#this one might actually be nothing but I HAD FUN | Explore Tumblr Posts and Blogs

Visit Blog

Explore Tumblr blogs with no restrictions, modern design and the best experience.

Fun Fact

Mobile US users spent an average of 115.8 minutes on Tumblr app monthly.

#this one might actually be nothing but I HAD FUN

hazbinfallinginaspiral · 10 hours

Note

Hey Love your stuff! The Vs being protective of Retro, preventing them remembering anything bad or near murder that they do, is actually cute considering what Retro's dark side.

So here is a thought I had after reading Valentino covering up his near murder that Retro saw. What if Retro, most likely in the tower as i can't picture them ever doing this in public, was to try and flirt with Vox and Val?

I don't expect anything more than Retro maybe trying on a risky outfit, maybe getting nervous, and getting caught of course.

I just wonder how they would react as Retro making that kinda move seems outta character for your wonderfully created Hidden Serious killer 'house wife' Sea Bunny.

Sorry if my suggestion made you uncomfortable feel free to ignore it.

Anon, you are amazing. Don’t worry about it at all! I actually have a really adorable idea because of this, and I hope you like it! (Slight spice warning? I guess. It’s just a picture of the outfit in question, nothing really happens)

Something New!

“Vel, babe,” I said, with a nervous smile. “I have a teensy tiny favor to ask of you.”

“Oh?” Velvette asked, over the phone. She motioned for her models to shut up. “And what would that be?”

“Just- please come to my room when you can,” I said quietly. I was already blushing, and I hadn’t even told her what this was about.

“Of course! I’ll be over before you know it,” she said with a grin. I never asked for favors, much less from her. She knew that whatever this was, it would be good. “Love ya sweetheart, see you soon!”

“Love you too,” I said, a small smile on my face.

She hung up and dropped everything. “Everyone! Leave! Now!” She said, pointing towards the door. “I’ve got an emergency to cover.” She made another call on her phone. “Yeah, hey, Vox? Shut off the cameras.”

“What- why?” He asked, sounding suspicious. He was watching me fidget nervously in my bedroom- he was in his office, watching from the cameras- as I awaited Velvettes arrival. “Is something wrong?”

“No, not at all! If my hunch is correct, this could be great,” Velvette said, sounding excited. “I just need you to turn off your stalker cameras for a bit- at least the ones near and around Retro. If you’re watching, they might bail.”

“Bail on what?” Vox asked, sitting up straighter. “Vel, what are you talking about?”

“Nothing,” she said in a sing song voice, already headed to my room. “Nothing you need to worry about, at least. This will be fun, trust me.”

“Fine.”

“Yes!”

“But you only get two hours,” Vox said sternly. “Then the cameras are on and I get an explanation, understand?”

“You got it, babes,” Velvette said with a grin. She hung up and knocked on my door. “Retro? I’m here, love. May I come in?”

“Hm?” I looked at the door, surprised. She’d gotten here quick. I opened the door and stepped aside, letting her in my room. “Uh, yeah, definitely.” I closed the door behind her. “Uh. Don’t you- I thought you had work?”

“Hm? Oh yes, it was a slow day,” she said, waving a dismissive hand. “Don’t worry about it. Now, what was that favor you needed?”

“Oh! Right,” I said, my face heating up already. I looked away and sat on my bed, fidgeting again. “I, uh… I was wondering….”

“You were wondering,” Velvette repeated, sitting down besides me. My reaction was practically confirmation of her guess, but she wanted to hear it from me. “What is it, love? You know I can’t help unless you tell me.”

“Can you- could you help me find a good outfit to wear?” I blurted. God, I was so tense and nervous. It was silly, really. This wouldn’t be my first time wearing something risky, but I was still anxious about it. I loved them, and I was afraid I’d screw it up. I was having second thoughts already. “Something for Vox and Valentino. Something they’d like.”

“Oh!” Velvette said. She put a hand to her mouth, her eyes wide with surprise. She thought it was something of this nature, but to have me actually say it? Me admitting it? Damn. The way I was acting made it adorable to her. “You want something… suggestive? Or just showy?”

“W-what?” I asked, looking at her. Now I was confused. “Wait, there’s a difference? What?”

“Oh sweetheart,” she said, taking my hand in hers. “I have so much to teach you.”

For what seemed like forever, Velvette showed me an outfit and I said no. She was showing me lingerie, bondage gear, and the like. She quickly realized I was not used to this sort of thing (and I didn’t want to do anything, I just wanted to tease the boys), and toned it down. Eventually, we settled on a top and some normal pants.

(Left if you don’t have tits, right if you do. Or you could wear something else, I don’t care. I just don’t know how to describe this lol)

So, I got changed and hesitantly walked out from behind my dressing screen to show Velvette the outfit.

“So, uh… what do you think?” I asked, doing a little twirl for her. “Do you think they’ll like it?”

