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#unfortunately I’m very bad for letting negative opinions ruin things for me
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I’m just gonna vent about the ridiculousness of being a MCYT stan rn, especially a DTeam (previously DTQK) main…
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
Ok but on a real note cause I do actually have stuff to say lol.
Aside from creator drama/controversy/etc. (content creators be normal challenge GO !! /silly /lh), which also stinks (RIP SBI, lovejoy, bench trio, DTQK, etc.) I’m just really tired of how this affects my personal relationships
ATP, I feel comfortable and confident in my own interests and opinions enough that I don’t really listen to the internet anymore, nor do I have any sorts of moral panics over watching these guys, and I don’t really think I should have to defend myself for liking them, but the unfortunate reality is that I do have to defend it, constantly.
It just really sucks
The DSMP in particular, both the lore and the creators, have been a special interest of mine for going on 4 years now, and the many many ways that it has impacted my life makes it so it’s really hard to be friends with anyone who has an even slightly negative opinion of it (even the totally fair ones)
I feel bad, because I very much have the standpoint that ruining friendships over fandoms is stupid and such arbitrary things shouldn’t be able to hold so much power, however unfortunately, being AuDHD, and being friends with mostly other AuDHD people, our interests are very important to us, and so is justice, so it’s not that easy.
I KNOW what I KNOW about these creators and I am confident and comfortable in that, but most of my friends don’t know all that, and when they know ANYTHING about these people, it’s almost always negative information.
I so badly want to correct them and debunk all the negative and false boohockey that gets spread around and give them reasons why these creators are good and why I like them because it would make me and our friendship more comfortable, but usually they’re so uncomfortable or at least suspicious and skeptical of these creators based on their preconceived notions that me TRYING to correct or explain things always gets shut down with “I don’t want to talk about this anymore” after just a couple points.
I’m happy and glad that most of my friends are mature and responsible enough that regardless of their opinions, they can respect my interest and not talk negatively about it to me and such, but it also sucks knowing that I can’t share so many huge parts of my life with them because of it, or at the very least I feel like I have to be vague or half lie in order to.
It’s not fun feeling like I’m walking on eggshells
All this over watching people play video games no less
It’s just frustrating and I never know if I should keep trying to explain things more so they can understand things and hopefully change their viewpoint, or if I should just let it go and accept I can’t talk about a lot of things with a lot of my friends.
I don’t like having friends that I can’t be that open with, friends who don’t get me.
Like, I can’t do completely casual relationships of any kind, it’s just not comfortable or fulfilling to me.
And as stupid as I think it sounds a lot of the time, I can’t change the fact that MCYT, especially the DSMP, is extremely important to me and has greatly impacted many parts of my life, so being friends with people who dislike it to pretty much any extent is hard and uncomfortable and it sucks.
I don’t want to make other people uncomfortable and I don’t want to lose important relationships over this kind of thing, but this stuff is ALSO extremely important to me, and I know in the long run it’s best to surround myself with people who understand that.
Idk, I’m just tired of having to defend and explain myself, I guess.
It’s literally just people playing video games
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luna-is-on-mars · 3 years
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I'm so deeply sorry for worrying you @ajokeformur-ray and @jslittlebirdie! That was never my intention and it pains me very much to realize how unfair and careless my disappearance was. In fact, I still find it difficult to realize and accept that I'm actually seen, heard and even valued by the two of you, that I may not just be a nobody on the internet, but a very real friendship. I would like to apologize to you from the bottom of my heart for the sorrow that has arisen, for the worries and thoughts that you've made, for the horrific impression that I've given and all the other terrible things and feelings that my sudden absence caused. I swear none of this was my intention and I hope so much you two know that none of this has to do with any of you! I'm all too aware of how it feels and none of you deserve it in the least. For this reason I understand that you don't want to have anything to do with me anymore and yet I hope that you can accept my apology. What I did was neither fair nor justified, I know that, but I still want to let you know that I miss you indescribably. Even when we weren't interacting or I was online, you were always with me, in my heart and mind. The meaning that you've for me is limitless and I could never thank you for all the wonderful, great things that you've done and are for me. I hope to never forget you and I hope so much that my carelessness and thoughtlessness didn't ruin such a meaningful acquaintance!
I was wondering how I could ever get in touch again, tried not to be a coward just once, to admit my mistake and to apologize. I know that I've always needed you more than you needed me, that I've hoped again and again for understanding and acceptance from you. And I realized that this time is probably no exception. So if you're still reading this text, then the READ MORE will be followed by my explanation of why I disappeared at all, why it took me so long to come back and what was going on in my head.
So, as you may know, my apprenticeship started last Monday. In detail, this means that I have two days of school every two weeks and one day of school for the opposite two weeks. In the weeks where I have one day of school, I also work five days in the store, in the weeks with two days of school it is four days. This means that I only have one day off per week and that I'm awake from 5:10 or 6:00 am, until 1:30 or 2:40 pm at work/school, at 2:00 or 3:30 pm I'm at home and go to bed by 9 p.m. at the latest, so really too little time to rest, cook, clean up, etc. So currently I ride my bike about 40-50 km per week. All of this ensures that I'm quite exhausted, plus the overwhelming changes in my everyday life, with completely new and unknown environments, activities, people and above all routines (which is an enormous effort for me). But all of this has become more or less established for me and I very much hope that not too much will change now and that I'll get used to everything as quickly as possible.
All of these things are already exhausting enough for me, but the worst is that I'm now going back to school with people who're all too quick to judge and who've high expectations of me, who've little understanding and openness for people who're different, with problems and difficulties. People like me. I've already had a negative clash with one of my teachers because he asked me to do something that I couldn't organize in terms of time.
But that's not what's worst for me because that's one of my classmates. She has only seen me for two days, hardly knows anything about me and yet she hurt me so much and made me think that I came home and cried, so discouraged and hopeless. Actually, I'm not an overly "openly" emotional person, but I don't have too high an opinion of myself anyway.
She told me that I'm such a shollow person, invisible, irrelevant, that my being alone alienates me from my surroundings, that I would't understand anything within the real life, that all I'm and feel are just my thoughts, that I'm a waste in this world, that I'm alone and always will be because my lack of social interaction and experiences mean that I'm not able, don't have the right, to feel part of any group or society. She told me that I'm a nobody, incapable of anything, with a cold heart.
And let me tell you, I was overwhelmed, scared, sad and hurt. I actually thought there was some truth to it, and maybe it is, but after days of worrying, I realized that I'm SO MUCH more too!
All of my problems, all of my loneliness don't make me angry, bitter or cold-hearted, on the contrary, in fact. My loneliness and detachment are part of me, neither positive nor negative, they allow me to observe, understand and empathize. Maybe I don't belong anywhere, but because of me, no one else will EVER have to feel as if they're not accepted and valued for who they're. No one will ever feel as lost or hopeless as I do. For me, every single living being is something very special and extraordinary. Maybe I don't have a big or important meaning, but neither am I meaningless. If being part of one of these groups or societies means that it's okay to hurt someone, then I NEVER can and NEVER want to be part of them. I prefer to watch the world, stay away from people who have no idea of the meaning of their words and deeds, stay lonely. Because, in reality, my heart is neither cold nor dead, it's incredibly alive, full of warmth and love. My mind is filled with so many wonderful ideas, stories, observations, and experiences; it's not dull or wasted. My amazement, love, curiousity, compassion and appreciation are truly limitless. Maybe I'll never fully understand the people and life around me, maybe I'll never find my place, my home, but that's okay. My mother always told me that if I don't find my place among people, I'll always have one among the stars. I've no idea what or who is popular, how to do this or that, what's considered normal or realistic, what makes the average life special, worth living or beautiful. And that's okay. I realized, more than before, that I'm capable of something, something very important in fact! I feel, intensely, limitless and almost magical. I know what it feels like to have the rain pattering down on me, to feel the wind in my hair, to see my cats happy, to see the smiles of those around me, authentic and beautiful, how amazing it is to look at the stars, to be filled and flowed through by music. I know what it feels like to live, not to experience, but to simply be alive, to breathe, to see and to perceive everything, no matter how small, around me. To be overwhelmed by emotions, good and bad. Should I actually be meaningless, then I'm definitely grateful for all the meaningful things that I can experience.
I'm lonely, out of place, that's right. Maybe I'm lost, but maybe it allows me to see and discover so much more. I have realized that all of my weaknesses and difficulties, my loneliness, make me understanding and kind. Not cold or incompetent, insignificant or indifferent. I wish I could show her, make her understand that there's so much more than popularity or reputation, all of these wonderfully great things that she seems to overlook or perceive as of less value. And even though her words hurt me, I made up my mind to forgive her. I wish she would understand how complex and meaningful words, deeds, feelings, people and this extraordinary world are, I'm sorry that she understands and appreciates so little. In any case, I want to make sure that she, or anyone else, NEVER gets hurt by me.
I'm sorry to annoy you with my rambling, but that's why I needed time to myself. Unfortunately, I'll not have too much time and energy to be very active in the future either, but I'll try to read and answer all of your wonderful messages. I can't tell how quickly I'm able to do this, but I will try my best! After a really exhausting and intense week, I'm definitely back. And I want to thank you from the bottom of my heart for all of the compassionate, thoughtful messages. Their, and your, incredible meaning is really difficult for me to put into words, so THANK YOU!
I miss you both so incredible much and I hope all is well with you.
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readbyred · 3 years
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“Pathetic” Ted Spankoffski x Reader
a gender neutral, reverse hurt/comfort fic
warnings: cursing; mild sexual comments; a very tired dyslectic author
Lately, things haven’t been going so well for Ted. Charlotte broke things off for good and it was far from pretty, the atmosphere was crushing to be honest. And so with time he latched onto Paul more and more, using his best friend as a distraction from his own life and failiures. Unfortunately his companion seemed to be a bit distracted and not very eager to spend time, at least less so than usually. Ted pinned the fault on a crush of his, Emma, one of the baristas at a nearby caffee. She was hot and would be great if onyl she didn’t speak, or at least that’s what he told Paul. His friend didn’t seem to agree for some reason. But that’s how it was, in Ted’s opinion. She always got offended for so many small things and tried to make him out to be the bad guy of every confrontation. But it wasn’t Ted’s fault that their uniform shorts were so short and besides one or two comments were just a given considering how good her and her coworkers looked in them. But she always had something to say, a name to call him or even a complaint to make, if her boss was around. But even then it was all fun and games. Until one day it wasn’t.
It all started “innocently” as he considered it. He spotted Paul using the stairs on the opposide side of the building. Some time ago his friend had stopped using the ones by Ted’s office, for one reason or another. And so they made their way together, Ted trying to get some information out of him as to how things with Emma were. Finally after a conversation more painful than pulling teeth Paul announced that he was going to ask Emma out. It was a big step and it surprised Ted but after some teasing he promised not to blow this. So far so good and it wasn’t until they stood in the line, inside the cafe, that it went downhill.
It was meant to be a harmless comment, he knew Emma found them at least a bit funny too, for sure. Nothing bad, he just asked whet else could she do for a tip if she didn’t want to sing. She already looked very annoyed, he never expected her to appreciate his humour and so he nudged Paul saying that he might give her a different tip if she didn’t want his money. That, for reasons unknown to Ted, crossed the line and Emma whipped around to face them frustrated. She turned to Paul to announce that although she liked him around if his friend was going “to come around only to be a gross creep” then they might as well just go to starbucks instead, since she “didn't go to this shitty job to get harassed”
Ted didn’t even get to say that technically, he wasn’t doing anything wrong because Paul who was now done with awkwardly apologizing to his very pissed off crush, dragged him out of the Beanies, furious. They didn’t talk and to be honest Ted started to feel a bit anxious inside, like a child feels when they tip off their parent in public and know what will await them home.
But that was just how he was! A sleazeball, a jerk, a horny bastard at best. He didn’t want to accept that same persona that was now basically his whole self could have gotten him in trouble with his best friend. And he was never a fan of feeling guilty in general so as soon as he realised that Paul wasn’t going to address it he turned to the first person that asked what happened.
It was Bill who questioned the situation first and although he asked Paul what was up the younger man seemed not to be in the mood to talk and so there was Ted, ready to offer his, very objective, point of view. Leaning on the wall of Bill’s cubicle he announced, trying to sound like he didn't care that he obviously did something bad.
“His grumpy barista got pissed for no reason” chuckling nervously he exclaimed glancing over at Paul working on his computer and ignoring him “it’s not my fault she’s so stiff, alright? And there are many more girls than her, it’s her loss, ey?”
No response. Bill seemed to glance at Paul pitifully.
“Oh, come on! You can do better anyways! And as your best friend I-”
“Can you shut up?” Paul didn’t raise his voice but he as well might have, the tone he was using was way worse. He fully turned to face his older coworker, and for a very long time in a while Ted was, in fact quiet. As he spoke however he became more visibly frustrated “Can you finally stop following me around when I don’t want to be followed, trying to insert yourself into EVERY conversation i have and ruining everything with your gross comments? Why can’t you take the hint? We are not friends, you- you’re just this guy, a guy from work that’s just there when no one wants him to and is just too... pathetic for anyone to directly tell him that''
Ted’s face went blank as Paul let out his years worth of frustrations.
Ted often heard those words. “Pathetic” yes, he was familiar with the term more than anyone. It was alongside such titles as “annoying” “sad” “lonely” “disposable” “a nobody” something he heard often. Sometimes from Sylvia who worked on the top floor and had no real fun qualities besides looking hot (in his opinion). Other times from Emma who would be a decent friend if she wasn't so annoyingly ‘horny for Paul’.
Most of the time he said them himself though. It was normal, you know. A truth he accepted without any brooding except for those lonely nights in his apartment where he drank and let his emotions out. But it hurt no less to hear such remarks be thrown at him from someone like Paul. Someone who, despite his flaws seemed to be genuinely liked by people around him and wanted around. But if Paul wasn't his friend did he have anyone else at all? Not only in his job but in general. After all he didn’t have much besides his work life.
In his youth he was a nerdy little kid that quickly bloomed into a bitter, insecure adult, no magical glow up or ‘it gets better after high school” crap. When he got this job sometime after college, still a mess after that happened a few autumns earlier, he thought he found his place.
Even if he never felt very wanted he liked it here a lot. Only now had he realized he might have been the only one to see it as such. Was he just as sad as everyone apparently saw him as?
That moment made him way too conscious of his own existence and choices, it was no longer a matter of convincing himself that it's all in his head now that the truth was out and clear, the words hanging in the heavy air seemingly for the whole world to see.
And to be fair he had no arguments against the claim, because how sad that was to consider his coworkers, coworkers that apparently hated his guts, the closest people he had?
Because sure, Bill was stiff and boring but there was a certain dose of fun in their usual banter. Sylvia always knew all the gossip from the office and wasn’t all that bad at times. Melissa was always fun to hang around and even brought him lunch on a few ocassions. Even the intern that joined merely two months before, (Y/n), was someone he accepted as a friend. Not to mention Paul and Charlotte, two of the closest people he had, both of which didn’t want him around. And from what Paul said no one else did either. He had no reason not to believe it.
It took him only a few seconds to get it together when Paul finished.Ted always had a habit of getting very obviously defensive when his ego was hurt.
“Okay, whatever!” he shrugged angrily “Well, it’s not your problem then! I know when I’m not wanted”
He made his way to his office, away from Paul and Bill and all those people who he considered to be his friends.
*
The whole day was a bit messy, ever since (Y/n)’s foot stepped into the office they were sent on endless errands by their superior, Mr Davidson. Whatever happened up above in the chain it created one hell of a mess in the documents and so (Y/n) along with Melissa were the busiest they’ve been in a while.
Hence when they finally found time to get some well deserved coffee most of their friends were on their way back to CCRP.
That led to a lot of confusion when after stepping onto their floor they were met with an unusually tense atmosphere. They must have missed something important, they thought.
It wasn’t a long time ago when they joined the team and they never felt like the new person they were and all the efforts at staying purely professional faded with first friendships. And as much as they tried to,they became fond of their coworkers quickly. And so the current mood around them concerned (Y/n).
This wasn’t snooping around, they told themselves approaching Bill to ask what was up. He was a nice man, older than them and equally unskilled in the tech field but overall a very sweet man. If there was something to be concerned about he’d tell them for sure.
The day was almost over, one hour was left until Ted could go home and drink himself to sleep. But for now he just sat in his chair, staring blankly on the screen of his computer displaying a familiar black and orange webpage he was unusually uninterested in, mindlessly squishing his old and used up stress ball. The busiest hours were over and all files seemed to finally be back in place and safe and so he didn’t have much more to keep himself busy with.
He was angry, upset and hurt. Already keeping so many negative emotions inside, those new ones threatened to spill over the edges of the walls he built over the years but so far he managed to keep it together as much as he could.
And that’s when someone knocked on his door.
