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#composer
composerinprogress · 3 days
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I’m having way too much fun composing this
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whencyclopedia · 1 day
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Ludwig van Beethoven
Ludwig van Beethoven (1770-1827) was a German composer of Classical and Romantic music; he is widely regarded as one of the greatest musicians to have ever lived. Most famous for his nine symphonies, piano concertos, piano sonatas, and string quartets, Beethoven was a great innovator and very probably the most influential composer in the history of music.
Early Life
Ludwig van Beethoven was born in Bonn, Germany, on 16 December 1770. His grandfather was the director of music (Kapellmeister) to the Archbishop-Elector of Cologne at Bonn and his father, Johann van Beethoven (c. 1740-1792), worked at the same court as both an instrumentalist and tenor singer. Ludwig's mother was a head cook in the palace. Ludwig had only two other surviving siblings, his younger brothers Caspar Anton Carl (b. 1774) and Nikolaus Johann (b. 1776). Ludwig's father was keen for Ludwig to develop his obvious musical skills but went rather overboard so that his eldest son spent so much time practising on the piano he did not have a lot of time left for all the other things children need to learn to become rounded adults. Johann was violent and an alcoholic, so there was not much that could be done against his wishes.
Ludwig's musical education continued at the Cologne court from 1779 under the tutorship of the organist and composer Christian Neefe (1748-1798). Ludwig impressed, and he was made the assistant court organist in 1781, and the next year, he was appointed the court orchestra's harpsichordist. Already composing his own pieces, Ludwig's work was catalogued by his teacher and a set of keyboard variations was published in 1782. Three of Ludwig's piano sonatas were published in 1783. In a smart move, Ludwig dedicated his sonatas to the Elector, and although he died that year, the next Elector saw fit to keep him on in the court orchestra.
In 1787, Ludwig was all set to go to Vienna where it was arranged he would take lessons from Wolfgang Amadeus Mozart (1756-1791). Although he made it to Vienna, when Ludwig's mother became ill, he was obliged to return home after only two weeks. Unfortunately, Ludwig did not manage to return to Bonn before his mother died, likely of tuberculosis. In 1789, Johann van Beethoven had descended deeper into alcoholism and grief so that Ludwig was obliged to take over responsibility for his family's affairs, which included controlling half of his father's salary. A second opportunity to learn from a master came in 1792 when Ludwig was given leave to study under Joseph Haydn (1732-1809), who was also in Vienna. The music of both Mozart and Haydn influenced Beethoven in the first stage of his career as a composer, as did the guidance of another teacher, Johann Georg Albrechtsberger (1736-1809), particularly regarding counterpoint.
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giaffa · 2 years
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unplayable scores by John Stump
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Bookcase made by Italian violinist and composer Niccolò Paganini (1782 - 1840) housing his famous library of Musicophilia
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regulusblqck123 · 20 days
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When I hear someone mention France I automatically think Regulus Black and Timothée Chalamet.
Regulus: why am I thought of when people mention France?
James: maybe cuz you speak French and have French roots.
Regulus: that doesn’t mean I am all of France!
James: you’re literally packing right now to go to France.
Regulus: I need to buy books in French.
James: why?
Regulus: cuz I need to read to my cat in French. No, James! All my favourite composers wrote their thoughts in French and I can only get the original versions of their books in France.
James: I thought you were going cuz you wanted croissants and baguettes.
Regulus: those to.
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ladycharles · 2 months
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I put out a new chill, dreamy instrumental, inspired by ancient mythology, Sappho of Lesbos, and the swirling emotions of limerance and fear when new love calls.
