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ev-pierce-writes · 3 years

Text

Doll

Pairing: Bucky Barnes (Winter Soldier) x F!Reader

Words: 7.7K

Rating: Very much 18+

Warnings: P in V, oral (fem receiving), light (consensual) choking, praise, James Buchanan Barnes is a sad boy and only you can make him happy, mutual therapy over past trauma, a couple light spanks, and some sexy sparring

Note: Reader had a run-in with Hydra that gave you invisibility powers. Bucky is tasked with training you. Totally not canon, I just kept the parts I liked. Got the idea from a tiktok but I can't find it anymore oops. I'm thinking of turning it into a series of all the places you can fuck Bucky Barnes at Avengers HQ. Enjoyyyyyy....

---

"Alright, so I'm thinking absolutely the first thing you need is a suit. Because we can't have you sneaking around in clothes that give you away."

Tony Stark and Peter Parker stand before you at Avengers HQ, furiously tossing ideas back and forth, trying to come up with ways to build you the best possible suit. Last night had been...interesting, to say the least.

"Who's that?" Stark had said when you appeared all of a sudden from your room. "Come on Agent Hill, don't tell me you're taking in lost kids nowadays."

Your mother had only laughed, slightly inebriated and feeling loose because of all the drinking that was going on in your penthouse apartment. She was hosting one of those parties where too many superpowers drank too much alcohol and got a little too rowdy. "That's my daughter."

Usually, you stay away from such events, go out with friends, and avoid the house until it's all over. For the past four years, you hadn't even been in the house to need to avoid it. But now you're 22 and a recent college graduate and something about the party was drawing you in so you had emerged from your hideaway to join in the fun.

"Alright, Maria, how'd you manage to keep that one a secret?" Romanov spoke up.

Until this point, you'd remained silent, in shock at the sudden attention a group of superheroes had focused onto you. But you couldn't help yourself from responding now. You'd managed to hide away long enough. It was time to come into the open.

"I'm a ghost," you said jokingly, approaching the couch and stealing the drink your mother had been drinking to take a sip. It was strong and burned on the way down. The group laughed at your words, unaware of how true they really were.

It was then that you'd performed your little trick, the one that only a few of your closest friends had ever seen. You became invisible.

The laughter had immediately stopped. The girl who suddenly appeared out of thin air had disappeared right back into it. They could still tell where you were of course. The glass in your hand remained visible, floating in mid-air, giving away your position. And your clothes were still perceptible, not being able to change with you. But your features were otherwise undetectable, not even a shimmer revealing your face. You took another sip of the drink, liquid disappearing into an invisible mouth.

"I want her. On the team," Stark had said.

And that was it. The start of your superhero career.

"Explain again exactly how this works?" Parker asks.

You sigh and start from the beginning, again. "I can distort the absorption wavelengths of my cells so that the reflected light is in the invisible range, usually infrared."

"And how long can you hold it for?"

"About seven minutes now," you explain. "It's sort of like holding your breath. You can go underwater for a while, and you can practice holding your breath longer and longer, but eventually, you need to come up for air. Eventually, I have to 'recharge.' But I've been working on extending it."

Stark turns to one of the many holograms of his supercomputer, working with Friday to design a brand new suit to accommodate your skills. You're so engrossed in watching his process you don't even notice the shadowy figure appear in the doorway that leads to the training facilities.

"How'd you get these powers? Agent Hill isn't lacking in skill but it certainly isn't supernatural."

You knew Stark's question would come up eventually. It always did. Over time, it became easier to tell the story, but now you really don't feel like explaining fully, so you tell the short version.

"Hydra. When I was seventeen. They used me as a bargaining chip against my mom in a mission gone wrong and decided to experiment on me in the process. Left me with a lot of scars and a lot of therapy. Almost dropped out of school."

You don't remember much from the experience. But enough for it to leave lasting damage.

"Hydra?" a familiar voice asks behind you. Only now do you notice that Barnes is behind you. How long has he been watching?

You remain silent, just like you did the night before when he'd arrived late to the party, unable to speak under his gaze.

You had planned to leave not long after you joined the festivities. But when the elevator doors opened, a pair of blue eyes halted you in your path. James Buchanan Barnes, the Winter Soldier. You'd recognize those eyes anywhere. Crystal clear and icy, freezing you under their gaze. He wore a leather jacket and leather gloves, concealing his metal arm, but you knew it was there, hiding behind the layers.

Barnes had always been the one that caught your eye during your mother's briefings. His transition from the greatest warrior Hydra had to offer, and thus S.H.I.E.L.D.'s greatest enemy, to the trusted companion of Captain America and official Avengers member intrigued you. At first, he had been more of a schoolgirl crush, the little girl grappling with her new powers seeking guidance in someone who didn't even know she existed. But age had not reduced your admiration of him. Barnes' face was hard set in serious determination and his glance barely grazed over you before turning to the rest of the group. He paid you not a single ounce of attention, yet you felt dumbstruck in his presence.

But Bucky had noticed you that night. Noticed you in a way he wanted desperately to hide, so he disallowed his eyes from lingering on you. Who were you and why were you wearing pajamas at a party and how did you make them actually look good?

And not only did he notice you, but he recognized you. He wasn't sure how, but something at the back of his head buried beneath decades of blurred half-memories told him he knew you. It was a stupid thought, though. How could he know you?

From the doorway, his eyes narrow in concern, making you feel smaller than ever beneath him. How is that 5 o'clock shadow so enticing? You just want to run your fingers across--

Stark gestures at Barnes, completely ignoring his comment. "Good, you're here. Our young Agent Hill needs to get started with her training immediately. I want her in the field but she can't be going in inexperienced. Teach her the works."

It's rather bold of Stark to assume you have no combat skills. And to assume you even want to go into the field. But you follow behind Barnes in silence anyway toward the training facilities. It doesn't matter what you know and don't know. He's going to kick your ass anyway.

"Feet wider," he says, coaching you on your swing. His blue eyes have somehow darkened, and along with the faint beard, he looks positively dangerous. "Not too wide."

"I know how to punch, Barnes," you whisper under your breath. He's not meant to hear your words, but he does anyway.

"Oh yeah? Punch me then. Go for it." His voice is challenging in the way that reveals he knows he could block any swing that comes at him. But he wants to see what will happen. Your mention of Hydra loosened a memory in his brain somewhere, and though he can't quite place his finger on it, the memory told him you're anything but the kid he's treating you like. He wants to know what you really have inside you.

Your annoyance gets the best of you. You aim for his face, the way your mother taught you. And she taught you well, teaching you all the self-defense skills you might need moving through the world as a woman. But she did not teach you how to fight super soldiers. That's an entirely different world.

Unsurprisingly, Barnes predicts your move and his metal arm comes up to meet your human one, halting your punch mid-swing. His palm fully engulfs your fist, your knuckles slamming into the metal with a ringing sound.

"Fuck, that hurt," you seethe through your teeth, gripping your hand in pain. And yet, you still smile. You mean for your words to sound irritated, but they betray how much you enjoy getting a swing in. "Didn't have to do me like that, Barnes."

He ignores your pain, though secretly it pleases him to find how much force is truly behind your punch. Nothing, of course, his metal arm can't take, but strong enough. "Language, kid. Go again. And this time, try not to be so obvious."

Despite his advice, it's impossible. He predicts every one of your strikes and counters them with four times as much strength as you possess. You give him everything you have, and nothing lands.

"This would be a lot easier if you let me use my powers."

So far, Barnes has refused to let you fight invisible, not that it would have done you much good without a proper suit. But you're tired and sweaty, your hair falling from its ponytail and sticking to your face, your muscles aching and your heart beating fast. Barnes hasn't even broken a sweat.

"Unless you learn to fight without your powers, they'll do nothing more than level the playing field. You need to be at an advantage if you're going to survive."

Survive. You've done plenty of that already. You want better than survival. Barnes recognizes the look on your face, the one that expresses the desire plainly. He knows the feeling, drifting from one day to the next and wanting more than that.

His voice softens a bit. "We can call it quits for the day. Get some rest. We'll go again tomorrow."

He didn't intend to be so kind. It just sort of happened, drawn out of him by the not-so-innocent girl who still has a lot to learn but can hold her own better than most.

---

Tomorrow. Tomorrow's8 like the day before, 9 am at HQ, wait for Parker to get his ass up the elevator so Stark can begin, get sidetracked by coffee, and then finally return to the task at hand.

"Give this a shot," Stark says, handing you what looks like nothing more than a vaguely human-shaped paper suit. "Not exactly protective, but it's a new technology. Should conform to your abilities."

"You did this overnight?"

"Of course. Get changed."

The suit has little support and definitely no protection. You feel like a fingernail could rip a hole through it if you pull on it wrong, let alone a knife coming at you from an angry enemy. But it's a start. An impressive start. You stare at yourself in the mirror of the bathroom as you shift, the suit shifting along with you.

Back in the training facilities, where you know Stark and Parker will be waiting, you remain in your shifted form. They don't look up as you enter, somehow having not heard you, and instead are engaged in a heated discussion with Barnes about something you don't understand. So you creep up behind Parker, lean in, and whisper into his ear.

"I think it works."

You feel a little bad, but only for a moment. Parker jumps straight out of his skin, screaming a scream you didn't know was possible from the kid. Stark lets out a laugh as you rematerialize, and Barnes even cracks a smile at your prank.

"Yeah, yeah, I'd say so." Parker's voice quivers.

"Well, what do you think?" Stark asks.

"Very thin," you say, aware that much more is visible than you really want. "I feel like it's going to rip at any moment. And there's not a whole lot of support in this area."

You gesture vaguely at your chest, not knowing how best to explain to a group of men that a sports bra is a necessity for fighting, but knowing you have to make them aware all the same. You can feel Barnes' eyes on you, a little less polite than the others, and you find you like the way he eyes you up, a bit like a puzzle to be solved or a strategy to be devised.

"Right, right, I'll get on that. Only a prototype anyway," Stark responds nervously. "Back to work, Parker. Hill, Barnes, back to training."

Bucky tries his best not to picture what you might look like without that suit, but it leaves little to the imagination as you saunter away to change again.

And so the days move forward. You've never before been so busy or exhausted in your life. You just graduated college, which is a feat in itself, but all the training, all the work, keeps you on your toes so that by the end of the day, both your brain and your body are tired.

Still, you improve and get better at sparring Barnes, even taking him down a couple of times on your own, though you suspect he's going easy on you.

"Again." Barnes is already on his feet and helping you to yours. Today the sparring room is particularly warm, and you've long forgone your sweats for shorts and a sports bra. Barnes has lost the shirt as well, and his chest glistens with sweat beneath the fluorescent lights. Maybe it's the heat or maybe it's him, but the whole thing feels a bit dreamlike. Here you are, sparring with a man who could take you to the ground with one arm alone, and he's letting you kick his ass every once in a while.

But there's no way you can do it again. You feel destroyed by all the slamming onto the mat.

Barnes is doing his best not to be distracted as well, but those tight shorts and the top that reveals your midriff have to be on purpose. It's easy to admit to himself that he likes you, might even be attracted to you. You fight hard and relentlessly, rising to every one of his challenges and not backing down even when you're tired. You've already come a long way since that first encounter, and Barnes has come to look forward to the two hours a day you spend together in the gym. He had tried to tell himself it was the fun of having a new sparring partner, but in truth, he knows it's the determined glint in your eyes, the way you bounce on your feet in excited anticipation of the fight, the way you collapse on the mat after a hard session, chest heaving deep breaths in and out. But what he likes most is your heated gaze when he pins you to the ground, or even better, you pin him.

"Knock me down one more time and you can be done," he challenges. The familiar determination returns, though a flicker of doubt remains behind your eyes. He can tell you need encouragement. "Remember to use your size to your advantage. Don't let me get ahead of you. Keep me guessing."

You do your best. You really do. You hold your own for almost two minutes, but it's obvious you're only barely staying ahead of him. As soon as you falter, Barnes has you flat on your back on the mat without much resistance, immobilized by a knee on your thighs and his metal arm trapping your hands over your head. His free hand plants by your head and holds him up to prevent him from actually hurting you.

You gasp underneath him, trying to disguise the weird flicker of desire with breathlessness. He looks good from down here, all sweaty and dark and serious. But you're also a bit too tired to care. "I'm out, Barnes. Let me go."

Let me go. Please.

And that's when the memory returns. The full, real memory, the one that has been tickling the edges of his brain since he first saw you. You, a kid, his mission. Kidnap, don't kill. A small voice, your voice, begging. Please, let me go. What has he done?

"Fuck," he curses under his breath, standing up quickly.

"Language, Barnes," you say teasingly. But he doesn't laugh, simply exits the sparring room, abruptly leaving you, speechless and alone on the floor. What just happened?

After a moment of confused silence on the mat, you brush it off and stand, heading to your room for a shower. Stark offered you a place to stay at HQ, and you happily agreed. Though you loved being back with your mother after four years away at college, you cherish your independence. A room at HQ offered you just that.

A nice shower would certainly make you feel better after that confusing interaction. You pull on your robe and shower shoes, leaving your clothes behind so as to carry one less thing. But as you pass down the hall toward the showers, you can hear Barnes' voice drift through the slightly open door to his room.

"I remembered," he says. "It was her. I'm the reason she's--" He cuts off, appearing to be interrupted by whoever he's talking to on the phone. You pause by the open door.

"I know that's not me anymore but I'm still responsible," he continues. "I have to tell her."

Again a pause. By now it's apparent he's talking about you.

"No, Steve, we aren't a team. We aren't partners. I'm helping Tony out. I don't care if she doesn't want to work with me anymore, this is part of my redemption. I have to tell her."

The conversation seems over. You rush to the showers, not wanting Barnes to realize you were listening the whole time. Apologize, he said. Apologize for what? You've known him for a whole of four days and he's been nothing but polite to you. Cold, at first, but he warms upon acquaintance. And then he's downright sweet.

So sweet, you realize, for someone so damaged. He has every right to hate the world, and though he walks through it with a healthy dose of cynicism, he never lets that cynicism touch you. If anything, he's outright positive around you, an undeserving brat. A kid, really, though you don't like when he calls you that. You know you can be naive, positive on the verge of artificiality, and yet he never tries to burst your bubble. In fact, he seems to relish it.

The shower feels nice, but it does nothing to assuage your fears. Maybe it's you who has done something wrong? Now you're spiraling. You have to find out what's going on or it's going to drive you crazy.

You know what you have to do. You have just about seven minutes of invisibility before your shifting gives out. In those seven minutes, you can duck from the showers, sneak into Barnes' room, snoop around, and make it back to the showers unseen. Plenty of time. But you have to go nude. Now would be a great time for the suit, but no such luck. Naked it is.

Out in the hallway, all is quiet. Barnes' door is still ajar, but when you peek your head in, the room is empty.

Easy.

Where to start? His phone is a dead end, being one of those ancient flipping kinds rather than a new, high-tech smartphone. He has few personal belongings, the bed is made perfectly, and his closet contains only clothes.

The drawers of the nightstand are empty. Or nearly empty. At the back of the top drawer is unceremoniously shoved a small booklet with a pen stuck between the pages. It's worn and supple, as though held a thousand times and read a thousand more. You flip through, finding a list of names, some crossed out, others not. Your name does not appear, but something about the list tells you these are not ordinary names. These are the names of his victims, people Barnes hurt as the Winter Soldier. Your heart aches and your stomach clenches, the reminder of his past jarring against the kind demeanor you've come to know. But deep down, you know this isn't him, know he's a good man, despite it all.

You know better than most the first-hand horrors of Hydra's super-soldier experiments. Of anyone, you can relate best to the experience Barnes has been through. Your memories of that long week are blurry, but the pain remains, forever seared into your mind. You can only imagine a lifetime of that pain.

The sound of the door opening jolts you from your reverie and you close the drawer quickly. But you soon realize your mistake. Barnes would know he left the door open, would know exactly how he placed his book in the drawer, would recognize something was off. Unfortunately, you're right.

"Hello?" he calls into the darkening room. The evening is coming on fast and the sun dims to barely glimmer, casting the space in shadow despite the large windows on the south wall.

Bucky knows something is off the moment he finds your room unoccupied, having gone there with the express purpose of confronting you about his actions earlier in the afternoon. And though he has no way of truly knowing, he suspects you are now here, in this room with him, invisible to his gaze. Bucky shuts the door behind him and waits.

You're trapped. You don't have long before your powers give out; already the suffocating feeling that begs you to take a breath is coming on. And Barnes has closed the door, effectively sealing you in, as you can't open it without him knowing for sure that you're here. On top of that, you're clothingless. You've run out of options and Barnes seems to sense this. So, he waits, drawing out the moment of tension, building the suspense.

"I know you're here," he says finally, his voice soft and barely audible. "You can't hide that well. Next time, dry your feet off before you go leaving wet footprints all over the place."

Oops.

"I--" you begin, and immediately Barnes' eyes snap to where your voice originates from. "I'm sorry. I overheard your conversation with Rogers. I shouldn't have but I know it was about me."

Barnes sighs, shoving his hands in his pockets. "Yeah, you're right. I have some things to explain. Though I'd much prefer talking to you if I could see you."

You hesitate. "Only a slight problem there. I'm not wearing any clothes."

If it had been any lighter in the room you would have seen Barnes blush. Instead, you watch him pull his shirt over his head. He hands it to you blindly, the shirt off his own back, soft with wear and long enough to cover the tops of your thighs. It smells of him, salty with sweat and sweet with the scent you've come to recognize only as him. You shrug it on and shift back.

"I'm sorry," you say again, having trouble concentrating with Barnes' bare chest at your eye level. Is that an old bullet wound on his shoulder? The reminder of a knife across his stomach? You can't look away, even at the seam where man meets metal.

Barnes shakes his head. "No, I should be the one apologizing."

He pauses for a moment and tries to begin several times before finally forming a complete sentence.

"It's my fault you're like this, that Hydra tested on you. It was me who kidnapped you, it was me who followed orders, it was me who completed the mission and got you hurt. And I'm so sorry."

You're so frozen in shock that the absurdity of the situation doesn't even register. There's nothing under this shirt, no underwear, no pants, no bra. And here you are standing in the bedroom of your greatest inspiration, listening to him apologize for being the one that facilitated your kidnapping, for being responsible for all the injury, the pain, the nightmares, the isolation, the...

It all comes flooding back, the things you had forgotten, or simply chose to not remember, and one of those things is his face.

You thought you'd dealt with impact. So many hours with a therapist, and you realize all you did was suppress the feelings, not confront them. And then you break, all the anger and sadness and frustration flowing from you at once.

"You piece of shit." Your voice begins as a whisper but soon amplifies nearly to a shout. "You monster, you bastard, how could you? How could you?"

All this time you forgave him for the damage he'd done, excused it as brainwashing and manipulation from Hydra. But now that it's you he's involved, you have somewhere to direct your anger, and you take it out as a shove straight to his chest.

He didn't expect that one. The words he understood. He accepted those, accepted that you would hate him forever. But then you're pushing and hitting him with all your force. Barnes could fight back, could hold his ground. But you need this, so he lets you shove him into the wall with a newfound strength. Finally against the wall, with nowhere left to go, you turn to pummelling his chest with your fists, repeating the words over and over, how could you, how could you, how could you.

For a moment, he lets it happen. But eventually, Barnes reacts, grabbing your wrists and holding them to his chest in an attempt to calm the fury that rages inside you. Surprisingly, at his touch, you still, slumping against him once the anger is replaced with nothing but sadness. That anger, one you never truly realized you'd harbored since your capture, bled from you all at once, leaving you exhausted.

You don't notice you're crying until a soft thumb wipes a tear from your cheek. Barnes releases your hands and wraps his arms around your sobbing body, pulling you close. "I'm so sorry," he repeats in your ear, his words a whisper against the rage inside your head.

Is it hours, or only minutes, standing like that, wrapped up in him, his skin so soft against your cheek? Time has ceased to exist, melting into the nighttime that encompasses the room in near pitch-black darkness. Your breath calms, your heart rate slows, the tears dry. He's only a man, a broken, misplaced, lost man. But he's also impossibly kind to you, caring enough to train you day after day, to pick you up when you fall down, to ensure you're happy here at all times. That's the man you know and rest your cheek against and seek out for comfort in this moment, despite him being the reason for your anger. But he's not truly the reason for your anger, only an easy outlet standing right before you.

This is not how Bucky had expected this to go. Perhaps to never see you again, yes. But to hold you in his arms, certainly not. And not just hold you, but comfort you. It surprises him how much he finds he likes it. And he can't ignore the fact that you're here in his room, wearing his shirt and only his shirt. He doesn't try anything improprietous, just wraps his arms around your waist, but it's not lost on him that your supple chest is pressed against him and the delicious scent from your still wet hair is filling his brain with a flowery cloud. His stomach clenches at the thought of burying his face in that smell for the rest of the night but he pushes it aside. That's not why you're here. That's not what you want.

But your next words surprise him. You pull slightly away, tilting your splotchy face upward towards his to look him in the eye. You take a ragged breath and speak.

"I forgive you."

Bucky is taken aback. That's not why he made this confession, not to seek your forgiveness. "You don't have to do that."

"I know. But I do. And I know you think I'm just a kid--"

Barnes lets out a short laugh, cutting you off immediately. "Jesus Christ, that's not true. You're not a kid. You're smart and strong and capable. And you've seen the ugly world for its true self and choose to remain good and happy all the same. I'm not like that and that makes you wiser than I'll ever be."

He takes a deep breath, unsure if he should admit to the feelings he desperately wants to express to you. The way you're looking at him, with a mixture of hesitation and admiration, makes the words tumble from his mouth without a second thought.

"But somehow being around you makes me want to be good again. Not for my sake, but for yours."

"James, I--" You've never used his first name before, but it falls deliciously from your lips, the sound of it nearly distracting him from the finger you run across the stubble on the cleft of his chin. Nearly. He captures that hand in his own, holding it there against his face.

"You don't have to forgive me. I don't deserve it," he repeats, eyes falling shut to the feeling of your thumb pressed to the corner of his lips. He still holds you close, the other arm wrapping tight around you, and though verbally he rejected the comfort your warmth offered, his body says otherwise, desperate for the acceptance his brain refuses to give into.

"Stop punishing yourself," you whisper. For a moment, he almost feels that he could.

And when your lips find his, soft and delicate, he forgets why you're even here in the first place, forgets his guilt and your anger, forgets even to react.

His lack of response has you pulling away, worried you've done something wrong, but then he's chasing your lips with his own, leaning forward to meet you halfway, gathering you impossibly tighter to his chest. He pauses, mouth mere centimeters from yours, eyes still shut, a deep breath heaving from his chest. He wants more, wants to kiss you again in all the places that count, but he can't quite yet.

"What was that for?" The question's not an accusatory one but simply curious. Have you always looked at him in this light since day one? Has he just not noticed?

"Are you blind, Barnes?"

He laughs and shakes his head. "None of that last name shit, doll, we've moved on to a first-name basis."

But your words are enough to surge him forward, this time capturing your lips in a dominating kiss that leaves you gasping for air. He takes advantage of your open mouth and presses his tongue to yours, seeking to fill his soul with your all-consuming warmth, to wrap it around him like a cocoon of your scent. His fingers slide down your back and slip under the shirt you wear, his shirt, grasping at the bare skin of your ass, filling his hands with your supple flesh.

You moan softly under his touch, relishing in the feeling of being encompassed by someone so large and so strong. The vibranium arm, which you expected to be harshly indelicate against your relative fragility, caresses you with the same gentility of the other. The intense contact sends your heart racing like it did all the times you were pinned below him on the sparring mat. Will he pin you like that in bed? Hold you down while he fucks you within an inch of your life?

The thought rouses a heat between your legs and stirs butterflies in your tummy. You don't even know if that's where this is going, but it invades your brain anyways. You're sure Barnes can feel your racing pulse beneath his lips when he kisses your neck, sending your nerves haywire as he creeps toward the neckline of your shirt. He inhales your scent, the hot air of his breath fanning your cool skin.

Everything about this is sloppy, the wet kisses dragged across your skin, his tongue tangled with yours, your fingers tugging at the hair that brushes the nape of his neck. Even his hips against yours are messy and rough, the heat of him leaving your core feeling slick, the wetness of it rubbing between your naked thighs. And then Barnes is sliding his hands back up your body, this time under your shirt, and tugging it over your head, his lips leaving your skin just long enough to toss the item to the ground.

You expect him to keep surging forward, to lift you in his arms and take you to bed like you want him to. But he pauses instead, hands cradling the back of your head, his eyes staring intensely into yours. Or you think he's staring into your eyes.