“What?” he sounded just like he felt, his own voice betraying him greatly. The person on the other side must’ve taken it as an invitation because soon they revealed themselves to be (Y/n). It wasn’t the last person he wanted to see, sure, but it was only because he didn’t want to see any of them equally. Maybe Paul a bit more than the rest “What do you want?”
“I heard what happened and-” they began, watching him carefully. Ted felt even more miserable under their gaze, truly pathetic and judged with his emotions on display. But there was no more space left for him to push them further down and ignore.
“Great, you came here to tell me how much you hate me too, or what?” he scoffed giving them a bitter look “Because I ‘acted like an asshole’?”
“You did from what I know” they responded. It wasn’t something he didn’t expected to hear but he felt even worse hearing it come from (Y/n). They were someone he had his eyes on for some time but never got to try anything. First, because he was with Charlotte and, as much of a jerk as he considered himself to be, he would never forgive himself for being just like Sam. Later when she ended things it was just too painful to jump back into ‘his game’ as he called it. As he always believed, he wasn’t able to fall in love. He did so once in college and never again. It was easier to believe than to face his fear of rejection and not being enough again. Sure, he didn’t exactly love (Y/n) and even if he could do it at all he probably wouldn't, knowing them for two or three months tops. Those sorts of feelings though, weren’t distant at all and their arrival was, at this point, almost inevitable. And so to hear them stand against him, even if rightfully so, hit him in a way he never anticipated. Hence his confused expression when they added “But I came here to check on you, you’ve been locked in here awfully long...”
“I was busy” he barked back quickly returning to his defensive tone. They sometimes asked him things like this one for no apparent reason as to why would they want to know that. He never fully gave in, only sometimes in passing throwing one or two passive-aggressive remarks referring to his situation with Charlotte and such.
“Bullshit” they raised their eyebrows looking down at him. If it wasn’t for the fact he felt anything but up for joking he’d point out how unusual it was to hear them curse. Unamused they added, awaiting his response “Your screen reflects on the glass behind you. So?”
“’So’ you can leave” with Paul’s words still vividly playing in his head he avoided their gaze. The possibility that they thought of him so lowly seeming very overbearing and terrible all of a sudden “I’m fine, alright? So what else you came here for”
“You know acting like this never worked on me, right?” they took the seat opposite to him, still acting very unbothered by his aggressive demeanour, maybe a bit impatient.
“And why do you even want to know that, huh? I mean really, (Y/n), I know you’re new around here but you really don’t have to kiss ass to-”
“Get over yourself, will you? If you’d like to know I was worried” their frown was gone almost as soon as it appeared as they went one, seemingly letting their words fall from their mouth freely “And yeah! You cross many lines, I’m not surprised Emma was mad, whatever you said to her. But you’re still someone I care about, as a person. And you’re not that bad most of the time, you know?”
“If you really want to have a place to stay over the weekend it wouldn’t hurt to ask more nicely, you know” Ted jumped between acts and masks, desperate to find one strong enough to hide whatever that was that made his expression soften.
“Look, I came here on my own but if you want things to go back to how they were you’ll really need to drop the act” they sighed, gaining a bit more of a serious tone.
“And you tell me that? It was Paul who decided to call me a lonely pathetic asshole” Ted knew well only one of those things actually came from Paul but if there was even the smallest possibility to have someone disagree with what he and others thought of him he’d gladly take it, even if it wouldn’t be honest. But what was more pathetic than fishing for a surely insincere ‘oh no, you’re not!’?
“And he regretted it right after, I spoke to him, really. I’m not going to try to make you shake each other’s hands and apologize, you can do that on your own if you want to. I’m just saying you both screwed up, there isn’t one person to blame”
“Okay, (Y/n)” he sighed “That’s cool of you to try and be moral like that but I don’t need to talk or make up with anyone so you either want to cheer me up my way or you can get back to work”
He let his eyes travel up and down their body freely, assured by their earlier statements and a bit relieved that they didn’t share Paul’s opinion. He looked back up when they stood up, torning to the door. Just before he could mentally curse himself out for ruining it they stopped.
“Tell you what, it’s Friday. I’ll make something up to get out of softball practice and we can go grab a drink” they said grabbing the doorknob “That’s the closest I’ll get to doing it ‘your way’. What do you say?”
“Wait really?” it was rare to see him truly surprised like that but it was the last thing he was expecting to come from them.
“Yeah, I can show you a cool place” they smiled walking out and turning back for the last time “come by my desk in an hour and we’ll be good to go”
The door closed leaving him alone again in a much brighter office.
Ted felt a small smile form on his face, a geniuine one too. Things were awful and he didn’t even want to think about how (Y/n) made him feel or how awkward things were going to be in the office from now on. But even if nothing was alright yet, it seemed that he was getting a bit closer to ‘okay’ and that was more than enough.
tag list:
@stopgettingonmynerves
@joeycupcakerichter
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moiloru · 3 years
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About the so-called "Third-Case Syndrome"
I've been in the Ace Attorney fandom for a few years now, and there is a story I've heard more times than I can count: the story of the "Third-Case Syndrome." After joining the Danganronpa fandom, I realized - not without surprise - that a similar "Third-Chapter Syndrome" had admittedly cursed the series. However, I do believe that, in both cases, it would be wise to exert caution: things are never as simple as they seem. Now, even if this seems evident to me, I'll say it just to be sure: this is only my opinion. You might disagree, but please do not be toxic about it.
Before we proceed, I'd also like to warn you all: spoilers ahead for the entire Danganronpa and Ace Attorney series (even the Investigations and DGS games). Now, let's begin.
Ace Attorney:
AA1 - Turnabout Samurai:
To start off, we have 1-3. I agree with most of the fandom that it is slightly too long and the investigation segments drag out. Going from Studio One to Studio Two, to the Detention Center, etc. is quickly boring. However, its cast is solid (especially Powers and Oldbag), Dee Vasquez's motive (self-defense) is original, the Steel Samurai's theme slaps, and Edgeworth gets the first bit of his character development! I believe it outweights the negative aspects of the case and make it enjoyable. I believe it is far better than 1-1 and 1-2 (with its obvious twists and rushed ending), although it doesn't compare with 1-4 and 1-5, of course. But it's definitely not the case that people point the finger out when arguing about the "curse."
JfA - Turnabout Big Top:
I'll definitely be playing Devil's advocate on that one, but I like 2-3. Of course, the whole "love triangle" thing was shit, but the rest of the case was fine! Regina sucks, that I can agree with, but Moe was funny (in my opinion), Max got some quality character development in the end, Ben & Trilo were a nice duo, and Acro... Acro is one of the best culprits in the series, hands down. His theme is amazing and he is one of the most tragic characters in the series. Knowing that he unknowingly killed the person who had helped him is just sad, and his motive for trying to kill Regina, while not excusable, is understable. Losing the two people he was closest to, and him explaining that he couldn't "up and leave" (literally, too) before Bat had woken up was just sad. Also, while 2-3 isn't amazing like 2-4 (my favorite case) is, it's miles ahead of 2-1 (which objectively sucks) and 2-2 (which lasts for hours with an annoying and predictable culprit). Besides, the plot twist at the end with Edgeworth appearing sets the tone for the upcoming final case. In my opinion, Turnabout Big Top gets some undeserved hate.
T&T - Recipe for Turnabout:
3-3 is really good, no questions asked. The mere fact that it's better than 3-2 (predictable culprit, forgettable victim...) is obvious to me. But it also features the return of Maggey, and the first (and only) appearance of amazingly comical characters like Furio Tigre and Victor Kudo (who both have amazing theme songs). The victim might be a little forgettable, but he at least gets some development, unlike Bullard in The Stolen Turnabout. Of course, Tigre is obvious as the killer, but he's meant to be this way, and the way you corner him is amazing. The reveal that Godot can't see red on white matters in 3-5, and the case is hilarious. Special mention of Viola Cadaverini, who's underrated by the fandom, in my opinion. 3-3 is probably the strongest third case in the Trilogy, and it is definitely not the worst case in T&T.
AJ - Turnabout Serenade:
Okay, this case sucks. I dislike it very much and I can't find anything that would redeem it. The victim is boring, Daryan is obvious, Valant isn't good enough, the mini-game is tedious, and the "Phoenix saves the day" thing is repetitive. However, 4-3's biggest flaw is the defendant, Machi Tobaye. Lamiroir is an enjoyable character, and the plot twist surrounding her eyesight isn't bad, but it doesn't make Machi good enough not to ruin the case. This case is the weak point of a great game, but fortunately, 4-4 more than makes up for it.
DD - Turnabout Academy:
Dual Destinies is my least favorite game in the main series, but it has some solid cases, 5-3 being one of them. The trio of Juniper, Robin, and Hugh is amazing (even if the twist around Robin was pretty obvious), the WAA trio works very well, and we even get a chance to see Klavier again (his objection clip sucks, though)! It is definitely a strong case, even if Means was a bit obvious, and while it doesn't hold up to the great ending of DD, I do believe that 5-3 is better than 5-1, 5-2, and maybe even 5-4.
SoJ - The Rite of Turnabout:
Maya's comeback makes this case good, albeit not great. It is better than 6-1 for sure (drags on too much for a tutorial case) and probably 6-4 and 6-6, but it pales compared to 6-2 and 6-5, of course. Nayhuta is the weak point of 6-3, but everything else about this case is pretty good! The "new" Maya is a right balance of her former self with some more maturity, Datz is funny, Beh'leeb Inmee was a really emotional character, and while I don't like Tahrust too much, the plot twist around his death was pretty cool. Also, this case also makes it clear why Phoenix did what he did in 6-5 when Inga blackmailed him: he can't lose Maya. It could have been better, but this case is solid, and definitely not part of a "curse" of any kind.
AAI - The Kidnapped Turnabout:
Unfortunately, AAI kinda sucks. The first three cases aren't that good, and while I1-3 is probably better than I1-1, I'll admit it's terrible. It's long, the Amanos sucks, Lauren Paups isn't that great, and if it wasn't for Kay, the case would probably be the worst in the series.
AAI2 - The Inherited Turnabout:
Is there anything bad to say about I2-3? I mean, you play as Gregory freaking Edgeworth, so what more do you want? Ah, yes, it also has DL-6 development, the exceptional Katherine Hall and Jeffrey Masters, plot twists, flashbacks done right (!), and while the villain isn't great, he is satisfying to catch, and he matters in I2-5. Honestly, this case would probably be enough to prove my whole argument.
DGS1 - The Adventure of the Runaway Room:
After a somewhat disappointing second case (in my opinion), DGS1-3 is really good! Megundal (I'll use the names from the fan translation, since I'm used to them and like them better) is quite the interesting character, and the Engarde-like plot twist surrounding him is amazing. His death in the final cutscene is also good and ties in nicely with the final case. Ryunosuke's first trial in England gives him cool development, and damn it, Barok van Zieks! His legslam, glass throw, and objection clip suffice to make him an amazing character, and there's more to him that just that. This case is better than DGS1-2, DGS1-1, and maybe even DGS1-4 if you don't consider its link to DGS2.
DGS2 - The Return of the Great Departed Soul:
While not as good as the two following cases in my opinion, this case is definitely above-average. Gina's comeback is just great, and her new mentor-protégé relationship with Gregson is nothing short of wholesome. Enoch Drebbler is one of the best culprits in the duology, and Courtney Sithe's character is very good, too. She gives a confident vibe that really serves the case. Benjamin Dobinbough (because his canon English name is one I refuse to acknowledge) is a great clueless defendant, and his relationship to Barok is quite nice! It definitely makes the case trickier! Rozaic has a really mysterious and enjoyable atmosphere surrounding her, and finding Herlock standing like statue at the wax museum was amusing. Of course, the best thing about this case is Asogi's return. It is handled well by the game that doesn't try to cover the obvious plot twist.. The final cutscene is just *smooch*. I also can't forget the Joint Reasoning with Herlock when looking for Enoch. Again, this case is definitely not part of a "curse" of any kind.
Overall thoughts:
I don't think the Third-Case Syndrome holds for Ace Attorney. Some third cases weren't good (4-3 and I1-3) but most are either good (1-3, 3-3, 5-3, DGS1-3) or excellent (I2-3 and DGS2-3). I know Turnabout Big Top traumatized most of the fandom, but I don't think it's that bad, and definitely not bad enough to start a curse revolving around third cases.
Danganronpa:
Trigger Happy Havoc:
Chapter Three of THH is... good enough. The pointless argument between Taka and Hifumi is annoying, to be sure, and Celeste did us a favor by getting rid of them. And her plan wasn't bad, either! It could have worked if Makoto and Kyoko had not been there. However, I do believe that this chapter is too boring before the first murder. The motive is also... meh. The plot twist oh Hifumi waking up and remembering Celeste's true name was enjoyable, though. 1-3 isn't amazing by any means, but I think it's better than 1-5 and 1-6, but it stands no chance against 1-2 and 1-4.
Goodbye Despair:
Well, this one sucks. I think it's the only DR chapter that literally has a plot hole. The "Despair Syndrome" motive is probably the worse in the series and this case pretty much ruined Mikan's character. Her execution is lame, Ibuki shouldn't have been a victim (seriously, why?), the culprit is obvious, and the timeframe to execute her plot doesn't work if you aren't Sonic the Hedgehog. Also... that attempt at fanservice was cringe, and it almost killed Hajime. The only thing that redeems this chapter a bit is the name "Titty Typhoon" but that's it. This one definitely alimented the "curse," and rightfully so. In-between two great cases, 2-3 doesn't make a good impression.
Killing Harmony:
3-3 is a chapter I have mixed feelings about. On the one hand, the atmosphere was excellent and fitting of the killer, and Kokichi's prank had us all freak out at first. I don't like neither Angie nor Kiyo (sorry, Kiyo fans), but somehow, it didn't make the chapter worse for me. On the other hand, the Necronomicon motive sucks almost as much as the motive in 2-3. It could have worked in DR2 considering the Killing Game happened virtually, but in V3, the motive was just an outright lie from Monokuma, so it doesn't work. Also, Kiyo was a bit too obvious: the music, the theme, his sudden importance in the plot, the séance... it was just a bit too much not to make him suspicious. Finally, this chapter's major flaw, which I can sum up in one word: sister. That, was traumatizing. Without even going in details, everything that happened after Kiyo's "sister" appeared during the Class Trial ruined it. I'm also curious to know if the writers at Spike Chunsoft are mentally stable, considering Kiyo's relationship with his sister and the fact that they ship Monotaro and his sister Monophanie in the next case. It's not a bad chapter at all, but it has its flaws, unfortunately.
Overall thoughts:
While I wouldn't call it a "curse," it's true that third cases in Danganronpa aren't amazing, especially in DR2. You'll also notice that I didn't mention UDG simply because it's too different a game to be compared to THH, DR2, and V3. If we ever get another Killing Game, I hope that the third chapter will be better, because we've yet to have an awesome Chapter Three so far.
Final thoughts:
I don't believe there are curses revolving around third cases/chapters, neither in Ace Attorney, nor in Danganronpa. However, it's true that in the case of Danganronpa, on average, third cases are the weakest, while Chapters Four and Five are almost always great. Third cases in Ace Attorney definitely get an unfair treatement, though.
Thanks for reading, and I'm open to discussing all of this if you disagree!
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rpbetter · 3 years
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Thanks for your thoughts. Nope, I don't have another problem with the psa. It's the subtle word choice pretty much, but nothing else. I don't mind if people use me as a meme farm, so when I see psas like that or comments like that, I get upset because I associate it with people who make other blanket assumptions about all rpers, I have it linked in my head with people going around saying "rp is a hobby not a jobby" and making other assumptions about how all rpers do their thing.
Thank you for answering those questions!
The assumptive quality of the RPC can seriously be annoying as hell, especially if you're in the minority on any particular issue. When that's the case, the PSAs are so rarely geared toward you and any issues you might be experiencing that it's legitimately upsetting. I absolutely feel you on that!
I mean, obviously. Obviously lol I do. It couldn't be much clearer that I have a serious issue with the constant bombardment of PSAs insisting that we normalize shitty behaviors that are the damn norm, that we're all just losers RPing on tumblr so no one should be anxious about anything ever (instead of, you know, maybe trying to legitimately boost people's confidence, radical thought), or that anything that isn't being hostile to oneself is being hostile to everyone else.
I think the issue is that, while there is obviously a majority set of takes/issues/experiences (though, those, too, absolutely can skew toward one's particular RP corner and style), there's no way to address every instance and variable of an issue. Particularly not when anything other one paragraph is too lengthy for a lot of people here to engage with in a meaningful way.
So, I know I have to frequently ask, "is this a legitimate or hostile sort of blank-statement, or is it just addressing the majority experience? If it's the latter, is it genuinely enough of a problem to address?"
Like, did they mean that this is an experience most RPers have, or did they mean this is the only experience/is the correct and only way to do things? And that's not always answerable, of course, but when I feel like it is, it's usually found on OP's blog and RPC itself.
