Tumgik
#yeah i definitely am
drieddpetals · 7 months
Text
just had the random thought of... what if people from certain spiderverse dimensions come to ones in the future (or vice versa) and get viruses from the future and accidentally bring them back to their dimension?? 😭😭 like what if spider noir went to gwen's dimension and he got covid?? is that even allowed???? now i'm thinking there's gotta be some kind of spider society disease control bc i feel like this is a serious issue
43 notes · View notes
inkskinned · 1 year
Text
the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.
sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.
you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.
it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.
but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.
they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.
they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.
barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.
and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.
but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.
they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!
this horrible world they live in. disgusted and also obsessed.
#this shifts gender so much bc it actually affects everyone#yes it's a gendered phenomenon. i have written a LOT about how different genders experience it. that's for a different post.#writeblr#ps my comments about seeing someone cry -- this is not to shame any person#and on this blog we support workers.#at the same time it's a really hard experience to see someone that looks like you. clearly in agony. and have them forced to keep going.#when you're young it doesn't necessarily look like acting. it looks scary. and that's what this is about - the fact that teens#have likely already been exposed to that definition of things. because the internet exists#and without the context of healthy education. THAT is the image burned into their minds about what it looks like.#it's also just one of those personal nuanced biases -#at 19 i thought it was normal to be in pain. to cry. to not-like-it. that it should be perfunctory.#it was what i had seen.#and it didn't help that my religious upbringing was like . 'yeah that's what you get for premarital. but also for the reference#we do think you should never actually enjoy it lol'#so like the point im making is that ppl get exposed to that stuff without the context of something more tender#and assume .... 'oh. so it's fine i am not enjoying myself'. and i know they do because I DID.#he was my first boyfriend. how was i supposed to know any different#i didn't even have the mental wherewithal to realize im a lesbian . like THAT used to suffering.
28K notes · View notes
mienar · 1 month
Text
Tumblr media
the wandering painter, part one
instagram | shop | commission info
4K notes · View notes
theindescribable1 · 11 months
Note
You are insane
Yes
1 note · View note
blueathn · 4 months
Text
Tumblr media
Nice flesh-eating violin you got there
3K notes · View notes
puppetmaster13u · 2 months
Text
Prompt 261
“So is no one going to talk about the eldritch space child or…” 
“I mean, do you want to get between a child and Batman? I think the only one who could even get close right now is Superman…” 
“No you’re right, I think- oh my god the eldritch space child is playing with batman’s bat-ears and he’s not doing anything about it what the fuck I thought only Robins could get away with that-” 
2K notes · View notes
bookishjules · 5 months
Text
keeping the "they'll think we're impertinent" / "i am impertinent" lines from the book???? iconic. incredible. reminded me i have never once known what impertinent means
2K notes · View notes
codgod-moved · 1 year
Text
Tumblr media
in a competition with myself to see how big i can draw missa’s hair before it just completely takes over
3K notes · View notes
kaladinkholins · 3 months
Text
Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
Tumblr media Tumblr media
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Tumblr media
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
Tumblr media Tumblr media
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Tumblr media
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Tumblr media
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
Tumblr media
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
Tumblr media
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
Tumblr media
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Tumblr media
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
Tumblr media
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
Tumblr media Tumblr media
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
Tumblr media Tumblr media
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
Tumblr media Tumblr media
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
709 notes · View notes
jedi-starbird · 2 months
Text
fellas. fellas. listen. qui-gon does express affection towards obi-wan, he just does it in the divorced dad way.
that's his love language, despite never having been married, divorced or had a kid.
497 notes · View notes
valentjin · 7 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
charm point: his nose scrunches :)
643 notes · View notes
fudgelling-away · 19 days
Text
I've just had the weirdest freaking conversation in my life.
Sometimes I show my art to my parents.
For the record, they are 55. I am over 30.
They are both artists. Hobbyists, like me. Dad draws and paints in a traditional way, and is a milion times better than I will ever be. Mom crochets, sculpts and creates all sorts of home decor.
They relentlessly ask me every week to show them something new of my work.
And today they approached me to tell me for the fifth time that they want this picture printed and hung in the centre of the living room.
.
.
"…Are you really seeing what this picture is about?"
Mom replies that it's about tolerance and love, and that she wants to show everybody that you can and you SHOULD drink coffee with a skeleton. She wants to put it on her facebook, too.
"Mom, yes, I love you, you are… unbelievably tolerant and I love you for that, but I will not give you this picture. I can give you a different one."
No. She wants that one. She wants to drink coffee with him every morning.
"Mom, he is naked under that blanket. Naked. Are you seeing that? Are you aware of that?"
So what? He's covered in blanket.
"Mom… he's NAKED. Naked. Sans. In the living room. Mom. What the heck?"
Aw, Fudge, he is so silly.
"That is a very suggestive picture."
You see it that way because you like him, she says. I just see him as silly, she says.
...
She repeats that she wants the pic. She wants it in the living room.
"I cannot have him in the family living room. It's not even about you two, it's about the guests you have, the rest of the family, your coworkers..."
Mom raises her voice and says that she's going to teach them about tolerance, and that they can say and think whatever the heck they want.
Dad asks what is the resolution of this pic.
They start to discuss whether to print it on paper or on canvas.
They ignore me.
Mom says she doesn't want a new bag for her birthday anymore. She wants the picture.
Dad asks me to prepare the file, he wants to go to the printer this week.
I am not giving them the picture.
What is going on.
263 notes · View notes
kesoyotes · 6 days
Text
Tumblr media
@tmaynt Challenge: Day 26 - Favorite Series
I wouldn't be half the artist I am today had it not been for me catching the premiere of the 2012 series all those years ago. that show still means everything to me
366 notes · View notes
ruler-of-thorns · 9 months
Text
Malleus having older sibling trauma. Malleus resenting how Lilia is able to openly express being Silver's parent but had to keep Malleus at arms length because of their roles. Malleus having to know someone who was presumably initially very cold and softened only as he was growing older while Silver had a very openly loving father immediately. Malleus being the child who taught Lilia how to parent and love. Malleus never feeling like Lilia truly loved him after seeing how he was able to love Silver. Malleus loving Silver because they're brothers and at the same time resenting him for having the father he always wanted.
595 notes · View notes
benevolenterrancy · 4 months
Text
Tumblr media
headshaker
(inspired by @yumemiruuuu's post because a bobblehead nie huaisang is really just too funny of a concept)
341 notes · View notes
raviola-triggers · 3 months
Text
Tumblr media
He stayed in the shrine with Miko after the second betrayal
172 notes · View notes