"Are you okay? Is this okay?" His voice is full of concern but raspy with arousal all the same.

"Yes, James, yes, I need more."

"Well, I would, it's just that you've disappeared on me again." One look at your hands and you know he was looking right through you, not at you. The swirl of emotions--pleasure, arousal, timidity even--sent you shifting without your knowledge. You can't help but laugh.

"Let me see you, doll," he groans, sounding exasperated that he can't rake his gaze across your naked flesh or find all the places he wants to touch you because they're invisible.

"You first."

A heated understanding lights up his eyes, still vibrant in the darkness of the room. Slowly, he releases his grip on you, relenting to not knowing where you are in space. You take an invisible step back to get a better view of the specimen before you. With one hand, he unbuckles his belt, sliding the leather from his pants and dropping it to the floor with a thunk. And then his pants are gone and he's left in his boxers, tight against the bulging muscles of his thighs.

And other bulging things. He doesn't hide his attraction to you. But still, you do not reappear.

Bucky begins to worry you're never going to, that maybe he's taken things too for. But then, a soft finger trails across his neck and he jerks in surprise. You're tracing the plain of his chest with a feather-light touch, dipping into the indent between his collarbones, feeling along the puckered scar of a bullet wound and the long slice of a knife. He feels healed beneath your touch, but it's not enough to satisfy the insatiable hunger building in the tightness of his groin. This entire evening has been a long, drawn-out, build-up of tension, and if he doesn't release it soon, it will snap like an overstretched rubber band.

He makes his move.

Apparently, Bucky's senses are just as perceptive here as they are on the sparring mat. His metal hand shoots up and wraps around the wrist of the hand on his chest, despite being unable to see it. The other reaches out and grapples at your invisible body in the dark, somehow finding your waist. He doesn't need to see you to manage to flip you around and press your back against his chest. In your surprise, your invisibility falters, and you flicker out of your shifted form with a flustered squeak, one hand suddenly pinned between your back and Bucky's rock-hard chest.

He holds on with an iron grip and walks you toward the bed, holding you up to prevent you from tripping in your ruffled state.

"You're taking too long, doll," he mumbles into your ear, and you feel his chest rumble with the vibrations. Your free hand flies to the one around your waist, which is slowly creeping upward toward your breast to twist at the sensitive nipple. "I know you like it when I pin you on the sparring floor. I can see it in your eyes. I'll take you like that right now if you give me the word."

Fuck, you want nothing more but you can't breathe enough to get the words out, opting for nodding vigorously instead. But Bucky wants words, gently prodding you forward to get a verbal commitment out of you. He will never take you against your will again. So you manage a long, drawn-out please and suddenly you're face-first in the sheets, bent halfway at the waist, your ass grinding against the delicious bulge pressed against your aching cunt. It pleases you that he has been thinking the same wicked thoughts as you when he slams you to the mat over and over again in training.

Bucky pulls your arm out from underneath you, joining it with the other and holding them together with his metal fist at your lower back, forcing your chest further into the mattress and your ass higher in the air. There's no way for you to move, no matter how hard you try. But you don't try, won't try. Bucky has you right where you want to be.

"Tell me if it's too much," he murmurs in your ear and you breathe an affirmation. His teeth nibble suddenly at your ear lobe and you squirm, the sensation of his breath fanning your skin sending goosebumps along the trail of kisses he leaves down your spine. Somehow, you know this is only the calm before the storm, the gentle caresses of a man who's about to rearrange every organ in your body, all the way up to your heart if you aren't careful.

It doesn't matter to you that it's pitch black in the room; you wouldn't have been able to see anything with your face shoved into the comforter, even if the lights were on. But Bucky's starting to regret having left the lights off, wishing he could better see the curve of your hips, the swell of your thighs, or the bloom of his handprint on your ass when his hand comes down with a smack. He resigns to being satisfied by the mewling gasp that escapes your lips and your soft pleas to Do it again, harder.

So he does. Smack.

And then he's sinking to his knees and you can tell because he leaves a wet stripe of skin with his tongue over the globe of your ass and blows a shock of cool air across the rawness of your skin. He replaces the sting of his hand with the bite of his teeth and then a kiss to soothe you again. The rollercoaster of sensations has you moaning against the mattress and rocking your hips toward his face and Barnes chuckles at your movement, your actions giving away the desperation you feel to have his tongue move to more sensitive places.

He is happy to oblige. You hadn't even noticed you'd been squeezing your thighs together until he slid a hand up between them, forcing them apart. It's a blessing your legs aren't doing any work to keep you up anymore because they feel like jelly under his touch. The hand between your thighs moves higher still until you feel his thumb pressed to your sensitive clit, warm and twitching with anticipation, desire coursing through your veins and dripping from your wet cunt. Your ears barely register that he's speaking, the blood is pumping so hard in your ears, but his words are exalting.

"Look at you, so wet for me." The hand around your wrists tightens just slightly. You are surprised by the extreme control he has over the cool metal fingers, and you almost wish he'd use those on you instead. And then he says, "you like it, don't you, doll, being at my mercy," and you forget all about the arm and decide it doesn't matter what hand presses down with a gentle strength on your clit as long as he doesn't stop. And he doesn't. Doesn't move, doesn't flinch or twitch or falter, just holds steady until your gasping mewls die down just enough for you to say, "yes, all for you, all for you, all..."

With those words, his thumb slips, between your slick folds into your pussy, finding the soft spongy flesh and pressing down again and you cry out with a careening moan that tapers off into a silent sob. He's taking his time, picking you apart, pulling at the laces that bind you together, and undoing them to release the tension he knows you harbor. But what about him? Is it not torture for him?

You breathe in a rough gasp, enough to squeak out a few more words. "I thought we were going too slow for you."

He laughs, he actually laughs, at your words, but relents.

"I hear you, doll."

I hear you. Oh wow. His tongue replaces his finger and you lose all coherence, able only to blubber some iteration of his name as the smooth muscle traces circles around your clit, finally allowing your orgasm to build with a steady contraction in your pelvis. Barnes moans between your legs like he's never tasted chocolate or buttercream or any of those other wondrous flavors and there's only you. And that moan sends you overboard, the vibrations diffusing down your legs and you tremble into your first orgasm. Your first orgasm.

He keeps going, riding out the waves of your high until you're crying that it's too much, James, too much and he pulls his tongue away from your oversensitized clit only to move down your legs. He's working you up again, teasing the smooth skin of your inner thigh with gentle nips and kisses until your body is craving release again, your cunt clenching around nothing but the memory of his mouth. He is deliberate in his ministrations, methodical in the way he must be with his missions. The flood of your first orgasm has dripped steadily down your thigh and he cleans you with his tongue, dragging upward along the sticky trail of your musky release until his tongue makes contact again and he pulls an orgasm from your desperate body once more.

He still hasn't released your arms.

"You know how long I've wanted to do this?" he groans, as you shudder again into the pleasure of his touch. He kisses back up the length of your spine while you twitch under him, his free hand dragging shock wave after shock wave from your cunt. It strikes you that this man is truly 106, not 26 like his body suggests, and you absentmindedly wonder if that's why he's so good at it, that he's had years to practice. And then his cock is pressing against your folds and you forget the notion halfway through thinking it. "You're so good to me doll, so good for opening up for me. Wanna feel your tight pussy around me."

You push backward, or do your best to without the employment of your arms, wanting desperately to feel him inside you. He is warm and all-encompassing and part of you thinks his cock spilling his seed inside of you would complete you like nothing else. But you know that's a bad idea and you can hear him already unwrapping a condom (where did he get that from?) and your body trembles with the anticipation. You haven't even seen him yet but you know he must be big, the way he grunts when the tip of his erection teases your entrance.

When he enters you it isn't gentle like the stroke of his tongue. It splits you open with a rough thrust, the laces of your heart fully undone and releasing you from their confinement. You choke on your own air.

And then he's releasing your arms, and before you can react, Barnes has you lifted, your back to his chest, your knees shoved roughly into the mattress so he can stand and fuck you from behind. The metal arm finds your neck and forces your head back, his lips dragging hot against your soft skin and muttering filthy praise into your ear, his hand gently on your throat to hold you there. Your hands fly to his, not to pull him away, but to convince him to squeeze, just a little bit harder. The pressure is grounding, and then the hand around your waist is trailing toward the bud of your clit and rubbing in urgent circles and you let out a silent gasp as he thrusts into you at a pace astounding for the position you're in.

You come hard, over his hand, around his cock, and for the first time Barnes falters, stunned by the intensity with which you clamp around him and if he hadn't made you come two times already he might have held out a bit longer to pull another one of those stunning orgasms from your slick cunt. But you're sagging, using him to hold you up against the exhaustion of repeated abuse so he releases, riding the wave of pleasure you started. Bucky groans out your name, surprising you with the gentleness of it on his tongue despite the rough hand around your neck.

When he releases you softly back onto the bed, you sink heavily into the mattress, feeling high on pleasure and drunk on his hands. He pulls away and shuffles around the room, and if you had had any energy left you might have complained at the loss of him but as it sits nothing will rouse you from the intense desire to simply fall asleep.

He continues to move about and then... the lights go on? You groan at the harsh treatment of your eyes as they adjust. But Barnes returns and pulls you against him and apologizes for the rude awakening.

"Sorry, doll," he mutters. "Wanted to get a better look at you." His fingers glide along your back and his face nuzzles into the top of your head, breathing into your hair as you press your forehead into his chest. Despite being exhausted himself he trails his hands all over your body, exploring the side of you that has been shoved into the sheets for the better part of the evening. You let him, although your nerves feel fried and oversensitive to touch.

"Watch what you do with those hands," you giggle as his fingertips brush over a nipple, "unless you're ready to go again."

"Already looking forward to next time?"

"You wish," you tease, but already you know for certain that there will be a next time.

#bucky barns x reader #bucky barnes #winter solider fanfiction #bucky barnes smut #winter solider smut #definitely not canon #i refuse to believe steve went back in time for some 1940s kitty kat and left his best friend behind #tony and nat are alive bc they are the only truly valuable characters #sebastian stan #also youre the daughter of agent hill #bucky fanfic #bucky x reader #winter soldier #wEiNeR sOlDiEr

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purrincess-chat · 3 years

Text

Marinette Dupain-Cheng’s Spite Playlist: Remix CH22

And we’re back! Chapters will resume posting on Fridays both here on tumblr and on AO3 (linked below). I hope you’re ready for the second half of this story. I’ve got a few tricks up my sleeve that are different from last time, so I hope you all enjoy it!

Previous First Next AO3

Chapter 22: Mean

Marinette chewed her lip, picking at the hem of her shirt. She’d been too nervous to sleep, and the coffee she drank on the way to the hotel made her jittery. Clara and her manager flipped through her designs, the silence eating away at Marinette’s composure. Did Clara like them? Hate them? Had Marinette let her down? Why wasn’t she saying anything?

Clara glanced up at Marinette, a smile curling on her lips. She stood up with an amused giggle and took Marinette’s hands. “Oh, Marinette, you can chill. These designs really fit the bill. Choosing you was in good taste. Eloise, send these to my tailor, posthaste.” Clara winked, and Marinette breathed a sigh of relief. “Truly, great work, Marinette. I love them.”

“I’m glad. Thank you so much for this opportunity.” Marinette bowed.

“Although your formality is rather cutesy, there’s no need since you and I are friends, you see.” She spun Marinette around and pulled her in for a hug. “I felt a connection with you right away. If you ever need anything, you just have to say.”

Marinette’s chest swelled as Clara pulled away and brushed her nose with a finger.

“Eloise, write a check for her beautiful mind.” Clara ordered, pacing over to the piano. “I’ve got an idea for a new song that will be simply divine!”

Clara’s manager tore a check from her book and handed it to Marinette as Clara began to pluck at the piano. Marinette did a double-take to make sure the decimal was in the right place, but before she could protest, Clara’s security guard ushered her out.

“Goodbye, my dearest friend. I’ll miss you until we meet again!” Clara blew a kiss.

As the door closed behind her, Marinette glanced down at the check, heart pounding. Clara liked her designs! She considered Marinette a friend! Oh, she’d love to see the look on Lila’s face the day Clara walked the red carpet in Marinette’s dress.

“I’m so proud of you, Marinette!” Tikki said as Marinette tapped the button for the elevator. “You worked really hard, and it paid off.”

“I’m just happy that Clara liked my designs. It’s not about the money for me. I want to design clothes that make people feel good,” she said, stepping onto the elevator. “I can’t wait to tell everyone over tea this afternoon!”

“Will there be cookies at the tea party?” Tikki asked.

Marinette shot her a knowing smile and brushed her kwami’s nose with one finger. “Control that sweet tooth of yours.”

“I want to celebrate your accomplishments!” Tikki shot back indignantly. “If there happens to be cookies there, then so be it.”

“Tell you what,” Marinette said as the elevator dinged on the first floor. “I told everyone to come over at 2. Why don’t you and I celebrate now? Let’s go get some ice cream.”

Tikki perked up, ducking down into her purse. Marinette shut the clasp as she paced out the front doors of the hotel. Pulling out her phone to see where Andre was stationed today, she failed to look up as she rounded the corner and collided with another person.

“Sorry!” she gasped as they both stumbled backward, but upon seeing the face of her victim, her face hardened.

“Finally apologizing for trying to upstage me? It’s about time,” Lila said.

“I’m sorry for bumping into you. Nothing else.” Marinette rolled her eyes and stepped around her.

“So, you’re not sorry for abandoning all of your friends then? For turning your back on Alya?” Lila asked.

Marinette’s hands balled into fists, but she didn’t stop. “Alya made her choice.”

“And she chose me over you.” Lila smirked. “She even got us matching bff necklaces. She’s so sweet.”

“Congratulations. I’m sure your genuine friendship built on honesty and trust will last a lifetime.” Marinette retorted.

“I’m just glad she finally deleted her blog dedicated to that insect. She has so much more time on her hands to do all of my work,” Lila said. “You know, I’m class representative now since you deserted your post.”

Marinette bit her lip hard. Lila was taunting her, and she knew it. How could anyone be this vindictive? Marinette had always known Lila was evil, but she really had a way of one-upping herself. Marinette made a promise with Adrien to stay out of it, but no matter how far she ran, Lila was always right behind her.

Marinette spun around with a sharp retort on her tongue, but a silver limo pulling up to the curb cut her off. She half expected blond hair to pop out, but to her surprise, it was Martin who appeared.

“Hey, Marinette. I saw you walking, so I had my driver pull over.” He flicked his gaze between them. “Do you and your friend need a ride?”

“Ha! She and I will never be friends. I have much better taste,” Lila said.

Martin eyed Marinette, eyebrows knitting together when she shifted her weight.

“Then if you don’t mind, please leave her alone. She’s my friend,” he requested.

“You don’t want to be friends with a loser like her. I’m the great-granddaughter of world-famous piano player, Victor Laurent,” she said, fluffing her hair. Her sinister smile said that she’d taken all of Marinette’s friends once, and she’d do it again.

“Victor Laurent didn’t have any children. He died alone at the age of 72 from pneumonia…” Martin tilted his head to one side. “And anyway, Marinette’s great-uncle is a world-famous chef with his own brand of cookware—my mom loves his knives. Not to mention she knows Jagged Stone and is good friends with Adrien Agreste. She has a lot of connections.”

Marinette stifled a laugh as Lila gasped in offense. Martin blinked in confusion as Lila stalked off with a huff, glaring over her shoulder at them.

“Who was that girl?” he asked.

“One of the worst human beings you’ll ever meet,” Marinette replied. When Martin seemed confused, she added, “It’s a long story. I was actually on my way to get some ice cream. Wanna come?”

“Sure.”

Andre was in Marinette’s favorite spot in the Trocadero—a fitting compensation for the unpleasant encounter they’d just had. They found a bench, ice cream cones in hand, and Marinette flopped onto it with a sigh. Lila was insufferable, but Marinette wasn’t going to let it spoil her day. Clara liked her designs. Nothing else mattered.

“So, that’s the girl who turned all of your friends against you?” Martin asked, and Marinette nodded. “Wow. No wonder you changed schools. I would have changed cities.”

“I thought about it.” Marinette took a spoonful of ice cream. “She’s super manipulative, and if you side against her, she does everything in her power to ruin your life.”

“She sounds like Gabrielle just without the muscle, but at least we don’t have to put up with her now that her family’s bankrupt,” Martin said.

“Yeah…” Marinette lowered her gaze. “I bet you were really happy when you found out about Gabrielle.”

Martin shrugged. “I’m glad she doesn’t pick on everyone anymore, but I can’t imagine losing everything. I feel kinda bad for her… Is that weird?”

“I don’t think so,” Marinette said. “Actually, I feel the same way. No one deserves to go through that.” She pursed her lips, jabbing her ice cream with the spoon. “I’m surprised you of all people don’t hate her. She was the worst to you.”

“I try not to hate anyone,” Martin said around a bite. “I think everyone has good inside them deep down, and with the right influence, anyone can change if they want to.”

“So, you think Gabrielle could be a good person?” she asked.

“Well, sure. Why not?” Martin quirked a brow.

Marinette eyed him, a small smile curling on her lips. She sat up and turned to face him.

“Can I tell you something?”

“Uh, sure. What’s up?” he asked.

“It’s a long story, but Gabrielle and I are kind of friends now. I think…” Marinette admitted. “I haven’t told anyone because of everything, but I think you’re right. Anyone can be nice if they want to be, even Gabrielle.” When Martin seemed stunned, she curled her shoulders and added, “Do you hate me?”

Martin’s face softened, and he shook his head. “Of course not! I could never hate you.” He assured her. “I think it’s good. If anyone can help Gabrielle find the light inside of her, it’s you, Marinette.”

She leaned back on the bench with a smile, the spring sun warming her cheeks. Winter was over, leaving the cold and dreary behind. Nature was turning over new leaves. A fresh start, just like Marinette wanted. She took a deep breath, picturing all of the good things in her life. Adrien, Macy, Eliott, Martin, Gabrielle. Chloe, weirdly. Her parents, Tikki, Master Fu, Chat Noir, Clara. New opportunities. New beginnings.

She exhaled, letting all of the negative flow out with her breath. Lila had no power over her anymore, and after two months of running, Marinette was finally free.

♪♫♪ Cruel Summer ♪♫♪

Marinette hummed jovially, the heat from the tea kettle on the stove warming her arms. Her friends would be over soon to celebrate her presentation. After her run-in with Lila earlier, Martin dropped her off at home, where her dad made special macarons for their celebration. Talking to Martin eased her nerves, and Lila’s empty threats were far from her mind. Today she was celebrating.

It was the first time her new friends were coming to hang out at her house. After seeing all of their extravagant homes, Marinette might have felt self-conscious about her family’s tiny apartment, but her friends never gave her reason to worry. If only Adrien were joining them, but he was busy with a photoshoot. He promised to make it up to her, which had her head swimming with possibilities. Oh, she hoped whatever he had in mind involved kissing. Three almosts was driving her wild. Would she ever get to kiss those perfect lips?

And what were they now? Were they dating? Marinette didn’t know for sure, but they had to be pretty close, right? Adrien was so bold with her lately, complimenting her, touching her face, her hair, her hands… One of these days she’d snatch those lips down to hers if he didn’t kiss her soon. Kissing Adrien—the thought alone made her melt.

She wanted to hear his voice, but did she dare call him? He probably wouldn’t answer since he never brought his phone to photoshoots—always so professional. Then again, she could listen to his really cute voicemail… And she still hadn’t told him how her presentation went. Maybe she’d leave him a message. Girlfriends were allowed to do that, right? Oh god, Adrien’s girlfriend! She’d have to get used to calling herself that. Okay, no more stalling. New beginnings. Marinette wasn’t going to second-guess herself anymore. She was going to charge forward with confidence!

Pressing the call button, she chewed her lip with a giggle. This was really happening! One cute voicemail, then the next time they saw each other, she was going to kiss Adrien on the lips. Then they’d become boyfriend and girlfriend, date throughout the rest of collége and lycée, go off to university and get married, have 3 kids, and a hamster named-

Wait!

What was she going to say in the voicemail? She didn’t know how to be cute and flirty! Every time she tried, she ended up rambling about her toothbrush or falling down stairs. She needed to write a script. Abort! Abort!

“Missing me already?”

Marinette’s heart skipped at Adrien’s flirtatious lilt.

“Adrien! You answered,” she gasped.

“You called me, and you’re surprised I picked up?” he chuckled.

“Well, I thought you had a photoshoot, I was just going to leave a message,” Marinette said.

“I just got done with makeup, so I have a few minutes. I was actually thinking of calling you,” he said. “I’m sorry I can’t be there.”

“No worries. I understand.” She assured him.

“I take it your presentation went well?”

“Yeah! That’s what I was calling to tell you. Clara loved my designs! I’ve never been so happy.” Marinette paced the length of her living room, biting back a smile. “I ran into Lila as I was leaving, but not even she could ruin my mood.”

“Whoa, wait! You ran into Lila?” Adrien asked.

“Ugh, yeah, but it was fine. Martin swooped in before she got me too riled up. She even tried to lie him out of backing me up, but he totally called her out. I’ve never seen her pout so hard.” When Adrien remained quiet on the other end, she added, “I’m fine, really. I’m not going to let her bother me anymore. This thing with Clara could open up a lot of opportunities for me.”

“I guess you’re right. Lila only wishes she were half as talented as you. You’re amazing, Marinette,” Adrien said, bringing a familiar warmth to her cheeks. “They’re ready for me on set, so I have to go.”

Marinette tucked a strand of hair behind her ear. “Yeah, sorry for interrupting. I just wanted to tell you the good news, and…talk for a minute.”

“You can interrupt me anytime. I’m always happy to hear your voice,” he said. “I’ll see you soon, okay?”

“Okay.” Marinette bit back a smile.

“Oh, and congratulations! You deserve it, Marinette.”

Marinette hung up with a dreamy sigh, hugging her phone to her chest. She was going to replay that conversation in her head for the rest of the evening. Before she could get lost in her lovestruck daydreams, the doorbell rang.

“Congratulations!” Macy hugged Marinette’s neck the moment she opened the door. “Oh, I knew she was going to love them!”

“Uh, I think you’re choking her.” Martin pointed out, and Macy let go.

“Sorry! But you did it! A major celebrity is going to wear your designs to an official awards show. That’s huge!” Macy squealed. “Oh! Is this your living room? It’s so cozy!”

As Macy pushed past Marinette into the apartment, Martin presented her with a bouquet of flowers.

“We picked these up for you on the way.”

“Thanks! That’s so sweet.” Marinette gestured him in, moving to find a vase in the kitchen. “Where’s Eliott?”

“He’ll be here soon. He was auditioning for another play today, so he’s running late,” Macy explained. “Your house is so cute! Did you make these pillows?”

“Uh, yeah. They were one of the first things I learned how to sew,” Marinette said, filling a vase in the sink. “My dad made macarons, and I’m making tea if you want any.”

Martin helped himself, taking a seat at the table, but Macy moved over to the bookcase to look at their family photos. Marinette set the vase in the middle of the table and grabbed the cups from the cupboard.

“Are you feeling better now?” Martin asked while she set the table. “I mean, after running into that girl earlier?”

“Yeah,” Marinette said, surprised by how much she meant it. “I’m not worried about her anymore. I’m fine.”

Martin relaxed. “Good. You seem happier now than when you first came to school,” he said. “I could tell how sad you were, even when you were smiling.”

Marinette grabbed the kettle from the stove and pursed her lips.

“I guess I’m not as good at hiding as I thought.” She laughed bitterly. “It’s been hard, but I’m really lucky to have people that support me. I have you all to thank for that.”

“That’s what friends are for, right?” Martin smiled, an expression Marinette returned.

“Right.”

“Marinette? Is this you?” Macy held up a baby picture. “You were so cute!”

Marinette’s cheeks burned, but before she could snatch the photo away from her, the front door flew open. Eliott burst in, hair disheveled and eyes wide with panic.

“Eliott? What’s-” Macy started.

“I need help!”

#mdcspr #my writing

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shihalyfie · 3 years

Text

The different aspects of Miyako’s personality and character arc

Miyako is a character where there’s just a lot going on with her in general, and asking different people to summarize Miyako in one phrase could feasibly get you some very different answers -- “the computer nerd girl”, or “the one who keeps talking about boys”, or “the one who panics all of the time”, or whatnot. Given that there’s so much to unpack at once even from her base profile, ironing out the full extent of her character arc can get a bit tricky, and there’s a lot going on with it. So, given that: Who is Miyako, anyway?

