idk if someone else has mentioned this but whatever: in the scene where Ballister and Ambrosius are at the bar and The Director is being live-streamed and claimed that the video was fake, she said something like “the monster can come after us, and could be anyone: your spouse, children, or even the person next to you’’ and that TOTALLY REMINDED ME of conservative “Christian” bigots trying to scare people into believing that queer people are “dangerous” and “grooming your children”
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showing off the commission i got from @ruporas for my fic, In the Next Life!
i'm still so incredibly excited about this. it's been some months since the story event that caused these scars, but i wanted SO BADLY to be able to see what they'd actually Look like... & Here They Are.
ruporas rendered the scars So Well, i just cant stop Looking at them... there's a Fresh & a Healed version, which ruporas was kind enough to give me without additional charge (Thank U Again😭😭) so i get to see what it looks like at different stages.
Lichtenberg Figures. in terms of actual scarring, lightning strikes that people survive don't tend to leave permanent scars, but the lichtenberg figures that they (usually temporarily) leave behind are just So Cool... Now, what happens when you get someone who can survive an amount of electricity/lightning that would be Frankly Lethal to any normal human person?
This :]
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hey it's nanowrimo. i have tips bc i've done it about 34 times.
Don't edit. Ever. Stop it. If you just decide to start a new project half thru this one with all new characters, no problem. pick up and keep writing as if you'd already written the first half of that.
"but i spelled it wrong" whatever. "but the grammar" whatever. make it exist first. no time for sense. think like you're working on a typewriter. no backspace. only forward go.
Don't re-read further than a paragraph or two backwards. "did i mention the gun before?" listen - it doesn't matter. if you need there to be a gun there, the gun is there. put it back in once you finish the book.
"i forgot the specifics of X thing i already wrote" whatever. change it, make a note/comment to figure it out later, and just write what makes sense for the moment. "no raquel it's legit the characters name and origin" idc that character is now reborn as Claudius from Elsewhere. it's fine.
only you see your mistakes. nobody else knows. one of the ways writing and dance overlap - only you know the choreography. nobody else will know if you miss a step, so just keep dancing and pretend you meant to do it like that.
it's an illusion that you need to write linearly - from point A to point B to point C. Nah; that's just timeline propaganda. I've written a LOT of books out of order and just reordered them once i've finished. if you have a scene you'd LOVE to write but can't get there yet because of plot, just fuckin write the scene. I've always found its easier to establish "point F" "point J" and "Point A" and then wiggle my way between those scenes.
write what you WANT to write. 230 pages of smut? of well-researched discussion on bread? whatever. the point is to strengthen muscles however you can.
if you miss a day, a week, whatever. not the end of the world. we all have dry days. also time is a myth so u can do this challenge whenever u want.
as soon as you try to write for a specific audience, you kill your voice. you are writing for yourself. stop thinking about how people will take ur book. it don't matter. what matter is u, enjoying writing. i luv u.
play to your strengths. i have characters talk so much because i don't know how to write a plot if it kills me but i'm really good at dialogue so.
i love a flight of fancy. write a poem in there. shift tactics and write in code. keep it fun for yourself.
see what happens if you shift something major about ur main characters - gender, wealth, superpowers. or if you change point-of-view. or if you kill everyone in a big explosion. do NOT edit anything before this or after it. often these little weird one-off exercises teach me what interests me about what i'm working on. it is never what i thought. plus it is a fun way to add like 1k words.
stretch.
it's for fun and for practice. stop doing that project if it's giving you anxiety. once my nano was literally 50k words of half-started stories. just things i tried and tried and tried and wasn't able to flesh out. oops. but i am now 50k words of a better writer.
add dragons?
read books/listen to books on tape/etc. people often make the mistake of "buckling down" to just write. you need inspiration. you need to like. fill up on words. you need to remember how it feels to lose yourself in a story.
i don't have the time or space to really talk about this in this post but a lot of creative people turn to drugs/alcohol because it can help you be more creative. this is harmful, and walking a blade that only cuts deep. if you notice you and your loved ones are turning more to substances, please know i love you and i hope you are able to get help soon. i feel like this almost never gets mentioned because it's kind of a hazy underbelly to art. you are always more important than the work.
on that note. drink your fukin. water.
don't talk about a story until you've finished it. once you tell the story, it exists already, and isn't about discovery. i usually have a very canned "haha we'll see" response.
grapes :) tasty snack.
i love you be free.
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types of story that different black sails characters think they're in:
jack: typical underdog overcoming unbeatable odds story; he is the main character and the show is 100% about him and his joseph campbell hero's journey. he is like achilles seeking eternal glory. he is also like gilgamesh, seeking immortality because he's afraid of death
flint: one of those fairytale retelling stories from the villain's pov; he is the fire-breathing dragon/big bad wolf/wicked witch that his village has ostracized, chased out of his home with pitchforks and torches because they feared him and what he is and what he stands for. he knows that in another show, a more popular show, the story would be told from the pov of the villagers about the dangers that lie beyond the village walls and into the forest...but this is HIS show and in HIS show HE is the one that survived the villagers not the other way around and HE is the one that has been wronged and he WILL see them pay for it
miranda: at first she thinks she is the witty and cunning heroine of a regency period romance novel. she is critical of high society and it's archaic and sexist traditions, turns her nose up at the institution of marriage and yet against all odds finds a true partner in thomas. she thinks herself happier and smarter than her peers, for finding a way to explore her sexuality freely and still keep her high status. she is caught in a whirlwind romance with a handsome naval officer and well....then her story turns into a tragedy and a decade caught in lifeless loveless joyless limbo where she is sidelined into the background of someone else's story
max: overly aware that she is in A Story and that she is Not The Main Character; the spotlight is never on her, she will never take centre stage. in fact, she is in the wings, or perhaps watching the show from the back of the theatre as the stage manager, setting the scene and directing others to pull ropes, shine lights, open and close the curtains so that other actors can strut and fret their way around the stage
billy: revenge quest story! thinks he is the good guy, there to protect his friends and get revenge on the tyrant who killed his father. gains some genre awareness and realizes that he is not, in fact, the main character, but rather a side character caught in a romance between his captain and quartermaster and if he really wants to survive he's really gotta break them up
madi: a story of hope told around a campfire, passed on from generation to generation so people don't forget about the time that an island of maroons stood up to a seemingly eternal and unbeatable empire. some days, it's a cautionary tale, on how volatile solidarity can be with divisions like class, race and gender .... or how revolution necessitates violence that people who are comfortable in their oppression rather not pay... but no empire lasts forever and nothing is inevitable. the story sticks in the hearts and minds of future revolutionaries and someday someone somewhere will pick up the torch and continue the fight
season 1 walrus crew: workplace comedy
silver: [redacted]
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