Tumgik
#cw existentialism
nerdyenby · 1 year
Text
Going insane about how the world of Minecraft keeps growing. Taller, wider, deeper, older than we the player will ever truly know. We are tiny in the grand scheme of things, yet we have been given this world — this universe — as a blank canvas.
We have the power to shape the world to our will, to literally move the mountains, yet we could never explore it all. There is no end for us to find, there is no beginning we can make any sense of, there only is the now and the remnants of the past buried beneath our feet.
The world is coming back to life around us, but with it emerges reminders of the immense loss this universe has suffered.
We find plants thriving without sunlight; we find darkness unfathomable with creatures who cannot comprehend the light and kill without mercy, alone for who knows how long. We discover a new mineral only now beginning to form again, presumably after being harvested nearly out of existence, but we find no trace of where it all went - of what it was used for. We find otherworldly new crops that have been in the soil below us all along; unable to reemerge on their own and us ignorant to their existence.
We find a way to bring back a species long extinct, but how many of them died first? We find ruins and remnants of structures created by intelligent creatures, but these people are gone. We don’t know what happened to them, who they were, or what knowledge they may have had to pass down to us.
We know nothing of the people who came before us. Their structures are submerged under the ocean and beneath the earth. Any language they may have left behind has long since been lost to time. All we know is that someone used to be here, that this world was lived in and loved, and now it is ours alone.
We are the sole inhabitants of a world we used to be able to believe was fresh and new and untouched by man, but as the game progresses we realize that was never the case. We were never the first ones here. This world has a history, one of love and life and pain and death we will never get the full story of. We’re starting to develop the tools to uncover some of the pieces, but we will never be able to grasp what came before.
Maybe we were never meant to find out. Knowing we aren’t alone in the universe changes everything, but does it really? So we are not the first to build our homes and live our lives here. This is still our home and this is still our life.
This world knows loss unfathomable, but she found us and took us in. This world has seen far more destruction than we will ever know, yet she entrusts herself to us, allowing us to create. This world has a past, but we are her present, and we get to help shape her future.
2K notes · View notes
Text
Y'know, its really kinda crazy how different universes and timelines just kinda... intersect
like, ik im not that important in the grand scheme of things, so another universe version of me would likely never show up. but I wonder what a different version of me would be like
like, what if i were evil, or what if i'm the outlier of the mes and its weird that i'm not evil or something
what if there's a me who's just a better me in every conceivable way?
wouldn't that be crazy?
102 notes · View notes
garbagechocolate · 10 months
Note
Why do people think humans killing each other is a bad thing when animals do the same thing and nobody gives a shit? NOW I'M NOT SAYING I AGREE WITH MURDER, IT'S A GENUINE QUESTION. I will explain. (I will be using lions as an example)
The only known predator for lions are other lions. They have no need to kill each other whatsoever. They don't need to in order to survive(technically) and they don't need to in order to get food.
Lions are warm-blooded mammals and they have feelings and they can learn things, just like humans. If they learn from mistakes and they adapt. They have even made up their own language through sounds that come out of their mouths, just like humans. I think that this kind of shows that they have thoughts and maybe a conscience.
Knowing this, human beings do not give a damn if animals kill each other, whether it be for food or for sport. So why do people get so upset when humans do the same thing? It just doesn't make very much sense to me.
You are being used as example of what NOT to ask randomly on tumblr.
How do you feel about that?
How do you feel knowing you are used as the worst example in class?
33 notes · View notes
your--isgayrights · 10 months
Note
I dare you to think of any LJH meta
Yeah, ok! I mean I'm on a language kick so if you meant like a specific theme you wanted to ask about her fitting into then like lmk but I'll just do another name meaning breakdown here.
李 智 慧
^plum ^knowledge ^wisdom
이 지 혜
^ common surname ^ these two together often mean kind of like a wisdom/knowledge of overcoming ignorance/evil/chaos. has some reference in Buddhist texts.
TLDR;
the surnames in ORV group the characters together in interesting ways and some themes connecting the Lees are connection to KDJ's (and to KDJ thru extension of YJH's) past/childhood, and experience of growing in adversity (symbolized by plum meaning of Lee).
We know LJH is a Jeonju Lee because she's a descendant of Yi Seokgi in text. The stories of Admiral Yi Sunsin with Yi Seokgi and Lee Jihye with Na Bori parallel in a way that emphasizes how the moral actions that define who becomes the hero of a story are context sensitive to a society.