If OP has expressed things that are not the majority experience, expressed that they do not agree with blanket-statements, and doesn't imply with every rule, PSA, point on the DNI, and so on that to approach and proceed with RP in a way they do not is to commit some manner of terrible IRL crime? It's almost certainly that they were just expressing a majority experience and nothing more.
And in this case, yeah, as I'm sure you've noticed from being on the opposite side of this, it is the majority experience. I don't recall ever seeing very many RPers who do not espouse having an issue with having their memes and aesthetics reblogged without some manner of (rules specified if they're not a dick) interaction/relationship with the other mun. (Such as "mutuals are okay to reblog" or "I expect reblog karma and practice it.")
I don't know if there has been an influx of newer RPers or those who have migrated from more relaxed areas of the RPC, but recently, there really has been an increase in at least my corners of muns being used as resource blogs when they do not wish to be. They've all expressed in their rules their particular boundaries for that, have made overall posts politely but firmly asking that people who do not write with them and haven't even read their rules not do this, and have gone directly to the worst offenders to ask them to stop. And it continues to happen. So, I imagine that is why you might be seeing an influx of PSAs about the matter in response.
For anyone watching this conversation that might not understand why some muns are so against this, some reasons are:
clogging up their notifications
the aesthetic was their picture, edit, quote, etc. and not meant to be shared off their blog/only by the partner(s) tagged in it
when you reblog from someone, their URL is obviously attached, spreading them to another dash full of people - they might like you, but not want some of your mutuals following to their blog
their muse doesn't get much interaction, but other muns keep reblogging memes/aesthetics from them when they won't write with them or send anything in
they feel used for the above reason or any variety of other reasons
I'm really sure you know that, Anon, but I think it's important that we all understand where we're coming from because there are so many different preferences and experiences. It's really not good enough to just feel like everyone can do whatever they want, so long as it isn't harassing anyone else/they're being respectful of others. Because can feel that way all we want to while still getting upset when we lack the understanding of preferences that are extremely different, or even in opposition to our own.
We can't effectively respect each other without that sort of understanding of even the things that annoy us, you know? So, I try to promote that understanding and explain things for people who might simply see this on their dash.
Like the "hobby not jobby" thing! I don't get that, I think it has some concerning IRL connotations people are not recognizing, and it's a great way to treat other muns like shit while justifying the behavior. It's in opposition to what I do not because it exists, but rather, because it is weaponized in order to excuse bad behavior and vilify muns who do not engage with the hobby in this way. It doesn't have to exist in hostile opposition to how I enjoy RP, the use of it has made it this way, is what I'm saying.
But I understand where it came from and what it means for the more rational, adult muns here who feel this way. To them, it's just that this is an ultra casual hobby. The way I engage with RP is like a full contact sport lol it requires a lot of effort and engagement, and the effort and engagement is fun. They way they engage with RP is an act of disengaging, it is more like what watching TV is for me - they're just here for some light, quick entertainment.
Understanding this difference is understanding that not everyone who feels so casually about RP is a jackass insisting that everyone else better feel the same way, that their way is the only correct and good way. I'm still not interested in writing with them, it's far too different for that to work out, but it allows for delineating who is enjoyable on my dash/OOC that is into casual RP and who needs to stay behind a block somewhere because they think anyone who has RP as a primary hobby is trying to ruin it for them somehow, attacking them by existing, and the following list of terrible things as a person.
I think that all problems in the RPC could be drastically mitigated by a combination of understanding and mutual respect. People who are alright with others treating them like a meme resource absolutely can and should interact with people who don't feel that way without a problem, for example - all that takes is being aware of your mutual's rules and respecting them.
Damn near 100% of the PSAs out there honestly should not ever have to exist, they come down to the same factors of just exercising some easy respect for each other.
Again, the trouble often comes in at those very differing factors we need to be mindful of. When we feel like the weird one out in the RPC constantly, whether something is actually othering us or not, it starts to feel like it is. We start finding reasons and evidence, and much of the time, at least among those whose first inclination isn't to label OP as various terrible shit as a person, that takes the form of "not everyone."
Well, of course, not everyone! But unfortunately, when we are of the minority opinion/experience, we sometimes have to just realize that very thing. It isn't personal, and that while someone has caused issues coming from this side with that difference, we are not for our mutuals, so this isn't about us. We're actually doing the thing the PSA is speaking of by not pushing our preferences on others. If that PSA is just speaking from a place of the majority experience and nothing more, we're just annoyed with it for that reason and nothing else when it comes right down to it. We're just kind of sick of being in the minority opinion on this issue, and now are geared to feel like we're being hounded by most PSAs.
It's not an easy thing to get over or work with, it's not even something that gets to be faultless, but it definitely makes the experience less irritating when we can get to a point of stepping back and analyzing the situation without those emotions intensely in play. Seriously, if I allowed the issues I have with most PSAs out there to be evident by reblogging them with refutations or anger? That's all I'd spend my time doing, that'd be my hobby and not actual RP...and I'd absolutely be the most hated and blocked mun on tumblr in short order no matter how valid my points were. (And, I think, with good reason, I really do not support reblogging that sort of thing with negative commentary.)
What helps? Make your own positive PSA about your experience! Make one of those "reblog if" posts, I have never seen one that says "reblog if...you are alright with your mutuals reblogging memes and aesthetics from you without reblog karma."
I'm being dead serious, I encourage you to do that! It's great when you're of the minority opinion and do something like that because you can literally see not only that you're not alone at all but also that it's made other people feel seen. If you do that, let me know, I'll reblog it, even.
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cadspruces · 4 years
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psa critters! a reminder on being respectful, because keeping this show and community a safe space matters.
with the return of critical role, the fandom has been a little chaotic to say the least. there’s always a good and a bad in a fandom, but i think as a whole, we’d very much like to keep this fandom a safe and positive place. 
now! this doesn’t mean not expressing your opinions about the show. please do! but please also be mindful of if you’re sharing negative opinions on a character that it’s not aimed at their voice actor. same goes for the other way around! if someone is saying something about how they disagree with a character’s actions, they’re totally allowed to have their opinion! if you disagree with what they said, of course you can share your thoughts with them -- in a thoughtful + conversational way, though, instead of in an assertive + argumentative way. let’s just all remember that at the end of the day, we want to keep everything we say to each other (and the cast!) respectful.
critical role is a safe haven for a lot of people, but unfortunately -- like in a lot of other fandoms -- fans getting too deep into their own fanons to the point where they take it upon themselves to invalidate everyone else’s (including the actual cast’s) opinions can easily ruin an otherwise very positive experience and outlet. again! always feel free to have your own personal fanons, theories, opinions on characters, favorite ships, etc. just make sure you aren’t disrespecting/hurting anybody else in the process!
and please, don’t forget that these characters are not under the control of the fandom. they aren’t written in a script, and you do not own them. they’re the cast’s! there’s a big difference between expressing which cast member you think has a pretty cool portrayal of a character, or maybe a not-so-cool portrayal of a character, and actually dictating how a cast member should be playing their character.
at the end of the day, critical role isn’t your typical form of media. it’s a group of friends who’ve created something special together that they love that we all have the privilege of watching to enjoy it with them! it’s absolutely blown up in popularity, yes, but that doesn’t take away from the fact that, at it’s core, it’s a group of friends playing a game. a complex, emotional game that is often hard to remove your own dictations from -- but i urge everyone to continue treating the cast with the utmost respect. they’re talented, but it’s hard to constantly be thinking and performing at your best, especially with so many people holding so many different opinions on their characters and their world. i think we’ve all seen people get very upset over a single sentence that a character said, and i can guarantee that the cast members don’t put nearly as much thought into every single thing they say while in the middle of a high-intensity, fast paced game as the fandom is able to once the episode is out on the internet and allowed to be replayed and completely dissected. i’m not saying that you should treat the cast as faultless, perfect beings, but be understanding that sometimes the way you interpret something is completely different than its original intention, especially if it was said without the time to think about it at all beforehand!
be understanding that no matter how much you love, for instance, a ship, if it doesn’t become canon, it’s something you’ll have to deal with without attacking anybody. perfectly valid to be upset about it! totally feel free to share your thoughts and ideas on the ships you personally like! it all just comes back to doing it in a respectful manner.
thank you for bearing with me through this. a whole lot of this fandom is so, so incredible, and i strongly believe that any negativity that there is here is genuinely coming from a place of passion and love for this show. it just needs to be expressed in a healthy way.
and most importantly, don’t forget to love each other. i’ll see you all thursday. <3
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jalapeno-princess · 4 years
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Room for Three
Tumblr media
Mark X Pregnant Reader
Word Count: 1.7K
Genre: Fluff with a hint of angst
Summary: You and your husband Mark were currently shopping for baby furniture to prepare for the arrival of your baby when you stumble upon a pregnancy pillow that you’re so eager to have. However, Mark voices his opinion about how he’s not too fond of the idea and it is in that moment that you find out his concerns goes beyond just a piece of furniture.
A/N: I get inspired by the most randomest things and so I was on instagram scrolling through my explorer and then I saw a husband talking about how his wife bought a body pillow and how it took his place and now I’m sad because WHY AM I NOT MARRIED anyways please enjoy
“Here it is. This is the one all the other ladies were talking about in class the other day. Can you get the blue one for me babe?”
Your husband looked at the body pillow then back at you in disbelief. “Wait, what? You’re actually buying this thing? Where is it going to go?” You returned back a look of confusion before crossing your arms indifferently. 
“Uh, where else? On the bed with us.”
“Babe, there’s not going to be enough room on the bed for the two of us this thing is huge—“
“Well so am I! And whose fault is that?” You were currently six months pregnant with your first child and trying to fall asleep with your basketball sized baby bump was not the easiest thing to do. Both you and Mark attended a pregnancy class last week and your teacher recommended purchasing a body pillow. 
You did your research on where you could find one; not wanting to wait a week for it to come in the mail and that is how you and your Husband found yourselves at an IKEA just fifteen minutes away from your house. The two of you were currently walking around, looking at the different types of furniture you’d want to put in the nursery when you just so happened to stumble on a box filled with multiple body pillows specifically for pregnant women. You couldn’t help but get excited at the idea of finally getting some well deserved rest but seeing Mark’s negative reaction was beginning to ruin the mood. 
“Yeah, yeah. Whatever. But you’re at fault here too, I mean look at you! You’re so beautiful baby, and extremely fucking sexy. And now that you’re pregnant, you’re even more gorgeous. I didn’t think it was possible. You glow differently now that you’re pregnant. You’re also a little bit more crankier and extremely spoiled—ow! And abusive. I honestly can’t wait for our little bub to arrive. Not only am I excited to finally meet our baby, but I’ve come to the conclusion that maybe you’re so grumpy because we haven’t been intimate in months. It’s my turn to be inside of you—y/n, slap me one more time and I’m going to do the same to your cute little butt.” 
You rolled your eyes at his comment before taking matters in to your own hands and reaching out for one of the pillows. Mark however, was quick to stop you; not wanting you to drain your energy on any physical activity unless you really had to. Pregnancy was such a beautiful experience so far. The two of you have been wanting a child together for quite some time and when you got the news that you were pregnant only four months after your wedding, you and Mark were over the moon. 
Mark in more or less words was the perfect husband. He never failed to show you as much as he told you on a daily basis just how much he loved you. When you gave him the news that you were pregnant, he actually cried tears of happiness. Even before the two of you began dating, Mark made it aware that he loved children. He had three extremely adorable nieces and watching the way he would interact with them only made you excited at the idea of starting a family with the love of your life. With the way he would take care of the girls as if they were his own and how he never failed to make them laugh, you knew he would be such an amazing father when the time comes. 
Mark was already very attentive and doting whenever it came to you. However, he became clingier the moment you became pregnant. Whatever you needed, he’d get it for you before you could even ask. He was aware that pregnancy was a very tiring and frustrating process, so he wanted to be able to help you if and whenever he could. Although you hated having to bother him, especially because you knew he was probably tired from work; he made it clear that you weren’t going to go through this journey alone and you were extremely grateful and blessed to be able to call him your husband. 
You apologized many times for certain things that came with pregnancy; mood swings, weird cravings and your tendency to use the bathroom at the most  inconvenient times of the day. There were many occasions were your husband found himself at a McDonald’s drive thru at two in the morning because you were craving a sausage McMuffin and when he did the grocery shopping, he knew to purchase multiple pints of ice cream because you craved a different flavor every single day. 
Nothing ever seemed to bother Mark whenever it came to tending to your needs and even if there was something, he was good at not showing it. Unfortunately, this was the first time he seemed hesitant on doing something to help you. You made it known how hard it was for you to fall asleep for the last few weeks because your bump only grew bigger and bigger as the days went by. Mark was quick to agree with taking you to look at the different kinds of pillows there were to accommodate you once class was over, but you were too tired to go out that day. 
He was willing to purchase anything in order to make you more comfortable; but he didn’t think the pillow would be that big. Sure, the two of you shared a California king sized bed, but you already took up more than half of the bed with your growing belly to the point where Mark found himself on the floor a few times. If you were to get the pillow, he’d probably have to sleep on the couch. 
“Baby, you don’t need this pillow, you have me! I’m warm and I smell better than this thing. And as a bonus, I can actually hold you against my body—Aw come on, don’t look at me like that. You know exactly what your puppy dog eyes do to me—damnit y/n where am I going to sleep then?!”
“Mark, this pillow will be wrapped around me. It’s not as bad as you probably think it is. Don’t you want me to feel at ease? I’ve been so tired these days because I keep tossing and turning in my sleep; trying to find the right position where my bump isn’t in the way.” After releasing a frustrated sigh, your husband made his way toward you and found his place behind you, gently pulling you against his chest and wrapping his arms around your belly. He left a soft kiss in the crook of your neck before placing his chin on your shoulder. 
“I’m sorry, I’m being an ass aren’t I? I just—I already can’t hold you in the ways that I used to. I can’t make love to you, I can’t kiss you unless you allow me to because of the hormones. I miss you. I miss being intimate with you and I miss when we could do things together without having to worry about harming you and the baby. Wow, saying it out loud makes me sound so pathetic. Like, I’m jealous of our baby. Don’t get me wrong, I’m very happy to be having a baby with you. I’ve always dreamt of starting a family with you y/n. It’s just—I thought we would have a little more time to ourselves. You know what? Forget I said anything. Let’s get the pillow and then we can go—“
“Mark.” 
Once you turned to face him and saw the upset expression on his face, you couldn’t help but tear up. Hearing him talk about how he felt neglected make your heart hurt. Your husband did any and everything he could to make sure you were comfortable. He did things for you without being asked and not once did he complain. You didn’t even realize how much you’ve been taking advantage of his kindness and focusing more on your baby than you were on him. You felt like a monster. 
“Baby I’m so sorry—“ he shook his head before playfully squeezing your cheek and wiped away a tear that fell. 
“Don’t worry about it. I’m just being silly.” Your brows furrowed in frustration at the thought of how selfish you were being. Sure, you were pregnant and it was a lot to take in; but you were also a wife. Mark deserved love and attention too. How could you be so blind and not see the pain you were putting your husband through? 
“No, you’re not being silly—you’re being human. I’m sorry. I’ve been so focused on the pregnancy and what I need that I failed to notice what I was doing to you by pushing you away and mistreating you. There’s no excuse for my behavior. But I hope you know I’m very grateful for every single thing you’ve done for me and continue to do for me. I really don’t deserve you. If I’m being honest, I feel the exact way. I miss you too. So much. I’m sorry for being grumpy and emotional all the time. And I’m sorry for my bipolar mood swings. You’re wonderful you know that? You’re the best husband a girl could ask for. I’ll try to be better okay? For your sake. I love you Mark. I don’t think you understand just how much but I plan on spending the rest of my life both showing you and telling you every single day.” 
With the way he was looking at you with so much love and adoration after hearing your heartfelt apology, you were sure your heart was about to combust. Mark leaned down and placed a sweet kiss on the corner of your mouth. 
“I hope you know that I’m practically going to cling myself to you like a sloth once you start sleeping with this pillow.” You giggled softly before nodding in understanding. He picked up the pillow and placed it in the cart before taking his place behind you as you began walking away. “By the way y/n, I remember your teacher talking about how sex during pregnancy is actually very good for the baby. So maybe once we get out of here, you can show me just how much you love and appreciate me.”
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thr-333 · 4 years
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The Hero’s Journalist- Part 1
Since he was little he wanted to be a hero like All Might, unfortunately, he was quirkless. Nonetheless, his way with words landed him at the top of journalist, the one who interviewed all the sidekicks and the less know heroes. He is the Hero' Journalist, Who will interview even the villain know as the hero killer Stain and even enter the base of the villain alliance and try to interview their leaders and seek their secrets. Nothing will stop him to bring the truth to the light!
