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#was that space the right venue for...
apparitionism · 4 months
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Bonus 2
Here’s the second part of a holiday story, begun in part 1, about how Myka and Helena, in a vaguely season 4 world in which nobody’s going to go to Boone but through which they have thus far been separated, are reunited for a day-before-Christmas-eve retrieval in Cleveland. Helena has been summoned by Claudia to serve as Myka’s backup, for Pete is spending some holiday time with his family... but as it turns out, the retrieval is necessary because—plot-semi-twist!—Pete Christmas-gifted his cousin, who is a bigwig at an accounting firm, with an artifact, a pen that apparently has something to do with Santa’s naughty/nice list. Which said cousin used to confer end-of-year bonuses—and penalties. As this part opens, Myka is just beginning to process the fact that the whole situation is Pete’s fault...
(And no, I didn’t manage to bring this thing in for a landing in this part. Nobody faint from the surprise.)
Bonus 2
“Okay,” Myka acknowledges, because what else can she do? The fact is that in any Warehouse-related context, “coincidence” is a non sequitur, and she begins formulating a plan to Christmas-gift Claudia with a T-shirt featuring that sentiment. How fast can she get a custom T-shirt made?
The irony is that Claudia would know.
“Yeah,” says Pete’s cousin—Pete’s cousin! She might be affirming the Claudia-irony in Myka’s head, or the situational irony Myka is now stuck in, or any of the vast array of ironies that make up the Warehousian unfolding of time itself. Myka would not have expected Pete’s cousin’s words to contain multitudes. And yet.
“He told me it was the kind of thing he thought I’d like,” that cousin continues, “and he was right. Effects aside, it’s a gorgeous implement. Perfectly balanced... which I guess works on an existential level too, doesn’t it? Naughty, nice.” She shifts the pen to rest a delicate crosswise on an extended index finger, testing its equilibrium as a chef might a knife.
The pen—or is it merely a different species of knife?—basks in Nancy Sullivan’s regard. “Resonant little instrument,” she says, with clear affection. “Anyway, we were talking about Pete.” A different sort of affection now colors her voice. “He went into this big production-number apology about it being sort of secondhand.”
“Oh?” Myka says, distracted by pens, knives, resonances... but, right, secondhand. Of course it’s secondhand. No new item could be an artifact. Or could it? This seems like a Steve-conversation topic.... and it certainly beats “H.G. is god knows where” for philosophy.
“Not because it’s not new,” Pete’s cousin says, apparently reading Myka’s mind, “but because he initially was thinking he’d give it to somebody else.”
Myka repeats her interrogative “oh?”, but she’s getting a feeling again.
“Yeah,” says Nancy Sullivan, and Myka really has to applaud her talent for broadly applicable affirmation. “He said he wanted to give it to his partner because, and I quote, ‘she likes the old-fashioned stuff,’ but then he realized he shouldn’t because, and I also quote, ‘she’s got this whole family feathery-pen dealy-thingy and I don’t want to upset her.’” She waves the pen again, this time directly at Myka, like a conductor imploring the oboes to pick up the pace. “And he told me his partner’s name,” she concludes.
“I’m sure there are lots of Myka Berings in the world?” Myka tries, weakly, raising her hands as if to offer Nancy Sullivan all those other Myka Berings. The last vestige of defensibility... then her hands drop, because really. She looks at Helena in apology, with only an indistinct, tangled sense of what she’s apologizing for. I’m sorry I occasioned this is part of it, yet there’s a deeper fault she feels but can’t quite ideate, one more consequential than an anodyne “oops.”
“Listen, he’s a really good guy,” Nancy Sullivan says.
“I agree completely,” Myka assures her. But in the interest of full disclosure, she adds, “Mostly completely. I mean, I’m going to kill him for this.”
Helena says, “Are you.” Her tone brings Myka up short: it’s impossibly knowing, suggesting insight into everything Myka has been thinking, about someday and talking and things.
Again with the reading so right.
Myka would love to have the panache to do more than glance furtively at Helena, to pull off a playful, similarly knowing response, like “that depends on my backup” (or something actually clever that will doubtless occur to her during some post-holiday post-mortem). Instead she goes with a not at all interrogative “Oh.”
Nancy Sullivan looks from Myka to Helena. Then she says, “Okay, revision: A really good guy who might be hanging onto some unreasonable hope.”
Myka wishes she could keep from glancing yet again, now, at Helena—now as she grasps the fullness of her underlying error, now as she formulates a hopeful plan regarding someday saying out loud “I’m sorry I didn’t recognize that he had any such hope and that I didn’t make completely clear that any such hope would never have been anything but unreasonable”—but the wish doesn’t work. She glances... thus proving Nancy Sullivan’s point.
“He didn’t mention you,” Pete’s cousin tells Helena. “I think I see why.”
“I’m both offended and pleased,” Helena says, with her customary little thank-you head-bow.
Rather than luxuriating in the familiarity of that head-bow, Myka tries to head off a more detailed discussion of Helena’s role in it all (and what a nondescriptively limp phrase that is) by observing, “The sixth-sense thing is quite the family trait.”
“Ah. Sure. You’ve had experience,” Nancy Sullivan says, a little droop in her voice.
Has she taken Myka’s words as criticism? Myka hurries to reassure, “Sometimes it’s very helpful.”
“But. Other times.” This is heavier, and now she must be referencing her own vibe-related experiences.
“Your family get-togethers must be really... charged?” Myka tries.
Nancy Sullivan offers another all-encompassing “Yeah.” Then she laughs. “But at least we don’t have a feathery-pen dealy-thingy like your family does.”
Helena clears her throat, an attention-garnering ah-ha-hem, as if it’s in the stage directions preceding her next line in some farce. She inclines her head: more stage-direction drama. Finally, “You do now,” she says in benediction.
Nancy Sullivan’s jaw drops. “Wow,” she says, and “wow,” she repeats. Then she laughs again and says, “He really should’ve mentioned you.”
Myka might laugh too, but she is preoccupied by the way in which Helena’s well-chosen articulation has persuaded her body to remind her that it and she have reached no mutually satisfactory agreement about appropriate reactions.
And that in turn sparks Myka to a realization: once the retrieval is accomplished, there may be a nonzero chance that she and Helena could enjoy a bit more of that liminal together-presence...
Myka’s body makes its best effort to crash through the gauzy ideating her brain would prefer to do about what such time could entail, and after no small amount of nethers-vs.-cerebrum struggle, she manages to propose, truce-wise, a simple Let’s just hope it exists.
Surprisingly, body and mind are willing to shake on that, giving Myka leave to slip on a glove and pronounce, “Just give us the pen. Then it’s over. Mostly. The money will probably revert... so you’ll most likely have to redo the bonuses the old-fashioned way.” Hearing herself, she amends, “Well. The regular way.”
“I don’t mind redoing. But reverting...” Pete’s cousin tightens her fingers around the artifact, pulling it near to her body as if she might be considering, for one last “maybe,” the idea of punching her way out.
Myka tenses, and she doesn’t need to cast a glance to know that Helena is doing the same.
She glances anyway... and indeed, Helena alive with wiry readiness is a sight worth the seeing. So worth it, in fact, that Myka is genuinely, if improperly, disappointed that said sight doesn’t cause the truce to collapse.
After a moment, however, color returns to Nancy Sullivan’s knuckles, and Myka removes the pen from her slackened grip.
But then Nancy Sullivan cocks her head. “Is it really over though? I feel like something else might be happening.”