“Oh. My. God.” She gasped and walked over, admiring how I looked, and her handiwork. “Babes, you have got to do this more often! You look stunning. Here, let me get a picture.”

“No! No,” I said immediately pulling away. I was blushing furiously. “Please don’t. Oh my god, I should’ve known this was a bad idea. God, I feel so stupid…”

Velvette frowned, looking disappointed. She felt a pang of guilt. She hadn’t meant to make me feel that way, she just wanted something to remember the occasion. She reached out to explain, but before she could, the door opened. Vox and Valentino walked in, looking serious.

“Alright, times up,” Vox said sternly. “I turned off the cameras, now I expect an-” he cut himself off when he saw me.

“Oh,” Valentino said with a grin. “This. I like this.”

“Fuck! Fuck, no, shit- you aren’t supposed to- oh my god,” I panicked, ducking behind my dressing screen. My face was as red as a tomato. I was so embarrassed. “Please leave!”

“Wait, what?” Vox asked, looking to Velvette. He was confused by my reaction. Was he not supposed to see me like this? Hadn’t I just spent the past two hours preparing for this? Why was I reacting this way? He wondered if he did something wrong. “Did I…?”

“No, it’s not you,” Velvette said quickly. She stood and walked over to the two, looking guilty. “They’re just… a bit shy. They aren’t used to this, you know? I kind of startled them, by accident, just before you came in.”

“Oh,” Vox said. He was still processing. And overheating slightly.

“Honey bunny,” Val said softly, approaching the dressing screen slowly. “It’s okay. We didn’t- we don’t-” he sighed. He had no idea what to say. “Sweetheart..”

“It was a silly idea,” I said quietly, on the other side of the screen. I was sitting on the floor, my knees tucked to my chest. “Sorry.”

“No, no, don’t be sorry,” he said. “May I…? Please?”

I didn’t respond but I didn’t stop him, either. I was conflicted. I wanted them to see, I was just afraid. I was afraid of a negative reaction. “I… I guess.”

He pushed the dressing screen aside and folded it up, then sat down next to me. “Come here, mi amor, it’s okay,” he said gently. He reached out to touch me, but didn’t, awaiting my permission. He was being so considerate, it was unlike him. I leaned towards him, allowing him to touch me, but I didn’t meet his gaze. “You look beautiful,” he said, wrapping his arm around my waist. He pulled me up against him.

“Thank you,” I said, with a small smile.

I looked over at Vox, who seemed on the verge of a system crash. His screen was flickering and he was clearly overheating just at the sight of me. Velvette was trying to help. She was not very successful. I laughed a little to myself and smiled wider- more genuine.

“He likes it too, you know,” Val said, nudging me playfully.

“I can tell,” I said, my expression softening. I was less tense now, more relaxed. “I’m glad.”

“So… will you be doing this again?” He asked with a grin.

“We’ll see,” I said with a small laugh. “I’m not sure Vox could handle it.”

“He’ll just have to get used to it! I won’t let him stop me from seeing you all dolled up and gorgeous like this,” Valentino said with a playful huff. He gently ran his fingers along my bare skin. “You look wonderful, mi cariño.”

“I agree!” Vox said, apparently having snapped out of his little spiral. His screen had a pink tinge to it- I imagined that was his way of blushing- but he had a smile on his face. He walked over and sat with us, Velvette following close behind. “I’d love to see you like this more, if you’re comfortable with it. You look stunning, either way, my dear.”

“Thank you,” I said, blushing again. He chuckled and pulled me into his lap, wrapping his arms around me.

“Not a problem, darling,” he said softly. He gave me a kiss on the top of my head and smiled wider. “I love you.”

“I love you too.”

“And I love them more than you!” Velvette declared.

“Hey!”

“I love them most!”

“HEY!”

20 notes · View notes

kiwiana-writes · 1 day

Text

20 Questions for Fic Writers

Thanks @cha-melodius and @stereopticons for the tags! I know I’ve done this in the past, but it’s been a hot minute…

How many works do you have on ao3?

239!

What's your total ao3 word count?

822,937—but that’s a collaboration-boosted lie. Per my writing tracker, words that I have personally written and published on AO3 is 693,613

What fandoms do you write for?

Mostly RWRB these days, but the majority of my back catalogue is Schitt’s Creek, with a few others sprinkled in for fun. The Pairing definitely made my brain whirr… we’ll see.

Top five fics by kudos:

With so much of my heart (that none is left to protest), RWRB, 65.5k, the Much Ado About Nothing stage actor AU

Kinda think that I might be his type, RWRB, 12.8k, Alex and Bea fake date and Alex gets a little distracted by Bea’s brother

We were supposed to find this, RWRB, 3.3k, soulmate AU

We always walked a very thin line, Happiest Season, 2.7k, Riley character study/alternate ending

All the Lonely Starbucks Lovers, RWRB, 5.8k, barista Henry repeatedly putting his foot in his mouth in front of his coworker crush

(This is how I learned Puck It has been knocked out of my top five 😭)

Do you respond to comments?

