought Taylor was talking about when she said “ Joe and I wrote a song”

I’ve also heard the rumor that there was a ceremony between them that they tried to pass off as a ceremony between Taylor and Joe which Tree later denied that there was ever a ceremony of “any type”.

Ok buckle up because here it comes

I’ve seen the “turkey baster”( IVF ) post that Karlie made. Like who uses a turkey baster in May? What an odd thing to do unless you were signaling an IVF pregnancy situation. Regardless ~ she was extremely happy that day.

I’ve seen the cinnamon buns post ( think the expression “buns in the oven ) that Taylor made a few days later back in May 2020. She was “proud” of her cinnamon buns.

Happy & proud …hum

Is that a crazy set of coincidences? Hand on whatever holy book you set before me ~ I’d have to say “yes”

And it’s Absolutely crazy considering the fact that Levi was born a little over nine months later.

Add in the fact of how emotional Taylor got accepting her Grammy for Folklore when Arron thanked his “ wife and kids “during the acceptance speech.

For a few moments there you could feel the raw emotion in her as she nearly burst into tears andJack tried to console her. Blonde was gutted. It cut deep.

Sidebar:

Yes Aaron has a son named Robin but he’s 9 years old and other than the name cleverly used for gentle cover of the truth in case damage control is ever needed~ there is no connection to that child or a secret, no showmanship to cover it up or anything that would make Taylor react as she did. Other than his name there is no connection to the words in the song

But the fact that Levi’s birth was announced during the Grammys absolutely does connect.

So I’ll just put a pin in that and move on.

Listening to that ballad yesterday rocked my entire world . It was so soft, gentle and living. So heart wrenching that I just let my emotions flow through me as my mind wandered back gathering and processing all the previous rumors and lore I had heard along the way. It left me rattled as it tumbled through memories. Could it all have been true?

So now I’m just gonna say it out loud running the risk of being attacked and also sounding like a supermarket tabloid…here goes “could Levi be Karlie’s and Taylor’s child?”

I know it sounds crazy…secret love child but …

I’m not trying to out anyone and I want to respect the fact that a child is involved here. Honestly I had second and third thoughts about posting this but if I’m being real ~ it’s also a collective of things that have been shared openly about Taylor and Karlie here for years. Somehow the song was like a puzzle piece that snapped into place.

…those loving words ,the emotion in Taylor‘s voice as she sings about her strong heartfelt attachment to a young toddler, as she encourages him in being wild and free in his wonder years, playing with abandon and roaring at the dinosaurs~

There was real love in those words

Looking out his window over his kingdom (NYC) and speaking gibberish

She also advocates for him keeping his innocence for as long as possible and then speaks of a secret that a inner circle of people have chosen to keep from him” in sweetness” to protect him and the “showmanship” to cover up that secret that he has no idea of.

And as she watches his unabashed play in his toddler purity she prophesies there will come a time in the future when the world he faces will have harsh words for him and she reminds him that he will bounce back like he now does on his trampoline.

“ and you have no idea

Buried down deep and out of your reach

the secret we all vowed

to keep it from you in sweetness

strings tied to levers

slowed down clocks tethers

all the showman ship

to keep it from you in sweetness

way to go, tiger

I’m not crying , you are and Levi looks just like his mommy 🤍

Let’s keep this in the family ✌️🤍🏳️‍🌈

God I love this show .

Stay tuned for next season

#karlie kloss #taylor swift #kaylor

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maxarchive · 8 days

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MAX-IMUM ATTACK 2017 Season Photos and words by Darren Heath

Monday lunchtime, Heathrow Terminal 5. Standing next to the slowly revolving baggage carousel, a fresh-faced, slightly awkward-looking - just out of his teens - young man is awaiting the arrival of his chattels.

Dressed in bland black trainers, similarly hued skinny jeans and an oversized hoody, this Young Turk ain’t winning any style awards. iPhone in hand, he’s busy swiping the screen in that head-bowed social media style billions of us now ‘enjoy’.

Max Verstappen doesn’t really do flash. He couldn’t look more ‘normal’. Yet put him in a racing car and he’s just about the most special talent to arrive on motor racing’s top step for decades.

Schumacher-esque – Michael of course! – is a term increasingly heard up and down the F1 paddock, such is the impact the Netherlands’ premier sportsman is now making.

I can see it too.

The fresh-faced 16-year-old boy who was, upon his arrival, so ignorantly dismissed by many within the sport is rapidly becoming a man. It’s amazing how quickly young sportsmen living life in the public gaze assume adulthood. Just take a look at Sebastian Vettel. The gawky kid of 2009 became the handsome dude of 2010!

What sets the potentially great apart from the mediocre? What makes Max Verstappen so, so much more special than, say, Carlos Sainz?

I guess it’s the whole package: the look; the mien; the steely character honed to be a racer almost from before he could walk; the utterly uncompromising way he dismisses any questioning of his racecraft; the toys-out-of-the-pram reaction to harsh penalties; the fast straight-out-of-the-box attacking style; and the rapier-like overtaking ability, the like of which we haven’t seen for many a year. Such was Max’s impact on the art of passing and defending, the rules had to be rewritten!

The way the car looks through the turns, the application of throttle, steering and immensely late braking. Metronomic in his blisteringly fast lap time delivery, this boy has the lot. He IS the future of Formula 1.

In so, so many ways – but let’s hope not all – Max is the new MSC.

Racing in an aggressive and forceful style often results in on-track contretemps with some of his more seasoned rivals. No matter, Max takes no prisoners, batting away questions about the legality of some of his racing moves with a dismissive arrogance that’s strangely appealing in its delivery.

Up to speed now and surely making Dan Ricciardo question his team-leading abilities, Verstappen is unquestionably Red Bull’s main man.

Off-track too, Max is sorted. Guided by his F1-experienced father, the young Verstappen has an able and well-qualified navigator at the helm. Learning from his own ill-advised 1990s F1 driving career decisions, Jos pays absolute attention so as to ensure his son maximises the opportunities on offer.

With top-drawer drivers in short supply, Red Bull had better make damned sure their 2019-and-beyond engine supply is top-notch. The bidding war for Max’s signature is already in full swing. Ferrari and Mercedes are enviously eyeing the Dutchman’s abilities with covetous desire.

It’s easy to forget that Max is only 20 years old. Way ahead in racing driver maturity - a relative term! – than so many millions of a similar age, Max has appeared mentally developed beyond his years since first he appeared in the F1 paddock at Spa 2014. It struck me then how entirely capable this 16-year-old boy was dealing with multiple language questions and untold camera lenses. Listening to his interrogator politely before answering calmly and intelligently, Max appeared born to the role…

Fast forward to now and Verstappen is a multiple grand prix winner and 2018 title-chasing challenger. Part of the new breed of F1 racers, Max leads the pack. Publicly respectful of his rivals, although privately dismissive of many, he well knows his place among the potentially great.

Michael Schumacher once opined – in an interview I photographed – that his father had advised him to heed well the arrival on the scene of the next great talent. The one who’d challenge and quickly replace the dominant male. Well, Lewis, Sebastian and Fernando, that man has arrived.

You’d best heed Herr Schumacher’s words well…

#max verstappen #f1 #2017

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redclercs · 11 months

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DELICATE✰ CHARLES LECLERC.

x. what a shame she's fucked in the head.

— the one where they tell you what your word is worth.

❝𝘈𝘯𝘥 𝘣𝘢𝘣𝘺, 𝘐 𝘨𝘦𝘵 𝘮𝘺𝘴𝘵𝘪𝘧𝘪𝘦𝘥 𝘣𝘺 𝘩𝘰𝘸 𝘵𝘩𝘪𝘴 𝘤𝘪𝘵𝘺 𝘴𝘤𝘳𝘦𝘢𝘮𝘴 𝘺𝘰𝘶𝘳 𝘯𝘢𝘮𝘦❞ —𝘛𝘢𝘺𝘭𝘰𝘳 𝘚𝘸𝘪𝘧𝘵, 𝘊𝘰𝘳𝘯𝘦𝘭𝘪𝘢 𝘚𝘵𝘳𝘦𝘦𝘵.

warnings: abuse downplay, bashing towards taylor swift (i obviously adore her pls don't come for me haha), online bullying, new york inaccuracies, corny taylor references per usual, etc. 2k words + articles

in my head there's a mix of begin again and cornelia street playing as background music.

masterlist ✢ next

NO one likes a mad woman, but not for the reasons Taylor Swift made you believe in the lyrics of her 2020 song. Although we are definitely afraid y/n might get 'more crazy'.

Honestly, who gave her the right to speak like that about Aidan Kim? As it turns out, the three-year relationships she willingly stayed on was a 'dead-end' one, and Aidan "abused" (and I cannot stress the quotations enough) her through several stages of their shared time.

Well, I call bullshit.

How is it that after Aidan Kim helped her build whatever she has going on that people call a 'career' she wasn't bothered about being told 'how to look and how to act' (direct quote from her own video, by the way).

Breaking up with your sneaky link and calling him your friend won't save what you did before, y/n, it's the oldes trick in the book. Everything she said in her Youtube video, one I regretfully watched despite the knowledge that I won't get those 45 minutes of my life back, is rehearsed and calculated and just tried to paint the real victims in a bad light.

Playing the victim worked for Taylor Swift in 2009, 2017, 2019... but we surely won't let it happen again, right folks? y/n needs a new tactic to crawl back from the hell, because we're not believing anything that comes out of her mouth anymore.

It's true what they say, an untalented actress makes an untalented liar.

By Lia Yim

Victoria Presley is worried about best friend's y/n y/ln's well-being after the actress 'completely ghosted her' since moving back to New York.

"One day we were fine and the next, she had packed her bags and left my house," Presley said in an exclusive interview with iNTouch. "I'm not going to lie, I was deeply hurt by her actions. I offered her my home as a safe haven and she left without explanation."

y/n had been living in Victorias Los Angeles home since mid-February until this month when she returned to her infamous SoHo apartment, one she shared with Aidan Kim until their breakup.