No. No. Absolutely not. “Something else is always happening,” Myka says, affecting nonchalance as she slides the feathery foolishness into a static bag, ignoring its yipping sparks of protest. “Don’t worry about it.”
Nancy Sullivan casts a skeptical look at the barky little bag. “If you say so. Anyway seeing Pete’s face when I tell him you and I –and he and I!—are fellows in family feathery-pen dealy-thingies now? Might end up being the second-best end-of-year bonus of all, given everything.” There’s a little mockery in her voice, echoing the cousin Myka knows so well.
“And the best such bonus?” Helena inquires.
“Docking Bob’s pay,” Nancy Sullivan says instantly.
Myka snorts, and Nancy Sullivan turns back to her and says, “Are you okay with me being glad we met?” Like she’s mostly but not entirely sure of the response she’ll get, and that’s another echo.
“Only if you’re okay with me being glad too,” Myka says, her own voice sounding a familiar note—one she’s pretty sure Pete would recognize.
After a nod, Nancy Sullivan turns to Helena. “I’d say it to you, but I feel like there’s something extra going on with you, like—”
Myka steps in: “Honestly, always,” and then she’s hustling Helena out of the office even as Helena chirps, “I’m both offended and pleased by that as well!”
Back in the elevator, Helena speaks first. “I did not expect that,” she says, sounding entertained by—practically bubbly about—the entire scenario.
“I should have,” Myka grumbles.
“You’re too hard on yourself.”
“Oh god no,” Myka says, involuntarily. “Too easy if anything.”
Helena’s eyebrows rise, and her eyes accuse. “I’ve known you for no small amount of time,” she says.
Myka’s previous review fights that statement, but she doesn’t speak of it.
Her lack of response prompts a heavy I-am-no-longer-entertained sigh. “Must I return to the phrase ‘your truth’?”
“Please don’t,” Myka says. That’s also nearly involuntary, but it sounds too harsh, like she’s dismissing as unimportant that bookstore interaction, as well as the entirety of those in-extremis manifestations of herself and Helena. Rather than apologizing for that, for surely it would prove far too entangling, she tries to draw Helena’s attention back to the entertainment. “I like Nancy Sullivan. She reminds me of Pete and his mom.”
“Pete’s mother? I don’t believe I’ve had the pleasure.”
That’s a bit more jousty, backed by curiosity. Good. “She’s a Regent,” Myka says, for it’s the most salient piece of information she has about Jane Lattimer.
Helena stills. Her jaw hardens. “Then perhaps I have indeed had the... pleasure.” Cold. Cold. Cold.
You idiot, Myka scourges herself. Why couldn’t she have done the normal thing and left Pete’s mom as “Pete’s mom”? But now, but now: now she’s seen this wound, down there under the ice, and she wants to test that ice, but she can’t, regardless of her wish and want to know know know, to know everything Helena has been put through, so as to know whom to hate (and she hopes that doesn’t include Pete’s mom) and whom to someday thank (and she double-hopes that does include Pete’s mom). “Anyway I think the cousin had the right idea,” she says, pushing back to the now, to what just happened. “Using an artifact to do what are really decent things, even if they were judgmental.”
“Rather Old Testament,” Helena says. “Strangely inappropriate for this holiday, no?” She asks that like she’s really thinking—wondering—about it.
Myka congratulates herself on having provided a distraction, however minimal, from whatever Regent-pain her unthinking reveal caused to surface. “I hadn’t thought about Santa being more Yahweh than Jesus,” she says, to enhance it, “and I’m not sure what it says about my position on salvation that I genuinely wish we could have let her keep that pen. Or even better, if we could maybe ferry it around to deserving arbiters... wouldn’t that contribute to the greater good, even if it’s in a judgy Old-Testament way?”
Helena’s face moves as if she’s about to answer, but before she can, a rupturing screech of metal-on-metal complication resounds decisively through the space, and their ear-popping descent slows, slows, slows...
...and stops.
After an appropriately irony-bearing pause, Helena says, “This elevator seems to disapprove of your suggestion. Or perhaps it’s your theological indecision that displeases?”
All Myka can manage is an extremely resigned “I am not surprised.”
Efforts to summon help strengthen the “disapproval” interpretation: they’re fruitless. No one answers the emergency line, and this mirrored box is, according to both their phones, the place where cell service goes to die. Or where that service is interfered with by a theologically offended pulley-based mechanism.
“I genuinely cannot believe we’re stuck in an elevator,” Myka says. It may be the most true statement to which she’s ever given voice.
After a beat, however, she concedes, “But of course I can.”
Helena casts her gaze around. Once again, exaggeratedly stage-direction-y. “At least it’s reasonably well-appointed. For an elevator in which to be... stuck.” She seems to relish articulating “stuck,” so she’s back to being entertained. Not quite bubbly, but definitely entertained.
Myka can’t get past her annoyance with the elevator’s disapproval, so she says a peevish, “I don’t like mirrors.” She’s painfully aware now that they cover not only the walls, but also the ceiling. She can’t even look heavenward in supplication, sarcastic or otherwise, without regarding herself. It really is too much.
Given that no other communication technology is working, she resorts to the Farnsworth. She gives thanks for Warehouse mojo, or whatever enables it to elude the elevator’s wrath, when Claudia answers with, “No info on ‘lists, making them’ yet.”
“We dealt with that,” Myka tells her. “New problem.”
“Another artifact?”
“Who knows? Maybe Pete’s in an elevator somewhere else in this town making bad decisions, and they’re redounding to our detriment.” She’s vamping. Stuck in an elevator with Helena, she’s vamping. Instead of simply basking in such fantasy-made-fact, she’s vamping.
She doesn’t bother wondering whether Helena knows she’s doing that; if this little adventure has done nothing else, it’s reminded Myka that Helena always knows. It’s both wonderful and terrible to be so legible, particularly to someone Myka so often finds frustratingly illegible.
“I’m not following,” Claudia says.
Speaking of illegible: Myka, heal thyself. “We’re stuck. In an elevator,” she clarifies.
Claudia makes a noise that, impressively, marries a gasp and a snicker. “Are you really? Or did you push the stop button, like people do?”
“Like people... what?”
“When they want to have a little uninterrupted chat,” Claudia says, pedantic, as if now she’s the one who’s “clarifying.”
“Nobody does that in real life,” Steve says from offscreen. Myka is pleased to know he’s around.
“Myka just did,” Claudia insists in his direction. “Didn’t you,” she insists at Myka.
“If I did,” Myka says, “why would I be calling you to get us out of here?”
“Yeah, why would she?” Steve asks, but from farther away.
Don’t leave! Myka wants to exhort. She would never admit to needing backup in a counter-Claudia sense... but she does appreciate when Steve provides it.
“Oooh, because maybe the chat didn’t go so well,” Claudia says with great, and to Myka’s thinking entirely inappropriate, relish.
Trying for calm pragmatism, she says, “Wouldn’t I just... unpush the stop button then?”
“Myka,” Claudia says. It’s the most chiding, disappointment-laden use of her name Myka has ever heard, even when measured against all the times her father has uttered those two designating syllables. “Believe me when I tell you I’m a fan,” Claudia goes on, turning mollifying, “but you really need to lean in when it comes to tropes.” Myka can’t imagine how to respond to that, so she doesn’t. Claudia sighs—seemingly everyone’s preferred go-to when Myka fails to produce words—and says, “Did you try calling maintenance? Pushing the emergency button? Using your cell?”
“Yes, yes, and no service. Do you genuinely think I don’t understand modern communication technology?”
