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#ultimate analysis
fumifooms · 21 days
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I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after
The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually
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Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-
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He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.
And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.
When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings
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"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.
It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)
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"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species
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cutesilyo · 27 days
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you know how there was a running theme with the NPC encounters in hades? that sisyphus, eurydice, and patroclus were all involved in stories about being unable to escape death?
and its something thats explicitly discussed within hades itself, at least for sisyphus and eurydice. sisyphus had attempted to cheat death three times, one of the most notable being when he bound thanatos in chains. orpheus had found a way to bring eurydice back to life, but couldn't follow through with completing hades' challenge. achilles had a prophecy hanging over him during the war; die in glory at troy or live long unremembered. he chose the war and patroclus followed. they didn't survive. they are all different manifestations of the axiom zagreus is fighting against: that in hades, there is no escape.
so i was thinking. in the hades 2 playtest, we get dialogue from nemesis about how mortals had it better during kronos' time. we get dialogue from arachne too, about being distrustful toward the gods because of her curse.
i wonder if the running theme for the npcs in hades 2 will be people maligned by the gods in some shape or form.
arachne is already confirmed as the npc encounter for erebus. proud athena cursed her into being a spider. will we see victims of a love gone wrong in the next biome, like daphne perhaps? will we see those offered up for sacrifice just to appease the gods, such as andromeda or iphigenia? maybe those who were killed, perhaps unjustly so, because they dared fly too close to the heavens, like bellerophon or icarus? demigods that were cursed because of their birth, ala heracles? its long been a joke that the greek myths are just full of people suffering because of the incomprehensible acts of the gods. if hades 2 goes down this route, theres a lot of material to draw inspiration from.
and its an especially interesting direction because we know that its kronos waiting for us down the line. kronos, who ruled the golden age. when it comes to those wronged by the gods, you cant get much worse than being waged war against, your mountain stronghold so damaged from the attack that it loses height, and then being cut up into tiny pieces.
kronos, the crooked one. i bet he'd have a hell of a time trying to convince melinoe that the gods cant be trusted. and melinoe would be surrounded by all these narratives that would just prove his point.
just like how zagreus was in hades, who was surrounded by all these narratives about how death had no escape. and yet, his story is about how life and love bloom despite it. i cant wait to see what melinoe is fighting against now.
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suchawrathfullamb · 4 months
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Some say Will and Hannibal would never get married in canon, that would be out of character, or "too domestic". But you see, it's the exact opposite...I wrote a fanfic where they do, and I read a few others that did, too, and you know what all of them get? That it's simply the most natural and obvious thing to do. They're so distrusting of one another, so weary, but so, madly, deeply and irrevocably in love that what else is there to do? Give me something, some kind of security, some form of tangible bond, otherwise I'll go crazy. They're everything to each other, they have nothing left to merge together, it's a desperate plea for ground, for concreteness, it sounds ridiculous because it's backwards, they merged every part of themselves, and yet it's not enough, there's still so much fragility and ephemerality, it's like "okay now what?" and the answer is the most banal and conventional thing you could do: marriage. Bind me to you in any way that's left, bind me to you in a way that I may rest, may absentmindedly fall into stability. Take me, in all the ways you can take me, even the most mundane and trivial."
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nekropsii · 1 year
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Let this be a living example that knowing the beliefs of any individual who wrote any piece of text- be it literature, articles, or posts- can and should drastically alter your perception on what the text is actually communicating, even if that knowledge has, on its face, changed none of the actual printed words. This is how application of real-world context works, and this is how it applies to any recorded medium.
It reminds me heavily of a quote from video essayist Jacob Geller, regarding the 1938 film Olympia- "It's different when Nazis do it". Olympia is a film that, on its face, simply depicts an artistic documentation of the 1936 Berlin Olympics. But within the context of its production taking place during the Nazi regime, with its director being a well known Nazi propagandist... The way the movie fixates on the power and elegance of the human form and Ancient Greek statues quickly shifts from being completely innocuous appreciation to the worship of what is perceived as the ideal forms of the "Aryan race". Suddenly, you understand the movie not to be a pretty inoffensive documentation of a historical event, but a propaganda piece.
Understanding the time period in which something was made, as well as the setting it was produced in/for, and whatever ideologies an artist may hold and experiences they've had is absolutely critical to getting a full understanding of anyone's work. There are some things that are near completely anodyne on their face, but the revelation of what the author thinks and feels about other people and the world around them totally redefines every word on the page.
This image is such a prime example of why context matters. This opinion, laid bare, stripped of context, is both inoffensive and nonsensical. No one's ever thought it to be lame to create your own nickname... But on its own, that's a harmless kind of wrong. ... But with the addition of them being marked as Anti-Trans (red) on Shinigami Eyes, a browser extension dedicated to crowdsourcing keeping track of Trans Friendly and Transphobic creators... Suddenly, "Nicknames" doesn't mean "Nicknames" anymore. Suddenly, you realize that "Nicknames" is code for "Chosen Names of Trans People". Suddenly this isn't about thinking choosing your own nickname is lame, this is about thinking that trans people shouldn't have the right to name themselves. Suddenly it's about invalidating identities, thinking they're worth mocking. Thinking that people who identify as trans are "just trying to be cool", and that they're not actually what they say they are, because you don't get to choose your gender nickname, that's something already decided for you.
Suddenly, you realize, it's not about "being lame".
It's about Transphobic Violence.
This is why you cannot ignore when an artist, author, essayist, developer, musician- so on and so forth- is bigoted. This is why you can't ignore the context behind their upbringing. This is why you can't ignore the context behind their lived experience, their ideals, their goals, their message. Yes, it may appear innocent on its face. Yes, it may look fine stripped from the context of it being written by an inevitably flawed human being. But what's really being said here? What do those words mean... To the one who wrote them?
Context redefines Text.
Even if the words didn't change.
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raycatzdraws · 24 days
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Toon Link is aiming through his skull.
I main as Young Link and Toon Link in ssbu and thought it might be fun to tweak their designs a bit based on the alt costumes I wear and how I play. Their names are Zip and Zop (interchangeably) with botw Link as Zap.