"I can find it in my heart to forgive her, of course," 'Vic', as she's known on social media, added. "Right now, I just want my best friend back. I want the y/n I've known for years and not this person she became since Matilde Bassi and Charles Leclerc inserted themselves in her life."

Victoria Presley, the founder and CEO of Presley Beauty, is the daughter of Luke Presley and Claire Walker and has been in the influencing business for a few years now.

"If y/n ends up reading this, I want her to know that I will support her decisions but not in the way her new 'friends' are doing. I just want what's best for her."

SEE ALSO:

→ Vic Presley on having to start from zero: "I'm not a nepobaby!"

→ A look inside y/n's SoHo apartment, the one Aidan Kim paid for.

→ Is Charles Leclerc's career going downhill thanks to y/n?

By Beatrice Mann

With y/n y/ln's latest controversy, the whole world has turned their backs on the actress. But, is it really that bad? Or is it just because she's a woman in the business?

The online community's hottest topic is y/n's Youtube video where she speaks on her relationship with Aidan Kim, her friendship with Charles Leclerc and, most importantly, how all of this has affected her career. And I want to tell you all, y/n is right.

If the roles were reversed, Aidan Kim would be thriving on a newly unlocked 'Heartbreaker' persona and y/n would still be constantly humiliated for not being 'wife material'.

I believe y/n deserves much better than what she's getting. The woman admitted she escaped a relationship where her partner LAUGHED at her and manipulated her actions for his comfort. And people are still siding with the man? Seriously, people, use your brains and dig up your morals!

The only thing we're communicating to younger generations by constantly doubting women's words and putting them in the spotlight for standing up for themselves, is that only men's words are worth something.

June 14th, Manhattan, New York.

It isn't much of a surprise when Charles calls you while you're trying to get your Moka pot to work that morning. It's your third attempt at it and the previous mornings you've left it alone with tears in your eyes to walk down the street and get Starbucks coffee. You might be a little too attached to that coffee maker.

Charles got to New York city the previous night, and reminded you that you promised to show him around more than once. You intended to keep your promise, thinking you would have more time before the day came.

But as you walk to the restaurant where you decided to meet him, you can't help but think how exciting it is that you get to show the city you love so much to Charles. And just like that morning in Monaco, you can't help but remind yourself that this is a friendly get-together.

Charles has slowly, but surely, become one of your closest friends in the middle of the frenzy that your life is. With your ex-best friend saying you walked out on her and your failed fiancé insisting that it was you, who acted like a 'total psychopath' towards the end of your relationship, you have more fingers than people you can count on.

You watch him carefully as he smooths the napkin on his legs twice and then drops in on the table again, fidgeting with the loose threads in the corner.

Your wristwatch says it's 10:00 am, which is the exact time you agreed to meet. You wonder how long he's been waiting if there's an empty cup of coffee in front of him.

"You know, it's also rude to be too early for a meeting," you say as a form of greeting once you approach the table.

This startles him enough to drop the napkin on his lap again, proceeding to scramble to return it to the table before pushing his chair out to get up.

You chuckle, but before you can say you were joking, Charles is engulfing you in a hug. Your stomach flutters because of the way he holds the back of your head with his palm. It feels like you're being reunited after months instead of just two weeks. Time doesn't feel real sometimes, you would know.

"Soleil!" he says excitedly, putting his hands on your shoulders. "It's so good to see you,"

"It's nice to see you too, Charlie."

There's the nickname again. You've tried not to think too hard about it. Is it a European thing to call your friends that? When you asked him about it the last time he called before taking his flight to New York, his response was a simple 'it suits you'.

Charles pulls your chair for you and grabs your purse to place it on the empty chair between you two. He grabs his napkin again, pulling one last time on a thread before smoothing it down and forgetting about it.

"How are you?" Charles asks, a bright smile on his face. It falters in a barely perceptible way because he doesn't want to give you bad thoughts, which seem to come automatically every time the question is asked.

"Well, I'm okay," you assure in a soothing tone, "Still looking for jobs. And you?"

"Alright. Lots of work in the simulator and I'm hoping this is a good weekend,"

"Are you sure you'll be okay getting to Montreal tomorrow?" you smile at the waitress that approaches your table, "Can I have some coffee, please?"

"Of course," Charles assures, with a gesture of his hand. He's getting to Montreal at seven in the morning and running straight to his motorhome. "There's time for everything."

"What do you want to do, then?"

You don't want to exhaust him by showing him around New York, he has a long weekend ahead. To be honest, you really wonder what compelled him to make this stop instead of going straight to Canada. Sure you had talked about him coming to New York, eventually. Not a day before he had to start his Grand Prix weekend.

"Anything you want us to do," he replies, the single-dimpled smile on his face. "I'm open to anything."

"MoMA? Central Park? Something not so touristy?" you suggest, before thanking the waitress as she places a hot cup of coffee on the table.

"Just show me the places you like, y/n, don't stress about it." Charles laughs, eyes returning to the open menu in front of him. "I only care about hanging out with you."

"Thanks," is all you manage to say as you sip the scalding coffee, you do your best not to wince as it burns your tongue and down your throat. "Let's do it then."

"So, what do you think? Everything you expected and more?"

You're taking a walk in Central Park after Charles agreed to see the Alice in Wonderland statue. It's a warm morning in New York and although you haven't been walking around for that long, Charles seems content enough with what he's seen.

"It's very... you," Charles replies, and you're sure he means it as a compliment, but New York can be really ugly too. "In a good way!" he adds when he sees your expression.

"Thank you, Charlie." you laugh again. It's easy being with Charles, laughing with sincerity and really being in what's happening in the moment.

You didn't lie when you said you weren't afraid of speaking up anymore, but the dread of actually doing it is inevitable. Your words are being twisted and marked as false because Aidan is far 'more loved' than you are. Not to mention Victoria's interview about your lack of reciprocity to her humble feelings

You're still thinking about suing her. But it hurts to know that she was your best friend a week ago.

A few people stop you both to ask for pictures and autographs on the back of phone cases. A few of them ignore you, others smile politely at Charles before asking him to take their picture with you.

"I'm really polishing my photographing skills," Charles jokes as you walk away from a group of young girls who gush about how much they wish they could dress like you.

"Sorry if it bothers you," you whisper, looking at him only from the corner of your eye.

"Of course not, y/n. They ask nicely, and you're okay with it." he shrugs.

There was one time when a teenager, around fourteen or fifteeen, asked Aidan if he could please take a picture of her and yourself. It was an innocent question, she had already acknowledged him as 'that guy from Star-5' and how he'd been in Supercut with you.

But just by the way you saw his expression change, you told the girl a selfie was a better option, you would hold the phone yourself if she was okay with it.

You didn't hear the end of it for the rest of night. Aidan berated your career for the first time of many, saying it was frankly offensive that he’d been treated that way. It didn't matter that you told him the girl was barely a teen and she hadn't been rude. Still, he was more famous than you, he didn't deserve to be made felt like the opposite.

"What are you thinking?" Charles asks, touching your shoulder gently to make you pause your walk.

You really don't want to admit you were thinking about your ex-boyfriend. Not that it matters, Charles knows you think about Aidan often in a mostly negative light, but it feels weird to say it here. So you shrug and sigh. "I wish I thought of nothing, to be honest."

Charles squeezes your shoulder in a half hug. He doesn't push your boundaries, although he wishes he knew what was actually going through your mind.

─────────

It's when you two are having dinner in a restaurant in SoHo that Charles asks the question that has been eating him away since he landed in New York the previous night.

"Do you want to come to Canada with me?"

"Am I not blacklisted from the paddock?" you tease, although Elix is gone. You wonder if Ferrari people blame you a little bit for their sponsor dropping them.

"Absolutely not," Charles frowns, "And you would be my guest, you get to be in the Ferrari Suite like always."

"Thank you, Charlie–"

Charles tries not to seem disappointed as he waits for the 'but' to follow, so he drinks from his wine.

"—but I have some back to back things to do this weekend," you do regret not being able to make it, you loved the few Grand Prix you were able to attend and you would love to see Carlos too. But you have booked a few interviews with people who, more than anything want to consume gossip, but have disguised it as 'letting you tell your truth in more depth'. You cannot back down from what you started.

"That's okay," he assures with a quick wink. "You know you can come to races whenever you want to, though, right?"

"I can?" you raise both eyebrows and Charles rolls his eyes. "The benefits of having a Ferrari driver as a friend. I should have befriended you sooner."

"Very funny," he says as he hides his smile behind his glass of wine again. "Do I get invited to the Red Carpets?"

"You kind of befriended me at the downfall of my career. It's going to take a while for you to be on a Red Carpet."

Charles clicks his tongue and shakes his head. "You're only just getting started, soleil. Don't say that."

You hope he's right, because you have castings lined-up for next week too and you don't want to call him, or Mati, or your mom, crying about how unwanted you feel.

You shrug, drinking from your own wine.

"I'm being serious, y/n," Charles' tone is stern for a moment, yet not aggressive. "You have a lot of wonderful things to do in the future."

"Yeah, thanks." you dislike yourself for ruining the mood yet again, but Charles isn't bothered as he smiles at you once again.

"I mean it,"

He does, and so does Mati, and your mom. You are bound for great things, although they're taking time to find you right now.

"I know. Thank you Charlie, you're very kind. I hope you have a good race this weekend."

Charles huffs. "Yes, me too. Wish me luck?"

"I feel like I jinx you more than help you, Charlie."

"You didn't wish me luck in Spain, look how that went," he fakes a shudder and you snort. You hated every minute spent in Spain after FP3.

"Good luck, you'll do great." You pat the hand that he keeps on top of the table a couple times and before you can take your hand back, he grabs it, giving it a gentle squeeze.