“I think you pretend you don’t understand newfangledness all the time. Particularly when you’re trying to show off how sympatico you are with H.G., who incidentally doesn’t seem to be piping up like I’d expect. Did you knock her unconscious after your terrible chat? Or maybe during it?”
Helena has indeed been very—very surprisingly—quiet while Myka has explained the situation to Claudia. And she doesn’t step in to help Myka out now. So much for any counter-Claudia backup.
“There was not a chat,” Myka says.
Helena is regarding herself in the mirrored ceiling.
“But there could be one now?” Claudia nudges. “Let me see if I can see what’s up. I’ve got cell service.” She disconnects.
Helena abruptly abandons her ceiling self-contemplation, focusing her gaze upon Myka. It’s disconcerting. “Are you attempting to avoid an uninterrupted chat?” she asks.
Myka can’t suss the question’s sincerity. And notwithstanding all her ideas about talking, she suffers a cringing internal “yes.” Externally, however, she says, in what she hopes offers at least a veneer of sincerity of her own, “No.”
She doesn’t follow up by asking “why would I be doing that,” because Helena would probably have a guess. And because that guess would probably be accurate: “You are a coward,” Helena might say, and Myka would regrettably have to either tell the truth and agree, or lie and disclaim any emotional investment in whatever the outcome of such a chat might be.
Silence. Longer than it should be... or is it as long as Myka deserves?
You wanted time together. Don’t bellyache about the form it takes.
“Your objection to mirrors,” Helena eventually says.
“What about it?” Myka asks. Her very soul flinches.
“What is it?”
Myka has never before stated her dislike of mirrors aloud, and she regrets having done so now. To play it off, she says a dismissive, “An artifact.” And yet the truth is that despite the unnerving nature of her interaction with Alice’s mirror and how it continues to prey on her mind, it isn’t really that—or rather, that only intensified her dislike.
But when Helena proposes, “Yet another ‘dealy-thingy’?”, clearly (and preciously) trying the phrase out in her mouth, Myka misleadingly (intentionally misleadingly) nods and says, “They’re all dealy-thingies.”
To that, Helena says, “Interesting.”
Myka would probe that word, but to do so might destabilize the ground, here in an elevator. Instead, for the moment, she tilts her head in the direction of the Christmas muzak, the literal elevator music, being piped in. “Oh, sure, that still works.” She gestures at the speaker, a thin dark stripe between two mirror-panels, from which the sound is emerging. The elevator is nothing if not insistent.
In truth, she doesn’t mind Christmas carols. She does mind the bowdlerization thereof, and isn’t that an attitude the dogmatic elevator really ought to share? O holy night, the stars are brightly... synthesizing? It’s wrong.
Now even her mind is vamping. Great.
Helena tilts her head toward the speaker, however, and Myka appreciates her willingness to be redirected. At least for a moment.
In fact, for all her vamping, mental and otherwise, Myka finds herself absurdly content to simply stand against a mirrored elevator wall and regard Helena... who in that instant of Myka’s acknowledged contentment seems to accept their predicament as unlikely to be resolved in a timely fashion: she sits down, of course elegantly, resting her back against her side of the box and stretching her legs (her legs, Myka’s body notes, just to let her know it’s still paying close attention) out in front of her.
The looking-down perspective is a bit disorienting—although at least this time it has nothing to do with being stuck to a ceiling—but Myka has no time to process it, for Helena’s next salvo, looking up, is, “You’ve been expecting me to remark further on naughtiness, haven’t you.”
Reading, yet again. “I kind of have,” Myka admits. It seems an overly judgmental statement, particularly given that Myka has to deliver it as if from an elevated bench. And yet... she kind of has.
“I’d rather not fulfill that expectation,” Helena says. “If we could speak of other things.”
Myka is a little thrown, but thankful. “That is entirely fine by me. What do you want to talk about?”
“Honestly?”
“Honestly,” Myka says, meaning it as an answer to either interpretation of Helena’s interrogative: Are you asking what I want to talk honestly about? or Are you asking, with honest intent, what I want to talk about? She hopes Helena will respond similarly.
“Something that interests you,” Helena says.
That’s not in any way what she was expecting. “Really?”
“Really.”
It’s a word similar to, yet very different from, “honestly.” What, in a real sense, interests Myka? In this moment, all she can think to say is “you.” And perhaps because her normal inhibitions are disordered, here in this stopped elevator, that’s what she blurts out.
And that seems, incongruously, to take Helena aback. “What about me?” she asks.
Myka can’t say “everything.” It’s the real answer (really), but it’s far too... big. For an unexpected reunion, an unexpected uninterrupted chat—although Claudia or rescuers could at any point interrupt it, which Myka should hope happens (should)—it’s far too big.
So: smaller. What occurs first to Myka is “where have you been”—but that would most likely seem accusatory. She needs something else. Something something something...
In the aftermath of the Warehouse not being destroyed, she’d felt herself full of hard-earned wisdom and bravery: enough, surely, to stop hesitating. Enough, surely, to act. Or enough, at the very least, to articulate.
“Wisdom” and “bravery” now seem nothing more than labels on empty containers, and so “faintheartedness” is the fullness with which Myka here initially accuses her today self. But as Helena breathes and waits for an answer, Myka revises that, gentling it to “caution.” And she adds “care.” Because she is trying to attend to, to appreciate, that breathing. And that waiting.
These might be nothing more than self-indulgently comforting shifts in vocabulary... but then again they might be akin to the shift from “Christmas” to “end-of-year.” Gentle. Inclusionary.
The something something something that occurs to her—because in attempting to avoid her own reflection, she is confronted instead with multiple Helenas—concerns a topic she probably should censor but doesn’t: “When you were a hologram... or a projection, or whatever we should call it... did you have a reflection?” She then reflexively backtracks, “It shouldn’t matter? But I don’t know.” That last, she means both ways. She doesn’t know: whether the reflection existed, or whether it matters. But maybe it’s a sneak-up on things, because she shouldn’t ignore things, and because a seemingly inconsequential tangent might tiptoe toward importance.
“I don’t know either,” Helena says. “I suppose I would have?” Her face contracts. “Or perhaps not, as I don’t know how that holographic projection of myself was... projected. But I do intend to look into it.” She says this last as if Myka has caught her in some inattention, a recklessly uncompleted assignment.
“I never even started majoring in physics,” Myka laments, which is true but also, she hopes, reassuring in an I didn’t do the homework either sense, “so I don’t know the optics of it. Projections. Light and mirrors. “ She doesn’t mention that in the wake of Pittsburgh, she had indeed tried researching such things... she’d got as far as some advanced volumetric displays, ones using dust particles as screens onto which lasers projected light, but at a certain point, a tipping point, the idea of Helena existing as—being relegated to—nothing more than light and dust screamed a surpassing insult, a degradation conjuring death, and it was more than she could bear.
For now she puts that away. She shakes her head, shakes it free, and changes tack. “Anyway, that’s probably the wrong approach. This is Warehousey, so thinking outside physics, the laws... okay, all I know about reflections, unphysically, is that vampires don’t have them. So if you didn’t have one, then maybe all holograms are vampires?” Ugh. Ugh ugh ugh. She would have done better to speak of dust, that and light and despair. Going with vampires instead? Talk about vamping...
“Presumably not vice versa,” Helena observes, seemingly taking Myka’s words far too seriously. “Certainly fictionally. Also not overly flattering, in the syllogistic sense of ‘Helena was a hologram, therefore.’”
