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#why don't you move here
introspectivememories · 2 months
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too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.
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flufflecat · 9 months
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this is the most beautiful creature on earth and I will kill someone if it asks me to
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statementlou · 5 months
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So I see folks pointing out that Louis' circle A tattoo is more likely an aesthetic choice than an announcement of a political commitment to anarchism, and saying basically that that maybe makes him a bit of a poser and I mean- I GUESS. But I don't like to look at things that way and I don't think it's useful. As I see it the subversive sexiness of the symbols of resistance have ALWAYS been gateways for people who are drawn to the struggle in vague ways and that's GOOD. Aligning yourself with those values is good no matter the reason, in my book, especially given the wretched options available out there, but also the journey doesn't necessarily stop there. Gatekeeping queerness victimizes people who are just trying things out and starting to discover that it may run deeper than just trying on a new look who should instead be welcomed and helped along their path, and I fail to see how gatekeeping political affiliations is any different (plus how counterproductive to actual movement building is that?)
ANYWAY. What I really want to say about Louis is that while I KNOW that Louis is probably not secretly a theory reading anti-state communalist anarchist, I think that actually Louis' optimism and idealism (and his unwavering commitment to allying himself with the working class and embracing those roots) are a perfect fit for the philosophy and always have been. I know that anarchism is mostly understood as being about throwing molotov cocktails and fighting the state (and the allure of its symbols are that they signify this, a terrific aesthetic for him to choose to sign on with in my book), but that's honestly largely cartoonish stereotyping that comes directly from anti-anarchist state propaganda. That resistance is necessary in this hellscape of oppression we live in and is super important, but in its heart anarchism is only about the state in that the state and capitalism currently stands in the way of its goals. The whole point of anarchism is that it's NOT about the state! It's about being able to imagine something better than a state, it's about how we live and about how we SHOULD live, it's about HOPE and picturing something utopian and something free of the ways capitalism pits us against one another! What could be more Louis than that?
"I need you and you need me and I love that" is as beautiful a way of talking about the cornerstone of anarchism that is mutual aid as any long winded essay I've read (even if what he meant was contextually different), and I think when he talks again and again about how special the space fans have made around him is he is expressing an intuitive understanding of the importance of autonomous zones, places and moments outside of the shitty life imposed on us by the system (also a huge part of anarchist thought). Maybe I'm just being an optimist but I think that Louis DOES understand that caring for people and wanting self-determination and freedom for all and allying himself with the working class involves a certain amount of resistance to and positioning yourself in opposition to the state. Thinking the symbols of smashing that state are cool isn't meaningless; it's a CHOICE. There are other cool symbols out there and I just happen to think that feeling a resonance with certain ones is something in and of itself, even if at this moment he does not choose to start a fight with the media about it all.
#long version of this part maybe later… (orrr maybe here and now oops lol):#I believe we are all born natural anarchists with a desire to live in mutually supportive ways and in freedom#it only gets beaten out of people by the trauma of the system and being forced to struggle to survive#Louis shares with many privileged people a certain immaturity of not understanding those struggles#but I think that 'immaturity' can include- in smart and good people- not having lost sight of that utopianism#because they are able to conceptualize it because they live the way we all should be able to#free of so many of the survival struggles#(I think that in some areas maturity is code for 'beaten down to a good capitalist')#anyway and that's why autonomous zones are important:#because you HAVE to have the experience of freedom sometimes to be able to move towards it#you have to experience wins to be able to keep fighting#it's the candy crush theory of organizing lol like: people will simply give up and lose hope if everything is struggle and despair#and nothing is hope and success#you don't have to win the whole fight to get glimpses but you have to have moments#anyway a song I love that is about that is Saturday Night by the Coup it's a BOP go check her out she feels like winning#boots is a commie but that's okay he Gets It :P#anyway#anarchism#blah blah blah#I love being a louis apologist I should add that to my header what can I say: I love him#also look how many WORDS I can churn out when there's no show😂gotta fil the time somehow#send me questions I beg you we've got a long couple months ahead#comrade louis
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knifearo · 8 months