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annabelle--cane · 1 year
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do you know how fucking mad it makes me that the hilltop hole in reality and the panopticon tower can feasibly be read as yonic and phallic symbols of power. can you understand the level of rage I feel.
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essycogany · 9 months
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Rare But Not So Rare Sonic Moments. Character Analysis.
Crying
A weird topic I’m more then happy to discuss.
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Mandate: “Sonic’s not allowed to get overly emotional.”
I’m starting to think the mandates do break in a few instances. This one specifically is something I’m quite interested in because this is probably one of the rarest emotions Sonic displays. Getting sad/emotional.
Hopefully this essay will be a positive outlook on the mandate.
(Despite being a discussion about negative emotions.)
Examples Of Sonic Getting Emotional
I might not include everything, but the examples I have knowledge of will be stated. If you have anymore examples, I’d love to see them.
SATAM: Sonic cried when he and the Freedomfighters had to leave his Uncle Chuck in Robotnik’s lab.
Archie: The times Sonic cried/teared up was when the weight of a situation got to him, when something tragic occurred and all hope was lost, or when he was filled with joy after those instances ended. Those moments like others, didn’t go too far. (For the most part)
Pretty sure he never out right sobbed.
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Underground: I think Sonic only cried when he was a little kid.
Correct me if I’m wrong.
X: In episode 52 Sonic allowed his tears to shed with his head turned away from us. He and Chris ran one last time before Sonic left through a portal to go home forever. It obviously crushed him even if we didn’t see his face.
Boom: Sonic cried/teared up in two episodes of the show. First when Tails was reminiscing about the Tornado and noticed Sonic wiping his eyes. Sonic replied, “What?” Then he, Knuckles, and Tails all cried when they thought the baby they took care of was gone. Also, in Archie when Stick’s rock friend broke or “Died,” everyone in team Boom morned it. Sonic included.
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IDW: Sonic shed tears in the Scrapnick Island Issue. Even if it was “Mecha Sonic’s” tears I’ll count it anyways because it’s a good loophole and it came out of Sonic’s eyes.
Movie 1: It’s implied he indeed cried during the baseball scene. The sources being a deleted scene and story-board of the film.
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Prime: This doesn’t really count, but Sonic teared up in the first episode when he was held captive by the Chaos Council and had light blasted in his eyes, when he was in darkness. Then Sonic actually cried in episode 7 when he ate a seadog. Either because he was home-sick or starving.
(In the last episode of season two it’s implied he might cry in the next episode. Especially with the shot of him looking on the verge of tears and then covered his eyes in the background of the last shot, but we’ll see.)
By the way. You can see the instant improvement from episode 1 to 7 of the tears animation. Just thought I’d say that.
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My Overall Thoughts
Hold on because this is going to be a long ride.
First thing I’d like to discuss is the mandate itself.
I personally don’t believe it means, “Sonic shouldn’t cry.”
(Which has been stated a bunch)
If that were the case, I don’t think this majority of moments (specifically the recent ones) would’ve happened. I think the mandate meant Sonic couldn’t and or shouldn’t go too far with his emotions. I don’t think the mandate existing makes any since, but I won’t get into that.
My point is, Sonic can cry, just not in an overly dramatized way unless it’s done for comedic purposes.
(I say that because of Sonic Boom and the 7th episode of Prime examples. Which are obviously not meant to be taken seriously)
My opinions on Sonic crying.
It’s not necessarily needed, but I don’t mind if it’s done well. I do believe Sonic shouldn’t go too far unless the situation does.
One Issue in Archie when Sonic’s entire life was basically ruined, is a good example. If you’re going to have such calamities happen to him, especially since he has zero ego or mask to hold onto, I think it’s a fair enough scenario for him to react as drastic as his misfortune.
But I believe if he were to cry in something like the Metal Virus. (Just for an example) it could be like how Espio teared up after Vector’s sacrifice.
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Crazy idea. Let’s talk about Shadow for a minute.
Shadow is one of the most stoic characters in the entire franchise. He barely smiles, gets excited, or displays any overly positive emotions. While Sonic rarely cries, gets angry, or shows any harsh negative emotions. Shadow and Sonic are opposites because of that.
Sonic’s overall a positive and outgoing guy who wants to keep moving forward. Whenever he has the time to worry, he runs. Faces his problems head on. Sonic only let’s a small amount of his true emotions out when helping someone else. In general Sonic’s a pretty optimistic character.
Shadow on the other hand is a reserved and serious guy. Who wants what’s best for the world too, but in a more calculated and planned out manner. But for some reason, in Sonic Adventure 2 after Amy encouraged Shadow to save the world, (Which reminded him of Maria’s real wish) He sheds a tear.
I repeat. Shadow is the most stoic character in the entire franchise. Who rarely shows his emotions. And yet he cries.
Why can’t Sonic? To be fair, Sonic usually doesn’t have time to think, let alone worry about how he feels. But if Shadow himself can have a short moment of releasing his emotional baggage, why can’t the blue blur?
Is Sonic even as happy as he let’s on?
I’d say he’s genuinely happy half of the time. Then the other half Sonic’s internalizing everything negative in him. Everyone knows Sonic’s overall upbeat, but we’ve seen plenty of times (In the Metal Virus specifically) when he’s thinking, or enduring the chaos around him, he doubts himself. Sonic has these insecurities and emotions he barely let’s anyone see.
Besides Issue #24
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Even in Sonic Prime while Sonic shows the most guilt, sincerity, anger, fear, and sadness in the show. He sometimes still puts on a front and acts like everything’s fine.
Sonic Unleashed I’m pretty sure was the first and only time we’ve seen him mope for a minute. All because Amy didn’t know who he was. So, he does have some level of insecurities lingering every once in a while.
Can Sonic crying even work?
How I interpret him crying is when he’s alone. Some people theorize in certain instances like SA2 and Unleashed with Shadow and Chip’s sacrifices, he cried a little. I’m fascinated by this idea. I believe it’s the most in character way to let him cry. Maybe even something like X when his face isn’t shown, but you know how he’s feeling.
Even if we do see Sonic’s face, him crying or tearing up could be shown without being over the top. Normalize it in a way that doesn’t fly off the handle. His expression could have a hint of frustration, anger, or exhaustion. Crying is normal and I don’t see Sonic crying as out of character because it’s been done plenty of times.