Your heart races and you take a deep, sharp breath, like that would help it go back to normal. You have tried not to overanalyze everything about today, from the way Charles looked to the words he said, to the way your body responded to it. You don't want to go down that specific spiral.

"Thanks for stopping by," you take your hand back and keep it busy with your almost empty glass of wine. The alcohol has turned your cheeks warm. "You really want to see New York, huh?"

"I really wanted to see you," Charles replies, nonchalantly.

And you know you'll be spiraling, despite your best efforts.

─── team principal radio: ❝thanks for reading! also thank you so so so much because last chapter got to 1k+ interactions and i was beyond shocked!! it means a lot that you're enjoying delicate!♡❞

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wlwcatalogue · 10 months

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Yuri Subtext (?) Anime List

A supplement to my earlier yuri anime masterlist, this list covers anime which aren’t marketed as yuri but which prominently feature F/F pairs, whether canonical or subtext! Since subtext is so subjective, this post only includes series which I’ve actually watched, and so is by no means intended to be comprehensive.

Also, since the above description would not cover certain series with well-known yuri pairings, I've also included a few "bonus rounds" for the curious (although these are still limited to series I have watched).

At-a-glance list:

Revolutionary Girl Utena (39 episodes + 1 movie, 1997)

NOIR (26 episodes, 2001)

Puella Magi Madoka Magica (12 episodes, 2011)

Haibane Renmei (13 episodes, 2002)

.hack//SIGN (26 episodes, 2002)

Read or Die / R.O.D. the TV (26 episodes, 2003)

Mobile Suit Gundam: The Witch From Mercury (24 episodes, 2022)

Black Rock Shooter (8 episodes, 2010)

Izetta: The Last Witch (12 episodes, 2016)

Violet Evergarden: Eternity and the Auto Memory Doll (movie, 2019)

Canaan (13 episodes, 2009)

Ga-Rei: Zero (12 episodes, 2008)

Bonus rounds:

Sailor Moon S3 (38 episodes, 1994) (subtext)

Mai-Hime (26 episodes, 2004) (canon)

Psycho-Pass (41 episodes + 3 movies, 2012) (canon)

My Next Life as a Villainess: All Routes Lead to Doom! (24 episodes + movie, 2020) (canon)

Summaries under the cut!

1. Revolutionary Girl Utena (39 episodes + 1 movie, 1997) - Anime News Network | MyAnimeList

(Copied from the Yuri Anime Masterlist post, since technically it wasn’t marketed as yuri)

When she was a child, Tenjou Utena (Kawakami Tomoko) was saved by a passerby prince, so she decided that she too wanted to become a prince as an adult. Fast forward to high school, and she hasn’t forgotten that conviction: Utena gets sucked into a series of duels while trying to protect her best friend’s honour. After winning the first duel, she becomes ‘engaged’ to the eccentric “Rose Bride” Himemiya Anthy (Fuchizaki Yuriko), and the two start living together in the same dormitory.

First things first: there are a million content warnings for this series, including implied rape, sexual assault, incest, and homophobia. Although the issues are handled well (in my opinion), it does go to very dark places, so those wanting a light, fun anime to unwind to should look elsewhere. Second, this series is very much a psychological drama utilising the episodic duels as a way of hone in on Utena’s opponents and their stories, so Utena and Anthy’s relationship – though important – is definitely not the focus of the anime. Third, the TV series is limited to hinting at the romantic relationship between Utena and Anthy, not to mention that they spend most of the series being little more than acquaintances rather than actual friends. The movie Adolescence (which can be taken as a retelling or sequel, depending on your perspective) is much more explicit on this front, but also suffers from a significantly shorter runtime and a much more opaque approach to storytelling.

That being said! If you’re okay with all of the above, this series is pretty much essential. The simplistic premise belies a much more complex and nuanced story about gender roles, sexuality, and human relationships and remains one of the smartest anime ever made, over twenty years on.

2. NOIR (26 episodes, 2001) - Anime News Network | MyAnimeList

The first in anime studio Bee Train’s “girls with guns” trilogy, NOIR follows globetrotting assassin duo Mireille Bouquet (Mitsuishi Kotono) and Yuumura Kirika (Kuwashima Houko) as they partner up to search for Kirika’s missing memories and the truth behind Mireille’s parents’ deaths. The series is pleasingly restrained despite the sensational premise, alternating between “business trips” to far-flung locations and snapshots of the pair’s domestic life in Mireille’s Paris apartment, and devoting more time to the unfolding of the relationship between the prickly Mireille and puppy-like Kirika than to action sequences. I won't say too much due to spoilers, but their relationship numbers among my favorites due to how naturally it is developed throughout and how it is very much at the heart of the series both narratively and thematically.

This is also the first anime soundtrack entirely composed by the legendary Kajiura Yuki, heralding a long collaboration with director Mashimo Kouichi, and her mix of classical and modern sounds provides the perfect accompaniment to NOIR’s atmospheric cityscapes. Also, for fans of Mitsuishi’s work (Sailor Moon! Utena! Evangelion!), I’d say NOIR is a must-watch for her performance alone; her Mireille is brittle and proud, and she brings so much humanity and nuance to the role. In fact, I don’t care if you’re a fan of Mitsuishi or Kajiura or assassins or whatever, please just try the first episode— this anime deserves way more love!

3. Puella Magi Madoka Magica (12 episodes, 2011) - Anime News Network | MyAnimeList

Puella Magi Madoka Magica opens with ordinary middle school girl Kaname Madoka (Yuuki Aoi) standing in the ruins of her hometown, watching as a lone girl struggles to defend what remains of the city against a much more powerful enemy. A little rabbit-like creature informs Madoka that the girl is sure to lose without her help, and so Madoka decides to become a magical girl right then and there— at which point she wakes up and dismisses it as a strange nightmare. But then that very day, her school receives a new transfer student who looks just like that mysterious girl, and she also finds a hurt animal that closely resembles the rabbit-like creature from her dream. Madoka is then faced with certain questions: do magical girls actually exist, and will she become one herself?

Since Madoka Magica was all the rage back in the early 2010s, I don’t think it too much of a spoiler to say that the cheery first three episodes hide a dark, gritty story which uses the concept of magical girls to explore the tumultuousness of adolescence. The queer subtext only comes in at the end but tight plotting and inventive presentation make this show a quick watch— and if you’re the type who likes queerness in fiction to be intense, world-shakingly significant, and a wee bit problematic, the payoff should be more than enough. A word of warning: there is a movie sequel called Rebellion, but if you’re happy with the ending of the anime, it’s best not to watch it (although I love the movie, myself).

Side note: I won’t go into it too much due to spoilers but if you liked Madoka Magica you might want to check out Serial Experiments Lain – even if most of it is utterly incomprehensible (as it was to me), it’s worth watching until the very end (wink). Also, for the rare fan of Rebellion, Adolescence of Utena is a must-watch if you haven’t checked it out already; so much can be said about its conceptual and aesthetic influences on Rebellion!

4. Haibane Renmei (13 episodes, 2002) - Anime News Network | MyAnimeList

(Note: slight spoilers about the tone and overall themes of the show – but I think it’s necessary for the purpose of writing a more representative summary.)

Written by ABe Yoshitoshi – character designer of cult classic anime Serial Experiments Lain and author of the very unfinished manga which this show adapts and significantly develops – Haibane Renmei starts off as a light-fantasy slice-of-life anime following freshly-arrived Rakka (Hirohashi Ryou) as she searches for a suitable job in the town of Glie, before transforming into a nuanced exploration of grief and depression about halfway through. To say more would be really too spoilery, but I just want to say that this has probably the most grounded and sensitive depiction of depression I have seen in an anime; it shows that sometimes people struggle even if everyone around them is kind and supportive, but remains hopeful about the healing power of time and understanding. The subtext is between the protagonist and Reki (Noda Junko), the first person she meets, who also helps her get acclimatised to her new life in Glie. Again, I won’t say more, but their relationship really is wonderful. That being said, this show does touch upon suicide and suicidal ideation in the course of discussing these themes, so please steer clear if that is something you are wary of.

5. .hack//SIGN (26 episodes, 2002) - Anime News Network | MyAnimeList

A standalone spinoff of the .hack PS2 games, this show was the most well-known anime about players getting trapped inside a multiplayer game before Sword Art Online’s arrival in 2012 (ironically, Kajiura Yuki composed the music for both). Rather than being an action-adventure story about a heroic protagonist trying to find a way back to the real world, SIGN stands out as an introspective piece, far more interested in the psychology of those who play online games and the issues of human connection and identity. In fact, the female protagonist is all too happy to remain within the MMORPG as male player-avatar Tsukasa (Saiga Mitsuki) after becoming unable to log out; the story is more about how the player grows to accept the real world with the help of the other players she meets, rather than about figuring out the exit route.

On the F/F side, some way into the series, Tsukasa makes an instant connection with fellow player-character Subaru (Nazuka Kaori) and they soon start spending a lot of time together. I really love their scenes together; the series' masterful use of body language, framing, and music all comes together to create these beautifully tender moments of intimacy. Although there’s no kiss scene nor explicit discussion of dating etc., a lot of the other characters talk about their relationship and perceive it as being romantic, to the point where one gets homophobically “worried” about Subaru when they find out that the player controlling male avatar Tsukasa is female. Tsukasa and Subaru's relationship becomes a lynchpin for both characters' development, and in general is used to illustrate the series' underlying themes in a thoughtful and heartwarming way.

6. Read or Die / R.O.D. the TV (26 episodes, 2003) Anime News Network | MyAnimeList

A spinoff of the Read or Die series which takes more from espionage thrillers and Hong Kong action flicks than shounen anime, R.O.D. the TV takes the unusual approach of starting with its main character - elite paper-maniuplating superspy Yomiko Readman (Miura Rieko) - being nowhere to be seen after burning down the British Library in a dramatic resignation announcement. Instead of focusing on her, or the spy agencies clashing in her absence, the story instead follows her friend Sumiregawa Nenene (Yukino Satsuki), who joins up with a trio of sisters with paper-manipulating powers and criminal connections in her quest to find out what happened to Yomiko. The queerness is mainly implied through Nenene's focus on Yomiko, which is unrequited and sadly fizzles out narratively speaking in the back half. Unfortunately, this is coupled with an increased focus on more heteronormative topics, such as Yomiko's grief over her dead male lover, and the child one of the characters had with the villain of the OVA. That being said, I also want to shout out this series' surprisingly earnest depiction of budding queerness in a young (like, elementary-school young) side character - something that is rare in fiction even now.