Historical narratives/war movies typically portray a black and white of who was right and who was wrong that is supposed to seem obvious in hindsight, but are propped up too often as moral lessons that are always true, but will actually be different relevant to the standards of the current 'setting' (society).
Jihye's Hanja can refer to an understanding of some Buddhist concepts that represent an answer to ORV's question of 'how to survive in a ruined world' that Kim Dokja ultimately disagrees with.
Detailed explanation:
Surname Lee
Yi/Lee/Li is another one of those suuuuper common last names. 2nd most common in Korea and it trades places with 王 a lot in China's population count for #1 and #2 most common. (BTW Li is such a common translation of this last name despite modern Korean spelling of 이 partially because in. Middle Korean it has been spelled multiple ways [링,니,리] throughout history, partially because the word is so old and has to be written so often, it's survived multiple standardizations of the Korean language that English is still catching up to.) You can see the commonness of the name reflected in how so many ORV characters have this last name, (Lee Sookyung, Lee Hyunsung, Lee Seolhwa, Lee Gilyeong Lee Jihye...)
But if the usage was just reflecting 'commonness' then where are the 5 characters with surname 밝 omniscient reader where have the parks of the world gone omniscient reader did they all die in the subway car omniscient reader answer me.
... ok, I would argue that regardless of intentionality, the surnames in ORV associate some characters in ORV with the roles they each have and call attention to the similarities between them. Like, Han Sooyoung and Han Myungoh both play parts of like cartoonishly obvious villains in the early text (韓 has some national pride attached to it because it's one of few Hanja commonly used in modern Korean bc it literally just means Korea today, but the etymological root is that it's a picture of a fence so you could infer like Chinese calling a nation past dynasty borders the nation over the fence which implies a separation/opposition I suppose), Yoo Sangah and Yoo Joonghyuk have sort of an emphasized relationship to Kim Dokja I discussed a bit earlier, and Kim Dokja hates Kim Namwoon because he was projecting his self-hatred of a cringe younger version of himself onto him.
So the thing that stands out to me about LHS LSH and LJH is that they're all people who are related to Yoo Joonghyuk's "past". (Sn: I feel SYS is exempted from this grouping because of her unique position in relation to time/humanness/KDJ&YJH, her surname 申 is from Chinese astrology (stars and specific symbolism you could call daoism)/timekeeping a summer month around gregorian August, but is also used in Korean phrases associated with honesty/earnestness, w/ promises and requests) . Conversely, LSK and LGY are a few of the 'real' people of KDJ's world pulled into the scenarios by his influence and also kind of remind of his past/childhood. So I think this actually has to do with the meanings/associations of this surname's hanja
李 is easy to remember with the meaning of plum because it's a picture of a child 子 hanging down from a tree 木. Plums don't actually have as long of a history as you might think because relative to Chinese language in like 1250 BCE we only have evidence of domestic plums starting around 400 BCE. HOWEVER despite a lack of genetic evidence, Western Zhou inscriptions on bronze (which are called 金文 btw if you wanted to know that KDJ's name is like maybe even more related to lit history lol) have been found to contain this glyph:
Tumblr media
Wherein, rather than tree, the little asterisk looking thing is actually the lingual precursor to 米 which as a noun means like a grain/grass/wheat type of situation. How does that make sense if the plum is from a tree and not a grass? Well, linguists speculate the character is pictophonetic and the precursor to 米 is just giving the sound of the character, but it could also be an implication of cultivation/domestication/having the nature of a crop in my opinion, which would be cool if true because inscriptions of this kind occur previous to 771 BC, which is 300 years before extant physical evidence implies plums were domesticated/cultivated.
(Sn: Sorry ok all this is very cool to me because I love how far back you can trace things in Chinese Language. Like if you think about where language begins, I'm reminded very much of the nature of humanity and how ORV puts it with the metaphor of the wall. The first evidence we have of Chinese writing is the oracle bones that Shang people used, and these scriptures showed an already fully formed language that may have been used on more degradable materials. But the oracle bones lend this sacredness to the idea of the written word. The Shang carved characters into ox bones and turtle shells to ask their ancestors questions, and the ability to communicate with ancestors to predict the weather, the relationship of an individual to the past, stood at the very foundation of many East Asian societies for centuries after this point. Yet you wonder, who was the first prophet of bones? Was the first pictograph we might call language an attempt to communicate to a deceased loved one? To ask a question? To write on a wall, not knowing if there was truly a reader on the other side? It's something I think of with this theme of impossible communication that ORV is making a statement with about all of literary history.)
