Tumgik
#'is this our world to suffer or to shape?'
astrxealis · 2 years
Text
SO MANY GOOD QUOTES IN THE SPAN OF SECONDS. god
#⋯ ꒰ა starry thoughts ໒꒱ *·˚#⋯ ꒰ა ffxiv ໒꒱ *·˚#hi uhh dark knight ffxiv spoilers for stb job quests!#'...what good are prayers to the dead. they have not ears to listen. nor eyes to see or hearts to console. naught remains of them save#fleeting recollections soon lost to time and to the abyss'#'is this our world to suffer or to shape?'#'we cannot save everyone can we. sometimes it is all we can do to save ourselves.'#'does any of it matter? what if aught have we wrought by our own hands?'#this all sounds like something i would write. god. drk speaks so much to me#'time and death our true enemies need hold no over us. i can make a place for you in my world. you need only ask.'#'YOU NEED ONLY ASK'. that line. same with fray. myste hello ....rhshbjbsjbjfhj#drk quests. so good. whagbhdg#okay now finished with lvl 68 quest i really look forward to 70. and then the one for 80. good gods#idk i haven't finished yet tho i do know a bit of what happens in 70! anyways. so fray is like for the darkness within and shit#is myste like... for. redemption? forgiveness? something like that. sacrifice? hm#OUR COMPROMISE. hrbshbhbhjbfb 'you knew from the first that there was only one way this could end'#HBGAJDGJHBDSJHGBSJDHBG THE STORYTELLING OF DRK QUESTS IS SO GOOD. i swear. god#...oh. the lvl 68 quest. 'we can never go home'. ah. they really did not. god that was depressing#...oh. the griffin's body double. oh.#the way the implemented 'villains' of the story. hrbjghhjfhgjh ................... god#but we help even when they have. did shit to us. this is... kinda like the opposite of with esteem :O#BROke. broken shield. ah. okay! i see. yeah. yeah :))#'a man's memories cannot outlive him' what a. sad and beautiful simple line#HUH. huh. what is with the journal notes. agh#oh right this is like.................. esteem's voice right. hm. 'you need only ask. but we know better' GODDDD this is all so good
5 notes · View notes
queenlucythevaliant · 2 years
Text
The Ones Who Walk Away From Omelas really is a stunningly Christian story without ever recognizing it and thinking about it makes me so unhinged. I don’t know who all has read it, but if you haven’t, it’s four and a half pages and you can read all it here.
Just. The idea that the suffering of an innocent is necessary in order to produce true human joy and flourishing. That we intuitively know that humans cannot produce a utopia on our own, so when presented with a perfectly joyful utopia we must ask, “what innocent was sacrificed to obtain this?” We cannot believe that Omelas exists without the child in the basement.
One thing I know there is none of in Omelas is guilt.
It is the existence of the child, and their knowledge of its existence, that makes possible the nobility of their architecture, the poignancy of their music, the profundity of their science.
Now do you believe them? Are they not more credible?
Even through a secular lens, humans cannot believe in true, perfect joy unless Christ (or a figure of Christ) bears our guilt. Our hearts are hard-wired for God’s love, yes, but also for His justice. To understand the need for Christ’s sacrifice.
36 notes · View notes
Text
well i just fell down a 1am wiki rabbit hole reading about Joseph Merrick...
#i never knew that much about him but honestly the abled and the otherwise 'normal' have such a sick obsession with the grotesque#theres so few works written about him the seem to acknowledge treves as the shite he likely was#or refer to norman as a vile human#its like it never occurred to people that Freakshows didnt exist for the sake of the spectators#they were lodging and safety in numbers of anyone poor and othered#i never understood why the thought felt safe to me as a child and now disabled and very visibly queer i know why#demeaning yes but food and shelter and more like me...thats all that scenario has ever been#survival we'd never find anywhere#and his depiction in ripper Street was lovely to me especially since when you look him up his occupation was listed as artist#he suffered greatly but just like all of us its more so the world we live in than it is our disabilities that cause that#and by the end he was so loved and i hope he knew that when his time came#although i do believe that since nothing more can be learned from his remains his body belongs in the earth to rest#how much pain must have he been in every day of his life ans the little fears he could never forget#either of other humans or the knowledge that he might decline or even die? all because of shape of his body?#but he seemed like he was such a beautiful soul and so full of adoration of the best parts of earth#and especially now learning of his admiration of women? his line in ripper street about how love is peace hes never known? oh my heart#to be clear i dont pity this man im only sad over what was forced on him but so so emotional over the good people who rallied for him#and the princess of Windsor sending Christmas cards every year 😭😭😭😭#i hope he knew the love was genuine by that time in his life he might be long gone now but im sure anyone who knows him still#holds that love like a martyr and a guardian for that he never knew he did for the world#i do believe that even in a small way..his existence forced on him it may have been..opened doors of empathy to others disabled#even only a little#he knew wonder but i so hope he knew genuine love from the companions he met
7 notes · View notes
Text
This post used to hold a poem inspired by the Rev. Munther Isaac's declaration that "God is under the rubble in Gaza."
After a few anons and a conversation with a Jewish friend, I've decided to take the poem down because, regardless of my own intentions with it, it risks feeding the long and extremely harmful history of blood libel, because I included imagery of the infant Jesus and his parents being killed by an Israeli soldier, as many Palestinians are being killed now.
Before talking with that friend, I wrote in this response to an anon about my intentions with the poem — but while I do believe that intentions do matter, they don't matter nearly as much as impact does.
My friend helped me come to the conclusion that while the poem I wrote could be interpreted as I intended by people who already have all the context I wrote it in (see below), it could also all too easily be interpreted much more harmfully by those who lack that context — or worse, who are looking for more fuel for their antisemitism. The poem is not worth that risk, not at all.
___
Ultimately, I hold two things I believe to be true in tension:
that Christians throughout the ages have found deep comfort and encouragement in understanding Jesus as suffering in and with them. I support all Christian Palestinians who, like Rev. Isaac, experience God-with-them in this way — in this horrific time, they deserve any ounce of comfort they can derive. And them personally seeking and finding the Divine presence with them is not antisemitic.
that for Christians like myself in the USA, who live in the beating heart of Empire and Christian Supremacy, it is vital to take care in how we talk about this theology in this current situation, where the oppressors are Jewish. Providing more fuel for Christian antisemitism is inexcusable, and I deeply apologize for writing and sharing a piece that can be used in that way.
Because modern-day Israel is a Jewish state, exploring that Divine solidarity in this context comes with a great risk of perpetuating the long, harmful history of antisemitic blood libel and accusations of deicide. How do we affirm God’s presence with those suffering in Palestine without (implicitly or explicitly) adding to the poisonous lie that “the Jews killed Jesus”?
In wrestling with this complexity, I tried to write this poem to uplift both Jesus’s Jewishness and his solidarity with Palestinians. Jesus was born into a Jewish family, his entire worldview was shaped by his Jewishness, and he shared in his people’s suffering under the Roman Empire. His solidarity with Palestinians of various faiths suffering today does not erase that Jewishness. Nor does it mean that Jewish persons don’t “belong” in the region — only that modern Israel’s occupation of Palestine is in no way necessary for Jews to live and thrive there, or anywhere else in the world.
I also aimed to point out that Israel is by no means acting alone in this attack on Gaza or their decades-long occupation of Palestine. There is a much larger Empire at work, with my own country, the United States, at the helm. Israel is entangled in that imperial mess, and directly backed and funded by those forces — not because of what politicians claim, that we have to back Israel or else we’re antisemitic, but because Israel is our strategic foothold in the so-called Middle East. How do we name our complicity as our tax dollars are funneled into violence across the world, and act to end that violence?
___
I'm sorry this post isn't as articulate as I want it to be. All of this to say: I deeply apologize for any hurt my poem caused. I understand how horrific Christianity's history of — and ongoing present — antisemitism is, and how it poisons and warps so much that could have been beautiful. I'll keep educating myself; I'll keep having hard conversations; I'll keep working to uproot antisemitism in myself and my communities.
___
I'll close with a list of resources for learning about Palestine's history and getting involved.
1K notes · View notes
inbarfink · 9 months
Text
Revolutionary Girl Utena is an Incredibly Meaningful and Emotionally Powerful Anime With Many Important Messages
The patriarchy is a toxic and deeply ingrained aspect of our culture that hurts everyone regardless of gender and social status, although ‘outsider’ women suffer from it the most - as they become the scapegoat and outlet for the suffering of others.
The concept of ideal masculinity is a myth that will basically kill anyone earnestly trying to reach it
The idealization and the demonization of women are both deeply sexist and harmful phenomena that spring from the same source
The romanticism of Fairy Tales shapes much of the way we as a culture think and is often used to reinforce regressive views of heroism and gender
Reality is a subjective fabrication. The way we view and process the world is so deeply shaped by our preconceived notions that we’re all basically living in different worlds.
Victims do not need to be morally perfect to deserve sympathy and support
Our conception of heroism is often interviewed with a condescending desire to deny victims, especially victimized women, their own agency.
Our memories are not as set in stone as we would like to believe and can easily be warped and manipulated based on our preconceptions or societal expectations
Clinging to the idea of childhood innocence past its moment will just corrupt into something much darker and uglier and probably incest-y
Gay
It’s a big mistake to think you’re the only one who can turn into a car
3K notes · View notes
shiplessoceans · 8 months
Text
Good Omens S2 Episode 6 confession scene speculation:
Aziraphale didn't respond to the love confession from Crowley because he didn't realise it was one until Crowley mentioned the Nightingale and kissed him.
Allow me to explain.
---
Aziraphale interrupted Crowley to give him the news from Metatron, so when Crowley starts his spiel:
"We've been together a long time, I could always rely on you...we're a group....we've spent our existence pretending we aren't...if Gabriel and Beelzebub can go off together then we can...we don't need heaven/hell they're toxic...you and me whatya say?"
Aziraphale interprets everything Crowley is saying as his rebuttal to the 'good news', not a separate declaration of his feelings.
What Aziraphale just told him shaped Crowley's confession, instead of finally telling Aziraphale how he feels about him, he's now backed into a corner and trying to change Aziraphales mind. Offering to run off with him as the alternative to the Metatron's offer.
The repetition of the phrase: "go off together" from the bandstand fight in season one feels very intentional here. It would be easy for Aziraphale to think 'this is just Crowley's response when the divine plan interferes, he always wants to run away'.
Aziraphale believes that he just needs to make Crowley understand the situation and opportunity that this is and everything will be alright:
"Come with me! To heaven, I can run it, you can be my second in command. We can make a difference!"
Crowley is looking defeated already, in his mind he's bared his soul and Aziraphale is a brick wall. So if he can't tempt the angel into staying with the love he has for him (which Crowley thinks he's declared but he really hasn't), he'll get him to change his mind by evoking something else he loves:
"You can't leave this bookshop."
