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#what do you call them i need to know
frenchublog · 1 month
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poorly-drawn-mdzs · 3 months
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Laios's three Boy Best Friends. And yes, they hate him.
#dungeon meshi#laios touden#toshiro nakamoto#chilchuck tims#kabru#BF in this context could be boyfriend or best friend. The line is so blurry.#Chilchuck less so but whatever is going on between Shuro and Laios & Kabru and Laios is giving strong:#“dude if you were a girl I'd date the hell out of you”. And from the genderswap extra's that sentiment is canon for BOTH.#This was made prior to the translation of the Laios & Kabru & Shuro restaurant date comic and honestly I am just feeling vindicated.#I don't even know what to call this dynamic other than a situationship. There is so much going on between all of them.#Even on a purely platonic reading - the miscommunication and male yearning for friendship hurt so bad.#When we got the Big Hug scene in the epilogue arc I was whooping and hollering! Pure catharsis moment!#I also don't like hugs very much so I really felt it went Shuro ('hates being touched') went in for the bear hug.#Do not get me started on the agony of 'always lying' Kabru telling the truth (I just wanted to be friends)#and 'always believes' Laios thinking it's another lie and brushing him off.#I am once again supporting dungeon meshi day by posting art. Please watch dungeon meshi.#obligatory edit because I’m tired: YES. Chilchuck cares for Laios and him admitting it was a huge part of his arc#YES he is more just fed up with him that actually hating him.#I needed a third guy to be canonically done with his ass for the THREE WEED SMOKING GIRLFRIENDS reference
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confessedlyfannish · 28 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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deathblossomm · 6 months
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Neil shared this soapghost edit on his instagram stories
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Kinkajou!!! i miss her!
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inkskinned · 1 year
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this is sort of pathetic, but when you were younger, you were sort of puzzled by the cartoon representations of fathers: how a kid would be outside with a mitt, waiting to play catch.
it's not that your father never played catch with you, but you also didn't like when he did. something about a hard ball coming quickly towards your face doesn't seem exciting. not that you'd ever say you don't trust him. you trust him, right?
it's not like he never tried to teach you anything. or never tried to parent. on rare days, a strange person would walk in your father's skin. bright, happy, magnificent. this version of your father was so cheerful and charismatic that you would do anything to keep him. and this is the version of your father that would laugh and gently coax you try again. this is the version of your father that would break down the small elements of a problem and point them out so you have an easier time with them.
as a kid, those days happened more often. but somewhere around 11, you started being too much of a person, and he was often cross about it. when he'd try to sit you down to learn something, you spent the whole time with your shoulders around your ears, nervous, uncertain. terrified because you didn't immediately understand how to navigate something. worried you will run out of his goodwill and then you will have the Other Father back, and you will have ruined a good day for your entire family. something about you being visibly afraid - it just made him angry. he would accuse you of not wanting to learn and storm away.
on tv, it's not like there's a lot of versions of men-who-are-mostly-fathers. they can be good dads, but usually their stories are not told in the household. so it's normal that your father is there, but he's never around. you know he was in the house, somewhere, it's just not that you guys ever... "hung out". he just seemed to get kind of bored of you, annoyed you weren't made in his perfect image. frustrated with how much energy it took to raise a kid. over time, you kind of adopt a bittersweet band around your throat - he knows nothing about me. he says at least i never abandoned my family.
and it's technically - technically - true. he was there for you. sometimes he even made an effort and made it to the big moments; the graduations and the dance recitals. he grins and tells everyone that he taught you. it almost erases the days in between, where he complains because you need a ride to school. the weeks that go by where he doesn't actually ever speak to you. the times you say i am struggling and he says figure it out on your own. i can't help you.
and that's fine! that's all fine. you can call him if you are having a problem with your car. or if you need a ride to the hospital. he loves playing hero, he just doesn't like the actual work that comes with being a father. and you've kind of made your peace with that; because you had to, because you don't want to live your life like he does; the whole world at a managed distance, a little rotating and controlled orb he can witness and take credit for but never truly love.
as an adult, you are rewatching some dumb cartoon - and again, the child standing in the rain, with a mitt, waiting for their father to come play catch. as an adult, there's this strange creeping dread - this little thing? this little thing, and their dad can't even show up for that? oh god, holyshit, it's not about the mitt, is it. oh god, holyshit, your father spent most of your life leaving you hanging.
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bonefall · 5 months
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it is healing to come onto this blog and see basic respect for diasbility after being in other corners of the fandom and reading the words “snowkit could never be a warrior because he wouldnt know what anything is. he wouldnt even know what a clan is because nobody could explain it to him” said in full seriousness
Im..... That statement is so ableist I cannot even imagine the worldview you'd need to have in order to come up with that.