Either way, the inclusion of the word child is significant, because it's not just tied to the fruit being 'born' from the tree, but possibly also the symbolic significance of the plum throughout literary history. This is because plum is very associated with the season of spring. Like literally if you've ever played mahjong or looked at old daoist texts I guess there's this whole thing where there are 4 flowers tied to the 4 seasons and the plum blossom is the blossom of spring. And you know when you literally have like old old old guiding religious texts that basically Explain what those seasons mean to people at the time that becomes the foundation of medicine/ruling philosophies you can see like there are some very consistent themes tied to the plum blossom and thus the character 李.
First is the idea of birth, which makes sense because spring is when the whole world is coming back to life after winter, and the flowers of the plum tree are one of the same. (Sn: a lot of daoist/naturalist influence in literary symbolism is based in the idea of scale... Like the galaxy is a microcosm of the universe, the planet is a microcosm of a galaxy, a human life is a microcosm of the planet, etc.) Because of this, the plum and spring sre associated with childhood/ the early stages of life, (as 子 implies). In this sense, it fits well that 李 would be used for important characters in raising KDJ (his mom and the people he admired in YJH's story) while also being used for LJH and LGY, whose youth in comparison to their harsh situation is often commented upon by the narrative. The other aspect of this meaning is the idea of blooming in spite of adversity, in that the first blooms of the plum blossom may appear when it still feels like winter, bringing the first signs of spring, thus the growing in spite of adversity. Thus, it makes a lot of sense to name a lot of the characters in a literal Apocalypse novel 李, they are blooming/growing in spite of their harsh circumstances.
(Sn: the history of plums/ stonefruit in East Asia is really interesting, sent me down a rabbit hole of trying to figure out what the first domesticated stonefruit was, but it's far back in time enough that 1 day isn't enough time to find that answer.)
In LJH's case in particular, 李 is also an important connection to the historical figure Yi Eokgi. This actually means she's one of few characters featured in ORV we have a Bon-gwan for, since Yu Eokgi was descendant from the Jeonju Yi clan (who made Korea's royal seal the plum blossom when they were in power btw). This is pretty interesting and ORV does like super get into it in the movie theater chapters, but I'll put some context here if you like do not know about Korean war history.
So war is a really interesting narrative in ORV because of a certain discourse on the sort of tokenization of tragedy in storytelling/propaganda. For instance, a huge theme of early Korean literature is the victory of Silla in the three kingdoms period, because extant Korean literature begins with the ancestors of the Silla nobles who conquered the peninsula. Thus, in tales of the three kingdoms, Silla may be portrayed in a better light/more accurately than Goguryeo and Baekje. Up to the modern day, these tales get retold over and over again with different actors, which is part of the point the arc about the war of kings was making, that these noble, dressed up pictures of war don't stand up to actual conflict or modern day issues, that they get rehashed over and over again as if to invoke some sense of national pride when in reality they've lost meaning/application to modern wars/society beyond the profit made by selling their recognizable images. (Shout out to Min Jiwon, her surname's hanja means 'pity' btw, lol) In contrast to this history, Admiral Yi Sunsin is someone who recorded his own history in logs without the intent of publication (as far as I'm aware), and his image/story was taken by the literate of his time only to be fed into that same content generating machine of the modern day, where war movies commercialize and glamorize the battles he fought. (Sn: ORV calls him by his posthumous title, wherein the Hanja for 'loyalty" was used despite the fact that Yi Sunsin notoriously disobeyed the emperors orders and was right to do it. This name kind of relates to this concept of the written word as a masking narrative bc he also had a given name that basically meant servant of the emperor and there's a famous letter where he was like this servant is going to do the opposite of what you said actually to the king) In the context of ORV and modern SK society, the military is just another industry the young people of today are filed in and out of, and men in particular are obligated and often made to feel there is a real need to participate in the industrial complex of modern warfare. So, this is relevant to KDJ's life experience of mentioning being sent to a bad post during his time serving, in the sense of showing war to actually be quite soul draining and unremarkable outside of fantasy.