Aziraphale scoffs fondly. 'Silly demon, you were just suggesting we run off together and abandon it only a moment ago!' He thinks Crowley is trying to 'work' him here and the old serpent might even be selflessly trying to spare the angel the loss of his beloved bookshop in order to restore Crowley and help the world, which would be just like him to be so covertly protective. So Aziraphale reassures him, a bookshop doesn't matter to him as much as Crowley and the world. It's just a collection of objects really. Humanity is more important. Crowley is far more important.
"Oh Crowley, nothing lasts forever."
Crowley is crushed. Nothing lasts forever. Not even the two of them. So he covers his sadness with his glasses, walls back up, and he tries to leave.
Aziraphale is baffled. He just reassured Crowley that he was alright with change if it means things could be better. Why is Crowley leaving? Is he worried that they won't spend time together anymore? That he won't have time for his friend as a supreme archangel?
"Crowley come back!....we can be together, angels!...I need you!"
Crowley can't even look at him in that moment. Why would Aziraphale say that? The two of them together only if he accepts heaven again? Conditional love? That's not fair. It hurts.
Aziraphale meanwhile is hurt by Crowley's turning away, his silence and a bit incensed at what he perceives as ingratitude. Aziraphale didn't really want to go back to heaven, but he'd do it if it meant Crowley could be happy and safe and Crowley doesn't seem to appreciate that:
"I don't think you understand what I'm offering you."
Crowley went through the fall. He asked the questions. Did his best to protect humanity and it has brought him nothing but suffering. He's well aware what's on offer. He's seen heavens cruelty and capriciousness firsthand and been burned by it repeatedly. How can Aziraphale choose them over him and still think everything will work out?
"I understand. I think I understand a whole lot better than you do."
Crowley loves Aziraphale's big foolish optimism and kind heart and he thinks it's the very thing taking the angel away from him. This isn't how it was supposed to go. It's all slipping away from him.
"Listen. You hear that?"
Aziraphale can't even keep up at this point.
This is what comes of thousands of years of 'not talking about it' and living under threat of holy retribution if they are discovered. They're talking past each other, having two different conversations. Obfuscation and code has become their communication medium by necessity and it's failing them.
It's frustrating Aziraphale that he can't get a grip on this conversation:
"I don't hear anything!"
And Crowley drops the bomb.
"That's the point. No Nightingale's."
Oh. Suddenly we're on the same page. You can see from Aziraphale's face that he understands to what Crowley's referring. The Nightingale in Berkely square. Angels dining at the Ritz...
"You idiot! We could have been... us."
Crowley's talking about the big unspoken thing between them. Their relationship, thousands of years of dancing around each other like binary stars gravitationally and inexorably drawn together over and over. The thing Aziraphale was beginning to be bold about, (dancing notwithstanding) before Metatron came along and distracted him.
And it seems to Aziraphale that gut-wrenchingly, Crowley is finally acknowledging their mutual love only to point out that it's gone. Lost. They could have finally been together, an us, but Aziraphale ruined it because he's an 'idiot'.
After being quietly in love with Crowley for years, for Aziraphale to have his offer to return to heaven together and his unspoken love rejected in one fell swoop is devastating.
Overcome, he begins to cry and turns away, not wanting Crowley to see how hurt he is.
Crowley for his part is desperate. He has to do something. Maybe Aziraphale doesn't understand what Crowley is offering him! One fabulous kiss and va-voom right?
In a final desperate act, he kisses Aziraphale. Tries for passionate. Tries to show him that he loves him and show him what they could be because his words clearly aren't working.
Aziraphale is shocked and angry. He wants to kiss Crowley of course. But not like this. Not as a taunt. Crowley just told him their chance is over so what else could this be but a final insult. A kiss to punish the angel. It's a cruelty he didn't believe Crowley capable of.
And despite how mean it is. It's also what Aziraphale has wanted for so long he can't help but melt into it for a brief moment. Allow himself to feel what it would have been like to be that close before losing it forever.
Then Crowley lets go and Aziraphale breaks away on a sob, feeling wounded. Hurt beyond words that Crowley would use his feelings against him like this, gutted to be losing the man he loves and not understanding why.
The worst part is that Aziraphale doesn't have it in him to hate Crowley, even if he thinks the kiss was a cruel gesture. He still loves him. So he gathers himself and does what Aziraphale does when someone hurts him.
He forgives.
"I forgive you."
I forgive you for rejecting my attempt to restore you and make you happy, I forgive you for rejecting God and heaven yet again, I forgive you for acknowledging our love and then rejecting it. I forgive you for kissing me, giving me a fleeting glimpse of what we could have been to each other. I love you and I forgive you all that.
Crowley is done. Breath knocked out of him on a last sigh. He tried. And the Angel forgave him yet again for something he never asked or wanted forgiveness for. He doesn't want to be penitent for loving Aziraphale. Shouldn't have to apologise or regret wanting them to be together.
"Don't bother."
Aziraphale looks surprised Crowley is leaving because he genuinely is. He can't understand how it's all gone so horribly wrong. He gasps, shocked and can't even call out to him to stop, come back.
He cries, touches his lips where Crowley had kissed him. Tries to gather himself and barely has 10 seconds before Metatron is back.
At the end of that scene:
Crowley thinks he confessed his love and Aziraphale chose heaven over him because he didn't want to stop being a demon.
Aziraphale thinks Crowley rejected heaven, then rejected Aziraphale and threw their love back in his face as a final unkindness.
Aziraphale leaves and goes to heaven anyway because in his mind he's already lost Crowley and there is nothing left to stay for. If he doesn't have Crowley he needs a new purpose and it's going to be saving the world. He'll convince himself of it. And he'll push that broken heart down and the pain will fade if he just smiles through it. It will be enough, to make heaven better. It has to be. Maybe if he proves that he can make a difference Crowley might see the error of his ways and speak to him again? Surely. Hopefully.
---
Both of them are hurt and confused and lost and oh dear hell I really feel for them.
1K notes · View notes
headspace-hotel · 1 year
Text
some times i see people talking about the Earth and climate change saying things like "now i know it is difficult to deal with utter hopelessness, terror, and visiting the thoughts of death"
and it's like wow I am so deeply sorry about the suffering. but...concern. Concern. Tell me, am I missing something important? Why do I feel a sense of hope for our planet? Am I a lonely fool? Have I been consumed by naïveté and misguided optimism?
That would be weird. It feels weird. It feels like I would be well suited to despair. My natural temperament is Mortal Terror making my body crushed for a thousand years at the bottom of the deepest trenches of the ocean. I've thought before "I can't live any more. This exceeds the tensile strength of the human spirit."
And then? After irreversible catastrophic failure of the soul, there is...what?
We try to imagine the future where we fight to save our home and it is very painful. The resistance feels so small and the machine of death feels so vast. But something's missing.
Everyone else is missing—the plants, trees, bugs, beasts, and creatures. Hello? Are the other humans seeing this? Nature wants you to know that she is not a princess in a tower. Look! Look at the chaos moving through every cell! Iterating! Adapting! Becoming! Thriving! Watch the pollinators tirelessly at work, observe the mycorrhizal network in the forest floor distributing the rich fruits of decay and photosynthesis for every inhabitant! Pay attention! We belong here too. They feed and shelter us, give us the very air we breathe, and in return we plant and propagate, cull, thin, and burn, shape, trample, till, shepherd and sprout seeds. Our species can look toward the future, to the world of our descendants. We can call every plant and animal by name and teach our children to use and care for them responsibly. We can feel this anger, pain, and grief on behalf of the family of Life, OUR family, and we can love the smallest beetle and the humblest moss.
Look at it! This thing is nothing like me, it does not benefit me, it has no use or purpose for me, but LOOK at it! Look at its intricate structure! Look at the marvelousness of its behaviors and biological functions! Look at its uniqueness throughout the whole universe! Look at it, and see its infinite value!
I saved a baby tree from the scorching hot gravel of a parking lot. I watched it grow and thrive in the hands of its caretaker. Many more followed, trees and herbs and flowers, rescued and carefully placed in cups and old tubs that once held yogurt and sour cream. This is so strange, I thought. They're everywhere, offering themselves for free, and no one thinks to take them. Everyone thinks transplanting a tree is hard and that nothing grows on the edge of the pavement but weeds. But it's so easy??? This is weird. Plant Nurseries Hate Her: Get Free Plants With This One Weird Trick.
I protected an old barren garden patch where nothing had thrived from being mowed and weed-whacked, and transplanted little plants that I found. I marveled at the bees that came. Chicory bloomed, then asters and goldenrod. I shed actual tears over a spicebush swallowtail. I ordered some milkweed from the internet, and the monarchs came for them. Less then twenty-five bucks for a divine experience like this. Wow, everyone else really needs to know!
I started volunteering at a nature center, and was allowed to transplant flowers where they sprouted in inopportune locations. I collected tons of seeds all fall and winter long.
There is much, much more, all of it bigger than I ever would have imagined. But this spring there were more birds, in number and in species, than I'd ever seen in my back yard before. Chickadees, swallows, finches, nuthatches, jays, cardinals, warblers, sparrows, woodpeckers of every kind...I remembered just a couple years prior when all I ever saw out there was a couple grackles or starlings or robins, with the occasional sparrow. Those birds come in flocks rather than couples now. And then the bumblebee arrived. An American bumblebee, endangered now, a queen. For a few days she was always out there, would fly out and buzz around me when I came out to tend to my now-innumerable plants. It's nesting time for them. She chose this place I was creating. She saw that this place would take care of her.
A week ago, I discovered wild strawberries growing in my Mamaw's driveway. I found lyreleaf sage growing beside a gravel road. I've become a master of transplanting; I took several of each home. Yesterday, I saw a tiny, metallic blue bee, an Osmia mason bee. Today, I saw an oriole and a strange, very fancy fly. I see something new almost every day. Every day I am being irreversibly changed as a person. How did I ever fail to see how much this matters?
I said I feel hope...do I feel it? I don't think it's a feeling, I think it's a practice. It's being part of our communities and our ecosystems. Nature's interconnectedness is both reality and example: to survive, we take care of one another. And when one member of the community helps another thrive, it creates a cascade that increases the thriving of all. Just by existing, you help us all survive.
You can only take care of so many plants before you have to give some away. You can only hold so much knowledge before you have to give it away. I gave seeds to a dozen different flowers to my next-door neighbor and she invited me inside and wouldn't let me leave without food, and we talked about plants and trees. A family friend lets me have goats' milk and heirloom vegetables in exchange for help around the farm, and I listen to him talk about trees, bugs, and soil and learn so much I feel like I'm about to explode from knowledge.
Being a caretaker is unavoidably a community-oriented, community-forming thing. You can't grow plants all by yourself. Your garden will make too many tomatoes. Share them. Your milkweed will make hundreds and hundreds of seeds. Spread them. Wild blackberries invite you to take and eat. Your lonely retired neighbor invites you to talk and keep her company. Once you grow delicious fruits or little oak trees, you always have a reason to greet someone and say, "Look, it is a gift!"