7. Mobile Suit Gundam: The Witch from Mercury (24 episodes, 2022) - Anime News Network | MyAnimeList

The most recent entry on this list by far (the final episode aired just a day ago at time of writing), The Witch from Mercury initially seems to forgo the Gundam franchise’s usual grand scale, being set in an academy run by the corporate giant Benerit Group. Main character and new student Suletta Mercury (Ichinose Kana) - the franchise’s first female protagonist since its beginnings in 1979 - accidentally bumbles her way into fighting a mecha duel, and, when she wins, is shocked to find that she is now engaged to the sole heiress of that self-same corporate giant, her classmate Miorine Rembran (Lynn). So far so Utena, but after the first episode, things start to diverge significantly: though the duels continue, the focus shifts to how big-picture tensions such as the manoeuvring within the Benerit Group and the conflict between the space colonisers and people on Earth play out within the student body, and how the arrival of Suletta and her mysteriously cutting-edge mecha start to shake up the status quo… until things come to an explosive head.

For those who curious about G-Witch due to Suletta and Miorine, but who wouldn’t normally be interested in Gundam or space operas, I’ll just say that if the hype has led you to expect a big queer romance where Suletta and Miorine shout their love from the rooftops, well, that’s not how it goes. It’s a mecha anime first and foremost, after all! But lower your expectations and you may be pleasantly surprised. Season 1 offers plenty to enjoy in terms of Suletta’s earnest attempts to be a good “bridegroom” and the tsundere Miorine’s bouts of jealousy over Suletta. And while their relationship takes a bit of a back seat in Season 2 due to there being So Much going on, it remains one of the key elements of the series and their scenes together are the emotional peaks of the season.

Side note: Some might criticise Gundam for taking so long to have a female main character, but let’s not forget about how the even older Ultraman (1966), Kamen Rider (1971), and Super Sentai (1975) franchises still have not had a single mainline series featuring a female protagonist… Come on guys, I’m dying for a female-led Kamen Rider over here!

8. Black Rock Shooter (8 episodes, 2010) - Anime News Network | MyAnimeList

One of the two anime inspired by the Hatsune Miku song of the same name, this Okada Mari-penned series hones in on the passionate friendships and jealousies of a group of middle-school girls. In a twist that feels informed by the psychological allegory of the popular Persona games, this interpersonal drama plays out in the surreal battle world of the music video, with the titular Black Rock Shooter being the main character’s alter-ego. Of particular interest is the first half’s focus on the blossoming friendship between protagonist Kuroi Mato (Hanazawa Kana) and her shy classmate Takanashi Yomi (Sawashiro Miyuki), which has strong overtones of two girls developing crushes on each other – it doesn’t go smoothly, but hey, that’s life.

9. Izetta: The Last Witch (12 episodes, 2016) - Anime News Network | MyAnimeList

Set during what is basically World War 2, Izetta: The Last Witch asks the daring question of “What if a small European country about to be invaded by alternate-history Nazi Germany could fight back with magic… and what if it was (subtextually) yuri?” The show follows politically-minded princess Finé as she and her best friend (read: girlfriend) Izetta think up ways to leverage the latter’s witchy gifts to save the country from invasion – a rare case of a military anime where female characters are significantly involved at the strategic stage. Those who enjoy the classic princess-and-knight trope may find something to like as long as they are fine with Finé and Izetta not having much relationship development (as their dynamic is established from the start) and them not having many one-on-one scenes together (as the series’ main focus is on the political manoeuvring). Note that this show is also pretty heavy on the fanservice – IIRC there was at least one moment of egregious sexualisation per episode.

Side note: those who like Izetta may also want to check out Last Exile: Fam, the Silver Wing, a female-focused dieselpunk anime with a lot of military strategizing and a very cool world setting, though Izetta is better-paced and the main relationship is much more plot-significant. (That being said I do like the relationship between Fam side characters Tatiana and Alistair… Tatiana is probably the adult character with the most screentime in Fam, being the main characters’ commanding officer, and although it’s very background, she has this cutely settled dynamic with former piloting partner turned wife right-hand woman Alistair.)

10. Violet Evergarden: Eternity and the Auto Memory Doll (movie, 2019) - Anime News Network | MyAnimeList

(Note: this entry’s a slightly weird one, it only covers the first 40 minutes of this movie due to it being basically two episodic stories smushed together into a single package, and only the earlier story is relevant to this list.)

In this standalone spinoff of the Violet Evergarden anime series – itself an adaptation of the light novel series by Akatsuki Kana – the titular protagonist Violet (Ishikawa Yui) takes a break from ghostwriting letters to serve as companion to aloof young noblewoman Isabella York (Kotobuki Minako) in her last months of finishing school. The story is a quiet coming-of-age tale focusing on how the kind (and rather dashing!) Violet helps Isabella to open up, or, in simpler terms, it’s fodder for butler-and-lady fans. Don’t get your hopes up too much, though: Violet learning about her romantic feelings for her deceased male superior is one of the main throughlines of the anime, and this (half of the) movie also ends with a heterosexual arranged marriage for Isabella. That being said, this movie is really a feast for the eyes, its historical-fantasy setting being brought out with beautiful backgrounds and detailed linework, so it’s worth checking out if you don’t mind the very Class S narrative.

Side note: if you want F/F butler-and-lady or princess-and-knight vibes I would really recommend watching Fate/Zero for Saber and Irisviel – yes Irisviel is already married to one of the (male) main characters and yes Saber is absolutely the main love interest for the famously-straight Fate/stay night, but their dynamic is really good and Saber gets to wear a stylish suit and be all chivalrous to a woman… Please watch the third episode of season 1 at least…

11. Canaan (13 episodes, 2009) - Anime News Network | MyAnimeList

There’s quite a lot going on in Canaan – perhaps unsurprisingly so for a spinoff of the FMV visual novel 428: Shibuya Scramble, which is famous for its intertwined storylines – but in true action-movie blockbuster style, all you really need to know is that the titular mercenary Canaan (Sawashiro Miyuki) is on a hunt for her mentor’s protégé-turned-murderer, and a lot of flashy fighting is involved. Also, there's no need to worry if you haven't played the original game, as Canaan is pretty much a standalone work and all of the significant characters are original to the anime. Yuri-minded viewers may enjoy her clashes with the villain Alphard (Sakamoto Maaya), but the main source of F/F subtext is her relationship with the young photographer Maria (Nanjo Yoshino), for whom she cares deeply and must rescue on multiple occasions. However, do be warned that the one canonically queer character in the show – Alphard’s subordinate Liang Qi (Tanaka Rie), who is fixated on her boss – is handled very badly, being portrayed as a raving predatory lesbian who is mocked, rejected, and finally killed by the object of her affections. Canaan and Maria’s relationship is also framed very definitively as friendship by the end of the series, although they don’t get paired off with male characters. IIRC there’s also some fanservice but I can’t remember the details as it was a long time ago, sorry.

12. Ga-Rei: Zero (12 episodes, 2008) - Anime News Network | MyAnimeList

Back in the old days, I had heard this show talked about in the same breath as yuri classics such as Kannazuki no Miko and Mai-Hime, and, well, like those series it comes with significant caveats (though thankfully there is no sexual assault). Although it’s a prequel to the Ga-Rei manga by Segawa Hajime, the anime is basically standalone and focuses on original characters Kagura (Chihara Minori) and Yomi (Mizuhara Kaoru), the latter of whom welcomes protagonist Kagura into her family and demon-hunting squad, only to leave the team in a devastating betrayal. After the explosive opening, the series jumps back to explore the events leading up to that point; fans of director Aoki Ei’s work on Fate/Zero should note that the dark tone disappears in the third episode and never quite comes back even when things get serious. Viewers should also keep their F/F expectations in check, since despite the premise I would say the series is more plot- than character-focused, and on top of that a significant amount of time is devoted to Yomi’s relationship with her male fiancé (Yomi and Kagura have more screentime together, but there’s not much development whereas Yomi and her fiancé are given a whole romantic arc). There is one very fanservicey scene between Kagura and Yomi in a car early on (in episode 3?) which viewers may want to skip, but IIRC it’s an outlier and the rest of the series is nowhere near as bad.

Bonus Rounds

1. Sailor Moon S / Season 3 (38 episodes, 1994) (subtext) - Anime News Network | MyAnimeList

Possibly the most widely-known F/F couple in anime, Haruka and Michiru (Ogata Megumi and Katsuki Masako, respectively), make their first appearance in episode 3 of the third season as mysterious newcomers who refuse to work alongside the Sailor Senshi. Apart from being consistently framed as an ideal couple throughout (they practically cruise to victory in a couple’s contest in episode 5 of S3), they also get some juicy narrative moments, being the main subject of the excellent episodes 17 and 21 – the latter being the mid-season climax. They return in S5 but I haven’t watched that season yet.

Side note: Utena fans may be particularly interested to hear that the aforementioned Haruka-and-Michiru-centric episodes 17 and 21 are helmed by key Utena creatives. Both were written by Enokido Yoji, Utena's lead scriptwriter, while episode 17 was directed by Igarashi Takuya (who storyboarded 5 Utena episodes) and episode 21 was directed by Utena director Ikuhara Kunihiko himself.