“They’re very popular though,” Myka temporizes.
“Stoker’s novel was all the rage,” Helena allows.
The chat stalls out. Interrupting itself?
Myka nevertheless feels pressure to fill the silence: it’s her fault. Will a simple truth suffice? “I didn’t expect to be spending the day before Christmas eve with you,” she says. “Or any day with you. In Cleveland.”
A small smile from Helena marks this as a more welcome fill than a question about reflection. As do her next words: “Nor I with you. In Cleveland, or any place. Equally, I didn’t expect to be sent on a mission with you.”
“That part of it went well.” Myka gestures at her bag that contains the artifact.
“We did—and now do once again—make a good team.”
“I’m glad we got the chance to do it again. Glad, but also... relieved.”
“Relieved,” Helena echoes.
That wasn’t a question, but Myka answers anyway, “Well, obviously, first,” she says, feeling herself launching into an explanatory babble that she fears she’ll be powerless to stop, “because you didn’t have to talk anybody out of using Joshua’s Trumpet, so that really makes a difference in terms of how we—”
“‘First’,” Helena quotes, interrupting (stopping), conveying her full knowledge that that too is a vamp. “And second?”
“That we still are.” This, Myka says simple and frank.
“A good team?”
That is a question. Myka knows “yes” is the only sensical answer, so she tries to say it. But the depth and weight of the ways in which she and Helena “still are” choke her: they “still are” in the basic sense of existing, which was never a certainty; and even better, higher, these hours they’ve spent together today have made clear, to Myka at least, that they “still are”... well. She’d like to finish that with something like “in love,” but instead she tries to leave it, even in her head, at “still are,” with their time-crossed, maybe-destined predicate undefined.
“A good team” should be good enough—true enough—for now.
So after a stretch of time during which Myka knows she’s been focusing her gaze far too intently on Helena, she manages that “yes.”
Helena waits to speak.... are her eyes glistening more brightly than usual, or is Myka hallucinating? “I’m relieved as well,” she says, and Myka chooses to simply delight in whatever prompted such a saturated sparkle.
It draws her closer.
She crosses the small-yet-large elevator-width that separates them. “I need to either sit down beside you or help you up,” she says. “Do you have a preference?”
“For?” Helena’s eyes continue to glow.
That shine... Myka has hopes. They may not be realized, but she has them, the product of relief, “still are,” and an unknown predicate. “Whatever’s next,” she says.
A bit of time passes, with Helena now being the one focused most intently. “I’ll stand,” is her verdict.
Myka reaches down with both—both—hands, offering, and Helena reaches up, accepting. Their fingers meet and clasp, and too cold, Myka thinks, for both of them have a chill in those extremities... but first impressions of temperature promptly fall away as the new reality of the clasp roars into precedence.
Myka has never been so certain of, so certain of and enchanted by, what must and will happen next in her life. Never in her life so certain, as the clasp tightens, as their torsos lean, as Myka’s body begins an at-last congratulation, one that will become a celebration—
A voice from somewhere overhead barks, “Everybody okay in there?”
TBC
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snackugaki · 1 year
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I was semi-joking last post but ....she’s so fun to draw wtffff
Following 2007 and Rise Splinter’s example, Bay Splinter absolutely watches soaps, teleseryes, telenovelas, and dramas and Venus watches some with him 
Casey taught them how to make their own skates, so now the entire sewer is an impromptu skating rink 
... I forgot that Leo, Donnie and Mikey’s shoes actually match (as much as they could make their custom frankenshoes match-- Mikey’s is like 98% duct tape and bandage wraps tbh; “But they’re still chucks underneath...!”) I just subconsciously went Punky Brewster on her shoewear. problem is I like both. so. nyeh.
have I settled on the size of her tesse--- hahahahhahahhahhahhha no.
in a brighter timeline, if they did a 3rd movie or just put both scrotes in and pumped out TMNT movies like they have Transformers movies I’d guess Venus, Jennika, Slash, Tokka, Rahzar, whoever were probably whatchamacallit, experimental groups to Splinter & Co.’s ....control group? subjects from different experiments with the ooze before April’s dad went whistleblower. or maybe experiments from the 15 year interval trying to recreate the first lab’s results ‘cuz Sacks would’ve had the resources to recommence pretty fast after the disaster
although to explain Venus and Jennika... since Sacks had ties to the Foot Clan, and Shredder pulled that double cross with Baxter in OotS. what I would guess is that Sacks pulled whatever weight he had left with the Foot Clan (maybe with Karai at the helm in Shredder’s absence) to use their resources for any gaps with his own and as a cover to reconvene his experiments. blah blah Karai studied under Shredder obvi and so probably thought to have the scientists report to her before they report to Sacks. Sacks was kept in the dark, not told they were more or less able to recreate the original lab results on the turtles who’d become Venus’n Jennika. “oh oops they died sacks, sux 4 u try again maybe, here’s some more animals for you.” 
Venus and Jennika are taken in under the Foot once they exhibit the same potential the boys showed; Sacks just goes a little apeshit on the science, as a treat, hence Slash, and then Tokka’n Rahzar and again told they failed. Sacks fully thinks he couldn’t recreate the first lab’s results womp womp u bitch
....how would any of them break out from under the Foot? lol i dunno. uh. mmmmmaybe black market “weapons” dealing-- Venus and Jennika break out (willingly or opportunistically) during shipment to... where? nyc why thefuck not, oh look they end up in chinatown *eyebrow waggle* oh now they’ve stumbled upon a grandpa, maybe his name is Grandpa Chung in the community, I don’t know, and he adopts them surprise! is he blind and therefore just thinks they’re lost kids? blech, does he see two turtles and see an auspicious omen? ehhh hmmm..... I guuuuesssss? or is he just gonna be an example of people doing good things with no prompting because it’s the right fuckin’ thing to do, they’re obviously kids with no guardians, and goddamn we know it’s for the plot but also people are just out here being good to each other guys, it’s real, it happens.
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mariocki · 14 days
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Pathfinders to Venus (ABC, 1961)
"What a paradise this place is. The way Earth must have been before man spoiled it with sprawling towns and filthy machines."
"If it hadn't been for man's filthy machines we wouldn't be here."
"That's true. And the pity of it is that after us will come rocket after rocket to ravage this planet. They'll gouge the minerals out of the earth, destroy the forests and eventually they'll go to war over it."
#pathfinders to venus#1961#children's television#classic tv#abc#malcolm hulke#eric paice#guy verney#reginald collin#gerald flood#george coulouris#graydon gould#pamela barney#hester cameron#stewart guidotti#brigid skemp#hugh evans#bob bryan#astor sklair#robert james#third and final sequel to the sadly missing Target Luna serial; this one picks up immediately after the previous story‚ Pathfinders to Mars#and sees our heroic group once again strongarmed into space exploration by the trickery of George Coulouris (bf's hatred for the character#reached new strengths during this series). this serial delves further into the sci fi fantasy vibe: where Space saw some remnants of#interstellar travel discovered and Mars had some plants and stuff‚ this one has full on alien contact with the native Venusians (handily#very much humanoid). this one also allows the real world to intrude more simultaneously tho; the Cold War‚ having hummed along happily very#much in the background so far‚ gets faced head on here as US and Soviet interests finally start to complicate the plans of our plucky (and#somehow‚ so far‚ entirely apolitical) British explorers. good old Mac Hulke gets a couple of very strong and very prescient environmental#messages in too‚ prefiguring his work on Doctor Who in the 70s (and right you were Mac‚ tho did you have to give those lines to the maniac#character who keeps almost getting everybody killed because of his blind insistence on seeking out some great Spacey Truth..)#these serials have been a lot of fun and I'd highly recommend them to any fan of old tv or old sci fi or DW or the like
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ayyponine · 1 month
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Same venue. Same-ish crowd. Opposing seasons. Contrasting vibes.