We're not alone. We are not separate. We take care of each other. Every species, every individual. A single action of caretaking creates a cascade effect of thriving. A single unapologetic love for a creature creates a blossom of curiosity and fascination in everyone surrounding. It's so powerful.
As my chemical romance says "I am not afraid to keep on living"
2K notes · View notes
undreaming-fanfiction · 3 months
Text
What I Wouldn't Do
This fanfiction is a Valentine's Day exchange gift for the lovely @henderdads. Cass, Eddie absolutely hates Valentine's Day, but for Steve? Well. He's willing to make an exception. Have an amazing Valentine's Day, you deserve it so much!!
Sometimes, it is difficult to reconcile several different truths in our lives. 
Eddie currently has this dilemma. 
Truth A: Steve Harrington, Eddie Munson’s boyfriend, allegedly loves sappy romantic things, Valentine's Day included.
Truth B: Eddie Munson, Steve Harrington's boyfriend, feels like if the world ever has to end, it should do so on February 14th, for this is the worst day of all days, the day of heart-shaped chocolate that tastes like crap, couples exchanging sweet words and bodily fluids, sometimes even semi-publicly, and don't even get him started about that horrible romantic music. 
After swearing on the Munson doctrine he won’t sell his soul to consumerism for anything and anyone but Steve, Eddie Munson decides to ignore Truth B. Steve Harrington deserves the best Valentine's day in the history of this idiotic holiday and Eddie has a hunch, a massive, Everest-sized hunch, that in all of his previous Valentine's days, Steve was always the one to do all the work. His beautiful and brave people-pleasing boyfriend. 
Then Eddie realizes another very uncomfortable truth. He has no idea how to celebrate Valentine’s Day. He spent the twenty one-ish years of his existence avoiding the holiday, so now he has to do some research. 
He starts small. When they walk together in the Hawkins center, careful not to touch or hold hands because Hawkins still remains a backward hellhole, he notes what Steve looks at. If his eyes linger on a certain flower for a few seconds, he makes a mental note. A mental note means in Eddie's case that he repeats the name of the flower ad nauseum, quickly excuses himself and scribbles it onto his forearm not to forget. He even buys a permanent marker for this. He can't forget anything, not when it's important for Steve.
When Steve asks about the scribbles, he claims it's for the next campaign. He even draws a sword and a shield next to the notes to avoid suspicion.
He asks many questions, most of them under the pretense of helping Gareth with his dates. "I swear, Steve, when he's lovestruck, he gets completely stupid. Not stupid stupid, Gareth's smart, but he can't hold rhythm and we need him to hold it, he's our drummer! So save this suffering aspiring rockstar and tell me, what do you think is the best type of chocolate? Milk chocolate? Okay, and is that like, universal? Did your previous dates like it? I see, a majority then! Sooo...are you a part of that majority?" 
Very smooth. 
See, Eddie doesn't give a flying demobat about chocolate types, he's more into hard candy. He doesn't like cut flowers, they die anyways because you cut them, how is that fair to that flower, huh? To die for being pretty? And of course, he hates the whole EXPECTATION of Valentine's Day. 
But the more he asks, the more he finds out, he doesn't see it as participating in the mindless machinery of lovestruck idiots. Instead, he sees the flush on Steve's cheeks when he talks about dark chocolate with dried raspberries and how his parents once brought it back from dad's trade conference, how it was love at first taste. He scratches out the idea for a bouquet of flowers when Steve mentions he’s always hated them because the flowers are so beautiful and vibrant, but they’re cut for an obligation in their prime. “It sounds stupid when I say it,” he chuckles, “but I want them to live until they’re ugly and withered, you know? They’re worth way more than their looks.”
Eddie could kiss him right there and then. And he does. 
He brings it all together, prepares all of Steve’s favorites with a silly twist because it’s Eddie, and Eddie lives for silly things. It really needs to be his favorites because Steve once admitted to him that most people with the exception of Robin and Dustin don’t really know what he likes, they just assume. And Steve is happy that people even thought about him, he thanks them and treasures those things that don’t mean anything to him. To Steve, being thought about is enough. 
Well, not to Eddie Munson. 
He asks Steve not to plan anything for their Valentine's Day. Or more precisely, he asks him to stay free and available and not worry his beautifully hairy head. He knows that if he didn't say this, Steve would have gone above and beyond for him, he would have likely taken Eddie to a concert with music so loud he’d get a migraine, but he’d suffer through it. So Eddie has to stop that from happening.
On the actual day, Eddie prepares everything. He sends Gareth ("You owe me so much for this. SO MUCH, MUNSON. I actually wanted to watch this tonight!") to rent Steve's favorite movie and goes himself to get access to the Hawkins High with…almost completely legal means, just a little bit of bribing here, some promises for a lengthy D&D campaign there, and of course lots and lots of nougat. 
He gathers everything in his van, waits for the kids and the janitor to get out and then starts setting the scene. 
There are two more incompatible truths that Eddie Munson grapples with: 
Truth A: Eddie Munson fucking HATES the Hawkins High. He wants it to burn down in flames, with only the theater room staying intact. 
Truth B: Steve Harrington sometimes wistfully mentions how he wishes he could have dated Eddie Munson in high school. How they’d share lunches, trade secret kisses in the hallways. He wishes himself and the world had been different. 
And so Eddie Munson grits his teeth, walks those cursed hallways he only managed to escape a few months back and counts on Robin Buckley to deliver his invitation with flair. “Extra points if you get him a trumpet solo, Buckley!” 
Robin apparently delivers because only half an hour after the expected invite, as he is smoking his fifth cigarette - don’t blame the guy, he’s nervous! He’s got a big date! - Steve arrives with a smile that’s equally excited and nervous. He keeps running his fingers through his hair and overall looks just biteable. 
Steve walks up to him and brushes his fingers against Eddie’s wrist, discreetly as they have established. It’s their own version of a kiss. “I thought you hated Valentine’s Day?” he asks and he looks so apologetic that Eddie promises to base all villains in his new campaign on all the people who ever made Steve feel he wanted too much. 
Eddie glances around, deems it safe and pulls Steve into an actual kiss. "It might be Valentine's day for you, Steve. For me, it's the "Steve Harrington Appreciation Day." He winks at Steve and relishes in the slight blush that has crept into his cheeks. “The name is already registered and all. No changes possible or accepted. Follow me, big boy.” 
Steve laughs when he sees a set cafeteria table with something that brings back so many memories. How did Eddie get two portions of school lunch?! The man has to be magical, he decides. They eat together, chat about their day, and then Eddie decides feeding each other is off the table because they’re giggling so much he almost stabbed Steve with the fork. 
They walk the hallways together, hand in hand, and Eddie sometimes turns around, sticks his tongue out at an imaginary girl and sneers “back off! He’s mine!”. 
Steve turns after Eddie and nods. “What he said,” he whispers and squeezes Eddie’s waist. 
Eddie then hands Steve a sports bag he stashed in the changing rooms and winks at him. “What are you waiting for, Harrington? We have some balls to toss! Baskets to score. That.” And before Steve has a chance to protest, he gets his own bag and starts changing into those awfully familiar PE shorts in all their green and white glory. 
Steve just watches him, mouth hanging open. “Now I get why I never saw you in these,” he mumbles as he also starts changing. “I would have realized I’m bi like, at that moment.” 
But Eddie just laughs and pulls his hair into a loose bun. “Oh, Steve. You have no idea what those shorts on you did to the little closeted me. The thoughts they gave me.”
“Lucky for you, baby,” says Steve and pulls Eddie to his feet, “this time you’re allowed - and strongly encouraged - to both watch AND touch.” Then he cocks his head to the side and adds: “Well. If you score at least one point.” 
Eddie tries. Fails. Tries again, even with Steve helping him. Eventually, they settle for a quick game of tic-tac-toe which Eddie wins and happily squeezes Steve’s butt. 
Their final destination is the only class they ever shared, history. All desks are empty, except for one - the middle one in the second row, where Steve used to sit. There’s dark chocolate with dried raspberries, Steve’s favorite, and a pot of flowers. Yellow, another favorite. 
“The lady in the flower shop said they should live, like, really long,” shrugs Eddie and moves the chair for Steve so he can sit down. “I forgot their name the second I got them, but Buckley knows and she was asked to deliver a booklet with how to care for them.” 
Steve drags him down to his level and kisses Eddie, deep and long. He’s either crying or laughing into the kiss, maybe both. “I don’t know what to say,” he whispers into Eddie’s cheek. “All of this…is right. It’s me. You remembered.” 
“Eh…kinda. Tried to.” Eddie gives up and lets himself be seated on Steve’s lap. “Actually, I had a small…cheat sheet. Let me show you.”
Steve watches as Eddie takes off his bracelet and watch and sets both on the desk. He gasps as he sees a coiling pattern around Eddie’s wrist, something that looks like a dotted or scratched tattoo all around, but that’s not it. Because then Eddie moves his wrist closer and he can read all the words on Eddie’s skin. 
DARK CHOCOLATE WITH RASPBERRIES
NO CUT FLOWERS! YELLOW IS GOOD
COFFEE WITH ONE DROP OF MILK
NO ICE IN DRINKS - TRIGGERS MIGRAINES
BELTS AND SHOELACES - GOOD GIFTS TO WEAR
FREDDIE MERCURY
GOOD OLD FASHIONED LOVER BOY
NO KETCHUP! 
STRAWBERRY ICE CREAM
These and so much more. All of Steve’s favorites, all what made him feel like himself, forever preserved in Eddie’s skin. 
He buries his head in Eddie’s shoulder and holds him so tight Eddie has trouble breathing, but then he decides that oxygen is overrated. “You’re so crazy,” sobs Steve into his shoulder. 
Eddie laughs again into the quiet of their former school. “I know.”
“And I love you so much.” 
He kisses Steve’s forehead. “I know. And I love you too. That’s why I had to do this, you know. Because even when I’m old and ugly, just like these flowers will be one day, when I’m senile and can hardly remember my own name, I will look at my hand and I’ll know all that is important.” 
Steve holds him even tighter if that’s possible, but maybe oxygen is needed just a little. Eddie gently kisses Steve’s head again and whispers: “We’re not done yet, love. Can you let me go so I can play us a movie? Something nice.” 
The arms crushing him loosen their hold and Steve briefly turns away to wipe at his eyes. “Sure. Sorry, I just…this is new for me. But good. So good.” 
“You deserve the good. All of it.” Eddie means it. And if seeing Steve appreciated as he should have been all of his life is redeemed by something as mundane as ignoring some truths about himself? Eddie is ready and willing. 
As he puts Indiana Jones and the Temple of Doom into the VHS player, he realizes something terrifying - he’s actually LOOKING FORWARD TO THE NEXT VALENTINE’S DAY. 
