#we are what everybody wishes they could be | Explore Tumblr Posts and Blogs

sweetnans · 2 days

Note

firefighter!katsuki x reader PLEASEE 🧎‍♀️🧎‍♀️🧎‍♀️

As you wish🪄💫

You knew and everybody did too that you weren't the most appropriate person to cook so you tried baking instead. It turned out that you weren't good either now that your kitchen was on fire.

Thankfully, you were fast on calling 911 and they sent you a firefighters unit to help you out.

A bulky red-haired man entered your house while you tried to extinct the fire with your tiny extinguisher. He grabbed you gently by your shoulders, guiding you out of your house so they could bring all the equipment without you standing in their way.

"I bet they would have been delicious" he gave you the most charming and calming smile.

If only he knew...

You were sitting in one of the trucks. One of the firefighters was taking your statement and checking on you for burns and any sort of wounds. You were dissociating while he tried to make you talk.

In your mind, you thought that, thank god you lived in a house and not in an apartment complex. You couldn't live with the shame after setting your kitchen on fire, having all the people gathered around you for the disaster you made. It wasn't like your neighbors weren't there. The moment that the fire siren made his appearance in the block, the nosy neighbors alerted the others, and now they were all by their windows watching you from afar, in comparison with apartaments, at least they were far away from it and you didn't compromised their houses.

"You can't bake shit"

A tall and muscled man blocked the sun from you and got you out of your thoughts in an instant.

"Excuse me?" You were leaving the haze you induced yourself to keep away the embarrassment from burning down your kitchen while making cookies.

"What he was trying to say is that we extinguished the fire, and everything is perfect. Well, almost... Do you have someone you can stay with?" The red-haired man interrupted the angry blonde.

"Mm yeah, I think so"

The interaction was pretty odd, and you tried to maintain your focus on the problem.

"How do you even set your stove on fire?" The blonde continued while the other gave him a warning glance.

"You were right," you jumped off of the truck. "I can't bake shit"

You looked sad and obviously you were. Your first attempt to do something new ended up on you spending the night at your brother's house.

While talking with the EMTs and other firefighters, Bakugo couldn't help but notice your gaze and your face. You looked like you were about to burst into tears.

A few days passed from the incident, you were tired, working your ass off, day and night, to fix your house so could go back there, filling up papers to see if your insurance covered the damage while giving your brother a hand watching his kids after school.

You were on the verge of crying when someone knocked on the front door.

"Hey?" You opened the door slightly to see a man standing in front of you with a box in his hands. You didn't recall hearing your brother saying something about an incoming package.

"You match the description he gave me. This is for you, " he smiled.

The blonde who looked like he was going to some party handed you the package, turned around, and left you there feeling uneasy.

Most of the time, in this situations you acted distrustful, but the man didn't give you time to think about the possibilities.

What if it was a bomb?

You wouldn't be surprised afted the incident. You had something with fire and explosions.

Grabbing the box, you walked to the kitchen. Thankfully, the kids were asleep in their rooms, so if it was a bomb, you would have some time to run away from the kids and the house.

You expected, well, a bomb, explosives, or some detonating device. Well, you were wrong.

A cute purple box with a white ribbon on laid down.

You opened the box, and for your surprise, there were tons of cookies of all shapes, colors, and flavors. You were shocked until you saw the card.

Hey, the fire department went by your house yesterday, and we noticed that what originated the fire was your stove. The wires were defective. We filled up the papers already, and the company promised to fix your house and equip it with everything you lost in the fire.

Give me a call when everything is ready, I'll teach how to bake properly without losing your house in the process.

Bakugo Katsuki.

...

I'm sorry if this isn't what you expected 😪 my brain is dry

671 notes · View notes

maygrcnt · 18 hours

Text

something i think is very imminent in 911 season 8 is a change in the professional dynamic of the 118. we barely got to see them in action this year (and when we did it was often isolated sub groups who were progressing a personal storyline. save for one or two genuine emergencies), and i do think that’s because they realized that since nothing has changed about how the team works the emergencies have gotten a bit repetitive— bobby gives the orders, buck and eddie pull off the rescue, hen and chim save their life. so i was kinda mulling it over and trying to see how this could be solved in a full length season where they can’t get away with the lack of emergencies and will probably need to shake up the 118 dynamic a bit.

the first option is obviously to just split everybody up into different stations. it’s what i’ve been speculating about for a while and i think it’s a genuine option. the only reason i say maybe not is because it kind of defeats the idea of having more emergencies because it would be difficult to show casual rescues if everyone is everywhere, and they’d have to hire quite a few guest actors to play the other firefighters. also because lone star kind of already did this storyline if im not mistaken and i don’t want to just rinse and repeat from them lmao.

so what i think is actually going to happen is that bobby is no longer captain 118. i don’t think he retires and i DEFINITELY don’t think he dies. they’ve dropped the thread that the chief wants to run for…. some sort of office i don’t know what. but that medal ceremony probably looked reallll good on his campaign so i wouldn’t be surprised if he won and needed someone to fill his shoes. they made a point of having bobby call himself “the star captain at the star firehouse” so obviously since season three he’s built up his reputation back quite well in the LAFD and a promotion would probably be very realistic. i could even see them do like station 19 did and have the promoted character use the shows station as a “home base”. i do not care if this is realistic i care that bobby is still here!

this creates a hole in the captain ship at the 118 and while they could do the “navigating a new captain route” i just… wish they wouldn’t. also they NEED to give more of these characters some professional development SO, i think captain hen is incoming. we could finally put a satisfying pin on the end of her journey for more and it would go together nicely with finally finding closure on her family storyline as well.