AO3
(thank @fantasiame for the title and description!)
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It had only made sense to Izuku. He chased heroes around all throughout the city. It hadn't really been his intention, to begin with, but one day he decided to post his opinion about a recent fight. It got some interest-- not a lot but that was to be expected. Izuku liked it, however. Some people would offer their own perspective which was always good to take into account. It also made it easier for the heroes in some small capacity(he wasn't so vain as to think he was making a big impact) but some people seemed more forgiving getting an in-depth analysis of the battle rather than the news trying to make it more dramatic.
But what Izuku really liked was the acknowledgment of his skill. It had been hard growing up quirkless. He was bullied or ignored, no one specifically targeted him thankfully but it was never easy.
When he started analyzing heroes it was because he wanted to be one. As he started posting his analysis more often things started to change.
He was decently popular at that point-- in his last year of high school(he hadn't been able to get into UA or any hero school for that matter but he knew there were other opportunities later in life so he didn’t let it dishearten him too much). There were people that followed him, regularly reading his stories but he most certainly wasn't famous in any capacity.
The big change came after a fight with a villain one day. The pro hero had arrived at the scene and did a lot of flashy stuff but Izuku noticed one sidekick, in particular, had been the crux of the operation. While he was being swarmed by the press Izuku waited to approach the sidekick standing off to the side by herself.
TinCan was her name. From what Izuku saw her body was made out of aluminum. It made her very lightweight but susceptible to crushing-- but Izuku had watched her buff out the dent in the fight and wondered how small she could be crushed down? She hadn't seemed hurt so maybe her nerves were less sensitive. He supposed it was an impressive quirk if nothing flashy. It had allowed her to move quickly and almost act as a human shield when the pro let their guard down.
He watched TinCan for some time talking to the victims of the fight. There were only minimal injuries but there was some property damage and some of the kids were scared. She stayed and cheered up the kids while they or their parents were getting patched up. Izuku snapped a few photos promising himself to ask permission before he posted them.
When they were taken care of TinCan looked over at the pro, still swarmed by reporters, and sighed. Izuku took that as his cue.
“Excuse me,” He waved slightly awkwardly to get her attention, “I was wondering if you could do an interview for me?”
“Me?” TinCan looked shocked-- Izuku knew he wasn't a professional reporter but- “Are you sure you don't want-”
“No!” Izuku felt bad about cutting her off, “You were amazing in that battle! I’d love to hear about your training and your quirk! You could go pro at this point!”
TinCan was even more surprised by that. Izuku wasn't sure if she could blush but it looked like she would be. Still, she gave the interview gladly. Izuku soaked it all up. She didn’t chide him for his millions of questions like the teachers usually did, instead getting more excited and passionate with each one.
TinCan hadn’t gone to a big name hero school so it set her back on her path to becoming a pro. She eventually got a job as a sidekick and had been there a lot longer than most sidekicks of her skill. A point Izuku kept coming back to, that she should start her own agency.
“I don’t think anyone would be interested,” She said sheepishly, loud enough for Izuku’s phone to pick up, “I don’t have a very flashy quirk and as it is I can be useless in battle if I take enough damage,”
“First, you don’t need a flashy quirk to save people,” Izuku said firmly, with much more confidence than usual, “As for trouble in battle take on sidekicks or work with partners, maybe you could even find someone to counteract the negative side effects of your quirk,”
“I’m not sure….”
“At least ask around,” Izuku encouraged, smiling brightly, “You have the makings of a great hero, you should go for it even if you don’t think it will work out you’ll never know until you try,”
“Man you’re persistent,” TinCan laughed with no malicious or blame, “I’ll think about it,”
“Thank you,” Izuku bowed, stopping the recording. It had not been a great set up, the phone propped on a trash can of all things, but their options were limited.
He thanked her and they went to part ways. The interviews with the pro wrapping up by now.
“Hey, Midoriya!” TinCan called when he was halfway down the street, “When I go pro you get dibs on the first interview!”
Izuku was stunned. Then a wide grin split his face.
“I look forward to it!” he shouted back. Then he got an idea, “Can she do it?! Yes she Tin-CAN!”
A smile split TinCan’s face and she looked like she was laughing, but raised her fist regardless. A declaration to everyone on the street. Izuku quickly snapped a picture. He’d have to ask to use it when she went pro.
When he posted the interview it got some attention, not a lot but he supposed that was the reason no one interviewed sidekicks. Not that he regretted it one bit. TinCan was a great hero, sidekick, or Pro.
It was months later when he got a message; TinCan was starting her own agency.
And wanted Izuku to be the first interviewer.
---
Izuku loved TinCan’s agency-- although it wouldn't be fair to just call it her agency. She had taken his advice and partnered up with two other heroes.
The metal hero: Platesmithier was the perfect fit. She was able to control thin metals, it lost effectiveness the thicker the metal. She worked as a support hero mostly staying away from fieldwork at her prior sidekick job. However, with TinCan she was needed in the field to help fix the other when damaged. Izuku had questioned Platesmithier extensively on all the gear she had made for the agency. It was impressive metalwork of course giving them intricate and lightweight armor.
Cloom, a name Izuku had needed some clarification on(apparently it was meant to be a mix of Cloth and Room also sounding like Loom, not very clear but it was cute and fit the bubbly girl). She had been stuck as a sidekick for a long time. Her quirk was extremely useful, able to make cloth that she weaved into a doorway to a new room, the size of which was determined by the size of the cloth. This was why he loved the agency it was originally a one-room office but with fabric pinned to every wall, its size was increased tenfold. And could easily be folded up and moved. Taking down the fabric didn't ruin the room inside just blocked the entrance. Cloom had been used as a sidekick to make agencies bigger in the same way. Izuku disagreed that was the only use and TinCan agreed with him. Cloom was able to throw the cloth over villains and fold it up making for an easy capture. It was unbelievable such a powerful and versatile quirk had been stuck as a sidekick!
Izuku loved the interview. They set up cameras properly, talking for hours almost more like friends at times. Izuku talked about all their experiences separately and together. Cloom and Platesmithier worked at the same agency. A hero in some of the top ranks who had seen their useful quirks. Both wanted to go pro but neither had the courage until TinCan came along. Apparently, she had been pestering people to find a metal bending quirk and had tracked down Platesmither. It took a lot of badgering but she had convinced them to join her as a partner. Both thanked Izuku for giving her the motivation that brought them together. Izuku stuttered and blushed saying they had done it themselves, but they insisted he take their thanks.
They talked about their plans for the agency well into the night. It was set up in a large city quite far from his own so they offered him a place to stay the night. He really really loved Clooms quirk as she hung up a sheet of fabric leading to a guest room. Izuku couldn't get to sleep. He edited and posted the interview that night. It generated a bit of a buzz-- always excited to see new heroes.
That buzz would be turned into a roar by the end of the next day.
---
They had been walking Izuku to the train station. They had wanted to see him off and wish him luck for his upcoming final exams. It was all fine- even happy chatting more about each other. Izuku took his camera out so they could send a video to him mum. They wanted to thank her for letting Izuku come.
Then the villain attacked.
They were the closest. Someone in the building across the street. A strength quirk. The guy was three times Izuku’s height. He took out the foundation running through it. The building was tumbling down. People were screaming. There were still people inside.
They acted fast. Civilians on the street in danger of falling rubble. TinCan shielding them with her own body, rocks leaving dents behind as she moved them to a safer area. Platesmither bent thin sheets of metal, acting enough as a shield for people to run away. Cloom pulled out a big sheet of fabric covering civilians with it. They guided the rest under the sheet, whatever rubble hit it fell into a different plane of existence leaving the people underneath safe from harm.
Izuku didn’t even realize he was filming.
With the civilians on the street safe, TinCan and Platesmither ran to the falling building. Cloom made sure to stop by him, giving him a sheet of fabric that he wrapped over himself, rubble falling right into it leaving him safe.
The villain had come out onto the street spouting his big speech. Izuku kept focused on the heroes behind him digging through rubble to find civilians trapped underneath. This vexed the villain, he charged right at Izuku who was still out in the open. Later he would note it was a great shot-- but right now he was terrified.
That terror morphed into exhilaration as TinCan ran up behind the villain, kicking him back. The effort sent her led bending the wrong way but Platesmither straightened it out quickly, still trying to rescue people.
“Don’t you dare hurt the INNOCENT!” She yelled sending another punch, her arm crumpled. His quirk worked as armor too, made sense with how he could run through walls and the falling rubble didn’t harm him.
TinCan cursed switching to use her weapons Platesmither had made. She managed to cause some damage, moving too quickly for the villain to catch.
It didn’t last.
Izuku’s heart sank when the villain grabbed her leg, crushing it in his grip. He looked in terror as the villain balled her up, like a piece of tin foil. He wasn't the only one, civilian who peaked out from the sheet cried and shouted. Platesmither ran over as the villain was distracted by gloating.
Platesmither started straightening out her body, Izuku hoped more than anything. More than meeting All Might. More than becoming a hero. That TinCan would be alright.
Where were the other heroes? They had to be coming soon! They had to be!
Platesmither managed to smooth TinCan out but she wasn't moving. The villain noticed and kicked Platesmither away, sending her sprawling down the street. Cloom shouted out but she was the only one spare to help the trapped civilians.
Izuku’s heart leaped when TinCan twitched slightly. There was silence in the street as the villain looked across at her, unimpressed. TinCan tried to raise her head but fell to the cement with a metallic thunk.
Izuku had to do something! He had to! He wasn't a hero. At that moment he realized, maybe even accepted he would never be-- but he could be a hero here in his own way. Just like the people dissuading him from his dream always said. But this didn’t feel like giving up on his dreams, it felt like starting them. Like passing it on to hopeful heroes and giving them a boost to what he knew they could be.
“CAN SHE DO IT?! YES SHE TIN- CAN !!!” Izuku’s confident shout, more confident than he had ever spoken, rang out across the street, over the only other sound being sobs and screams. Again, he had to do it again! “CAN SHE DO IT?! YES SHE TIN- CAN !!!”
“Can she do it?” Izuku looked over to a little girl peeking out from the large sheet, “Yes she Tin-CAN!”
“Can she do it?” two other people this time.
“Yes she Tin-CAN!” Now five more people.
“Can she do it?” fifteen people shouting.
“Yes she Tin-CAN!” Now it was more like thirty.
“CAN SHE DO IT?!” fifty, fifty people.
“YES SHE TIN- CAN!!! ” Everyone, every single person on the street called out, “CAN SHE DO IT?! YES SHE TIN- CAN CAN SHE DO IT?! YES SHE TIN- CAN CAN SHE DO IT?! YES SHE TIN- CAN,”
TinCan raised her head.
“CAN SHE DO IT?! YES SHE TIN- CAN CAN SHE DO IT?! YES SHE TIN- CAN !”
TinCan pushed herself up.
“CAN SHE DO IT?! YES SHE TIN- CAN CAN SHE DO IT?! YES SHE TIN- CAN !”
TinCan stood up shakily.
“CAN SHE DO IT?! YES SHE TIN- CAN CAN SHE DO IT?! YES SHE TIN- CAN !”
TinCan raised her arm in triumph, looking at the villain with righteous fury.
“CAN SHE DO IT?! YES SHE TIN- CAN CAN SHE DO IT?! YES SHE TIN- CAN !”
She lunged at the shocked villain, punching him. This time she didn’t crumble. This time Platesmitther had come to her side, keeping her arm strong. She didn’t need that though. She leaped up winding her legs around the villain's neck. He reached up to wretch her off crushing her legs in the process, right around his neck in a tangled mess. She bent backward along the villains back, jabbing at his sides. He moved down instinctively and she grabbed both wrists. Catching on Platesmither twisted her arms around the villains, effectively making her into a living pair of handcuffs.
Now it was Platesmithers turn, she kicked the villain down, using a sheet from Cloom to cover the villain. She quickly folded it back up trapping the villain-- along with TinCan.
They didn’t have time to worry about that. Izuku ran to the fallen building with Platesmither, helping Cloom with the rescue efforts. Thankfully other heroes showed up shortly after. There were casualties, and it stung, but most people made it out alive. And thanks to the others, the civilians on the street were completely uninjured.
The police came. Surrounding the cloth with heroes they carefully unwrapped it. The villain leaped out immediately, TinCan still wrapped around him but he had gotten an arm free. It didn’t last long as other heroes swiftly apprehended him. And soon he was in police custody.
TinCan was straightened out and met with an adoring crowd. She stood in shock for a full minute as people kept chanting her new catchphrase. Less with desperation and more in victory. Reporters swarmed her. She looked over their heads.
“Izuku!” She called, stopping the clamor to look at him, “You're doing our interview right?!”
Izuku grinned, taking out his phone. Only then did he realize it had been recording the whole time.
---
TinCan and the Crafty Bunch(It had been Izuku’s suggestion as both Cloom and Platesmitther had distinct skills in metalworking and weaving) became a national sensation. They were praised for how they handled the situation and the ingenuity of the takedown. They were projected to place in at least the top 50(Izuku bet it would be the top 30) at the next rankings.
This came with no small amount of fame for Izuku. He had the first interview with TinCan ever. Had her credit him to pushing her to make the agency and her now-famous Catchphrase. Had the first up-close interview with the heroes, long before anyone else. For a few days, it was only his interview that people could turn to, to learn more and it blew up. And he also had exclusive footage of the battle, topped off with their interview after.
To say the least, people took notice of Izuku, much more than ever before. News outlets tried to buy his footage off him. He would only accept selling screenshots knowing if they had access to all the footage he wouldn't have any incentive to get into the industry.
And yes Izuku wanted into the industry. It was kind of obvious now that he thought of it. He loved quirks and he loved heroes. He could ask questions for days. Sure he was a bit camera shy but he could get over that. No, Izuku wanted to be a reporter, a journalist, anything where he could learn more and help people because of it. It might not be the obvious help of a hero or medical professional, but many commented it made them feel safer how he unpacked quirks and strategies, opening their eyes to another side of heroics.
Izuku was offered a job at a small publishing agency. He had gotten an offer from some larger ones but they were more restrictive. This one was mainly a magazine publicist with only a few tight-knit workers with some freelancers. Recently they had wanted to make video interviews and articles to reach a wider market. It sounded perfect to Izuku he would basically have control, only needing their sign off. They liked his work and were content to let him do things his way. They were small but had good connections with heroes, known for being honest and not embellishing gossip, or at least staying away from the harmful stuff focusing more on a hero's favorite food or whatnot.
It all sounded too good to be true. Izuku worked part-time and when he finished high school it was a full-time job.
He loved it he really did. They actually scheduled interviews, letting him talk to pros instead of catching them after battles, not that he minded doing that. Apparently, TinCan and co had been vouching for him and many Pros and sidekicks were willing to answer a question or two.
Izuku liked talking to the sidekicks. His boss did too. It provided insight into the hero’s lives that usually wasn't harmful, Izuku tended not to share it if it was. The pros liked it less, however, as he somehow always managed to convince their sidekicks to start their own agency. They had started to combat this by offering to be interviewed instead. Izuku found it funny but easily agreed.
He loved his job, he really did and was so excited to see where it lead him.
He probably would have been less excited if he realized it led him directly into danger… all the time.
---------
This is just one of oh 9 au’s/fics I’ve come up with(and written) in the past three weeks. I’m doing fine. Whats obsession?
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beevean · 3 years
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3 years of Sonic Forces, the biggest love-hate relationship of the series
[note: this is the translation of @latin-dr-robotnik​’s article]
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Today is an almost special day, today it’s the anniversary of a rather peculiar game in this series.
On this day 3 years ago, the (to this day) newest game of Sonic Team was released: Sonic Forces. After waiting a year and a half since its announcement (and four years since Sonic Lost World’s release), it was finally time to see what the last chapter of the main series had in store for us, and the results were… okay.
There were so many warning signs in the months before the release: a marketing campaign that was noticeably absent until the very last month, opting to focus more on Mania (let’s not forget that we still get videos about Mania even after the game’s release, not so much about Forces), which added to the uncertainty caused by the footage already available at the time, which ended up being confirmed a few days before the release, when some people managed to get the game early and streamed a good chunk of the game. While one of the leakers was just a bad player, the quality of the game itself was put into question…
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A harsh reality
I’m not going to soften up my words here: for being the latest Sonic game, in a post-Generations and post-Boom era, Sonic Forces fell short of everything it tried to do (if it tried). Anything positive comes from the roots of something negative, and in the context of this anniversary, after 3 years without knowing a thing about the next game, it only emphasizes the frustration and the disappointment it caused.