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reminder to everyone that trauma IS a valid reason to use aspec labels. "i don't know if i'm aspec or just traumatized—" protip!!! you can be both!!!! the thing about labels is that they're not immutable states of being that you're born as. they're literally just words that we use to describe our lived experiences, and if asexual or aromantic or any related label feel relevant to the way that you experience attraction, whether it's a result of trauma or not, they're there for you to use. having trauma as a cause does not invalidate the fact that someone is experiencing lesser or no attraction. that's still the aspec experience babey. use the label if you want it's there for you <3
#kissing every traumatized aspec person on the forehead. with permission of course#obviously the labels aren't gonna be right for everyone but like...#i see a lot of discussion around this topic and it's actually SO important to me to bring up every time#that labels are just little signs you put up to tell people something about yourself.#it's not an immutable unchangeable fact. it's a little sign. it's a label just like you make with a label maker.#its purpose is to be there and communicate something about your experience to the people around you.#so if you want to communicate that you don't experience attraction in an allo way! that's literally what it's there for!#really i feel like denying people access to those labels cause they weren't born that way is like.#first. an asshole move. why don't you shut the fuck up and let other people decide what they experience#second. perpetuating the idea that if you don't experience attraction you're broken? but just in a different way?#'you can experience limited/no attraction IF you're ace and born that way. otherwise you're ACTUALLY fucked up.'#'you're straight/gay/bi you're just broken right now.' actually maybe they're experiencing something that aligns with asexuality.#ever thought about that...#intent here is NOT to speak for anyone with that experience. however i meet like seven people a year who say that they're unsure#if they're aspec or just traumatized#and it's SO important to me to say that you can be both. you can use the label. your experiences are valid#whether they're internally or environmentally caused.#kiss kiss ily everybody (/aro)#<— tone indicator that indicates that i meant it aromantically#aspec#aromantic#aromanticism#aroace#arospec#aro positivity#asexual#ace pride#acespec#ace positivity#ace inclusion. turn the tables
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2hoothoots · 11 months
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i was having a chuckle to myself last night about Gristol, and how his plans are basically:
Restore Ford Cruller's memory
Find Maligula
???
Profit
but then... of course they are, right? this is Gristol we're talking about. Fatherland Follies drives home again and again that he's still operating on a child's logic, a warped and reductive version of the world that he never bothered to grow out of. both of his memory vaults center on the images of his childhood, this idealized version of the past that he clings to no matter what. and that's still how he remembers Maligula, too - as this saviour figure, who rushes in to help him when he's in trouble.
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[ID: Two slides from Gristol's memory vault, Glory to Grulovia! Left: Gristol clings to Maligula's back as she summons waves to sweep away his assailants. Right: Gristol and Maligula waving from a balcony as the people cheer. Gzar Theodore brandishes a dagger in the background.]
like so much else, Maligula represents a return to this idyllic childhood - to the peace and simplicity of his youth, when he was free from worries and responsibilities. in his mind, he doesn't need to make any further plans - once Maligula's back, everything will go back to normal. Maligula will make everything better.
...is what i thought, but then i remembered this line:
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[Screenshot source. ID: Gristol, in Truman's body, bows on his hands and knees in front of the newly-awaked Maligula. The caption reads: "Yes, High Priestess! I am here to correct the mistakes made by my father!"]
and that's kind of interesting, right?
to be clear: this happens directly after Maligula sees Helmut-in-Gristol's-body, and recognises him. her line before this is:
"Little Gzesaravich! Have you come to pay for your father's sins?"
my first thought was that Gristol hadn't expected to still be in Truman's body by the time he managed to find Maligula, and this was him trying to placate her and buy some time until he could explain the situation. but watching the cutscene back, that's clearly not what's happening here. Gristol is answering as himself, and his response of throwing himself to his knees before her is, as far as i can tell, genuine.
so what is going on here?
in Fatherland Follies, there's this line in the ride narration that stuck out to me:
"Why didn't the Gzar help Maligula in her time of need? No one knows, but historians agree - it is Gzar Theodore's biggest failure."
other lines mention Gzar Theodore's "mistake", and it's wording Gristol himself echoes in the screencap above. evidently, he believes that his father abandoned Maligula, leaving her to her fate at the hands of the Psychonauts, and it was that mistake that lead to them being driven out of the country - that mistake which he seeks to correct. maybe he even feels like he has a debt to repay to her for his family turning their backs on her all those years ago.
the 'High Priestess' thing, though - that's kinda weird, and threw me for a loop the first time i played the game. it took me until my second playthrough to connect the dots, and remember how the room in the Lady Luctopus - Gristol's room - was full of Delugionist scribblings and symbols.