Miyako’s background and personality

Miyako is a character that I think is best understood by understanding what kind of person she is, and the personality and mentality she goes into the story of 02 with.

An interesting background story behind Miyako’s creation is that she’s based off a real person -- more accurately, a certain assistant producer on the series (whose identity has remained undisclosed, presumably for privacy reasons) was used as a reference for her behavior and actions. Although Adventure and 02 have a philosophy of portraying realistic human behavior in general, this level of specificity is a unique designation to have, and series director Kakudou Hiroyuki has referred to this a few times over the years -- it seems she’s the only of the Tokyo Chosen Children to have such a concrete single-person reference, and it’s also the reason her blood type of AB and star sign Gemini were given in 02 episode 25 (the other kids don’t have mentioned birthdays or blood types to prevent personality restrictions via horoscoping, but a real person having Miyako’s personality, star sign, and blood type wouldn’t make that as much of an issue). Even Volcano Ota himself confirmed Miyako’s resemblance to her upon hearing it after the fact! Indeed, a lot of 02 fans (especially adults) have admitted that Miyako’s probably one of the most relatable people in the cast, namely because her gushing about things she likes and panicking at things that overwhelm her is...well, a bit too uncomfortably on-point at times.

(And especially since so much about Miyako’s character has to do with how happy she makes everyone around her, it’s not too hard to imagine that the staff was so fond of her real-life inspiration that they wanted to pay tribute to her in such a way...)

Still, Miyako is a fictional character, one with her own backstory and interactions in 02′s story, and said backstory is such: she comes from a family that runs a convenience store in Odaiba, and is the youngest of a family of four siblings. Running a convenience store on a small island means that Miyako has probably seen a lot of the island’s residents, and her family also has various levels of connections to the other kids’ families (her older sisters Momoe and Chizuru are friends of Daisuke’s sister Jun, and Chizuru is Yamato’s classmate). Moreover, she’s befriended her nine-year-old neighbor (one who otherwise has trouble socializing with his peers) to the point of regularly going over to do computer repairs for his family. She’s also worked in the computer club under Koushirou, and even before the series has started, she looks up to him and adores him in a way not entirely unlike how Daisuke looks up to Taichi -- and although it’s unclear whether or not she started after the beginning of 02, 02 episode 29 reveals that she helps Yamato with his band.

The pattern here is that Miyako is extremely sociable, and one who actively pokes her nose into nearly everything so she can help out. This makes her a very different sort of Mom Friend from Sora -- both of them are Crest of Love holders for good reason, but in Sora’s case, she was compulsively going out of her way to help other people to the point of exhaustion, and her character arc was about trying to find a way to detach herself from obligations and do something for herself. Miyako is the complete opposite -- she’s the kind of extrovert who actively enjoys poking her head into other people’s business, picking up a bunch of peripheral hobbies so she can do something useful for everyone and go I’M HELPING!! If you actually look closely at those hobbies of “computer programming and hacking”, “hardware tinkering”, and “sound engineering”, other than vaguely being related to computers, they are completely different skillsets, and every single one of them is one Miyako’s depicted employing in order to help someone else out. (Koushirou is never really depicted as having super amazingly high technical skill and most of his unique talent comes from being a thorough analyst, but in contrast, while Miyako is established as being good at even hacking in Diablomon Strikes Back, she doesn’t really seem to have a huge propensity for deep analytical thought.) It’s hard to tell if she has any personal preference for any of them as much as she basically turned herself into a jack-of-all-trades so she could do whatever job was necessary for someone else.

If we’re to believe the official 02 site, Miyako’s been a bit pampered by her family -- as the youngest of four siblings, she’s the “baby of the family”, who hasn’t had to live with a ton of responsibility for others. This means that, much like Mimi, she seems to have been raised surrounded by a ton of affection, which is why she herself is such an openly affectionate person who’s open-minded towards trying all sorts of things, and why she’s used to wanting to help others by actively throwing herself into situations -- but it also means that, being the youngest of a family who is now in the situation of being the oldest in a new group, she ends up in Jou’s situation of suddenly being faced with the pressure of the concept of proper responsibility for others.

As far as Miyako’s general personality goes, she is constantly overflowing with affection and cheer and a desire to dote on everyone -- but the flip side is that she’s also aggressive. She has zero sense of restraint. (If you ever get around to listening to the Japanese version of 02, Natsuki Rio’s performance is energetic and over-the-top in almost every way imaginable to the point that you get the impression of Miyako as someone who doesn’t easily run out of batteries -- at least, until things start getting really serious.) When she loves something, she’ll gush about it as if there were hearts floating around her (and, depending on the level of closeness, even jump in and physically hug them), and she has no qualms against physically manhandling if she feels she needs to, and if she dislikes something, she will make it very clear (including yelling very loudly about it). You could argue that she’s actually closer to the archetype of the brash shounen protagonist than Daisuke himself is!

In fact, Miyako and Daisuke have very similar temperaments -- pure-hearted, but also rough around the edges -- but can be distinguished by the fact that while Daisuke is actually deferential and somewhat lacking in assertion, Miyako is actually aggressive, and while Daisuke’s “honesty about his feelings” is mainly because he’s too simple-minded to be any good at hiding anything, Miyako’s honesty is because she has no brain-to-mouth filter, and everything she’s thinking comes out of her mouth before she can control it -- in other words, Miyako has a huge case of foot-in-mouth syndrome. She doesn’t want to be insensitive, but it keeps coming out of her mouth before she can control it -- and even worse, her emotions are prone to taking control of her, and she is very prone to getting overwhelmed and collapsing into a massive panic.

If you think about the two archetypes of “girl who takes care of everyone” and “aggressive action girl”, Miyako has a tendency towards both at once, and moreover there’s an extra nail in it -- most “action girls” in the latter category would be portrayed as badass, put-together characters with a cool personality, but Miyako is a mess. She’s prone to panicking, all over the place, and her tendency to get in-your-face is not exactly in the most dignified manner. And as a result, a huge part of her character arc (as we will be going more into detail about below) is that she’s aware of this and doesn’t like this about herself -- because she doesn’t want to be insensitive or rude, and in fact she wants to be someone who can better help and take care of others, but, in her mind, her own personality keeps getting in the way.

Miyako in 02

After fully becoming a Chosen Child in 02 episode 2, it only takes one more episode for Miyako to bring food for everyone, as if to say “Right! I’m going to be working with everyone now! All of you are now my new best friends!” (”Bringing food for people” is one of Miyako’s many ways of showing love, given that she returns from Kyoto in 02 episode 34 and immediately hands off souvenir yatsuhashi to Koushirou.) And with that, Miyako settles into the archetype of the group’s “mood maker” -- someone whose role is to keep everyone in emotionally high spirits by influencing everyone with cheer and energy. 02 episode 5 features the debut of her famous “Digital Gate, open! Chosen Children, let’s roll!” catchphrase -- this and her other famous “Bingo!” catchphrase establish her as the only of the Tokyo Chosen Children to have a catchphrase (at least, in the Japanese version). Because catchphrases are fun.

As much as everyone (especially Daisuke) is a bit blindsided by her behavior at first, they eventually come to embrace the positive effect she has on all of them -- Daisuke very genuinely asks her for “the usual cheer” in 02 episode 10, and, all the way in 02 episode 22, this is such an agreed-on and established role that they’ll still wait on her to do the honors even when they’re in a hurry. So in other words, it didn’t take long for Miyako to go out of her way to shower everyone with cheer, and it didn’t take long for everyone to answer to that cheer and appreciate her for it.

The flip side of this, however, is that Miyako doesn’t start off being very emotionally equipped to handle this -- right off the bat in 02 episode 2, she says that she’s not inclined for fighting, and in 02 episode 4, she refers to it as being “like an adventure game”. That is to say, she’s not at the point where she’s able to handle the full gravity of what she’s just involved herself with (Daisuke reminds her that she’d panicked earlier, but she just blows it off). She’s handling it so cheerfully now because the series is still in its early stages, when she can enter and exit the Digital World at will, and she’s capable of treating it like this.

So when the stakes do get higher, she’s the first one to take the stress hard. As mentioned before, she’s the youngest in her family, now recast as the oldest in this group -- but unlike Jou, who consciously knew this fact and took stress onto himself because of the responsibility this entailed, Miyako seems to repeatedly forget that she’s the oldest in this group, and the events of 02 episodes 9-10 (when Agumon is kidnapped) cause her to break down from stress and have to take a time-out. (Which everyone allows her to do, because this is not a series where people are pressured to fight if they’re not emotionally ready for it.) Miyako comes to terms with the fact that the stakes are going to keep escalating, and she can’t just gloss over everything with cheer -- and she does manage to pull herself enough to bring Yamato into the fray at the end of the episode, but this continues to be a recurring theme for the rest of her character arc.

While we’re discussing these early parts of the series, one thing I want to briefly address is the part where Miyako infamously calls a lot of people hot. (Although, not as many as the fanbase would love to make you think; it’s only four people in total.) This tends to get her pinned as some kind of flirt whose head is only filled with being hot for people, but while she’s certainly a bit on the shallow end at this point of the series -- dealing with that being what this character arc is about, after all -- this trait of hers tends to get exaggerated by a lot of people in the audience as if she’s completely lacking in common sense. Miyako’s ridiculous (and we love her for it), but she does have some degree of grip on herself! Context is important here -- she might show a crush on someone, but at no point in the series itself does Miyako show any indication of seriously thinking of full-on dating.

For Miyako, who’s accustomed to just blurting out the first thing that comes to mind, commenting on someone being hot is like commenting on the weather -- she means it as a compliment, but there’s no evidence she thinks she has a chance with any of them, let alone wanting to try dating. This is especially when you take into account her self-esteem issues that we learn about later in the series, and also...well, the fact she’s only twelve. (Remember: even Daisuke’s thing for Hikari comes out as a lot of unfocused affection, and it’s unlikely he’s seriously considered the concept of following that up with a serious relationship -- any serious prospects of romance or dating are not going to be on the table for these kids for a while.) Miyako has also been accused by some of being abysmally shallow for still complimenting Ken’s looks in 02 episode 9 (after it’s already apparent he’s the Kaiser), but although she certainly is a bit shallow at this point of the series, she’s not that lacking in common sense; Iori got in on it too in this scene, and both of them were doing it to tease Daisuke more than they seriously wanted to compliment the Kaiser all that much. So in essence, it’s just “Miyako has eyes” -- she still completely agrees he’s their enemy and she’s not going to judge him any better for his looks, but she also doesn’t see this as a reason to lie about the fact she thinks he’s visually good-looking, especially if it’s to tease Daisuke about it.

In any case, 02 episode 14 digs a lot more into Miyako’s stance on herself regarding others -- in 02 episode 6, Miyako met Mimi for the first time, and latched onto her for their similar dispositions and her looking up to Mimi for being beautiful, amazing, and cool (and she should, because she’s right). 02 episode 14 adds another layer to this, however, when Miyako spends the duration negatively comparing herself to Mimi. At first it starts off as simply just shallow jealousy for Michael giving Mimi more attention, but as the situation with Digitamamon escalates, Miyako spends a prolonged period of time trying to figure out Mimi’s behavior of pure-heartedly choosing to trust Digitamamon despite everything, against Miyako’s insistence that Digitamamon’s behavior proves that he was untrustworthy the whole time.

Mimi and Miyako’s stances are both on extremes here -- Mimi’s pacifistic tendencies are causing her to let her get beaten up by Digitamamon despite the fact that “appealing to people’s hearts” has never really been demonstrated as a good way to get Evil Rings off (to be fair, this is probably the first time they’ve made an attempt at this with a Digimon that can still talk coherently with it on), but Miyako’s acting as if this retroactively proves him to be untrustworthy even though she knows that the Evil Rings are tantamount to brainwashing. Nevertheless, Miyako acknowledges that her own stance was borne out of her being shallow and judgmental, especially since the discussion between Mimi and Digitamamon brings out a question about the meaning of the “true self”.

Miyako, at this point, is confronting everything that’s bad about herself -- that she’s shallow and not as much of a “good person” as Mimi is. But the Crest of Purity -- once meaning “lack of malice” back when it applied to Mimi in Adventure -- now has a secondary meaning of “not lying to oneself” (the dub translation of “Sincerity” is not actually that off in this sense), and it also means that Miyako is not going to get anywhere pretending or forcing herself to be someone she’s not. The secondary Digimental arc has a recurring theme of understanding that there are still things you need to learn and improve on in order to do better, and this is Miyako’s version of it -- she will have to acknowledge all of the bad parts of herself before she can get anywhere and become a kind person like Mimi is -- and, indeed, becoming less shallow and judgmental and not jumping to conclusions, and learning to reach out to more substantial cores of the problem, ends up becoming a major part of her character arc in the latter half of the series.

This episode also implies one more thing, even if she doesn’t realize it yet at this moment: the path to her becoming a less shallow and more considerate person is not going to involve trying to force herself to be like Mimi, but rather in a way that’s closer to her “true self”.

Miyako’s first major turning point is in 02 episode 18, an episode that’s said to have such a profound impact on her that even Natsuki Rio testified to having to alter her Miyako performance thereafter.

Back in 02 episode 10, Miyako first started to realize that this whole experience of fighting as a Chosen Child was a lot more stressful than it seemed at first, and reacted badly to it. Here, the ante gets upped even more -- the kids decide to make use of their summer break and organize a Digital World stakeout, and, eventually, Hikari accidentally becomes indirectly responsible for tipping Miyako over the deep end by making an implication that they need more “determination” to the point of refusing to leave until they’ve beaten the Kaiser. (Remember that Hikari can be terrifyingly assertive as long as it’s not something to do with herself.) For Miyako, who’s never had the same experience of being in the Digital World for a prolonged period of time the same way the Adventure group has, this is terrifying, and she tries to “get herself together” over the night -- only to completely overshoot it and go into the complete other extreme. As much as this ends up being one of Miyako’s peak hilarity moments, it’s most certainly representative of her being under a huge amount of pressure and stress, and it’s effectively her “peak worst” moment -- which results in Hawkmon ending up having to cover for her, and getting injured in the process, and Miyako immediately realizing how badly she’d messed up.

Miyako is thus forced to face a major consequence of her behavior: if she doesn’t manage to figure out a way to get herself under control, other people will be hurt, and as someone who wants to do her best for other people, that’s one of the worst possible outcomes for her.

In addition, it’s also important to point out Hikari’s role in this. The Jogress arcs have yet to set in, but the series still gives you a little preview of what’s to come eventually, such as the insight we get about Daisuke and Ken’s initial attitudes towards each other in 02 episode 8, and Iori later personally witnessing (and being very disturbed by) Takeru losing his composure in 02 episode 19. In this case, we see a bit of what Miyako and Hikari’s opposing personalities can offer for each other (especially since the later 02 episode 31 more heavily involves Miyako returning the favor in the other direction) -- Hikari correctly identifies exactly what it was that set Miyako off, takes responsibility for it, and even decides to make sure Miyako and Hawkmon get proper alone time so that they can figure things out. In general, everyone in the 02 team is understanding of Miyako’s antics and doesn’t hold any of it against her because she’s doing her best, but right now, Hikari may be the only person in this group who can actually proactively do something about it, because Daisuke’s not assertive enough to step in, Takeru has a tendency to dodge things whenever they get awkward, and Iori’s holding himself back too much for the sake of manners (especially in the presence of Miyako, who’s the oldest one in this group). But while Hikari does have an emotional repression problem, she’s perfectly capable of holding herself together and putting her foot down when it comes to other people, and because of this, she’s the one who’s able to understand what exactly is going on with Miyako, and how to adjust the situation around her to make things easier for her.

Miyako and Hawkmon have a proper heart-to-heart, and we see more of Miyako’s self-hating tendencies going on here -- she refers exactly to her problems with impulse control, and even labels herself a “bad partner” as a result. But Hawkmon reassures her that she’s fine the way she is, and it ties into how a larger theme of her character arc will involve her learning to find better ways to channel the qualities she already has, rather than trying to force herself to be someone she’s not.

Once the Kaiser is defeated, the second half of the series is where we start to see Miyako’s growth start to really kick in. In 02 episode 24, there’s a short blink-and-you’ll-miss-it scene where Miyako suddenly takes Daisuke and puts him in charge of taking care of the Punimon. Why is this important? Because two episodes prior, Daisuke had been running around in circles like an idiot due to having been third wheeled by Takeru and Hikari, and the moment Daisuke started exhibiting similar signs this time, Miyako personally stepped in and gave him a job to do -- and her actions of keeping an eye on them and her conversation with Takeru and Hikari indicate that she did it exactly because she figured that he would like it. Or, in other words, Miyako correctly identified Daisuke’s need for validation and purpose, and became the first person to proactively do something to address it -- Hikari and Takeru had generally been dodging it awkwardly for the duration of the series, which had only really been making it worse, and, in the absence of another crisis to take care of or someone like Ken to fill the void in Daisuke’s life, Miyako was able to properly figure out exactly what he needed at the moment as a stopgap, and thus is starting to settle into her proper role of understanding what others need in terms of emotional support and actively working to address it.

Since the second half of 02 is dedicated to Ken slowly establishing his place in the group, 02 episode 25 is dedicated to Miyako tussling with her conflicted feelings on the situation -- she’s just as open-minded and pure-hearted as Daisuke is, but the one thing that’s bothering her is that she’s a little more doubtful than he is in regards to whether Ken’s heart is really in the right place with all of this. She says, outright, that she believes he’s learned his lesson -- in a way far more firm than Takeru, Hikari, and Iori are about it -- but that one thing about him having potentially killed Thunderballmon in cold blood doesn’t fit the optimistic image she’d like to have of him.

Daisuke is more practical-minded than she is and is more willing to accept that there might have been a good reason -- especially since he himself starts to consider in this very episode that killing an enemy may be necessary if it’s the only way to prevent more victims -- but Miyako is more emotionally oriented and just can’t accept the idea of doing this at all. Both the internal debate over accepting Ken and the internal debate over having to potentially do a kill tear her apart over the course of this episode, and Miyako finds herself constantly waffling back and forth between the two positions. It’s not just her expressing minor doubt; she actually agonizes over this for the duration of the night and the next day, to the point she even considers asking him about it (and eventually can’t bring herself to).

It’s also made a prominent point that Miyako’s prior attraction to Ken in 02 episode 8 was not the reason she wanted to be optimistic about him -- remember, back in 02 episode 14, she completely admitted that she judges people by appearances, but at this point she’s well past that! Miyako takes this entire issue of whether Ken should be considered a friend very seriously, and that’s why it torments her so much over the course of the episode.

Eventually, all is resolved (at least, for the time being) when it turns out that Ken has been dealing with non-sentient Dark Tower Digimon, and Miyako takes this as sufficient evidence that Ken has changed -- the morality debate about killing comes back in full force in 02 episode 43, and Ken himself ends up just as shaken about it, so the important part is that she understands that he’s trustworthy and wants to put faith in him. Attention is also given to Miyako deciding she’ll now call him by given name (”Ken-kun”) from now on -- even Daisuke himself won’t start calling him “Ken” regularly until 02 episode 39, but Miyako starts slowly inserting given-name basis for Ken into her vocabulary from this point on until she finally commits to it fully in 02 episode 30. This is a proactive and conscious act on Miyako’s part that she actively wants to get to know him better and consider him a close friend, and it’s because of this that she ends up one of the only people who never gets habituated into surname basis with him by the time everyone’s come to properly befriend him.

So, at this point: Within only one episode (and, in-universe, one day), Daisuke and Miyako landed on the same page with their ideological stance towards Ken. They’re both open-minded and forward-thinking, and have an interest in becoming his friend (the next person to show active and open goodwill towards him, Hikari, won’t do so for another 9 episodes). However, despite their surface temperaments being somewhat similar, they have some differences in their priorities and way of approaching things, and it means that each of them ends up reaching out to Ken in ways that the other isn’t as good at. Daisuke, being the very practical and simple-minded sort who doesn’t overthink things or get caught in arbitrary philosophy, is the one who most proactively reaches out to Ken and most famously connects with him the most due to Ken very badly needing guidance in how to move on forward and stop getting fixated on his past. Miyako, on the other hand, being very much the type to consciously think about things (to the point of sometimes thinking about too many things at once) and focus on “how do I most show my support for someone right now?”, puts her priorities on checking on Ken’s current emotional state and actively attempting to glean his feelings and position. 02 being a series about relationships and what people can provide for each other, this ends up reflecting on their roles in the group as a whole -- Daisuke becomes the person who can pull everyone forward in determining the best thing to do, whereas Miyako fills in the parts his rough-around-the-edges demeanor doesn’t quite cover in terms of supporting everyone emotionally and keeping them together.

And thus, Miyako resolves to “wait” until the day Ken will join them -- that is to say, she takes the stance that Ken deserves proper space and to come on his own terms. It’s an interesting inversion of the usual roles you’d expect from Daisuke and Miyako at this point -- and, again, since 02 is about relationships, “each character’s approach towards the new kid and how it impacts them” reflects a lot about their own characters. For Daisuke and Miyako, who were open-minded towards Ken early in the game, you can already see the impact on them -- the necessity of reaching out to Ken causes the normally deferential Daisuke to become more proactive and put his foot down, whereas the normally uncontrollably in-your-face Miyako comes to understand when something needs to be handled delicately and starts getting a better grasp on the concept of restraint.

Which means that Miyako’s actions regarding Ken in the following episodes are significantly more passive than Daisuke’s are, but it’s clear that she’s still supportive. Moreover, it’s also important to establish that she and Daisuke aren’t fighting about this or anything -- Miyako does want Ken to come around eventually, so she doesn’t stop the more proactive Daisuke from reaching out to Ken in an important way, but she instead exerts her position in ways such as joining in with the others reminding him that Ken might have gotten a bit emotionally overwhelmed by the Jogress (and thus that it’s understandable that he might need some time to parse this before pushing the issue further). The way Miyako words this statement so casually can easily be a distraction from the fact that she is completely correct -- as we see later, Ken did emotionally freak out the moment the incident was resolved and had to go home to think about this. Scatterbrained as Miyako may seem, as the series proceeds, it turns out that she has a natural propensity for empathy that means she’s capable of making perfectly correct readings of the situation, even without her thinking that hard about it.

Not that she’s correct all of the time, though. 02 episode 30 has her attempt to get Ken and Iori to hopefully be a little less tense around each other end in complete disaster (although to be fair to her, it’s not like she and Daisuke were particularly forceful about it, it’s just that their plan was so poorly set up that it was too easy to read the motive behind, and it’s ultimately thrown off because -- as Daisuke correctly points out -- the two are being really childish about it.) But in response, Miyako takes direct action and responsibility to fix the situation when Ken continues to refuse to help despite how badly the situation is escalating, and when she finally reaches him, she gets frustrated at the fact he’s being so stubborn, smacks him, and personally drags him back over. Miyako cared a lot about this, she had wanted Ken and Iori to get along for no reason of personal benefit to herself but more because she cared that much about the group’s dynamic and friendship, and she’d held herself back so much because she was worried about him, but here he’s taking all of that and still giving them all the cold shoulder when everyone is in grave danger, and all of that frustration causes her to break down at once.

And note Ken’s reaction -- he’d been holding off on the grounds that he was being a burden on everyone’s friendship, but he sees Miyako distraught and upset and calling him an idiot (i.e. his whole pretense of not hurting others has clearly not worked here), and his “idiot...?” comes out flustered and off-guard, and he shows no resentment towards her thereafter and comes quietly with no protest, even holding a hand to the place she’d smacked him as if mulling in agreement that he deserved that. So, again: Even when Miyako is coming to all of these conclusions in a haphazard manner, it doesn’t change the fact that her readings of these situations are often completely correct.

02 episode 31 is another landmark episode in which we get a lot of insight into Miyako’s current feelings regarding herself in comparison to others, and what she’s trying to achieve at this point in the series. Daisuke makes an offhand remark at the beginning of the episode about Hikari being more “kind” than Miyako (”kind” having a double meaning of “gentle” in Japanese, so Daisuke’s mainly referring to Miyako being such a rough and belligerent person). The way Miyako takes this statement indicates that Daisuke had accidentally just hit a very deep-seated complex within her -- Miyako had never liked the fact she was aggressive and belligerent and in-your-face (remember, back in 02 episode 14, she was constantly negatively comparing herself to Mimi for not being as good of a person as her, and now this has extended to Hikari, who “keeps so much inside”.). As the crisis in the episode escalates, Miyako continues to fall victim to her foot-in-mouth syndrome, saying things and instantly regretting it, because she sees herself as making the situation worse -- and especially when it comes to a situation also involving Ken, whom she’s actively trying to reach out to right now. Her frustration at the fact she can’t see what Ken and Hikari see is because, unable to understand what they’re talking about or what their feelings are, she’s basically a sitting duck who can’t do anything while things are getting worse for them.