#me#sometimes you have a few beers and yr feeling yrself. sometimes you feel too much like yourself and consider leaving early#for all the talk of yearning and intricate rituals let me tell you. a drunk girl sidled in right in front of me and the sense of rage i-#her and esp the guys she was with got kinda rowdy in the pit later on shoving each other also into the crowd whom did NOT want part of that#its a lot of people in a small room and at this point i was already further back and against a wall let me tell you#i think if someone had touched me i might have snapped fr#still had an ok time though once i got over feeling super embarrassed about my self and dared looking other people in the eye lol ah#one thing i do like abt the culture is the genderneutrality of it all... the most long and luscious locks in the room belong to some guy#and i can show up in sport bra and oversized shirt no typa bag no makeup wearin black laceup boots that could be m or f#my gender is uh. dont worry abt it lets just turn off the lights and vibe#got talking w someone tho who said she recognised me frm a diff event & i didnt much like that idea.. im not in the mood to be Perceived at#the venue IS p cool tho... like oo at a forgotten space on the other side of the tracks. by the water. by the skate park. yea#edit HOW could i forget. the rowdiest of drunk guys got either shamed into stepping out or str8 removed fr a lil while im not sure lol#and another guy wantedto crowdsurf but only 2 of his friends came to the stage to get him so he just kinda. crawled on top of them#and they awkwardly took a few steps carrying him round the vacated front. none of the crowd wanted shit to do w them lmao
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5516-minutes · 2 months
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i kinda love that whenever i come up with an AU that involves carlos or oscar it automatically includes charles and lando
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holersirup · 8 months
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commute companions for the time being
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danzafila · 1 year
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ok guys......
pray for me i make it into the lottery for this gogol bordello show plz!!!
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spacetrashpile · 1 year
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noah kahan keeps posting teasers for the deluxe version of stick season and he’s promising we’re getting it soon and that we’ll “have it all summer” and folks i am no apologizing for who i’ll become when that thing drops
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deadfictionalpoet · 1 year
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jupiter , the moon, venus!!! (top to bottom)
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fabulouslygaybean · 1 year
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do you ever listen to the minecraft soundtrack and your heart is instantly filled with such strong longing that it's physically painful
#just. mice on venus. so many childhood memories.#just... reminds me of my cousins. i miss them a lot.#reminds me of summer days spent biking with one of them around the tiny town they all live in#we'd stay out till the sun started to set and then we'd come home and play minecraft while we waited for dinner#later we'd make a huge nest of blankets and pillows and stuffed animals and we'd talk about pokemon and space until we passed out right -#- next to each other. the windows were always open and all we could hear were crickets and summer air and soft breathing#i haven't felt comfort like that in years and years and i miss it so much#just. the comfort and familiarity of being young and not having a care in the world. falling asleep next to someone you've known for -#- years knowing that you'll be safe and warm and happy and that you'll wake up to a family that loves you so so so much#fuck. im crying now. its 3am and i should be asleep but a minecraft song made me think so hard that i cried.#i want to fall asleep knowing that ill be safe and that things will be okay in the morning. that my family will be okay and that the -#- world will keep spinning and that things will be okay.#i know that was repetitive but im kind of breaking down so i dont care. i just want to feel safe.#i haven't felt truly safe in years. im in a constant state of fight or flight because that's how ive needed to live for so long. its the -#- reason im still alive today. but god its exhausting. its so exhausting and it hurts so much.#its so selfish bc i KNOW other people have it so much worse but. god. i just want safety and love and consistency.#i want to wake up knowing my family is happy and safe and go to school without people yelling at me or throwing food at me anf i want to -#- come home to a house that isn't empty and i want to eat an actual dinner with my family and i want to be hugged and wished goodnight -#- before i go to bed without feeling lonely or empty or filled with an exhaustion that sleep can't fix
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youremyonlyhope · 1 year
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.
#the urge to buy a last minute ticket to starkid's jingle ball that is literally sunday aka tomorrow since it's past midnight#is very strong right now since some posts of people's experiences at the first show are coming in#and it's making me nostalgic#i wasn't planning to go because i don't yet feel comfortable going to concerts#i barely feel comfortable seeing theatre but at least everyone's just sitting there#rather than standing up and singing along and maybe jumping and dancing too#feels too risky#but also. starkid. my loves.#but also. money. and covid. and the flu. and rsv. and general colds.#i'll decide by tomorrow. there's still tickets available. i almost hope it sells out so the universe decides for me.#right now it's like 75% i will not go because covid and lots of people and money. but 25% i wanna see my starkids.#it's funny because last week i was thinking back to my mindset when i saw starkid concerts as a teenager#(because space tour at the same venue was 11 years ago last week and my facebook memories were INTENSE)#(i really just posted like 10 times a day for at least 3 days after the concert STILL freaking out about it. oh 15 year old Hope)#and i was like 'yeah i've calmed down since then. i'm not the girl who will lose her voice at a starkid concert.'#but seeing the few pictures i was like 'aww... starkid concerts... nostalgia...' but like... i've seen them live 4+ times#and yet. i have a feeling Darren's gonna show up. because i noticed that it is coincidentally one of the dates he's not doing his solo show#so that's another reason towards going. but also. do i want to be around people? not really.#hmmmmmm#it's funny that Britney Coleman going on for Bobbie in Company was what made me go back to seeing live theatre again#and now starkid may be what gets me to see concerts again. if you want me to do something it has to be starkid related apparently.
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agapintheskin · 2 years
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Man yesterday night's Ezra Furman concert was so good. I missed concerts so much, this really was soul filling. So good. she covered because the night by patti smith as a closure and it was the besssst. *yells into the void* thank u @geisternatur best birthday gift by a long shot!
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melodicmartian569 · 13 days
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I'm slowly coming to terms with the fact that I more than likely won't be able to go to the Chappell concert near me this month. :,)
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ktempestbradford · 3 months
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I have been on a Willy Wonkified journey today and I need y'all to come with me
It started so innocently. Scrolling Google News I come across this article on Ars Technica:
At first glance I thought what happened was parents saw AI-generated images of an event their kids were at and became concerned, then realized it was fake. The reality? Oh so much better.
On Saturday, event organizers shut down a Glasgow-based "Willy's Chocolate Experience" after customers complained that the unofficial Wonka-inspired event, which took place in a sparsely decorated venue, did not match the lush AI-generated images listed on its official website.... According to Sky News, police were called to the event, and "advice was given."
Thing is, the people who paid to go were obviously not expecting exactly this:
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But I can see how they'd be a bit pissed upon arriving to this:
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It gets worse.
"Tempest, how could it possibly--"
source of this video that also includes this charming description:
Made up a villain called The Unknown — 'an evil chocolate maker who lives in the walls'
There is already a meme.
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Oh yes, the Wish.com Oompa Loompa:
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Who has already done an interview!
As bad (and hilarious) as this all is, I got curious about the company that put on this event. Did they somehow overreach? Did the actors they hired back out at the last minute? (Or after they saw the script...) Oddly enough, it doesn't seem so!
Given what I found when poking around I'm legit surprised there was an event at all. Cuz this outfit seems to be 100% a scam.