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[Screenshot source. ID: left, the walls of the hidden backroom in Gristol's hotel suite, covered in scrawlings of eyeballs and Maligula's name. Right, the pinboard from the hidden backroom. On its surface are photographs and newspaper clippings connected by pieces of string.]
i mean, look at this stuff! he had a whole conspiracy board and everything!
we learn very little about the Delugionists and their beliefs as a whole during the game, but i think drawing the connection here suggests two important things. one: that Gristol was in deep with this stuff. i don't know how he linked up with them - maybe via old family connections, or just good old-fashioned digging (we know he's skilled at worming his way into peoples' good graces, after all) - but it seems likely that he's begun to internalise their ideas, maybe even warping his own memories of events. and two: the Delugionists themselves are, if you'll pardon the pun, pretty far off the deep end.
like... i understand why PN2 didn't go heavy on the "mass-murderer cult worship" aspect of things, in the end, but man this is such a tantalising glimpse into the wider mythos around Maligula. Gristol is proud and haughty and thinks himself above everyone else; the fact that his first reaction seeing Maligula is to throw himself to the ground at her feet says so much about the way he's come to see her. he's not just trying to bring back Maligula, his childhood bodyguard. he's trying to bring back Maligula, the High Priestess of the deluge, the semi-mythical figure whose supporters believe even death couldn't stop. he doesn't even flinch at the way she confronts him, and maybe it's because he's bought in so completely to this deified figurehead, this idea of Maligula; more a living force of nature than a person. and it all comes back to the same place: an abdication of responsibility, not just to the person who protected him when he was little but to this avatar of floods and destruction. Maligula will make everything better.
i'd write more about my thoughts on the Delugionists but that'd be taking a hard turn into speculation, and this is already kind of long and rambling so i'd better end it here. but what an unexpected and evocative line, right? it's some of the only stuff we have to go off of regarding the Delugionists as a whole, but i think it does such a good job of hinting at the wider story - at teasing another layer to the mythos surrounding Maligula, one whose ripples we see throughout the game but which never quite breaches the surface.
#psychonauts#psychonauts 2#bored waiting at the airport so you get more psychonauts meta from me#the delugionists have been on my mind recently (because i Might Just have an upcoming au lorepost about them and also cults are fun)#so tossing my thoughts up here because people seemed to like the last few times i did this#and also it's my blog and i like to talk :)#related vent i HATE drafting posts in the tumblr editor because if you hit crtl+z to try and undo a formatting change#it deletes like half the post you just typed out#(yes i did it again while i was writing this. yes i'm still salty. why do i even bother)#what else... this is just becoming a disconnected thoughts dump#but if you've seen my posts you knew what you were signing up for when you hit the button to expand the post tags#there's new art coming hopefully this weekend if i can get it finished! it's more mermaid au designs#i'm two and a half weeks late for mermay but it turns out starting a new job and moving house doesn't leave you with a ton of free time#but that's okay it's never too late for mermaids#omg and artfight's coming up next month too! geez#i gotta make refsheets for the fsau trio because i would LOVE to get art of them#and this year i don't have a thesis to crunch on so i might actually have time to participate#oh and then in august i'm having top surgery! will make a proper announcement post for it at some point#i say 'announcement'. it's just a life update but it's nice to share#i'm super excited about it :)#i might end up blogging the process and recovery but obviously it won't be going here lol. i'd put it on my main#idk if anyone would find it useful but when i first started looking into surgery i had like very little idea about the whole process#and it's only through joining a bunch of online support/discussion groups that i managed to find more info and resources#so hey it might be useful to share? we'll see#our flight doesn't land for another fifty minutes so now i'm just writing in the tags because i'm bored#alright i'll proofread this and then post it when i land and have signal again. peace out yall hope your pride month is going well
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sunshinediaz · 3 months
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tease tidbit tuesday 🫧
hi friends, i'm procrastinating doing my fema courses in favor of watching season 4 <3 have a lil bit of eddie vs the hoa
It’s just—Buck is big and it kind of drives Eddie a little crazy.  Like? God, okay. He’s a little stupid over it. You’ll have to forgive him.  He is so big, right, larger than Eddie and Eddie isn’t a small guy. He’s filled out since finishing his probationary year, settling in his career and getting comfortable in the life he chose for himself and Chris. He’s more functional muscle than big gains; his stomach’s soft, protected by a sweet layer of fat, but his core’s solid and his arms are twice the size they used to be when he was twenty-seven.  See? He isn’t small.  But, like, Buck’s just bigger, wider and broader and thicker, and there’s something so delicious about having somebody that large at his mercy, at his every beck and call. Buck has this quality about him, no matter his size, like he’s always ready to drop to his knees and let himself be taken care of, and it has Eddie’s head buzzing in a way that most definitely isn’t from the beer. 