It’d be nice if it happened in order to make Sonic feel more believable and sympathetic. As long as the dude’s not on the floor whaling, I’m sure it can work.
Final Thoughts
There are other ways to show Sonic’s emotions. Again, crying doesn’t have to happen, but it does help the writing feel less unnecessarily limited of what kind of emotions can be displayed on this character.
Though there are benefits too. Like finding fun loopholes or small animated details like in IDW and Prime. Sonic not crying so much makes the times he does (or may do in the future) feel earned and impactful. The examples before prove it can be done without taking away what makes Sonic who he is. It just needs to be subtle, quiet, and quick. (Or humorous) Depends on what you think.
At the end of it all, Sonic’s a tough hedgehog. Him shedding a few tears won’t ever change that.
Stay Creative! 💜
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kitkat-the-muffin · 2 months
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Tis a niche of its own
Sorry there is only two female characters, I kinda pulled these off the top of my head and probably missed a ton of other candidates. Reblog with an addition if you have one!
Edit: I forgot to make this poll a week long! Once this poll ends I'll remake it with new additions depending on the results (the characters with the fewest results will be replaced with suggested characters from the notes so be sure to suggest some!) in the meantime tho plz reblog to increase sample size
This follows my own definition of what "Comic Relief" means: A character that is used as a conduit for comedy in a piece of media
Through character studies I have determined that there are 5 types of comic relief: the Character Relief, the Audience Relief, the Tone Shifter, the Butt of the Joke, and the Slapstick. Characters that identify as "Comic Relief" usually fall into one or more of these categories
Further explanation under the cut
The Character Relief refers to a character who actively makes jokes to be funny in-universe through conscious humor. Examples from this poll would be Sans and Rayla, who go out of their way to make their friends laugh
The Audience Relief refers to a character who makes the audience laugh regardless of their impact on the story. Examples from this poll would be Lapis and Gus, who are often involved in comedic bits meant for audience entertainment that aren't acknowledged by the narrative as anything unprecedented
The Tone Shifter refers to a character who makes jokes to relieve tension and shift the tone of a scene, either consciously or unconsciously. Examples from this poll would be Jay and Leo, as they both consciously make jokes about grim situations to help their friends or family feel better. Additionally, Jay would do this unconsciously before his trauma made him start doing it on purpose
The Butt of the Joke refers to a character who is made fun of by other characters in-universe, whether endearingly or not. Examples from this poll would be Dewey and Lance, who are often met with insults whenever they do something wrong or silly. The insults are usually meant to be endearing and comedic, but they can still feed into the character's possible inferiority complex. This also applies whenever a villain hits them with a sick burn*
The Slapstick refers to a character who is made fun of by the narrative and the audience like a punching bag. Examples from this poll would be Sokka and Yusuke, who are sometimes put in troubling and awkward situations as a gag for the audience's entertainment alone. These gags are not fun for the characters yet delightful to watch
Most comic relief characters can be characterized as multiples of these. For example, Jar-Jar from Star Wars is both Slapstick and Audience Relief, and even if you don't find his jokes funny that doesn't change the fact that they were written with your entertainment in mind
If you're curious how a "The Narrative's Favorite (derogatory)" character would fit into this chart, they're likely both a Butt of the Joke and a Slapstick character, making their life absolute hell. To be honest, MK from Monkie Kid is an example of a character who fits all 5 categories, but he isn't blue so he isn't in this poll
*Ok if you've ever seen Phineas and Ferb Mission Marvel let me just say MODOK is a total Butt of the Joke and my favorite line in that special is when a TV announcer calls him a "Giant Chicken Egg with a Face" and I just had to mention that omg
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penguwastaken · 2 months
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About Brainwashing in Danganronpa
Hello to all 3 of the people who see this account. A few months ago, I made a thread on hit website Twitter dot com about brainwashing in the Danganronpa Series. I discussed where it came from, how it works, and how the brainwashing of class 77-B was never a retcon. The thread got a lot of attention there, even getting a "debunk" on other hit website Reddit dot com (lmao). Due to that, there's been a lot of responses and questions. Since I can't really update a Twitter thread, I decided that I'd make the Ultimate™ Brainwashing thread and hopefully dispel any information on the subject while making my original points more clear and covering things I failed to cover. So here it is: Brainwashing in Danganronpa, how it works, where it came from, and how it was intended from the start. (a 🧵 except not really) *Massive spoilers for Danganronpa Zero, Danganronpa 2, Danganronpa Another Episode, Danganronpa Togami, and Danganronpa 3, as well as the series as a whole*
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Danganronpa Zero: First Sighting
Brainwashing has its roots all the way back in the second official entry produced in the series, Danganronpa Zero. During the story's events, Ryoko comes across a secret cult made up of students from the reserve course. They're seen staring at a strange video, seemingly turning them and turn them into mindless zombies.
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The video depicts members of the student council killing each other. Ryoko is stunned while watching it. She can barely look away, but eventually through force of will she does. This same video is later used to convince the reserve course to rebel.
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The way it's described to work is that it uses their “pent-up emotions,” implying that their emotions played a role in its effectiveness. It's also worth noting that the novel itself refers to what is happening as brainwashing, making this objectively the first depiction of brainwashing in the series right from the second entry.
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Danganronpa 2: Now it Gets Dubious
Our next instance of brainwashing comes from Danganronpa 2. The concept is brought up multiple times, such as when Makoto states that the Ultimate Despairs were brainwashed or how the Neo World Program is good at treating brainwashing, though the details of what brainwashing actually means in this context are kept vague.
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It's also worth noting that Danganronpa 2 was being written around the same time as Danganronpa Zero and Kodaka wanted concepts from the novel to appear in Danganronpa 2, likely so readers would feel validated. This is why things like Izuru Kamukura and the reserve course play huge roles in Danganronpa 2, it's not too much of a stretch to say that the same applies with brainwashing. One detail we’re given about the brainwashing is from Monokuma, who states the Ultimate Despairs were brainwashed by Junko taking advantage of their feelings. Specifically love, hate, grudges, and "anything really". If that sounds familiar, it’s because that’s exactly how the brainwashing video from Danganronpa Zero was described to function, using their pent-up emotions.