Sonic Forces promised a world devastated by Eggman, an epic battle to save the world and win against a powerful enemy. However, of so many promises, not even the first one, the most basic one, was kept: it was an empty takeover, explained poorly (because they didn’t even show it, they told it through text) and developed even worse. All the potential of such an exciting world was thrown away as soon as the game didn’t even try to explain some of its most important questions (like why Green Hill was in the process of desertification); to this day we still don’t know what the fuck does the Phantom Ruby do, in Mania it has some powers, in Forces it has different powers, and it’s not clear where does it come from or if it’s more powerful than the Chaos Emeralds. It is disappointing to not be able to discover all this untapped potential, and it is so disappointing that one of the oldest works on my blog was an attempt to rewrite the beginning of the game, give it more context and a better footing to start the adventure.
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This old leak dates back to 2016, when the game was barely announced, and surprisingly it ended up being real, very very real. Even the title “Sonic Wars” is true, and if you don’t believe me you can open the game’s folder and read the names that appear. Source.
The confusion and disappointment don’t end here. If you have read the mess of opinions and emotions that is my analysis of the game [translator’s note: the link is in Spanish], you may have noticed that one of the biggest questions never answered was, what’s up with the order of the levels and why is it so confusing? Between 2016 and 2017, there were some leaks and statements going around places like Sonic Stadium that confirmed that the game went through numerous changes, not just in the plot, but in the levels as well. Right now I can’t find these old posts (I’m surprised that the fandom didn’t archive them), but it was said that the original idea for Forces, then still called Sonic Wars, was to shine the spotlight even more on the Avatar, or Buddy as it was called; the decision was unanimously rejected by SEGA of America and Europe, forcing SEGA of Japan to order that the game was modified. In fact, I remember that the leak that mentioned this meeting between the SEGA branches was rather bad, with a very tense atmosphere and lots of disagreements.
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This is the closest thing to a confirmation of the scrapped plot that I could find. At least it’s proof that I’m not crazy and that Forces was indeed more focused on the Avatar. Source.
The mess that is the order of the levels, the questionable presence of characters like Classic Sonic, and some of the details of one of the leaked scrapped scripts such as that apparently they considered to reintroduce Mephiles – all of this shapes the network of a mediocre game, created under the premise of “from the creators of Sonic Colors and Sonic Generations” but taking all the wrong parts of those two games, using an engine that has been proven to be less efficient than Unleashed’s and Generations (and I’m not talking about the Hedgehog Engine, which is the graphical engine – I’m talking about the game and physics engine of Lost World), and with short levels and… polarizing bosses, to say the least.
The result is a game that shows a lot of potential, but in practice it doesn’t live up to it at all, be it for its own limitations (being rushed like hell) or for a noticeable lack of attention to details; it didn’t succeed in creating a cohesive and coherent world, with levels that could be worthy of what has been learned in these years. This is the reality of Sonic Forces.
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And yet...
Despite everything I’ve just said, despite all the unacceptable errors that Forces made, and despite all the terribly wasted potential… we still talk about this game.
There are many reasons. On one hand, Forces and Mania have been the latest Sonic games for 3 years now, which is tragic in on itself (Team Sonic Racing disappeared from the face of the Earth); on the other, we still talk about Forces because there is something that still attracts us to it.
It’s not the same attraction we feel for Sonic ‘06, though. Forces is not a complete, almost-franchise-killing disaster like ‘06 was, it’s not a giant meme that spread from the fandom to popular circles and internet figures such as the Game Grumps. People have been trying to fix Forces’ mistakes, but not on the same scale as projects that tries to completely recreate ‘06 with a radically different engine, or fix each and every bug in the original version. Forces is nowhere near as infamous, and so the discussion goes in different directions.
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Episode Shadow is still one of the most entertaining parts of the game, and one of the most important as well, as Shadow himself hadn’t been a playable character since… well, Sonic ‘06.
On one hand, there is a cult surrounding Infinite, one that I personally don’t agree with, and I don’t know if it’s bigger than Mephiles’ 15 years ago, but I do know that it exists and it’s still present. One of the ways Sonic Team tried to “go back to its roots” was to introduce a character like Infinite in a plot that was supposed to be “more serious”. Final results notwithstanding, Infinite managed to win the heart of a sizeable portion of the fandom, which still wishes for his return and development.
On the other hand, there is the Avatar, our personal OC with an impressive customization system, which allows us complete freedom, to the point that we could recreate characters introduced in Sonic IDW like Whisper the Wolf. What at first looked like a questionable idea, nothing more than a source of memes, ended up becoming the smartest idea Forces had, with a gameplay style that, in my opinion, retains a little of the old Adventure spirit, and even had some of the most fun levels in the game. While Classic Sonic ruined one third of the game, and Sonic was somewhat mediocre compared to his past feats, the Avatar’s gameplay style manages to keep its quality throughout the game, despite the fact that the plot keeps revolving around their presence instead of focusing on the other aspects of saving the world, which is... well, a little unfortunate.
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Even I, who I’m not really into Sonic OCs, had a lot of fun recreating some of the characters.
And finally we get to the best part of the entire game: the music.
Even after three years my opinions haven’t changed much. Forces’ music isn’t perfect, it has its low moments (I feel like I’m the only one who doesn’t like Light of Hope) and some disasters (F*ded H*lls lol), but overall it has good intentions and it has some pretty good highlights.
The use of synths, as overdone and criticized as it is, was an honest attempt to follow a trend present in older games, like Sonic Unleashed, where this instrument symbolized Eggman’s influence. An interesting touch that, while wasn’t completely successful, is appreciated.
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I still say that Fighting Onward is one of the best themes of the entire game, and Spaceport as the level benefits from having it.
Then there’s the best part of the entire soundtrack: the return of vocal themes, such as the main theme, the villain theme, and some of the level themes. I cannot explain with enough words how much fans were waiting for this, and it was brilliantly handled by the advertising campaign: a preview of the instrumental version of Fist Bump, a short peek of the Avatar themes, and finally the reveal of some of the major themes. It’s not surprising that it became one of the most appreciated parts by the fans. From the iconic intro of Fading World to the subtle nod to Green Hill in Set In Motion, every theme has something that makes it stand out from the rest of the game.
But even so, the rest of the music in the game has redeemable points as well. Forces in general distances itself from the music styles previously used in the series, especially from the variety of incredible sounds of Unleashed or even Lost World; but from time to time it still recognizably Sonic, like in the half-Megaman, half-Runners Network Terminal, in the extremely epic and underrated Last Judgement, or in the always-mentioned Ghost Town (not the only “good” Classic theme in my opinion, but the first one that comes to mind). Even the remixed Zavok theme sound better in Forces than in its original version.
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A love-hate relationship
At the end of the day, the only thing left I could say is that Forces is still one of the most polarizing games in the series. 3 years aren’t enough to heal some of the wounds left by the 4-year hiatus, plus the disappointment of the time, but at the same time these 3 years kept alive the memory of its best moment, the discussions about the music and the uncountable groups of fans reunited to share OCs like the fandom has always done.
In this anniversary, I thought it would be interesting to revisit a bit the peculiar relationship I have with this game, as we wait for a new hype cycle for the next game. And maybe, just maybe, that will be the moment Forces will fade from our collective memory, at least for a decade, until new fans will look back to the good and bad this game has done. And I hope that, in the future, the situation of the franchise will also be different from what it has been these last years, in a good way of course.
This is all we have left of Forces today, a game that did not manage to capitalize on its opportunities, and a game that shames the legacy of the Unleashed-Colors-Generations era; but also a game that had some genuine, interesting ideas, and a different musical direction, one that (with some exceptions) was what the fans wanted. It’s a polarizing game, it’s a love-hate relationship.
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skyeofloxlay · 3 years
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(WV) Pietro Maximoff x Reader - Help of hidden powers
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I usually criticize myself a lot, so anything that is not perfect (in my opinion) I end up giving up, but this time I wanted to try to break that barrier that often prevents me from writing, so I just let it go. I'm sorry if it sucks. 
Sorry if it has English errors or are confused, let me know if you find something wrong. 
(And I didn't know if that agent's name was Jamie, James, Jimmy, so I left it as Jamie, I'm sorry if I got it wrong ._.)
(y/n) = Your name
(y/f/n) = Your full name
Summary
(Y/n) is a person with superpowers, she has extraordinary powers, but unfortunately she was not born to be a superhero and save humanity, but that doesn’t mean she’s a villain, she just decided to stay out and not use her powers, no matter if it was for good or bad, she just didn't want to get involved. And was she wrong to make that choice? Just because she had powers did she have to use them and be a superhero? 
But this time, she was found by an old friend who needed her help, even if she didn't want it, she has a mission now, stopping Wanda and her sitcom. 
Will she be able to stop Wanda and save people trapped in the sitcom? But what about when she finds her first boyfriend that is supposed to be dead? How to pretend to be a sitcom actress and not let Wanda find out why she is there? Will things work out in the end? 
(I'm not the best at making summaries, I need to improve this)
Word count: 2268
Warnings: I think none? Maybe spoilers?
Wanda has gone too far with her sitcom program, kidnapped an entire city with people to be citizens, took Vision's body and resurrected it in some way, raised her own children and somehow resurrected her brother, in addition to now having increased her barrier, someone has to do something to stop it all.
Through contacts, Monica and Jamie find someone who can help them, someone who has been hiding in the shadows for years, someone who can help end it all.
Jamie and Monica have just arrived at the meeting point, and a 28-year-old woman emerges from the shadows of trees, she was wearing a black tank top and jeans jacket, she was wearing leggings, and she wore blue sneakers with no laces, but what caught attention the most is that she wore a necklace and two bracelets on each wrist, all these accessories seemed simple, made with leather cords and each one had a single stone, each with a different color, she looked nothing more than being someone normal.
- So, are you (y/f/n)? - Jamie asked the woman in front of him, who nodded positively but hesitantly. 
A friend, or if you can call it that, maybe more to old acquaintances? Went to find (y/n) and told about the whole story of what was going on, and that they needed her.
- Are you the agents of the sword? - (y / n) asked the two strangers in front of her.
- Yes, we are. - Monica replied firmly. - I believe that whoever contacted you already told you about the whole situation.
- I think so. Wanda created a world of sitcom, kidnapped a lot of people to be the population of Westview, took the body of the Vision that was in the Sword and resurrected him, also had twin children and now apparently has revived her brother Pietro. 
- Yeah, it seems to me that you really know things. - Jamie exclaimed, impressed by the amount of things that woman knew.
- And how exactly do you expect me to end this? What exactly do you know about me?
- Enough to know that you could easily defeat Thanos if you were a real heroine. - (y / n) looked at the floor, understanding what Monica meant.
- But I guarantee that I'm not a villain, I just don't think I can help people when I can destroy more than save. - (y / n) argued why she shouldn't be a hero when her powers could save thousands, in fact billions of people.
- It is better not to waste any more time on this, Wanda is there and we need you to go in there, talk to her and make her end this. - Monica guided while pointing to them to go to the car that was not far from there.
- I didn't want to say anything, but I've heard of some attempts by Sword, and I think that talking or threatening her won't do any good. - (y / n) said while walking and opening the back door of the car.
- And you have a better idea? - Asked Monica.
- I can't say that I have yet, but if talking to her didn't work before, why would it work now? - After thinking for a few seconds, (y / n) answers the sword agent's question.
- Because you dated Pietro, you were close to Wanda, you must know more about her than we do. - Jamie replied looking back, since he was in the passenger seat, it was okay for him to look.
- Just because I dated Pietro, it doesn't necessarily mean that I was close to Wanda. - (y / n) said in a lower tone, remembering painful things from the past.
The three ended up being silent in the car until they reached the barrier.
- So we're here. - Jamie said pointing to the giant red barrier.
- It seems so. - (y / n) replied looking at the barrier in more detail, how did Wanda have powers for that?
- You already know what to do. - Monica said, and (y / n) nodded, and took a deep breath.
- I think I do. - And so she took a step forward and started to cross the barrier. It was difficult at first, but she managed to cross the barrier without harming herself.
She looked around, and realized she was close to some circus place? And then she looked at herself and realized that she was wearing the same clothes. 
"If I'm right, it’s the 2000s, maybe it’s better to blend in with the style here”
Upon snapping her fingers, her outfit changed to jeans that were wider at the ankles, wore a shod clog on her feet and had a white shirt that was too short and tight for her taste, and her hair had some white and blue highlights .
"It's certainly not my style, but I think I can disguise myself as such."
When walking (with a few stumbles) through the amusement park, she noticed that there were only employees there, that they only did the same things? It's like they're bugged. It was very strange, but for now she had to pursue her goal, to find Wanda. It shouldn't be hard to find, since she would probably have some kind of energy around her.
"Come on (y / n), you can do this, you're just a little rusty."
(y / n) moves her left hand, where her bracelet with the aquamarine stone stayed and presses her index and middle finger on her temple, the stone began to emit a blue glow, focusing on auras, in a short time she could already see a very strong scarlet aura, probably from Wanda. By locating Wanda's aura, she can also see 4 other auras, 2 were very fast, 1 resembled Wanda's, and a different one, an aura that was not of a human, was probably Vision.
Knowing where these 5 auras were, (y / n) with her right hand where the moonstone bracelet was located, she made a portal, which made the stone emit a light that changed faintly between white, blue and yellow, and so she was there, very close to the Maximoff's house, but a place where no one would notice her.
Arriving on the street, she passed some people who acted in a strange way, and when crossing the street, she was at the door of the Maximoff's house, (y / n) could hear voices and screams animated by something.
"Come on (y / n) act like you're really a sitcom actress"
[Meanwhile, on the other side of the barrier…]
Jamie and Monica were on the other side of the barrier, still looking for other ways to break the barrier in case (y / n) failed in her mission. Both were watching the sitcom on a television they had gotten.
- Has she appeared yet? - Monica asked Jamie, who shook his head negatively.
- Not yet. Will she be able to get there?
Monica just responded with a shrug, turning her attention to the television when she heard the doorbell at Wanda's house ring.
- Are we waiting for someone? - Vision asks to no one in particular.
- Well, not that I know of. - Wanda replies, while Pietro and Tommy said "I'll get it!"
And when they open the door, (y / n) appears and in the background you can hear the sounds of shouting and clapping, celebrating her appearance.
- (y / n)? Is it really you?? - Pietro asks incredulously when he sees that woman in front of him.
- Yes, it's me. - (y / n) stutters slightly, but nothing very noticeable, and smiles at the man who answered the door.
Pietro, who seemed to be very excited, runs a few times around the house before hugging (y / n) tightly, which made (y / n) feel emotional and also feel suffocated by the grip of her former boyfriend.
But the moment is spoiled with Vision clearing his throat and asking.
- Sorry to ruin the moment between you, but who exactly are you? - Vision points in the direction of (y / n)
- I am (y / f / n), I am-
- My girlfriend - Pietro replies before the woman can finish and puts one of his arms around her waist.
- I mean, I was Pietro's girlfriend. - (y / n) feels embarrassed by the display of affection in front of other people, and gently removes Pietro's arm.
- Cool! - Billy and Tommy say, and start asking several questions to the woman who had unexpectedly shown up at their home. "Where are you from?" "How old are you?" "How did you meet Uncle Pietro?" "Why aren't you his girlfriend anymore?"
- Boys, please don't ask so many questions. - Vision scolds the boys, and takes them inside, leaving Wanda alone with Pietro e (y / n).
Wanda, who until that moment looked like "What's going on here?" finally decides to say something.
- What are you doing here?
- Well, it's a long story, but… after I finished my studies at college, a colleague of mine had said that she knew where Pietro currently lives, and I thought about visiting, because… I missed him.
(y / n) explains, hoping to have been convincing enough, and trying to use her powers to be able to manipulate Pietro and Wanda's mind, so that what she had said would make sense in their memories.
- I don't remember that you went to study- Wanda started to question, but her question was cut by Pietro.
- Did you miss me?
- More than you can imagine. - In the background there are sounds from the audience saying "Awww"
The two look at each other and approach to kiss, but are interrupted by Billy and Tommy who say "Ewww, they are going to kiss", which makes the audience laugh, and makes Pietro and (y / n) ashamed.
The events go on, (y / n) is invited to enter the house, she exchanges looks with Pietro, Billy and Tommy are chattering, Wanda and Vision are confused with what is happening, until Billy asks if (y / n) could go to the amusement park together with them, Pietro says "Of course," Vision said "For me, it's okay" and Wanda was apprehensive, but in the end she said it was okay.
When it gets dark, there they are in the amusement park, the children together with the bigger child Pietro were very excited, mainly to win in the games that were there.
Pietro obviously won several because of his powers, so he gave several stuffed animals to (y / n) who absolutely loved stuffed animals, but was a little lost with all the rush. Of course, Pietro also took a lot of cotton candy, and shared some with his nephews.
- Billy and Tommy, could you go with your mom and dad and leave me and (y / n) alone for a few minutes? - Pietro asked his nephews, and they stated, disappearing quickly using Tommy's powers.
- So, I- The two spoke at the same time, and ended up laughing at the coincidence.
- You can talk first. - (y / n) smiled after giving Pietro permission to speak, who smiled in response.