Oh well. Time to adjust the Munson doctrine. After all, it might become a Munson-Harrington doctrine one day, so it deserves some revision.
510 notes · View notes
holylulusworld · 4 months
Text
Dinner for two
Tumblr media
Summary: You don’t eat alone this year.  
Pairing: AU!Bucky Barnes x fem!Reader
Warnings: angst, grumpy Bucky, fluff, mentions of cheating ex-boyfriend, unnamed ex (you can imagine whoever you want)
Catch up here: Dinner for one
Dinner for … masterlist
Tumblr media
“That was not nice of you, doll,” Bucky holds the door open for you to enter your favorite restaurant. It’s another Friday night and you meet up with Bucky for dinner. “You said it’s a Clint Eastwood film but there were no guns, and he didn’t kill the bad guys.”
“I said it’s a movie with Clint Eastwood. I never said that there would be violence and guns,” you point out. “The Bridges of Madison County is a wonderful movie.“
"They didn’t even end up together.” He huffs but gently grabs your hand. Bucky squeezes it tightly. “A bad ending.”
“No. I mean, yes. They didn’t end up together, but you know that in the end, they loved each other for the rest of their lives. It’s so romantic.” You sigh deeply. 
“Y/N, that’s not romantic,” Bucky grumbles. “It’s not a good ending if they suffer for the rest of their lives because they can’t be together. I don’t like it.”
“Hmm…maybe you are right. I think the movie is about making decisions too, you know. This man, who traveled the world, crashes into her life and sweeps her off of her feet. Her husband is not very attentive, and her kids don’t even let her listen to her music. No wonder she falls for the tall and interesting man.”
“Tall and interesting,” Bucky feels his heart flutter as he guides you toward the table reserved for you and him. “Do you like tall men too?” He pulls the chair for you, waiting for an answer.
“I don’t know,” you answer honestly. “The appearance doesn’t matter to me. I like people because they are…nice.”
“You’re too cute,” he sits on his chair, just like every Friday night to smile at you. “Come on, be honest. What did you like about your last boyfriend?”
You frown and drop your gaze. Talking about your ex-boyfriend is still a sensitive topic for you. “I don’t want to talk about him.”
“Sorry, doll. I shouldn’t have asked. So…uh…what do you like about me?” He reaches out for your hand to stroke your skin with his thumb. “You can be honest with me. We are friends. Right?”
“Best friends,” you hastily say. “I love our Friday night dinners and that you watch stupid movies about unrealistic love stories with me. And I like your eyes. They give away if you are angry, grumpy, or sweet.”
“Sweet?” He smirks. “You think I’m sweet, doll?” Bucky takes your hand to bring it to his lips. “I think you are even sweeter and cute.”
You pout. “I can be bad too. Last week I yelled at my neighbor because he wouldn’t quiet down the music. I was badass.”
“I bet you scared him,” he pecks your hand again. “But that’s not what I wanted to talk about. It’s our first anniversary. One year ago, we had dinner together for the first time.”
“I remember and,” you open your handbag to get a beautifully wrapped gift out, “I got something for you, Bucky. Thank you for being such a good friend, and more. You always make me smile, and cheer me up. If not for you, I’d be eating alone, my teddy bear my only companion. I hope you know that the time we spent together was precious to me.”
“Doll,” Bucky clears his throat. He takes the gift you offer to him. “I got something for you too. I-I don’t know if you will like it, though. It’s just, I can’t keep it a secret for longer.”
“Please open the gift. I hope you’ll like it,” you softly say, and pat his hand. “It’s okay, Bucky. I think I already know.” Your features sadden, and you swallow thickly. 
Whatever Bucky wants to tell you, seems to be important and you want him to remember the time you spent together before he tells you about the woman you saw him with last week.
Bucky unwraps the gift, he gasps and swallows thickly as there is a heart-shaped key in the box. He lifts his eyes from the box to look at you.
“I wanted to give you the key to my heart but…” You wipe your eyes. “I saw you with that beautiful woman and know now, that you don’t feel the same.” You hold up your hand when Bucky wants to say something. “It’s alright, Buck. This is not your fault, but mine.”
“Baby doll,” Bucky almost knocks the chair over when he gets up to hurriedly crouch down in front of you and grasp your hands to pepper kisses on your skin, “that’s not what I wanted to tell you. You’re precious and important to me. That woman was my best friend’s wife, Sharon. I asked her for advice on how to tell you that I want to be more than your friend.”
“More than my friend—” you sniffle while searching his face. “Do you mean it?”
“Yeah,” he rasps. “I know you are still hurting because of that douchebag but I’m willing to wait all my life if only you give me the chance to love you. Because I love you, Y/N.”
You whimper. “I love you too,” you throw yourself at Bucky and press a kiss on his cheek. “So much. I abandoned my bear and told him that you are my best friend and protector now.”
He wraps his arms around you and buries his face in your neck. Bucky held you many times in his arms – but this is the first time after he confessed his feelings. It feels different but wonderful. “Do you still want to eat with me?”
“Of course, Mr. Barnes. I’m starving,” you choke out. You’re a little overwhelmed by your emotions and don’t know what else to say.
“That’s my girl,” he whispers and means it as you hold tight to each other for a little longer. 
Tumblr media
“So, this is our sixth official date,” Bucky states as he looks at the menu. He smirks as you nervously shift in your seat. “Doll, relax. We both know that you can’t do anything wrong. I even let you change my interior.”
“It was awful, and you love your new bedroom,” you tease, and chuckle when his features darken.
“I love what we do in my bedroom,” he flashes you a smirk, making you feel hot and bothered. Bucky has this talent to make you go weak in the knees with only a smile or the look he gives you.
“You mean cuddling.”
“I mean cuddling,” Bucky grins and looks back at the menu. “Hmm…if I want dessert I should start with something lighter tonight. I wanna have a second dessert at home.”
“Bucky,” you say, and look around the restaurant. You don’t want the whole restaurant to know that Bucky is an enthusiastic pussy eater. “Not in public.”
“What?” He feigns innocence and puts his hand on his heart. “I didn’t do anything wrong,” he leans closer to whisper, “or naughty.”
“You’re a naughty man, and you know it.” You both chuckle and reach out for each other’s hand to hold it. “I love you, naughty man.”
“Love you too, doll,” his features soften again, and you see the Bucky only you get to see. The soft and caring man behind his stoic demeanor and grumpy attitude. “Now, what do you want to eat.”
“Y/N? Y/N Y/L/N?” 
Bucky is alerted the moment you stiffen and your smile fades. “Baby doll, is everything okay? Is something wrong?”
“I knew it was you,” the man breaking your heart almost two years ago dares to step toward your table. “You look, wow…great.” He flashes you the brightest smile that used to make your heart race. Now there is no reaction. All you do is huff and shake your head. 
“Hello,” you coolly reply. “How have you been? I thought you were still in Tokyo and trying to conquer the world.”
“Aw, baby,” the woman he left you for joins your unwelcome reunion, “you didn’t tell me you met some friends.” She stiffens as her eyes land on you. “Oh, it’s you…”
“Bucky, may I introduce my ex-boyfriend and the woman he cheated on me with to you,” you put on a fake smile. “They were about to leave us alone so we could enjoy our date night.”
“Date night?” Your ex splutters. He looks at you as if you lost your mind. In his fantasy, you never get over him and live a lonely life.
“Yes, date night,” Bucky slowly gets up from his chair. He’s an impressive sight when angry. He squares his jaw and offers his hand to your ex. “I’m James Buchanan Barnes,” Bucky smirks darkly as your ex furrows his brows. “If you would excuse us now, me and my lovely fiancé want to dine and enjoy our night. I believe you have plans too.”
“Yes…we are…you know…busy,” your former best friend stammers. She grabs your ex’s hand and leads him away from your table.
“You little shit lied straight to his face,” you snicker. “I didn’t get the memo. Since when are we engaged?”
Bucky shrugs. “I’m planning a spring wedding, doll. So, if you have time let’s plan a wedding,” he casually says and looks back at the menu. “What do you say?”
“I’m all for chicken parmesan, but you can eat whatever you want,” you smile to yourself as your boyfriend nervously shifts in his seat.
“That’s not what I meant, Y/N.”
“Hmm…” You nod thoughtfully. “I think May is the perfect season for a wedding. It’s warm, but not too hot.”
Bucky takes your hand to press a chaste kiss on your skin. “I promise to never hurt you like he did. You are the one for me and I’ll prove it every day of my life.”
Final Part: Dinner for three
Tumblr media
Tags in reblog.
621 notes · View notes
nerdyenby · 1 year
Text
Going insane about how the world of Minecraft keeps growing. Taller, wider, deeper, older than we the player will ever truly know. We are tiny in the grand scheme of things, yet we have been given this world — this universe — as a blank canvas.
We have the power to shape the world to our will, to literally move the mountains, yet we could never explore it all. There is no end for us to find, there is no beginning we can make any sense of, there only is the now and the remnants of the past buried beneath our feet.
The world is coming back to life around us, but with it emerges reminders of the immense loss this universe has suffered.
We find plants thriving without sunlight; we find darkness unfathomable with creatures who cannot comprehend the light and kill without mercy, alone for who knows how long. We discover a new mineral only now beginning to form again, presumably after being harvested nearly out of existence, but we find no trace of where it all went - of what it was used for. We find otherworldly new crops that have been in the soil below us all along; unable to reemerge on their own and us ignorant to their existence.
We find a way to bring back a species long extinct, but how many of them died first? We find ruins and remnants of structures created by intelligent creatures, but these people are gone. We don’t know what happened to them, who they were, or what knowledge they may have had to pass down to us.
We know nothing of the people who came before us. Their structures are submerged under the ocean and beneath the earth. Any language they may have left behind has long since been lost to time. All we know is that someone used to be here, that this world was lived in and loved, and now it is ours alone.
We are the sole inhabitants of a world we used to be able to believe was fresh and new and untouched by man, but as the game progresses we realize that was never the case. We were never the first ones here. This world has a history, one of love and life and pain and death we will never get the full story of. We’re starting to develop the tools to uncover some of the pieces, but we will never be able to grasp what came before.
Maybe we were never meant to find out. Knowing we aren’t alone in the universe changes everything, but does it really? So we are not the first to build our homes and live our lives here. This is still our home and this is still our life.
This world knows loss unfathomable, but she found us and took us in. This world has seen far more destruction than we will ever know, yet she entrusts herself to us, allowing us to create. This world has a past, but we are her present, and we get to help shape her future.
2K notes · View notes
vexxandra · 1 month
Text
what is coming? (timeless pick-a-card)
for those who need comfort, or dream of the future, this might be the pac for you ☆ 3-17-23 .