Which ultimately results in Miyako completely losing her marbles and Hikari having to smack her out of it -- again, recall that in 02 episode 18, it was shown that Hikari is one of the few people who has enough assertiveness to be able to rein in Miyako’s behavior, and even outright admits that Miyako is a bit of a handful. Miyako, as it seems, had been carrying a complex that Hikari had been thinking of her badly for all of this -- but Hikari then proceeds to reveal the flip side of all of this: she’s also conversely jealous of Miyako for being able to express herself so clearly and easily, because she herself is the type who compulsively represses her own feelings about herself, which is why nobody had been able to properly reach out to her for the duration of Adventure and 02.

For someone who had spent so much time considering herself a “bad person” and a “worse person” in comparison to people like Mimi and Hikari, that someone considers her qualities outright enviable is a huge deal -- it’s not that Miyako’s an objectively worse person than all of the other people who aren’t as rough or in-your-face, but rather, that those qualities can bring out positive things in their own way. And, immediately after that, we see one of those things -- she makes Hikari laugh, thanks to her antics. Of course, it involves Miyako being a bit all over the place and making a lot of mistakes, but even she admits “I guess it is funny.”

And there’s another thing to this, too: Miyako continues to end up with foot-in-mouth as she casually refers to things like the Evil Ring and Ken being the Kaiser with zero fanfare, before realizing seconds after that she probably shouldn’t be doing that in front of him, but, once again, even without her realizing, her evaluation is not incorrect -- although the fact he’s extremely out of it doesn’t make that clear quite yet in this episode, Ken is not the kind of person who’s touchy about acknowledging that he was the Kaiser, and, by his own statement in 02 episode 23, his stance is that he wants to “accept everything about it”, take responsibility, and move on. So here we are with Miyako, who just casually tossed that statement out like it was no big deal, has accepted his past with no lingering grudge against him, and even made a casual evaluation about him presumably having the same resilience he had as the Kaiser, which, again, is completely accurate. All of this is exactly the kind of attitude that Ken needs to be surrounded by right now, and Miyako had just touched on this without even thinking that hard about it, and also is still making it clear she doesn’t want him to feel bad about it...

And so, the episode’s climax has Miyako finally attaining the solution to the question of reaching out to Hikari, the one that nobody had been able to successfully accomplish throughout Hikari’s childhood of never expressing herself properly and the majority of Adventure and 02: to get Hikari to stop being so passive and accepting her inevitable fate because she doesn’t want to burden others, someone as aggressive as her will need to reach her and yank her out, and hit all of the exact points about understanding that someone will be there for her and that she should not accept this defeatist mentality. Hikari is unusually, unhealthily passive, and Miyako, being outwardly aggressive and someone who never hesitates to be blunt about things, is the best person to yank her out of this; it was never a sign of her being a “bad person”, just something she needed to channel in the right direction.

At the end of the episode, we’re also reminded once again that this is a series about relationships, so this kind of growth is important to everyone’s relationships with others as well -- thanks to Miyako’s efforts, Hikari is finally able to speak honestly with Takeru in contrast to her way of leaving off in silence with him at the end of 02 episode 13, and Miyako herself is happy that she’s finally gotten to have a better understanding of both Hikari, whom she herself had been unsure about the position of earlier, and Ken, whom she’d been worried she hadn’t been reaching out to in the right way.

While Ken was out of it during said episode and unable to coherently respond, we do get confirmation that he himself has hopped on the train of respecting Miyako’s intent well enough that he doesn’t hold anything over her -- during 02 episode 33, a mere three episodes after she’d personally slapped him in the face and two episodes after he’d practically seen her at her emotional worst, he still takes it upon himself to personally deliver Poromon to Kyoto and trust her to handle the rest. This isn’t that particularly interesting by itself, but moreso in terms of the context this is in -- this is a point where Ken’s still at awkward arm’s length with a lot of the team (including even Daisuke, in some ways), and he’s seen Miyako do all of the above messy things only not too long ago, but he still is comfortable enough around her and trusting enough in her abilities that he’s okay with casually approaching her and saying “you got this.” So it’s working, all things considered!

We also learn that Miyako had trusted Koushirou with Poromon during her trip to Kyoto, which says a lot about the fact she trusts her senior that much -- and, on a meta level, seems there specifically to facilitate the existence of the above scene (it would have been very easy to save time by just having Poromon accompany Miyako from the get-go and ending Ken’s involvement in the episode at his conversation with Koushirou...).

The following episodes also meanwhile establish that Miyako’s relationship with Hikari has been improving a lot -- with Miyako now actually understanding what Hikari needs, she’s much more proactive in reaching out to Hikari, and it’s even said directly by Iori in 02 episode 36 that their relationship seems to have gotten much better now. And, once again, Miyako’s antics are depicted as making people laugh -- note her and Hawkmon’s over-the-top advertisement performance doing so for everyone in the vicinity.

Which is also reinforced, again, in 02 episode 38, when this even spreads to Ken himself, in a moment that’s said to be particularly unusual and portrayed as one of the first times Ken has been able to be truly carefree in a long time. Again, the point here is: Miyako’s “all-over-the-place” nature brings joy to other people, and that “she makes people laugh” is continually reinforced as a symbol of this over the course of the second half of the series.

Beyond that, the visit to Ken’s house kicks off with Miyako noticing the picture of Osamu and asking about it, to the point she’s shown leaning over and staring at it for quite a while -- Koushirou had allegedly informed her about it earlier, and a whole point is made that she’s the one very prominently wanting to understand more about Ken and his background.

Also, Miyako reminds us all that she still does think Ken is attractive, but it’s a huge contrast to her behavior from back in 02 episode 8, when she knew nothing about him except that he was some celebrity genius boy -- she got completely worked up about it, moped about it for a whole day, and even dragged the fixation into the next day when she started aggressively confronting Daisuke about it, but we’re here 30 episodes later with Miyako actually considering him an important friend that she respects the feelings of, and she simply casually tosses out the statement of him being cute in her usual “like it’s commenting on the weather” manner, with no extra weirdness about it.

We close up some of the threads of Miyako's character arcs when Miyako herself is forced to confront the possibility of fighting an enemy to the kill in 02 episode 44, and Silphymon is eventually forced to kill LadyDevimon to save Miyako's life. Miyako’s emotional reaction is given the most attention here, since she herself had fixated so much on the horror of potentially killing Golemon back in 02 episode 25 -- in fact, everything Miyako does in this episode is about her emotional empathy and empathy for others, in that she rails on LadyDevimon for being a “coward” who hurts other people. Eventually, it’s once again the assertive Hikari who’s able to get her back on her feet by putting it in a way she can understand -- they were not doing it out of a callous and cruel intent to kill, but to save the exact victims that Miyako herself wanted to prevent.

And, even to the very end of the series, Miyako continues to channel her proactivity into emotional awareness first and foremost -- 02 episode 46 has her take the lead in the Dark Seed roundtable, and it’s implied that she’s doing this mainly because she knows this is a very personal issue for Ken to have to witness. In contrast to the way she frantically started spitting out potentially insensitive things in front of Ken in 02 episode 31, here, she outright says that she doesn’t want to make him feel bad about this (and, fortunately, he understands perfectly well that she’s trying). Even all the way to the very end in 02 episode 50, she’s the one who first brings up the question of the issue, because of how emotionally invested she got into this and her high level of awareness as to how deeply this impacted Ken.

In 02 episode 49, BelialVamdemon presents everyone in the team with a potential deep-seated desire that none of them want to admit, and in the case of Miyako’s, it ends up being a rather tame thing in comparison to Iori and Takeru’s more severe family issues, Hikari’s desire for WORLD PEACE!!, and Ken’s complicated feelings about punishment and forgiveness. In Miyako’s dream world, she’s just eating cake, and it says a lot about the fact that were it not for the fact that she overthinks things and often gets easily stressed, she’s fundamentally fairly free of deep-seated issues in a way not entirely dissimilar to Daisuke’s simple and pure-hearted way of life.

The thing that causes Miyako’s issue is often misinterpreted to be about her selfishly wanting everything to herself, or the idea she’s fighting for attention with her siblings, but Hawkmon actually says what the real problem is in direct words: her crowded family is “noisy”. Or in other words -- Miyako, being the overly empathetic type and someone who easily succumbs to stress, is just really overwhelmed and stressed because of everything around her.

An interesting thing about Miyako’s “illusion” is that it’s the only one that in itself starts making its victim feel lonely and sad even before it’s taken away or dispelled -- Takeru and Iori had to have their happy images pulled away from them, Hikari had to have Tailmon clarify that everything is fake, and Ken had to have Wormmon personally chase the image of his brother away. But in the case of Miyako, all Hawkmon has to do is ask if she’s happy right now, and she’s quick to admit that she’s not. It’s just that everything was stressful and overwhelming and there was so much to deal with all of the time, and for once she wanted to be able to enjoy a little peace, but she loves her family and she loves everyone around her and she doesn’t want to be alone, and she’d rather have them back even if it’s stressful. Miyako’s love for others is so strong that even an illusion supposedly made to cater to her won’t make her happy if everyone’s gone.

Miyako also takes the moment to realize that for all Hawkmon’s been going out of his way to be steadfast and loyal to her, she hasn’t been doing enough to understand her own partner in turn, and there’s still a lot more she can do in terms of thinking of others.

Miyako after 02

As per Spring 2003, once Miyako graduates elementary school and moves to middle school, she continues trying to be helpful to her juniors -- she joins the computer club and once again ends up under Koushirou, and now outright makes music for Yamato’s band (some creative differences aside). It’s also interesting to note her attitude towards her other friends when she tries to recruit them into her music unit -- she snarks at everyone right up until she gets to Ken, who declines politely, and in exchange, she just can't bring herself to be mean to him and simply apologizes for asking too much. It’s ambiguous whether this is because she’s still trying to have a heightened level of consideration around him (this is still only four months after 02′s finish, after all), but it seems she’s still concerned about the idea of handling him overly roughly, and is able to exercise a proper level of restraint about him.

Which brings us all the way to Kizuna, a whole eight years later where we have to fill in a lot of blanks about what’s been happening in the meantime, but the official website establishes that she’s now pursuing a degree in computer programming at an engineering university, and is now on study abroad in Spain (implied to be Barcelona, given details in both the movie itself and the drama CD). Pretty ambitious stuff!...or at least that’s the first impression one would get, until it turns out that she’s getting her flighty personality enabled by the local culture. As we learn in the drama CD, she’s absolutely taking the time to milk this entire situation so she can play around -- and, in accordance with how she was established to be an important factor in bringing Hikari out of her shell, it’s rubbing off on Hikari, too.

In addition, Miyako is still working under Koushirou despite their educational careers having completely diverged, this time as his assistant in terms of managing the Chosen Child community. Interestingly, her specific job seems to be consultation, and people come to her for “advice and stuff” -- meaning that it’s very likely that a lot of new Chosen Children who are having a hard time adjusting to life with a partner are coming to her for practical and emotional advice, and she’s still continuing to channel her ability to be emotionally aware and supportive of others.

That is to say, until she gets a mysterious request from a certain Menoa Bellucci. We learn later that Menoa’s motive was to obtain the list of international Chosen Children, meaning that she most definitely was not approaching Miyako for emotional help, and with that, Miyako decides that she doesn’t want to do this and dumps it on her seniors...

...but then picks it back up with zero hesitation the moment her friends present her that exact same job, and not only is it just “zero hesitation”, Ken even comments on how “fast” she arrived to do so! (This was also before Iori came up with the plan to infiltrate Menoa’s office; there wasn’t any indication Miyako’s computer abilities would be particularly necessary at the time.) On top of that, the drama CD gives us full context as to why she was so willing to dump this on her seniors in the first place -- she had wanted to see her friends so badly that she practically invented D-3 gate exploitation so she could hang out with her friends despite technically being in another country, and even wanted to invite them to come visit her, and eventually they’d all made an organized plan to meet up in New York. In other words, her loyalty to her friends is still stronger than anything else -- remember, she’s the kind of person who was picking up tons of jobs specifically so she could help her friends in the first place.

On that note, Ken’s ability to be casual with everyone besides Daisuke has noticeably improved, and that’s especially prominent with Miyako, whom he proactively converses with in a way that wouldn’t have happened back in 02, and, likewise, in contrast to the sense of distance she’d still been maintaining with him back during the final arc of 02 and Spring 2003, she has no qualms about handling him as casually as she would anyone else.

Which eventually leads us to...

This is a recurring theme on this blog, but every so often I have to draw the distinction between creative concepts “in meta” (i.e. the way the audience will read it, in relation to franchise standards and other real-life factors) and said concepts “in-universe” (i.e. with audience factors completely removed, whether there’s a presumable logical reason for these events happening in-universe, and whether this is reasonable behavior to expect out of the characters). This blog is largely dedicated to the latter, but the reason why I have to keep drawing this distinction in the first place is that I get the impression that the staff behind Adventure and 02 really did not pay much mind to the former part as part of their dedication to the latter. And, I mean, part of the reason I respect the writing of Adventure and 02 so much is how uncompromising they were in terms of not really pandering to what a fanbase might expect, which allowed the story to retain a lot of creative integrity that it wouldn’t have otherwise.

But every so often you get something like this that makes me want to just bang my head on the table and scream, I swear, I get what you guys were going for, but I am begging you, please think a little harder about how people are going to read this!! In general, I do think there’s something that’s not very good about disregarding your audience completely, because if you’re trying to say important things and those things are going directly over your audience’s heads (this is a kids’ show, for goodness’s sake), you can’t call that good communication, and it’s not like you can blame the audience for getting blindsided or being upset, and this is before we get into what they just dropped on the global audience that was presumably full of young girls interested in STEM fields who were hoping to see them go all the way with that, or the feelings of those who are bothered that one character has to be singled out to be defined solely by her relationship to others, and I mean -- to be fair, with a character like Miyako and the tons of things going on with her, there was probably no outcome they could come up with that wouldn’t be reinforcing some negative stereotype (believe it or not, there are people who have conversely mentioned identifying deeply with Miyako’s personal story and the meaning of this ending to them, and have also expressed discomfort about some of the comments the fanbase has made over the years), but at the same time, holy hell, they really went for the one that immediately looks the worst on its face...

...That aside, I will reiterate that this is a blog and analysis meant for that latter category of “analyzing things in-universe”, and making good-faith assumptions that there was a reason for everything (and, I’ll be quite honest, reading everything the staff has said about the characters, including Miyako, there is no indication that they didn’t treat every single one of them with love and zero intention to curse any of them into a horrible fate). We can debate whether this was a good or bad choice in the context of real life, or how much they really should have thought this through more or considered alternative ways to do this, in another place and time (it’s been done by many other people, myself included, in the last 20 years, and it will most certainly continue after this, and probably should continue). It’s not like I’m necessarily giving my blessing to every single creative decision in Adventure or 02 in running this blog, it’s more of the attitude of “now that this decision was in the series, can we figure out what that was intended to mean?”, and that’s going to apply to this one too. And so, we’ll proceed with the analysis.

In any case, here’s the first thing to start with, which may surprise some people to learn: at no point in the epilogue is the word “housewife” ever used to refer to Miyako. The only words that Takeru uses to describe her are: that she is married to Ken and is a mother of three. Not only that, post-02 materials that have referred to the epilogue and Miyako’s part in it have also avoided using that word -- the Character Complete File and the Animation Chronicle only reiterate the same points of “married to Ken” and “mother of three children”, and practically go out of their way to avoid insinuating that being a stay-at-home housewife is the main focus of her life right now. It would have been so easy to say it outright if they’d wanted to, but they didn’t, and they consistently don’t, to the point the omission is almost suspicious. And, indeed, if you want to believe the Character Complete File, Miyako is not a full-time housewife and is simply not working at the time of the epilogue due to maternity leave because the third child had recently been born. So it’s completely within the realm of possibility that she’s still working! In that case, why is something that could easily be a big deal left ambiguous like this?

If you look at the way the epilogue presents its information, there’s a certain pattern: what information is emphasized and what information is given little attention or omitted has very little to do with “how curious the audience would be about it”, but rather “how relevant it is”; just because a certain piece of information is omitted doesn’t mean it necessarily isn’t true. For example, Sora; she’s married to Yamato, but despite how much the audience would probably consider that as vital information, it’s left for you to infer from the visuals and an oblique comment that Sora’s daughter is a “dependable older sister”, and even the question of whether Sora did succeed her mother in flower arrangement is left up in the air despite that also probably being a question the audience is curious about (and in fact, a few flower branches are clearly visible in the front, implying very heavily that, whatever happened, she’s at least still maintaining her roots with her family instead of violently cutting it all off). But we do learn about the fact that she went into fashion design, which is something that’s not an expectation that was placed by her family but rather something she presumably decided on herself. Hence, presumably why that’s the part emphasized, and moreso than her marriage to Yamato -- said marriage is of course an important part of her life, but it’s not as prominent as the fact that she has her own independent career, especially since her entire character arc was about doing things that she wanted for herself instead of doing things for others. That is to say, compared to their own individual ambitions, Sora and Yamato’s love life is “an important part, but not the important part.” This is especially when you add the context that Takeru is delivering abridged single-sentence “catch-up” descriptions of his friends on their behalf (possibly to the world, if this is part of his novel), and so, it begs the question: what would each of these characters want to be most remembered for accomplishing?

(And if you think I’m being tinfoil hat about this, remember that a constant theme with this blog I’m running is that “being annoyingly subtle and relying on ridiculously oblique messaging” like this permeates the entirety of 02 in general, and it’s definitely not the only time they’ve used this kind of technique to communicate details that are too consistent and on-the-nose to be passed off as coincidence. As far as assuming that this series follows rational storytelling logic goes, we are far past that point, and in ways that extend far beyond this epilogue.)

So we look back at Miyako, and the hobbies she’d indulged in and what purpose they were for, and her personality, and the fact that the main point of her character arc was about her complex that she would never be a good enough person who could properly emotionally reach out and take care of others -- in some ways, her arc was the opposite of Sora’s, in that while Sora’s was about not being as beholden to others, Miyako’s was about how to become someone who can better support others -- and once we apply the above question, there lies the answer to why the priority and emphasis given to her future in the epilogue is “Miyako is the kind of person who prioritizes taking care of and supporting her loved ones more than anything else.”

This is especially because (in an epilogue with not very many lines, so every bit of information becomes vital) the lines we see Miyako and her family exchange are representative of a lot of what that character arc was about. According to her son, Miyako is still her panicky and emotionally messy self, even when in the role of the matriarch of a large family who’s responsible for taking care of all of them. She did not ever become the ideal “gentle” and “mature” kind of person that she considered Mimi and Hikari to be and negatively compared herself to. However, her family responds by cheerfully laughing, which is -- most likely not coincidentally -- the same thing that was shown to be the positive flip side of Miyako’s over-the-top personality back in 02 episodes 31, 36, and 38, in that it brings joy and cheer to others.

If you do want to take the Character Complete File’s statement at face value, the fact that she’s on self-imposed maternity leave means that it’s very likely she wasn’t on a salaried job and was instead freelancing, or at least was involved with something that didn’t require constant commitment. Considering the fact she’s consistently portrayed as an impatient sort who gets bored easily, she probably would prefer something more flexible like freelancing or at least not being tied to a single thing; even looking back at her completely disparate hobbies back when she was a kid, when she was basically jack-of-all-trades-ing to fit whatever people needed her for, she never really came off as someone who could commit very easily to a single form of work, but what she did have commitment to was other people, especially her friends and family. If you (or, perhaps, Takeru) were to ask her during the time of the epilogue “what are you up to right now?”, it’s not really that hard to believe that gushing about her lovely family would come before everything else; not to say that everyone else here (especially her own husband) isn’t presumably devoted to their own families, but Miyako’s the type to have that much higher sense of pride in what she does for those she cares about than she would have particular attachment to any kind of work. Look at her behavior during Kizuna; she’s pursuing a degree in computer programming and thus is still aiming to be a busybody with a high level of skill, but when given a job by a stranger, she immediately dumps it off on her seniors so she can be with her friends, then happily accepts that same job again when the same friends present it back to her.

So, in other words, the conclusion is: the biggest priority and most important thing to Miyako in regards to her future is that she finally became someone who could properly support others around her, even in spite of her personality that would suggest otherwise.

In addition, the fact that she has three children might initially come off as a little in-your-face or overkill, but remember that Miyako came from a family with four siblings, and 02 episode 49 had her say outright that she does treasure that – or, in other words, being part of a big family surrounded by affection and love is something she considers to be a valuable part of her life (especially since the age gaps between the three children imply a reasonable likelihood of actual family planning, moreso than even Miyako’s own).

Incidentally, this is just a bit of a personal note, but one might notice that I’ve also never actually used the word “housewife” to refer to the epilogue’s depiction of Miyako in the course of writing for this blog, because of how little evidence we have that she is one – being on temporary maternity leave still being a very viable and, given the post-02 materials we now have, arguably heavily likely interpretation, it’s not like you’d necessarily call someone a housewife if their break from work is only temporary, even if they’re a freelancer. Given the above circumstances, perhaps something like “family matriarch” would be more accurate…

#digimon #digimon adventure 02 #digimon adventure last evolution kizuna #inoue miyako #miyako inoue #kizuna spoilers #shihameta

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yeahhiyellow · 3 years

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19, 22 and 23? :^)

19. What is the one thing you hate most about your fandom?

Tbh there are a lot of things I hate, although by this point it's only very certain parts of the fandom that have these problems, since most of the shitty people have lost interest by this point. If I had to choose just one thing though, it'd be the overwhelming focus on white, male characters over female and/or characters of color. And there are a lot of areas where this shows up. One major example is that a lot of people like the idea of Connor, Hank, Gavin, and Nines (all white, male characters, mind you) staying at the DPD even after:

The DPD was the one (along with Cyberlife) responsible for the deaths, arrests, and brutal treatment of androids, the main oppressed group in the game's world

Connor and Nines are a part of that oppressed group, and at least Hank is shown in game to support them

Connor has already worked at the DPD and was routinely called an "it" (which as someone who is nonbinary and has been called "it" knows how insulting that can be and understands the need to get away from situations where that happens), was allowed to be sent to his death by, and was routinely harassed and nearly murdered, or in some playthroughs actually murdered, by workers at the DPD (*ahem Gavin ahem*)

Hank (if he is your friend) risked his career just to cause a distraction for Connor to keep him alive

Just because the android revolution was successful doesn't mean the DPD was going to follow that. I mean, the androids were heavily compared to African Americans in this game, and we all know how the current police system treats them (and if you don't, pay attention to the news, like, ever. Also read Jim Crow as that book is very informative on the oppression of blacks in the entire incarceration system as well as before and after that)

So I hope it would be pretty obvious to any sane person that suggesting these characters would join/remain in the DPD after everything is offensive on all sorts of levels.

In addition to that, you also have some people saying that they only cared about Connor's story, or that his was the only good one. The female protagonist that risks her own life several times to save that of a child (no matter if she is human or android)? Not important. The (half) black protagonist who is shot by police, has to rebuild himself, and leads his own people to freedom? Who cares? The only important story to these people is the white, male, cop android who spends most of his time hunting down the good guys. And if some people honestly prefer Connor's story because of their own reasons, that's fine. And yes, Kara and Markus's stories have lots of problems. But Connor's does too, and none of this gives people an excuse to ignore the other characters, especially since they are the minority characters. Then, there are also the people who say Connor's machine path was better than his deviant path, or that him being replaced by Nines in the end was unfair. And... what the fuck??? I mean, I get it, it's fun to play through different options, and Connor is hella badass in the machine path. But he is also hella badass in the deviant path (killing the guards in the elevator, possibly the team at the bottom if he doesn't catch the security camera, fighting Sixty, walking in front of all the androids he freed, like, come on), and he also, like, has morals and isn't oppressive??? In the machine route, he kills his own people, including those who just want to be free and might have been completely pacifist the entire way through. So I'm sorry, anyone who thinks his machine path is better is just looking for an excuse to be oppressive without openly admitting it.