- So, I was thinking, I know it's been a long time since we dated, but I still love you very much, and I wonder if you'd like to date me again, if you want to.
(y / n) froze for a brief moment, and looked away before answering.
- Pietro, I- Before she could answer, Pietro runs to who knows where, and when he comes back, he is wearing a suit and has a bouquet of red roses in his hands, he knelt and smiled, besides saying a " please ", (y / n) took the bouquet and said.
- Pietro, I ... I'm just afraid that everything will happen like the last time. - She looked away with tears from him for a few seconds and when she saw Pietro again, she saw him full of gunshot wounds and lifeless eyes, which only made the urge to cry increase, she looked away and could no longer avoid the tears to fall.
- It won't happen, I promise. - Pietro approaches (y / n), placing one hand on her waist and the other on her face, wiping tears from her face. Pietro approaches his face to (y / n), about to kiss her, but she interrupts him before he can do.
- I think it's still a little early for that. - (y / n) puts her free hand on Pietro's chest, it was possible to see that he seemed to be disappointed, but he somehow understood what she meant by that.
- Does that mean that…
- No, no, I mean ... I want to date you, Pietro, I just think it's better not to rush things, you know? - Pietro smiled and stated shaking his head. (y / n) separated a little from Pietro and looked at the big circus tent. - I think we better get in before we miss the show.
- Well, that's no problem. - He smiled widely and in seconds Pietro and (y / n) were in the tent, sitting next to Wanda, Vision, Tommy and Billy.
The show went on, until it was time for everyone to return home, and Pietro insisted that (y / n) go along with them, she said she didn't want to disturb them, but said she would be back the next day.
When she leaves, the credits show up, and Jamie and Monica don't know what would happen to (y / n), well at least until the next episode starts.
(y / n) actually didn’t know exactly where she could stay, so she just went to a distant part of the city with her powers to create portals, and where had nothing, she created a small house, but enough to be able to spend the night , but unfortunately for her, she couldn't sleep, because she kept thinking about the past, her powers, in Pietro, how it all started.
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rethesun · 3 years
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Is there a name for middle lane larries?
Topic: An opinion on larry
I think there is substantial compelling evidence, but I'm not 100% convinced that there is still something but it’s possible there is we just don’t see.
If someone calls me a larrie, it's not insulting at all, but if someone were to call me an anti i’d be sad, honestly. Below I say many things that make it seem like I negatively judge hardcore larries, but I don't. I find it extraordinary that people can be so brave and sure of themselves, and I wish I could be too. I tend to get along with larries, while I mostly avoid antis unless they manage to be respectful, which is unfortunately quite rare. 
I think it's practically effortless to get toxic when trying to prove or disprove things. I think it's dehumanizing and feels stressful to me as a fan. Therefore I can only imagine the difficulty and what it takes for people in a position of fame to get to a place of inner strength and resilience where the millions of opinions of the world don't affect them as much. It's sometimes hard to judge/differentiate what is and isn't disrespectful, and it hurts terribly to know I'm crossing boundaries. So I'm putting my opinion together in hopes it isn't as counterproductive or pointless as it feels.
I'm not at all trying to convince anyone of a narrative to sway people to believe or not believe. What and how much you know and where you "stand" is down to you. 
Do I believe in larry? 
First and foremost, being a fan of someone means supporting that person without expecting anything from them. It means any fan theory isn't crucial. What’s important is just supporting them as is, as an individual. It means caring about how the person may feel about things more than caring about how I feel about things that aren't my business in the first place. 
That said, here is my not long-awaited opinion.
I think there is substantial compelling evidence, but I'm not 100% convinced that there is still something but it’s possible there is we just don’t see. I will not disregard what Harry and Louis said back in the day and pretend they had nothing when at the very least, Harry said it on video directly twice. Yes, he was a kid, but people will decide Harry is with a skinny blonde woman older than him for much less, so I don't take what he said as a platonic joke. However, I try to be as realistic as possible. As an outsider, it's not easy for my brain to conclude on most things. However, this doesn't mean I disregard how bad the industry can be. One big reason is that I don't know any of these people personally, and I want to believe in the best in others. Even though I understand controlling narratives in the industry happens and happened to 1D. I don't know to what extent. It's hard for me to judge that any or all of Harry's "relationships" are fake, and thus, he's had a few "stunt" songs for those relationships, etc. It’s plausible that he wrote female pronouns on a song or a few and the song refers to a man/men but that's far from saying this is a stunt song which would imply an entire fake relationship which is too far for me to say wasn't real as I am just an outsider. 
Whether people say it's the fans who say it or the boys behavior, the statement, 'larries ruined their friendship,' is sometimes interpreted as centered around homophobia. I do not see it this way.
However, whether there was or is a relationship, it's entirely reasonable to consider, the circumstances as a whole hurt them and likely the rest of the band in multiple ways that made things really hard. I do not think fans ruined the band or their connections with each other. I think being overworked with little freedom or breaks to discover/express independence were just a few reasons why.
Why I think larry appeared to become distanced to the public eye: 1. Understandably, putting blame on the heteronormative gender restrictive times we were in and still are in. 2. How some fans react to Larry's interactions due to reason number one. Otherwise, all the 1D members, their families, and friends have been honest. That would mean there isn't an elaborate conspiracy; they are just tired of people messing with who they care about and want to live without the harassment. Regardless of whether some fan theories are accurate or not, people in the spotlight and their families deserve peace of mind. They don't deserve to be dehumanized. I wish some fans would understand how wrong it is to swarm people or ask strangers to confirm any personal things. Not only because it's rude and invasive but because of mental health. If that's confusing, imagine if it were you in their position.
I used Zayn's interview because he shared it eloquently while the other mentions that ‘Larry isn't real’ were mostly screen captures of constituents replying impatiently to larry comments on social media saying the Larry thing is delusion and not what real fans do.  Zayn in this 2015 fader interview. "There's no secret relationships going on with any of the band members," he explains. "It's not funny, and it still continues to be quite hard for them. They won't naturally go put their arm around each other because they're conscious of this thing that's going on, which is not even true. They won't do the natural behavior." He goes on to add to the statement, "But it's just the way the fans are. They're so passionate, and once they get their head around an idea, that's the way it is regardless of anything. If it wasn't for the passionate, like almost obsession, then we wouldn't have the success that we have." Before the subject changes, Zayn said that fans would find a way to water down what he said and make any excuses, e.g., that he couldn't speak the truth.
I can't speak for anyone but myself. (I’m a queer cis female) I don't think I would want to 'get dragged through a round of 'coming out' press. Why should sexuality be treated as an oddity by the median, and why should queer people have to subject themselves to that treatment?' The amount of coming out stories and things that could follow a person, or the people around, in the aftermath, would be atrocious. People, personally and professionally, may treat you differently after. The queer stereotypes would be exhausting. Also, it's not always as safe sometimes to be out. Whether there was/is a relationship at all between 1D members. “Being open to everyone isn't easy. Now imagine yourself no less human than right now, but add millions of eyes on you. It's insensitive to assume about someone when they could be doing their best/what is comfortable—please let's stop invalidating what we don't understand.”
Zayn's career connects to Hollywood, and he’s in the spotlight so it's not easy to suddenly believe everything I hear and see is the truth just because someone like him said it. However, at the same time, it's rather discomforting for me to disregard and look into everything people like Zayn or his constituents say. I want to believe the best in people and sympathize and “back him up” in a sense. It's also way to hard to believe all things other fans say because we are passionate and obsessed, so there is confirmation bias. 
Do I concretely believe anything? 
Yes, but those things don't directly confirm or deny anything especially Larry.
I believe the boys were responsible for RBB & SBB.
I have some reason to believe the song Carolina could be about experimentation with drugs since Johnny Cash's Cocaine-Carolina song is plausibly similar. Also, it's not uncommon if you're wealthy or famous to experiment with drugs, including harmful drugs; the environment can make it more accessible and normalized. I don't condone drug abuse; I hope Harry is wise enough not to make it a reoccurring thing. I want him naturally happy and healthy, but it's not my life, and I don't know him to have any right in making that call. I trust from Harry's character and what he said in his Zane Lowe interview that he knows better. However, the song Carolina might be about Townes or maybe it's both, I have no clue. 
I believe SOTT is about "fundamentals" like Harry said it is, not just from the perspective of 'a mother telling the child to go forth and conquer.' I notice some people readily look over the childbirth story, saying 'it makes no sense,' but it can easily coincide with fundamentals, "Equal rights for everyone, all races sexes, everything." Check out this in depth lyric analysis?
I think most of us know and support that Harry is a proud member of the community. If he wasn’t he’d just say that. 
I think maybe COAC and SOTT may have been collaborative. There are multiple writers on both songs and if it’s possible to have a ghost writer then I say it's plausible they chose to write them similarly. 
I think Louis possibly queer codes. Straight people don’t queer code so you might think it’s queer baiting but I don’t think someone sick of gay rumors would go that route. Either that, or he's a passionate and sympathetic ally.
However, Louis is still "with" E. From a perspective of committed fans, it doesn't look like a sincere relationship. As an outsider, again, it feels far too presumptuous for me to have a B&W opinion.
It seems that adults with somewhat official platforms let rumors run rampant, and not many grown adults of the time seemed to correct or silence it. I should have said this early and cannot stress this enough, ANYONE who is not the Louis Tomlinson or in his family tree is in no way an official source. If they're acting like they know things (not just reporting on what's happening), they were/are either trolling or want people to freak out for clout. Being led astray by people looking to capitalize on fans is always a danger. It's insensitive, inappropriate, and unprofessional, but it happened. I am surprised by that and that 1D's management didn't try to protect Louis and his image more. I’m not an insider able to judge him negatively or to overanalyze the situation. So I won't assume he's not a dad, and I hope he's doing well.
(About the above paragraph about Louis this is an update after the original post I made to say I don't have a further developed opinion because I never looked into it and don't know if I will so don't hold that against me please I just personally don't feel like it’s a thing I need to do and I know larries don’t appreciate when non-larries make comments on things without thoroughly looking into things so you won’t see a further opinion from me or judgment unless I do actual research)
In conclusion, and to reiterate, I feel like there is some truth to some things. Again, it feels disrespectful or too presumptuous for me to have many opinions, especially of the negative kind, as an outsider. I don't know any of these people personally, and I want to believe in the best in others. I am not harshly judging things because I don't have a complete story or the right to. However, this doesn't mean I disregard how bad the industry can be to people in multiple ways.
As fans, we can do much better. It's not unreasonable to wish people didn't constantly objectify/sexualize people with fame and didn't harass them/their families about fan theories. Also, always wanting something from these people and expecting them to fulfill god-like expectations as if they don't go through the same human experience and aren't completely flawed like the rest of us, or stalking them—something sick and a behavior that's saddening and disgusting. Real fans just leave them be to live their lives. Please call out stalking and discourage it if you notice it. Overall, I think we can all be a bit more respectful and understanding or try to make an effort. I'm not a superfan, but I'd like to be genuine and not a reason why these people dislike being in the spotlight. I feel like that means being as grounded, realistic, and sensitive about how these people may feel about things more than caring about how I feel about things that aren't my business in the first place. It ultimately means any fan theory isn't crucial. What’s important is just supporting them as is, as individual.
[#’s are for exposure and may not correlate]
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trombonesinspace · 4 years
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Typhoid Mary: feminist femme fatale?
“Season 4 was going to be Typhoid Mary, Alice Eve [who played the role in Iron Fist], we were doing a kind of...I had a much different version of her than what Raven [Metzner] had done in Iron Fist. I was kind of rebooting what she was going to be like, and we were going to do a, you know, kind of a warped love story/murder mystery kind of femme fatale, but kind of a modern-day, feminist version of it, as opposed to kind of the older, sexist kind of femme fatale archetype.”
-Erik Oleson, in conversation with Steven DeKnight, SaveDaredevilCon 
As I said yesterday, I have some thoughts about this! If you want some opinions nobody asked for, about a storyline that may never come to pass, you’ve come to the right place! Let’s dive in.
A femme fatale is a character type with quite a history, that can take various forms. She is always an attractive woman who brings ruin to the man who gets involved with her. But sometimes she is deliberately manipulative, while sometimes she is more a victim of circumstances. She may be evil, or she may be sympathetic/tragic. But whatever her moral alignment, she has two defining traits: sexual allure, and some form of negative consequences for the hero as a result of his involvement with her.
A woman who schemes against the hero, and succeeds in harming him, but without using feminine wiles? Not a femme fatale. The Marvel TV universe has featured several examples on different shows: Madame Gao, Mariah Dillard, Alexandra. And, ironically, the version of Typhoid Mary who appeared in Iron Fist. (We’ll get there.)
A sexy woman who tries to manipulate/damage the hero, but fails? Also not a femme fatale. I wish I could give some examples, but sadly I can’t think of any, in dramas at least. Our current media culture loves a sexy manipulator, no writer ever seems to introduce one into a dramatic story without making her succeed in her schemes, to some extent at least.
Which is unfortunate, from my perspective, because I loathe sexy manipulators. It’s a character type I really dislike, whenever I encounter her. As soon as she shows up, I know the hero is going to fall for her bullshit like a chump, and I’m going to end up respecting him less as a result. I could try to unpack my feelings about this a bit more, but that would probably make a post all on its own, so for now I’ll leave it at that.
This doesn’t mean I hate all femmes fatales—it really depends on her motivation and her behavior. If she isn’t trying to harm the hero, and it happens due to circumstances, then I might like the character, but the story becomes a tragedy. Which is not necessarily bad. Just, you know. Tragic.
Anyway! Let’s talk about Typhoid Mary.
Mary Walker is a woman with Dissociative Identity Disorder (multiple personalities), and high-level combat skills. In the comics, she is also a mutant with mental powers. She appeared in the Daredevil comics starting in 1988.
In this original version, her personality fragmented due to childhood abuse, leading her to vow as an adult that no man would ever hurt her again. Her personalities are: Mary, who is timid and gentle; Typhoid, who is adventurous, lusty, and violent; and Bloody Mary, who is even more violent, sadistic, and hates all men.
Mary becomes romantically involved with Matt Murdock, who is cheating on his girlfriend, Karen Page, to be with her. At the same time, Typhoid is trying to ruin him, having been hired to do so by the Kingpin. Matt can’t tell they’re the same woman, because when she switches personalities all her bio signs change (voice, scent, heartbeat, etc) so much that he can’t recognize her. (Uh, sure.) She may also be using some of her mutant powers to confuse his senses. I haven’t read the comics, I’m relying here on what I could learn from the internet.
Eventually Typhoid drops him off a bridge, but then Mary finds him and gets him to a hospital, saving him. Karen is with him when he wakes up, but he breaks her heart by calling out for Mary.
This storyline...does not thrill me. As I said, I haven’t read it, but comics writing about mental illness is generally neither nuanced nor accurate, and comics writing about women circa 1988 is also not great, by today’s standards. And comics Matt’s disastrous love life is legendary—cheating on your girlfriend is bad, Matt! Don’t do it! 
I have, however, watched season 2 of Iron Fist, where we get a different version. This Mary Walker is a US army veteran, special ops, who was captured by the Sokovian military. Her personality fragmented due to the brutal abuse she received from her captors for nearly two years, until she finally escaped. She got a medical discharge from the army after being diagnosed with Dissociative Identity Disorder.
Her personalities are: Mary, who is innocent and naive; and Walker, who is a ruthless, coolly efficient mercenary-for-hire. The existence of a third, ultraviolent personality, previously unknown to either Mary or Walker, is revealed near the end of the season. 
Mary meets and befriends Danny Rand, while Walker is hired by his enemies to stalk him, and eventually capture him so they can steal his Iron Fist powers from him. She later changes sides, getting hired to bring down Davos, the season’s main villain, by Joy Meachum, his former ally.
There are clear parallels to the Daredevil comics storyline, albeit in less extreme form—Mary befriends the hero, but isn’t romantically involved with him; her more violent personality works against him and fights him, but doesn’t try to destroy him. 
I enjoyed this version of the character more than I expected to, for a couple of reasons. For one, she is never the out of control, “crazy” stereotype of a person with mental illness. Both Mary and Walker are more-or-less functional adults, managing to live a strange hybrid life, aware of each other’s existence even though they don’t share memories.
But what I especially like is that she isn’t sexualized, at all. It’s incredibly rare, in my experience, to see a young, female antagonist opposing a male hero, and not have her be sexy. Older women are exempt from this obligation (see my list of examples above), but the young ones always vamp it up, and I am so tired of it. I am not opposed to sexy women, but I am very opposed to the requirement that all women must be sexy. (Unless they’re old.) Male antagonists aren’t required to be alluring, so why should women be? (Yes, I know why. I just don’t like it.)