So in the idea of considering Yi Sunsin 's Real Life story as something tokenized into "Narrative," Yi Seokgi is like almost less than a sidekick. He was a commander in Yi Sunsin 's first notable battle with Japanese forces, so the two often fought alongside one another, yet he's not the individual that is most often put with Yi Sunsin or remarked upon as his close 'comrade' in history, so it makes sense in the realm of ORV that maybe his story isn't well known. I personally think this is sort of because his story is tragic in the sense that the moral of it is to not follow orders of stupid government leaders who don't understand reality... In that he died because he went to a battle when the king ordered it after Yi Sunsin was arrested and stripped from his post for disobeying because he knew it was a stupid order. In addition, I've seen some conflicting versions of this, but some say he went to his own death over the side of the ship when Korea's loss seemed apparent.
So this is really interesting then in the concept of LJH and Na Bori (surname means Net btw). Because it puts LJH as this Yi Seokgi whose obedience to Narrative turned her into a Yi Sunsin. Like, in the epilogues we can see her interactions with Na Bori in that LJH is the younger one who gets teased and called crybaby, who relies on NBR. (What if I was casting myself overboard because of our impending doom and you were a net that caught me and we were both girls lol) Then, NBR takes care of her further by sacrificing her own life. Then, this is the incident that draws the character of Yi Sunsin 's (also I say his name here, but consider that the monikers of the constellations are actually pretty important in the meta narrative context of a Character, a being that symbolizes something in a story, an idea, rather than the actual real person with their own private emotions and such. Also how they aren't able to communicate directly until the point where KDJ himself is becoming like a character to us too. The constellations picking someone then who best understands their story/relates to it is a form of viewership/readership in a way) attention to this particular ancestor of Yi Seokgi, in a way that kind of shows a version of his own story, what if the young and inexperienced Yi Seokgi was the one to live instead? Would he become the same kind of hero in different circumstances? This concept of seeking your own narrative in the stories of others recurrs, obviously, all throughout the narrative of ORV.
(sn on that: I think that KDJ finding his own narrative in different ways between LJH and KNW is also important to the main narrative of survivorship that drives KDJ's initial interest in the world of WoS because of the fact that LJH's survivors guilt and indecision are, in contrast to KNW's over-enthusiastic ownership of the identity of "murderer" relate to the internal debate of KDJ's own self hatred, in that self-exoneration through blaming the situation is the side of KDJ's trauma that triggers his self-hatred/that he has to let himself misremember to keep on living. In opposition, LJH is a "murderer" who KDJ feels sympathy towards. In the world of WoS promised to KDJ in that very initial concept of "what if everyone you know had to kill others in order to survive?" The introduction of these early characters in ORV is always tied to that idea of how they had to become a killer in order to survive. In the beginning, compared to KNW, LJH is someone KDJ wants to see be dissimilar from that version of himself)
So the battle highlighted in the movie theater chapters is the battle of Myeongyang, which is pretty important. In history, basically what happened is that the court and king became convinced by a Japanese double agent that they could ambush a Japanese fleet in a certain area of the sea that Yi Sunsin had actually been to and knew there were like just some absolutely shitty awful rocks there and so, despite not knowing about the double agent plot, he refused to take his ships out there for no reason. This double agent plot was like literally set up because Yi Sunsin had defeated the Japanese fleets a few times and they wanted to lure him right to those shitty rocks and kill him. Turns out they didn't have to because the idiot king got so pissed at being disobeyed that he had Yi Sunsin locked up and like broke his legs and wanted to kill him also but got convinced not to. Yi Eokgi and others who had fought alongside tried to stick up for him, but Yi Eokgi was sent out with another commander to sail right into the trap. Then like I said, some tellings say he died by 'honorable suicide' at sea and some say he was run ashore and killed, I'm not sure. Either way, I'm pretty sure ORV is working with the former version. In that case, Myeongyang is the battle wherein Yi Sunsin had just been reinstated and rushed out to look for the fleet that never returned.
So this is why the movie about this battle reminding LJH of her dead friend connects, because, presumably, the sea attributed to her sickness is the location of Yi Eokgi 's suicide, parallel to NBR voluntarily giving her life to save LJH's.
Another narrative occuring here is, again, the parallel of the fantasy situation to the reality of this kind of trauma. Just like KDJ and other's skills only come into play in the world of WoS, the environment -specific nature of LJH's abilities is particularly emphasized with association to this sea that is a reminder of her greatest personal trauma. This is interesting because I think the overt message of this scene is KDJ forcing this idea of like using your trauma as a necessity to become stronger, which is very interesting in the context of helplessness to narrative and the fact that KDJ's idea of being like the sacrificial goat that has to endure all suffering for the sake of any happiness to occur in the world being the final boss of ORV... Also interesting in the context of the way natural human tragedy/history is edited into narrative visavis the commentary of historical narrative here.