Yes! And absent a Schitt’s Creek resurgence of some kind that sees me absolutely inundated I don’t see that changing.

What is the fic you wrote with the angstiest ending?

Five ways it could have ended (and one way it still could), Schitt’s Creek, 1.2k, for the love of god read the tags

What's the fic you wrote with the happiest ending?

Like… most of them? I love to end on a good HEA haha. For sheer joy, though, it’s probably With so much of my heart (that none is left to protest)

Do you get hate on fics?

From time to time. I’m very free with the delete button. Weirdly, it occasionally pops up in the AO3 comments but mostly seems to come to me via anons on tumblr??? I have no idea why.

Do you write smut?

It’s been known to happen, I guess 👀

Craziest crossover:

I haven’t written any AO3-era crossovers! A few fusions/media AUs, but no crossovers.

Have you ever had a fic stolen?

Not to my knowledge.

Have you ever had a fic translated?

Nope. I’ve only been asked once, and they wanted to post off AO3 which is a big heck nope for me (and my permissions statement has now been updated to reflect that)

Have you ever co-written a fic before?

Heck yeah I have. I’ve done several anthology-type collaborations where we each wrote a chapter in a fic, and I’ve fully cowritten fics with @ships-to-sail several times. We have another collab coming up for @aroyallybigbangrwrb and I’m also cowriting The Big Secret AU with @indestructibleheart which is essentially us one-upping each other on emotionally devastating ideas until someone writes them down. Good system 😂

All time favorite ship?

Stop making pansexuals choose things.

What's a wip you want to finish but doubt you ever will?

Look, the chances of kinktober 2021 being finished at this point are slim 😂

Schitt’s Creek kinkverse… I don’t know. I have little snippets written of future fics and they’re great but… idk. Maybe I’ll write one vignette-y wrap up fic one day.

What are your writing strengths?

Narrative POV, dialogue that feels like the characters, epistolary bullshit, smut apparently.

What are your writing weaknesses?

Coming up with actual plot lmao. Visual descriptors — I’m not even remotely a visual person so I really really struggle with writing the sorts of things people can visualise. Also like… the passage of time? A scam.

Thoughts on dialogue in another language?

Love it. I’ll shoulder tap a fluent speaker if I need an actual sentence/anything Google isn’t super reliable for. Forever heartbroken that there are no fics in my second language in AO3 and no reason for me to be able to sprinkle it into my own writing (though one of the subscriber shindig prompts might be about to change that 👀)

First fandom you wrote in?

Favorite fic you've written?

Stop! Asking! Pansexuals! To! Choose! Things!

I don’t know there are 239 of the bloody things 😂 I’m far more interested in what other people’s favourites are than what my own is!

I have no sense of who’s done this already so apologies if this is a double up but tagging @agame-writes @affectionatelyrs @anincompletelist @cricketnationrise @getmehighonmagic

@happiness-of-the-pursuit @hgejfmw-hgejhsf @indestructibleheart @inexplicablymine @nontoxic-writes

@read-and-write- @rmd-writes @sparklepocalypse @welcometololaland @whimsymanaged and, as always, anyone who wants to play!

#20 questions for fic writers #kiwiana-writes

22 notes · View notes

igbylicious · 3 days

Text

so um. @wooyoungisbaby Isak made inquiries abt whichever way Woosan & orgasm denial, how often it happens, whether Wooyoung ever gets to deny San, and oh boy my brain started buzzing lol! it was too long to answer in the replies, so this is ummm, technically a hard thoughts post i guess? very self-indulgent, very stream-of-consciousness

sex-related Woosan musings ahead, with an obvious warning for orgasm denial, but also mentions of dacryphilia & overstim (and somehow it’s abt 700~ words?! brain why?!?!?)

so yes, in pt1 Wooyoung was on a sex ban and didn’t get to cum until he and San were back from their trip lol.

in my head, San does this kind of thing on occasion, but not too often; he doesn’t overdo it bc that will genuinely upset Woo at some point lol. (also bc it means San doesn’t get to fuck Wooyoung either, and San doesn’t want to go too long without fucking Woo :C in like, a sickeningly tender way :C that man yearns for it :C )

also a ban for an entire week like in pt1 is very rare! the opportunity just presented itself bc they’d be with San’s family for the first few days; San had mixed feelings abt getting it on at his parents house, and Wooyoung got snarky abt it so San was like ‘ok i guess you are getting NOTHING for this WHOLE trip then ¯\_(ツ)_/¯’

