Today's piece is for four clarinets, featuring one on bass. The harmony is mostly flavours of lydian, which I have long held an association with freezing, icy, and otherwise cold sensations. Yet, the actual chorale texture and general richness to the voicings I hope can evoke a paradoxical sense of warmth.
At measure 8, the upper clarinets seem to abandon the patterened parallelism seen before, but the music here is actually the same! Instead of moving the three voices in parallel, only the note changes are played, and the tones that are constant across neighbouring chords stay in the same part instead. The result is two wildly different expressions of the same underlying music. You can see a clear example of this in the 4th and 5th measures from the end.
I love Beethoven Piano Concerto 5 so much it's so fucking joyful and giddy and the middle movement is gorgeous and the way it leads into the third is FANTASTIC. Honestly one of my favorite piano concertos of all time idgaf if it's "overdone" I will die with the Emperor Concerto.
I highly recommend listening to it on period instruments! (Historically accurate instruments) The piano is much smaller, and it sounds much more intimate and cute(?). Additionally, the brass and timpani sound much more raw and you can hear this super easily in the horns, as they don't have valves lmao.
I don’t mind taylor swift (although my mom’s convinced she’s a satanic worshiper, well according to her all the secular musicians/actors are so at least she’s consistent)
I actually liked some of the songs on TTPD but I wasn’t comfortable with the religious imagery she uses, at times it felt mocking
LOL, consistency is all I ask!
What a person is comfortable with is what they're comfortable with, and I'm certainly not advocating FOR Christians to listen to Taylor Swift--I think that's a matter of individual conviction. I'm not much of a TSwift listener for a variety of reasons not limited to her terrible worldview and frequent strong language. Nor do I think Christians should be naive when it comes to the secular, which hates God and His people.
That said, I want to invite everyone into my world of music.
When I was a teenager, I created a playlist called Sense of the Divine, a phrase which I borrowed from a talk given by Vic Mignogna, but which refers to a concept I was raised from infancy to hold close: Humans are made to glorify God and enjoy Him forever, and every human knows this.
My Sense of the Divine playlist included artists such as OneRepublic, Tonight Alive, Bastille, Bear's Den, and Panic! At The Disco, with lyrics such as:
and
and
(This is one of my favorite lines of all time.)
But eventually, I stopped adding to that playlist, because 80% of all music I now listen to contains some kind of religious language, imagery, allusions, illustrations, allegories, etc. Any time I am listening to music, I am thinking on spiritual realities: how are God and man conceptualized correctly and incorrectly in this song and by the artist? How have I encountered those misconceptions in my own life? My own heart? Where do they come from? How do they affect us? How can they be defeated?
Oftentimes, I'm asking, "How can I recontextualize this line in a way that is theologically correct?"; "How does this correspond with the themes of X Story?"; "How does this correspond with the themes in my WIP?"
If this sounds tedious to you, it's just second nature to me, like breathing. From childhood, my parents always asked us spiritual & worldview questions after any secular movie we watched or book we read, and yes, many songs we heard. I guess I've always assumed all Christians engage with media this way out of necessity, the only other option being to disengage with all media not written or distributed by Angel Studios.
Am I saying all Christians are equipped to regularly take in theologically questionable or downright incorrect content? No, certainly not. The discernment we receive from Scripture is a prerequisite, and I do draw the line for myself in some instances. But I feel it would be a safe bet that what most Christians miss in overtly religious poesy, they make up for tenfold in the covert philosophical assumptions (materialism, existentialism, nihilism, gnosticism, mysticism, scientism, etc.) found everywhere else, and which are arguably much more damaging to our relationship with God.
Abbi, our Ocean from Opera Wyoming, came up with western Ride the Cyclone. Rather than taking place in Canada, they’re all darn tootin Wyominites. Here’s a quick drawing of what I think Jane Doe would look like in this setting. She’s a Rodeo Clown doll