The website for this specific event is here and it has many AI generated images on it, as stated. I don't think anyone who bought tickets looked very closely at these images, otherwise they might have been concerned about how much Catgacating their children would be exposed to.
Yes, Catgacating. You know, CATgacating!
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I personally don't think anyone should serve exarserdray flavored lollipops in public spaces given how many people are allergic to it. And the sweet teats might not have been age appropriate.
Though the Twilight Tunnel looks pretty cool:
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I'm not sure that Dim Tight Twdrding is safe. I've also been warned that Vivue Sounds are in that weird frequency range that makes you poop your pants upon hearing them.
Yes, Virginia, these folks used an AI image generator for everything on the website and used Chat GPT for some of the text! From the FAQ:
Q: I cannot go on the available days. Will you have more dates in the future? A: Should there be capacity when you arrive, then you will be able to enter without any problems. In the event that this is not the case, we may ask you to wait a bit.
Fear not, for this question is asked again a few lines down and the answer makes more sense.
Curious about the events company behind this disaster, I took myself over to the homepage of House of Illuminati and I was not disappointed.
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I would 100% trust these people to plan my wedding.
This abomination of a website is a badly edited WordPress blog filled with AI art and just enough blog posts to make the casual viewer think that it's a legit business for about 0.0004 seconds.
Their attention to detail is stunning, from how they left up the default first post every WP blog gets to how they didn't bother changing the name on several images, thus revealing where they came from. Like this one:
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With the lovely and compact filename "DALL·E-2024-01-30-09.50.54-Imagine-a-scene-where-fantasy-and-reality-merge-seamlessly.-In-the-foreground-a-grand-interactive-gala-is-taking-place-filled-with-elegant-guests-i.png"
"Concept.png" came from the same AI generator that gets text almost, but not quiiiiiite right:
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There are a suspicious number of .webp images in the uploads, which makes me think they either stole them from other sites where AI "art" was uploaded or they didn't want to pay for the hi-res versions of some and just grabbed the preview image.
The real fun came when I noticed this filename: Before-and-After-Eventologists-Transformation-Edgbaston-Cricket-Ground-1024x1024-1.jpg and decided to do a Google image search. Friends, you will be shocked to hear that the image in question, found on this post touting how they can transform a boring warehouse into a fun event space, was stolen from this actual event planner.
Even better, this weirdly grainy image?
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From a post that claims to be about the preparations for a "Willy Wonka" experience (we'll get to this in a minute), is not only NOT an actual image of anyone preparing anything for Illuminati's event, it is stolen from a YouTube thumbnail that's been chopped to remove the name of the company that actually made this. Here's the video.
If you actually read the blog posts they're all copypasta or some AI generated crap. To the point where this seems like not a real business at all. There's very specific business information at the bottom, but nothing else seems real.
As I said, I'm kinda surprised they put on an event at all. This has, "And then they ran off with all our money!" written all over it. I'm perplexed.
And also wondering when the copyright lawyers are gonna start calling, because...
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This post explicitly says they're putting together a "Willy Wonka’s Chocolate Factory Experience" complete with golden tickets.
Somewhere along the line someone must have wised up, because the actual event was called "Willys Chocolate Experience" (note the lack of apostrophe) and the script they handed to the actors about 10 minutes before they were supposed to "perform" was about a "Willy McDuff" and his chocolate factory.
As I was going through this madness with friends in a chat, one pointed out that it took very little prompting to get the free Chat GPT to spit out an event description and such very similar to all this while avoiding copyrighted phrases. But he couldn't figure out where the McDuff came from since it wasn't the type of thing GPT would usually spit out...
Until he altered the prompt to include it would be happening in Glasgow, Scotland.
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You cannot make this stuff up.
But truly, honestly, I do not even understand why they didn't take the money and run. Clearly this was all set up to be a scam. A lazy, AI generated scam.
Everything from the website to the event images to the copy to the "script" to the names of things was either stolen or AI generated (aka stolen). Hell, I'd be looking for some poor Japanese visitor wandering the streets of Glasgow, confused, after being jacked for his mascot costume.
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HE LIVES IN THE WALLS, Y'ALL.
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dog-in-space · 9 months
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Venus | 09/05/23 | 5:50 AM | California
Outtake pictures of Venus! I thought these ones were pretty too though <3
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kalims · 4 months
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he's a ten but he...
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premise. sometimes certain bad habits of theirs make their overall rating just a tad bit lower—besides the fact that they keep doing it.
characters. dorm leaders
content. gender neutral reader
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malleus (doesn't have a sense of space)
"look beastie, that flower is a native of ours,"
"I agree mal, but I didn't think you taking up the entirety of my seat will make me see it better,"
he blinks, then shrugs.
like i said, has NO sense of space.
if an average person would make an excuse to constantly be in physical contact with who they admire, then malleus is the complete opposite. well, not entirely but he doesn't even bother to construct an explanation as to why he's literally sat over your seat when you coincidentally get put in a table together.
if you start questioning him about it the most you'll get in a very outright 'because he wanted to.' it's not even one of those sarcastic replies he's 100% serious!
cause he believes there's no use in lying about things to be honest.. to further emphasize that, if he ever acts like he does hold fondness for you that surpasses the platonic meter but doesn't mention it he probably hasn't realized yet.
if he did he'd already walk over and bluntly tell you about it.
(I wish I could be that unbothered.)
lilia thinks it's the cutest thing though. you swear you see flashes of light for a split second from the ceiling but when you look up there's only a suspicious swinging chandelier.
^ totally has his own album full of pictures.
if malleus ever discovers it he won't even be disturbed, probably would ask for a copy 💯
since human lives, and their bodies are so fragile he'd taken it upon himself to protect you from harm. even if it means trailing behind you everywhere way too close for comfort, or standing a bees wing away.
while he is respectful most of the time, he's encouraged if you don't comment. if anything, he seems pleased you dont seem to be bothered! (and it'll get harder to tell him to stop when he's so happy the more you let it happen..)
"child of man, have you slept?"
*starts leaning his body forward, to squint at your eyes.* practically right in front of your face.
"WTF."
not even a warning or anything! but atleast he's concerned?
idia (won't even show up for anything and insists a 'virtual' date is better.')
user: where tf r u??
ghoul666: WDYM? at the dorm?
user: IVE BEEN WAITING HERE FOR 20 MINUTES
unintentionally stood you up 💀
you literally have to tell him that you're waiting for him to arrive at the specified area you discussed where your date would take place but would end up vastly irritated when he questions if you guys even did.
ghoul666: we do??
user: I'm taking my minecraft bed away from urs.
ghoul666: NO PLS
ghoul666: HELLO????
next time you log in minecraft it's probably because he begged you to play, you WILL end up seeing some kind of structure that probably took days to make. that's not even the entire thing cause the inside is entirely decorated to your taste.
in short: he constructed some kind of venue for a wedding.. even changed his skin to wear a tuxedo 😭
though he has sparked your pettiness, hence the ignoring him period. even you have got to admit that it's freaking adorable...
big sign, emphasis on please: Im sorry pls put ur minecraft bed back I can't sleep w/o u and I have to wait entire days for it to turn into morning :(
with what he's built you're sure it's 65% true.
if you do end up forgiving him, few weeks later attempting to schedule another date will only end up in naught.
ghoul666: can we not go there
user: 😐
user: you are testing my patience love
ghoul666: 😓 (he is screeching about the term of endearment part btw KABSJAJSAJA ortho would enter his room very concerned.)
ghoul666: how abt
ghoul666: mimic together? call
user: sighs
user: I'm only agreeing cause I want to spend time with you
queue more screeching from his end that you're completely oblivious to.
the only screeching you're gonna hear though is when you guys do get into call as you play, and it's mainly out of terror when his soul gets sent to the void ascending when the entity pops out of a corner and starts chasing him.