2. Mai-Hime (26 episodes, 2004) (canon) - Anime News Network | MyAnimeList

Way back when, Mai-Hime was very popular among yuri fans for including a canonically queer female character who was in love with another female character… even though, like in Kannazuki no Miko which was broadcast the same year, she commits sexual assault against her. For those still curious, Mai-Hime starts out as a quirky fighting-monsters-and-going to school anime but turns into a battle royale where characters fight each other using robots – the twist being that the robots symbolise their love for the person most precious to them, and if destroyed, that person will die. The queer storyline comes in only in the last quarter or so, but is compellingly told and at least the queer character isn’t quite as maniacal or otherwise demonised compared to some others (looking at you, Liang Qi in Canaan). It's a fun reveal, so I won't spoil it here even if you're likely to have heard of it already.

3. Psycho-Pass (41 episodes + 3 movies, 2012) (canon) - Anime News Network | MyAnimeList

Psycho-Pass is set in a dystopian world where people are rated on their criminal tendencies; the main characters’ job as police officers is to arrest those whose tendencies exceed a certain level. The F/F is canon but very, very background; one of the surprise twists of the finale is that forensics expert Karanomori Shion (Sawashiro Miyuki), whose appearance screams “sexy doctor character” but is played with surprising warmth by Sawashiro, is actually in a relationship with seemingly aloof field officer Kunizuka Yayoi (Itou Shizuka). I only watched the first season and so can’t comment on the rest, but apparently they are still in a relationship in the third season.

4. My Next Life as a Villainess: All Routes Lead to Doom! (24 episodes + movie, 2020) (canon) - Anime News Network | MyAnimeList

An adaptation of Yamaguchi Satoru’s popular light novel series, this show headed the wave of reincarnated-villainess isekai, focusing on the bumbling Catarina Claes (Uchida Maaya) – in actuality an otaku who has been reincarnated into an otome game – as she tries desperately to remove her character’s image as a villainess and thereby inadvertently attracts the attentions of many a suitor. Among this reverse harem are three female characters Maria Campbell (Hayami Saori), Mary Hunt (Okasaki Miho), and Sophia Ascart (Minase Inori).

While the female suitors’ romantic interest in Catarina is generally not undermined or played as a joke, they are not necessarily treated as equally valid options compared to the male suitors - it doesn't feel like Catarina has a real chance of ending up with any of the female characters. I've heard this starts becoming more obvious in S2 (which I haven't watched), which apparently focuses on Catarina's relationship development with one particular male suitor compared to the others. Also, the VN spinoff had 6 routes in total (all 4 male suitors + 2 original male characters) but did not include a single female route, despite being non-canon in nature.

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withered-rose-unbreakable-lotus · 1 month

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Masterpost: Visual Kei movies & other types jrockers were involved

So, it came to my attention some of you want to watch more visual kei movies so I thought of listing what I know, in case you've missed any of those. Please feel free to add anything I've missed with reblogs or in the comments.

Thank you @kirk-goes-to-gallifrey for the three movie links! ^^ And thank you @waretamado for helping with the titles of Plastic Tree's movies! Btw most of the vkei only movies must still be available on YT guys, however not all of them will be on HD.

Visual Kei movies:

Seth et Holth (1993) (Hide) YT link (https://www.youtube.com/watch?v=Vx_laJCEpew)

Moon Child (2003) (Gackt & Hyde)

Verte Aile/Bel Air (1997) (Malice Mizer) YT link (https://www.youtube.com/watch?v=Vdd58pTaK8A)

Bara no Konrei/Bridal of the Rose (2001) (Malice Mizer) YT link (https://www.youtube.com/watch?v=Tr1d_cFRnxs)

BeatRock☆Love (2009) (Takeru ex.SuG)

Number Six (2006) (Alice Nine)

Yuku Pura Kuru Pura... Edokawa Puranpo no 「Ougon otoko」~「Visual bako no bijo」 (Plastic Tree) YT link (https://www.youtube.com/watch?v=81Bb-3L4l2E)

Yuku Pura Kuru Pura... Edokawa Puranpo no 「Onan tokage」~「Bishounen wo kuu bijo」 (Plastic Tree) YT link (https://www.youtube.com/watch?v=wAha6vDCE0Q)

Yuku Pura Kuru Pura...Edokawa Puranpo no「Angura Kaijin」~「Remon no bijo」 (Plastic Tree) YT link (https://www.youtube.com/watch?v=Pzt3ai5LSXc)

Ascendead Master (2009) (Versailles)

Onegai Kanaete (2011) (Versailles)

Oresama (2004) (Miyavi) YT link (https://www.youtube.com/watch?v=NcBvKQfVKNM)

Non Visual Kei movies jrockers acted in:

Kagen no Tsuki (2004) (this is a live action of a manga) (Hyde)

There is a movie that Takeru of SuG had played in for only a couple of scenes that was his first ever role, but I forget the name. I remember sth about "blue generation" or sth. If sb remembers it, please put it in the comments. Most people might remember the scene with the fluffy coat, him with blond hair turning to the protagonist with a menacing look, from the distance.

Paracelcus' Homonculus (2015) (this is an artsy film based off a photographer's exhibition) (Takeru of SuG)

Midori: the Camellia girl (2016) (live action of a manga) (Takeru of SuG)

Bunraku (2010) (Gackt)

Akumu-chan (2014) (Gackt)

Karanukan (2018) (Gackt)

Tonde Saitama 1 (2019) & 2 (2023) (Gackt)

Moshimo Tokugawa Ieyasu ga Sori Daijin ni Nattara (2024) (Gackt)

Furin Kazan (2007) (Gackt)

Mr. Brain (2009) (it must have been 1 episode or 2) (Gackt)

Tempest (2011) (Gackt)

Sengoku Basara (2012) (Gackt)

Time Spiral (2014) (Gackt)

BLEACH (2018) (live action) (Miyavi)

Hell Dogs (2022) (Miyavi)

Familia (2023) (Miyavi)

Maleficent: Mistress of Evil (2019) (Miyavi)

Kate (2021) (Miyavi)

Stray (2019) (Miyavi)

Unbroken (2014) (Miyavi)

There's a movie with either gangs or bands that Chiyu of SuG played after the disband. Papiko, shed your light cause I don't remember the title.

Other

REPO! The Genetic Opera (2008) (Yoshiki was involved with the music production of this film. Personally I learnt it years after I'd watched it)

Death Trance (2005) (It features many Dir en Grey songs in its soundtracks)

I hope you can find anything you like and enjoy!

#visual kei #vkei #visual kei movies #hide #x japan #versailles #malice mizer #gackt #miyavi #takeru #hyde #l'arc en ciel #vamps #alice nine #plastic tree #chiyu #sug

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gerryrigged · 10 months

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wait wdym dc didn't stick with Red Robin for Tim [and the de-aging thing?] what are they calling him if not RR?

He's been Robin again since 2019 😬 it's a bit more complicated but that's the gist of it.

Okay so Tim became Red Robin in the 2009-2011 series of the same name, back in the post-Crisis timeline. He was supposedly 17 at the time, by official records, and I believe he was still supposed to be 17 when the universe was rebooted with Flashpoint in 2011? (Although this doesn't really make any sense with respect to jamming the huge number of events that happened while he was Robin into like four years, if he was supposed to have become Robin at 13; he should probably at least be 18 if not 19-20).

The Flashpoint reboot took us into the New 52 (much beloathed), where nearly everyone was de-aged to some extent to keep Bruce Wayne and his generation from getting ~too old~, and also Tim Drake was mangled into a completely different character who had never been "Robin"; he'd been "Red Robin" right from the start of his vigilante career. He was de-aged to 16 for the New 52 Teen Titans series.

Teen Titans (2011) #0; as you can see, this version of Red Robin kept a version of the bandoliers and gave Tim a fancy new functional wing cape that he could fly around with.

Next, Rebirth in 2016 was a partial reboot that brought back some aspects of the post-Crisis timeline; tbh I'm not an expert on this period. What I do know is that Tim mainly appears in James Tynion IV's run of Detective Comics that ran from 2016 to 2018. During this period Tim was still called Red Robin, but he'd basically reverted to a Robin costume, with only the silly doubled "RR" symbol identifying him as not ~actually~ Robin winkwink nudgenudge, and as I understand it he was mostly back to functioning as Bruce's partner.

Tynion's run ends in Detective Comics #981 with Tim telling Bruce that he's going off to Ivy University. (He's totally lying, as Tim Drake does; Alfred notices that his tracker is going off in the opposite direction of the university, but Bruce is like "I trust him" and turns the tracker off. Yay, I guess?)

Anyway the important bit is this revealing that Tim is 'going-off-to-college' age. Which could still reasonably be anywhere from 17-19, and DC being DC, they ~refuse to confirm~

Tim as Red Robin on the cover of Detective Comics #934 (2016); as you can see, he's pretty much Robin again lol

Detective Comics #968 (2018); another shot of his "basically Robin" Red Robin costume

In 2019 we got the actual return of Tim as Robin (no "Red") in Brian Michael Bendis's Young Justice run, re-uniting the Core Four from YJ 1998.

Young Justice (2019) #1

As you can see, he no longer has the doubled 'RR', and he confirms that he's Robin - "Well, one of them!" I think he's supposed to be filling in as the Gotham Robin while Damian is running around the world having adventures and presumably getting into trouble, as Robins do? idk.

Tim also chases down his erased post-Crisis past at the beginning of this arc, having Zatanna magically restore (most of) his memories of the previous timeline, and, crucially, his forgotten best friend Kon, kickstarting some plot.

Tim, and all of the Young Justice crew, are notably young-looking for almost the entirety of this run. It varies based on the artist, but uh, yeah for the most part they are really damn baby-faced. This is a trend that continues with Tim and his generation of friends from this point onward, so fans have basically thrown up their hands like "is he 17 forever???? is he Edward Cullen from Twilight???? is he aging backward????"

We Just Don't Know

In any case, Bendis makes DC's next attempt to give Tim his own identity in short order, giving us the hilarious, ill-fated, and rightfully short-lived "Drake" identity.

