Tumgik
#what relatable fears
i am thinking how much poorer, how much less colorful the world would be if art was only made by "professionals." if all the music, all the stories, all the sketches & paintings & craftwork of the world was created only by the small category of people able to make a decent living from their art. imagine if the only people allowed to create were the experts & the renowned & those aspiring to the top. what a grey world that would be. how much joy would be bleached away! i love you people who create for the sake of creating, i love you artists who do art for tiny audiences, i love you people who make things even just for one person, even just for themselves, even if no one's watching, thank you thank you thank you for decorating the world in which we all exist
11K notes · View notes
specialagentartemis · 3 months
Text
I wish Sam and Tucker got to be characters more often. Thinking about how they also have a significant part of their lives they have to hide from their parents because they're also out ghost hunting with Danny all the time. And they have the capacity to walk away from it in a way that Danny doesn't. But they don't. This has got to be a strain on them too, this upended their lives too, and they don't even have any ghost powers to deal with it.
Sam already isn't on good terms with her parents; she could probably tell them upfront exactly how much time she spends hunting ghosts and if she said it in a bitter and sarcastic tone of voice they would probably just frown at her and tsk for her being so morbid and dramatic. I can't imagine she's the kind of kid who talks honestly to her parents about anything anyway. We barely ever see Tucker's parents but the few times we do they seem generically nice and normal. Do they worry about him, suddenly out all the time and coming home harried and beat up and found at the scene of rampant property destruction? Is he lying to them for the first time in his life? Does Danny ever ask them about this or is he too wrapped up in his own Family Angst?
756 notes · View notes
clownsuu · 1 year
Text
Tumblr media
Small detour of what I usually post, but I absolutely wish (other) clown the best of luck during these confusing and almost hopeless times- nobody knows how to deal with such amount of attention in such short amount of time- a blessing and a curse to behold
1K notes · View notes
lesbiamano · 9 months
Text
Tumblr media
when the gay thoughts catch up to you
477 notes · View notes
phanrenaissance · 3 months
Note
tell me what the video Basically, I’m Gay means to you?
daniel howell why did you send this ask to every phannie tumblr account you could find .
152 notes · View notes
haunted-xander · 7 months
Text
So. Fatebreaker, right? Ryne's biggest fears made manifest, daddy issues personified, yes?
He's an amalgamation of Thancred and Ran'jit, his face, his voice and his weapon is Thancred's, but his body, his fighting style and his words are Ran'jit's.
Throughout the fight Fatebreaker constantly makes comments about how only he can protect Ryne, only he can provide for her, only he has even the right to so much as stand beside her, to be in her general presence. He's possessive and obsessive, repeatedly asserting that she is HIS and his only. Which is exactly what Ran'jit says basically every time we encounter him.
But this time it's in Thancred's voice. This time it's with the voice and face of a man she actually cares about.
Ryne isn't scared of Thancred, she never has been. Even when she first met him she was barely even nervous (as clearly shown in Thancred's short story). There's a lot of different feelings happening between those two, but fear has never been one of them.
But now, after things have gotten so much better, she is scared of Thancred becoming like Ran'jit. Because if Thancred was just a little further gone, if he was just a little less compassionate, he would've. It wouldn't be hard for him to go down the same path as Ran'jit did, to be incapable of letting go of the ghost of that girl he loved so so much to the point he'd stubbornly grip anything close to her he could. He didn't, but the fact he could've is terrifying.
It makes his final words, words that are Thancred's, so very important. This is her deepest fears made manifest, but he still says he wants her to be happy. Her happiness not only matters, but is important to him.