There’s also a lot of potential YIKES in sexualizing a woman with a severe mental illness, which was caused by (among other things) repeated sexual violence. Could it be done in a way that isn’t super problematic? It’s possible, sure. Am I assuming that most television writers would give the subject the respect it deserves? NOPE! 
I’m really glad they chose to just not go there. Walker is extremely good at what she does, takes no shit from anyone, and (almost) never gets riled up. After everything she’s been through, nothing in her present life has the power to faze her, and none of the men around her have the power to intimidate her. It’s pretty great!
She isn’t the least bit coy or seductive, and, equally refreshing, none of the men try to sexualize her or hit on her. Everyone Walker talks to knows she is a highly skilled professional, and they treat her accordingly. Or, when someone does disrespect her, it’s never gendered as far as I can remember, and it stops as soon as she calmly states what she’s going to do to him if it doesn’t.
As for Mary, although she has a more feminine appearance than Walker (hair down and loose, makeup), she is also not sexualized. Her friendship with Danny, who is in an established relationship with Colleen Wing, is platonic, and no one else tries to hit on her that I remember.
So this is the version of Typhoid Mary that Erik Oleson was going to reboot, into a femme fatale. Only, you know. A feminist one. 
I...have some questions. What does that even mean? What does feminism mean to Erik Oleson? Let’s be real, the idea of a woman becoming an ultraviolent, sadistic man-hater as a result of sexual trauma would have been seen as feminist in some circles, back in 1988 when that version was written. So what, exactly, did he have in mind?
As I said before, sexual allure is a necessary component of a femme fatale. So she was definitely gonna be sexy. And you know now how I feel about sexy female antagonists. As for the “warped love story” part...Matt wouldn’t be cheating on Karen, since they aren’t together (please, for the love of mercy, don’t have them get together right before he meets Mary, we did that once and I do NOT want to see it again), but I am still not a fan of Matt/Mary as a couple.
Her Dissociative Identity Disorder raises some serious issues around consent, and even if the show chose to ignore that, there’s still the issue of past sexual trauma. Unless Oleson’s reworking of the character was going to include a completely different back story, a Matt/Mary relationship would mean Matt unknowingly having sex with a woman who has suffered brutal sexual abuse in her past. Not to mention, having sex with her that only one part of her personality actually wants.
Is it possible for someone with Mary’s past trauma and present mental illness to have a positive sexual relationship? In reality, of course! In the hands of writers with only a layman’s knowledge of psychology, on a show that loves to torment its hero, I wouldn’t bet on it. How do you suppose our poster boy for Catholic guilt would react when he inevitably finds out the truth?
Plus, aside from any issues around Mary herself, Matt starting a relationship with anyone other than the handful of people who already know his secret identity, means a whole new round of Matt lying to someone he cares about. Does anyone really want to see that? I know I don’t. Sure, maybe he’d tell her eventually, but how long would they have to date before he decided to trust her with the truth?
I’m not opposed to the Mary Walker from Iron Fist appearing in Daredevil, if the writers could come up with a new story for her (i.e, don’t just have her repeat all the same plot beats with Matt that she already did with Danny). But bringing her in as a femme fatale really doesn’t sit well with me. We’ve already seen Matt in an ultimately destructive relationship with a sexy, violent, morally grey woman. I really don’t want to watch Round 2: now with multiple personalities!
Of course, maybe we never will. The quote at the beginning of this post is from just a couple of weeks ago (July 25 2020), so Erik Oleson still seems to think it’s a fine idea. But obviously we don’t know yet if there will ever be a season 4, or who the show runner will be if there is. He may never get to make the story he was planning.
So yes, I realize I’m merely speculating about a completely theoretical story that may never happen. But I wanted to write this anyway. I had a strong “ugh, no” reaction to the idea of a feminist femme fatale Typhoid Mary, and I wanted to go deeper and pick apart my reasons for not liking the idea.
To the three of you who have read this all the way through to the end (this post is nearly 2000 words, yikes), thank you for indulging me! These are, as always, my own opinions, and YMMV. 
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silver-kitsuneneko · 4 years
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Writing 101: How to Deal/ Accept Criticism
Well, this one has been a long time coming but I decided to add more to this post from the one I wrote some years back. I’m a little older and wiser and had learned how to be a little more thick skinned when it comes to this. And sadly no matter what you do even if you post something online or where people just have to voice their opinions on something, criticism is a part of life. But there are two types of criticism and recognizing which one is good and which isn’t can be a little hard. Today I’m going to try and give some helpful advice to just starting out writers and artists.
Rule One: Never assume that everyone is going to be sweet and kind. It’s a sad truth, especially with the age of technology, that it’s a given that people can be complete assholes online for no reason other than they can. This has started to spill out over time in real life because many people want to be edgy or cool or have that “no filters” persona about themselves. Is it right? No. Does it happen? Sadly yes. But for this critic, your best bet is to not feed into their “I’m so edgy asshole I’m not going to sugarcoat anything for you” behavior. You don’t have to take it and 9/10 they most likely just want that negative reaction out of you. Advice is to just ignore if you’re online by blocking if need be. In person, the same things happens but also try to play dumb and comeback in a way where they’re confused or otherwise upset that you’re not playing into their hands.
Rule Two: Know the Difference between Constructive Criticism and Destructive Criticism. Constructive Criticism is criticism that aims to help out the writer or artist. This could mean helping with syntax, grammar points, wonky language, missing words or even helping with world placement. Most writers LOVE this type of help because we’re so focused in getting the story out, we sometimes forget things and always appreciate the help.
An example of Constructive Criticism would be: “Hey, love your story but I think you meant to put pitcher instead of picture.” Or “Ummm I’m a little confused, there’s a lot of character talking but you’re not specifying who is who. Can you fix it? It’s a little confusing. Thanks in advance!”
Destructive Criticism is the exact opposite. Destructive doesn’t help the writer; it just nitpicks and just saying something negative just for the sake of it. This is to really just mess with the writer to get under their skin and pretty much just to get a reaction.
An example of Destructive Criticism would be: “Ugh I hate this story, it’s SOOO Cringe!” or “I stopped reading this story because I don’t like the pairing! Can’t believe you wrote them together! Change it to this pairing! Better yet I’m going tp copy and paste and put them together!”
Please don’t be Destructive. Just don’t.
Rule Three: Don’t Feed the Trolls. Seriously. I can’t stress this enough. Please do not feed into rude commentor or critics. All they want is a negative reaction from you. That’s it. They have something to prove and just want to pick a fight. Why? Mainly because of jealousy, because they have no talent so they want to pick on someone just to make them feel as miserable as they do. Also many just want to stir up trouble because of boredom. Sometimes and it’s usually rare, they’re really trying to help but lack the social skills of “I can’t be blunt to someone who doesn’t know me”. The best advice is to delete their comment, block, and ignore. No matter what you do, this way is just the easiest way. The moment you engage you lose and they got what they want. I know this may sound a bit childish. Like “you’re telling writer to block people when they don’t want to be criticized. This is the internet, if you don’t want to be criticized don’t post anything!” Well it’s a two way street. You as the writer have the right to not allow negativity on your page just like someone has the right to critique whether you want to or not. Sometimes it’s just better to ignore and block. I decided to fight back and unfortunately the person was mentally unhinged to a terrifying degree and for three long years I had to deal with an on and off cyberstalker and bully. It only ended when I had to get the FBI involved after she posted a death threat. Because I told her to leave me alone and came back with something else and I decided to retaliate, she blamed every last one of her problems on me. Thankfully she was also very stupid and posted her real name and location and it was easy to file a report. So yeah, it’s better to be safe than sorry about these types of things.
Rule Four: If someone asks to Correct and Critique your work, hear them out. As writers, we need an extra set of eyes in most things. Having someone who wants to do that for you is a great and valuable tool. Don’t forget to thank them for it.  It’s also a great honor that someone loves your work just as much as you do and wants to make it better. It’s a win-win for everyone.
Rule Five: If you don’t want to critique, be honest with the person who wants to do it. Sometimes you’re just not emotionally ready for a critique. You had a bad day at work, school, life, you’re just not feeling up to it, you had an awesome day and you just don’t want the vibe to be ruined, and that’s perfectly fine! In a perfect world, a critic would ask before tearing down your latest chapter but sadly this isn’t the case. So if someone decides to write something in the comments, just ignore it until you’re ready to see it. Then ask that person privately and politely to privately message you in the future. Remember this is by your own terms. If they can’t accept that, then that’s them.
Rule Six: If you really don’t want critiques, turn off comments. Once again, there’s no shame in that, especially if you’re thin skinned or just don’t care about feedback in general. It can come off as rude or standoffish but once again, you have the right to do so. A lot of people can’t take criticism even constructive and would rather just have it where they can write and post without anyone badgering them. This tactic is also used by those who write controversial things or “attention seeking” pieces just to rile up a group of people and with comments off, all the can do is stew.
Rule Seven: there will always be someone to complain about something. No matter how hard you work on your story or how much you poured your heart into it, there will ALWAYS be someone to kill your vibe. But you can’t let that one person ruin your day or make you doubt yourself. Because if it’s just one, over thousands, then you must be doing something right. One bad review or criticism can ruin an otherwise good week or day. Don’t dwell on it, learn from it. If it’s constructive, learn from it and be glad someone cares about your story enough to make it better. If it’s destructive ignore it, delete it, and forget about it that’s it. Always look at the positives over the negatives.
There that’s all the advice I can really give without it becoming too preachy. This is just some advice I know many should hear. Readers, always remember writers are people too. They have their good days, bad days off days and some days they just need some affirmation that what they’re doing is worth it. Yes a bad review can make us feel horrible because many of us still have doubts about our writing and that review is like a stab of reality that maybe we’re not that good and everyone is “humoring” us. But you shouldn’t have to feel that way about yourself but if someone is genuinely offering help, take it. It’ll help you in the long run and make your other readers able to understand your vision better.
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et-lesailes · 5 years
Text
controversy
pairing: chris evans x reader
themes: light angst
word count: 1670
summary: dating chris evans while being a celebrity yourself, you are strongly encouraged to make choices that will benefit your public image. when chris’ latest movie tanks with the critics, your manager insists that one of these choices be breaking up with him.
taglist: @viarogers, @evanstush, @chibi-crazy, @chalamet-evans, @world-of-losers,@songforhema  @sebabestianstan101 @tanyam93 @b-val1@wonderwinchester@little-miss-exo​ @poerebel @bitchbabes-world @gogomez-509
note: requested by @immajustreadwritereblog // thank you for waiting, love! i actually really liked this request because i have a lot of strong feelings and opinions on the rsdr drama and so i had a lot of muse writing this. also, to anyone reading this- if you’re like me and hate sad endings (yes i’m a hypocrite for hating them yet writing one anyways ok i know), let me know if you’d like to see a part 2 ;)
** please send an ask if you would like to be added to my taglist of any chris evans related fics!
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You sighed as your eyes skimmed what felt like the thirtieth article you were receiving via text that day, too tired and upset to properly read it. Your manager was spamming you with messages, insisting you call her, but you did not have the strength. You knew everything she was going to tell you; you had been in the business long enough to know how it all worked. It was no secret that the Hollywood life was twisted underneath all of the extravagant parties, lavish mansions and penthouse homes, and exotic vacations. You and your boyfriend weren’t very caught up in that life, anyways-- the two of you were much more simple, enjoying your time in your apartment with his dog, Dodger, and taking trips to visit his family in Boston-- nothing grandiose. Unfortunately, that did not mean you could avoid the gossip, scandal, and pressure that came from being a celebrity.
“Break up with him. You can get back together with him later, when this all blows over, but you can’t afford bad publicity right now. Not with your new movie coming up.”
You’ve read the message from your manager over and over again, feeling disgusted for several reasons. Not just from her suggestion, but because of the fact that this is the life you’re associated with. You chose this life, you chose to deal with these consequences.
You closed your eyes for a few seconds before finally looking at the article more properly. “Netflix’s Red Sea Diving Resort gives Chris Evans a white savior complex,” the title blared, making your eyebrows furrow in annoyance. However, the current problem in your relationship was not because of your image potentially getting ruined due to being in a relationship with the man now surrounded by controversy.
The current problem was that ever since the movie and its negative reviews, Chris had been a different person. The man who used to be constantly smiling, joking around, and showering you with love and affection 24/7 was now far more reserved and quiet, his eyes having lost their slightly mischievous twinkle. You completely understood. As an actress, you knew how difficult it was to be passionate about a project only to have it completely tank; it was especially difficult for Chris because of how hard on himself he was. He was selective with the roles he played-- he picked the ones that stood out to him, that meant something to him rather than going for anything that would give him more fame and success. You remembered how intrigued he had been by Red Sea Diving Resort when he had first heard of the idea, you remembered how excited he was to learn of the conflict and culture and how he hoped he could bring more awareness and meaning to it on the screen. You completely understood why he would act differently, and you understood why he might be slightly distracted from your relationship.
But it had been nearly an entire month since the movie was released, and you still felt as though you hadn’t had a proper conversation with your boyfriend in the same amount of time. You were not exactly happy about this; as his girlfriend, you wanted Chris to be able to communicate with you, to be able to let you help him when he was struggling. You were understanding in the beginning, but it was becoming too much now. You did not want to break up with him for the sake of your image, but rather for the sake of your own sanity. You missed having your best friend, but if he was not going to let you be his best friend, then did you have a choice?
One more chance.
You decided you would give him one more chance. Whether you were doing this to be fair or because you couldn’t let go, you didn’t know, but you didn't want to think about it deeper.
He walked into the apartment back from the gym and you looked up, your heart already stinging. In the past, he would have come straight to you, scooping you up roughly in his arms only to playfully bounce you around and tell you something silly along the lines of, “I like using you for lifting much better than weights, baby girl!” But now, he just came over with a mumbled hello, giving you a somewhat distracted kiss on the head before going into the bedroom.
You took a deep breath, forcing yourself to be patient. Coming over to the bedroom, you asked gently, “How was the gym?”
“Hm? Oh, it was good.”
“What’d ya work on today?”
“Oh, just arms and abs. Nothing special.”
“Are you free tonight? Maybe we could go out, get dinner or ice cream or something, it’s been a while…”
“Ah, I really wish I could babe, but I’m kind of tired today. I’m probably going to call it a night pretty early. But you should go out with some friends or something, maybe see if--”
“Are you serious, Chris?”
You finally snapped, nothing but misery and annoyance in your eyes as you looked at him. He blinked, clearly more concerned now as he straightened up from where he had been lounging on the bed. “What, baby?” he asked with a frown, and you scoffed, feeling tears stinging at your eyes simply from all the built up stress and frustration from the past month. “Are you really that oblivious? You’re seriously blind to the fact that we’ve practically been nothing more than roommates these days? When’s the last time you’ve even kissed me and meant it?”
He sighed deeply, running his fingers through his hair. “Look, you know it’s nothing to do with you. I’ve just been feeling a little stressed lately. The media’s really been killing me over here, doll.”
If he had told you this a couple of weeks ago, you would have felt sympathy, but not now. “The media’s been killing you for four weeks now, Chris, and I get it. It sucks. But I’m your girlfriend, you’re allowed to vent to me about this stuff, you’re allowed to tell me how you feel! Do you really think shutting yourself in like this and keeping quiet is going to do anything? You used to be so open with me, does that need to change because of a setback?” You sat down next to him, trying to blink back tears; you hated that you cried when you were angry, it really took away from trying to take charge of the situation. “We’re actors, Chris. This kind of thing happens, you know that. And it’s awful, and it makes us feel crappy, but we’re in it together now. You’ll bounce back from this because you’re an amazing and talented actor and you have fans who know that.” You sniffed as you looked away, talking softly, “You have every right to be upset about the situation. But you had no right to toss me aside in the process.” He seemed heartbroken as he listened to you, which only hurt you even more, but you ignored it as you stood up.
“Did you know my manager’s been nagging me to dump you for the past few weeks? Because of how Red Sea Diving Resort turned out?” You scoffed bitterly as you looked away, crossing your arms over your chest. “I could never, ever break up with you for something so shallow. You mean way more to me than some dumb Rotten Tomatoes review. But this, Chris? Ignoring me, shutting me out, wallowing in your self pity-- I think these things are all pretty good reasons as to why I should listen to my manager and end it.” You knew your words were harsh, but perhaps that was what he needed. A slap in the face, like reality often dealt out.
You looked back to him. He was quiet, there was pain  in his eyes. You waited, but he did not say anything. Making a soft noise of disappointment and disgust, you turned around, going into the closet and grabbing a bag, starting to throw clothes inside. This seemed to stir something within him; he immediately stood up with wide eyes, coming over and taking hold of your shoulders. “Baby, please. No. Fuck, I-- fuck, babe, I’m sorry. I’m so, so fucking sorry. You’re completely right.” He turned you around so that you were facing him, nothing but guilt and sorrow in his blue orbs. “And I should have realized it earlier. I don’t know what got into me baby, I’ve just been so damn worked up over this, everything else slipped away…”
His apology meant a lot, but you still couldn’t help but feel betrayed from all the built up tension. “And what if it’s too late for an apology?” you whispered, looking up at him with tears in your eyes. “What if the damage has been done?”