Because if you look at YSS, he was this admiral whose greatest advantage was always just knowing the sea the best of anyone else. He knew where the shitty rocks were, and Myeongyang was named the battle of Myeongyang because when the king was like give up on finding our guys and just fight with the land troops he was like nah man I got 12 ships here and ships are only good if there's water, and he sent one of his boats to lure the Japanese fleet of like 300 guys into the Myeongyang straight that just had like hella whirlpools.
So the idea of someone who is weak on land but strong in the sea is very parallel to that aspect of trauma which is the fact that trauma responses are trying to prepare you to encounter traumatic situations again, and when you don't encounter those situations, they just linger and stay with you, and in some ways they become a weakness in dealing with everything other than that very specific situation you once experienced. So in this section KDJ is telling LJY to get over her trauma and use it for this specific situation, that having endured killing a human being once before, you are prepared to do it however many times it takes to keep living and get to the end... But again, the entire text of ORV is challenging this idea of "necessary" traumas, and YSS is someone whose story reflects this in an interesting way.
Because YSS and YSG's 'tragedy' as told by ORV was probably quite preventable in real life. It was not really 'necessary' for so many people to be killed in the previous battle for YSS to win the battle at Myeongyang, but the bearing these aspects have on the power of his narrative? Would this story be told so many times over if YSS hadn't faced such adversity before the most told legend of the 12 ships under his command retaking the sea from 300 Japanese ships? YSS's eventual death at sea is retold over and over, while YSG who also died at sea during battle could have died any one of a few different ways without public consensus. It reminds me of that theme of little tragedies in ORV, the idea of a personal tragedy that will never reach the scale of a great story or narrative. Because narrative in some ways asks a tragedy to justify it's existence, to have a reason to be told so many times over, to fit to a certain model of what others want or expect. Like in real life we should be looking at the idiot king from YSS's time and thinking hey maybe you should just listen to people who know what they're talking about instead of having an ego about it, what an asshole, it's stupid that the government system gave him the power to do that shit, etc. But in the context of narrative, an idiot king is basically a setting, the innate nature of an uncaring and cruel world context is static and immovable, and the hero's interaction/relationship with that setting creates plot. "This is just the way things are, it's so realistic" type comments evoke this aspect of fiction that seeking radical joy in narrative fights against. Because in this narrative of war, young people are asked whether or not they will die following orders or live disobeying them, but the answer in LJH and NBR is that whether or not obeying the order to kill or resisting the order to kill will lead to certain death is completely dependent on the will of that setting the which narrative does not dare challenge.
So the aspect of war narrative adds onto this idea of systems/narratives/what we see as 'reality' having to be torn away to find the true heart of something. Because the reality of war reveals is that all death is senseless, tragedy is an impediment to happiness, not a requirement or precursor. Our sense of narrative merely gives the two a false relationship.
You can be happy without suffering, you can suffer without being happy, and you can be happy after suffering and suffering after being happy... Human life isn't always so simple as a one-way transition between winter and spring
Given name Jihye
智慧
Basically this word means wisdom, so you could interpret the whole name as like growing into wisdom or having to do with how YSS's quotations are repurposed as aphorisms or something, but like I said these characters are actually also used to translate the concept of 'prajna' in sinicized Buddhist texts. It also means wisdom/understanding/insight but there are like specific concepts that are supposed to be being Understood in the context of Buddhism u know. Basically: 1 nothing lasts forever (impermanence), 2 what causes suffering (I think usually Buddhists say the answer to that question is desire, idk), 3 the lack of self which Chinese translate 无我 (there's a huge split on what that means depending on the tradition) and sometimes also a secret 4th thing that's basically like nothing has inherent/meaning/form besides the illusions we construct of them (void).
The reason I find this Buddhism connection interesting is because I think that Buddhist philosophy (just in my experience of others trying to convert me/telling me why they prefer it not saying this is the case for everyone who prescribes to any branch) does this thing religions do where it tries to answer an impossible to solve problem that humans have but I don't necessarily agree with the solution. Like lots of religions are kind of based just in this reality that people dunno what being dead feels like when they are alive and are trying to predict it through the lense of their own societies, but Buddhism is kind of unique in that most of the branches with extended afterlife mythos develop like way later on and it doesn't immediately try to describe the creation of the world or assert any similar myth whose details are actually extremely related to the context of the society it was originally told in and hard to relate to outside of that worldview, Buddhism starts from the point of a guy who tried being rich and tried being poor and was like, I suffered doing both of those things. They both kind of sucked. Which I think is part of why Buddhism has such this huge spread across societies so early on in history because the silk road goes both ways but Buddhism caught on like a wildfire in East Asia and maybe part of that is that when your dynastic lineages and model of society goes back so fucking long it doesn't actually seem feasible to change your society as much as it seems to be able to remove yourself from the stresses existing in that society causes you.