"I GOT THIS. ILL CARRY U THIS IS FINE" *screams again* but really wants to impress you so he pushes through.
unsurprisingly does carry you.
asks to match avatars right after (idia love languange)
vil (frets over you way too much.)
"vil, did you see the chocolate in the freezer?"
"oh, that? I noticed that you've already gone through the ideal number of bars this week so I took it upon myself to make sure you don't go sick on me,"
"I love you but please give it back—"
"I love you too, and no."
disclaimer: he does this for your own good 😜 (average mom excuse.)
looks out for you more than he does for his own dorm residents. everyone is wondering where he ran off to after class, especially since he's the one that scheduled the pomefiore meeting every fridays!
and to think he was the one getting irritated over the more newer first years for being late..
*shows up literally half an hour in*
why you ask? you simply shouldn't have texted him about abandoning your daily walk together through the gardens in favor of catching sleep since you called in sick (you're suspicious if crewel really did go in to check for proof, and not concern.)
vil's really feeling the absolute regret of not checking his phone during classes.. well, he only saw the message which was coincidentally sent like somehow ONE minute after the lecture started and he's only seeing it 59 minutes later.
oh you poor thing!! though the lunch break is short, he has about 5 minutes for a trip to the mirror chamber..
you'd think the 'seen' icon below your message was a weird omen for something you're not sure but it must be doom cause vil is right at the front porch of your crappy dorm. at his own expense?! looking more disheveled than you've seen him before.
if a few stray hairs was disheveled at all. more importantly, he still looked drop dead gorgeous!
you probably looked quite terrible with the blanket draped around your shoulders looking like you just crawled out of your grave, because he looked absolutely mortified at your state.
"oh great sevens.." he looked like he was faint, huffing and fanning himself with his hand. "look at you, why didn't you tell me sooner, darling?"
you blink, swallowing to make your throat less dry but your voice still comes out raspy. "I did, like an hour ago—" without your invitation whatsoever, he steps in. promptly shutting the door behind him (which surprisingly still stands sturdy.)
vil takes a hold of your shoulders before reaching his hands upwards to tilt your face around. "you should have sent earlier," he says. you keep in the comment that you were sleeping during it, and you told him about it during second period so.. "your face is so pale."
you sigh.
"yeah, I just saw. I know, I look hideous right now."
vil frowns at you, stopping to angle your face at him. "don't ever say that. I always find you beautiful even if you are.." he glances at you from face to toe, then back up. "sickly."
"... I feel offended."
"hmph, shush now. let me draw you a bath then I know something that will boost your system."
after much coaxing in his end, you reluctantly take a warm bath in the hopefully hygienic bathroom. true to his word, vil did... concoct something. though it looked pretty the random steam that flew from it was really suspicious.
the residents don't dare to question, except rook of course. who already knew what transpired! :)
epel: 😃 (atleast vil wasn't around.)
"roi du poison~ tell me, tell me! is the trickster well? have you cured them with your love?"
"rook, you have 5 seconds to get out of my face."
rook giggles away.
kalim (thinks money will buy anything, including your forgiveness.)
"here!" there's a suspiciously bright smile on his face as he hands you.. some keys?
you deadpan, jingling it in your hands. it weighs heavy than the average, probably because of the fact that it's literally made of gold. "... kalim what is this?" you emit a sigh, from suspicion and concern.
"a gift!"
"wait why does it say lot 111--"
as you can already, that was an actual, literal house. which you imagine would probably be a lots more grand, and new compared to your old baby ramshackle.
but you do love it despite it's love for falling apart at the most inconvenient of times..
fighting with kalim was rare but it was hard to even argue with him because the notion of disagreements are so bizarre to him that he unintentionally doesn't treat you seriously with your concerns, accidentally downplaying them aaaand now you're upset.
after the ranting to jamil about how you must be busy with a lot, since you haven't even talked to him in the past 2 days. all it took was a side glance to his friend in denial and jamil immediately knew.
"what do you mean they're mad!? D:"
"just.. go apologize, I don't want to get caught up in this."
if his definition of an apology is buying you an entire house...
( ^ it is btw.)
kalim really doesn't mean any harm. he just really wants to sate whatever anger you held for him <- maybe he's overthinking it but it's kalim so he's 99% sure it's his fault! even though it hasn't even been confirmed from your end he'd probably accept it whole heartedly.
he wanted you to talk to him again so badly that he wouldn’t mind showering you with houses... since your living situation doesn't live up to your kindness (sorry ramshackle love u xx)
you know what. he wouldn't even notice he's the reason you're upset at first even though he's been asking around on who put you in that mood. despite himself being the perpetrator but he didn't really know that did he?
the only reason he does is because he assumed you were just because you avoided him like some sort of.. cockroach! (he dislikes those.) and he couldn't take it anymore.
was probably 1 sec away from barging into your dorm which wouldn't take a lot of effort since one ram to the door would probably break it.
bless jamil for jailing all the carpets so kalim doesn't find them.
even if said carpets fling him off when he's riding them.
"kalim, why would you buy a literal house... and you also got a rare address paid--"
"for them! ;D"
"... you do know they'd be more offended by the fact that you'd try to replace that.., ahem. dorm, right?"
"oh... should I buy them a vehicle then?"
you only promise to forgive him once he takes back the keys, and the house entirely...
(grim begged you to keep it, 'house for him apparently.')
azul (keeps trying to offer you discounts thinking it's a good excuse to have you over.)
"I assure you. you'll find no deal better than this."
"I'm not even that hungry for sea food, actually I'm craving some--"
"you're in luck then! ahem, it's 26% off due to a special event for today."
pro tip: keep insisting to eat at other places cause he's gonna keep increasing the discount by 2% until you eventually relent. once, you made him go to the point of 75% off, it's almost hilarious if not for the fact it only worked once.
now he won't go last 50!
ahem. if you look closely you can almost spot tiny cracks accumulating with each denial you respond with, and each increase of his discount. he's grown to be wary about the bullshit 'lucky' promos you just happen to stumble on.
last time you did he practically lost a week's worth of the presumed income he's predicted cause you actually went around and told your first year friends about it... who.. in turn told some, other friends of theirs about it and you could guess.
love must hurt.. and unfortunately it's his wallet wailing.
but azul is not so easily swayed by this! for you have swayed him first! *wink wonk*
but azul has another trick up his sleeve... keeping on roping jade and floyd into it; whom are far too enthusiastic cause finally— something fun to do! someone to bother! not only have you got the most stubborn octopus having frequent suspicious 'deals' but here are his equally suspicious lackeys.
who keeps.. talking about fried octopus..
yeah, you're not sure if preaching about azul’s species is the job they were assigned.
they're fairly easy to point in the right direction anyways. the tweels have always associated you with the word 'fun' so just a little, friendly suggestion from and they were off to their merry way. mortifying every single person you come across with their sudden attachment.
one of their tricks? following you around. and just somehow, every single place you enter is just mysteriously full even though you peered inside and there was like 7 tables empty. what are they hosting? ghosts? spirits?