Tumblr media
PILE ONE ; " i'm so tired " ...
how long have you been keeping yourself awake? it's up to you to decide whether that statement was metaphorical or literal, but the point still stands. can't catch sleep? it's not your fault. you don't have to carry the weight of the world on your shoulders, you deserve to rest. sleep is a blessing that you will catch up on soon. the mistakes of your past shouldn't stop you from rejuvenating yourself. i'm sorry this relief from life has been taken from you.
i can see that what's coming toward you is more closure. conflicts being resolved, and action being taken to prevent future problems from happening. peace is coming, and more spiritual peace- however you may find it. you are finding what is lost or missing; a confidant, a part of yourself you lost, or a sense of responsibility. this will make you feel a little less confused in this dark time. whatever you find, make sure it benefits you, not hinders you.
extra: the number 7 or 16, cheerleading, studying, driving/cars, violent - carolesdaughter, the need to please, disappointment, "you are more than your thoughts, more than your past" green, spring months, gaming to cope, betrayal, "you deserve love because you exist"
PILE TWO ; " i am fighting " ...
you are so strong. your strength is commendable, and so is your resolve. you are making me smile. things seem to be good for you right now, but have they always? no one is born to be so resilient, it's our experiences that shape us to be who we are, and yours have molded you into a warrior, pile two. you are so strong, have you heard that before? i feel like you don't get recognized enough. but you suffered, and i see that. i see that, and i see you. thank you, for never giving up.
stability is reaching you. i feel like you have a 'fake it till you make it mindset' in order to reach what you truly want. but i see that you will soon have whatever you desire. it will be unmistakably yours, and you'll know in your heart when you find it. you will be emotionally fulfilled, and reach a state of kind of 'enlightenment' where you're like, i know what im doing now, it all makes sense. it will be a moment where everything clicks, and everything settles down.
extra: pink, red, gold, orange, chains of pearls, instruments, stuffy, nostalgia, memories like the color yellow, may, june, 2018, "this feels right", back to the future/past, vintage, aesthetic, dream girl vibes, photos, "everything is okay"
PILE THREE ; " where is the sun ? " ...
you have lost your sun, pile three. you remind me of a sunflower, looking for the sun to turn to, but what happens if the sun isn't there? you are aimless and lost, trying to find what has been stolen from you. but it hasn't, has it? it's time to take off your lenses, and realize that this isn't healthy. you have been stuck in a cycle for a while, and i feel like you kind of actually trap yourself in it. i get it, it's better to be trapped than face the reality. but is the pain you're causing yourself really worth it? please find strength in yourself to break free. trust me, it's better than staying. im rooting for you, pile three.
what's coming toward you is the strength to pull yourself out of this negative situation. i see you putting yourself first, and sparing yourself of further heartbreak, disappointment, and sadness. i can see that this will sort of be a tower moment for you; the tower has always been shaky, but it's only now that you are fleeing from it, and i'm proud of you. it's hard, but you can do it. after, you might find yourself stuck in your own thoughts secondguessing, but you did the right thing. never forget that. i also see someone of importance entering your life, a little after this.
extra: dont worrry darling, omori, pink beats, neurodivergence, black, alternative culture, crosses, pinky promises, mother figure, chocolate, willy wonka and the chocolate factory, balloons, lamps, llamas, "why would you leave me?", "because i couldn't stay", polish
370 notes · View notes
cipheramnesia · 15 days
Text
It is possible I'm leaning too hard into the concept of a parasite POV protagonist which explores what it means to make yourself into the shape of another body (re the starfish comic and a bunch of bits in it), when the body in question is a trans woman who has undergone a severe amount of involuntary biomechanical body modifications, in an experimental attempt to utilize her poorly understood mutated nervous system as a kind of living weapon against a parallel universe which is inadvertantly unraveling our own world in isolated but escalating highly destructive incidents involving sudden explosive release of energy where they intersect.
But when the events proved fruitless, leaving her wracked with trauma and metastasized cancer, they threw her into a care home / prison where she died of the aforementioned cancer, and this is all in service of answering the question of where The Body which becomes the host originates. However, being as the parasitoid mutant blind millipede colony does not enter a corpse with a template, and merely threads into whatever pre-existing physical and neurological systems are part of the host corpse as-is, not only is the colony collectively entrapping itself within the boundaries of a host body, but it is operating on the assumptions that all the surgical and hormonal alterations, as well as the cancer, are a part of the body which they should also include in the neural network they extend themselves into.
Meaning the actual outcome is the world as seen through a parasite colony which, as it consumes and partially replicates both nervous system and brain of the host, believes itself to inhabit the world as a human, while in actuality it is oblivious to the fact that it now exists as an expression of the traumatic abuse which an authoritarian state under threat will inflict on a human body, as well as the cancerous expression of consequences of this abuse, all stemming from a body which, in a world facing an existential crisis, has an unconventional non-human nervous system which allows it to engage directly with an alternate universe.
Which all plays out because the apathetic management of the care home sold her corpse to a religious order / conservative activism group dedicated to the preservation of the mutant parasitic millipede colonies out of the fervent religious belief the colonies represent the unending cycle of life from life and life from death, and also because the millipede colonies act as natural predators to the Dalton County Dump Roundworm Infestation, which has been taking over large portions of the country via its exponential growth and lack of any competition. So now I have a completely sensible background derived for the parasite colony protagonist who is also fifty percent of the dead trans woman they consumed in the process of infesting her corpse, who is now a kind of holy relic to the temple which infected her, but who also wants retribution for the horrific abuse she suffered, while simultaneously experiencing her twisted and broken body as the correct form as derived by the parasite infestation, which is also her.
Simple.
266 notes · View notes
2kmps · 7 months
Text
Tumblr media
BED-REST IS BEST
Tumblr media
howl pendragon x sick!reader | 2.1k
Tumblr media
synopsis; while sophie and michael are away fetching you bone broth for your illness, howl decides to pay you a visit.
story warnings; sick!reader, howl is a pompous turd, book!howl-coded, interrupted kiss, roughly proofread, posted 2021.
Tumblr media
Sophie supposed the malady came on the winds of spring, carrying with it all manner of sickness, unpleasantness, and turbid air just the thinnest tinge of green from particles of pollen. She herself felt the effects of the great thaw, the budding tulips of richest hue, and the haze that drew over head like a personal cloud of suffering all her own.
Of course, Old Sophie had a way of dramatizing, meanwhile simultaneously catastrophizing stuff, so you knew to listen to her words loosely, with a solemn nod that you also shared similarly in those feelings. To a lesser degree than her, you were already aware your forced bed-rest could be attributed to allergies.
Or, something else you considered, it could have been the number of sputtering children who yet not knew to duck their faces in a tissue or their arms; it could have been the last embrace you shared with your sickly aunt. It could have been so many things that you had to press the pads of your fingers into your temples to subdue the stab of a headache building beneath them.
“Michael and I are going to Market Square to get supplies and bone broth. That’ll whip you into shape in no time.” Sophie anchored her fists against the bulky layers of her skirt, nearly losing them from how deeply they sunk. “Don’t you dare think about moving until we get back, hear me?”
“What about customers?” you couldn’t say you were disappointed by her firm demand, though all the same it made you restless. Even in times where illness or injury got you down, rest eluded you like fine sand slithering through crevices in your fingers. “Howl went off and blew half our income on that- that, damn, what was it? Some kind of enchanted flute? The more customers we serve, the more we can stash away.”
Sophie’s nostrils widened while her shoulders sagged forward with her breath. Her eyes lost their hardness, ebbing into something far warmer, motherly, almost. As you shifted anxiously beneath the covers, she came back around and began tucking them under your body once again, sure to secure you tighter than before. In fact, you were so caught, so much in your cocoon that you only saw the gray ball of wadded hair pinned atop her head bounce as she rounded you.
“Just stay down you worrywart,” she sighed, heels tapping the floorboards in a collected gait. At your head, she was careful to fluff the feathers in your pillow. “Between us, I’ve been putting a bit aside here and there. Just enough so he can't go buy another one of those enchanted suits. I’d like to know the dealer he’s getting them from and have a word with them myself.”
Your lips curled up at the mention and, honestly, you believed she actually would. “Where is Howl, anyway? I thought he was around.”
“Good grief, I almost wish he wasn’t. He’s been banging around in his room for hours now.” Old Sophie threw her hand towards the adjacent wall, upper lip curling as she continued, “says a lot that you haven’t heard a lick of it.”
That was enough to get you to concede to her obstinacy, letting the weight of your head- suddenly a strain on your neck- fully rest atop of the pillow she had fixed. The more she talked about you needing to stay in bed, drink bone broth and saltines, the more you felt the lead in your limbs rooting you to the mattress and the world floating around you when you closed your eyes.
It was any guess to you when it was the moment Sophie slipped out of your room with that hobbled gait of hers. You had been vaguely aware of her giving your cushion a bit more lusciousness, and then warmth of her palm covering the space of your forehead, giving a fretful tongue click. Behind your heavy eyelids, your eyes floated after her tiny footfalls, but that at once made your bed feel like a boat crashing through cresting waves.
So, you finally resigned to your fate of her and Michael’s care, finally let the stone in your bones meld you into the bed like beige boulders sinking further into the earth and undergrowth with coming centuries.
The silence that surrounded you was enthralling, probably the only true amount of peace you had had in a long time, considering your days were often brimmed with mediating Sophie and Howl’s explosiveness, meanwhile, still cooking up meager spells and manning the business with Michael.
In your weariness and delirium, a thought crossed your mind in a drawl: what about Calcifer, did he need more wood? You anticipated his voice bursting out soon, imploring attention in any number of ways. What of the front door? You expected a knock to come soon, and then another, and another, and perhaps a dozen more. That was money well needed.
What of Sophie? Your thoughts continued. Would she need you to help with scrubbing the floors? Maybe she wanted to give you a knitting lesson later, or expand on her tutelage of weaving hats.
Oh, and Howl—
God, how could you forget Howl? The man felt like a job all on its own. 
Surely he intended to go out again and woo many of the loveliest in Market Chipping, or hell, maybe he’d move the castle somewhere else for the night to do that. You expected him to hunt you down, throw open your door, barge through the threshold with his hair aflutter and eagerness in his eyes—where did you and Miss Nose stash his suits? His guitar wasn’t where he left it, where was it? Neither of you meddled with the charm over his door, right?
As it turned out, you mumbled in your sleep, or at least in your discombobulated state. Your head rustled the feather pillow, lolling to one side and then the other as sweat prickled your forehead in cold beads. Behind your eyelids, Sophie’s nimble and darkly spotted hands worked on a suit, meanwhile Michael was ran ragged around the castle to try to fulfill orders, Calcifer bellowed for attention and eggs and bacon, and Howl’s hair whipped up in the breeze as he spun round and round with another lovely.
Your entire face twitched when a large hand smoothed across the top of your head, a damp weight of something laid spread across your forward, unpleasant and clammy unlike Sophie’s warm hand. “Hey. Don’t take the newt from the shelf, it’ll get on the floor.”