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I should mention that Monokuma and Junko are known for being unreliable narrators who often stretch the truth, exaggerate things, and use hyperbole to manipulate people into believing their narrative. Monokuma describes the Ultimate Despairs as “nothing more than Junko’s limbs”, which contradicts the existence of characters like Nagito. Who, while in his despair state, did not work with Junko nor did he look up to her (at least in the normal sense like the other Ultimate Despairs). In fact, it would have been impossible for them to really obey any of Junko's orders as Ultimate Despairs because Junko was trapped inside of Hope's Peak with minimal connection to the outside world. This isn't a definitive "Monokuma is lying" statement, but just note that his word isn't 100% reliable. Meanwhile, someone like Makoto who outright mentions brainwashing, is a much more reliable source.
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Danganronpa Another Episode: More Brainwashing! (kinda irrelevant tho...)
The next time brainwashing is used is in the next entry, Danganronpa Another Episode. Though its purpose in this discussion isn’t the most useful, as the brainwashing is caused by Monokuma helmets, which don’t have their functionality explained. I figured it was worth mentioning and describing at least, as its another example of brainwashing at least.
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I did figure it was worth adding how the brainwashed children act. They obey the Warriors of Hope’s every command, as if they have zero control over their actions. This is different from how the Ultimate Despairs act, who still some free had free will after presumably being brainwashed judging by the actions of Nagito, who is also in this game.
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Danganronpa Togami: I Hate My Life
Okay. As mixed as my opinions are on this novel trilogy, it does feature brainwashing. In fact, it might feature one of the most detailed and important descriptions of brainwashing in the series, and even outright CONFIRMS that class 77-B were brainwashed (sorta).
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"Hey um... Tumblr/Twitter user Pengu... what do you mean by 'sorta'?" Well my uninformed reader who I guarantee has probably never read this book, there's a twist. I regret to inform you that the canonicity of Danganronpa Togami is rather questionable, as it depicts an extremely unreliable narrator’s warped viewing of events due to this thing called the K2K system, which means not everything in the novel is meant to be taken literally or at face value.
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This doesn't mean that everything should be discarded or immediately dismissed however. This just means that we have to use our brains a little and decipher what the hell Yuya Sato was cooking when he wrote this novel trilogy. In the novel, we discover the existence of the elusive despair novel. When read, the novel will turn the reader to despair and inflict them with the despair disease. This novel is what's used to plummet the world into despair, as well as being what caused the class 77-B to become the Ultimate Despairs. There's no known ways to avoid it, once you read it, it's joever. 😔
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As I said earlier, the events of Danganronpa Togami can’t be taken literally. Due to this and prior context, we can safely assume that the despair novel is most likely the K2K's warped idea of the despair video from Danganronpa Zero. Instead of being a book being read that brainwashed people, it was a video being watched. What makes me so sure? Well let's look over the similarities. The way the despair novel works is that it uses cruel words to overload the reader with negative emotions, causing them to snap and turn to despair. That sounds almost exactly like the despair video, overloading the viewer by manipulating their emotions until they turn to despair. This connection's a little bit of a stretch but I'll bring it up anyways. The technology used in the despair novels was originally to bring hope. (Take notes, it will probably be important assuming you buy this connection.)
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Essentially, the despair novel works the exact same way as the despair video, but instead it’s a book and you read it instead of watching it. This means that class 77-B and the rest of the world were most likely brainwashed via the despair video, and that is what caused the class to become Ultimate Despairs.
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Danganronpa 3: The One People Really Don't Like
And all of this brings us to the most detailed yet controversial usage of brainwashing: Danganronpa 3. Many assume that the anime’s usage of brainwashing is a retcon, contradicting the words of our holy savior Super Danganronpa 2: Goodbye Despair High School. However, I’d like to debate that. In fact, I'd like to finally put a nail in the coffin of this really stupid debate and finally show you that Danganronpa 3's depiction of brainwashing is exactly how it has always been described.
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In Danganronpa 3, we are introduced to Ryota Mitarai and his anime. Using the power of subliminal messaging, it heightens the viewer's emotions and makes them more powerful. What was once a slightly emotional scene is now a complete tearjerker fully capable of tearing at the viewers heart strings! While he acknowledges that there are unethical things that can be done with this technology and it's technically brainwashing, his goal is to use this technology to make the world a better place, even if it can be dangerous. If that sounds familiar, that's because it's what Hope's Peak tried doing with the despair novel in Danganronpa Togami. Though I'll admit, this single point is a little bit of a stretch as there are differences. I just figured it was worth at least a mention.
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Using her analytical prowess, Junko gets a rough understanding of how the technology works, so she develops the despair video, featuring the student council killing each other overlayed with subliminal messaging technology to make the despair felt while viewing the video stronger.
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The video works on Mikan, however Junko fears that the video may not be powerful enough to fully go through with her plans due to not understanding the technology nearly as well as Ryota does. Because of this, she forces Ryota to create a better, more powerful despair video. A despair video v2 if you will. Junko’s fears weren’t unfounded, as we discover that Chisa had the mental fortitude to resist the despair video, similarly to how Ryoko was able to resist the same video in Danganronpa Zero. This is exactly why Junko needs a more powerful video, one that she knows can’t be resisted.
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"Ermmmm, Tumblr/Twitter user Pengu, how come Ryoko and Chisa are able to resist the despair video but Mikan and nobody in the reserve course could?" Good question, the answer is pretty simple. As mentioned before, the video takes advantage of the emotions of the viewer. Mikan is already pretty weak minded, so there wasn't much issue in controlling her. The reserve course already hated Hope's Peak and would take any reason to hate them more, so a video that shows them the sins of Hope's Peak would affect them as well. Ryoko and Chisa have no connection to the reserve course however, and neither are particularly very weak emotionally. Ryoko has the analytical prowess of Junko and Chisa is just a very strong willed person in general, and paired with Junko's lack of knowledge about subliminal messaging when creating the video, it's pretty obvious it wouldn't be that effective on them. All the more reason for Junko to force Ryota to make a better despair video.