tagged by @wikiangela, @jeeyuns, @devirnis, @disasterbuckdiaz, and @daffi-990 <3
tagging @spagheddiediaz, @puppyboybuckley, @evanbegins, @honestlydarkprincess, @exhuastedpigeon, @thewolvesof1998, @theotherbuckley, and @monsterrae1 if any of you wanna share!
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separatist-apologist · 3 months
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There are a lot of people on the internet who come specifically to rage bait simply because their own lives are pathetic, empty, and boring and this is a way they've learned to get attention. And the sooner a lot of you all realize that, the sooner you'll be able to have a measure of actual fun in this fandom.
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kdramaxoxo · 8 months
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Moving (무빙) K-drama ep 1-15, thoughts
[ SPOILER FREE ]
I'm not the kind of person who likes superhero stuff because I find that it follows a formula that doesn't focus very much on my favorite thing: Character Development. AND it is about as far away from my favorite genre: Slice-of-life that it can get.
But Moving (무빙) is different!
First a side note: A while back there was a tumblr post about how much it would be fun to make a show/fic about captain america getting a new dog (or something like that) and I remember thinking "WOW if superhero movies/dramas were more like this, I'd be 100% game." (if you know that post, send it to me??)
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The creators of Moving took NOTES y'all.
Yes, it's gritty, has a lot of violent action scenes (I'm a fast forwarder don't @ me ;-) and an over-arching villain plot but it's so much more than that!
Moving focuses on the humanity of dealing with super powers, growing up with them, having to hide your talents while not being 100% isolated from friends and family. The Trauma, The Comfort Healing. It's freakin' TOUCHING ok? I'm in love with literally every couple, and every person on their own has things to overcome and room to grow. There's so much softness and love and friendship-- I just haven't seen a drama recently that has me caring about every single person??
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Now, we are at episode 15 tho.
This is where I get nervous because if a kdrama is going to make a left turn off a cliff, it happens right about now. The last quarter is where the writers decide we need way more action and villain than we need all of the things that make Moving special (think about how many dramas you've seen where all of a sudden there is a stalker plotline, or a murder, or a kidnapping at the very end for no reason at all?).
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I'm just anxious that my 10/10 drama is going to fall apart even though so far it's like, perfect? But fingers crossed!!
Moving: FIGHTING! (but like in a slice-of-life way, not in an actual fighting way :P )
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Triage: Initial Thoughts
Hello! Venus back at it again with the 4-5 AM theory time! This time we’re looking at Shidou’s second MV, Triage! 
I’m going to be going through my various thoughts on everything as usual, going point by point to analyze each thing. I’ll be referencing Triage, his first MV Throwdown, and the always-fast audio drama translation by @onigiriico​! 
Alright, let’s do this!
Shidou’s kids died immediately, but his wife had a chance to live.
I’m basically just going to give a quick play by play of what I think happened in the video.
Surprise, Shidou has kids! And a wife, but we figured that already. They’re all very cute and all until they fade out like ghosts pretty early on. Before that happens, though, I think that, chronologically, the opening sequence of Shidou walking with some groceries happens first.
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He’s just going about his day, walking around, having a great time. He’s intending to take stuff back to his family and cook dinner or whatever he usually does that we see in the cute scenes.
Then, though, he gets a phone call. He answers it (this is the untranslated “Kirisaki desu” part; please let us know if you find a full translation of what he says on the call there!) and we move on to the next scene. However, later, at 1:57, we hear the line die. I think that this is probably Shidou getting a phone call from the hospital. He sounds casual in his initial response because he probably assumes it’s work related, but once he hears what happened, he drops the line and immediately heads over.
I think Shidou’s kids must have died immediately because of Throwdown. Throwdown has absolutely no references to his kids (though he does mention liking children and stuff like that in his first audio drama, which now kinda stings) and, were he also trying to save them, I’m sure there would’ve been at least some references. 