Then there's the Gavin apologizers. While fanon Gavin is awesome, some people have way overstepped the line of redemption and allowing oppression. I've seen posts defending Gavin's in-game behavior, just because he refers to androids as "he" on occasion. This is despite:

Suggesting "roughing up," or being violent to Shaolin (the HK400 in "The Interrogation")

Insulting his partner, Chris, when he doesn't forcibly move Shaolin against Shaolin's will

Pointing a gun at Connor after Connor rightfully says to stop touching Shaolin for both succeeding the mission and for Shaolin's sake, and only stepping down after Hank points a gun at him and even after insults Connor

Punching Connor right in the thirium pump regulator and then pushing his head right where his LED is in the break room if Connor refuses to get him a coffee

Insulting and threatening Connor in the same scene even if Connor follows all of his demands

Insulting Hank's alcoholism in the Eden Club "it's starting to stink of booze in here"

Purposely pushing Connor to the side in the same scene

Trying to literally murder Connor and admitting he'd wanted to kill him ever since he first saw Connor, sometimes successfully

Both physically and verbally assaulting Connor

I forgive very easily and strongly believe in redemption, don't get me wrong. But trying to excuse Gavin's behaviors is so inexcusable, especially when most of his aggressions are towards androids, the oppressed minority.

Now, let's look at Ao3, shall we? Let's see how many fics posted there are with each of the "main" (including Gavin and Nines since even though they are not main characters in canon they are in fanon) characters... (also, keep in mind, I gathered this data about a month ago so it might not be completely up to date):

Connor: 16,150

Markus: 5,395

Kara: 1,504

Hank: 13,135

Nines: 9,807

Gavin: 9,939

Amanda: 1,177

Chloe: 1,521

North: 3,056

Simon: 3,192

Josh: 1,965

Alice: 1,098

Luther: 848

Rose: 193

This means that certain characters get unequal amounts of attention:

White: 59,042

Black: 9,578

Male: 60,431

Female: 8,549

White, Male: 52,223

White, Female: 7,179

Black, Male: 8,208

Black, Female: 1,370

Well, this says a lot. Now, some people reading this might realize that there are more white and male characters to begin with, so it could be fair even with their numbers being higher. So, okay, let's see the average amount of works a single character in each of the above categories would have (so divide each of the values by the number of characters in that category) (also I rounded to the tenth place aka first decimal point):

White: 6,560.2

Black: 1,915.6

Male: 7,553.9

Female: 1,424.8

White, Male: 10,444.6

White, Female: 1,794.8

Black, Male: 2,736

Black, Female: 685

If anything, these are even more telling. And if you don't believe me, look on Ao3 and calculate these yourself, because you'll get the same thing.

To be clear, I don't have anything against Connor, Hank, or any of the white and/or male characters. I even like the way that the fandom has redeemed Gavin. But the fandom has not done the same job of redeeming other characters, especially the minority ones, and pays way less attention to them, and that needs to be called out with evidence by someone.

Anyway, I spent a LONG time on that first question, so I'll try to make the next answers shorter!

22. Popular character you hate?

There aren't any popular characters that I thoroughly hate. The only characters I hate are ones that are already highly unpopular (Todd, Zlatko, Perkins). If we're talking canon characters, I do hate Gavin with a flaming passion. I mean, he is meant to represent police brutality. But fanon Gavin is cool with me, so I'm not sure exactly how much this counts.

There is one semi-popular character that I dislike though, and that is Kamski. I'm half-counting him again because within the fandom there are very mixed opinions. I personally dislike him mainly because of his treatment of one of his Chloe's: he is willing to let her get shot in the head and killed just to find a dumb answer to his Kamski test just because he feels like it. If Connor doesn't shoot Chloe, he tells Connor he's deviant, knowing full well that Amanda and Cyberlife are watching being the one to design the program, endangering Connor. While he arguably is responsible for deviancy and wants androids to succeed, that doesn't make up for those facts.

Another character that half-counts is Daniel. There are mixed opinions within the fandom on him as well, with some arguing that he is only wanting to not get replaced and protect himself. However, since his first response was to kill the dad, and then he proceeded to shoot at least 3 more cops, killing 2, and hold Emma, the young girl he had been friends with for years hostage, even though she had nothing to do with his replacement. You can't argue that he didn't want to kill Emma and only used her as protection for himself, either, as there are multiple endings where he tries and sometimes succeeds in killing Emma, even when he is also killing himself. I'm not closed to a redemption arc for him, but his in-game actions are inexcusable. He's the one deviant who truly has no valid defense for his actions.

23. Unpopular character you love?

There are a few. I absolutely adore North, Josh, Adam, and Alice, even though the fandom has conflicted opinions on them. Then again, none of these characters are really considered unpopular, just not as popular as others with a select few that don't like them. With North, I've been in this fandom since a few months after its release, when there was a lot of North hatred, and was actually in a group called the North Protection Squad lol. However, now most people like her, and she's really grown in popularity. With Josh, it's less that he's hated, and more that he's ignored. People say that Simon was the peaceful option when he was really the neutral, and recently I've seen more people against Josh's opinions on the revolution. While I don't always agree with Josh being so passive and undemanding (neither do I agree with North's violence), he's still an awesome character with some very valid points. Then, I do understand why some people dislike Adam, as at first he's against androids and almost reveals Kara and the others. However, if you meet him at the border crossing, he apologizes to Kara and changes his mind, promising to help androids. While he may start out scared and not on the right side, he does have a good heart and ends up making the right decisions in the end. With Alice, I haven't seen many people hate her, either, although I have seen some saying she's annoying and lacks a personality. I agree that she lacks a personality, although I argue that's the writers' faults rather than her character's (as are problems with other characters, I mean David Cage wrote this so what were we expecting). I also don't think she's annoying, as after all she is only 9 (in human terms), doesn't admit she's an android because she's scared Kara will reject her (and Kara actually can reject her for being an android, leaving her completely on her own in a world that wants her dead. Also, living her whole life with Todd can absolutely not help her feel more secure with who she is or make her trust Kara to still love her for it), and she is only cold and feels sick because her model of android is literally designed to replicate human sickness and discomfort (and it's clear she doesn't know how to turn them off, because even after Kara knows she's an android Kara still has to help Alice not feel cold anymore. Also, this is November in Detroit, in which the average temperature is 42°F (5.6°C). There are also scenes where it is snowing, meaning the temperature is below freezing. Still, despite the temperatures, in some scenes not having a coat, and feeling sick, she says Kara and Luther can't stop because of her, risks her life to save Kara's if you fail QTEs, and says she's "fine" even when she's cold to comfort Kara. So if you think she can be annoying, yeah, all 9-year-olds can be. But if you think she's annoying enough to actually hate her, idek what to say).