They really think the only way anyone learns anything is through verbal-speaking-words-noises? No one has ever observed something before? Not even once?
This is beyond touching grass, this person just fell out of the fucking Jurassic Period when all they had was ferns and stegosaurs.
I just...
OH YES. I remember my first day of Society Lessons as a hearing person, where the everything was explained to me. Via Audiobook. FIRST they spoke and said, "you are standing on the ground." It was a life changing revelation, and the world began to spin.
But it did not stop.
THEN they said, "there are fingers on your hands." The sensation of flesh and bone crackling into existence is indescribable, but I did not yet know pain, until they told me, "that hurts." I began screaming immediately.
And yet... it continued.
They explained so much. Chairs. Tables. Walls. The sky. Frogs. Ionizing radiation. Breathing. I was told all of it, in one sitting, and only then did I understand. Only when my ears were bursting with normal hearing knowledges, did they begin... my final test.
A strange wall-chair-finger emerged from the sky-of-the-wall, stood on the ground several times, until it was in front of me. A second one came behind it, this one slimmer. The audiobook gave these things names;
Human. Father. Mother. Door. Walking. It was completely impossible to know what these things were until that very moment.
I watch a human dip a hook into water and produce a fish, and I recall my Society Lessons where they called that "fishing." I am decked in the face by a nefarious hooligan, and I have only the audiobook to thank when I know I have been "punched" by a "bad guy." It was only the magic of verbal-speaking-words-noise that made me understand that there are "other people" and that they "do stuff."
Sometimes, even, in "groups."
Before the Society Lessons Audiobook, I knew nothing. I was pure, innocent, uncorrupted by concepts such as "parents" and "door." I am grateful every day that there is no such concept as "being shown things" or "simple logical reasoning" or "looking."
Blessed be those amongst us who escape the horrors of the Society Lessons Audiobook. I pray that you never learn what anything is. Be free! Free as a bird, which also knows nothing and famously cannot learn. 🤗
DEAF/HOH FOLLOWERS I'm losing my mind do you want me to bump a 'Hearing Disabilities Herb Guide' to the top of my priorities? Something you can use to bludgeon whackadoodles like that. This is ridiculous
Obviously not a MEDICINE guide but like; common causes of hearing disability in clan cats. Accommodations for hearing loss vs congenital deafness. Actual difficulties of not having that sense Clan-by-Clan. Debunking of misconceptions like... not being able to learn APPARENTLY.
#bone babble#Fennelposting#Obviously the answer is 'theyre incapable of THINKING' but like... they do know snow has a line right#In the book. He figured out. A word. Through observation.#He says 's'all right' because he knows it calms ppl down#He did not need to hear the magic words 'You can make noises at others to influence them'#Like a fucking tutorial tip#Im going to start keeping a JOURNAL of ''times people have been weird about snowkit specifically''#Ableism#cw ableism#I could also link to the pawspeak thing so it's all in one place#I wrote this last night and put it in the queue and I laid awake thinking of this...#What do they think happens when someone goes to another country where things aren't written/spoken in a language they know?#Do they think they wouldn't be able to figure out anything? Do they think the tourist would just perish#Would they collapse in the streets of Berlin sobbing?#Happened to me. Went to England and they called it a Car Boot Sale instead of a Flea Market and I died to death#AND if I did make that guide please tell me if there's any other weird misconceptions you need to see in it#I know that ONE of them is going to have to be that. like. deaf people make noise.#theyre actually quite loud because they don't know they're making noise#and people with hearing loss do not suddenly forget how to speak.#and people born deaf dont talk like cavemen#cw body horror#tw body horror#EDIT: OOPS sorry I have such an astonishingly tolerance for body horror I did not realize that counted as body horror
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messiahzzz · 5 months
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When I came across that "joke" from Tav to Quill and Z'rell's comment (plus Halsin), I had to take a minute to process what happened. Gale might be a bit silly and eccentric but he's the kindest, sweetest and most passionate character in that party. No wonder the poor man has deep insecurities to solve, so many people reduce him to an easy target! Ofc one of the side effects would be overconfidence and ambition as a defense mechanism. He's obv lonely; only Tara and Morena ever loved him for him.