#Now we -the audience- ofc knew Thancred was unlikely to go down that path#bc if theres one thing hes been consistent in even in his darkest moments its living up to his loved ones' wishes and legacies#the only time he even speaks against it is his conversation w minfilia in amh araeng#and thats more a case of all his (poorly) repressed grief and stress exploding than him actually meaning what he says#and trying to control rynes life after minfilia literally told him to just let her live her life goes directly against that#i think about fatebreaker a lot. as i do all things related to ryne & thancred#and to me its so important to note that hes more or less ran'jit with just enough thancred in him to be *too* thancred for comfort#its so. her greatest fear isnt even the thing thats been haunting her her whole life (being forced to fill in for minfilia)#its having her free will taken from her by the person she cares about the most (thancred)#and for him to be trapped in endless suffering because he cant move on#just like ran'jit did and was#its not even necessarily that shes all that scared of ran'jit himself#what shes scared about is caring about someone like that#because then she wont say no or try to be anyone but minfilia#(thats also why this fear appears specifically after things get better)#(because she was already ready to forsake herself if it eased thancred suffering)#okay im gonna stop now i need to sleep gnight everyone#ryne waters#thancred waters#ran'jit#final fantasy#final fantasy 14#final fantasy xiv#ff14#ffxiv#xander rambles#at this point i should make a tag for ryne ramble posts i make so many of them#tomorrow. maybe. if i remember#edit: i made it#xander being insane about ryne
241 notes · View notes
paellegere · 19 days
Text
there is interesting johndean subtext and insinuations across kripke era, usually through an antagonist insinuating parent-child sexual violence in order to exert dominance over dean. this type of mockery exploits that ambiguous relationship between john and dean and reminds dean that he never had a normal relationship with his father, and that makes him gross and wrong. it doesn't actually matter in the end whether john was sexually abusive to dean. the core of their relationship was damning enough: dean was made to take the place of john's wife—to comfort john and raise sam—while simultaneously being his son. the codependent nature of their relationship implies the incest that underscores their dynamic. again, this is regardless of what literally occurred between dean and john because there is enough doubt toward the nature of their relationship that multiple antagonists can use it against them.
sonwife, brotherhusband—dean is stuck in a liminal space between family and lover and is unable to put his feet firmly on just one side and instead has to accept both together or abandon both together. he doesn't get to have a relationship with his family without it being simultaneously incestuous. he plays the role of wife to john and mother to sam as mary's replacement; he therefore becomes more than a son and transcends the boundaries of the familial into the incestuous. it's baked into the dynamic and he can't hope to escape the liminality in which he's stuck without abandoning his entire family altogether.
this ambiguous relationship is further acted out with sam, where people perceive them as lovers rather than brothers; where their mutual devotion trumps, neglects, and disallows any other close relationship outside each other; where their physical closeness is viewed through an unusually sexual lens despite no literal sex acts between them taking place on screen. once again dean is stuck in a liminal space, paralleling the ambiguous and uncertain relationship he had with john.
in the end, sex (and sexual violence) is just a symbol of this codependency and uncertainly incestuous dynamic. sex acts in kripke era end up being symbolic: misinterpretations of sam and dean's relationship; accusations of sexual violence; literal, on-screen sexual moments between the brothers and someone else. it's a literary device that highlights the incestuous themes of the show. dean hand-picks women for sam to fuck because it allows dean to be symbolically part of sam's sex life. henricksen accuses john of raping dean because it is a symbol of the unhealthy, codependent relationship dean had with his father. the samulet stays on during sex because sam is symbolically integral to dean's sexual gratification (seen too in the way both dean and cassie in 1.13 appear to kiss the amulet at least once in the dark room). sex is used to signify more than what's literally on the screen, and the connections between the literal sex acts and the blurred lines of dean's familial relationships allow for a reading of incest between both john and dean and sam and dean.
it never mattered whether johndean or samdean had a sexual relationship in the canon because that was never the point. the point is the liminality that permeates the narrative. sam, dean, and john all stand upon a threshold between acceptable and taboo. the point of it all is the doubt and anxiety, the are-they-aren't-they that is never answered. the absence of incest within the text invites the understanding that the incest was, in fact, always there.
