Do you have any opinions on Scholomance?
I do! I like it a lot. I really enjoyed all three books, blitzed through them easily and was much more excited to see how the plots unfolded than I'm used to these days, as a jaded adult, and I also really appreciated them as works of craft.
Especially the first one, I spent the whole time being all 'wow!' at how simple it was. So easy to read, but no waste. You really need to know what you're doing, to get that kind of pared-down elegance of form to work and still fit so much content in.
Like these are dense, there's a fantastic stylistic minimalism that allows El's character all the space it needs to breathe by making absolutely every other thing and person in the whole novel also do character work for her, which is exactly where the first person voice shines.
Also great use of character perspective to make the pacing feel really natural, so the fact that the first book takes three weeks, the second book takes one year, and the third book is like. Five or so incredibly stressful days spread out over the course of a few weeks? Doesn't feel imbalanced.
I actually got distracted from the story a few times by noticing the strength of Novik's technique. 😂 This is a me problem, in itself it's the opposite of distracting. Very low-profile.
I think the Scholomance is a great example of how far you can go in specfic when you aren't cringing from the label 'derivative,' because the Scholomance books feel very fresh ad clean specifically because nothing in them is concerned with standing out as 'original,' whatever that's supposed to mean, only with being well-executed and suitable to its task.
Hm, maybe that's where Liesel was born, the intersection of the efficient narrative style and the vast proportion of the story that concerns the maximization of utility and the instrumentalization of persons by themselves and others, and the forces that incentivize these behaviors. Or maybe she's just the narrative counterweight to Orion 'Head Empty' Lake lmao. How's that for a principle of balance, Galadriel?
I really did enjoy how beautifully it was laid out, over and over, in dozens of shades of humanity, how no matter where you go in an exploitative system almost everyone is being driven by the same survival instincts.
Because I don't think I've ever seen made so cleanly clear why you just can't expect any person or small group of people, no matter their level of goodwill or status, to unmake one of these systems from the inside; how it's not a matter of people being bad but of every single person being very...small.
And then not retreating into the idea of a person who is Big coming and breaking the cruel system from the outside as some kind of panacea, because 1) that is terrible, even if it's necessary and done in the best way possible and 2) that's not a sustainable answer to anything. Getting a balance between the protagonist being able to effect change and not subscribing to the great man theory of history can be really tricky!
Also did I mention, I love El, and I love most of the cast, even the dreadful ones. How am I going around with this many feelings about Li Shanfeng who doesn't appear until the actual climax?
The romance murdered me a bit, but it took up no more space than it absolutely needed to do its job, and I respect that. Also I appreciated Orion as a love interest; Novik has a slight record at this point of a version of that style of male love interest who's like a caricature of Mr. Darcy but old, which was shaping up to be my least favorite thing about her body of work.
...Orion is kind of like if you took the human king from Spinning Silver and gave him an alignment flip come to think of it, so he's not coming out of nowhere. Lmao.
Which reminds me (re: romance character typing) I've heard Novik didn't want it to be known she was astolat, which this series has renewed my sympathies if so. Because if I were a published novelist I wouldn't want people going 'you know, that resolution was really emotionally satisfying! reminds me of that fic she wrote where optimus prime and megatron get stuck in a hole underground and hatefuck about it.'
I don't even like Transformers. That fic almost made me cry. Actually I suspect it reads better if you don't like Transformers because I'm sure it does not give a shit about canon.
Anyway, whoever pointed out that one of the things El has going on is she's Enoby (and we're going to sit down and explore what the true reason to put your middle finger up at preps is, and what are some constructive ways to channel that socioeconomic wrath, and what it means that there is no ethical consumption under capitalism) was right and I'm not entirely over that either.
Fucking love El's mom as a character. Spectacular level of parent relevance and usefulness. A+.
Aadhya and Liu are also characters who fucking delivered.
Re: minimalism though, I laughed at the start of The Golden Enclaves when I realized that none of the enclaver characters who'd gotten development in the the first two books were from London, the enclave El was theoretically shooting for when we met her.