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his eccentric nature might be a part of it. he is loquacious, outgoing, and doesn’t see the point in hiding his enthusiasm. he is considered to be the weird one. naturally, wizards in general being seen as somewhat squishy and physically weak might also add to it.
personally, i really don’t like the implications of the (widely considered) autistic-coded character being the one who faces the most ridicule by far by other characters and fans (and larian) alike.
some might disagree with me on that, but i don’t find it funny by any means either. mostly it just makes me feel bad. “he deserves it. cocky, arrogant, hubris-ridden wizard needs to be taken down a peg” like he isn’t… y’know… already at his lowest. it also disregards the fact that much of his bravado is part of his carefully curated Great Wizard of Waterdeep™ persona that he has skillfully adopted to mask his general feeling of being defective. being fiercely proud of your skill and knowledge and being doubtful of having something truly worthwhile to offer are mindsets that can coexist. according to fandom, gale is either secret hubris incarnate that is only waiting to be unleashed upon the world or pure baby that can do no wrong. instead of a character that is just as flawed and traumatized as all the others, but no less deserving of genuine love.
to me, the constant ridicule just reads as further feeding into his deep-rooted insecurities and his belief that he (as gale, the person) isn’t someone who holds inherent worth. it really, really doesn’t sit well with me.
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bericas · 1 month
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isaac & scott / mason & theo | sometimes all i think about is you
#twedit#twvid#scisaac#mason x theo#twrarepair#back on my scisaac masontheo parallel bullshit btw#back on my masontheo is just scisaac if they were True enemies to lovers bullshit. btw. if anyone was wondering.#like of course scisaac and masontheo get paintaking scenes. its enemies to lovers. ofc mason calls theo a bitch its FULL enemies to lovers#for clarity the hands at the rave and the masontheo hug r parallels to ME bc its touch with an excuse for it#scisaac can brush hands when theyre holding a needle between them and theo can hug mason when its a means to an end#the rest i feel r fairly straightforward but i wanted to share the vision for that one#mason hewitt#theo raeken#scott mccall#isaac lahey#tw#oh also the last shot is the last shot of isaac and theo respectively. if that wasnt clear.#like how isaac and theo both nebulously sort of Gone from beacon hills#and the theo shot also to me looks like footage from The masontheo ep 618. btw. which just brings me joy#actually i have more to say. hi. masontheo r just so.#you know how isaac kind of has. he has the awkward tenderness of someone who has never been loved and is forced to improvise#theo doesnt even have THAT!!!! scott holds out a hand and isaac takes it with an awkward fervor#mason keeps his hands to himself because he doesn't trust what theo might do with it and theo can only help when its helping himself#bc the tenderness will be TOO AWKWARD. so isaac says he wont leave without scott and theo says we need to find him so i cant leave you#so isaac grabs scott because scott makes him feel safe and theo can only grab mason when its part of a script bc thats how he feels safe#HELLO. IS THIS THING ON. DO U GUYS HEAR ME. SCISAAC IF THEY WERE TRUE ENEMIES TO LOVERS!!!!
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dazais-guardian-angel · 8 months
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Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.
When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?
Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?
I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.
I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.
An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.
So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.
Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡
#bungou stray dogs#seriously call me a clown and point and laugh at me if I'm proven wrong all you want#but I really feel like there's solid evidence for this#either s5 isn't gonna reach 109 at all (but I seriously cannot fathom where you would want to stop before then) or they'll go beyond it#if they really do end it with 109....... well i'll give Bones kudos for having the balls to do that ig lol#maybe i'm underestimating (overestimating???) them idk#also just to clarify I don't wanna make it sound like I think Asagiri let the anime/Bones dictate the manga's pacing#like I'm sure these were his/their (him and Harukawa's) own decisions first and foremost#not that (if this theory is true) the anime had a major impact on how the chapters were split and that it-#-would have been extremely different otherwise#i'm pretty confident in that Asagiri does not do anything with BSD he isn't comfortable with#and he doesn't let anyone tell him how to write his story#I just feel like he worked with Bones to make this near-simultaneous release happen#BUT if this is the case I don't feel like it had any major effect on the writing/final product that is the manga#like the last handful of chapters have been so incredible#so I at least am still perfectly happy lol#(i mean i'm devastated and a nervous wreck but u know 🫡 in a good way lmao)#anyway 110 in two days please let this theory be true because I need some fucking hope already#please let Oda show up as Dazai's guardian angel to help (see what I did there-)#it would be the perfect way to end the collective season that is 4/5 with s4 beginning with Oda and now ending with Oda#Asagiri are you reading me are you picking up what I'm putting down please please a ghost Oda is long overdue please-#Oda Verlaine Adam just GIVE ME SOMEONE ALREADY 😭😭😭#MAYBE EVEN A TASTE OF THE FYODOR BACKSTORY TO TIE INTO HIM BEING IN ANIME UNTOLD ORIGINS. THE POSSIBILITIES ARE ENDLESS