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The despair video v2 that Ryota is forced to make comes in the form of Chiaki’s execution video, where the stronger subliminal messages paired with witnessing the representation of the happiest moments in their miserable lives and their closest friend suffer makes class 77-B unable to resist. Ultimately this causes them to finally snap, being overloaded with despair, and now they turn into the Ultimate Despairs. (side note this is so freaking cool idc what anyone else says)
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This resembles Monokuma’s explanation from Danganronpa 2. Junko used class 77-B’s emotions and years of getting closer against them to turn them to them to despair. Now featuring the added context of her using the video designed to manipulate people’s emotions. This depiction of brainwashing fits perfectly with the information provided throughout the series, even down to the little details. It’s so close in fact that I can say without a doubt that Danganronpa 3 did not retcon anything. “But Tumblr/Twitter user Pengu, that isn’t how the video is shown to work during Hope Arc. Therefore it actually contradicts previous entries and is inconsistent!" To that I say, you’re correct! ...at least about the hope video functioning differently, but that doesn’t make it inconsistent. The hope video behaves pretty differently. Instead of overloading the viewer with negative feelings, it simply just shows them a repeating video loop that turns them into a mindless zombie, likely caused by even stronger subliminal messaging. The people affected can also snap out of this state with some time, as seen with Aoi.
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The reasoning for this is actually pretty simple, it’s just different technology entirely. It’s stated that the hope video was developed later on after the despair video. If anything, it behaves very similar to the Monokuma masks from Danganronpa Another Episode, which we also already established uses different technology. The hope video doesn’t contradict the despair video at all because they both use completely different tech. This can also be seen with how the despair video uses subliminal messaging, meanwhile the messaging in the hope video couldn’t be further from subliminal. There is no inconsistency, just two different things.
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The reason the hope video needed to be broadcasted everywhere was so that since it would be airing everywhere, nobody would have time for the effects to wear off or resist it. This would turn the world into mindless zombies who obey every command, similarly to the Monokuma kids. It's just that now they don't have to force bulky helmets onto everyone.
Debunking Common Arguments
With the hope video out of the way, I think it’s very safe to assume that not only is the despair video’s functionality very accurate to previous descriptions, it’s also always been the reason for the brainwashing of Class 77-B, long before Danganronpa 3. Even if you disagree and think the cause of brainwashing was never explicitly mentioned in Danganronpa 2, there's still the fact that Danganronpa 2 outright says it was brainwashing. So even if a video wasn't the direct cause of it, them being brainwashed was still always intended (though given the context, I'm certain that the video was always the culprit). Many point to this line where Kazuichi asks why they became the Ultimate Despairs and Makoto says he never got an answer to debunk this. But... this doesn't change anything. He asks why they became Ultimate Despairs, not how. And this is completely ignoring the fact that Makoto clearly has done his own digging into the situation, he discovered the Remnants of Despair were hiding among Future Foundation after all. The Future Foundation had access to brainwashing videos, they found them, so of course Makoto is going to know about the brainwashing. But that's not what he's asking about, he's asking about the why. That's what he doesn't know.
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Many also point to Mikan stating that it was her many human relationships that led her to being the way she is. Once again, this changes literally nothing. Mikan was the only one of the remnants who actually knew Junko, she was the only one who spent time with her because she was the first subject. This is why she gets more attached to her, and even why she'd believe what Junko would tell her when they spent time together. Monokuma also says that Junko used "hopeless methods overflowing with charisma and humor" to control the masses. I don't even know why I have to address this, but this statement is so vague you can interpret it as a million things. Like for example, this is how she got Ryota to work for her. While pretending to be Makoto to manipulate the people in the trial, Junko tells them that they all became Ultimate Despairs while coming into contact with her at Hope's Peak and they were subjected by her terrifying influence. Again, ignoring how vague "terrifying influence" is, this is literally Junko trying to LIE AND MANIPULATE them. This is quite possibly the worst example you could have used because we know for a fact that she is lying to them while pretending to be Makoto. There's other examples of Junko trying to manipulate them, like mentioning how everyone hated them and their all Ultimate Despairs at the end of the day. But that's just what this is, manipulation. You would think that the "Junko manipulated class 77-B" crowd would understand that saying "everyone hates you but I saw your potential" is literally manipulation 101. Some say that the brainwashing turned them into mindless zombies and eliminates all blame from their actions. While I would agree that it does make them less at fault, they still have the ability to make choices and still have free will. Their original personalities haven't been overwritten, their brains were just rewired to crave despair. They're still each their individual person with their own ways of feeling despair, and characters like Chisa and Nagito show that they regain their free will to an extent.
Conclusion and Final Thoughts
This whole debate stems from people misunderstanding Monokuma’s words and going along with the popular interpretation, which turned out to be wrong. Whether you like the use of brainwashing or not, it objectively isn’t a retcon as it's been developed ever since Danganronpa Zero. Personally, I love the use of brainwashing. I think the way it's developed throughout the series and its usage in Danganronpa 3 is super interesting. If you disagree, that's fine! Heck, if you choose to headcanon that Junko manipulated 15 individual teenagers into all becoming despair hungry terrorists capable but ending the world and fighting off every military in the world in less than a year, that's cool too! But the truth is, Danganronpa 3's brainwashing is canon and it's also not a retcon nor does it contradict anything. Contrary to popular belief, Kodaka was involved with the writing of the anime. He provided a large draft and outline of the plot and oversaw its development. He produced the anime, he did his homework, he knew what he was doing. I'm sure if Kodaka intended for them to all be manipulated one by one, that's what he would have went with. All information implying that it was manipulation is very few and far between and questionable at best, not to mention outweighed by everything implying it was brainwashing. Mind manipulation stuff is not new in this series, its been around since the first game and brainwashing was established in literally the second entry ever produced. Whether you love it or hate it, think it's the best thing since sliced bread or the death of the series, brainwashing was the answer the whole time. Some people just never noticed it, and instead of acknowledging that they were wrong, they stuck with a headcanon that they believed so much and jumped to the conclusion of "retcon". I hope this mega post managed to inform some people, maybe change some minds too. If you still don't buy it, then I guess there's nothing I can do. Thanks for reading all of this though, I tend to yap a lot about this franchise lmao.