(ps: now that reader is also in the mix, there are some fun new levels of potential torture to the concept of putting Woo on a sex ban ✪ ω ✪ )

for edging / denying Woo during actual sex; yeah that happens a lot lol — but multiple orgasm overstim is almost just as likely! San loves to change it up; but any given time they have sex, there’s decent odds that either one or the other will happen to Wooyoung… or both if he has the energy >:3

either way, both are real solid methods for San to almost guaranty he’ll have Woo crying before it’s over and what can i say? that man likes his Wooyoung a ruined, teary mess lol

as for whether Woo denies San…

well. in pt6 Wooyoung did know that San would let himself get edged all day long ( •̀ ω •́ )✧

for this version of Woosan, that’s actually a rare kink with which they might fully flip the script and have Wooyoung domming San. (they do have sex without rigid d/s roles, but it’s rare for this San to get deeply subby. tragically ( ╥ω╥ ) it will kinda sorta happen in the fic one more time tho uwu)

and usually it happens when San is real stressed or overworked or otherwise having a Bad Time™

(or if Woo is really really really in the mood for it, but in that case he will have to be on his best behaviour first lol)

they’ll really take their time for it and turn it into a ﾟ☆*Moment*☆ﾟ and it’s lowkey kinda soft; Woo will tease San plenty, obv! Woo likes his San just as teary and whiny as San likes his Wooyoung lol

but Woo is also acutely aware that he is in the caretaker role for once, and that the goal is for San to feel good and relaxed afterwards ♡ so much bodyworship, soooooooo much praise and cuddling in the aftercare <- and the praise goes both ways, bc San is so proud and grateful to Woo for taking care of him like that ;;

(and ofc when Woo’s subbing, he will ABSOLUTELY pull an edge on San if he can; just to multitask at being a menace AND give his boyfriend a lil treat hehe)

…but to come full circle, i’m not convinced that an attempt to put a sex ban on San would work out so great for Wooyoung asdkjadsjk

honestly i’m on the fence whether San’d immediately shut it down bc being the target of punishment is not his thing — but i could see Woo trying it just to be a brat, OR Woo pulls a stunt like ‘you sex ban me? good luck i sex ban you right back’ lol

which derails into an outright battle of endurance bc these two guys are not just incredibly horny but also stubborn asdkjasdjk. honestly they can’t even hold out for that long bc of aforementioned horny-ness and bc they are whipped for each other, but dear god both of them are so fucking stupidly desperate by the time they cave in and shamelessly hump each other again lol oop — and it does cumulate into a round of the shortest but also the MOST high-strung sex they’ve ever had ✪ ω ✪

(bless you Isak for being an enabler, i hope you got smth out of this ♡)

#whichever way #igby’s writing

21 notes · View notes

baladric · 1 year

Note

If you want 2 characters to throw together who have never met may I suggest Csevet and iana?

hold on hold on wait hold up wait a minute wait hold hold on ho—

Csevet was not entirely sure why he was surprised by Iäna Pel-Thenhior. He had met people of much higher influence than this upstart Amaleise composer, even before his precipitous elevation to the position of secretary to the Emperor. He had met people of much greater flamboyancy, too, possessed of much louder voices who baffled and amused him in much the same way. He had met talented artists and could carry a conversation on libretti as well as any musical layman, and had gotten much drunker, much faster with much more scrupulously tailored men.

And so he was not sure what it was, exactly, that surprised him. Or perhaps unsettled was the word.

Pel-Thenhior laughed at some joke of Min Vechin's, his head flung back on his neck, a show of earnest delight, and no, no—there was too much of kinship with Pel-Thenhior for Csevet to label the drifting feeling that had been with him all evening unsettlement. He recognized too much of Pel-Thenhior's manner, too much of the energy coming off of him for anything of that ilk. It was ever so difficult to be wary of a fellow marnis.

"Did you see that horrible little production of Seleno when it toured, the—"

"Oh!" cried Min Vechin, soft hands flying to cover her grinning mouth. "Oh no, yes, yes, with the—"

"The horse!" Their voices played a riotous counterpoint, both of them practically shouting before dissolving into rib-cracking laughter.

Were this a properly formal occasion, rather than a post-performance soirée in the more private of the Court's gardens, Csevet would have left them to it. It helped also that he was slightly soused.

"Was that the one with the tremendous wigs?" Csevet asked, with a gesture meant to encompass girth as well as height.

"The ship wigs!" Pel-Thenhior said—exclaimed, declared, ejactulated. "Yes! Absolutely wretched fucking things!"

"Oh, I hate those," said Min Vechin over the rim of her glass. "Impossible to sing in."

"And absolute murder on the neck," Pel-Thenhior agreed.

"I seem to recall," Csevet said, "that a literal model ship fell out of the soprano's wig mid-duet, and the mid-soprano—Hal... Hmm. Hallelan? Havenan?—"

"Oh no," said Min Vechin, just as Pel-Thenhior said, "Halleïan."