Young Justice (2019) #10

He's back to being Robin by issue #18, hilariously switching costumes from one page to the next, although some time has apparently passed during the scene transition.

Young Justice (2019) #18; Jinny: "Is Drake back to being Robin?" Kon: "I think Batman and Spoiler made him go back to Robin. Don't bring it up. And say thank you because we didn't have to have the Drake intervention we were planning."

And as of the current date (July 13, 2023), Tim is still in the Robin identity, sharing it with Damian ¯\_(ツ)_/¯ God knows how old he's supposed to be right now. I certainly don't.

Batman (2016) #136; the most recent issue out to date, with Tim suiting up as Robin while filling Bruce in after diving into a bunch of parallel dimensions to bring Bruce home.

As you can see, it's a Mess. The Tim Drake's Vigilante Identity question is of course a hotbed of wank and infighting, as people are torn between (a) wanting him to continue as Robin and (b) wanting him to move on and "grow up" into his own identity again (and, importantly, leave Damian as the sole Robin again, lol).

It feels like most people are for option (b), but then nobody can agree on what his next identity and costume should be. Red Robin again?? Some other bird-based identity that doesn't share a name with a major restaurant chain?? Something else entirely??

God only knows what DC is going to come up with, especially after the Drake fiasco.

And there you have it, Anon! Hope that was helpful.

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serendipnpipity · 2 days

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Favorite DnP Tour Song Statistics

Settle round, little ducklings, do I have some statistics to share with you all!!

A grand total of 156 people participated in this survey, so thank you if you took the time to fill it out! 🧡

As a teaser, here’s a pie chart of the votes for your favorite song! We’ll be discussing this in depth in its own section but I know some of you f*ck vibe with pie charts more than the bar charts I use there…

To give you a clear vision of what we’ll be looking at, here are the categories of the upcoming analysis:

Phandometrics (community growth on a viewership & fandom scale)

Favorite Song (general)

Favorite Song vs. Phandometrics (the main hypothesis!)

Honorable Mentions (fun little quirks I noticed along the way)

Ready? Time to read on.

PHANDOMETRICS

Lag between year started watching -> year joined the phandom. This can be seen most obviously in the 2009-2015 portion of the graph, likely when the community was just building up. I went back to check individual points, and many people seem to join a year or two after starting to watch.

Three distinct peaks of phandom growth: 2015 (dnp popularity peak), 2019 (coming out), and 2023 (dnpg comeback, dnp renaissance). Pretty expected, but still cool to see!

The difference between the peaks when you look at viewership vs. phandom is interesting though! Especially 2019 seems to be a huge spike in viewership, but the phandom growth seems a little more gradual (maybe more people lurked at first, then joined the phandom in 2023 once they were more active?).

The 2012 peak is really interesting. Most popular year to start watching from this sample, apparently!

FAVORITE SONG

"The Internet is Here" won 51.3% of the votes... which didn't surprise me all that much. It's iconic, okay?

II is about half as popular, and beyond the song qualities themselves, I wonder if a contributing factor to this pattern could be its lack of availability as an officially released song.

I think Everything's Fine is so low partially bc I closed the poll before WAD released to prevent the recency effect from skewing the data. (Especially because I thought we were getting "Everything's Fine (Acoustic)" smh.)

FAVORITE SONG VS. PHANDOMETRICS

By era...

I had a hypothesis: based on the year you joined, which I now realize in my head wrongly equated with the year you were most active in, you'd be more biased towards the song of that era bc a) you were more likely to go to the tour or b) epic nostalgia hit.

Yeah, I was wrong.

When you group the eras you see that TIIH wins in almost every single group by a similar proportion to the total, which means this attitude is fairly evenly distributed amongst the phannies.

By year...

Separating by year, you begin to see that, hold up, the hypothesis could have some merit! In either 2017 or 2018 on both graphs, the II finale actually does win.

The super high TIIH votes bleeding in from 2015/2016 and from 2019 seemed to mask this pattern.

HONORABLE MENTIONS

I have no idea what happened here but both ways you slice it, Interactive Introverts was fighting for its life amongst the 2012 phannies???

We got three phannies that have been watching since 2009!! The fact that people have been sticking around so long (up to fifteen years!!! and this was only a sample of 156 of us!!!) is really heartwarming for me bc it's a testament to how strong of a community dnp have built their viewership to be.

At the end of the day, what can I say? That was a lot of statistics. I hope you enjoyed or took something away from this little survey. Lmk if you notice any other cool trends or have any theories on what the data means!

Thank you for listening to my yapping; have an orange heart.

🧡

#OH ALSO GUYS I literally did all of the categorizing manually in order to make the clustered bar graphs. it was a pain. it was worth it.#dan and phil #dnp #we're all doomed #wad #phan #tatinof #interactive introverts #daniel howell #danisnotonfire #amazingphil #phil lester #ser does stats #ser shares #stats phannies; music phannies; data analyst phannies... this one is for you <3

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jimhines · 1 year

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2022 Writing Income

It’s that time again – for fifteen years now I’ve been writing an annual blog post about my income as a writer. Money tends to be an uncomfortable, even taboo topic, but I think it’s important to help counter the myths that we’re all multimillionaires living in Glass Onion-style mansions. (Side note: If anyone wants to pay millions of dollars for my book, I’ll happily update this blog post from my private island mansion.)

Remember, every writer’s career is different, and I’m only one data point.

Prior Years: Here are the annual write-ups going back to 2007: 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2017, 2018, 2019, 2020, 2021.

In 2016, instead of a personal income write-up, I did a survey of almost 400 novelists about their income.

My Background: I’m a primarily “traditionally published,” U.S.-based SF/F author with 15 books in print from major New York publishers. The first of those books came out from DAW in 2006. I have an agent, and have been with them since about 2004.

I’ve self-published a middle grade fantasy and a few short collections. I’ve also sold about 50 short stories to different magazines and anthologies.

I’ve never hit the NYT or USA Today bestseller lists.

I’m currently the sole parent of a teenager (at home) and a 22-year-old (at college). I have a day job that’s just over half-time, both for the paycheck and the benefits.

2022 in Summary: There’s no gentle way to say this. The last several years have kind of sucked. Losing my wife to cancer in 2019 completely derailed my writing. I was hoping 2022 would be a comeback year, but life had other plans…

I did write and sell two new short stories and one nonfiction piece, which was nice. I’ve got a finished middle grade book that’s been on submission for a while. I finished a standalone fantasy that’s been sitting with my publisher for a while.

Normally, my editor is pretty quick about responding, but last year wasn’t normal for DAW, either. DAW was acquired by Astra House. A lot of their time and energy went into that deal. I’m hoping for the best, but things still haven’t settled into the new “normal.”

Last year did see the release — finally — of Terminal Peace, the third book in the Janitors of the Post-Apocalypse series. I’m thrilled and relieved to see that book in print, but it came out right in the middle of the Astra House acquisition, which may have impacted things like promotion and publicity.

I also finished the first draft and started revising a new standalone middle grade fantasy with series potential.

2022 Income: The biggest check was the publication payment for Terminal Peace. All total, before taxes and various expenses, the writing brought in $13,957.16. While that’s absolutely nothing to sneer at, and I’m grateful for the success, it’s also a dropoff from the past couple of years. To be blunt, if you look at the cumulative graph, things have been slumping a bit.

Income Breakdown:

Patreon has been a small but steady and helpful source of income. My thanks to everyone for that!

As usual, my U.S. novels are the biggest piece of the pie. The short fiction category is a bit higher this year, thanks to those two new stories. I didn’t self-publish anything new in 2022, but if that middle grade book doesn’t sell, I’d like to publish that one later this year.

Novels (U.S. editions): $8,542.83

Novels (Non-U.S. editions): $473.25

Self-Published: $1158.24

Short fiction: $892.86

Audio: $521.04

Patreon: $1668.94

Other: $700

I mentioned earlier that things have been in a bit of a slump, and I need to focus on breaking out of that. Some things I can’t currently control. Tomorrow I could wake up to an offer from DAW on the book they’ve got, and maybe an email from my agent that the middle grade title he’s been shopping around went to auction and got a six-figure advance. But I can’t make these things happen.

Priority #1 is to keep writing. If I’m not doing that, other goals are pretty much moot.

Priority #2 is to figure out some alternate options. It may be time to put more time and effort into self-publishing as a complement to my traditionally published work.

The biggest thing making me anxious is that I’m pretty much out of contract. The paperback of Terminal Peace comes out this year, but for the first time in about 15 years, I don’t have the security, the luxury, or the deadlines of a signed contract. In some ways, this is freeing: I can write whatever I want. But there’s no guarantee as to when things will see print. Submitting to the traditional publishers is a long, slow process…

From talking to other writers who’ve been doing this a while, I’ve learned that pretty much every career has its ups and downs. Personal, pandemic, and publisher issues have been a bit of a perfect storm for me these past few years, but I’m not going anywhere. After 27 years as a writer, I’m excited to see what comes next.

Wrap Up:

I hope this has been helpful. As always, feel free to share the post and/or ask questions.

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gayloringinplainsight · 2 months

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"Rights are being stripped from basically everyone who isn't a straight white cisgender male," she tells Vogue, when asked about why she chose to, all of a sudden, stand up for LGBTQ+ rights. "I didn't realize until recently that I could advocate for a community that I'm not a part of."

Source: https://www.out.com/news/2019/8/08/taylor-swift-says-shes-straight-despite-all-bisexual-rumors#toggle-gdpr

I was waiting for this to come through my inbox lol. (There was more then one ask about this but I'm only responding to the first.)

There's lots to unpack here but the first and foremost thing is: She doesn't actually say here, "I'm straight." It was a perfect opportunity. It was the ideal conversation. She punted. Why?

Why did she instead give this vague, circuitous, carefully couched answer?