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ceoandslutler · 7 days
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not to always complain about antis but why do they read/watch kuro if they hate sebastian this much
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he's the mc how do u have beef w him so bad, interpret him however u want but if you genuinely dislike him... why put yourself thru the torture of reading his story (and this is about him, no way to argue against that)
like are you just gonna ignore all his development with the other servants... he is the epitome of an allegorical queer coded outcasted non human character who finds kinship in other odd (queer) people. how are you ignoring that lol
you can interpret main characters as morally grey or evil (a lot of times they are) but atp it feels like antis hate him and ignore any changes or developments in his personality, at least acknowledge him as part of the 'phantomfam' he helped to create. there would be no phantomfam w/o sebastian because there would be no o!ciel and phantomhive manor w/o sebastian,,, hell, there'd be no kuroshitsuji w/o sebastian. actually fun fact it's called 黒執事 kuroshitsuji (black butler) not 貴族子 kizokuko (noble kid).
they hate him until they sexualise him into the molds they want, usually within the ships they like [nothing wrong with those ships per se but they're viewed as 'correct' while the most canonical ship is wrong(?)] or they only love him after they take away all his sexual characteristics and turn him into a cat loving spinster, a dad/mom figure with no other characteristics other than (1) love cat, (2) dad/mombastian, (3) cooking and cleaning, nothing else but that ruins him because he's not that flat of a character in the original work... from what we've seen he likes a lot of things, he enjoys playing this butler game with ciel, he likes being mean and flirty, he likes being around certain humans like agni who he genuinely seemed to respect despite being a demon, he likes the concept of death and finds it beautiful, he has an eye for fashion and a lot more.
the way they treat him is akin to how society treated women in the victorian era... either the angel of the house (maternal figure, or in his case, paternal but they do momify him a lot, no sexualised identity or made limited and very 'pure'/'demure') or the hated demonised prostitute (evil evil demon taking advantage of little boy, no parental feelings and no feelings AT ALL, worthless). it's laughable how half of the fandom have such an innate dislike of sebs that they want to deny the changes within him or in the best case scenario, they'd minimise it. not to mention how they want ciel to be the perfect little sex-repulsed victim but other people have made posts about that before. my focus is on sebastian who is so grossly mischaracterised by antis, they are either purposely misunderstanding him or just very obtuse.
you guys have two interpretations of him and both are either dead wrong or at best extremely misinformed lol
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initforthelolzz · 1 year
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No one does queer representation quite like One Piece.
Allow me to explain in great detail.
I’m going to talk about the queer rep in Impel Down, and you’d best buckle up cause it’s rant time.
Impel Down is one of my favorite arcs because I love the story line, it’s downright hilarious, and Luffy’s struggle to rescue Ace is incredibly compelling.
But there is another reason why I love Impel Down so much, and that’s the queer rep that utterly knocked me off my feet.
Now, I’ve come to accept that queer representation in anime (not touching on any other media in this rant) is generally nonexistent or extremely rare… if you’re watching anything other than a BL.
On the rare occasion that we do find some LGBT rep it is usually extremely subtle, and shown exclusively in convoluted subtext and minuscule details that are easily overlooked. While this representation is so incredibly meaningful to everyone who’s able to pick it out, the subtly makes it all the more easy for homophobes to argue that it was never in the first place.
Keeping all this in mind, I finally picked up One Piece several months ago after refusing to watch it for a long-assed time (It was too long and I thought the art style was weird. Dear god have I eaten my words.) I’d heard on social media that One Piece was big on trans representation, but I wasn’t prepared at ALL for what I’d find in that department.
I had NOT expected to find One Piece’s treasure trove of LGBT characters in Impel Down of all pleases, and the shock factor made it so much better.
The arc had already been chaotic as fucking hell by the time Luffy reunited with Bon Clay, and their reunion made me tear up. Like dude!
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I hadn’t been particularly attached to Bon Clay before but THIS ^ was it. This scene right here, he wormed his way into my heart istfg.
Can we appreciate this scene please?! The sparkles in the background?? The leg lifting?! The REUNION HUG?!?! I love this so dearly not just because it’s fucking ADORABLE but because of what it *says.*
Bon Clay is an outwardly queer character, and Luffy absolutely adores him. Those two are best friends and we treat queer people with respect and they are good people. We can be friends with them and allies with them and they aren’t something to shy away from just because they’re different.
Be fucking for real. The representation is so positive, and it never ceases to blow me away.
If you thought that this representation was enough YOU WERE WRONG because this BARELY SCRATCHED THE SURFACE.
Iva. Emperio Ivankov. The Queen of the Queers. He is a gender fluid ICON and a literal drag queen. His special attack is a wink that blows shit up. His Devil Fruit ability is quite literally hormone therapy.
Do I need to say more?
THATS RIGHT, I FUCKING DONT
Now, this is One Piece we’re talking about, so naturally characters are going to be wildly exaggerated but ARE YOU KIDDING
IVA’S ABILITY IS HORMONE THERAPY. HE CHANGES PEOPLE’S GENDER AS AN ATTACK. HIS POWER WORKS THROUGH SYRINGE NEEDLES THAT POP OUT FROM UNDER HIS ACRYLIC NAILS.
I love Iva so fucking much words cannot describe 😭
Oda didn’t just say “look, I made a queer character” he really said “fuck it, nuclear option it is.” It is literally impossible to ignore the fact that Iva is LGBT, and One Piece’s queer rep is SO IN YOUR FACE, especially in Impel Down. It’s impossible to ignore, which is the stark opposite from the usual business with “implied” queer characters in anime.
Implied? HAH.
There is a kingdom of gay people living INSIDE THE WALLS of the biggest prison in the world. They are led by a gender fluid drag queen and run a strip club bar in the middle of a fucking prison, where they drag new gays through the cracks in the walls to join them.
Dude.
I love One Piece so much.
All joking aside, the introduction of Iva and his kingdom of gays drove me to tears. Like deadass. The representation literally drove me to tears, I was sobbing.
Why? Because it was so positive.
Do you know how meaningful that is?
It made me fucking cry, man.
Iva’s speech introducing his gay kingdom, like goddamn. I can’t even remember exactly what he said because I was crying the whole time.