"Mm," Csevet said, sipping at his wine. It was far too sweet, as it had been every other time he had tasted it since switching himself over from the red in the hope of slowing the progression of his drunkenness. He sipped again and applauded himself internally for not grimacing. "Halleïan spent the rest of the scene skittering about, trying to pick up all the pieces of the ship—it broke rather spectacularly on impact—while still carrying her part of the trio right after, and I recall thinking that there was not a chance in the world that she was being paid enough for that."

"We never are," said Min Vechin, far enough into her cups herself that she made a most unbecoming facial expression.

"Please tell me Alffris stepped on a piece," said Pel-Thenhior, naming the vicious excuse for a love interest in the first act of the opera, who was always famously (scandalously) barefoot for the scene that followed. Csevet bit down on a smile.

"No," he said, "but he did accidentally kick a little bit of hull right over the lip of the stage and hit the concertmaster in the eye."

Min Vechin wailed, and Pel-Thenhior roared with a fresh bout of laughter. Csevet had become well-acquainted with the particular pleasure of making his staid, anxious emperor laugh, so he was less effected than he would have once been by the act of reducing such a self-possessed person as Mer Iäna Pel-Thenhior to riotous mirth—but the moment did give him the jolt of clarity he'd been looking for all evening.

Pel-Thenhior laughed, and across the parterre, Othala Celehar's ears lifted. As they had done all evening.

And as Pel-Thenhior sobered—tonally, at least—he shot a golden, glowing glance at the othala in turn. As he had done all evening.

Ah, Csevet thought. So it was not Pel-Thenhior that had surprised Csevet, but whatever that was—subtle enough to be getting on with, but not quite so to have escaped Csevet's finely-tuned buggery barometer. (As Basreiët called it.)

Csevet scanned the small gathering until he found Cala Athmaza, lanky and tragically sober at Maia's back. He lifted a pale eyebrow in query, to which Csevet replied by darting his gaze between Pel-Thenhior and Othala Celehar, and smiled smugly. Cala’s eyes narrowed.

Finally, Csevet’s depressingly unfaltering romanticism had done him a service—there was love even for downtrodden, withholding othalas with uncomfortable callings, and Csevet was about to win ever so much money.

"Now I don't mean to pry," Csevet said, swirling his wine in anticipation of stirring the shit. "But I've heard that opera people tend to have very polarizing views on the works of Mer Mezhaär."

Iäna Pel-Thenhior's howl would have put the Wolves of Anmura to shame.

#csevet aisava #iäna pel-thenhior #tge #the goblin emperor #witness for the dead #this one might actually be nothing but I HAD FUN #thank you anon i love you and am kissing you on both cheeks #if anyone needed to know why i don't write about iäna more #it's bc i cannot turn my opera brain off and it gets insufferable SO fast #the writing tag #prompt fill #ask #anonymous ask #the backstory on this is iäna got invited to premiere his latest opera at the ceth'opera for maia specifically and the court in general #maia was VERY excited to meet him and everyone else was like well yeah ok now we have to make this happen

47 notes · View notes

automatonknight · 1 year

Text

id: two digital drawings of a humanoid character and an old, beige desktop computer on a solid, black background. the humanoid creature has a sort of spiky ball of light for a head and its body is covered in wings-they’re on its ankles and arms, as well as two pairs on its back. floating around its head there are smaller, yellow and orange stars. the crature itself is white with light pink and blue accents.

on the first drawing, to the left, the winged creature is holding the computer in its lap, leaning its head close to its monitor, which is displaying a drawing of the sun. its wallpaper shows grassy fields and a blue sky. the computer tower is floating neraby and the computer’s mouse is swung over the creature’s shoulder. one of the wires forms a heart and the computer is shown singing four notes. the characters are slightly turned away from the viewer.

on the other drawing, the creature is upside down, laying on its back with its legs propped up on the monitor. one of its arms is under its head, holding the computer mouse and the other is touching the monitor. this time, the computer’s wallpaper is an abstract drawing showing dark blue waves. there are two windows open-one is playing a song and the other is displaying a photo of a daisy in a grassy field. the computer tower is once again nearby. here, the characters are facing the viewer. end id

#ERM. um #art #angel #computer #drew this with a platonic relationship in mind but i guess you're free to read this as romantic as well #these characters don't have names i made them up just for this one drawing (or maybe i'll draw more of them who knows) but eeurm. yeah ^__^#well i had lots of fun with this which is REFRESHING!!!#i can stop drawing for this year nothing will top this. actually #its a bit hard to make out but the computer is supposed to be playing they might be giants (1986) on the drawing to the left :3

4K notes · View notes

confetti-cat · 2 months

Text

Twelve, Thirteen, and One

Words: 6k

Rating: G

Themes: Friendship, Self-Giving Love

(Written for the Four Loves Fairytale Retelling Challenge over at the @inklings-challenge! A Cinderella retelling feat. curious critters and a lot of friendship.)

When the clock chimes midnight on that third evening, thirteen creatures look to the girl who showed them all kindness.