108 notes · View notes
thepoisonroom · 1 month
Text
'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
#this quote always moves me almost to tears when i remember it#i'm not a trans woman and i don't share the author's specific experiences with transition#but it really moves me that she frame transition as joyfully giving yourself permission to approach your body#not as something that has to be disciplined and deprived and made small in all these various ways#but as a means for experiencing pleasure and joy and delight and for insisting that our feelings and desires are worth#valuing and exploring and treasuring#i always used to think of prioritizing those things for myself as selfish and irresponsible#but who does it harm to want to experience pleasure in your own body?#it's such a beautifully simple and powerful switch to have flip in your head#and equally why are we forced to deny our own pleasure in transition and anything else related to our bodies in the name of moral rectitude#this is why i get so confused and pissed off when other trans people are fatphobic for example#like why are you so invested in politics of shame and disgust that never had any purpose other than#violently disciplining people as if they've violated moral codes by existing in a body#to say nothing of white people being racist in gay and trans communities#like again this system of violence is foundational to homophobia and transphobia#so why are you acting like it has nothing to do with you#even if you are unmoved by the urgency of other people's suffering which btw you should be moved by#what do you hope to gain by acting a collaborator and handmaiden to those systems#Casey Plett#she really is one of my favorite authors i wish more non-canadians read her#this quote is from a series of columns she did ont transition and every single one is a banger#i love when she talks about the people-pleasing elements of dysphoria and transition denial#she's so sharp about noting how many of us deny our own dysphoria on the grounds that others like and validate our bodies#that's how i always felt during my cis conventionally feminine era#it pleased other people so much and also that reception felt so hollow and joyless to me because i hated it#i get less of that positive feedback but that feels so unimportant next to the joy and pleasure i get to experience#said with the understanding that i'm very privileged in being able to prioritize those things without fear. but it was a switch flip#personal nonsense
105 notes · View notes
jellyjamheadobb · 19 days
Text
Tumblr media
90 notes · View notes
kjzx-art · 13 days
Text
Tumblr media
Proud sensei. First association I had when Marina pulled that thing in the Mayor's manor.
107 notes · View notes
waitmyturtles · 4 days
Text
Emotionally, 23.5 (episode 10) is like a cheaply made puzzle, where like, the edges are cut roughly, so like, you THINK that you have the right pieces next to each other, but when you smush them in, and they don't fit QUITE smoothly enough, you're like, oh maybe there's another piece, but like, you CAN'T find another piece that works, because like, the piece you have in your hand IS the piece that is the right one for the picture you're making, or like, you THINK it is, so like, you keep smushing the pieces together, and you THINK the puzzle makes sense, but you kinda feel like you have the wrong piece, or worse, you're MISSING A BETTER PIECE, because everything's NOT QUITE JIVING.
I hope this post made as much sense as the emotional journey we attempted to take with the script in this last episode. What the FUCK is this script doing to Ongsa? A little more context, some smoother edges, would be really helpful here!
56 notes · View notes
shit-sorry-fuck-mybad · 9 months
Text
Iceman and Maverick (enemies to lovers) and Hollywood and Wolfman (friends to lovers) have the most intense game nights
267 notes · View notes
readyforthegarden · 11 months
Text
aggressive reminder that both Jake and Josh struggle with dyslexia on top of their adhd, Karen has said so herself, and it’s actually not only rude, but incredibly ableist to mock the man’s captions over a grammar error. It’s literally on record that he struggled the most with it.
213 notes · View notes
aengelren · 5 months
Text
Tumblr media
A person who saught freedom beyond what reality could abide (honestly same)
124 notes · View notes
birdb1tch · 13 days
Text
“[…] when you realize porter and jace have always been kind of a due at the school” theyre hooking up!
41 notes · View notes
lesbianspeedy · 5 months
Text
"my life is important to me and what i do with it has to mean something. and all i want to do is help people. that's it. i want to help." who has two thumbs and is thinking about this line at all times 👍👍 this guy
Tumblr media
87 notes · View notes