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Okay, what about "have" 😭
ok yeah this one has some. so sorry about the rest of your words 😭 I have many wips but they don't total a huge amount of words
this is also from the Aphim double life au fic! although the double life part still is not relevant here
“Why would I know?”
“Well, you know.” She flaps a hand at him. “Your eyes started glowing. While you were out of it. I thought maybe you were seeing things.”
Aphim looks at her sharply. She’d been gesturing at his hands, he realizes a heartbeat later. The tattoos are dormant now; he would’ve noticed otherwise. He doesn’t like that someone else has seen them for what they are. Apate is simultaneously too close to hitting the truth and not close at all to guessing right. Neither option is comforting for the simple fact that she knows anything.
“I have no idea what you’re talking about,” he tells her, then turns away to find the people she’d mentioned.
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I do think it's funny that the Salvatores are the ones with all the information this season because it's usually the opposite. Despite being around for a century and half they don't actually seem to know anything about the supernatural world
They didn't know werewolves existed, they didn't know about the Originals until Rose (despite their sire being on the run from them), they didn't know about sire lines, they didn't know about the sun and moon curse (this is particularly funny because wolves who'd been around for less time than the Salvatores knew about this), they didn't know about doppelgangers and honestly they don't seem to know a whole lot about Katherine full stop. Damon knew her real name and Stefan knew her birthday but other than that they seem to be missing out on key details about their sire. Stefan didn't even know he was a ripper until Lexi showed up despite Mystic Falls being home to 20+ vampires before this and they don't seem to know much about witches either despite knowing Emily and Damon protecting her bloodline
But this season? Damon is the one that knows about Shane and the Pastor's shady relationship, that Shane also knew Haley, that Shane convinced him to blow up the council, that a Bennett witch was needed to raise Silas and despite sirebonds being rare Damon has past knowledge of those too. Stefan knows about the origin of the five and the daggers. They both learn about expression being worse than dark magic to the point it's not even considered magic and is powered by mass murder, they know about the hunter's curse and potentials and they don't share any of it with the relevant parties!
Like I know the reason that they don't know things is for plot reasons so that they learn as we the audience learns but instead it just comes across as them having been entirely oblivious for the last century and a half. Which is particularly funny when they're the two vampires left in charge of teaching the baby vampires. They don't know shit! Nobody taught them by the sounds of it. Katherine and the MF vampires had otherwise disappeared, Lexi seems to come and go as is relevant to plot and Sage despite being at least 900 years old sticks around for one day to teach them to indulge in the feed before disappearing without further information like damn
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Your Heart snippet
They lived and breathed and existed in the black. But looking at Keir’s mad, ancient face, blue eyes reduced to a rime of grey under flooded pupils before absolute detachment reasserted itself, it was impossible not to wonder. To remember, if never sympathize with this murderous tyrant of a man, that High Fae- all High Fae- had once lived like they did in Autumn.
Folk of the forest, the sky, changing seasons of wild run magic.
It had been twelve thousand years since a High Lord of Night had built Velaris as his personal playground. Ensured both his primacy and its privilege by trapping the whole of a capital city in shadows.
The rest of his family, a bloodline that couldn’t set foot outside without lordly magical intervention.
It was a large mountain- an eerie, beautiful city- it was a prison, as the Lords of Night so loved.
Keir’s hands- three immaculate gold rings, the only personal adornment on Night’s Seneschal, paler than milk- reeked of blood. Old and new and present pain, not his own, when he moved them to speak.
Clapped Eris both too hard and too close on the shoulder, before turning the whole of his disturbing attention Nesta’s way.
“You are the Kingslayer,” he purred, hair-raising and beautiful and horrible, breathy.
Eris had not told her to be careful. Dressed her like a doll to Night Court fashion, told her not to speak, to preform, to hide- Nesta was as herself in the Hewn City for the first time, Archeron red and angry already.
“Cauldron-slayer,” Nesta corrected, head held high.
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