He looked down at you, his own eyes tearing up as he shook his head. “Please. No. No, baby, don’t leave me, I’m done sulking, I’m done being a fucking baby about this. I didn’t even fucking realize how bad it was, I know that sounds dumb but I was so caught up in all of the Red Sea shit. I know that’s not an excuse, but please, please baby, forgive me..”
You took a deep breath, wiping at your eyes. “I need some time, Chris, you really hurt me over the past month. I’ve made the mistake of giving the wrong people a second chance, and I need to think about if you’re the right person.” You could feel your heart tear apart as you saw a tear roll down his cheek; standing on your tiptoes, you wiped his tears as you kissed his cheek. “I’ll call you, alright? I.. I still love you, Chris. I just need time.”
With that, you took your packed bag and walked out of the apartment, forcing yourself not to look back at the love of your life’s face.
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lightwoodsmagic · 4 years
Note
I’m worried about Liam and his album and I didn’t know where to go but you always seem rational. I feel awful because there’s only a few songs I like and the album isn’t getting good reviews but Liam DESERVES good things, and then everything with ‘both ways’ happened. I’m so sad for him, but do you think he’ll be okay? I don’t want him to be cancelled, but the song was such a bad choice? His image in the eyes of the public seems ruined. Please tell me what you think :(
Hi anon, 
Thank you for thinking of me, and for thinking that I’m rational. I know this has been sitting in my inbox for the better part of a day, but in order to be rational and approach this properly, I had to take some time to let myself play out all of my emotions. 
I’m here now! And I think I’m ready. This post is long though, so I’ve popped it under the cut. 
Before I start properly, there’s a few things I want to say first. 
- I love Liam, an absolutely ridiculous amount. Liam’s music isn’t the usual genre I would listen to, but I will always support him and his music, and his fashion, and everything else he does. 
- I am incredibly proud of him for finally being able to release his album.
- As anyone who follows me knows, I strongly believe Liam is queer, and closeted, and in a relationship with Zayn. Here’s a masterpost I made about it earlier this year.
- I’m realistic. Some things below may not be what people agree with, or wanna hear, but you asked for my opinion.
Okay. Here we go. I’ve divided it into sections to address your ask properly. I’m also aware that this is pretty late in terms of fandom, and I haven’t been on Tumblr, so people have no doubt said many of the things I’m about to say. 
LP1
First thing: don’t feel bad for only liking a couple of songs on Liam’s new album. Everyone’s music taste is different and it is completely possible to love and support someone even if you don’t absolutely love their music. It does not make you a fake fan, or mean that you love Liam less, or anything like that. Please don’t worry about that. It’s okay not to love the album. Completely okay. 
Also, YES. Liam does deserve good things, always.
You’re right; it hasn’t been getting great reviews, but even though I really enjoyed the album despite my musical preferences, some people are frustrated, and not just reviewers. People are frustrated that a third of it is collabs, that half of it is songs we’ve heard before (that weren’t just released as a lead up to the album), and that Liam seemed to hardly write on it. We’ve known for a while that something’s been up with Liam’s album, especially when last year he said he had a full album ready to go, and then suddenly it was like it was scrapped, and he had to start again. 
We also know that Liam is a brilliant writer; he wrote so much for One Direction. So many people completely disregard this because Liam once said that he was more about the melodies, and Louis more the lyrics. Under no circumstances does that mean he does not, and did not, write great lyrics, or just good songs in general. That kind of thinking is also what leads to a lot of Liam’s erasure from Home, which is something I also touched on in the masterpost I linked above. It’s something that frustrates me a lot, when people forget about his writing ability. It doesn’t help though when he didn’t, or maybe wasn’t allowed to, write more on his own debut album. 
Overall, in terms of his album in general, I’m exceptionally proud that it’s been released, and sad for him that it’s not getting great reviews. Reviews don’t always matter, though! The support for the album from other sources has been really brilliant, and I’m sure he was feeling the love (and still is, despite recent stuff that I’ll touch on now).
Both Ways
No matter how you look at the situation, no matter who you are or what you think of Liam, it is baffling to me that this song went through numerous people to be released, especially knowing that a large part of Liam’s fan base consists of young, queer women from his days in the band. 
It should never have been a surprise that the reception was bad; the people who are upset about it are allowed to be upset, and their feelings are valid. In a world where bisexual and pansexual people are constantly fetishised, it’s a kick in the face for some people. I’m pan, and while personally I wasn’t overly offended by the song, I did cringe at a couple of bits, and I have no right to tell other people how they should or shouldn’t feel. 
To me, there’s a couple of options as to what happened here:
- It was genuinely just a gross misjudgement on everyone’s behalf. People make mistakes. I hate cancel culture. At the moment, if this is the case and they all genuinely didn’t think it would be this bad, I’m not sure if Liam addressing it would be a good thing, or if it’d just make things worse. If he apologises, it’s going to seem disingenuous to a large number of people, but if he doesn’t, it’s like he doesn’t care at all about the people that’ve been hurt. It’s not a good place to be in. 
- It was a purposeful song put into his album by his team to push his narrative. Liam’s in a shit spot at the moment. A very large majority of the media attention leading up to his album used negative promo, like his ‘relationship’ with M*ya and the fight at the bar during Thanksgiving. Aside from very recently, Liam’s team have been a nightmare, and it’s frustrating when people can’t see that he’s in a situation just as bad as some of the other men. Would I be surprised if this explanation is the correct one? Abso-fucking-lutely not. I’ll touch on it a bit more in the next bit though. 
No matter what, the song was not a good decision, and was not going to go down well. Alllll of this leads onto…
How it affects Liam’s image
I’m separating this into three parts to explain it the way I think I need to; the part of the fandom who believes he’s queer and closeted, the part of the fandom who don’t, and the general public.
The part of the fandom that believe Liam is queer and closeted
Liam’s image hasn’t changed here. This whole thing has made this section of the fandom angry, frustrated, and sad. At a time when everyone should be able to just relax and enjoy Liam’s new album, we’re bombarded from all over the internet with people trying to cancel him. Angry because Liam is being absolutely attacked, especially at a time when he’s just spoken about how fragile his mental health is, and because there’s quite a few hypocrites around at the moment. Frustrated because there’s nothing that can really be done at this point, and when it comes to Liam, people never seem to care as much as they should. Sad because we love him so much and he deserves such good things, and people never seem to care enough to recognise that.
It’s also frustrating that people can’t, or refuse to, realise that Liam is just as closeted, has had just as much PR bullshit including at the moment, and suffered through forced interview after forced interview, and been made to say a million things. It’s also important to note that if Harry can have a stunt song, and Louis can have a stunt song, Liam can also have a song (even if not directly stunt related) added to his album to push through his current narrative. They’re different situations, different songs, and different explanations, but they all have the same running cause. Just something to think about. 
The part of the fandom that don’t think that
Fuck me, I never realised how massive a chunk of this fandom there is that does not give a shit about Liam James Payne. Can’t relate, but okay. In terms of his image here, it kinda depends; for some people, they’re not fussed enough to pay attention, but that can mean that they’ll just believe he’s an arsehole here because they can’t be fucked to look into it. People don’t have to be invested in all five of them, of course they don’t, but it might be a big negative here. 
For other people, the ones that seem to hate him for some reason, this adds so much more fuel to the fire. There’s a lot of people currently calling him out for homophobic things he said about Harry, which I’ve spoken about before but can’t find my own damn post but the masterpost I tagged at the start of this mentions it a tiny bit. When this swirled up again recently in the last month or so, which interesting timing, the media ran a TONNE of articles about how Liam had been talking shit about Harry. Harry liked the very next tweet Liam posted, even though it had nothing to do with him or the situation, and Harry wasn’t just on a liking spree. It seemed very much like a ‘hey, don’t worry, we’re all okay, don’t believe this shit’. This section of the fandom is exceptionally unlikely to change their mind about him unfortunately. 
I spoke about this very recently, but the fact that people can’t see Liam’s situation for what it is, and can see the others, is beyond frustrating because the patterns are INCREDIBLY similar, and there’s very similar situations. 
Also, Liam and Louis’ friendship is 100% legit. They’re very close. If there’s anyone out there who loves Louis and thinks he’s closeted, but hates Liam, do you really think Louis would love Liam so much if this was really who he was? Someone who doesn’t care about the community that Louis is obviously so fiercely proud of, and someone who talks legitimate shit about Louis’ partner? Of course he wouldn’t, because Liam is also closeted and stuck in a shit situation and made to say things in interviews to stir up One Direction drama for the media. Speaking of the media though…
The general public
When I woke up this morning and Mar told me about the hashtag that was trending on Twitter, I was instantly so emotional, for a lot of reasons. As I said before, I hate cancel culture in the easy way it exists. People are allowed to make a mistake, or slip up, or make a wrong move; everyone is human. It’s how they respond to it that should change things. 
There’s a couple of problems here, though.
- Liam can’t really respond to it in the way he needs to. Like I said before, I don’t know whether it’d be better or worse for him to talk about it. The only genuine way he could is to come clean about everything, and he can’t fucking very well do that, can he? So the apology will just be a lie, and people probably won’t believe it anyway. 
- People are more willing to forgive someone if it’s one mistake, but Liam’s team have fucked with his image so much that to the general public, it’s not one mistake. We know they’re not real, but if we step back from the fandom and try to look at it through the eyes of someone who knows not very much about him and only knows what the media pushes, it’s a slightly horrifying image. 
When I speak to my friends about Liam, people often think he’s arrogant, conceited, and your standard ‘gym bro’. The GP may remember the times he was made to say homophobic things, and if they don’t remember, they’re reminded in every new article. They see him as the young guy who dated a woman in her mid 30’s and got her pregnant, and who hardly sees his ‘son’ and therefore is a deadbeat ‘dad’. They see him now as the man in his mid 20’s who’s ‘dating’ a teenager, and the articles I’ve seen today all mention her, some mentioning the debate about her age and others trying to say the song is about her even though it was being written about three years ago. They see him as a man who has fights outside bars, and are told it was because of his underage ‘girlfriend’. They see him as an artist who sings about getting wasted, sex, and being rich. 
I know I’m setting a bleak image, anon, and I’m sorry, I am. I don’t believe a single word of the above obviously, and NO ONE should, but it’s the reality of the situation for the GP, and it shouldn’t be pushed to the back as if we should only blame other sections of the fandom for his image, or that this isn’t, realistically, how it looks for Liam right now. 
We know Liam as the kind, sweet, caring, protective, talented, queer man that’s been there for us through his music and his words, who’s been there for the boys the entire time since the band started, who’s suffered through addiction and mental health problems to come out the other side stronger than ever. 
They don’t know that, anon, and I don’t know what Liam will do to come back from this massive of a social media hit. There’s numerous articles slamming him, the hashtag trended for almost a whole day in Australia at least, and for some of the GP, it’s the final thing in a long list of bullshit that Liam’s supposedly done. Each article mentions all of the above things again too, and Apple Music even mentions Ch*yl and B*ar directly by name. 
I’m hoping for his sake that in a few days, this will all blow over, and it’ll be handled the way it needs to be handled. The problem is that I don’t know what the right way to handle it is. 
I think he’ll be okay. I believe he’ll be okay, I do, but I think in terms of the GP, he has a way to go. I want the very best for Liam, always, and I will always continue to love and support him. Everyone else should too, because right now, he needs it from us more than ever.
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neveroutoftime · 4 years
Text
Dear Fowldom
First of all, I want to say I understand all of the disappointment with Disney over the Artemis Fowl movie. It happens time and time again with movie adaptations, the worst one for me being Percy Jackson and the Lighting Thief. (Which wasn't Disney though) This isn't about PJO however, this is about Artemis Fowl. I'm not saying that it's wrong to be upset or to want a true-to-book movie. Hell, I would love that myself. What I do want to say is that I am slightly disappointed over all of the negativity that I am seeing. I've been doing all I can to stay positive about this whole situation and I want others to understand why. 
First of all, it is an adaptation, and no adaptation is going to be perfect. Sure it could be better, but someone is always going to find something at fault. In the case of Artemis Fowl, they're working with an almost 20 year old book and they had to modernize some of it, because in today's world a lot of the revolutionary technology in the books already exists in reality in some shape or form. As for the genderswaps, yes it's upsetting, but it is also a way to bring power to more women in a story where we had only a handful. They haven't taken that power away from any of those characters, but rather extended that to more characters. Disney is appealing to crowds of people who may not have read the books, who in this day and age, would love to see more women in important positions. 
It is also important to note that, as far as we know, Eoin Colfer was asked and approved changes to the story. Our world is very different in 2020 compared to 2001 when the book was released. Is it really that far fetched to believe that the advanced race of the People would not have tried to be more open-minded? In my opinion, it's not. Yes it has changed one of the main plot points from the book, but for the better. Girls need more empowered ladies to look up to.
Now, the most recent upset has come not from the character changes, but from the release of the full length trailer. When I first watched the trailer, I was upset initially, wondering why they would change such major and key elements in a book that was already spectacular as it was. Why make Artemis more like a normal child? Why change the dynamic with his father? Why are Holly and Artemis seemingly friends, when they are supposed to be enemies until half way through the series? 
I don't have answers to all of these questions, but those may come with the release of the film. A lot of it does go towards the public appeal, many people have never read Artemis Fowl or might not have even heard of it. It's rated PG for one thing. It's a family movie. Disney wants to maintain that. Take the troll for instance, if it was depicted exactly how it was in the book, the rating would likely need to be higher as the sight of a fully grown troll as per the Artemis Fowl book would be outright terrifying. Not really family friendly there folks. 
Overall, I believe it is best to think of this movie as an alternate universe. Why not? It’s not strictly following every plot point of the book, though, if you look closely, a lot are still there, but with new elements thrown in. Personally, I love a good alternate universe… what if it were to have happened this way? Afterall, for those who have finished all of the books, it was stated in the Last Guardian that in his youth, Artemis Sr. had managed to catch and hogtie a dwarf that had made its way to the Fowl Estate due to the magical energy that was so prevalent there. So… what if Artemis Fowl Sr. had never been mind wiped as a younger lad? Then these events in the movie could very well have happened.
It's Disney’s take on an amazing universe and they went with it and made it into something new, which doesn’t always mean bad. We can't make a decision on if this movie is bad until we actually see it. The trailer was out of context and out of order, showing us action-packed and backstory heavy points in hopes to hook audiences to want to see the movie. Yes it upset fans, but putting the book aside, the trailer is not bad. The world of Artemis Fowl looks absolutely stunning. Haven City looks almost as I imagined it. Guys. I want to go there. I’m so excited that we got to see more shots of the magical fairy city.
I do want to keep this short though, so I won’t be touching on my thoughts on every single little error that Disney has made. What I do want to say is that despite everything… we still have the books to fall back on. They will always be there for us to love and enjoy. So will the absolutely wonderful fan creations. Seriously guys, there’s so much talent in the Fowldom and I adore it. Maybe someday we will get our true-to-the-books adaptation. A Series of Unfortunate Events got a second chance with the Netflix series and who’s to say that the same can't happen with Artemis Fowl in the future? Fully animated with an amazing cast of voice actors. The sky’s the limit then.
All in all, at the end of the day, I cannot change everyone’s minds, but I do hope you take a moment to just calm down and listen. I won’t lie, seeing all of this negativity in the tags upsets me, because I for one have not lost hope yet. The trailer has only touched the surface of a much longer movie and has given us a weird, out of context mess to sort thought. I understand thought. Your anger is valid, I’m not saying it's not… I just want people to see how truly excited I still am for this movie. New people will still read the books, they’ll come to see what it really is, we just have a rather interesting take with the movie. 
Just take a moment and think about it, take a look at the Artemis Fowl Confidential Trailer Breakdown (All thanks to the amazing Matt. Seriously guys, he worked so hard on it and he has some fantastic points with the movie.), but if you still don’t want to see the movie, then that’s perfectly valid. After I first watched the trailer myself, I was also upset and shared many of the negative thoughts I’m seeing right now… but then I remembered something from the Last Guardian. “No one likes a whiner.” Holly’s father used to tell her that when she would complain about her chores. Yes this isn’t the same kind of situation, but by being upset and complaining, I’ll only make myself feel worse. Instead, I chose to find something positive to focus on and that restored my hope for this movie. I want to see how it pieces together; how all of those little trailer bits fit into the larger picture. 
That is what I’ll leave you all with. I love this book series and fandom with all of my heart, but I refuse to let this negativity bring me down. Keep being the amazing people I know you all are and don’t let the movie ruin your spirits. Get out there and create more fan fics, fan art, memes, whatever your heart desires. 
Stay Fowl you guys <3
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