—

It’s hours after dark, again, and the human girl still sleeps in the ashes.

The mice notice this—though it happens so often that they’ve ceased to pay attention to her. She smells like everything else in the hearth: ashy and overworked, tinged with the faint smell of herbs from the kitchen.

When she moves or shifts in her sleep (uncomfortable sleep—even they can sense the exhaustion in her posture as she sits slumped against the wall, more willing to seep up warmth from the stone than lie cold elsewhere this time of year), they simply scurry around her and continue combing for crumbs and seeds. They’d found a feast of lentils scattered about once, and many other times, the girl had beckoned them softly to her hand, where she’d held a little chunk of brown bread.

Tonight, she has nothing. They don’t mind—though three of them still come to sniff her limp hand where it lies drooped against the side of her tattered dress.

A fourth one places a little clawed hand on the side of her finger, leaning over it to investigate her palm for any sign of food.

When she stirs, it’s to the sensation of a furry brown mouse sitting in her palm.

It can feel the flickering of her muscles as she wakes—feeling slowly returning to her body. To her credit, she cracks her eyes open and merely observes it.

They’re all but tame by now. The Harsh-Mistress and the Shrieking-Girl and the Angry-Girl are to be avoided like the plague never was, but this girl—the Cinder-Girl, they think of her—is gentle and kind.

Even as she shifts a bit and they hear the dull crack of her joints, they’re too busy to mind. Some finding a few buried peas (there were always some peas or lentils still hidden here, if they looked carefully), some giving themselves an impromptu bath to wash off the dust. The one sitting on her hand is doing the latter, fur fluffed up as it scratches one ear and then scrubs tirelessly over its face with both paws.

One looks up from where it’s discovered a stray pea to check her expression.

A warm little smile has crept up her face, weary and dirty and sore as she seems to be. She stays very still in her awkward half-curl against stone, watching the mouse in her hand groom itself. The tender look about her far overwhelms—melts, even—the traces of tension in her tired limbs.

Very slowly, so much so that they really aren’t bothered by it, she raises her spare hand and begins lightly smearing the soot away from her eyes with the back of her wrist.

The mouse in her palm gives her an odd look for the movement, but has discovered her skin is warmer than the cold stone floor or the ash around the dying fire. It pads around in a circle once, then nudges its nose against her calloused skin, settling down for a moment.

The Cinder-Girl has closed her eyes again, and drops her other hand into her lap, slumping further against the wall. Her smile has grown even warmer, if sadder.

They decide she’s quite safe. Very friendly.

—

The old rat makes his rounds at the usual times of night, shuffling through a passage that leads from the ground all the way up to the attic.

When both gold sticks on the clocks’ moonlike faces point upward, there’s a faint chime from the tower-clock downstairs. He used to worry that the sound would rouse the humans. Now, he ignores it and goes about his business.

There’s a great treasury of old straw in the attic. It’s inside a large sack—and while this one doesn’t have corn or wheat like the ones near the kitchen sometimes do, he knows how to chew it open all the same.

The girl sleeps on this sack of straw, though she doesn’t seem to mind what he takes from it. There’s enough more of it to fill a hundred rat’s nests, so he supposes she doesn’t feel the difference.

Tonight, though—perhaps he’s a bit too loud in his chewing and tearing. The girl sits up slowly in bed, and he stiffens, teeth still sunk into a bit of the fabric.

“Oh.” says the girl. She smiles—and though the expression should seem threatening, all pulled mouth-corners and teeth, he feels the gentleness in her posture and wonders at novel thoughts of differing body languages. “Hello again. Do you need more straw?”

He isn’t sure what the sounds mean, but they remind him of the soft whuffles and squeaks of his siblings when they were small. Inquisitive, unafraid. Not direct or confrontational.

She’s seemed safe enough so far—almost like the woman in white and silver-gold he’s seen here sometimes, marveling at his own confidence in her safeness—so he does what signals not-afraid the best to his kind. He glances her over, twitches his whiskers briefly, and goes back to what he was doing.

Some of the straw is too big and rough, some too small and fine. He scratches a bundle out into a pile so he can shuffle through it. It’s true he doesn’t need much, but the chill of winter hasn’t left the world yet.

The girl laughs. The sound is soft and small. It reminds him again of young, friendly, peaceable.

“Take as much as you need,” she whispers. Her movements are unassuming when she reaches for something on the old wooden crate she uses as a bedside table. With something in hand, she leans against the wall her bed is a tunnel’s-width from, and offers him what she holds. “Would you like this?”

He peers at it in the dark, whiskers twitching. His eyesight isn’t the best, so he finds himself drawing closer to sniff at what she has.

It’s a feather. White and curled a bit, like the goose-down he’d once pulled out the corner of a spare pillow long ago. Soft and long, fluffy and warm.

He touches his nose to it—then, with a glance upward at her softly-smiling face, takes it in his teeth.