In terms of characters that are really unpopular, I actually like Leo. His actions at first are inexcusable. I mean, accusing Carl of loving an android more than hin, insulting Markus and treating him as less than human, threatening him, breaking into Carl's house and attempting to steal his paintings for drug money, and framing Markus for Carl's death leading to him getting shot and nearly killed are obviously not okay things to do. However, he is clearly on drugs, specifically red ice, the most dangerous drug in the world. Also, if you decide to push Markus leading Carl to still be alive, when you return to Carl's house, you can find a message Leo sent to Carl in which he apologizes for everything and promises it won't happen again. In the extras section, you also find out Carl missed out on Leo's whole childhood, only first meeting him once he was much older. Given that Carl spends all of his days pleasantly conversing with Markus while ignoring Leo, not calling him, only talking to Leo once he comes around himself, and doesn't even argue when Leo says Carl doesn't love him, it's almost fair that Leo thinks the way he does. Since he's also high on drugs throughout the story, at least up until Markus gets shot, we also know that the Leo we see isn't the real Leo. Later, if Carl is dead and Markus visits his grave, he encounters Leo again. This time, when Leo sees Markus he is only shocked. Now, off of red ice, not only is he going to see Carl's grave, expressing love for his father, he also doesn't try to hurt Markus, insult him, or anything mean or dehumanizing. His expression lacks any signs of aggression. It was only when he was high that he was such an asshole. Although that doesn't excuse his behavior, it does give a reason for it, and by the end I consider him redeemed.

~~~

Wow... that was a long response to a very short ask. No need to read all that (although I would highly suggest reading my first answer, at least, since that does contain some very relevant points). Although then again, if you've made it here, you've probably already read all that. In which case I would love to hear your opinions if you're willing to share (as well as anyone who sees this!) I guess I just had a lot of opinions that I needed to put out in the world lol, so thank you sm for the ask!!!!! 💛💛💛

#dbh #dbh meta #dbh analysis #my opinions #asks #detroit: become human #racism #misogyny #abuse

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everythingsinred · 3 years

Text

Let's Talk About NatsuMikan: The Anime (pt. 1)

I could go on and on about these two and I think I will, just because I don’t often see people talk about the analysis behind them. The meta I have seen about them has included a perspective that equaled the anime and the manga and I don’t think that’s an accurate way of viewing their relationship.

The anime is a different species than the manga, something that frequently happens during the adaptation from page to screen. Since they’re so different, I’ll analyze them separately.

There's going to be many parts to this so I'll keep a table of contents right here so people can more easily navigate (though you can also read through the "let's talk about natsumikan: the anime" tag on my blog):

Anime Analysis

Part 1: Exposition & Episode 7

Part 2: Episodes 8, 9, 10, & 11

Part 3: Episodes 12, 13, 14, 15, 16, & 17

Part 4: Episodes 18 & 19

Part 5: Episodes 20, 21, & 22

Part 6: Episodes 23, 24, 25, & 26 & Conclusion

The anime makes changes, as anime adaptations often do. The most outstanding changes are appearance related, as Natsume now has brown eyes instead of red, in addition to other characters who have hue-shifted eyes and hair. But there are also story changes, and I’ll be focusing on the changes that occur, specifically in regards to Natsume and Mikan and their relationship.

For one, their relationship starts evolving much earlier in the anime. I think it’s pretty undeniable that in the anime, Natsume started liking Mikan at the end of the dodgeball game. That scene never happened in the manga, but in the anime, it’s a crucial step in making sure nothing seems too sudden or forced.

The anime is 26 episodes long. If Natsume only starts liking Mikan after she saves him during the Reo Arc, then we’re already halfway through the show when positive feelings between the two appear. On the other hand, the feelings develop more slowly in the manga because there’s more time to properly develop the relationship in a more drawn out way.

My analysis will start with the anime, because it’s shorter and easier to discuss.

Exposition

It’s impossible to say that the anime was completely loyal to the manga. It very frequently couldn’t be, because it needed to fill in time in episodes or give closure early before the manga even addressed it (Natsume’s backstory in the anime, for instance, is vaguely referred to and implies deviation from the manga).

The most obvious difference between the manga and the anime from the get-go is visual. Not only do they have differing art styles (I don’t dislike the anime style but Higuchi Tachibana’s art style is so distinct and unmistakable while the anime’s isn’t so unique), but the setting is also different.

While the manga started in the depth of winter, the anime starts off in summer/fall. It always struck me as odd that while the first page of the manga has Mikan running after Hotaru in full winter-wear, the anime starts off warm and idyllic. You could almost think of that as a general warning for the difference between the anime and the manga. After all, while the anime has a reputation for being a cutesy and upbeat story about friendship and magical powers, the manga is much darker and discusses many morbid and depressing themes that can and WILL fuck you up. Warm vs. cold seems like an accurate difference, though I don’t think that was intentional.

We see way more of the village life in the anime, including Mikan’s efforts to keep the school from closing. This is a welcome change because Mikan’s passion to keep the school open is nothing compared to her friendship with Hotaru, and even after the school is saved, she runs away to see her friend, even if it means she goes to another school. The manga doesn’t imply that Mikan knew already about the school’s fate, and since she is always so preoccupied with Hotaru anyway, we don’t really get the impression that she cares very much. To Anime!Mikan, Hotaru is more important than saving the school, something she was so passionate about she rallied to get signatures. It’s an extra scene to prove just how much Hotaru matters to Mikan, and to show even more how selfless Hotaru was to go to Alice Academy, since she knew how much the school mattered to Mikan.

“Sign my petition to get a Gakuen Alice anime reboot!!!”

My boy Natsume is only introduced properly in the second episode, when we actually see his face and he speaks. His appearance is different from the manga’s too. I’m not sure if this was to appeal to a younger audience or what, but Natsume’s eyes are changed to brown instead of their iconic red, something that was always my biggest peeve about the anime adaptation. His hair is also somewhat purplish instead of entirely grey/black and, although this does bother me a lot less than the eyes, I wonder why they made this change when other characters have black hair. It might have been to differentiate him from Hotaru, another main character with black hair, though I’ve never had issue in the manga telling them apart.

His first interaction with Mikan is a lot more pleasant in the anime than in the manga, although that’s not really saying anything. Mikan’s skirt simply falls off and Natsume draws attention to it, rather than the unpleasant events that took place in the manga. This different event makes it a lot easier to support a relationship between the two of them right off the bat. They are still antagonistic but it’s not as terrible as it is in the manga. This makes it easier to establish romantic feelings earlier on, and might have been changed in order to achieve just that, or possibly also to appeal to a younger audience. Maybe both? Who knows.

“You can’t sit with us!”

With Natsume presented the way he is in the anime, it’s easier to make the claim that he’s simply a good guy who acts the way he does to protect people. And it’s true! He is! But he is also so much more. In the manga, he’s a more complicated character. Although he is a good person, he still requires character development, which is something he does go through, and something I’ll talk about more in his meta analysis later.

Most of the events at the beginning of the anime parallel the events of the manga. Mikan goes to Alice Academy at the same time of year, Natsume shows up with an explosion, Mikan has to go through the Northern Woods, she discovers her powers in her fight with Natsume, etc. Some of the continuation from episode to episode is different than the transitions between chapter to chapter, there’s extra scenes inserted to fill up time, and some of the exposition seems strangely presented (in the anime, Mikan finds out more about the school when she finds Narumi and Iinchou waiting for her at a tea party, which is…. Super weird…), but all in all the information and events are mainly the same. The big differences start with the dodgeball episode.

“Look how happy she is. Makes me wanna barf.”

Episode 7 vs. Chapter 9

I love the dodgeball episode. I feel like for the most part, the anime does deviation from the manga pretty well. With the last arc as an exception, I generally enjoy their changes and additions to the plot. The anime has to be different, has to progress at a different pace, has to introduce topics at different times. They have an episode to fill, and less time to build relationships. Natsume and Mikan are both different characters in the anime but it’s very subtle and has to happen due to the fact that the anime is shorter and seems more designed for younger audiences, in addition to wrapping up before the manga could explore more of the story.

Anyway, let’s talk about the dodgeball episode. AGAIN THIS DOES NOT HAPPEN IN THE MANGA THE SAME WAY so when discussing NatsuMikan as a concept, the anime events cannot be treated the same as the manga events. A lot of people maybe forget that the manga is very different than the anime when it comes to this episode. I see the two media conflated in plenty of fanfics, where seventeen year old NatsuMikan reflect on the dodgeball game from their youth that changed everything, and I get it because the anime version of the dodgeball game is cute! It's shippy! It's fun! But it doesn't happen in the manga the same way.

There's a similar trope with the sakura tree, which I can only remember from the anime, and yet it's such a fundamental aspect of NM fanfic it might as well have played a vital role in both anime and manga. Nothing wrong with any of this, of course. I'm just making it clear that my analysis will cover the two media as separate for the sake of a cohesive essay. Separating them in fanfic is far less important.

This look could probably kill someone. I’m surprised Mikan is still alive, TBH.

The chapter’s focus is Mikan starting to feel more at home in Class B, making friends with her once-hostile classmates, but the episode is more preoccupied with Natsume and Mikan’s perspectives on each other. While in the manga, the game ends with a tie and Mikan accidentally hits Hotaru in the face with the ball, the anime draws out the game to fill an episode and to introduce an evolution in the way Natsume sees Mikan. The first part of the anime episode is Mikan introducing her friends to her new senpai, Tsubasa. After she invites her friends, we see Natsume glowering at her and promptly ditching the next class, saying to Ruka that he can’t stand being in the same class as her. This addition to the plot already foreshadows that their relationship will change in some way by the end of the episode.

Tsubasa tells a frustrated Mikan that if she wants Natsume to be less unpleasant, he’d need to release some of his toxic energy. Thus, the sporty Mikan introduces the concept of dodgeball to the unwelcoming class. When they finally agree, Natsume gives one condition: that they play with the notorious Alice Ball, which is powered by the thrower’s alice (a detail absent from the manga). This Alice Ball is particularly terrifying with the threat of Natsume’s dangerous fire alice. Mikan also needs to get more people on her team, another aspect absent from the manga. While in the manga, Mikan only had her few friends on her team (including a wandering Ruka) and this ended up playing to her advantage, the anime has a humorous plot of Mikan tracking players down for her team, including a fake mustache she makes with her pigtails (she’s so cute, I love her), paying Hotaru to be on her team, and blackmailing Ruka to participate. This was mainly to fill time, but it makes the dodgeball game more important as well.

In the manga, we don’t see how the game ends, just that the teams tied and that everyone in class is having fun and bonding. In the anime, more emphasis is put on the “Mikan vs. Natsume” aspect, so a tie like the manga’s would be anticlimactic. Thus, the anime concludes the dodgeball game with Mikan and Natsume being the only kids left on the court, and Natsume not using his alice when he throws the Alice Ball. Even Hotaru leaving the game is something she does out of boredom instead of injury, further separating the other characters from the plot. It’s about Natsume and Mikan, and everyone else is mostly a side character. (Though Ruka also plays a vital role to this episode AND chapter, and it’s at this point that I think he started developing real feelings for Mikan as well. So when it comes to the anime, he and Natsume fall for Mikan around the same time, but in the manga, Ruka likes her first and the “he liked her first” argument for Natsume vanishes, though he never had that “advantage” to begin with.)

“Thank you!”

Natsume wins (something that shocked me at twelve years old) and is ready to walk away with his handy “tch” and all but Mikan thanks him for not using his alice and he goes off on her, demanding to know why she’s still smiling despite her loss. She says she’s happy that he had fun and was involved with the rest of class for once, and that in a way that means she wins. For Anime!Natsumikan, this is it. This is the turning point. “I just wanted you to be happy and have fun,” is what Mikan might as well be saying. “Really, this was all for you!” It’s sweet and it’s thoughtful and I don’t think Natsume ever imagined he’d be on the receiving end of her kindness, especially after all their beef. Manga!Mikan would probably not say these things to him, even if she meant them, for the sole reason that Mikan is stubborn and holds onto her pride, especially when it comes to her early relationship with Natsume, but Anime!Mikan is much more forgiving and much more willing to extend an olive branch, like in the dance episode. In any case, Natsume starts falling right then, and it’s obvious too, because he is pissed, and even more angry because he’s not even mad at her. He’s angry with himself for his change of opinion. This is the girl he was fully content to hate forever and yet here he was, starting to like her. Not ideal.

This scene, something so crucial to the development of Anime!Natsumikan, is completely absent from the manga. In the manga, Natsume still dislikes her by the end of the game although he does have fun.

He's not angry, just disappointed. In himself.

I’m not going to say one is better when it comes to starting up NatsuMikan because they’re very different creatures and I actually thoroughly enjoy both.

Anyway, the NatsuMikan after episode 7 is almost the same as in the manga, but the events carry a different weight since we know Natsume likes Mikan now (even if he would never admit it).

Summary

I hope this first part was interesting, and that it introduced the idea of Anime!NatsuMikan as being a little different from the manga's version. Yes, it is more or less the same story, but with so many thematic and plot changes, they take a different form as well, in a perhaps more subtle way, kind of like a slightly canon divergent fanfic. Fanfic where Natsume starts liking Mikan a bit earlier on in the story.

Next Part ->

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notebooknebula · 3 years

Video

youtube

Become A 7-Figure Real Estate Investor with Nick Perry and Jay Conner, The Private Money Authority

https://www.jayconner.com/become-a-7-figure-real-estate-investor-with-nick-perry-and-jay-conner-the-private-money-authority/

Freedom to go on different ventures, explore different areas of life, helping other real estate investors become financially free.

These are the things that Nick Perry wants to share with everyone as he talks with Jay Conner about how he started his real estate business until his company became one of the largest wholesaling companies in the US.

Nick is the Owner/Founder/Executive Chairman of Want To Sell Now. The largest nationwide wholesaling company in the United States is based out of Austin TX.

He also owns a fleet of semi-trucks multiple eCommerce businesses and invests in multiple companies and commercial real estate. He also owns the 7 Figure Cartel mastermind that gets people quickly through the hurdles to become multiple 7 figure real estate investors.

He grew up in Northern Virginia and spent the first 5 years of my career in Personal Training before moving to Austin TX where he now resides. Nick moved to Austin with no job, network, and very little money. Soon as he got to Austin, he decided he would do whatever it took to be successful in real estate in pursuit of new opportunities.

He didn’t come easy. It took him 11 months to get his first deal but he did not give up. Nick worked 18 hours a day 7 days a week. He got a six-figure sales job at Indeed.com while he was building my real estate business. Nick devoted all of his sales commissions and time outside of my 9-5 to building my real estate business until he was able to go full-time. As soon as he went full-time, he quickly scaled his real estate company to where it is now in less than 3 years. He now has 8 streams of income and is working on creating more.

Timestamps:

0:01 – Get Ready To Be Plugged Into The Money

1:02 – Jay’s New Book: “Where To Get The Money Now” –https://www.JayConner.com/Book

1:59 – Today’s guest: Nick Perry

4:45 – Nick Perry talks about how he got started in the real estate business.

5:47 – What is your definition of freedom?

6:25 – When did you start your real estate business?

6:47 – Nick talks about some of his early struggles.

8:40 – As the owner of one of the largest wholesaling companies in the USA, Perry talks about what his company looks like and the number of deals they are making now.

10:04 – Nick Perry talks about what wholesaling is all about.

11:32 – Nick explains what is a Novation deal.

12:28 – What makes your company/organization different?

14:00 – How do you run your real estate business remotely?

16:10 – Nick talks about how he manages the rehab or repairs of a property.

17:51 – Tips on building buyers lists.

19:40 – Do you agree that it’s more challenging to find real estate deals now than a couple of years ago?

22:18 – How much money do you spend in marketing to get a contract?

23:21 – What tools in your real estate business that you can’t live without?

24:19 – What is the most important lesson that you learned from real estate investing?

26:42 – Nick Perry talks about his passion for helping other real estate investors.

28:18 – Connect with Nick Perry: https://www.7FigureCartel.com

Private Money Academy Conference:

https://jaysliveevent.com/live/?oprid=&ref=42135

Have you read Jay’s new book: Where to Get The Money Now? It is available FREE (all you pay is the shipping and handling) at https://www.JayConner.com/Book

Free Webinar: http://bit.ly/jaymoneypodcast

Jay Conner is a proven real estate investment leader. Without using his own money or credit, Jay maximizes creative methods to buy and sell properties with profits averaging $64,000 per deal.

What is Real Estate Investing? Live Private Money Academy Conference

https://youtu.be/QyeBbDOF4wo

YouTube Channel

https://www.youtube.com/c/RealEstateInvestingWithJayConner

iTunes:

https://podcasts.apple.com/ca/podcast/private-money-academy-real-estate-investing-jay-conner/id1377723034

Listen to our Podcast:

https://realestateinvestingdeals.mypodcastworld.com/11198/become-a-7-figure-real-estate-investor-with-nick-perry-and-jay-conner-the-private-money-authority

Become A 7-Figure Real Estate Investor with Nick Perry and Jay Conner

Jay Conner (02:10):

I don’t know about the rest of you, but today he’s down in Miami, on the beach. Anyway, this company is the largest nationwide wholesaling company in the United States, and it is based out of Austin, Texas. Now my guest also owns a fleet of semi-trucks, multiple e-commerce businesses, and he also invests in multiple companies and commercial real estate. Now he also owns this mastermind, the 7-Figure Cartel Mastermind. I can’t wait to hear about that. And that gets people quickly through the hurdles to become and enjoy a multiple 7-figure real estate investing company. Now he grew up in Northern Virginia, spent the first five years of his career in personal training before moving to Austin, Texas, where he now lives and moved to Austin with no job network, very little money. And as soon as he got to Austin in pursuit of new opportunities, he decided he was going to do whatever it took to be a successful real estate investor.

Jay Conner (03:12):

Well, it did not come to him easy and as it does for most of us. It took him 11 months before he got his first deal and he didn’t give up. He worked 18 hours a day, 7 days a week, got a 6-figure sales job at Indeed.com, while at the same time, he was building his real estate investing business. He devoted all of his sales commissions and time outside of the 9 to 5 to building his real estate business until he was able to go full time. So as soon as he went full time, he quickly scaled his real estate company to where it is now and did all that in less than 3 years. And today he has 8 different streams of income and is working on creating more. With that, let me welcome to the show here, my friend, Nick Perry. Hello, Nick. Welcome to the show.

Nick Perry (04:04):

Jay, what an intro man. That was incredible, but I’m honored and excited to be with you guys right now. So looking forward to learning it from you and, hopefully, being able to give it a lot of value to the audience as well.

Jay Conner (04:15):

Absolutely. Nick. So it looks like you’re relaxing down there in Miami.

Nick Perry (04:22):

I am. I actually just moved into a new house here in Miami Beach. So I’m getting my office set up, the interior designer’s coming back and forth. So I’m hanging out on the couch, working from the couch today.

Jay Conner (04:33):

Awesome. Well, there’s nothing wrong with that. Well, I appreciate you taking time out to join me and the audience here on the show. So are you ready? You got your seatbelt on?

Nick Perry (04:43):

Let’s go.

Jay Conner (04:45):

All right. What got you into real estate?

Nick Perry (04:49):

My entire life, coming from a kind of middle-class family, everybody that I surrounded myself with was your W-2 employees. They work 9 to 5, just like the majority of the world. And when I was a personal trainer, most of my clients were really, really well off. They were business owners, they were in sales. And those were the guys that were taking nice vacations, they were driving fancy cars, they had freedom and all the things that I wanted in life. And so rather than going with the flock to continue on a 9 to 5 path, I realized that in order to be financially free, I better go out and build a company or get into some high-ticket sales because that’s what everybody who actually had money was doing. So I didn’t know what I wanted to do, but real estate ended up turning out to be that vehicle. And it’s been incredible, as you know, it’s the best decision I ever made in my life.

Jay Conner (05:47):

So you mentioned the word “freedom.” What’s your definition of freedom?

Nick Perry (05:50):

Well, I mean, I’m sitting here right now in Miami Beach. I live two blocks from the ocean. I’ve got the freedom to be able to go where I want when I want, be with the family when I want, so yeah. If I was working at a 9 to 5 job, you just can’t do that kind of thing. So that is also freedom just to be able to go into new ventures and explore different areas of life. That’s really what it’s all about for me. So yeah, I’ve been able to create that for myself and it’s been a heck of a ride.

Jay Conner (06:26):

So, what year did you start?

Nick Perry (06:29):

I landed in Austin, Texas, like you said, without really anything. I had like $5,000 in my name and I just started learning and taking action and I just didn’t give up. And now here we are 7 years later.

Jay Conner (06:45):

Yeah. So what were some of your early struggles?

Nick Perry (06:51):

Early struggles? Obviously, everybody’s got a learning curve, but in 2014, I was doing a lot of direct mail. I wasn’t getting a lot of results either. I would handwrite the cards myself because I didn’t have enough money to pay for a fulfillment house. And I had to get good at sales, too. When I moved down to Austin, it was a much different place than Northern Virginia where I grew up. So, I had to adapt my sales style. You can’t talk so fast down in Texas like you can up in Northern Virginia. So I had to slow down a little bit, and really, the biggest thing was I was getting too much information. I think this is what happens to a lot of investors, as I’m watching YouTube video after YouTube video, trying to absorb as much as I can. And I really didn’t start getting traction until I hired my first mentor and just plugged directly into him. So I started working with Sean Terry, a great guy, in the very beginning, and I would visit with him every quarter and he would tell me exactly what I needed to do and I’d come back the next quarter. And I did that for a couple of years and that really got me going. So hiring a good mentor early was critical for my success. I was fumbling around trying to watch YouTube videos for the first 11 months.

Jay Conner (08:17):

Right. I got you. So yeah, getting a mentor, getting a really, really good coach up front was very important for you. So you’ve got one of the largest, if not the largest, wholesaling company in the US. What does your company look like?

Nick Perry (08:51):

Basically, what does it look like physically? It’s an inside sales office, right? So we’ve got 11 employees and inside of it, we’ve got 5 in Acquisitions. We’ve got 3 in Dispositions, we’ve got my seat as CEO. Then we’ve got a couple support admins and then myself. So we’re not huge, but we’ve been doing it long enough that all of our people are just A players.

Jay Conner (09:23):

So, how many deals are you doing these days in your organization?

Nick Perry (09:28):

So, when we’re in the office, we’re getting anywhere from 3 to 5 contracts every single day. So between 40 to 60 closed and funded deals every month.

Jay Conner (09:39):

Gotcha. And how many different markets are you in?

Nick Perry (09:43):

So the unique thing about my company is we market the entire United States. So I don’t have a specific market or pockets or different markets. I literally blanket the entire US.

Jay Conner (09:59):

Got you. So about five contracts a day. Day in and day out. Let’s make sure everybody understands what we mean when we say “wholesaling.” Different people have different definitions of wholesaling. So what’s your definition of wholesaling? How does that work?

Nick Perry (10:14):

Yeah, wholesaling is, you’re going and you’re contracting a property. Wholesaling, you could literally wholesale any item, but we’ll just use real estate for the example. So you negotiate with a motivated seller to get a property under contract for a certain amount that you can turn around and give it to an investor for a higher amount. So easy numbers, you’ve got a $100,000 property. It’s worth a hundred grand. You get the seller to agree to let you have that property and put it under contract for $65,000. And then you turn around and you find a fix-and-flipper or an investor that wants to buy that property. And they’ll buy it for $75,000. Well, when you get a contract with both parties and turn them into the title company, the title company will give you a $10,000 check or however much the difference is.

Jay Conner (11:03):

Right. So would you say wholesaling in your company is sort of synonymous with assigning or collecting assignment fees?

Nick Perry (11:11):

Correct? Yeah, so we collect a lot of assignment fees, but we’re not just a one-trick pony either. We do “subject to” deals. I hold a lot of rentals in my portfolio, as well. We do novations. So we’re always looking for different exit strategies to monetize more deals.

Jay Conner (11:32):

Right? Explain to everybody what a novation is. What’s a novation deal?

Nick Perry (11:36):

So a novation deal is basically if you have a seller who wants close to retail, their house is in pretty good shape, right? You can go ahead and contract that property. Say they want thousands. We’ll use the $100,000 example again. You got a house that’s a hundred and the seller doesn’t want to take a dime less than 90. Well, you put that property under contract with a novation agreement at 90,000, and that novation agreement will allow you to actually list that property at full retail. Sometimes there’s minor repairs that you do as part of the novation agreement. You may go in and do some carpet or paint or landscaping, but you’re not doing any heavy remodels. These are properties that are in fairly good condition and you can put them and list them and get full retail from a conventional buyer at the end.

Jay Conner (12:27):

Right. What would you say is different about your organization, say from some of your other friends that have real estate investing companies, or say, from some of your other competitors?

Nick Perry (12:41):

Well, being nationwide is completely different than being in a select handful of markets because we don’t have boots on the ground. That would be really impossible, as well. So in order for us to be successful, we have to literally do everything over the phone from acquisitions to dispositions, to coordinating the showings. Literally, everything from A to Z is done remotely from our office in Austin, Texas. So that’s something that’s different than a lot of people, is we’re not having any boots on the ground or anything like that. And then, additionally, my people, that’s the biggest key to my success is the caliber of candidates that we’ve attracted into our organization. I think bar none, I’ll put my team up against anybody’s team that I’ve got a great group of guys.

Jay Conner (14:02):

Give us a 30,000 foot view of how you run a totally virtual remote operation, no boots on the ground. Like what are the key components that you have to have in place for that to work?

Nick Perry (14:27):

So, we do a ton of inbound marketing pretty much through PPC. So we do all online marketing. We don’t do any telecommunications. So a lead will come in and we’re talking to them very similar to the way that most people are talking to these sellers, but when we negotiate, we negotiate over the phone. So we’re going through the property condition. We’re evaluating the property right there on our computers in Austin, and based on the comparables and the condition that the seller describes, we’ll go ahead and contract that property via DocuSign, like electronic signature. And once we have that electronic signature, then the next step is to actually get real photos on file. And that way we can actually start to market that property. So we’ll have the seller take photos for us, or we’ll hire a local handyman or a realtor to go get photos for us on our behalf.

Nick Perry (15:22):

And then from there, once we’ve got our photos, we’ve got our contract and we know how to get access into that property, then we can start locating interested parties who actually want to buy that property. So we’ll go out, we’ll find the buyer, we’ll have them usually put a deposit down before they even go out to the property, once their deposit is in and they’ve agreed to purchase it based on the inspection, we’ll give them one walkthrough after they put their deposit down. Then from there, they’ll do their walkthrough and we’ll use a local title company, or we have national title companies that we use that’ll facilitate the closing with all parties and you send the wire right into our bank account.

Jay Conner (16:08):

So a little more specifically, how do you get really close on estimating repairs?

Nick Perry (16:17):

It’s an art. So one thing that we do is we have a detailed property description and then pictures tell a thousand words, right? So yeah, sellers don’t always know the exact condition of their property, or they try to hide things, you know? But once you have a detailed Rolodex of photos to look at, that’s going to get you really close. Also, after we send somebody in there, if they find out that there’s additional repairs that are needed, we’re going to disclose that to the seller and all parties and make sure that it’s a win-win for everybody involved. We want the investor to get a great deal, solve the seller’s problems. So, nothing’s really getting past us.

Jay Conner (17:08):

You say the majority of your buyers are other real estate investors that are taking the deal down and you’re planning on an assignment fee from them?

Nick Perry (17:21):

Yeah. And unless it’s a novation agreement or sometimes, we’ll just list the properties on the MLS on behalf of the seller. And in those cases, it’s a conventional buyer, but the majority of our clients are all real estate investors like yourself. And you guys that are watching the show that are fixing-and-flipping property, or you’re a buy-and-hold investor looking for additional cash flow properties. Those are our end clients at the end of the day.

Jay Conner (17:51):

You’ve got someone that’s starting out and they want to be in wholesaling. One of the first things they need to do, I suppose, is build a buyers list, right? So what are some of your tips and secrets and strategies on how you quickly build a buyers list of other real estate investors to market wholesale deals today?

Nick Perry (18:15):

Well, yeah, that was one of my biggest challenges going nationwide. I had leads coming in from everywhere, but I didn’t have buyers everywhere. And so one thing that was really helpful to me was you’re going to these masterminds and things like that because I got to know so many other investors from different markets. I was either able to barter, trade, or buy a ton of different buyers lists. So I quickly built up a large buyer’s list just from that. And then, additionally, Facebook is a great tool. There’s tons of real estate investment, Facebook groups, all over where there’s active investors looking for deals. So that and a lot of these small towns, we just reach out to the realtors there because those realtors know everybody, right? They know the doctor that wants to buy a couple of rental properties a month. They know the big fix-and-flipper that’s doing 40 homes a year. So you just get resourceful, roll your sleeves up, and talk to people.

Jay Conner (19:18):

You can’t be picking up the telephone, can you?

Nick Perry (19:22):

Now, we are big on that. I’m big on being on the phones. We don’t do a lot of texting or emailing. My guys, it’s old school, pick up the phone, and make contact and have a conversation.

Jay Conner (19:37):