I think it’s far more likely that, whatever happened, both his kids died immediately, but his wife was in a condition where he could still try to save her. That’s when Throwdown occurs. Shidou probably focused intensely on trying to save his wife as a way to cope with the death of his children. Then, after his wife officially died, it really hit him that he had nothing left, and he was forced to process it. That’s when he started feeling all the guilt and wishing for death. 
This isn’t really relevant, but my best bet is a car crash. It seems like a likely and viable way that his kids could’ve died instantly while the wife could’ve kept living. As a minor note on that, he’s also walking back with groceries, which could indicate that someone else (the rest of his family) might’ve had a car. I don’t remember if Shidou mentions anything about driving or anything like that at any time, but if I had to call a method of death right now, that’s what I’d go for.
NOTE: I do want to disclaim this by saying it’s also possible that one of his kids was the flower person in Throwdown. He gives a receipt to one of his kids, so that could make some sense. I need to go back and compare the flower person in Throwdown with the people in Shidou’s family now that they have appearances. I also need to reread his first audio drama; he says something about it being fitting that Es is judging him, which could check out if his crime relates to trying to save his kid instead. If I am wrong and it was one of his kids that he was trying to save, then everything about what I’m saying still checks out; just swap everything I say about his wife with one of the kids.
Shidou purposefully showed us the least forgivable parts of his crime in Throwdown.
Looking back on it, Shidou painted himself in an awful light in Throwdown, and I’m sure it was intentional. After all, he was trying to get us to give him a guilty verdict. If you say that a prisoner like Muu might have been altering what part of her story we received in order to get her desired verdict in the first round (innocent), Shidou could absolutely do the same thing with a guilty verdict.
He doesn’t show us any of the context of his loved ones and how much he loved them; that was all stuff we had to read between the lines of. We see him butchering plant after plant only to end in horrific failure without ever seeing him succeed at anything surgical. (He still should’ve hypothetically been saving lives while doing all of this; it’s not like he was ONLY killing people.) 
He even shows us the horrified reactions of the loved ones of patients he killed. I can only imagine that he would do that if he was trying to spark a negative reaction in us.
In contrast, this MV is very straightforwardly showing how the day he lost his family went for Shidou and directly examines what verdict Shidou wants (more on this later). I think, therefore, that this is probably a much more honest view of the situation than Throwdown, at least in terms of how Shidou perceives the truth. 
Shidou is constantly plagued by the guilt of what happened.
The simplest way to explain this is with this image: 
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When showing Shidou’s family turning to ghosts, he views the man that he used to be as dying with them. Shidou, as he was, is dead. Still, what happened clearly still impacts him. That’s pretty obvious, but I’m talking down to the details. He mentions kids and liking them in both of his audio dramas. Further, take this lovely image: 
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Pancakes. Shidou made pancakes for his kids. In BOTH Minigrams 3 (Pancake) and 24 (Pancake: a Second Trial) Shidou is directly shown talking about pancakes and their relation to children. He really wants Amane, the young child, to try some. It seems like he used to make pancakes for his kids before they died. He’s very clearly not recovered in any sense. That’s not surprising, but it’s still something to point out.
Triage takes place almost entirely before and after Throwdown.
That sounds a little confusing, but all I mean is that Throwdown is completely isolated from this MV. Some parts of this MV happen before the events of Throwdown; those are the ones featuring Shidou’s wife and kids, as well as the ones where he simply looks younger. The other parts are clearly looking back at the same time frame, but are from Shidou’s present perspective, here in Milgram. Those are the ones where he reflects on his verdict or directly addresses what verdict he wants.
Most directly, I think the part at 2:14 indicates this. Shidou, looking back on the death he caused (knives in the pomegranates and other food, dead flowers, receipts from the surgeries that we also saw in Throwdown), says “I want to be INNOCENT / I want to live.” That’s him, in the Milgram prison, right now, coming to terms with the fact that he actually, genuinely wants to live right now.
In the audio drama, he’s clearly conflicted. He still says that he wants to die, that he wants to atone for his sins and that dying is the only way he can make it up to the people he killed. He also, though, says that, at least for right now, he wants to live. Futa and especially Mahiru are on death’s door, and there’s no telling what other injury might occur. He believes he’s essential to saving lives within the Milgram prison (and I think he’s 100% right).