...
they do look like they've seen some though..
jade rn: "a shame indeed, you must be hungry. why don't we escort you back to monstro lounge?" :)
long story short you can't even reply cause the sleek eel is already guiding you around by the use of his hands on your shoulders. just to make sure you don't stray away from the destination, he says.
"didn't you say that yesterday's promo was like, a one day thing?" you quirk a brow, and you almost fool yourself into thinking he flinched.
azul clears his throat. "well—today is.. the month before you've graced octavinelle with your assistance—"
he praises himself for his quick thinking.
COME ON! it doesn't matter if you're sick of eating stir fried shrimp, or the butter one, or every single dish they serve that includes shrimp! (also do not mention that you ate somewhere else before you just decide to visit his dorm because that establishment just mysteriously got filed a non-legal business report.)
then you've got floyd chasing you around with a fork. which is more terrifying because he's holding it in a notion that would seem like he'd just stab down at you when he catches up with your little goose chase.
it's just.. you're not sure if your stomach could take another bite of the poor food he stabbed into, and is now chasing you around with.
you screech. "JADE PLEASE."
the man shrugs. "it's a free taste."
"AZUL."
"... only on a condition of course."
frankly. it took all the balls he had to actually sputter out the most simplest sentence ever, cause during the time he rehearsed that in front of his mirror it just plagued him with embarrassment but he's getting desperate.
'I'd like to take you out to dinner, somewhere else of course.'
actually, maybe obliterating any possible craving for the food of his lounge just might've been part of his plans to ask you out..?
leona (prevents you from actually being productive via dragging you down to 'nap' every. single. time.)
"I will literally fail if you don't let go of me right now."
"hmph. so what? it's not like failing a grade killed anyone."
"leona just because you've lived through a lot of fails doesn't mean I have to, we're not all rich enough to not finish school."
to which he'd retaliate that all you'd need is to marry him and you'd be set for life.
there is no winning an argument with leona when it comes to his naps. if he states that you're to be next to him as he sleeps, its final. no buts, no retaliations, cause apparently they're all invalid according to him even if you drag him to court.
rhetorically of course, that if its a comical court scene his only statements are; 'well you're wrong', 'who cares', and 'i dont care'. one way or another he's still gonna win you over and now you're fit snugly in his arms, lamenting.
and if crowley chastises you for not doing the errands (via leona's common interference.) the only thing you need to honestly do is to complain to leona about it and suddenly crowley has the kindness to forgive you for your 'laziness' then says something about enjoying your time together?
leona's work no doubt.
you suppose he does has its perks. even if most of it isn't exactly ideal.
if you're being smart then you should give him an ultimatum or something, or bribe him. but... that really has no guarantee to work either cause you're ending up defeated, or just defeated and flustered since he's somehow unconsciously flirty.
at the end of the day you can't really hate him cause the following day you find out he sent an already sleep deprived ruggie to do your work. 'so you can shut your fussing up and let me enjoy you.' he says, and you quote.
it goes something like;
"if i finish my work i'll stick by you all day."
a stready flow of confidence keeps your voice firm as you glower down at the blank-faced leona sat on the grass. he merely tilts his head, raising a brow at you and seemingly pondering from the way his eyes fly to the sky.
you'd think that maybe your plan actually worked but he merely grunts and flops backwards, holding the back of his head with his palms as he laid. and! he ignores you.
...this little greedy man... "why should i care whether or not you finish your work?" he huffs, like the evil, arrogant spawn he is but you can't really defend yourself cause said evil spawn bewitched you so much that you actually still like him.
"because you care about me?"
"...fine," he scowls, releasing a breath you'd mistake for irritation. "then, do you really think i need you to finish your work when i can just keep you right here?"
you sulk. "i'll do anything you want?"
he deadpans as if you said something stupid. "i don't need you to anything else but sit still and be pretty."
...
...
see what i mean about him eventually winning you over? yeah.
next morning there's a rebellion in savanaclaw about overworked residents and ruggie is the head of them.
"he said that he doesn't need you today." <- ruggie, steering you away.
"really?" <- you, confused
riddle (overthinks TOO HARD.)
“I'm just a little busy.”
“I understand,” riddle says.
“I'm just a little busy.” he understands.
“a little busy.” its just… a small thought…
“I'm just busy.” his mind is a hazard at this point. 
for someone as supposedly maintained as riddle—you'd think his mind is as composed as it is organized. like the pens you'd perfectly align in correlation to order of colors, or the neat pile of clothing folded neatly, tucked in some corner in your closet that is farther in since it's used less.
that's just how he is, or at least seems to be. a bundle of organized thoughts, every thought connected to another. a mind too clean to be going on haywire (when he isn't in a particular mood, that is.)
you're just busy. he thinks. you said it yourself, with that agonizingly nice smile that must be sprinkled with some kind of spell from the way it just eradicated all the protests in his throat upon sight. he isn't one to question it, he wants to help but not if you don't ask.
he can only stare with resigned acceptance at your insomnia induced eyes.
but when the curtain of darkness befalls night raven college, even in the comfort of heartslabyul is he still thinking about that thought–and he can’t help but wonder; why exactly are you busy? its not that he’s suddenly hyper aware of your lack of presence since you’ve been attached to the hip the previous week and now you’re just.
…busy…
riddle likes to think of himself as a level-headed, private person. like the boy he raised himself to be and therefore proud of. but its way past 10AM. which is usually the time he sleeps, and let me tell you that he’s never once broke the cycle for years. yet here he is, a frown of frustration present on his face as he wills his mind to sleep.
somehow closing his eyes felt forced, he immediately snapped them open once his mind decides to conjure an image of you even in the darkness his lids offers.
“THIS IS ABSURD.”
and the yell promptly woke up the entire dorm from the ferocity of his scream. (and of course gave them the flashback of their year.)
that night was one of the worst he’s ever had because he woke up with red rimmed eyes and a pounding headache that ensured his bad mood the rest of the day.
everyone noted to steer clear.
and he unknowingly steered clear of yours since you were ‘busy.’
“why are you sulking?” a voice queried, spoken as though they were eating something as they asked. a reprimand rises in his throat, but it all just dies down once his sharp eyes settle on you, slipping into the seat in front of him then raising a brow and the traces of irritation practically evaporates from his eyes.
he feels the need to cough–so he does. “i’m– i’m not.” he clears his throat, avoiding your eyes but still sneaking in glances, something he notes is that you’re still looking everytime he does. (and boring an unimpressed face because he knows you don’t believe him at all.)
guilt rises in his mind, because he feels a slither of annoyance and its the presence of pettiness that bothers him. riddle knows you’re not at fault, just his mind at convincing that you just somehow decided in the span of a day that you might not like him anymore–so he can’t help the bite. 
“why are you here?” a glance not intended to look mean.
“i thought you were busy.” he adds.
your brows raise, he spots your teeth holding your lips back from showing your grin and he feels warm. “what?” he hisses defensively, despite you not even having replied to him yet.
he leans backwards, straightening up in his seat when your chin leans forward, resting on your intertwined fingers. you flash him a smile. 
“mr. rosehearts, are you perhaps… sulking because i’m busy?”
“no!”
silence.
“no.” he repeats, weaker.
“well,” you continue, beaming. “i heard from ace that you were awake the entire night, and that you kept him awake too. are you alright?” 
he sputters. “it wasn’t because of you!”
you snort. “i didn’t even say anything about me.”
so you incline to following riddle around, poking fun at him and still trailing after the seemingly enraged red head because despite his angry protests, demanding you to go away because you’re annoying he keeps glancing back to see if you’ll follow,
so cute…….
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