Yeah, there you go. I love it. We’re in a crazy market nationwide, pretty much every market. There’s no inventory to speak of in the multiple listing service. I hear a lot of my real estate investing friends say it’s the most challenging time that they’ve ever had, finding the off-market deals. And so we gotta be consistently marketing. So first of all, would you agree with that statement that it’s more challenging to find deals today, say than a couple of years ago?

Nick Perry (20:13):

I don’t know. I mean, I’m making more money than I’ve ever made in my career right now. So I think it just comes down to being smart with the way that you’re marketing because if you’re doing telecommunications, which is cold-calling, ringless voicemail, texting sellers, that’s an uphill battle. You’re beating on their door, knocking on their door, asking to give them a cash offer and everybody else is doing that. So one thing that was critical for me was to get really good at online marketing. All I do is pay-per-click advertising. I don’t do any other form of marketing. It’s been that way for a long time just because it’s a completely different approach when somebody’s reaching out to you, asking you for help versus you reaching out and trying to help somebody.

Jay Conner (21:06):

Absolutely. I was gonna say, it’s a whole different conversation when they’re raising their hand looking for you versus you raising your hand and you looking for them. It’s a different, whole conversation when somebody is clicking on your ad and saying, “Hey, please contact me,” versus you’re coming into somebody’s newsfeed or a Facebook ad or anything like that. I love it. So that’s interesting. You’re the only person I’ve talked to that only has one marketing channel. So that’s fantastic. I would think your sales guys, your acquisitions guys have a lot happier day than some other wholesalers.

Nick Perry (21:54):

Big time. If I were to give them cold calling leads or texting leads, they’d probably quit because I mean, it’s a completely different vibe. We get our conversions and it’s 1 out of every 10 to 15 leads is a contract. So they’re having to do much less outbound dials to get deals.

Jay Conner (22:16):

Right. What’s your average cost of a deal these days? What’s your conversion cost? How much money do you have to spend in marketing to get a contract?

Nick Perry (22:31):

I know it fluctuates between $800 and $1200. So our cost per contract’s really low because I’ve been working on PPC for so long. I’ve got my cost per lead really low at this point, which obviously plays a huge part in the cost per contract and profitability and all of that.

Jay Conner (22:49):

That’s fantastic. Do you use virtual assistants in your business?

Nick Perry (22:55):

We do. We have some virtual assistants that help out on the disposition side. We have some a couple of full-time virtual assistants that help follow up within our internal database, but the majority of my staff is all in-house right there in Austin, Texas. And they’re 5 days a week, Monday through Friday just going after it.

Jay Conner (23:21):

What kind of CRM or tools or systems do you have in place that your business really couldn’t live without?

Nick Perry (23:31):

We’ve customized our Podio to do everything that we needed to do. So that’s been phenomenal. If you’re using Podio, find a good developer to help customize it to the way that you like to do business. And then additionally Zillow, we comp using Zillow and we comp using PropStream. So those are really helpful. And then on the selling side of the properties, we use a software called InvestorLift, which is really helpful. It’ll show you all the LLCs of the people that are flipping property there in the area and give you their contact information. So InvestorLift has been a powerful tool for finding those investors across the country.

Jay Conner (24:18):

Interesting. So you’ve got quite a few years of experience right now. My next question, you would probably be able to answer this in more than one way, so I’ll just let you pick one. What’s one of the most important lessons you’ve learned since being in real estate investing?

Nick Perry (24:35):

Oh man. There’s so many. If I had to boil it down to one though, I don’t want to give you a cliché answer, like, “Don’t give up” or anything like that, but in terms of real estate investing is, “It’s going to be okay.” So here’s what I tell a lot of my students, too. It comes down to your team, and let me elaborate on that. “A” Players are the only thing that work in this business. If you have an A Player and B Player, here’s what happens. You got the B Player that ends up getting half of the leads, and that deal that your A Player would have closed and made $70,000 on, your B Player is going to fumble on that and it’s not going to become a deal. So you end up having a lot of lost revenue. So you look at that and you take that scenario and you extract it out over a week, a month, a quarter a year, you could, you could be potentially losing your multiple 7-figures if you don’t have the best talent. So I think people want to try to settle for inexperienced people, people that aren’t A Talent because they don’t think they can afford them and things like that. But I’m telling you, good talent is really the key to my success.

Jay Conner (26:01):

And what are your favorite ways to find that talent?

Nick Perry (26:06):

So I worked at Indeed before coming into real estate. So I know a lot of the tricks on how to get a ton of candidate flow there. And then we’ve come up with a proprietary way of just being able to quickly funnel through people and get near the best people that rise to the top on Indeed. So, Indeed, by far is number one and then referrals, as well. We’ve had a lot of great people come through who work with me just through referrals.

Jay Conner (26:36):

Gotcha. Super! Well, Nick, I tell you what, you have got the experience and you are one impressive human being. What is a final thought or thoughts that you would like to share with the audience?

Nick Perry (26:50):

Yeah, final thoughts. The biggest thing is if you’re already in the business, what tends to happen a lot of times is you plateau, you end up getting stuck. I got stuck in what I call “wholesaling purgatory” for 3 or 4 years where I couldn’t get past 5 to 8 deals a month. And what I did was now that we do 40, 50, 60 deals a month, the biggest difference was 1. Your team, 2. Your marketing, and then 3.) Also being nationwide. So I literally downloaded everything I know into video format and then created a mastermind behind it, as well, where I work with already experienced real estate investors that are looking to get from maybe a handful of deals a month to 7+ figures, multiple 7-figures a year. That’s what I’m really good at is helping people that are already successful in getting them quickly through those growth pains in this business because I already went through it. So that’s my new passion now is working with other investors I get to help. That’s really rewarding to me. And that’s been my new passion since I don’t do much in the day-to-day of my wholesaling operation anymore. I just get out of those guys’ way and let them close deals.

Jay Conner (28:11):

Yeah, man, and I’ve gotten the same passion and that is making a difference in other real estate investors’ lives. So let’s give everybody your website because we got some viewers and most of the people that are going to be listening to us will actually be listening to the podcast. So that website is www.7FigureCartel.com. Did I get that right, Nick?

Nick Perry (28:49):

You got it. Or you can just reach out to me on Instagram. It’s just my name, Nick Perry and then REI like real estate investments. So just Nick Perry REI, or you can go to the website, but yeah, happy to connect and help you guys any way I can.

#Jay Conner #Private Money Lender #Real Estate Business #Real Estate #Real Estate Investing #Real Estate Investor #Real Estate Profit #The Private Money Authority #Flip Your House

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meruz · 3 years

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Aforementioned long ask post please excuse me while i try to figure out tumblr's new text editor. I’ll get into the art meme questions first and then the rest at the end.

Ok first of all thank you all for sending in questions! Giving me an excuse to talk hehe. I’ll address these in number order. Here’s a link to the ask meme for reference but also I’ll restate the question for ease of reading.

1. When did you get into art?

Super cliche answer but I don’t remember a time where I WASN’T the weird art kid! I started keeping a dedicated sketchbook when I was about 12? But here’s a page from my kindergarten journal about what I want to be when I grow up.

2. What art-related sites have you ever signed up for?

LOL this is a weird question. Not sure why so many people want to know. Anyways I definitely had a dA. more than one dA account. I used to browse oekakis when I was a kid but I think I was only signed up to some small ones that internet friends owned. What else...? Mangabullet,Tegakie, Paintberri, iscribble back when that was a thing, instagram if that COUNTs, I used to post art on livejournal and dreamwidth too. Patreon, I guess. Gumroad, inprnt, bigcartel, storenvy all for selling stuff.

In terms of resources.. I have a schoolism account that I’m sharing with friends. Used to take classes on coursera for free. I signed up to textures.com for work recently haha. I can’t remember if I ever had an account on posemaniacs. Did they have accounts...? I definitely used to visit all the time.

3. Show us your oldest piece of art you have on hand.

Alright here’s me actually logging into my old deviantart account. These are from September 2008 So I was 13 years old. I don’t have a deviantart account from before then because 13 was the required age for having an account and I didn’t want to lie about my age because I wanted people to be impressed by how young yet clearly incredible at art I was LOL.

4. What defines your artistic style?

You guys are probably more equipped to answer this than me but uh... I wanna say... Focus on colors. And... a slightly heavy hand? Like confident... not always well-considered mark making HAH...

Also I think I have a pretty healthy mix of american comics/manga influences. I feel like people who are into american comics always think my art is too manga and people who are into anime/manga always think my art is too american. And I’m taking that as a good sign.

5. Do you practice other styles/have you tried other styles in the past?

I like to think I switch it up a bunch! I mean, these are pretty different, right?

I think I’ve mentioned this before but one thing I really took away from art school is that, for an illustrator at least, art style shouldn’t be consistent. Your greatest weapon is changing the aspects of your style based on the task, the emotions and message you want to illustrate etc. So depending on the project I’m working on, the fandom I’m drawing for, whether I want something to be funny or serious or dramatic, I’ll change things about my style all the time.

One thing I don’t rly post on here is really tight polished work and that’s because I do that for my day job haha. If you’re not paying me... I’m probably not gonna color in the lines.

6. What levels of artistic education have you had?

I have a whole ass diploma LOL. Bachelor of Fine Arts in Illustration. from the Rhode Island School of Design. And I had a great college experience tbh. Besides the student loans. If any of you guys are thinking about art school feel free to e-mail or message me questions or concerns, I’ll be happy to help. Be as honest as I can be.

7. Show us at least one picture you drew or sketched recently that you did not put on a public site.

heres the wandavision kids. Uhh what else do I have...I feel like I’m rummaging for loose change here...

assorted valentines prep doodles

8. What is your favourite piece that you have done?

Well, obviously this is gonna change all the time and generally it’s gonna be my most recent piece LOL. So yeah, why the hell not. I’ll say it’s this one. I have a pretty short memory which I count as a blessing for an artist. I don’t dwell that long on older work and it keeps me moving forward.

10. What do you like most about your art?

I like that it’s something that only I would make! I had this thought fairly recently and I wrote it down in my sketchbook, it’s pretty cheesy and rambling but it felt revolutionary at the time:

So yeah. I like my art best when it’s the most me and for me. And I like it least when it feels like I’m just making something for social media or for other people’s expectations or whatever.

14. What do you like drawing the most?

Kids in baggy clothing are like my go-to LOL idk if that’s obvious. but also I like being challenged so lately I’ve really loved drawing multi-character compositions, environments, weird angles, etc.

oh i LOVE drawing the underside of shoes lol. And bandages. People that are kinda beat up.. I think it comes from getting a bunch of cuts all the time. I’m always patching myself up and I want to patch characters up too.

15. What do you like drawing the least?

mmm I try to find something to like in every drawing but lets see... I don’t like doing commissions of people’s dogs. Just because it’s normally like... a family friend and my mom volunteered me without my consent and I don’t even really know what they’re expecting me to draw and I don’t even get to meet the dog. Also I’m not that great at dog anatomy. Trying to learn though.

18. What is your purpose for drawing?

This could have a million answers! Uhhh to GIT GOOD??? But also to express myself... and also to make money... I mean it depends on what the drawing IS. I draw fanart mostly to connect to people in the fandom so if you ever see me drawing fanart please take it as like an open invitation to talk to me about the character haha.

20. How would you rank your art? (poor, mediocre, good, etc.)

Good!!! I have a lot of self-confidence primarily born out of ignorance and a short attention span. If I don’t think too hard about how many other artists are mindblowingly unfathombly good... its easy to think I’m good too! LOL

In all seriousness though, I think the opinion a person has of their art is like a crazy balancing act, right? Like you have to think you suck enough to want to get better but also you have to think you’re good enough to not want to give up. I think we’re all walking that line, I know I am! But also I’m a glass half-full type of person so. Most of the time I feel good about it.

22. List at least one of your “artspirations.”

This is a good question because I’ve been trying and failing to put together one of those “influence map” memes for like a full month now. What’s giving me a hard time is I feel like none of these are actually really obvious “““influences”““ in my art? Like it’s hard to see a lot of them in the work I make...? But idk maybe you guys’ll see what I can’t.

And these are just a couple! God there’s so many more. I could talk about other artists for ages, from all different genres of art. Daumier, Rockwell like every illustrator out there, Dana Gibson, Alex Toth, Hiroshi Yoshida, a lot of the Brandywine School. Lots of current working artists too, Karl Kerschl, frikkin Masashi Kishimoto lol, Jake Wyatt, Richie Pope, Edouard Caplain, Matt Cook, Sachin Teng, - lots of big internet artists, Sophie Li, Freddy Carrasco, Milliofish, Angela Sung... like all my friends from art school too. I could just keep going but I’ll stop for now lol.

24. Do you have a shameful art past? (recolour sprite comics, tracing art, etc.)

I mean if that’s how we’re defining shameful?? sure LOL. It’s not sprite comics but I used to do pokemon sprite recolors all the time. And I used to trace manga panels and color them... Granted this was all when I was like under 12 yrs old so it’s not even embarrassing. Can you really call it shameful when a 7 year old wets the bed or whatever? Not really. In fact some of these are cool as fuck. Look

25. Draw a picture!

Man I’m so tired now but here.

I used to get a lot of compliments for drawing people smiling lol but I don’t think I’ve drawn a lot of smiling lately.. here’s proof I’ve still got it.

OK MEME DONE. onto the rest.

I read this ask first thing when i opened my computer in the morning and it made me really emotional.. I’m so glad my sketches could help you!!

I think a lot of artists on social media talk about the struggle of making art but imo not enough people talk about the joy! Like I know it’s corny but. I really meant what I said at the beginning of that sketchbook about re-contextualizing art around process and progress > product and perfection. I think its super important..! The strength of messy, unfinished, and energetic art! For the feeling of it, for the love it!

That's crazy!!! I hope you like 'em. The whole line of x-books is really good rn imo.

Hi! I totally have the answer for digital stuff on my faq lol. But in terms of drawing on paper.. it varies! I tend to use sketchbooking and any on-paper doodling I do as a way to loosen up/warm-up or experiment. But right now my go-to aresenal is:

from top > bottom

- kuretake no.55 doublesided brush pen

- tombow fudenosuke

- muji 0.38 ballpoint

- medium size poscas

- grey tombow double brush pens

- good ol bic mechanical pencil

not EXACTly sure which inking you referring to from my sketchbook but if I had to take a guess it'd probably be the kuretake no55. That's been my main inker, lately. Great for sketching with the thin end too.

You can print out and eat my art if you like. Just please don't mass produce or re-sell. <3

Thanks! I've come to accept that my art is always gonna be sort of gestural and painty naturally. It's getting it to tighten up enough to be legible that's hard lol...

uh yeah lol I agree actually. I think yolei is great.

I assume these asks are related? LOL

1) Yeah totally true. I love David.

2) I don’t take requests, sorry! But if you want to commission me to draw Legion i would be MORE than happy to. Just e-mail me at [email protected].

<33333333333333333333333333

#ask #anonymous

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bryan360 · 3 years

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My YCCTEAM's Wireless Switch Pro Controller - Part 16/Final (Career Mode racing in Asphalt 9: Legends)

What's up guys? Welcome back to be at another YCCTEAM Controller topic review share, but guess what? This will be the final video post that I've been waiting for a long time or in case a year half and months since the beginning of revealing my controller back in 🎃October 3rd, 2020. Even though it needed takes time to make sure to correct in details such as doing comparison from my other controllers, testing its buttons, battery charging to battery life results, and pretty much else I've been gone through in months. However, there is one more topic review post that I'm bringing to an end as of my decision; especially when if I'll be doing other topic reviews to my new items soon.

For today's post though, I decided to merge two videos as originally gotten both recordings from last week I've been saving. It's something that I should've done from my past video postings while I'm in YCCTEAM Controller topic reviews, but nevertheless it was alright when I'm getting used to. Anyways, I'm back to try out my final testing as you expected while I'm at Asphalt 9: Legends again. This time I'll turn up the notch by doing real racing with other opponents in career mode and both of the control settings to use after from doing tutorial last month.

Here it is as I'm in track based on San Franciso; the same place I've already cleared its first challenge back in January 18th, 2020. Link Here

I also did the second challenge during part 3 of my Asphalt 9: Legend’s career progress to remember. Link Here #2

However for this topic review post to share, I wanted to go back its first challenge to race through like I did in last year, but showing off my YCCTEAM Controller again and using the same car of Mitsubishi Lancer Evolution; as I previously used on few challenges or just one during my career progress from last year. I'm giving some upgrades along the way, but hoping I can show it during my contining Asphalt 9: Legend's progress soon. Let's get into it as It'll be the final topic review post for my controller.

During two of my recording videos being merged, I'm using my controller to show as I'm racing through San Francisco track against other racers like I previously did in January 2020....two times to be exact when I used both different control settings from manual to gyro like last time when I'm showing off during tutorial mode last month.

It's gonna be different to see which settings I can used for my career mode in progress; despite being obvious it had to be manual settings with pressing buttons for acceleration, brake, and nitro boost. I'm just making this as I'll go along when using both settings once again. I'll even bring the results after crossing the finish line for the races end and how much did I do in time. If I can remember my first one back in Janaury 2020 was 00:43.366 or 43 minutes and 366 seconds while during its first challenge I gotten. Here's my last year's screenshot in high quality to get a better look.

Just wondering how it can compared to my other two racing results during this recording. Well I'll tell ya this is gonna be interesting and hoping to my closest friends to see as well.

On first half until 1:22, I'm doing my first racing through San Franciso track in title "City Dash" where I needed to reach the goal from other opponents they'll trying to catch on me. I did good while using my YCCTEAM Controller in manual setting with the steering analog stick and some tricks like jumping on ramps. However, I was bumping into things while I'm trying to press the left button for brake and drifts, but other times was performing the 360 move at opponents for no strange reason that I'm trying to get knockdowns. ^^* (at least I did have one knockdown on first half, though) Anyways while continuing my race, I made it to a finish line at the end from doing turns, jumping into ramps like two times, and some bumping into walls that I'm trying my best to dodge those. So my racing time results was unexpected since January 2020 is the very first one I've gotten while I'm in manual. Instead, my new racing time results change to 00:44.647 or 44 minutes and 647 seconds while I'm in manual settings a second time as before. I was so close that it should've been much lesser than that if I could make some room in obstacle or something. Nevertheless, it was of really was while doing my YCCTEAM Controller post to share, but at least it was a good first half.

As for the second half though, I'm switched up to gyro control when using my controller to move left and right. During another racing track through San Francisco, I've gotten into somewhat good start as well when using my controller to move my car and the buttons for acceleration, brake/drift, etc while reaching the racing goal again. That being said however as I'm still working on some "errors" while having to race against opponents. Mostly though was while perform my ramp jump, I've almost getting crash into the wall just before landing on the road by luck. It happens at 02:14 to 02:18, but man that it was still lucky or otherwise would've been ruin if I'll start all over again. I tried to steer to get away from and some others that I've keep bump into to get knockdowns at opponents. Nevertheless, it was not bad second half to make while moving my controller in gyro settings; just wanted to work on its sensitivity of adjust along the way. How's my racing time results during it though was really unexpected is 00:43.334 or 43 minutes and 334 seconds to compared on others. (January. 18th, 2020's and September. 8th, 2021's in two recordings merged) Let's just say in other words, the gyro setting I did during second half takes the top spot here by surprise. Maybe because I putting nitro boost for its speed just to catch up at opponents before reaching the finish line? Or simply put on fate to see how do well in gyro settings I've been practicing; like last time when you've see me during my past topic review post while I'm in tutorial mode. Either way, it was pretty not bad to know how I managed to get there during second half recording I gotten; after checking the racing time results changes to 43 minutes and 334 seconds.

My thoughts and a final conclusion for this topic

Just like from last month when using my YCCTEAM Controller for tutorial test, I did really well for this one when I'm in career mode racing through San Francisco. After doing two settings both manual and gyro motion was another review test to see how which would I prefer to use when I can continuing on my career mode in progress and another for hoping there's normal race mode to unlock. I had missteps along the way; including the one during second half where I was almost crashed into the building's wall until I safely landed. Nevertheless, they're both alright when I'm taking my time off to see what racing results I have in both. Unexpected for gyro motion controls having to recognized that it compared from what I did in Janaury 18th, 2020 when clearing its first challenge at 43 minutes and 366 seconds. However for manual settings like I did before that was so close to match; as it underperformed at 44 minutes and 647 seconds. Thought I could handing well like last time if needed, but guessing I've miss calculating a little. So that's means gyro motion setting won? Doesn't matter though as they're both good tests while using my YCCTEAM Controller to show; just like last month when I'm cleared through tutorial mode. However, I'll be closing this topic review to an end after long time of giving details, comparison to other of my controllers, batteries, and more I gone through so far.

🐰🖌Maxwell: Yeah. We've been waiting for after year and the half when he did his best of reviewing this alternative controller to work on his Nintendo Switch system. If I could remember, there are good ones to choose from other past posts; like when he did on Super Smash Bros match with Mario against Banjo & Kazooie.

🐰👊💥May: There's more than that, Maxwell. Like doing his button test it works alright; especially knowing fits well then previously use his Joy-Cons when it had the R button stop working and of course drifting. Hoping it won't effect his YCCTEAM Controller anytime soon.

🦊⚽️Sam: You said it. At least rest assured when it comes to making his topic review, the YCCTEAM Controller had a good run with its battery life, the design to make as a similar Switch Pro Controller, and impressive feedback or response when playing those games in manual or gyro motion setting in Asphalt 9: Legends for example.

Thanks, Sam. I think I can give this a positive thumbs up 👍🏼 for how I using my YCCTEAM Controller to my Nintendo Switch system. Except some minor cons like when turning the rumble features on to my controller that it keep on rumbling through Super Mario Odyessy's cutscenes.

🐰🖌Maxwell: Or another one when you trying to turn on your Nintendo Switch system with your pro controller's home button, but doesn't work it right unlike your used Joy-Cons for some reason.

Yeah, that too. I'm fine to turn on my Switch system manually anyways, but would like that if the developers ever updated my controller so it can be easy to press the home button to activate my system just as easily. Someday, but not today I guess. Anyways, hope you guys and my closest friends to check out my lastest YCCTEAM Controller topic review to share and to my final conclusion after giving my thoughts about from year and half ago. I'm hoping to take it rest and continuing on other stuff like I'm promised to bring my own Super Mario 3D All-Star progress to share for example. I had too much things to get through that I nearly forgotten. Sorry if it happens. 😔

There's one more thing, though. If you finded interests about getting the YCCTEAM Controller like I have, then maybe you can check out at other online stores such as Amazon.com. it cost $25.99 or $26.00 in price which it can affordable if you called that in different way. I even check through search to see its there and it was still available as I link to this one. Link Here

Not sure if it'll work on other countries, but I would like to see when my P-Pal managed to get those in other online stores he could find, but just saying. 😅

Previous Posts for my YCCTEAM’s Pro Controller Topic:

Wireless Switch Pro Controller for Nintendo Switch/Switch Lite (Part 1) - Link Here #1

My YCCTEAM’s Wireless Switch Pro Controller for Nintendo Switch/Switch Lite Unboxing (Part 2) - Link Here #2

My YCCTEAM’s Wireless Switch Pro Controller for Nintendo Switch/Switch Lite Comparison with my Xbox One (Part 3) - Link Here #3

My YCCTEAM’s Wireless Switch Pro Controller for Nintendo Switch/Switch Lite Comparison with my Nintendo Switch’s Joy-Cons (Part 4) - Link Here #4

Testing Buttons (Part 5) - Link Here #5

Rumble Feature Testing (Part 6) - Link Here #6

Battery Charging Test (Part 7) - Link Here #7

Playtime Battery Life Results (Part 8) - Link Here #8

Gyro and Motion Controls 1st Half (Part 9) - Link Here #9

Gyro and Motion Controls 2nd Half (Part 9.5) - Link Here #10

Playtime through Super Mario 3D All-Stars game in Super Mario 64 #1 - Link Here #11

Playtime through Super Mario 3D All-Stars game in Super Mario 64 #2 - Link Here #12

Playtime through Super Smash Bros Ultimate #1 - Link Here #13

Playtime through Super Smash Bros Ultimate #2 - Link Here #14

Tutorial through Asphalt 9: Legends #1 - Link Here #15 Tutorial through Asphalt 9: Legends #2 - Link Here #16

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ladyc0312 · 4 years

Text

A Jikook Guide to RunBTS: 66-80

Things in this batch start out a little slow, KM-wise, but seriously pick up around the Toronto episodes. It features the episodes where both RM and Jin ask if JK and JM are a couple, so it includes the giggly hand-push game that helped make me a jikook believer!

As usual, let me know if I’ve missed anything or should take another look at something. :)

Ep 66 "BTS in a Comic Book Cafe Part 1" (Ep: 2 / KM: 1)

The one that I can’t help but feel would be more fun if I was more familiar with the comics involved, but the guys make it cute anyway

3:08 - This is a little hard to see because they use weird angles and cuts, but JK sings a piece of a theme song and JM catches his eye and sings with him.

9:23 - JK leans in over JM's shoulder to see how many people are on the comic book page

10:18 - JM does the same when it's JK's turn

BEHIND 10:29 - JM jokes around with JK and does the playful chest tap thing

Ep 67 "BTS in a Comic Book Cafe Part 2" (Ep: 3 / KM: 1)

None

BEHIND 7:28 - JM asks JK if there's a comic book he wants and says he'll buy it for him if so

Ep 68 "Heart Pang" (Ep: 1 / KM: 0)

The one where I can't for the life of me understand the board game they are playing

None.

Ep 69 "BTS in Toronto Part 1" (Ep: 4 / KM: 5)

The Toronto one where Jikook wear matching denim shirts while going to Niagara Falls, getting lunch, and playing games

2:36 - RM says there are certain people who will struggle with the wake up challenge. JK and JM readily seem to admit it's them.

6:29 - JM hangs back (to walk with JK?) when the rest of the group starts heading for the Falls.

8:06 - There's a "teleporting" moment where Jin is in between JM and JK, then the camera cuts away, then it comes back and jikook are next to each other. They stay next to each other as they walk on.

9:52 - You can see jikook interacting in the background.

12:25 - JM takes a photo of JK and gets him to giggle, then they huddle to look at the pic.

13:56 - JM puts his arm around JK and takes a selca in the background, causing RM to ask "what, are you a couple or something? Both wearing denim shirts?" He says it fairly seriously for a line that seems like it's supposed to be a joke and they don't laugh or say anything in response - it looks like JM looks away and flips his hair while JK shifts and awkwardly rubs his forehead. You can also see a quiet exchange after between RM and JM where RM says no to something, then nods at JK. Unclear if it's related, but including it just in case.

15:25 - JK doesnn't try to distract JM while he did the staring contest like he did with Hobi. When Jimin passes, JK is the only one to clap.

18:04 - Quick moment where you can see JK start to rub the arm of JM's shirt before the camera cuts away.

18:50 - JM laughs and touches JK's chest after JK loses the rocks paper scissor game, too.

19:53 - When the other five walk away and JK is doing something with his mic, we don't see where JM is.

22:02 - JK appears to help JM with something with his camera in the foreground.

BEHIND 4:12 - After JHope scolds JK for letting Suga pour everyone's water, JK goes to pour JM some water, then puts the pitcher down. JM seemingly tries to help him out by saying it's a new trend for the oldest to pour water.

Ep 70 "BTS in Toronto Part 2" (Ep: 3 / KM: 5)

The Toronto one where the guys go shopping, pick beds, and play games

1:15 - JK slows down to walk side by side with JM.

2:00 - When JK messes up the game he was confident he'd win, JK laughs and playfully shoves at his chest.

7:23 - When JK loses a game and has to buy the others hoodies, JM sneaks a hat into the pile while JK has his back turned. RM rats him out.

8:01 - JM quietly puts the hat back in the pile, then walks over and hugs JK.

8:40 - JK walks over to Jimin to show him something (sunglasses he wanted?).

20:30 - When they're all joking around about whether they can fit four people on a bed, JK moves JM into an L-shape and then lays down nested with him.

BEHIND 0:09 - JK calls out "Jimin-ssi!" and tosses JM that hat he bought him.

4:49 - When the guys are all stretching and JM is in an inconvenient place, JK calls him "Jimin-ssi" again, essentially feels up his calf, and then pushes his upper thigh, all purportedly to get him to move over.

5:28 - JK kneels down behind JM, who's on all fours, and holds his hips to correct his position (I am literally just describing what happens in the clip, but I kind of feel like I'm writing porn, here...). JK then picks Jimin up to move him over a bit. Both giggle as JK starts to stand up and then the camera cuts away. I can't even begin to think what exercising looks like for these two when there aren't cameras on them...

6:55 - JK reads out the words on the Jimin shirt they're all wearing, which happen to be, "BTS Park Jimin, I love you! I root for you! I'm ARMY!" with a huge grin on his face. Jimin laughs - no one else does - and then jokes that they should wear the shirts back to Korea, prompting JK to tell him "bye!" and wave while giggling.

7:37 - Jimin shows the parts of the shirt design he would change by poking JK's chest, and then JK and JM share a fairly steamy look until RM interrupts.

7:52 - JK folds up the shirt so JM's face looks weird and Jimin points to him doing it and laughs. No one else does. Man, these two were really in their own world this whole Toronto trip, weren't they?

8:02 - JM tries to give JK some advice on the game he's about to play. Before starting, JK starts what seems like it's going to be a silly pose, but ends up being him dragging his fingers down his face, neck, and chest. Sadly for JK, JM wasn't looking. Happily for us, we can look as much as we want.

8:18 - When JM wins a game, JK claps for him. You can probably guess by now that he's the only one who does.

10:09 - JM steals a piece of steak, then JK does some cross-cut teleporting to come over and sink down into a chair next to him. JM overdoes making his eyes look big and innocent (perhaps hoping to get caught and scolded?).

10:35 - JM makes Jin move when he takes JM's seat next to JK I feel like just the Behind for this episode needs it's own jikook rating! And most of it is watching JK lead the guys in a workout. If you're going to watch just one Run Behind, consider making it this one!

Ep 71 "BTS in Toronto Part 3" (Ep: 3 / KM: 3)

The Toronto one where the guys have dinner, have breakfast, and play games