He even directly references this in the song lyrics, talking about “extracting the fang.” The fang is clearly Kotoko, given that Milgram has referred to the damage Kotoko does with fang imagery before and given that that’s what he’s currently healing. He has to be the one to save them because he’s the only one who can; as a result, to save lives, he has to care about his life right now. While he’s still unsure of what final verdict he wants, he knows that he needs to stay alive, at least going into trial 3.
VOTE: INNOCENT
Personally, this one’s a no-brainer. Es theorizes in the audio drama that Shidou only harvested organs from braindead patients, and though he never outright confirms it, based on his responses, it seems to me like that’s true. That means his crime isn’t as severe as we initially thought it was.
Additionally, he’s right; he is indispensable to us right now. He outright says in the audio drama that if he stops giving Mahiru care, she’ll die, whether or not anything else happens to her. That basically tells us that voting Shidou guilty means Mahiru dies. That’s not good, and I’d rather avoid prisoner death when we think it’s possible.
I also just don’t think it’s smart to change verdicts on him here. If we decide that, after all is said and done, we can’t forgive Shidou, we should do that with the third verdict. Here, we want to leave both options open. Right now, Shidou is torn between wanting to live and wanting to die. If we switch to guilty, we’ll ruin any chance he has at recovering a will to live and a will to atone through any means other than death. If we want to preserve the option of forgiving him in the end, I think we have to forgive him here. We can debate whether his actions were forgivable or not in the last round.
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mynonclicheblog · 1 year
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it's probably not healthy how often i imagine portland row years into the future, after the trio's talents have faded, where they no longer hunt ghosts together but they find other ways to pay the bills and never move out because they just love the little home they've made here, and lucy and lockwood are an actual couple and george simply tolerates it because he loves them individually so much and can't imagine life away from either of them, which is good because lucy and lockwood wouldn't have it any other way
i don't know if this is compatible with book canon in the long run, but thinking about it just. soothes my soul. it is everything i want for them
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probablygayattorneys · 11 months
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No moment in all of Ace Attorney OR Professor Layton has ever elicited a reaction quite like Luke and Espella spinning the statute of the professor so he can object with Phoenix what they think will be one last time.
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a-s-levynn · 3 months
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So i had a dream last night which wasn't a nightmare and i even remember most of it! which is super exciting. I barely ever remember dreams that are just simply that so this is a fairly rare occasion for me.
It was weird tho
But it was.. i don't even know what it was so let me ramble about it in the tags a bit
#there was this bioluminescent and also biotoxic creature in a city at night#it was bipedal sort of humanoid shaped but with definitive deep sea features#it had that transparent skin and flesh and body with bioluminescing highlights#which i have no idea how it worked because the entire dream took place in a city enviroment on very much dry land but it's a dream innit#the face was definitely not human more a jumble of fishy features#it was gorgeous btw in a humanoid monster sort of fascinating way#it had this weird feel to it that it's something very old that should not be here now.. some sort of reminiscence of a bygone era#i might try to draw it but i don't know how successful i'd be to be honest#anyway so i was part of a group (don't know what kind exactly) and i never seen any of them i just knew they existed#and there was this innate knowledge that the creature was kind of hunting or more like luring us but we also were hunting it#i don't know if it did something to us before or we just had this unexplainable pull towards it but we definitely were fixated on it#and it was supposed to be a big threat even just by existing and walking around but also would have been bad if it was dead#but i don't know why was it so bad because the “toxicity” of the creature wasn't lethal it just made you stuck in a blissful delirious stat#just by being too close to it and which in most cases would fade when it moved away so the other alternative felt way worse#cuz if it would die something else would have gotten loose which would have been worse than the delirium#it was some sort of unstoppable deadly madness i think.. at least that was what i felt the dream eluded to#and i think we wanted to neutralize it somehow but we had no idea how to avoid disaster that surely would come if it dies#but it would have also revitalize nature on a basically divine scale by giving it's body back to it so there was this dilemma the whole tim#but none of us would have any answers so we just followed this inner draw regardless of the uncertainty#and the entire dream was basically us lureing the creature somewhere but simultaniously it was somehow luring us in as wel#to the same spot#it was a vast moonlit fieald outside of city bounds surrounded with tall dark trees and the sky was littered with stars#and a sharp cliff to one side#so we arrived there and we were standing on opposite sides and look towards each other#but looking into the creatures eyes literally woke me up#there was a noise it made and i know i understood it as words inside the dream but i can't remember what it was after waking just the noise#and that was it#it wasn't long i think tho it felt that way
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taikanyohou · 2 years
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there's an alternate reality where this vegas:
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and this pete:
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most definitely fuck.