She calls out communities encompassing sexuality, race, and gender, followed by saying, "a community that I'm not a part of." There are lots of communities that she could have been referring to, but she crafted the sentence in such a way that makes it unclear which one. She could have been talking about the trans community. She could have been talking about the poc community. She could have been talking about the ace community. She could have been talking about the gay male community. There are lots of possibilities. In this carefully worded sentence, she deliberately avoided naming the specific community she's talking about.

Another thing to consider is that many, many closeted people don't consider themselves part of the queer community. They don't feel like they belong because they're not out and proud. And even once people come out, it often still takes time before they feel like they're part of the queer community. That was certainly my personal experience. Cara Delevingne said something similar in her Hulu show when discussing her own coming out.

Let's move on. The link anon provided isn't the source. It's an article quoting the source. The actual source is the 2019 Vogue cover article. And the full article is important because there are lots of interesting things that give context to this quote.

First, there's a great deal of conversation about gay stuff and lgbtq+ rights. And the writer makes a point of saying about this subject matter that Taylor seems to enjoy that part of the conversation "as much as she’d enjoy a root canal." Wouldn't a straight ally be eager to discuss this? They would. And a closeted queer person would be uncomfortable and panicking at the thought of having to talk so blatantly about this subject. The writer also makes a point of saying that once the conversation changes to music, Taylor lights up and her demeanor and speech patterns relax dramatically.

The other important context that the Vogue article discusses is Taylor's very long history of supporting lgbtq+ rights. Everything from the Mean mv of a gay boy being bullied to the "boys and boys and girls and girls" line in WTNY to donations to lgbtq+ organizations to giving out queer awards to queer people to dedicating Dress to Loie Fuller, an openly gay artist. There are plenty of other examples of Taylor advocating for the queer community that aren't mentioned. All the way back in 2008 she participated in the LOGO queer anti-bullying PSA. In 2009 she was in Seventeen magazine taking a stand against the slaying of a teenager for being gay.

Why is this important? Because it proves that Taylor is lying in the quote in question. "I didn't realize until recently that I could advocate…" girl yes you did. You've been advocating for years and years at this point. She's lying. She's lying. She's covering herself up. She's hiding in the closet and hoping desperately that no one notices.

And this isn't the first time she's done this either. During the 1989 press tour she gave an interview where she was asked about the "And you can want who you want / Boys and boys and girls and girls" line. As the interviewer is starting to speak about this, a look of pure panic immediately takes over Taylor's face:

And then she starts stumbling around trying to give a coherent answer. At one point she stutters out, "And also I wrote this song, um, I wrote this song, kind of, kind of following, the, uh, when gay marriage became legal in New York." This interview was in October 2014. Gay marriage had been legal in New York since June 2011. Sooo three years later is "kind of following." Right. Sure, Taylor. Nice closeting. You really nailed it.

Okay let's review. She doesn't actually say she's straight even though this was a perfect opportunity to do so. She doesn't name the actual community she's talking about, giving herself cover if she ever comes out. She's closeted and probably doesn't think she's part of the queer community anyways. She full-on lies about not knowing she can advocate for others. And the writer states Taylor seems deeply uncomfortable talking about lgbtq+ things even though the context of the article was that blondie wanted to make it clear how much of an ally she is.

None of this remotely adds up to hetero. And none of this comes even close to Taylor saying that she's straight.

#gaylor #gaylor swift #Taylor swift #yeah I wrote another essay so what

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kithtaehyung · 2 years

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⬛️ WEBSITE MOCKUPS : RKIVE.ORG ⬛️

“When we went abroad, we stayed in our hotel rooms except when we were working. The only places I could go then were museums. The art galleries full of Monets or Van Goghs were always crowded, but when I visited one weekday morning and had them mostly to myself, I had a eureka moment—an artist who’d passed away 100 years ago was communicating directly with a boy from Korea. I was so envious. From then on, I began seeking out and learning about Korean painters.” — HAPPY NAMJOON DAY! ; 940912 ; CLICK FOR HQ. twt | ig

Note: rkive and gallery walk gifs may take a bit to load, and look best on desktop. Note 2: To learn more about all of the artwork and artists showcased, click below.

When The Year 2000 Comes (2019), by YANG HAEGUE, the avant-garde of Korean art. “She is an accomplished and international artist. She notably represented Korea at the Venice Biennale in 2009 and participated to the prestigious dOCUMENTA (13) in Kassel in 2012. In her works, which flirt with conceptual art, she explores myths and stories, that touch on the universal. She appropriates them through sculptures, installations, performances, and video.”

From Point (1976), by LEE UFAN, Korean Zen Art. “He is a Korean artist known worldwide for his paintings depicting the mark of a brush whose color fades… Yet his practice goes far beyond that! He creates performances, sculptures and installations, which always question a certain “state of being.” He is influenced by Zen and Asian philosophy, but has also drawn heavily on Western thought. Among his favorite subjects: observing the intimate, conflicting or poetic relationship between natural and artificial elements.”

Brushstrokes-Diagram (2015), by SONG HYUN-SOOK, Korean and Western art. “With her, each brushstroke tells a story, a journey. She weaves links between Korean art and Western art. On the one hand, it expresses that almost meditative state of concentration that exists in the art of calligraphy. On the other hand, she uses tempera, a typically European oil painting technique, to create patterns that immerse the viewer in reality and the present moment.”

Drawing, Charcoal on paper, 65 x 50 cm (2014) and Issu de feu Charcoal on canvas, 100 x 81 cm, (2000), by LEE BAE, the Soulages of Korean Art. “A Korean abstract artist. Like Soulages, for whom black is a color, he explores the almost infinite possibilities of black. He sinks into the abyss of darkness. Until recently, he mainly used charred materials to paint his canvases. In doing so, he offered a powerful metaphor for the cycle of life.”

Écriture No.160523 (2016), by PARK SEO-BO, Korean abstraction. “One of the best known Korean artists. He is emblematic of the monochrome Dansaekhwa movement. A current that synthesizes the traditional Korean spirit and Western abstraction. In a way, he is very close to minimalist artists, choosing neutral tones to highlight components and fabrics.”

Mat 61 × 81 #19-17 (2019), by SUKI SEOKYEONG KANG, contemporary art. “Born in 1977, this Korean artist is one of the biggest names of the art market. Her work is mostly inspired by her own philosophical research and reflection on space and our place in it. She uses sculpture, installation, and performance to explore these ideas. Her works were presented, among others, in the Venice and Shanghai Biennales.”

Untitled (1966), by CHOI WOOK-KYUNG, the outcast. “Wook-kyung Choi (1940-1985) is an outcast in the history of contemporary Korean art. She is an abstract painter. But most Korean abstract painters shine in Dansaekhwa: the Korean monochrome. She, on the contrary, is mainly influenced by expressionism. Brutally, instinctively, aggressively, she throws the colors on the canvas. She seeks to immerse herself in the moment, and to create true, pure, expressive forms. Thus, it plays a capital role for the diversity of Korean abstract art.”

Thank you for your interest in these artists and this passion project! All of the website information (other than the artist bio on the Artist Spotlight page) is fictional. Happy Joonie Day 2022, and let’s continue to support him and all the fantastic Korean artists out there.

SRC: one, two, three

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april-is · 19 days

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April 12, 2024: A Small Psalm, Catherine Wing

A Small Psalm Catherine Wing

Sorrow be gone, be a goner, be forsooth un-sooth, make like a suit and beat it, vamoose from the heavy heavy, be out from under the night's crawlspace, call not for another stone, more weight more weight, be extinguished, extinguish, the dark, that which is deep and hollow, that which presses from all sides, that which squeezes your heart into an artichoke-heart jar and forbids it breathe, that which is measured by an unbalanced scale, banish the broken, the unfixable, the shattered, the cried-over, the cursed, the cursers, the curses— curse them, the stone from the stone fruit, let it be fruit, the pit from the pitted, the pock from the pocked, the rot from the rotten, tarry not at the door, jam not the door's jamb, don't look back, throw nothing over your shoulder, not a word, not a word's edge, vowel, consonant, but run out, run out like the end of a cold wind, end of season, and in me be replaced with a breath of light, a jack-o'-lantern, a flood lamp or fuse box, a simple match or I would even take a turn signal, traffic light, if it would beat beat and flash flood like the moon at high tide, let it, let it, let it flare like the firefly, let it spark and flash, kindle and smoke, let it twilight and sunlight, and sunlight and moonlight, and when it is done with its lighting let it fly, will'-o-the-wisp, to heaven.

Also: + you can’t be a star in the sky without holy fire, Frank X. Gaspar + Untitled [I closed the book and changed my life], Bruce Smith

Today in:

2023: How to Do Absolutely Nothing, Barbara Kingsolver 2022: Miss you. Would like to take a walk with you., Gabrielle Calvocoressi 2021: I saw Emmett Till this week at the grocery store, Eve L. Ewing 2020: Day Beginning with Seeing the International Space Station And a Full Moon Over the Gulf of Mexico and All its Invisible Fishes, Jane Hirshfield 2019: Flores Woman, Tracy K. Smith 2018: The Universe as Primal Scream, Tracy K. Smith 2017: Soul, David Ferry 2016: Turkeys, Galway Kinnell 2015: He Said Turn Here, Dean Young 2014: I Don’t Miss It, Tracy K. Smith 2013: Hotel Orpheus, Jason Myers 2012: Emily Dickinson’s To-Do List, Andrea Carlisle 2011: Now That I Am in Madrid and Can Think, Frank O’Hara 2010: The Impossible Marriage, Donald Hall 2009: The Rider, Naomi Shihab Nye 2008: from Homage to Mistress Bradstreet, John Berryman 2007: This Heavy Craft, P.K. Page 2006: Late Ripeness, Czeslaw Milosz 2005: A Martian Sends A Postcard Home, Craig Raine

#feast on your life #the way it’s night for many miles and then suddenly it's not #sorrow #joy #poem #catherine wing