14:28 - Maybe nothing, but just to note it - in this and the next shot, you can see JM heading towards where JK is lying back on the couch after losing a game, then there's an abrupt cut and everyone is in a totally different position.

29:20 - JK tells JM the "super-pancake" he made is for him since he has to do the penalties.

BEHIND 6:59 - JM says that he thinks JK will want to eat and calls out for him.

Ep 72 "BTS and Mafia" (Ep: 3 / KM: 2)

The one in which we learn that BTS is so terrible at the Mafia game that it almost comes back around to being impressive

3:10 - When Jin says JK is suspicious because he isn't talking, JM defends him, saying "you know he doesn't talk much."

8:34 - JM seems to direct his appeal to be spared to JK.

18:16 - JK compliments how well Jimin is doing at the game.

20:13 - After Jimin says he's ARMY, JK asks, "do you like me that much?" Then there's a quick cut and Jin is doing a Jim Halpert face at the camera.

28:03 - Confusing maybe-moment - let me know if it's clearer to anyone else! - but after JH is sending finger heart guns, JM points gun fingers directly at JK for no apparent reason.

BEHIND 2:39 - Before they start playing, JK predicts that JM and Jin will be good at the game.

Eps 73-76 “Run BTS Drama Parts 1-4″ (n/a)

The ones where BTS spend four episodes making a “comedic” skit

01:09 - After JK explains that he had a wisdom tooth taken out, Jimin adds the info that they had to take out the whole root. 09:10 - Even though V is the "director" of Jimin's scene, JK speaks up and takes over the role, saying that directors use informal language and repeating twice in informal language "Jimin, let's go!" He continues speaking informally when Jimin messes up and JK scolds him. 11:40 - When it's JK's turn to deliver a line and he gets nervous about remembering it, JM reads it out loud for him. He also says as soon as JK delivers the line that he did the best job and adds to Hobi, "he doesn't get embarassed, I told you." 16:26 - It's a little hard to see for sure, but it looks like Jimin votes for JK when it's time to choose who should be the skit's director. I'm going to be totally honest with you guys - I didn't rewatch these episodes past this. I first saw it months ago and remember being disappointed and fairly bored through most of it past the first half of the first episode - I don't find the skit funny and the behind-the-scenes stuff isn't amusing enough to make a four-part episode about. I’m sure there are others who completely disagree with me and no judgment if you don't share my opinion! But I'm doing this guide for fun and I don't want to spend two hours rewatching them.

I don't recall a ton of jikook beyond the above - I think there's a moment in part 3 where JK is getting tired and Jimin offers to take over slating for him. So, anyone who is a fan and knows / finds more jikook moments, please let me know and I will update this guide to reflect that. Otherwise, let's happily move along. :)

Ep 77 “Food Guest Part 1″ (Ep: 4 / KM: 5)

The weirdly-named ones that are prob better translated as "food connoisseurs" but the specifics of the foods theme don't really matter because JIKOOK

07:41 - When Jin says JK and JM will be competing in a palm-push game, JM says he's already lost (because JK is strong).

07:55 - I'm fairly certain that, if you're a jikook-er, you've seen this moment. It's so unabashedly flirty a description can't really do it justice. JK and JM are supposed to be playing a game where they put their palms together and shove to see who can make the other lose their balance. JM shoves lightly at JK's chest before they even start the game, then both start giggling. Still giggly, JM asks if JK's ready and JK says he is. JM pushes at JK's palms and JK just swings his arms back as they look at each other and smile. Jin interrupts to ask, "are you a dating couple?" (that's the most direct translation - V app translation is "are you two together?"). JK and JM both laugh, the latter so hard that he spins around, thus losing the game.

17:08 - JK is staring so intently at Jimin on his knees with a blow-pen in his mouth that he completely misses RM trying to give him a high five. Jin has to call for JK to please respond to RM before JK looks away and returns the high five, laughing and apologizing. He looks back immediately after.

BEHIND 0:58 - JK gives JM a shoulder massage while holding his chest as JM makes satisfied noises. I've seen this clip in compilations before, but hadn't realized it was also from this episode. It's really the gift that keeps on giving!

4:29 - Just prior to the above palm-push game, JM reaches out to do something to JK's sleeve (I think?). The camera cuts before we see clearly.

4:31 - Slightly different angle of JM and JK giggling at the start of the palm-push game.

7:11 - Reveals that RM actually tried to high five JK and was ignored TWICE before Jin called JK's attention away from JM on his knees with a blow-pen in his mouth.

Ep 78 “Food Guest Part 2″ (Ep: 3 / KM: 3)

15:00 - JK jokingly asks what the answer is and Jimin giggles at him as the on-screen text says, "how adorable." Unsurprisingly, the others are less enamored. (JK's biggest fans = 1. Jimin 2. Run BTS on-screen text writers)

BEHIND 9:56 - JK watches JM dance playfully, then wiggles his own hips, seeming to want JM's attention. Jimin smiles and starts to say something that gets cut off.

10:03 - JK films JM as JM dances and smiles while looking into the camera. Jimin is doing silly dance, but JK zooms in on his joyful face. He quickly licks his lips as he watches.

#jikook #kookmin #jikook guide to run bts #run bts

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the-insomniac-emporium · 2 years

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J Watches Arcane: Ep. 4a, Random Thoughts/Play-By-Play

Oi, only took me fucking months to finally get off my arse and watch the next episode, oops. What can I say, I'm allergic (and yet addicted) to sadness? Anyway, these are just thoughts that I have as I watch, with timestamps. Nothing super in depth, but I just enjoy keeping track of what I notice (might forget otherwise), and it helps with forming bigger pictures with the scraps later on.

Under read-more for length and spoilers (obvs). Seriously, tho, I had a lot of thoughts on this one, even if you ignore the parts that can be summed up with "J, your gay is showing" or "J, your gender envy is showing". I mean, seriously. I mean, like, I had to break this into two parts for formatting reasons. It's kind of absurd. Ends at roughly 22 minutes into episode 4

(1:53) WHAT IS THAT. I WANT TWENTY. FLUFFBALL. Why have I not heard of this fella before?

(4:29) Right up until this shot, everything post-intro/opening gave me low-key Bioshock Infinite vibes. I really should finish that game...

(4:42) Well, first of all, let me just say that I'm glad Caitlyn's mom is still a milf, I guess. Second of all... I know that there's a timeskip between episodes 3 and 4, and I think I read it's somewhere around 7 years, but the contrast between hearing Cassandra talk about Jayce now compared to the last time they interacted is just. It's there. I'm thinking about it. She's a politician, tho, yeah? Feels like she's got experience with putting reputation/public image first. Guess I'm just noting that here in case it pops up again- good source for conflict, yeah?

(4:52) MY WIFE! My wife has a dumb hat!!! I love her dumb hat!!!

(5:29, "we really have descended to anarchy") I am going to melt over her smile oh my god. Also, I appreciate her and Jayce's friendship/basically being siblings (which I have heard a bit about). The way that Cait is so clearly miffed about her post/things with her mother, but still softens up to joke around with Jayce- and the fact that Jayce took the time to come over in the first place :D

(5:55) OH IS IT MY BOY? IS THIS THE FIRST GLIMPSE OF MY GROWN UP BOY? I legit don't know if Ekko's role in the firelights (is that the right name? I have been trying to avoid spoilers) is, like, a huge thing/big reveal, so I don't know if I'll be upset that I got spoiled on it ages ago

(6:22) MY OTHER WIFE. Not to, like, make 50% of this post about how gay I am but-

(6:40) oh hey cool, I got the name right. also just want to say I fucking LOVE the firelights' designs, everything from their outfits to their tools to their sick ass hoverboards

(6:58) that was the smoothest fucking thing I have ever seen oh my god. if I was there to witness that, I would be proposing on the spot. marry me, cool mask man

(7:42, "oh no, she's here") is it my other other wife? is it time for me to start crying, from here until the end, as the chances of recovery slip further and further out of her fingers? will I weep neon pink tears of grape soda gamer fuel glimmer, as the echoes in her skull overwhelm? oh, to be so small, in a world so big and so loud, to feel like one must scream onto the void until their lungs give out, if only to be seen at all- if only to prove that you exist-

(8:52, "... hi")... I mean, like I said, it's a build up, ya know? the end of the rope doesn't feel as bad if you never saw how long it was to begin with, after all

(8:53, *click*) lmao never mind, love my poor, poor feral lass

(9:24) and so it begins. Or, well, it doesn't so much begin as it starts to rear it's ugly head. One thing that I've noticed, and will probably make a separate post for at some point (so the thought doesn't get lost in this jumbled mess), is that the little flashes we see of Jinx's hallucinations here aren't new, per se. Literally in the very first scene of the whole ass show, when the enforcers are walking through the smog, their masks glinting in the firelight, we see those flashes of comic-esque facial expressions, the sort of "signature Jinx graphic". From a design standpoint it's neat, but more importantly, recalling that from the first episode is a great way of showing two things.

Firstly, Jinx has been going downhill for a long ass time. It's not that what happened at the end of 3 completely broke her, it's that life stuck its fingers in the cracks of her mental state, and starting tugging until everything split apart. Also want to say that the fight scene between Deckard + crew and Vi + crew in ep1 also highlights this, specifically with the way everything goes into slow motion, and we Powder at the center of it all, back against the wall, eyes wide and panicked, unable to do anything- because poor girl is probably remembering that shit on the bridge

Okay, tumblr is making me break this up a little, please ignore this random thing, something about a characters-per-block limit?

Secondly, that whole opening sequence sets up the entirety of Powder/Jinx's trauma. Violence, flashes of light, clutching desperately to those who offer her comfort, culminating in the first major loss: Her parents.

Point is, this shit hurts my emotions. Thank you for coming to my TED Talk, and please remember that I am not a psychologist/therapist, just a writing nerd with a skeleton full of closets :) yes I know that I fucked that one up, but honestly I think it's funny enough to keep

(11:13) oh. oh, Viktor, time will never be your friend, will it? Deep breaths, love, what you do with what you have will be more than enough. Also look at the little fluffball, back again. Look at them, Viktor, they will give you serotonin

(12:00) these are forbidden candy. I will fucking eat them. Jinx would take one look at these and cronch on one too

(12:35, "the next chapter of Hextech") oh, so you make it stable and the first fucking thing you build is a weapon? please tell me I'm looking at this incorrectly, but that looks like Vi's punchy gauntlet. *three seconds later* okay cool, it has other applications. had me worried there. I mean, I know it will be used as a weapon tho, so... it's a mixed bag :)

(14:00, "a decade?" "it zips past you in the blink of an eye") Heimerdinger, my dude. I know you're small and maybe can't see Viktor's face as well, because you as so close to the ground and so far away, but look at him. Are you really telling me that Heimerdinger is not at all aware that Viktor's health is declining? Has he grown so accustomed to the endlessness of his own life, that he has no concept of the fragility of humanity? just feels a bit insensitive, don't it?

(15:13) why hello, Ms. Bond okay, glad cameras are a thing, even if they're kinda basic at this point. wanted to make sure that my eventual dumb fics can include cute couple photos

(15:44) Cait. Cait. my god. Was that really the best landing you could do? What the fuck. Do they not make sure enforcers know how to get around a little? God, that landing was so loud. Loud landings = hard landings, hard landings = painful landings. You want soft, quiet ones, and not even just for stealth. The process just makes it a hell of a lot easier on your joints!

(17:16) um. okay. sorry, did... did Silco turn The Last Drop... into a night club?... no no no, it's okay, that's fine, no worries. I am just... surprised, is all.

(17:22) is this that one very minor side character that some folks on tumblr are really gay for, but not everyone I've seen can agree on their gender? and also they don't even have a page on the Arcane wiki? and I did definitely check because I saw a picture and suddenly understood tumble's interest?

(18:19, "the world's growing smaller every day") did Silco read that one post I made the other day, when I was having a breakdown at five in the morning?... is he disagreeing with me because I disagreed with him about how it feels to drown, or is he replying to the ending of my post, saying that "hey, no worries, the world does eventually get smaller?". anyway this has been a stupid joke

(18:27) Hawkeye?... oh, nope, just my gf again. sitting in the rafters (very gay of her, if I do say so myself). also, I love that Silco does not react at all to her dropping down directly onto his desk. How many fucking times has she done this? How often did she scare him before he got used to it?

(19:30) this part here is specifically aimed at me. because the creators know I hate eye stuff. I am taking this personally, and not just because it gives me an excuse to pause the show and not look at what I assume is about to be eye needle time. *half a second later* I hated that. Why didn't I just hit play while not looking at the screen? Oh, right, so I could see if I was right and then post about it, duh

(20:28) if anyone is still reading at this point, they're probably tired of me pointing out the fact that I have a crush on essentially every female character. So. Hey look, it's Mel, I can't wait to see what she's been up to :D

Okay, yeah, breaking this into two parts because I've now hit the whatever limit twice, and I have literally never done that before today, so...

#j watches tv #j watches arcane #arcane spoilers #arcane netflix #arcane meta #not super meta but there are parts where I go into it

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bluesylveon2 · 3 years

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My My, I Could Never Let You Go

Summary: Sasha Zoe just wants her dad to walk her down the aisle. There is only one problem: she doesn't know who her dad is! Sasha invites 3 men in hopes of finding out which one is her father. What could possibly go wrong?

Pairings: Levi x Hange, Sasha x Niccolo, and other background relationships

Disclaimer: This is a Levihan Mamma Mia au. This fanfic is inspired by Mamma Mia which is directed by Phyllida Loyd, written by Catherine Johnson, and uses music from the pop group ABBA. Attack on Titan is a manga/anime series written by Hajime Isayama and published by Kondasha

Author’s Note: I’m glad you guys are liking this series. Tbh I was ready for it to sink the moment haha. Anyways, I am uploading another side story because...Feb 22 is MY BDAY!! 🎉 I hope you guys like it!

Need to catch up? Catch up here!

Ch 3: Money, Money, Money

Levi stood on a different part of the yacht watching the waves go by as it headed to Kalokairi. He originally sat next to Erwin until the other man, Mike, started sniffing him randomly. Levi did not like how close Mike was to him, so he decided to sit in a different part of the yacht. Levi and Eren had already helped Mike and Gelgar fix the sails. Now the three men were sitting around and watching the waves pass by while Gelgar was busy sailing the ship.

(Mike claims Levi smells like detergent)

Erwin was staring at the invitation he received months ago. Mike, who was curious, took a small peek and recognized the invite anywhere.

“Bride or groom?” Mike asks

“Bride” Erwin answers and puts the invitation away. He slightly turns his head towards Mike “although I actually never met her.” This interests Levi.

Erwin turns to fully face Mike “I know who you are, you’re Mike Zacharias, aren’t you” Erwin recognized the man from 21 years ago when he saw Mike with Hange. Of course, he did not mention that part out loud. Who knew one of Erwin’s favorite authors would be him? It must be a small world after all.

“Uh-huh,” Mike looked at Erwin and agreed. Mike sniffs Erwin discretely.

(Erwin smells like cologne)

“You know,” Erwin began “your books have really helped me get through the dull business trips. I may look like I am living out my life in some fantasy. In reality, I am surveying across some corner of the planet’

“You should try it for real sometime” Mike suggests

Erwin chuckles “Certainly. I’ll never be the spontaneous adventurer. Not with my current job at the firm.

Levi, overhearing the conversation, turns to Erwin and Mike “You’re a close friend of Hange?” It’s a good thing Levi wore shades or else the men would see the glare he was giving them. Levi wanted to know how she knew these men and what their relationship is to her.

Mike shook his head and looked up at Levi “No, I haven’t heard from her in 20 years-”

This raised Levi’s suspicion “Really?" It's a good thing the two men didn't see the shock in Levi's eyes.

Mike continued on “-then she sends this invite out of the blue.”

Now it was Erwin’s turn to be confused. He assumed Mike was still close to Hange. “You know, that’s a coincidence. Neither have I.”

“Going about!” Gelgar yells at them from the front of the boat.

Levi leaves his spot to help out “You got it?” he asks Erwin

“Right,” Erwin says and stands up. He unties the rope from the side of the boat (AN: I don’t know anything about boats), but it manages to pull him; almost making Erwin fall in the water. Luckily, he kept his balance and saved himself from falling.

“You ok?” Mike asks and looks at Erwin worriedly

“I’m fine” Erwin calls back and pulls the rope

The sails move, and the yacht begins heading towards Kalokairi island.

---

Hange was driving to the port in her light blue Land Rover. She is going to meet her best friends Nanaba and Rico. Nanaba Foster is Hange’s English friend and a fun-loving author. Rico Brzenska is Hange’s Polish friend who is a three-time divorcee.

Hange met the two in New College in Oxford when Hange was studying Biological Sciences. Nanaba was studying English, and Rico was studying Music. The three were an unlikely group since they were in different parts of the college. Hange met Nanaba first in the library when Nanaba asked Hange for feedback for a story she was writing. Hange loved listening to Nanaba’s stories, and she (and Rico) were her number one supporters on her journey to become an author. Hange and Nanaba met Rico while walking through the Garden Quad on campus. Rico was surrounded by many admirers who would not leave her alone. Hange and Nanaba saved Rico from her admirers and were confused when they saw how annoyed Rico was. Rico was not annoyed by the two saving her; the issue was that none of the guys were up to her high standards. Rico was looking for a man who was going to make a lot of money. It was like a 6th sense for her, but Rico could tell who is/is not compatible with her with one look.

Nanaba and Rico have been with Hange through her highs and lows. They were present when they performed as a band in Kalokairi, comforted her after Hange’s crazy love life, and were present at Sasha’s christening. Hange cares for the two dearly. She saw them as part of her family (other than Pieck) when she felt like had no one (except for Pieck, but she has her own life to live. Hange didn’t want Pieck to worry about her too much ).

Hange parked her car just in time to see Nanaba and Rico get off the ferry. Hange runs to the edge of the dock but doesn't run to meet her friends just yet.

"Well will you look at what the tide brought it" Hange yells

Nanaba turns and places her back towards Rico "For one night-" Nanaba yells back and holds a pretend microphone up in the air.

"-and one night only" Rico copies Nanaba's pose except she Rico is facing the opposite direction. Rico and Nanaba stand back to back.

"Hange and the Survey Corps!" they all yell at the same time. Hange runs up to her friends and meets them in the middle of the dock to hug them. It's been many years since they last visited, and Sasha was only 9!

Hange came up with the band name to illustrate her personality. Hange loves to discover and learn about new places. It's the main reason why she now lives in Kalokairi after hearing so much about it from Pieck.

(Rico's suggestion was Hange and the Garrison, but it didn't have the same ring as Survey Corps).

“Look at you,” Hange says to her friends. They look more beautiful since the last time she saw them.

“Look at you” Rico reflects back to Hange.

“You look fantastic,” Hange tells Rico as she poses and shows off her latest designer clothes.

Rico laughs and points at Hange “You look like an old hippie.” Hange has dressed in her signature outfit after all (overalls with a white shirt. She was also wearing a hat this time)

Hange put her hands in her pockets and slightly leaned back. She poses by raising her left foot up in its toes and puts her weight on her right leg.

“She looks fabulous” Nanaba compliments Hange.

Hange noticed Rico’s new outfit. It’s different from when she last saw her, and it looks more expensive. Hange wants an outfit like that for herself.

Hange walks up to Rico and grasps her white jacket “Where did you get these?” she asks with a gleam in her eyes.

“Husband number three!” Rico laughs along with Nanaba and Hange

‘Well, I’m sure you must be excited to see Sasha again.” Hange laughs as they pull apart, and starts walking towards Hange’s car. Nanaba and Rico put their stuff in the back and hop in.

“So any men at this wedding?-” Rico asks Hange as they leave the pier and head to the hotel.

Hange couldn't help but laugh. She had a good feeling where this might be going.

“Gorgeous Greeks of independent means?” Rico inquires and waves a hand around

“Here we go again! Husband number four!” Nanaba yells. She also had a feeling of the direction of Rico’s question was going.

Rico laughs at Nanaba’s statement “Not for me. For her.” She gestures to Nanaba.

Rico knows how successful Nanaba has been since becoming an author. She thinks Nanaba needed a handsome (and rich. It’s a plus) to marry. She knows about Nanaba’s previous crush on Mike from 21 years ago. Sure he is caring, a flirt, and owns a boat, but Rico knows Nanaba can find a man who is 20x better for her. The last time she heard of Mike was from Hange, and it was from their nightly boat trips. Rico and Nanaba left a few days after meeting Mike. Nowadays, Hange does not talk much about him anymore.

“He’s coming!” Nanaba yells while ignoring Rico. She knows she does not need a man right now)))

Rico continues to go on anyway “Now that Nanaba’s book is a bestseller and she has the whole world stuffing-”

“Stuffing of what? Vegetables? Meat?” Nanaba laughs

“Don’t give Sasha any ideas, Nanaba.” Hange teases

“I just think it’s time to find Mr. Right,” Rico tells Nanaba with a lace of concern in her voice.

Nanaba dismisses Rico’s suggestion instead “Oh please! Boring!”

“You two are great role models for Sasha. A serial bride and lone wolf.” Hange laughs

“That’s me!” Nanaba points to herself with her thumb and grins “I’m a lone wolf”

Nanaba begins howling like a wolf as Hange drives up towards the hotel. Hange laughs. That’s the Nanaba she knows and loves. Meanwhile, Rico looks dejected after another failed attempt at getting Nanaba a husband.

Nanaba stops howling and looks over at Hange “So when are the two love birds flying the nest?” She is aware of Sasha’s friends leaving the island, except for Sasha herself. Good thing Niccolo is financially stable and is ok with staying in Kalokairi to be with her.

“Oh, God! Who knows?” Hange exclaims as she parks her land rover “I don’t know what is going on in Sasha’s head sometimes. She wants a big, white wedding-” Hange throws her hands up in the air to emphasize how big Sasha wanted her wedding to be. “-and she and Niccolo are making big plans for the hotel. Sometimes I don’t know if she will ever leave!”

“Yeah, but do you really want her to leave?” Nanaba asks questioningly. Hange could see it in Nanaba’s eyes despite Nanaba wearing shades.

“Well, I just want what is best for her'' Hange says and looks out to the distance. She then turns to her friends. “Of course not!” The three women laugh and exit the car.

Hange looks up to find Niccolo and all of Sasha’s guy friends heading in her direction.

“Niccolo! Come meet my backup girls. Guys, come catch up with Rico and Nanaba!” she yells.

“Backup girls, my ass!” Nanaba and Rico yell at the same time. They weren’t going to let Hange have all of the spotlight.

“He’s the leading man for tomorrow’s shindig,” Hange says as Niccolo walks over to Nanaba.

“The lucky man” Niccolo laughs. He extends his arms out towards Nanaba but does not hug her yet.

“You must be-” he pauses a bit to think about the names of Hange’s friends Sasha mentioned to him before their arrival.

“Nanaba”

Nanaba nods in approval. “I am” Nanaba smiles.

“How are you?” Niccolo asks as he leans forward to hug Nanaba

“Very well” Nanaba laughs. She likes this man already.

Niccolo lets go of Nanaba so she can catch up with Sasha’s friends. Niccolo heads over to Rico as she leaves the car.

“And you must be Rico. I’ve heard so much about you” Now it’s Rico’s turn to hug Niccolo.

“All bad, I hope” Rico laughs.

Niccolo smiles. He’s heard a lot about her from Hange “Yes” he nods.

“And all true!” Hange yells from the trunk. Niccolo noticed the big suitcase Hange tries to pull out from the trunk. He quickly walks over to Hange to help.

“Hange. Let me get them for you.” Niccolo says and grabs the suitcase for her. Nanaba and Rico look over after talking to the rest of Sasha’s friends. They watch the interaction with a smile on their faces. They definitely like Niccolo.

---

“Why did I wear stilettos?” Rico complains as she climbs up the steps to the hotel.

“Oxygen. Sweet oxygen” Nanaba gasps after finally finding a place to sit. Niccolo and the other guys bring Nanaba and Rico’s luggage to their hotel room.

Hange was amused by her friends reactions. It’s been many years since they last visited. Meanwhile, Hange was unfazed with climbing up all those steps. Heck, she could most likely run up a flight of stairs and sing a musical number at the same time!

Sasha hears the sounds of her aunt’s voice and runs out to her balcony. It seems like they aren’t used to climbing up so many stairs after all. Sasha laughs. It’s been years since she’s last seen them.

“Aunt Nanaba!” She yells and smiles gleefully before running down to meet her aunts

“Heeeyyy,” Nanaba calls back. She is still exhausted from the climb up.

Rico turns to Hange “Look at Sasha. She is so beautiful!”

“I know” Hange replies gleefully. She is proud of how her little girl grew up to be a beautiful woman.

Sasha pauses briefly when she makes it to the door. Nanaba notices Sasha nearby and the big smile on her face. She can’t believe how much Sasha has grown.

“Come here, Sasha!” Nanaba says and opens her arms for a hug. Sasha runs over to her with excitement in her body.

Nanaba pulls away from Sasha to see how much she has grown in person.

“Sasha Zoe, you are more gorgeous-” Nanaba places her palms on Sasha’s cheeks and lightly shakes her head “-every time I see you. You really do.” She compliments her. Sasha couldn’t hide her happiness after Nanaba complimented her.

Rico looks over to Sasha from her spot next to Hange “I bet you don’t remember me.”

“Not with all that makeup and plastic surgery” Nanaba teases with a smirk and Hange laughs.

Sasha runs up to Rico to hug her. “Of course I do, Auntie Rico. You haven’t changed at all.”

“I’m so happy for you,” Rico tells Sasha during their hug.

“Look at my baby,” Hange says proudly and gently pulls Sasha away from Rico to hug her herself.

“Her whole life ahead of her” Hange coos and leans towards her daughter

Sasha laughs at her mother’s antics “Oh please, I’m getting married, Mom. I’m not joining a convent!” she says while wriggling away from her mother’s grasp. Sasha starts heading towards the hotel.

“She’s feisty. I like that” Rico compliments.

Nanaba walks up to Hange and puts an arm around her shoulder “She’s a chip off the old block” she laughs.

Hange dismisses the thought as she and her friends climbed up the steps to the hotel. “If she were like me, then she wouldn’t get married at 20”

“Or married at all” Rico chimes in. Hange laughs

Hange keeps walking and realizes something. She forgot to put the laundry down! Hange groans internally and turns back towards her best friends

“Sorry! I meant to take the laundry down before you came. I would have asked Moblit, but he was busy fixing some things.” Hange pushes some of the sheets off to the side to make space to walk through

“You think with all this new technology, they would make one make the beds” Hange grabs the nearest sheet in front of her and rolls it up as she walks. Sasha notches her mom carrying the sheet and begins walking towards her.

“If only you had majored in Engineering instead of Biology” Rico jokes

“If they did, you’d be going along behind it making them again. I know you, Mom” Sasha laughs as she grabs the sheet off of Hange’s hands and kisses her on the cheek. Meanwhile, Niccolo walks up to Rico and Nanaba with glasses of water. They were exhausted from the climb up.

“But I am gonna modern it!” Hange calls back. She turns around and notices Niccolo.

“Tell them about your idea” Hange walks off to do a few errands while Niccolo presents his plan.

“The guys and I are designing a website. I think this place has so much potential, and no one knows we’re here. The only way you could know is from locals. I was one of the lucky few who got to experience the island for myself.-” Sasha walks towards Niccolo and stands by his side.

“-All of Sasha’s friends want to pitch in their specialties too. If we market it really well, then people would come flooding in.”

Rico and Nanaba couldn’t stop smiling after hearing the idea. They too got to experience Kalokairi’s beauty. It is a shame very few people got to see it after they first visited.

“We just want this to be the ultimate romantic destination” Sasha pipes in “This was once the site of Aphrodite's Fountain. You know, the goddess of love. If you drank the water-” she turns and faces Niccolo with a loving smile on her face.

“-You’re supposed to find true love and perfect happiness” Niccolo couldn’t stop smiling at his fiancee. He goes in to kiss her.

Hange is already walking back by the time Sasha finishes explaining her plan for the island.

“I’ll take a glass of that” Rico tells Hange and wraps an arm around her shoulder.

“I’ll take a whole bucket,” Nanaba says and drinks some of her water.

“Aphrodite's Spa?” Rico questions Hange as they head inside the hotel. They didn’t need to stand there while Sasha and Niccolo were spending some quality time together. That would be awkward for all of them.

“I thought you didn’t want a boatload of tourists?” Nanaba adds

Hange turns her head to face them while she walks ‘Oh no. Not boatloads. No.” She says firmly

“But you know, a few more would be nice” Hange playfully rolls her eyes and laughs.

Hange walks into the bathroom and remembers the toilet situation. She turns back to her friends and becomes serious.

“Now, the thing about the toilet. If it does not flush, then go get Moblit. If he is unavailable, then go-” Hange moves her hands in a go motion “-and just walk away. Come back after a while and it should..” Hange trails off

She puts her hand near her ear nervously before walking off. “Nothing works around here except for me and Moblit.”

Rico and Nanaba look at Hange worryingly as Hange walks towards the main room.

Hange stops near the window. The glass pans were open, but the shutters were closed. Hange turns to her friends “I’ve been running this hotel for 15 years, and I never had a day off. I constantly work though I have an assistant!”

Rico and Nanaba look at each other nervously. Hange sounds like she was ready to blow with her “I’m fine, but I’m not really fine” tone in her voice. Hange noticed their exchange.

“But it’s fine. I’m fine” Hange tries to reassure them and leans on the window shutter causing it to fall to the ground nearly hitting Moblit and a few other workers.

Hange grabs the window sill and looks down at who she possibly hit. “Oh my god! I’m so sorry Moblit!”

“I’m ok Ms. Hange. I didn’t get hurt!” He calls back hoping to ease the situation. He leans down to pick up the broken shutter. Looks like another thing to add to the list.

Hange sighs before complaining to her friends “I work hard every day to pay the bills, and there’s not enough left for me.”

Nanaba saw a nearby chair and was sitting down to be comfortable while listening to Hange’s story. She knew the moment Hange starts talking then there is no stopping her.

“Don’t sit down there. It’s broken” Hange says before walking off. Luckily, Nanaba caught herself on time.

Hange walks over to the balcony and looks out to the sea. Rico and Nanba follow behind her.

“You know, I have plans, and it would work if I married a wealthy man. Think about all the things I can do!” Hange exclaims

The trio heads towards the surprisingly empty kitchen. Hange leans back on a counter. Rico stands on her right, and Nanaba stands on her left

“Wealthy men are hard to find” Rico states.

“I can’t get him off my mind. Even if he were free, he wouldn’t want me!” Hange exclaims and walks to another part of the hotel.

Nanaba and Rico share a look before following. They knew someone who did fit the criteria. Too bad he broke Hange’s heart to marry someone else.

“Might as well go to Las Vegas or Monaco!” Hange complains by the time Rico and Nanaba catch up to her in the hotel plaza

Hange could see it already. The boat rides, the places she could visit, discover flora and fauna. The possibilities are endless! Sadly for her, it’s a rich man’s world.

Hange was not paying much attention when a sudden crack appeared in the plaza. She and the others moved away on time to avoid stepping on it

“What happened here?” Rico gasps

“The earth moved! We’re falling apart!” Hange says while fascinated by the sudden shift in the ground

“Really?” Nanaba asks skeptically. Hange waves it off with one hand.

“Don’t think much about it” She laughs and grabs her friend’s arms. “Come on. Let’s go have fun!”

It’s time to drink wine and have some girl time!

---

Meanwhile, on another part of the island, Levi, Erwin, and Mike had arrived in Kalokairi. All three men were heading towards the hotel.

Author’s notes:

I was going to use another name for Hange’s band, but Survey Corps has the same number of syllables as Dynamos.

Nanaba does not have a last name, so I picked Foster like banana foster haha (a dessert made from bananas and vanilla ice cream, with a sauce made from butter, brown sugar, cinnamon, dark rum, and banana liqueur.) It was better than Pudding or Bread

#levihan #levi x hange #levihan fanfiction #nicosasha #erwin x hange #mike x hange #aruani #hitch x marlow #mikenana #marco x mina #pokkopikku #snk #attack on titan

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