It makes him look like he has a mustache, and is a bit too big to fit through his hole easily. The girl giggles behind him as he leaves.

—

There’s a human out in the gardens again. Which is strange—this is a place for lizards, maybe birds and certainly bugs. Not for people, in his opinion. She’s not dressed in venomous bright colors like the other humans often are, but neither does she stay to the manicured garden path the way they do.

She doesn’t smell like unnatural rotten roses, either. A welcome change from having to dart for cover at not just the motions, but the stenches that accompany the others that appear from time to time.

This human is behind the border-shubs, beating an ornate rug that hangs over the fence with a home-tied broom. Huge clouds of dust shake from it with each hit, settling in a thin film on the leaves and grass around her.

She stops for a moment to press her palm to her forehead, then turns over her shoulder and coughs into her arm.

When she begins again, it’s with a sharp WHOP.

He jumps a bit, but only on instinct. However—

A few feet from where he settles back atop the sunning-rock, there’s a scuffle and a sharp splash. Then thrashing—waster swashing about with little churns and splishes.

It’s not the way of lizards to think of doing anything when one falls into the water. There were several basins for fish and to catch water off the roof for the garden—they simply had to not fall into them, not drown. There was little recourse for if they did. What could another lizard do, really? Fall in after them? Best to let them try to climb out if they could.

The girl hears the splashing. She stares at the water pot for a moment.

Then, she places her broom carefully on the ground and comes closer.

Closer. His heart speeds up. He skitters to the safety of a plant with low-hanging leaves—

—and then watches as she walks past his hiding place, peers into the basin, and reaches in.

Her hand comes up dripping wet, a very startled lizard still as a statue clinging to her fingers.

“Are you the same one I always find here?” she asks with a chiding little smile. “Or do all of you enjoy swimming?”

When she places her hand on the soft spring grass, the lizard darts off of it and into the underbrush. It doesn’t go as far as it could, though—something about this girl makes both of them want to stand still and wait for what she’ll do next.

The girl just watches it go. She lets out a strange sound—a weary laugh, perhaps—and turns back to her peculiar chore.

—

A song trails through the old house—under the floorboards—through the walls—into the garden, beneath the undergrowth—and lures them out of hiding.

It isn’t an audible song, not like that of the birds in the summer trees or the ashen-girl murmuring beautiful sounds to herself in the lonely hours. This one was silent. Yet, it reached deep down into their souls and said come out, please—the one who helped you needs your help.

It didn’t require any thought, no more than eat or sleep or run did.

In chains of silver and grey, all the mice who hear it converge, twenty-four tiny feet pattering along the wood in the walls. The rat joins them, but they are not afraid.

When they emerge from a hole out into the open air, the soft slip-slap of more feet surround them. Six lizards scurry from the bushes, some gleaming wet as if they’d just escaped the water trough or run through the birdbath themselves.

As a strange little hoard, they approach the kind girl. Beside her is a tall woman wearing white and silver and gold.

The girl—holding a large, round pumpkin—looks surprised to see them here. The woman is smiling.

“Set the pumpkin on the drive,” the woman says, a soft gleam in her eye. “The rest of you, line up, please.”

Bemused, but with a heartbeat fast enough for them to notice, the girl gingerly places the pumpkin on the stone of the drive. It’s natural for them, somehow, to follow—the mice line in pairs in front of it, the rat hops on top of it, and the lizards all stand beside.

“What are they doing?” asks the girl—and there’s curiosity and gingerness in her tone, like she doesn’t believe such a sight is wrong, but is worried it might be.

The older woman laughs kindly, and a feeling like blinking hard comes over the world.

It’s then—then, in that flash of darkness that turns to dazzling light, that something about them changes.

“Oh!” exclaims the girl, and they open their eyes. “Oh! They’re—“

They’re different.

The mice aren’t mice at all—and suddenly they wonder if they ever were, or if it was an odd dream.

They’re horses, steel grey and sleek-haired with with silky brown manes and tails. Their harnesses are ornate and stylish, their hooves polished and dark.

Instead of a rat, there’s a stout man in fine livery, with whiskers dark and smart as ever. He wears a fine cap with a familiar white feather, and the gleam in his eye is surprised.

“Well,” he says, examining his hands and the cuffs of his sleeves, “I suppose I won’t be wanting for adventure now.”

Instead of six lizards, six footmen stand at attention, their ivory jackets shining in the late afternoon sun.

The girl herself is different, though she’s still human—her hair is done up beautifully in the latest fashion, and instead of tattered grey she wears a shimmering dress of lovely pale green, inlaid with a design that only on close inspection is flowers.

“They are under your charge, now,” says the woman in white, stepping back and folding her hands together. “It is your responsibility to return before the clock strikes midnight—when that happens, the magic will be undone. Understood?”