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spywhitney · 9 days
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How I sleep knowing I'll never trust anyone that hates Sydney but worships Richie:
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#the bear#the bear fx#sydney adamu#carmen berzatto#richie jerimovich#jk kind of#well on days I don't see or think about Sydney haters#under every damn comment section in this fandom is someone saying Sydney didn't take accountability#like I know we all have our biases but yall are really shameless about it#Sydney scored A LOT of Ws for The Beef AND The Bear#but one time she makes a mistake and justifiably walks away from a toxic work environment she's the devil#Richie worked at The Beef for years and Sydney did more for it in what less than four months than he did#on top of being a prick to Sydney in particular because she was changing things he wanted to keep the same#to the detriment of the restaurant but also everyone#and overall being unpleasant to Carmy#Nat and anyone that didn't find him funny or interesting or like his bs#pre-Forks Richie reminds me of those types of people that only listen to people that like them#and I love that because it's realistic to some ppl#I do like Richie#it just leaves a bitter taste in my mouth knowing there are people that hate Sydney#ignore her accomplishments only to raise up Richie#in the same breath when the actual show is showing you what's up#like you'd think there were different versions of the show with how these two are perceived#I get this weird need to defend Sydney when people shit on her because I wonder how often said people treat the Sydneys of the world#but that aside#In Fishes Richie mentions something about wasting potential at the beef#In Ceres it's implied he called the popo on the dealers after Sydney deescalated a situation Richie previously dealt with#in an unorthodox manner#he recognised he needed to change but still was an arsehole to the one person who was facilitating that change effectively Sydney#this show is great but people denying what they're seeing on their own screens is crazy
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renecdote · 24 days
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I’m gonna need Tommy to put his hand on Buck’s cheek at least one (1) time for the tenderness but also for ex-girlfriend parallel reasons
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fluffypotatey · 10 months
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no, your honor, you don’t understand. i need this specific scene to breathe. your honor, listen, listen, please, they’re everything to me, please, you have to understand—
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chiptrillino · 2 years
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hello! first of all, i love your art and you're a huge insparation for me. i have two questions:
1. do you have any more outfit design/concept sketches like you have with yue, herbalist zuko etc.? if you have, can you share them if it's ok for you?
2. have you watcher korra? what are your opinions of it if you did?
Oh, thank you! <3
about your 2nd question. yes, I watched Korra. I like it! of course, there are minor things I dislike. but… AIR NOMADS FAMILY (and I genuinely always liked Korra. idk she was funny and loud! and tbh I loved that she canonically ended up with Asami because that was my first thought when I met Asami… well that they should hold hands and kiss. yeah….)
about the 1st question. … yeah? not as much like doodled digitally. simply because most doodles happen on paper and then when I am home doing warm up and draw them more out properly.
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but these are layered! which is kind of fun because I can click on and off layers like a homemade dress-up game :D
I still do my doodles! sometimes… when energy is especially low… welp.
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oh well uh... -disapares again-
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aceghosts · 1 month
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Rooney Shepard (They/Them): RELIC AU
There are stranger things I've learned on the outside Separated by an open door I find it hard to reach the end of my timeline Salivating 'cause I wanted more Is this the end or is this the beginning? -Too Close/Too Late by Spiritbox
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squishe · 3 months
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im baffled about how so many people are suddenly shitting on transmascs for having the audacity to label our discrimination and making fun of terms like transandophobia and mocking us for talking about transmasc-specific issues and discrimination (which is a documented thing! and we have different factors intersect with our oppression than tma folks have intersecting with transmisogyny! and NOONE is saying that transandrophobia existing makes it worse than transmisogyny either!)
like what do you want us to do? are we just supposed to shut up and take it because us being afab means our problems are "lesser"? are we supposed to say that every other trans person has it worse so we can't talk about it anymore? what is the proposed solution here? mocking transmascs and harassing them and sending horrific anons to them isn't exactly a solid answer.
i genuinely truly don't understand why people are so upset about this and why it's such a big deal for us to label our experiences and talk about it when everyone was falling all over themselves to adopt new phrases when the terms transmisogyny and tma/tme started gaining traction. it's gross and weird. we're all siblings in the same fight here, infighting is pointless and a waste of energy. why are we trying to to beat each other down when this energy would be, y'know, actually progressive punching up and fighting the oppressive structures CAUSING these issues instead?
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