Howl gave a bemused smile that took a while to dissipate. You continued to babble incoherently here and there about things that didn't matter while the peaks of his knuckles simply rocked across your temple and cheek.
“I’ll keep that in mind. I pray that Sophie has made herself useful instead of sticking her nose in on us again.” He said with lightness in voice, peering across his shoulder towards the bolted doorway to be sure. “Good. She seems to think I only make you worse in these states. I would never.”
You were sure you were hearing his voice at this point, rousing you from the cluster in your head until your eyes fixed with his, wonderful and marble-like. They were softer than usual, glittering like the sea when the sun hung highest, making the water like a trove of dazzling treasure.
“Your eyes are amazing, Howell.” You whispered hoarsely, swallowing through the desert in your throat. “I don’t notice them enough.”
His smile took on something brighter, almost as though delighted you took notice of something that menial. “I would agree with you there! You can look as long as you’d like. Tell me more about it.”
“I think about us sometimes, Howell.” It was a strange feeling right now, the words you spoke were the first to float forward in your mind. You knew you were speaking garbled silliness, still you didn’t think better of it. “I remember college together, before we came to Ingary. I remember how you used to look before you… started doing the enchantment stuff. I feel like I’ve forgotten you.”
The lines in his lips were significantly deeper as they pulled down, his hand halted against your skin. It was either the thought that you felt such a disconnect from him, or the reminiscence of who he once was that brought the sullen look of his on. No longer was there a glitter of childish joy, but rather of anxiety, of concern.
“Nonsense. You’re talking nonsense just like Sophie and Calcifer.” He moved closer to you on the bed, rolling your arm from its spot as the mattress bent. Next, the pillow cradling your head flattened, his hands cuffed into the thick fabric as he leaned across you, your eyes only able to see him. “I… I’m still here. I have not left you, I wouldn’t entertain the thought. Didn’t I tell you that wherever I’d go from here on out, you would have to be right with me?”
You only wished he’d tell you such things in every other state of being, instead of during the peak of being bedridden. “I want to believe you, but in this world I am as ordinary as the hat makers and bakers. I’m replaceable. I wonder if that will happen one day.”
Noticeably distraught from the creases deepening around the corners of his mouth, and his eyes flitting wildly around your face as though in panic. He came down onto his elbows, caging you below him as his fear neared, his hot breath inches away.
“What makes you think I could ever replace you? Has someone put that bull into your head? Was it Calcifer—the pest? Was it a panderer we met the other day?” Now that he was so close to you, his voice had lowered and it rumbled. “Or, are you so sleep deprived, so loopy that you’re finally now telling me your heart?”
“Does it matter what I confess to you now?” you asked, pushing your head deeper into the feathers and farther from him. As you turned your face away, he shifted to gently coax your chin forward with the daintiest touch of his fingertips. “I would be alone in that venture. In a matter of five, six, ten years—I’ll have all the age and lines you hate. I’m sure I’ll shrink even more.”
“You do realize we have someone in our house who already looks like that.” He said this jokingly, of course, but even in your fever, your hand shot up to pinch his arm. “H–Hey, stop! Furthermore, you’re making up stuff, who would be to say you’d be alone with your heart?”
The explanation to that was obvious, considering the whole business with Calcifer and the Witch, but you didn’t want to think about it. In fact, at any opportunity to steer your mind away from that debacle, you found it.
Once again, you tried to look away from him—both sleep was beginning to weigh on your bones more than what you imagine Howl would if he were to collapse, and away from the furor gleaming in his eyes. And once again, he pulled you back towards him.
“Sick as you are, I’d like to prove it to you.” It was an unusual thing to hear from him considering all his caution with appearance and health. You wondered if he was desperate to alleviate your distrust. “Why are you looking at me like that? Close your eyes—yeah, I would rather not risk your germs, but some things can’t be helped.”
You weren’t sure if your eyes slid shut from gravity, or from some sort of internal desire for him to do this. Either way, his hand returned adjacent to the other near your hair, tugging slightly at the strands and his breath came so close you felt it tremble against your lips.
And then, all at once, his breath snagged in his throat as the door was thrown open, bouncing off the wall with such force it vibrated. In waddled Old Sophie, arms conveniently free of anything other than an old wood broom with long, spidery bristles that she held aloft across her shoulder, eyes blazing and the most malicious you had ever seen them.
“I knew I shouldn’t have left you alone with this dog! This cretin, vile imbecile! This complete, utterly hopeless dolt!” She screeched, the layers of her dress billowed behind her as she started into the room as fast as her creaky old limbs could. “Get out, get out, get out! Away with you, you absolute user! Away! Away! Away! Begone!”
Howl yelped in surprise as the tiny old lady swung the broom with enough ferocity for you to feel the air gush and whoosh around you.
“You demented old coot! Swinging brooms and the like around, are you completely classless?!” he propelled himself upright, expertly ducking her onslaught until he was well out the door into the hall. “I won't forget this!”
As luck would have it, their bickering continued on even once they were out of the room, even fifteen minutes later when Michael weaseled through the threshold with your bone broth and bolted the door behind him.
Tumblr media
divider by @/anlian-aishang
reposted from my deleted blog officiallytheduchess/cardeneiv
714 notes · View notes
sunshine-theseus · 4 months
Text
Bia | Kyra Cooney-Cross x Reader
Words: 2.8k Summary: you create your own boots and meet the most beautiful girl  - sorry I also used this to info dump about the necessity for boots designed specifically for women to lower injury risks Warnings: none i think. lemme know if there are any requested by - @hottiedogs375 i hope you enjoy, it's probably not my best :( definitely not as good as pequeña i think
My family was more of a cricket family than a football one. I wasn’t really fond of either, the shouting was always too much, and the food was somehow sloppy yet rock hard at the same time. Even when we watched at home. The living room would be full of sweaty angry men, sometimes my mum and sister would join if our team was actually doing well. Meanwhile you’d find me in my room at the very back corner of the attic, my room, with headphones on to block out the noise, usually designing something.
Despite the cricket background, I found myself intrigued by the design of women’s football kits. In my design and technology class in year 13, I fell down a research rabbit hole on football boots for women. It was then I discovered the lack of adaptation for the shoe. Women often just wear smaller sizes of boots designed for men, which has been one of the factors in the increase in injuries in the women’s game and I’d decided I wanted to fix that.
That’s how I found myself in front of a crowd, made up of possible brand ambassadors and sponsors, as well as a range of women’s athletes from across the world, pitching my idea.
“And that’s why brands like Bia are important to the growth of women’s football. The shape of the boot, the length of studs, the sole support, they’re all contributing factors to how players perform. When women footballers use the men’s boots, which is basically the only option, they aren’t going to grow used to the details designed for male anatomy. It’s causing stress on not only their feet but every ligament, every bone, every piece of them is suffering because they have to try and adapt to things they can’t possibly adapt to.” I felt like the closing of my speech was rather strong, especially as I watched players and possible sponsors stand to clap. The noise echoes throughout the auditorium and a happiness bubbles within me.
“Thank you for providing me this opportunity. Please, if anyone has any questions.” I gesture to the stand-up microphone in the middle aisle, and people rush to line up.
“What made you intent on creating a boot specifically for women, risking money and time on something people have tried to do before? Something you knew wasn’t guaranteed to work?”
“I know it’s funny, but my family was not a football one, so I didn’t grow up knowing much about the game. But in my a-levels design and technology class, we had to research an issue prevalent in an existing design, and I for some reason was just drawn to the idea that women don’t even get the choice of having a boot made for them. I found it unfair and uncaring. Everyone expects women to play at the same level as men yet won’t provide them with the necessary equipment to do so without them having to risk, quite possibly their career. And I couldn’t just move on after the class, I knew that I had to do something about it. So I’ve spent the past 3 years perfecting the design and building the brand, to be here in front of you all today.” Another round of applause is heard throughout the room before the next person steps up.
She’s a footballer, that I know. Young, no older than 21, my age. And very very pretty.
“This question probably isn’t quite as important as that one but, what made you pick the name Bia? It just seems like an interesting name.” people chuckle at the question, and the (newly discovered) Australian shyly looks around.
“No, I love this question. Bia is the Greek goddess of force and raw energy. She’s actually Nike’s sister, the goddess of victory and very obviously the brand. I think Bia resembles a lot of things within female athletes. They have this driving force and unbelieve power that they bring, and it just felt so right.”
“That’s sick. Can I also quickly ask, sorry, are these boots made for every female athlete? Like can someone in track and field use these or are they just for footballers?” the girl smiles brightly after her question, and I have to remember not to lose focus.
“While the primary focus is obviously footballers, I have researched the compatibility of boots between sports and yes, a professional sprinter like Sharika Jackson can use them just as well as you or Alexia Putellas could. And of course as the brand grows we’ll be able to develop even further and broaden our research further in creating boots fit for anyone.”
-
Questions carry on for a while, then I disappear behind the curtain that’s suspended behind me, rushing to remove my microphone. Eventually I slide out the side door and reach the separate room booked for ‘mingling’ after the panel.
Between talking to rich people desperate to make it seem like they care about others, and athletes who are very eager to know everything they can about the shoe, I try to keep an eye out for the nameless Australian. Every time I think I’ve spotted her; it seems she disappears. Bodies keep moving and she seems to be one of them.
Then I bump into someone. We both go stumbling but she catches me just before I head for the floor.
“I am so sorry I wasn’t looking where I was going.” And there she was, the girl I’d been looking for.
“No, no need to apologise. I’m Y/n.” I give her a hand to shake.
“Kyra.” There’s a pause before she continues.
“I’m a big fan of your boot. It’s truly incredible.” It’s hard not to blush and sputter out random sounds at her praise.
“Thank you. I’m really hoping this function works out.”
“Well I was thinking, when it does, if you need ‘a face of Bia’…”
“Oh my god yes that would be amazing. Seriously you have no idea how cool that would be.”
We talk for quite some time, and she sticks by my side when someone else comes to talk and ask question. When it’s time to go home we exchange numbers and that’s the first and last time I see her for a while.
-
5 months later is the next time I see Kyra in person. We’d both been travelling a lot, me for sponsors, ambassadors, and athletes, her for work. I’d expected to meet with her a few more times before we kick started the ‘face of Bia’ photoshoots, but as the fates had it, we found ourselves in a large warehouse, photo equipment, and many boxes of my shoes filling the space.
It suddenly all started to feel very real, and that made me nervous. So I packed myself into a small room in the corner as I tried to calm down, hoping the isolation and quiet would help me feel better.
Not even 2 minutes in, someone is following and taking a seat next to me.
“You right?” the voice is familiar and smooth.
“Yeah, yeah of course I am. It’s not like the biggest thing I’ve ever worked for in my life is basically in its final stage of release in the next room and I’m freaking out about it. What if they aren’t actually good? What if th-”
“I’m going to stop you right there. You sent me a pair 2 months ago, and I told you I would test them before saying anything, and I did just that. I took them to training. Ran on the pitch, walked, kicked the ball, passed, made risky moves. And what did I tell you after that?”