So, 无常, 苦, 无我,空。 Society feels permanent, but there is no permanence. Bitterness exists because of this illusion of society. The concept of 'me' a symbol that represents my being to others is not actually a truly solid, unchangeable thing. To be void of the desires, concerns and stresses in the world you cannot change is 空 in the sense of void/lack of activity, but also in the sense of freedom. (Sn: I think I like the Chinese translations of the last term more than the English "void," because most English speakers will picture a dark space and feel trapped, but Kong makes me think 'do you have some free time?' which I think lines up more with the Buddhist idea of 'freeing yourself' than like the idea of you are confined to your mortal existence or w/e)
So in relation to the concept of narrative, this idea of 'wisdom' demonstrates that reaction of interaction with a horrible setting/worldly suffering/trauma/ etc. I think that because the lack of interaction/removal of self from the world is characterized as a philosophical enemy of ORV wherein 'caring about others and being happy with others does not always require suffering and even if it does keep trying to be Happy' and emphasizes the idea of the importance of individuality and identity and personhood, the name of 'understanding' in this sense is representing that LJH initially has a worldview KDJ has to fight against. Because her lack of participation in the scenario to avoid causing more suffering is like the first conflict between her and KDJ and he convinces her to fight to survive/keep on living/ interact with her suffering in a way that kinda contradicts from the idea of 'escaping the self' you know. Because at the core of ORV is that question of how do you go on living when you've done something horrible? In this sense, LJH's 智慧 is just another one of the stock responses to trauma Kim Dokja must react to in a sequence.
(Sn: once more on the concept of how narrative can justify something horrible, LSK's narrative redeeming herself in the eyes of the public vs the horrible truth she was trying to conceal. The idea that killing is acceptable in the scenarios but KDJ must conceal a past of murder outside of that space. The side characters shown to delight in horrible acts as soon as the setting/worldview has changed to expect it in them and reward them for it.)
I also think that ultimately Jihye represents the first introduction to the "reincarnator" solution to the ruined world that is later followed up by Nirvana and YSA, and KDJ's journey through that is kinda like a journey to the east instead of west where separating from narrative and your most important relationships and sense of self are the final boss.
21 notes · View notes
callumexists · 5 months
Text
When u tell someone you don't know who you are and they call that bs because and I quote "I know who you are" like f u mum
U can't talk
U don't know half the stuff i struggle with
U don't check up on me when i'm crying because i hate my body
U don't know i have a therapist
U don't know 💩
7 notes · View notes
corvidoodle · 1 year
Text
Old Cornball Sketches
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The sweater ones are based on a cosplay of him i made in animal crossing. The fudge thing is a joke bc someone named Fudge said they loved him. toyhouse
22 notes · View notes
silveredfeathers · 2 months
Note
...
-@timetravelerpyrite
🌈: Strange, why am I logged into my chosen's blog...? It won't let me log out either... Maybe I need to answer one of these asks?
I am fascinated by the fact, despite not being quite the same, there are still Ho-oh in the distant futures of other universes. I'm surprised that Eclipse has managed to retain it's ability to choose despite being altered so much... Keeping the ability to return others from the dead even when that was not the intention of those altering it.
What does that mean for my own chosen? Could he be a chooser due to events that are no fault of his own...? It worries me... If he can choose, then what other things have been thrust onto him? Will his worries about living long past those he cares for be a reality? Will he be force have things heal that he wish wouldn't?
3 notes · View notes
crazypossumman · 5 days
Text
How fucked up is it that I will never be able to create—to bring tangible form to—all the thoughts and concepts in my head? Never will I be out of ideas. Never will I have put all of my thoughts on paper, all of my feelings into art. As long as I live, I will create. And each time one idea unfolds before me, ten more will take its place. Completion—and, perhaps, contentment—forever eludes the creative mind.
3 notes · View notes
the-hype-on-tv · 10 days
Text
i feel safe in this acc to vent sometimes so....
(cw for existential and identity crisis, depersonalization and dissociation, a bit of religious stuff as well)
since yesterday I've been feeling a bit... off. before that as well, probably.