#i have a scenario in my head where the bodyguard disperse to find porsche and as vegas is heading out back to main foyer area#he bumps into pete and pete just looks at him with disgust and knows vegas is Upto Some Shit and porsche disappearing is bc of him#and vegas who's already Mad does not need pete to be looking at him like that so he spits out a 'what the fuck are you staring at?'#and pete just cuts to the chase and asks vegas 'where the fuck is he i know you're upto some shit.' and vegas just smirks and says 'who?'#whilst he steps closer to him until he's trapped pete up against a wall and leans into his ear and says 'who pete?'#and pete spits back in vegas' face how 'i know you've got your eyes on him. don't think i haven't been watching your every move.'#and at first it feels like a bucket of ice water has been thrown on vegas but then he composes himself and says#'why? are you jealous?' at which pete just scoffs. and then vegas tries again and says 'or do you like what you see? the thrill of it?#eyeing me just to see what i do next?'#and pete doesnt respond. just bites the inside of his cheek. bc there is a thrill to it#but he is not gonna give vegas the satisfaction. and yet all vegas has to do is look at pete as he clenches his jaw and he gets his answer#and then vegas just rakes his eyes all over pete's body and says 'you've never looked so good'.#and pete isnt gonna get distracted by the fact that vegas of all people is telling him this. so he asks again 'where is he?'#and vegas just tuts and steps even closer and presses their bodies together and says 'fuck him. i'm talking about us.#stop being so fucking good all the time pete. doesnt it get tiring?'#and pete's trying to stay focused on the task at hand here and he knows exactly what vegas is doing as vegas carries on saying#'don't you wanna be bad sometimes pete? what if i let you be that with me? no one has to know.'#and the invitation sounds so tempting. the prospect of it. that he should be with kinn doing his job but instead he's fucking his cousin#and just being the centre of attention for once. being vegas' centre of attention .... it makes pete's toes curl.#and vegas glances down at pete's mouth that's fallen slightly open. and its so pretty. so pretty that he has to touch it. and as he does#pete opens his mouth wider and vegas runs his thumb along pete's entire bottom lip. and he can feel pete breathing hard.#'you want this.' vegas says. 'look how you open up your mouth for me so pretty to have more.'#and now vegas is calling him pretty too and pete's resolve is breaking brick by brick until he moans when vegas wraps his hand around his#throat and vegas says 'i wanna taint you so bad that you'd have to wear this to cover the bruises on your neck. and the next time i see you#i'd do it all over again.' and pete asks in a barely there voice 'next time?' and vegas smirks and leans into pete's ear and says#'if its what you want. because i do. i wanna see you be bad for me. just for me. i want you to come to me only. for me only.'#and then vegas bites down on the skin there making pete clutch onto vegas' blazer and as divine as vegas looks pete wants to rip it off.#and just as he's about to do something about it vegas steps back leaving pete's arm mid air. and pete hates that. and vegas sees it all#over his face and says 'what do you say pete? you either leave with me right now or you can go back and be the good little boy they think#you are.' and vegas holds out his hand. and no one's ever treated pete like this before. so he takes it. and lets vegas take him.
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angels-heap · 11 months
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I have seen some really shit takes in the wild today so I am here to scream into the void:
Fanfiction is not “content”! Art, in general, is not “content”! Stop devaluing yourself as an artist and fundamentally mischaracterizing the whole concept of creating fanworks just because you're so brainwashed by capitalism that you’ve been made to feel like all good things can or should be monetized!!!
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unbidden-yidden · 8 months
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I think I have reached a new level of Peak ADHD: I am having a hard time making myself finish tumblr related tasks. I opened a fuck ton of tabs to add more links to my archive and I owe answers to asks to so many people, and yet I'm still sitting here, constantly refreshing my dash going "I'm bored 🥺"
AAAAAAAAAAAAAAAAAAAAAAAUUGHHHHFHGGGGGHH
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Really thought there would have come a time when my mother stopped trying to go through my files but apparently fucking not
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