“‘These are the best fucking shoes ever.’ But what if they aren’t?”
“Listen Y/n, how many other athletes, not just me or footballers, did you send a pair to for testing?”
“Like 43. Basically every one that came to the panel plus some more.”
“How many told you they were good?”
“43.”
“Exactly. So we’re going to go out there together, you’re gonna tell the photographer what you want to see, every opinion, every change, anything, and we’re going to finalise your fucking dream.” Kyra picks me up without me even agreeing, and basically carries me out to the set up.
Ali Kreiger, despite her recent retirement, was currently being photographed. She’d been the one to reach out to me when she heard from, someone, and wanted to be an ambassador. I probably screamed so loud my neighbours thought I was getting murdered that day.
“They’re going to want a couple photos of you too probably. Either with the shoes or with one or all of us. Okay?” Kyra rubs a hand up and down my back as I take it all in.
I nod vigorously and try to shake my hands to get rid of the remaining nerves, eventually taking a seat next to the photographer, Eve. She asks for my input on every shot and manages to carry out my vision without fail every single time. As players filter in and out, I begin to truly relax and allow myself to take in the moment.
Zimmorlei Farquharson and Poppy Boltz, two AFLW players for the Brisbane Lions, were being photographed together when Kyra slid into the spare chair next to me. She didn’t say anything but when I looked over, I had to quickly look away again. Her outfit wasn’t something out of the ordinary, a loose cropped top and bike shorts, plus the sage green boots she was promoting. But the strip of skin that was exposed between her shirt and shorts was enticing and it was hard not to stare at the way her muscles contracted every time she moved in the seat.
I’m certain she caught me staring.
As she stands to take over the Australian Football players, Kyra leans over and whispers in my ear. It takes me a moment to process her words and by then she’s already under the lights.
“Good thing we’re taking some pictures. They’ll last longer.” To say I was stumped was a rather big understatement. Was she flirting with me?
I don’t get to think about it too much, Kyra looking my way every time she changed position or began to play around with the ball provided.
Not long after, I’m asked to join all the girls in front of the camera for a few shots. I knew it was coming but my heart still dropped into my stomach, and I choked on my breath. As expected, it’s Kyra who grabs my hand and instructs me to breathe slowly. Her thumb runs over the back of my hand and the motion begins to sooth me.
I take a place in front of the camera and the group of athletes. I’m not quite sure how to stand, but Kyra takes the space behind me, resting an arm over my shoulder and the other around my waist. It forces me to lean back naturally and as the girls around us take a stance, Eve continues to shoot.
“You and Kyra have a lot of chemistry by the looks of it, and she’s who you’re most comfortable with. Use that. Make it natural. The girls around you will adapt.” I expect the comment from Eve, but it’s Ali who puts a hand on my shoulder and reassures me.
With that instruction, and a nod from Eve, Kyra jumps on my back. It’s a pose that helps with showing off the boot and making me laugh. She then jumps off and takes my hands, turning me to face her as she dips. I rush to catch her as she falls, our faces a hair width apart.
Before I can think, I close the gap. My lips press hard against her’s as the camera shutter repeatedly goes off, but I don’t think anything of it. Until I pull away.
I almost drop her once my thoughts catch up to me.
“I am so sorry. What the fuck did I just do?” the rest of the girls had already walked away, so it was just us.
“Nothing you should regret or feel bad for.” Kyra stands right in front of me, our lips basically touching again.
“And maybe you should do it again.” I pause for a moment before leaning back down, kissing her again.
~~~~~
It takes three more weeks for the official brand release. After years of designing, making, spending every cent I had on these boots, Bia was officially the first woman specific sports boot.
Kyra’s first Arsenal game wearing them was the day of the release. She ended up talking about them in post-match interview after being asked “how were you excelling so well in the midfield today?” Not only was Bia’s sale numbers skyrocketing and the media account blowing up, so was my own.
I’d of course attended the match, excited to see them as an officially released boot. Someone had spotted me in the crowd and tweeted about it, talking about ‘the creator of that new boot brand is watching Kyra rep them for the first time live’. Someone else had caught me hugging Kyra on the pitch after the game and giving her a kiss on the cheek.
The rumours could only be expected. They also couldn’t be denied. Not without lying.
“I’m so proud of you.” The smooth Australian accent almost lulls me to sleep as we rest in Kyra’s bed, the sheets hiding our bare skin.
Her fingers trace shapes on my hip as she holds me, and I kiss along her collar bones and neck.
“And also very, very grateful for your genius brain creating those boots. Not only for helping my game play, but for bringing you to me.”
“I’m also grateful for my genius brain bringing us together.” I tease before softly kissing her.
It’d been impossible to escape her charm after our kiss at the photoshoot, so naturally we went on a date. And another, before she asked me to be her girlfriend. Eve sent me those photos just in case we wanted them in the brand release post. They currently sat in my hard drive, but it was very tempting to post a couple.
Kyra wanted a moment of privacy before the world knew, but I knew it didn’t matter whether it was out or a secret, as long as I had her.
-
A new power couple is on the rise in the world of Women’s Football. Creator of new women’s sports boots brand Bia, Y/n L/n, spotted with girlfriend, Arsenal and Matildas midfielder Kyra Cooney-Cross at a café in North London this morning before the London Derby. The couple confirmed their relationship mere days ago with photos of the lovebirds kissing from L/n’s brand shoot.
I laugh at the article as Kyra pulls into the Emirates parking, hand in mine. I’d become rather acquainted with her teammates and they begged me to come to the London Derby on the weekend. I couldn’t refuse when my girlfriend pulled out the puppy dog eyes and promised to ban me from any sort of affection, specifically kisses, for the week.
“You better win. I have a bet going with Niamh that you’ll beat her and I cannot lose a bet against her again.” Kyra chuckles and leaves with a kiss, sending me into the friends and family section of the stands.
It was nerve wracking going alone, but it was for Kyra and that was all I cared about. Supporting her like she supported me.
-
Kyra doesn’t start, which had been expected. Despite it, the girls were playing well and were up 3-1 at half-time. No yellow cards for either team had most people shocked though. The derby was known to be rough and physical, yet it seemed things were rather calm for the situation at hand.
There’s a substitute at half-time that puts Kyra back on the pitch. I blow a kiss when she looks my way as she jogs out and she pretends to catch it and place it on her cheek. Both of us are unaware of the interaction being caught on the big screen while people wait for the countdown.
It’s when extra time is announced that everyone in the stadium knows Arsenal have won the game. The Chelsea players look tired and defeated and the Arsenal girls don’t look much different, apart from the massive smiles that grace each one of their faces. The final whistle blows, and the crowd erupts in deafening cheers for the gunners, and I can’t help joining in.
After congratulating the blues on their performance and huddling with her own teammates, Kyra comes running for me. The guard on the other side of the barrier grows wary when I stand, clearly about to jump it, but Kyra gives him the okay and grabs me by the waist, helping me join her on the pitch.
“I’m so fucking proud of you.” I whisper as she stands on her tippy toes.
Her arms wrap tightly around my neck and mine go around her waist as she pulls me in for a kiss. It’s deep and passionate and the crowd around us cheers, some of the girls joining in.
“We’re both kinda killing it aren’t we?” I let out a laugh as she hops on my back, pointing me in the direction of her Matilda’s teammates, even Sam, who are grouped in the middle of the field.
She sprinkles kisses around my face as they talk between each other and I’ve never felt more content.
Fuck cricket, football is the sport for me.
315 notes · View notes
suchawrathfullamb · 3 months
Note
One thing I don't get is how can some fans see and write Hannibal as protective or caring of Will? He never cared about Will's safety, he has done so much damage to Will's body, it's out of character that he'd suddenly care...I don't know, I just feel like it's wishful thinking of shippers. I ship them too but I'm not delusional about Hannibal...He would still hurt Will in season 4 and I hate when fics write him as if he gives a fuck about Will's well being.
Oh wow. Okay.
Hannibal has known pain in a way most people around him have not. He has known cold, hunger, loss, abandonment, violence and death and god knows what else. All of this before his rational mind was fully developed, which essentially means his mind was shaped through those experiences. That's what it's ingrained in him, regardless of anything else, even the luxurious and opulent life he built for himself years later.
"God" throws his seeds in the air, violently, and they scatter everywhere. Some fall on fertile soil, and grow to become beautiful, strong trees. Some fall on rocky ground and don't yield any fruits. And some fall on thorns, and those thorns choke them. God is ruthless and careless, but not all of his seeds become the byproduct of his violence. But some do. That's just the way it is.
So the first part of this answer is not an attempt to justify Hannibal's behavior, but simply put it into context. No, he didn't have to punish the world for his own suffering. But he chose to do so. Well, I personally don't believe it's a choice, per se, but more of an illusion of choice. People tend to think they are always choosing how to act, but digging into human psyche, you'd find that no, you never had a choice. Free will is an illusion. The reasons behind your behavior go way back, to places you cannot reach. But that's besides the point.
So, again, don't take this as a justification. Hannibal is what he is, and does what he does.
Hannibal found himself at the mercy of a merciless, careless, amoral God, in his formative years. And so he mirrored that God, "can't beat them, join them" sort of deal. If God is careless, so will he be, if God is amoral, then so will he be. If He gives and takes as he pleases, then so will him. If he delights in bloodshed, then so will him. He won't try to please God, he will please himself. He won't worship God, he will worship pleasure, because it is the antithesis of what he feels. We worship that which we desire to experience, or that which we perceive as the opposite of what we're trying to escape from, the remedy for our specific wound. if you fear death, worship him, the one who conquered it and rose victorious above it. Or if you fear your own desires, the same one offers you to be cleanse of those things you perceive as shameful. Whatever you fear, there's a God for you.
And Hannibal's God, at least for most of his life, would become the big P's: Pleasure and Power. It's only a little funny that in order to experience one, you need to let go of the other, at least to some degree.
Hannibal is so afraid of the pain and vulnerability he felt, having perceived it as lethal, that he learned how to remain in absolute control of himself and his environment. He was, in his mind, unaffected by God. You can't hurt him, because he does not expect You not to. In fact, he expects the worst out of You.
He collects church collapses to remind himself that God does not care, since He is destroying his dedicated worshippers. To remind himself of how little his own destructions matter, how small they are, compared to God's.
So, play a little Will Graham here and see through his mind. Walk in his shoe and see. If you do so, you'll never think that him caring about Will is out of character because he hurts him.