now with hen as captain we need another EMT and i think eddie finally getting the full paramedic stuff would be so cooll! ryan mentioned that eddie would be exploring all new territory (yes i do think that’s also about gay eddie) and it would be so nice if that was eddie learning some new skills and knowledge. this would also give us a severely severely underused character dynamic in chim and eddie. would love to see them get up to shenanigans.

we’ve now shifted eddie over to the paramedic team so buck is all alone isn’t he… WRONG. ravi main character season 8 is REAL and it’s HAPPENING. he’s literally the perfect choice to pair with buck professionally! now that he’s not a probie (i would presume? timeline might be truly fucked tho so who knows) and he’s definitely seemed to have found his own voice within the 118 i want to have the buck and ravi work dynamic back. see them work together, figure things out, and most importantly let ravi show off that he’s COMPETENT. this also opens us up to have a new recurring character at the firehouse (please be a woman please be a woman please be a woman)

i realize it sounds a little bonkers crazy to split up buck and eddie at work because we’ve done that before and things were honestly miserable to watch. plus tim has said he wants to keep the interactions up as it’s “the core of that coupling” (his words not mine). and i agree! it’s DANGEROUS to split up this professional dynamic that we have grown to love. but i do believe that splitting them in the workplace is how we bring them together romantically.

think of chenford, in order to pursue their romantic storyline first we had to get out of the trainee/TO dynamic. and it was a little scary because that was how we got most of their scenes together! but we didn’t lose the chenford dynamic, we simply moved it into the personal lives part of the show instead of the cop part of the show. that’s what i think will happen with buddie. we move them out of work partners and into (even MORE into i should say) life partners.

anyway the tldr of it is: bobby should get promoted, hen should be captain, eddie should become a paramedic, ravi should be a main character.

#911 abc #kams spec #kams meta

27 notes · View notes

houndsharkk · 10 months

Text

drew me (left) and my boyfriend (right)!!

11 notes · View notes

confessedlyfannish · 2 months

Text

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

1K notes · View notes

yellowocaballero · 10 months

Note

dude psyched ur reading orv, insanely curious about ur takes

My friend @charterandbarter put it best.

ORV is pretty fascinating to me. It's really just a self-insert isekai OP webnovel, and it is nothing else. Its medium is trashy and lowbrow, and its genre is almost devoid of high art. OP isekais are 'id' stories, meant to be satisfying and fun and contain very little of substance. ORV is a very well executed OP isekai - it contains the elements of the genre that make it satisfying, it understands why people read the genre and enjoy it, it reproduces those elements very well, and it is very concerned with telling an enjoyable story. ORV really, really loves webnovels and isekais and shitty wishfuillment stories. There's a lot more to ORV than the 'fist pump' moments of kdj doing something cool or pulling a fast one on a shmuck, but those moments are the undoubtedly the point of ORV, as they are the point of all SIOC isekai OP webnovels. And that's the point of ORV.

Metanarrative stories are cheap. Neil Gaiman's written 30 and millenials love waxing philosophical about the power of narratives. These metanarratives tend to describe stories as a theoretical framework through which we understand the world and our lives. Therefore, stories are tremendously important and valuable because they contain the totality of religion, history, culture, relationships, and lives. ORV says this too. But this theory tends to land at mystifying and exalting stories on virtue of them being stories, which I think misses the point. Stories aren't special because they're stories. They're not more sacred for containing our lives. What ORV says is that stories are important, because our lives are important. I like that a lot more.

ORV says that stories are our way of ordering a disordered world. A history, culture, nation, and religion are stories. None of those stories are true or real, because histories/cultures/nations/religions are constructs - they're how we interface with reality. They're created with a purpose, told for a point, pulled together into a narrative, and are satisfying or dissatisfying based on certain factors. ORV's perspective on fiction is deeply seeped in its own nature as 'low art'. There's something very cynical and commercialized about narratives in ORV, and every narrative in ORV is being told for a quick buck or to try and spread an idea for an individual's gains. It's a very unromantic, unimpressed view of narratives and fiction. It's pretty much the only way a SIOC OP isekai webnovel like ORV can talk about it without being disingenuous. And it's remarkably raw and visceral as a result, because ORV loves SIOC OP isekai webnovels like kdj loves yjh. Fiercely, insanely, like breathing, exactly for what it is. No pretensions.

It's bizarre, because ORV is about love. It's not about love for anything that deserves it. Not for a story with a lot of literary merit, a main character who is a remotely kind or lovable person, or art itself outside of its commercial or philosophical value. kdj really, really, really fucked loved TWS - because it was there, and because it lasted 15 years, and because it was fake, and because it was what he had. He loves yjh because yjh was his only companion in a dark world. That's fiction. Fiction helped him survive, because love is a way of ordering a disordered world.

I'm still reading myself, but ORV seems to be about how we manage to live in a hard world, and how to find it within ourselves to love each other and find meaning in that hard world. I see why kdj's the protagonist: he can find merit in something for existing, and loving it for being there, and he holds onto something because he has it. He sees the value in that. He read it in a book.

TL;DR: ORV is well-executed trashy commercialized art that is so obsessed with trashy commercialized art that it's looped straight back around into being somehow the most raw and visceral depiction of love I've seen in a long time.

#wish i could lie to myself and say that yall aint getting orv fic but :/#my asks #I don't know what it'd be about but it'd be written under a heavy burden #of having to write the most insane thing physically possible #writing boring orv fic is a sin and baby the fucking ao3 tag is tartarus #hey why do i have to type kdj and yjh #why can't i just say dokja or joonghyuk #why are we full naming everybody at all times #this is the only webnovel i've ever read and its a big learning curve for me

227 notes · View notes