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mid-nighttiger · 9 months

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since i was looking at codywan ao3 stats over the years, i thought it'd be interesting to compare with the three other biggest pt-era ships. at the time of posting (2023/08/01), the largest pt-era ship on ao3 is anakin/padme, followed by anakin/obi-wan, then cody/obi-wan, then obi-wan/qui-gon

[Image ID: Graph of total works on AO3 by ship. Quiobi is shown as a blue line, Obikin as red, Anidala as yellow, and Codywan as green. The horizontal axis shows the years from 1997 to 2023, and the vertical axis shows the number of total works from 0 to 9000. /End ID]

quiobi starts increasing moderately but steadily from 1999 to about 4000 works in 2023. there are under 100 anidala and obikin works dated 1999-2009, then both ships start to increase slowly, then faster from 2015-2019, and even faster from 2019-2023 (anidala faster than obikin). anidala overtakes quiobi at about 2500 works in 2019 to reach nearly 9000 in 2023. obikin overtakes quiobi at about 2750 works in 2020 to reach about 8000 in 2023. there are no codywan works until 2009, then it increases slowly from 2015-2019 and grows rapidly from 2019-2023. codywan overtakes quiobi at 3500 works in 2022 to hit nearly 6000 works in 2023

[Image ID: Graph of works posted per year by ship. Quiobi is shown as a blue line, Obikin as red, Anidala as yellow, and Codywan as green. The horizontal axis shows the years from 1997 to 2023, and the vertical axis shows the number of works posted from 0 to 2500. /End ID]

these two graphs confirm my feeling based on my experiences* in sw fandom that quiobi is an old, steadily growing ship. the phantom menace in 1999 sparked the ship, and there has been a moderate but steady 50-100 works per year since then til 2014, when it starts to grow. after 2016 and 2020, there are some moderate step-ups in the number of works posted per year (200-300 and 300-500, respectively), but not the huge spikes of the other ships

anidala and obikin share pretty similar growth patterns, with the number of works per year being pretty low until 2016, when it jumps to 500-600 (overtaking the number of quiobi works posted per year), then jumps again in 2020 to over 1000 and has been growing ever since. i already discussed codywan in my previous post, but in brief, there is a low growth from 2015-2019 of about 100 works per year, before it spikes in 2020 and catches up with the number of anidala and obikin works posted yearly

*when i got into star wars fandom, quiobi was the pt-era largest ship. i never felt that it was losing popularity, just that other ships were growing faster

[Image ID: Graph of year over year growth by ship. Quiobi is shown as a blue line, Obikin as red, Anidala as yellow, and Codywan as green. The horizontal axis shows the years from 2000 to 2023, and the vertical axis shows the percent growth from -100 to 1100. /End ID]

what's interesting here that all of the ships had spike in growth in 2016, most likely from the force awakens being released in december 2015 and sparking new interest in star wars, and 2020, possibly from folks quarantining at the beginning of the COVID-19 pandemic and spending more time writing. season 7 of the clone wars being released in 2020 could have also been a factor. it would be interesting to see if other fandoms also had a spike in new works in 2020. anidala had a spike in 2005, when revenge of the sith was released. there are no obikin works dated 2004 on ao3, which is why there is a gap in the graph from 2004-2006 (percents don't play nicely with zeroes). not shown on this graph is the jump from 1 quiobi work dated 1998 to 104 works dated 1999, because that is a 10,000% increase that completely destroys the vertical range

notes:

largest ships were determined from the relationship tags in the "Star Wars - All Media Types" tag on ao3

works from each ship tag on ao3 were filtered by date. no other filters were used. some works may have been tagged with multiple ships (e.g., codywan and anidala) and/or with a 3-way ship (e.g., obianidala)

each year shows the number of works at the end of that year (i.e., 2022/12/31, 2021/12/31, etc)

data for works posted by year and for % growth for 2023 was extrapolated from the number of fics posted in 2023 so far. at the time of making these graphs (2023/08/01), there have been 191 quiobi, 1391 obikin, 2205 anidala, and 1179 codywan works posted in 2023

technically, the graphs show the number of works updated, not posted, as i could not find any option to filter works on ao3 by date posted

since quiobi, obikin, and anidala are all significantly older than ao3 itself, these graphs are of limited scope pre-2009. pre-2009 data is affected by which works were imported from older archives and/or backdated by their creators moving to ao3

deleted works were not accounted for

#midtalks #star wars #quiobi #obikin #anidala #codywan #long post #ao3 #ship statistics

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digitalgate02 · 6 months

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The UPDATED (OG) Adventure universe’s Partnership double year math count

Updated Digimon Adventure OG Timeline’s Partnership Math Count List

Not particularly spoilers from the movie, just stuff stated by the official timeline from the pre-release stream for the movie in Japan (Oct 26)

Early 80s - Oikawa Yukio & Hida Hiroki make the first contact with the Digital World, befriend Pipimon (no partnerships)

1995 - Hikari and Taichi find a Koromon egg* (no partnerships)

1996 - 2 (Rui; someone else gets a digimon later in that year*)

1997 - 4 (Menoa)

1998 - 8 (Possibly the previous 5 mentioned from Adv’99 anime/novels)

1999 - 16 (Adv Eight, Meiko*)

2000 - 32 (Ken*)

2001 - 64 (Michael)

2002 - 128 (Daisuke, Miyako, Iori)

2003 - 256

2004 - 512

2005 - 1,024

2006 - 2,048

2007 - 4,096

2008 - 8,192

2009 - 16,384

2010 - 32,768

2011 - 65,536

2012 - 131,072

2013 - 262,144

2014 - 524,288

2015 - 1.048,576

2016 - 2.097,152

2017 - 4.194,304

2018 - 8.388,608

2019 - 16.777,216

2020 - 33.554,432

2021 - 67.108,864

2022 - 134.217,728

2023 - 268.435,456

2024 - 536.870,912

2025 - 1.073.741,824

2026 - 2.147.483,648

2027 - 4.294.967,296

2028 (02 Epilogue) - 8.589.934,592

↓ Original notes + "Why there's still no retcon of the lore" below ↓

First, the OG notes from the outdated post:

→ This count is not about “which was the very first digimon-human contact”, and yes about people with a digivice. Because if we were going to count who was the first human to have contact with a digimon, it’s actually two and they’re Oikawa Yukio and Iori’s dad, Hida Hiroki.

→ I’m ignoring all the inconsistencies with other material (WS & ▽) because they seem to not match well with the original count. So, in this case, Ken’s statement in the anime (Aug 2000) is the one to be accounted for here. I don’t know if Ryo counts as Chosen (possibly yes, judging by 02 flashbacks) but I’m not sure where to place him here.

→ I’m only adding Michael to the count, even if he’s not a main character and yes a side character, because 02 ep 14 had this statement regarding him. And I like Michael too so, let me have him there :V

→ Menoa states in the movie she met Morphomon when she was nine, and according to the Dash X novel version, she’s the same age as Taichi. Which means she became a Chosen in 1997.

→ I couldn’t think of how to include Maki & Daigo’s group in this because ▽ contradicts with the original lore’s math – The fact the Pt4 book released with the movie on Japanese theaters state them being in Elementary School the time they went to their adventure in the DW, and later the confession scene means they’re in University/College makes them possibly been Chosen Children way before 1995, and I’d take it granted that they were chosen by someone else IF weren’t for the Homeostasis being involved in the scene and the digivice being way too modern for that time (it was basically Taichi group’s model. If you look at Rui’s digivice in the leaked footage from DigiFes2022, his model seems to be different and an older version)

→ That said, Meiko is the only character in ▽ that does not fall into contradiction with the math count. Because in 1999 there was not only Taichi’s group, but also other 8 non-featured Chosen according to Kakudou’s notes. So we can consider Meiko one of those other 8 children.

→ When it comes to Wallace, I prefer to think he is game in the original math – Taichi and Hikari met that Koromon in 95, but they had no digivice until 1999. Which means it can be possible that Wallace had encountered Gummy-Choco’s egg before 1995 and only became an official Chosen Child later.

Now, the new notes:

→ To avoid spoiling any detail about the movie itself, I’ll make sure to tell you they might have changed how the math works only. It’s not like, “everyone gets a digimon at the same time” but rather… “A X number of people get partnered with a digimon in different periods of a year” – Which means yes, you can still count Rui and Ukkomon as the origins of the Digimon partnership, but that later in the same year someone else (or, say, Wallace in the main timeline) got a partner months later.

→ That said, I’m opting to update this list and work within the idea that various sources of partnership (Homeostasis, Holy Beasts, etc) can be counted in the math. Remember – Homeostasis (not referred to as this in the OG series but yes in the novels) had selected Taichi & co., but the Holy Beasts chose Dai-Miya-Iori. And some other entity probably chose Ken in August 2000. This could explain why there’s a higher number of partnerships happening at the same time in Adv’99 and 02.

→ As I mentioned before, and indirectly supported by the staff (check the official timeline at the top of the list), ▽ has violated the lore to the point it goes in direct conflict with the new 02 movie and the entire timeline. So I guess it’s better to consider ▽ as its own timeline/Alternate universe than forcing it into the main timeline.

→ That said, and since Meiko does exist in Kizuna/main timeline, I suppose Maki and Daigo also do exist, and maybe they got their “ages” retconned and down to something suitable to the universe’s math count. They can still be part of the previous five kids mentioned in Adv’99 anime/novels, but they are probably around their teen years, or even early 20s instead, not fully adults working for the government I suppose. Or alternatively, just not Chosen yet. Pick your favorite route, Maki/Daigo fans!!

→ Yes, the Koromon from the very first movie IS NOT THE SAME PARTNERED WITH TAICHI. This never was confirmed, and was just fandom's theory. Considering how ▽ also made this mistake and possibly was one of the lore's violation, I prefer to believe this means it's not the same Koromon/Agumon partnered with Taichi in Adv'99.

#digimon adventure #digimon adventure 02 #digifood for thought #kizuna spoilers #02tb spoilers #ni's digitheories

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