Will did something to Hannibal that only God was able to. He made him vulnerable, made him feel out of control. Not even his sister was able to fully accomplish that. Hannibal loved Mischa, but he ate her to prove to himself (and to God), that he was beyond love. That even if he loved, he was still stronger than that feeling. That it wouldn't overpower him. Our NBC Hannibal didn't eat Mischa because he had to. He ate her to forgive her, for making him love her. "I forgive you for being so lovely, and now I will consume you to dominate this weakness". He wasn't able to do that to Will, and he wasn't going to. Bryan Fuller has confirmed he wasn't going to go through with it in the head sawing scene. No matter how hard he tries, Will always conquers him.
Imagine what this must feel like for Hannibal. He had the will to eat his sister. God took her away from him, violently, and he was still capable of defying Him by willingly consuming her, "you do what you will, but I'm still stronger, you are not capable of destroying me, look what I can do with the pain you give me". It's as if Hannibal sees God as a ruthless father who keeps testing him, over and over again. Beating him in the face, repeatedly, and all he needs to do is take it, bloody and smiling, as if he's enjoying it, as if God's intention of causing pain is futile. Does that evoke a certain scene from the show in your memory?
Hannibal finds some people slightly interesting, some disposable, some inconvenient, and most boring. He sees them as weak, mostly. They haven't endured what he has, they complain about things that are frivolous to him, they care about things that don't matter to him, and mostly, they would never relate to him, to his view of life. They'd be scared, or disgusted by him. He knows he's a monster in most people's perspective. Does he see himself as a monster? He tries not to. He looks at his church collapses whenever he feels this thought creeping inside his head. Yes, of course he sees himself as a monster. But he works very hard to argue against that...After all, God is so much worse.
Arrogance is not a an actual belief of superiority. It's just a mask for a deep feeling of inadequacy. It's an overcompensation. He has learned, from the way he was raised, and the type of people around him, that politeness and etiquette are signs of dominance, and most importantly, the opposite of what most tend to consider ugliness and brutality. Someone harmed him very gently. A nice and friendly person. No one believed him. And so, he learned the best character to play was this exact one.
I could be wrong, this isn't canon, it's just the most obvious explanation. But regardless if Hannibal is the way he is independently of the trauma, as Mads stated, that doesn't mean he didn't adapt, evolve, become. I already established that I do not think he is the way he is because of his trauma, I'm still going along with canon. But I see him as just one of God's little seeds that didn't fall on good soil. But he's still a human being, regardless if he's the incarnation of Satan, he's still incarnated, literally meaning born in flesh. He still has a linear story, a way of becoming, of flourishing (or withering) in a manner that his thorns could rise from his skin and harm others, even if they were there all along.
Punishing "the rude" is a way of justifying his own motives. Can't kill other killers, that would be hypocritical of him, he's not trying to be a vigilante, he's beyond that. Can't kill people who remind him of those who harmed in the past, that would be vindictive of him, therefore a display of weakness, as if he's still affected by them. So? Kill whoever is rude, disrespectful, unrefined out of pettiness. It's petulant and it is flippant (in most cases, that homophobic medical consultant may or may not had it coming, I didn't say it, you did), but it's the only reason he found. Other killers may kill because they can, because whatever. Hannibal needed to justify it to himself, in a way that still put him in a position of power. Again, vengeance or vigilance is too affective to his liking. He doesn't like playing good or bad. He just likes playing.
Here comes Will Graham with his rude, dismissive, agitated, grumpy and messy behavior. He's arrogant, he's childish, he lacks control of himself, yet everyone sees him as innocent, pure, genuine. What a punch to the stomach. Hannibal has to try so hard to be seen as innocent. And there goes this mongoose, acting all crazy and everybody treats him like an injured puppy. But he's just like Hannibal, he has thorns peaking out of his back, forcing their way out. And he's still able to be perceived as innocent? Oh no. Not on Hannibal's watch. So he turns people against him.
Hannibal's very aware of how Will affects people around him. He knew Alana liked him, he even told Will in the first episode, in the breakfast scene, but they cut the line out. He wanted to know if Will liked her back, but was dismissed. He tells him how Jack sees him as fragile, tells Alana they have Will dressed in moral dignity, pants, "nothing is his fault". He's very aware of how Will is able to evoke this type of unconditional compassion.
But then it affects him.
He wasn't expecting it, he was surely not prepared for it. All he knew was to hurt. Eat him like he did his sister. Hannibal realized his feelings were deepening in the opera episode, the singer who played that part (of the opera singer) said she chose the aria specifically for this, because it was like Hannibal was realizing he had a heart. He cried. Later on, Will told him he kissed Alana and that his connection to the killer, Tobias, was getting stronger ("it's our song"). This affects Hannibal in a way that disturbs him, and so he acts impulsively and sends Will to Tobias. "I do not care about him, see?". Denial.
What a shocker when he has to face the truth that he does, in fact, care. He looks defeated, and submissive in that scene ("I was worried you were dead"), even their physical positions mirrors that...But, "I got here on my own", he insists on remarking, after Will says he feels like he dragged Hannibal into his world. No. You didn't. I am here because I chose to be. I am still in control.
After that, he cannot lie to himself any longer, he knew what he felt when he thought he had lost Will. And so, it only got worse from that point on. Now, he was aware of his feelings and actively fighting them. All of his actions were an attempt to eradicate Will, as a way to eradicate his feelings towards him, to prove to himself that he can still overpower his feelings, "see? I can still do what I want with you, my feelings for you do not stop me". And Will rejects him for the first time, in that kitchen. And he still loves him. How infuriating. So he decides, "No, I will not jeopardize my own freedom for you." Anger.
When he saw Will in prison for the first time, you could almost see the exhilaration in his eyes. To cage the one who controls you, how divine of a feeling. He is elated. At first.
It seems that it takes Hannibal a few shocks to realize that he does care, a lot, about Will. And so he realizes that, once more. And needs to deal with it...Again. Meanwhile his inner world is spinning out of control, it is becoming a grand, beautiful mess, and he cannot stop himself, even though he is trying very hard to.
Bedelia brings him to awareness by telling him he's obsessed. "I'm intrigued", he tries, mostly to himself. Obsessed? Him? No, it can't be. Nobody is capable of doing this to him. Obsession indicates a lack of control, the incapacity to take one's mind off of a subject. Just imagine the war he was battling inside himself.
When Will tries to kill him (by proxy) he is as satisfied as he is hurt. Satisfied because he was right, Will is a killer. Hurt because he did almost die. The night he lets Alana kiss him and decides to engage with her, it's the night Jack made it clear Hannibal was a suspect. He felt alone without Will, and Alana made him feel less alone, "walking away what does that leaves us with?", he asks, "each other", she says. He does appreciate her, even if she doesn't truly see him and when she eventually does, she's afraid, she's still better than nothing, and convenient for his alibi. But it's more than that. This is the woman who had (has) feelings for Will, and those feelings seemed to be reciprocated, at least to some extent and at some point. Having her is like conquering Will in a petty way. "She rejected you. You rejected me. Now we're together", it says.
But he still sees potential in Will, in their union, and he still cannot deal with the ache of being without him. And so he finds a way to get him back, let his bird out of the cage, unbound, even if it means danger. He's so lost in his feelings that he allows himself to be deluded, to believe, to open himself up. And even after realizing the betrayal, he still couldn't let go, and offered his carefully crafted life, up, "we could disappear tonight". And when Will says "you were supposed to leave", he doesn't interpret it as protection, he hears it as rejection. Again. He did the same thing to Hobbs, not because he cared, but because he wanted to. He doesn't think Will did that because he cares, at most, he thinks he did because he felt guilty for lying. But mostly, this is Will rejecting him again. He is devastatingly hurt, and Will stands like God, so cold, so cruel. But at least you have a body, so I'll hurt your body, since I can't hurt your feelings, apparently. "You think you can change me?", denial, "I already did," the truth, spitting on his face. So he ends Abigail, because to Hannibal, Will cared about her, he protected her, he had compassion for her. But not him, so she will be Will's pain. "No, you haven't changed me. See? I'm still the monster". The monster he tries to convince himself he isn't, the monster he tried to show Will he wasn't, but Will didn't want that gift. That burden, that curse. But he'll call it a gift, to make himself feel better. After all, he's so much better than everyone else and seeing him in all his truth is such an honor...Isn't it?
He knows Will is right, even if he kills Abigail to prove a point, in his mind, he knows he's right (the script says so). So really, there is no point in denying anymore. But can still move on, overcompensating for the dark, endless pit in his soul, with opulence and a smile. Until Will comes to him, and once again, he cannot handle himself, and he's at it again, acting completely reckless and out of control.
"I forgive you", hope. Then Will tries to kill/harm him. And he's so done. With everything. Everything. How many times will Will Graham shake him out of his center, ruin his sense of self, spin him out of control, play him, hurt him? Leave him? No more, that's how many. He's done. He's ending it. And he knows he won't live without him. He's so deranged in that scene, so...Out of it, almost uncharacteristically insane. Consuming his God, finally. "I'll do this, so the pain will stop," he bargains.
Then, he would most likely end himself indirectly after that. After all, "suicide is the enemy", but letting himself get caught after a lifetime of expertly evading it, isn't the same now, is it? Of course not. Surrendering to the authorities even though you are certain you'll get the death penalty isn't the same as suicide, of course not. Refuting your insanity plea that saved you from getting the death penalty also isn't suicide, of course not. Not at all. Neither is allowing God to throw you off the cliff, even though you made it very clear that you were aware of His intentions.
Hannibal Lecter loves Will Graham to the point of insanity. He hurts him out of insanity, out of the inability to surrender to his love. When he finally does, he regrets what he did to Will. He's so insanely filled with regret he tries to reverse time. He's acting maniacally, and then he's rejected again. And just...Gives up. Accepts it. "He knew Will would come back, it was just another manipulation"...He gave up his freedom and risked his life just to be petty? Sure. You tell yourself that cause it's exactly what he'd rather you believe in.
At the end, he looks at a weapon and considers hurting Will, but he can't. He knows Dolarhyde is watching. Knows where he is. Will tells him he doesn't think he can save himself, and maybe that's okay. Hannibal clocks him right there, and his compassion for Will is inconvenient as he steps in front of him and takes the bullet. It's inconvenient when he allows Will to pull them off the cliff just to be able to hold him, even if it's for first and last time, because he'd rather die than live without him.
After all, how do you leave without your God once you've been graced by His glory?
So no. I don't this logic makes sense, anon. You're interpreting Hannibal as a person who follows one logic, when he in fact, "follows several trains of thought at once without distraction from any". And one of the trains is love.
239 notes · View notes
I hate when I tell people I like the hunger games and then their immediate reaction is “team gale or team peeta?” Like what. Team paying attention to the main point of the book which is an extremely moving comment on society and the world we’re heading towards, on classism and the patriarchy and the government and all the evils that go on in the world with the privileged turning a blind eye. On death and suffering and cruelness just because we can. On being corrupted by power on everything being unfair, on our minds and how they shape the world and our minds and how they can change the world and the good and bad and love and hate and brainwashing and revolution. But sure, team peeta.
175 notes · View notes