This is from a play called Nuit for which I am composing a soundtrack, a really cool combon of hilarious skits and breathtaking dance choreo. This is written for a dance between two Lesbian characters, a pivotal and tender moment where they realize their unspoken longing. Hope some of you can see it in Montreal this summer, seeing it with my partial soundtrack in the fall was one of my proudest musical moments 🎵🎶🎶
I know this isn't really a single, but I was excited to share and maybe it can be the soundtrack to your little moments. For fans of Air, Daft Punk, Wendy Carlos, Bowie, UNKLE, Foxes in Fiction, Brian Eno, Kate Bush, Locate S1, and more 💖💖💖
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canmking · 3 months
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M i l e s D a v i s
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postpunkindustrial · 8 months
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George Crumb (1929 - 2022) was known for his use of Graphic Musical Notation. Here are a few more
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hiromusicarts-blog · 1 month
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今夜は、マハビシュヌ・オーケストラを聴きながら。
ヒロオガワ - Composer, Keyboardist 4
音源は"Beth"を使用(アルバム Double Trapより)
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zhezhezha · 2 months
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yourdailyqueer · 4 months
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Kiete van der Laan
Gender: Non binary - Genderfluid (she/they)
Sexuality: Lesbian
DOB: Born 2000
Ethnicity: Dutch, Indonesian
Nationality: Dutch
Occupation: Composer, musician
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composerinprogress · 1 month
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for a game
not a space game
but it certainly sounds like one 🤷🏻‍♂️🚀🪐
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everyone shut up this is ACTUALLY what fans of different composers are like
Mahlerians are PROUD TO BE ABSOLUTELY INSUFFERABLE DRAMA QUEENS, THE LIKES OF WHICH EVEN THE WAGNER CULT COULD NEVER SO MUCH AS ASPIRE TO BE. WE ARE ONE WITH THE UNYIELDING EBB AND FLOW OF THE BOUNDLESS UNIVERSE, DAMN IT ALL!
Shostakovich fans are like Mahler fans except they actually understand what sarcasm is. We also all really like the Muppets for some reason. Most of us own cats and likely have at least one mental illness.
Liszt fans are either tweenagers who love anime or salty old pianists who know a disturbing amount about music theory. These two factions are constantly at war.
Copland fans are either very, very far right or very, very far left. Either way, neither side actually listens to all of Copland's repertoire.
Tchaikovsky fans are either Russian grandmas or LGBT orchestra kids on Tiktok. Either those or the one noob who heard there were cannons once.
Wagner fans. Yes, there are the cringey neo-Nazi Wagnerians, but anti-Nazi Wagnerians are a whole new level of chaotic good. They spend their time dreaming up the most disastrous, chaotic Ring productions possible, with the sole purpose of making Richard Wagner's entire family simultaneously spin in their graves. They take "death of the author" to a whole new level and constantly run on nothing but 100% pure spite. You want a Wagnerian who would beat up Wagner in a Denny's parking lot on your side.
Prokofiev fans will unironically say "ackshually...". That's it.
Dvorak fans are homeschool kids. They're either soul-crushingly innocent or devastatingly horny.
Sousa fans are just high school band directors who try to convince themselves they like Sousa to get through the semester.
Joplin fans constantly argue over whether Joplin's music should be played twice as quickly or twice as slowly than it's actually written. Also sick of hearing about Janis.
Chopin fans are exactly like Liszt fans, except there are 20% more "uwu softboi flowercrown" edits of Chopin than Liszt floating around on Instagram and Tumblr.
Holst fans will drag you into an alleyway and beat you up with their bare hands if you so much as mention The Planets.
Bernstein fans are either horny theatre kids or communists, but it's more likely they're both at once. They are very opinionated about recordings, and express their approval of the ones they like by gyrating excessively to them. If you put a Bernstein fan, a Mahler fan, and a Shostakovich fan in one room, they will either topple a national government or have a threesome.
Ravel fans are inherently Wes Anderson fans. You can be friends with one for years without knowing a single thing about their personality.
Schoenberg fans are like Mahlerians but with worse memes.
Brahms fans are... I have never met a Brahms fan. I'm sure they exist, but I'm pretty sure my own taste in music scares them off.
Paganini fans are almost always TwoSet kids, particularly the ones who try to convince people that "classical music isn't boring because it's basically metal." If you tell them Paganini played viola, they will spontaneously combust.
Rachmaninov fans are ultimately really chill, but are often socially awkward. If you ask a Rachmaninov fan "how are you?", they will most likely respond with "you too."
Schumann fans are Mahlerians on medication.
Stravinsky fans think they're chaotic and unhinged and listen to the most obscure underground shit, but in all actuality they just decided to enter their edgy phase after a lifetime of being sheltered and forced to listen to nothing but Handel by their parents. Possibly homeschooled.
Ysaye fans are like Paganini fans, except they're depressed graduate music students with permanent calluses on their fingers.
Debussy fans go to art school, decide they don't like art school, but have been doing art school too long to turn back, so they can't get out of art school. They may be high on weed at any given moment.
Satie fans are just possessed vessels of Erik Satie. Death cannot hinder Erik Satie. Erik Satie will return to this mortal plane. Search your feelings. You are already Erik Satie.
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giaffa · 2 years
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unplayable scores by John Stump
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youmegravity · 7 months
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Working on the jazzy evil villain theme for Cake Quest! This goofy little guy 🍰
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ongawdclub · 8 months
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T h e l o n i u s M o n k
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