“We’re here and we’re queer.” That’s a quote from fucking One Piece, dude. I can’t, I can’t.
It wasn’t just the introduction of Iva’s kingdom or the LITERAL LESBIAN COUPLE SITTING AT THE BAR, it was the way the sense of community was presented.
We’re called the LGBTQ Community and I don’t know if Oda’s a member or not but HOT damn if he doesn’t know what it means to be a part of it.
I’m talking about the Luffy situation. He fought the Warden and got his ass handed to him. He was poisoned to all hell and about to die at 17 but Bon picked him up and carried him to Iva’s Kingdom. He’s wanted to meet Iva his whole life but by the time he did he was more worried about Luffy’s condition than anything else.
And then we find out that Luffy had insisted that Bon get medical treatment before he did. What a guy. When Iva got Luffy, he said that it was a lost cause to try and overcome the poison. But he was willing to give it a try anyway.
Let’s discuss.
Iva injected Luffy with hormones to help him beat the poison. Luffy underwent hormone therapy. (I will cling to this tidbit of information forever, YOU CANT TAKE IT FROM ME.) When Bon woke up, he demanded to see Luffy.
Iva warned him about what he would find, but brought Bon to Luffy at his request. When Bon found Luffy, he found his friend chained up and screaming in excruciating pain. We didn’t see Luffy in full at all during this time, but when Bon looked through the door he was horrified.
He got defensive. He started yelling at Iva, saying that the person inside that room was not the Luffy he knew.
Iva was firm, and told Bon that Luffy was going through a tough challenge, and he would be different afterwards, but he was still the same Luffy.
Do you see it? Can you read between the lines? This exchange made me sob all over again. Why? I urge you to think about it, to see the underlying message here.
Bon broke down into tears, realizing that Luffy was fighting for his life. He apologized and took back his harsh words.
Then he spent hours outside Luffy’s cell, screaming till his throat was raw and cheering him on. He couldn’t do anything to help Luffy, Luffy was fighting this battle on his own. But he could be there for him.
I ask you again, do you see it?
As the hours passed, others in Iva’s kingdom trickled out to see what Bon was doing. They told him to stop screaming, that it was useless. They mocked him, told him he was being a fool.
Then Iva stood up for him, and told them to see Bon for what he was doing. He couldn’t help Luffy, but he could cheer him on. He could be there for him.
Within moments, the entire kingdom was outside Luffy’s cell. Cheering him on. Encouraging him. Supporting him. They didn’t know who he was but they saw him fighting and immediately backed him up.
It isn’t just representation, merely the presence of a queer character or even an entire kingdom of gays that makes it meaningful. It’s how those characters are shown, how they behave.
Oda could have thrown in a queer character here and there and left it at that, but he went out of his way to show the incredible support system that this community provided. They jumped to Luffy’s aid. They were so supportive and cheered him on until he beat the poison. They fought alongside him… and you know what else?
When Luffy woke up, he accepted them in a heartbeat. He didn’t question anything, just saw a bunch of people and thought “huh. New friends!”
Oda’s representation is exaggerated as much as it is painstakingly accurate in nature and positive to a tee. Obviously it isn’t perfect. Iva and the squad were still mocked, called “freaks” and “weirdos.”
But it’s about Luffy. How Luffy behaves. How Luffy reacts. Even in the face of how the rest of society views Iva and his kingdom, Luffy sees them as friends and allies and doesn’t give a singular shit if they’re gay or not.
Luffy accepts everyone, and he doesn’t draw the line at queer people. The aroace king himself. You heard it here, Luffy is the ultimate ally.
Of course I’m not even scraping the surface on this topic and Oda’s representation is in no way perfect, but Impel Down remains the greatest example of queer rep that I’ve seen this far.
You gotta give credit where credit is due ✨
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dyketubbo · 4 months
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forgive me if i lose tubbo character analysis points (rolls eyes heavily) over this or something but i honestly dont think the date was very ooc or that the frubbo romance is going to be played as something that makes qtubbo better. obviously qtubbo gained a lot of trust issues and lost a lot of hope in others + started to strongly believe that love only hurts after purgatory and the funeral. and hes an extremely defeatist guy at heart
but he also makes exceptions because no matter how much he tries to disconnect himself he still cares so so much about others. he has such a weird fucked up view of love and justifies seeing sunny as an exception by saying they wont hurt each other because their love is unconditional and yet he also claims empanada isnt safe when bagi is around because the eye workers will use that connection to their advantage And Yet he constantly looks after and takes care of sunny anyways. even though hes already mourning her before theyve even died. even though by his own logic it may be safer for sunny to not be with him
and like.. he says dont get attached empathy makes you weak but he tries to ruin fit & pacs date so they dont abandon him. he still jokes around with them and has happy moments with them bc ultimately theyre his friends and even if they dont Really understand what hes going through or what would help him they want to be there for him and make him happy and they Do make him happy. bc qtubbo doesnt spend all of his time with his friends whining and groaning about how theyre going to leave him some day and despite being suicidal and defeatist and at times a fucking jerk that isnt his whole personality
depressed people Have happy days. they have ups and peaks in their life and yeah actually many of them do manage to have nice relationships and theres a lot of depressed people out there who are fully capable of just. not being complete downers to be around all the time (cough a lot of comedians have depression cough). if anything i would argue it isnt just in character but realistic for qtubbo to be able to just. have a normal date where hes a bit of a loser and manages to get through an actual confession
and its not like hes going all in oh we're dating and we're going to get married now bc he doesnt even consider themselves boyfriends and he turns down sunny claiming fred as another parent. he just had a happy day and it boosted his mood a little. i dont think fred is really on his list of trusted people and in fact i feel like him just being very silly and awkward during the date is a Part of him not fully trusting fred or wanting to be super serious around/with her. i think to qtubbo fred symbolizes sure some pain from the whole funeral situation but also still a lot of happier simpler times and ultimately a time where tubbo was happier and openly hopeful
if anything, tubbos relationship with fred is another form of escapism for him. of course it isnt going to make him better. he literally brought fred to him and sunnys island where they plan to live far away from everyone to avoid their problems. its all a fantasy for him, and one that he isnt even allowing himself to fully jump into but will joke about and dance around the subject of nonetheless
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littlebabywille · 2 years
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the turning point
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though they had their kiss at the masquerade and then their night together, i think the true turning point for simon was when he found out that sara knew it was august and was protecting him.