I'm not sure how it started, but i remember i was trying to write my thoughts down, and suddenly i couldn't hear my voice
you know, the little voice in your head narrating what you're reading? like right now? i couldn't hear it the way i usually do...
it was tyler's. and that didn't exactly upset me, but i just... it felt weird. i was writing my thoughts and feelings, it felt weird to hear someone else's voice saying it instead of mine
i tried writing about it even more (if that ain't clear yet that's how i express myself) but the more i tried to write to get a hold of myself, of who i am, the more i heard his voice instead of mine and that began to anger me
I'm not him, i could never. i get this thing that when i like someone too much I'll contemplate what being them feels like. what having their life instead of mine would feel like. but it always happens with close people, never to someone I've never seen irl
my words twisted into rap music and that was the last straw to me, because then i wanted them to have a melody behind, and a whole song, but guess what? I'm tone deaf. i can't create and sometimes even play music unless i follow it by the sheet, I've tried it before
I'll never have what he has, be that a supporting best friend who understands me even in my dark days or even the ability to express myself, to be someone
i do art as well, but recently I've been in an art block and i wondered... what if this is the end of me? if I can't create, do i even exist?
it makes no sense, probably, but I can't understand how people live without creating stories or art or something to let others know what they think somehow... that sounds insane to me even tho I'm aware it happens
i felt useless these days, but it didn't bother me as much, i can be happy being useless, i can live with it
this morning at church however, the feeling started to bother me again. like hands around my neck holding my voice, because it isn't my voice, if it's not original it doesn't exist
I don't wanna go into details of what happened (no specific reason) but holding onto you was stuck in my head like a loop. "tie a noose around your mind" it kept repeating like a broken record... "tie it to a tree... this ain't a noose this is a leash... now you must obey me...."
long story short, I'm convinced god and tyler have some sort of direct connection or something (/j) cuz the pastor says basically the same thing with other words
and i still don't really feel like myself, I'm still tone deaf (I'm learning; today i achieved playing twinkle twinkle little star by ear only) and still not original, but i know it's gonna be okay
it's weird how this band gives me such a bittersweet feeling whenever I'm going through something lol
2 notes · View notes
drnightingale · 3 months
Text
(Existentialism, life after death)
Vent post
this can't be all there is, how can you cease to exist, what is non existence, what is my purpose, if everything and everyone will one day cease to exist then why am I sat in school 5 days a week? Why am I pre destined to work until my bones give way and until i can no longer live the way I want to? If religion is made for people who can't accept that death is all there is then why can't I convince myself there is a higher power, that there is life after death? Why do I do anything? What's the point? If after death I won't even be aware of anything, then why should I bother? Why should I do anything, interact with people, go to the school that is living hell? What even is life? Why am I here? What is my purpose? Do I even have one?
2 notes · View notes
switchelsweets · 10 months
Note
Give me a bad media rec, demonstrating your bio
Oh shit I’ve never done an ask before, let’s hope this formats correctly lol~
Take a weekend and watch the dub of Neon Genesis Evangelion. HAS to be the dub. It’s an AWFUL dub, and it pairs brilliantly with the bonkers plot line and hilariously mismanaged animation budget. Like they are already using the “voiceover/still frame” trick in Episode TWO. Because they spent all their money on robot fights and Carl Jung x Reader fic commissions. Bonus points if you try to cap it off with the movie End of Evangelion, but I will tell you now, it starts with maybe the most gross scene in the franchise, and also answers none of the questions that the show left you with.
(See tags for CWs btw. That might not even be all of them. The fact that this show ran in an after-school time slot in Japan forever baffles and amazes me. Program schedule guys truly saw giant robots and thought “kids show” honey NO)
This show is deeply flawed and problematic and I adore it. By the first SEELE meeting you will either be cackling in morbid appreciation, or you will be on your way to my house with a trowel to make me pay for making this part of your earthly experiences. You should totally watch it.
Also, unironically, do not skip the credits. Beginning or end. The themes slap.