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we see how distraught simon is, on the brink of a breakdown.
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then we see him coming to terms with the fact he can’t go to the police (august’s insane alex/drugs plan). he now has to protect himself and his family.
i think this is where it all hits him. the betrayal is a wake up call. in this moment he finally understands why wille had to lie about the video.
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the next time we see them interact, he tells wille that he wants to be with him and is willing to keep it a secret. he’s realized nothing else matters. everything around him is crumbling and the only thing that anchors them is each other (throwing up crying).
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anthurak · 7 months
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Since Mammon’s Magnificent Musical Midseason Special released, I’ve been seeing a lot of people make a point about how Mammon is so different from Asmodeus and Beelzebub (namely that he’s a selfish, exploitative scumbag while the other two have been overall pretty nice) because ‘Greed’ is some inherently cruel/exploitative/evil quality and that there was no way Mammon could have been ‘good’, or at least ‘nice’ like Ozzie and Bee.
And I can’t help but feel that this take is missing what I think is a subtle but very KEY detail we’ve been seeing about the Sins.
Namely, that the Kings of Sin don’t seem to be bound or otherwise ‘compelled’ to any one specific way of expressing the ‘sin’ they embody.
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We got hints of this with Beelzebub in her episode, with how she is both able to tell and is concerned when someone is indulging in gluttony in a harmful manner. But we’ve really seen this disconnect with Asmodeus.
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Like it’s been a running gag at this point that Ozzie and Fizz are massive hypocrites for espousing some ‘lovey-dovey bullshit is for bitches and saps’ while actually being completely head-over-heels in love with each other. But let’s actually step back for a minute and consider what it MEANS that this ‘Embodiment of Lust’ CAN be a massive hypocrite about how he expresses his ‘Sin’ in the first place.
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It’s clear from all their private scenes together that Ozzie does not struggle at all to express just how deeply he LOVES Fizz. He has no inherent lust-related ‘compulsion’ that he has to somehow ‘fight against’ to express his love for Fizz.
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Instead the actual struggle that Ozzie and Fizz face is one of simple personal/social insecurity; feeling afraid to express their love openly around others. And with the whole ‘worst kept secret in Hell’ thing, it’s clear they weren’t even doing a good job at keeping it a secret.
In hindsight, I think we can guess that Asmodeus used to fully believe in what he was spouting in his debut episode, that lust should be all about pleasure with none of that lovey-dovey bullshit. BUT, then he met Fizzerolli and gradually fell more and more in love himself with the imp. To the point where he’s now had to reframe how he expresses his ‘Sin’, both in private and as of the latest episode publicly as well.
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What this means is that there was NOTHING ever forcing Ozzie to express his ‘Sin’ in this specific way. Instead he simply chose to express his sin in this way, based on his personal beliefs about ‘Lust’. Beliefs that he’s clearly reevaluated since meeting and falling in love with Fizz.
And I think we can only assume that the same applies to the OTHER Sins as well. That the way they express their specific sin was never something they were ‘decreed’ or ‘compelled’ to do, but simply a CHOICE they made.
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Which means that Mammon being some petty, skeevy, exploitative asshole ISN’T some grand ‘Embodiment of Greed’ thing, but rather simply a MAMMON thing. A choice he made likely based on simply his own personal hangups and insecurities.
I think the more we learn about the Sins, we’re going to learn that they are defined NOT by what ‘Sin’ they embody or any nebulous inherent ‘quality’ that their Sin might represent, but rather defined simply by their own personal experiences, struggles, triumphs and failures just like everyone else.
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cemeterything · 7 months
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how do I become good at analyzing media and the characters from it like you?
idk if i'm even that good at it tbh but you just need to 1. read and/or watch a lot, and make an effort to engage with it - see if you can notice patterns, connections, themes, etc., analyze and try to interpret what you're seeing, how it makes you feel, how that effect is being achieved, take notes if you want 2. seek out other people's opinions and analysis, listen/read carefully, and think critically about what they're saying - do you agree? disagree? why? how do you think they came to the conclusion they did? did you notice something they didn't? and 3. be extremely curious and obsessive about details. treat every piece of media, character, plotline and scene like a room to be explored.
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loadinghellsing · 8 months
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"does a person count as religious if they believe, but have lost their faith?"
If the answer is "yes"? Alucard is more religious then Anderson.
"more religious" as in "more consumed, motivated, and driven by their faith, and by their faith alone."
Combat is Alucard's prayer, it's in the blood spilled and the lives lost. Vlad lived, fought, and killed for his faith.
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And him consuming the blood, is him taking that entire prayer from god, and claiming it as his own.
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So if you take every act of faithless faith, and tally it up as a religious point. Well...
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I feel it's safe to call him the most religious character in Hellsing.
His relationship with it is complex, and runs deep. Furious resentment, but also a sense of self loathing with what he's become. Torn between two extremes.
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(conflicted grin/scowl)
-Additional note-
Alucard's quote; that dedicating yourself to god, or dedicating yourself against, is all the same.
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Prompts an odd realization, that in Alucard's own terms, he could never have held the weight of a human life.
Because Vlad had been dedicated and faithful to an all consuming extreme. Alucard is just the other side of that same coin.
"If Satanists do not believe in the devil, who does?" - "Christians."
But if Alucard expresses two extremes of monstrosity, here's the thing that really gets me.
Anderson is a monster of neither extreme.
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"Instrument of God", sure. but the main things is; Anderson doesn't want to be human. He doesn't want emotion, fear, heart, or pity.
He becomes a monster because of a human desire to not be overwhelmed with conflict. It's the desires of a tired man expressed through faith (not because of faith) that turns him into a monster.
he works at an orphanage, he has kids he care about. Such as Maxwell. Who he strikes down in "the name of god", be he strikes down with a human heart. With pity, sorrow, loss, and love.
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Emotions that aren't because of his faith. It's human, it's who he is. And his faith is just another aspect of that identity.
So through those terms? Anderson became a monster in the most human way possible.
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