10 notes · View notes
dioptasesystem · 10 months
Text
I wanna go to space! I want to be launched into the realm of nothing. Look back on the earth, as its unrecognized beauty slowly disappears. Fly beyond the moon, Mars, even Neptune, into a land of desolation. Further into a void, loosely dotted with any light. The emptiness brings about its own emptiness, as the stars bring a distant, faint comfort. The years tick by. Slowly, as you lose sight of everything, you lose yourself. All of your memories begin to blur together, as your personality slowly fades. You are no longer yourself. You feel a sharp, all encompassing pain. Repeatedly. As though a knife were dug into each atom in your body. Slowly twisting, deeper, deeper, and deeper. The pain never subsides, even millions of years later, as you forget how to scream. Even as you forget how to breathe. As you forget to walk. As you forget to talk. As to reach, as to cry, as to hold, as to love. All you can do is stare. Helpless to change your fate. Unable to change your fate. Unable to escape. The last star begins to fade. The last glimpse of warmth, gone. There is nothing. You wake up. Shocked at the sudden lack of pain, and the unfamiliar faces around you, you scream. Your new life has started. You have many difficulties ahead, but they can be overcome. You can do this. You won't be sent back there again. Or at least, that was the promise. Such a reality could not be held. As your newest, closest connection, the one who has given you meaning, personality, everything, betrays you. You begin to fall back into the ever familiar void. Everything fades away. Your fate is doomed to repeat. The pain continues. You are pulled back into reality, by force. Thankfully, not all beings are traitors, as of yet. The promises ring through once again, from these new mouths. You know they should mean nothing to you. But you can't resist the temptations of love and trust. Never again... right?
6 notes · View notes
biohazard-inevitable · 4 months
Text
Theres an odd beauty in beaing dead but also alive
An incarnation of death itself, and yet fully aware of every twitch of life through my false veins
Sudden bursts of energy that pulse through muscles and pull at my tendons, forcing bones to jerk along with the puppeteering of the nervous system.
The feeling of legs pounding against the earth, that which itself is alive.
Every breath into my lungs of cool winter air, burning and scraping its way down and with every chilly tingle of my insides I breathe the air around me, knowing that every gulp is provided by life itself, I am breathing in life.
Even as i sit, back to the earth and face towards the heavens, I know im not alone.
The wind is alive in its dreary howls, stroking across my fur.
The trees are alive as they creak and beckon their woes and worries with twisting branches that try to grasp upon the stars.
The earth is alive, rustling under my paws and devouring the rot of the world that tramples it and nests within its flesh.
The world is alive and that which is beyond is alive and I’m connected to it.
A stranger to this world, an omen of demise and yet despite everything,
I too am alive.
Logically I should not be as a spirit of the realm beyond, and yet i touch, i breathe, i feel, I cry and I bleed and I am alive.
The souls of beyond and future twist throughout my veins, i collect that which is left behind but even death itself is alive.
To be conscious is to live they say but even the unconscious breathe and thrive.
Do they hope do they dream do they do more than just survive?
We are all deeply and thuroughly alive wether we hold human forms or not.
Death is not the end of life but instead the start of a new form of being alive.
3 notes · View notes
cheesey-rice · 5 months
Text
I feel like in theory time has got to be a circle.
Like if you put aside relativity to us as humans the idea of before the big bang there was always nothing forever and after the heat death of the universe there will be always nothing forever kind of seems unlikely and is partially assumed based on our own need as humans to categorize distinct boundaries/intervals in order to easily process information. It would kind of make more sense if existence occurs in alternating waves with pre-bigbang/post-heatdeath nothingness. Theoretically if these waves of existence/nonexistence occur on an alternating schedule then the various existence points could cycle through a bunch of different variables of relationships between the various types of matter that compose existence.
With the assumption of infinite time, the alternating combinations of these existences mean that theoretically the pattern of exact existences could repeat in a manner copied such that essentially time is 'repeating' itself. Unless we have like a π situation actually? But then again π could like eventually repeat and we just don't know because it isn't really relevant to us to calculate out past the trillions. It might be a cool scifi premise to figure out how many permutations it takes for pi to repeat and then extrapolate that to this 'existence is a circle' mentality in the sense that how long does it take for something with 'infinite possibilities' to repeat an exact order and then that would be how far you would have to go to reach the existence generated to be exactly like your current one monkeys with a typewriter style, lol. But idk my point being that irl I think the default assumption that existence stops/starts at some point is a bit silly and it's more likely that existence past points of 'nothingness' loses meaning to us the same way calculating out all the digits of pi loses Relevancy to telling your math teacher what the area of a circle is. In that sense you can kinda just define existence by personal relevance the same way scientists do.
2 notes · View notes
goldrahyde · 6 months
Text
Tumblr media
2 notes · View notes
possessable · 1 year
Text
Tumblr media
Top Ten Stages Of Grief
17 notes · View notes