“Yes,” says the girl breathlessly. She stares at them as if she’s been given the most priceless gift in all the world. “Oh, thank you.”

—

The castle is decorated brilliantly. Flowery garlands hang from every parapet, beautiful vines sprawling against walls and over archways as they climb. Dozens of picturesque lanterns hang from the walls, ready to be lit once the sky grows dark.

“It’s been so long since I’ve seen the castle,” the girl says, standing one step out of the carriage and looking so awed she seems happy not to go any further. “Father and I used to drive by it sometimes. But it never looked so lovely as this.”

“Shall we accompany you in, milady?” asks one of the footmen. They’re all nearly identical, though this one has freckles where he once had dark flecks in his scales.

She hesitates for only a moment, looking up at the pinnacles of the castle towers. Then, she shakes her head, and turns to look at them all with a smile like the sun.

“I think I’ll go in myself,” she says. “I’m not sure what is custom. But thank you—thank you so very much.”

And so they watch her go—stepping carefully in her radiant dress that looked lovelier than any queen’s.

Though she was not royal, it seemed there was no doubt in anyone’s minds that she was. The guards posted at the door opened it for her without question.

With a last smile over her shoulder, she stepped inside.

—

He's straightening the horses' trappings for the fifth time when the doors to the castle open, and out hurries a figure. It takes him a moment to recognize her, garbed in rich fabrics and cloaked in shadows, but it's the girl, rushing out to the gilded carriage. A footman steps forward and offers her a hand, which she accepts gratefully as she steps up into the seat.

“Enjoyable evening, milady?” asks the coachman. His whiskers are raised above the corners of his mouth, and his twinkling eyes crinkle at the edges.

“Yes, quite, thank you!” she breathes in a single huff. She smooths her dress the best she can before looking at him with some urgency. “The clock just struck quarter till—will you be able to get us home?”

The gentle woman in white had said they only would remain in such states until midnight. How long was it until the middle of night? What was a quarter? Surely darkness would last for far more hours than it had already—it couldn’t be close. Yet it seemed as though it must be; the princesslike girl in the carriage sounded worried it would catch them at any moment.

“I will do all I can,” he promises, and with a sharp rap of the reins, they’re off at a swift pace.

They arrive with minutes to spare. He knows this because after she helps him down from the carriage (...wait. That should have been the other way around! He makes mental note for next time: it should be him helping her down. If he can manage it. She’s fast), she takes one of those minutes to show him how his new pocketwatch works.

He’s fascinated already. There’s a part of him that wonders if he’ll remember how to tell time when he’s a rat again—or will this, all of this, be forgotten?

The woman in white is there beside the drive, and she’s already smiling. A knowing gleam lights her eye.

“Well, how was the ball?” she asks, as Cinder-Girl turns to face her with the most elated expression. “I hear the prince is looking for fair maidens. Did he speak with you?”

The girl rushes to grasp the woman’s hands in hers, clasping them gratefully and beaming up at her.

“It was lovely! I’ve never seen anything so lovely,” she all but gushes, her smile brighter and broader than they’d ever seen it. “The castle is beautiful; it feels so alive and warm. And yes, I met the Prince—although hush, he certainly isn’t looking for me—he’s so kind. I very much enjoyed speaking with him. He asked me to dance, too; I had as wonderful a time as he seemed to. Thank you! Thank you dearly.”

The woman laughs gently. It isn’t a laugh one would describe as warm, but neither is it cold in the sense some laughs can be—it's soft and beautiful, almost crystalline.

“That’s wonderful. Now, up to bed! You’ve made it before midnight, but your sisters will be returning soon.”

“Yes! Of course,” she replies eagerly—turning to smile gratefully at coachman and stroke the nearest horses on their noses and shoulders, then curtsy to the footmen. “Thank you all, very much. I could not ask for a more lovely company.”

It’s a strange moment when all of their new hearts swell with warmth and affection for this girl—and then the world darkens and lightens so quickly they feel as though they’ve fallen asleep and woken up.

They’re them again—six mice, six lizards, a rat, and a pumpkin. And a tattered gray dress.

“Please, would you let me go again tomorrow? The ball will last three days. I had such a wonderful time.”

“Come,” the woman said simply, “and place the pumpkin beneath the bushes.”

The woman in white led the way back to the house, followed by an air-footed girl and a train of tiny critters. There was another silent song in the air, and they thought perhaps the girl could hear it too: one that said yes—but get to bed!

—

The second evening, when the door of the house thuds shut and the hoofsteps of the family’s carriage fade out of hearing, the rat peeks out of a hole in the kitchen corner to see the Cinder-Girl leap to her feet.

She leans close to the window and watched for more minutes than he quite understands—or maybe he does; it was good to be sure all cats had left before coming out into the open—and then runs with a spring in her step to the back door near the kitchen.

Ever so faintly, like music, the woman’s laughter echoes faintly from outside. Drawn to it like he had been drawn to the silent song, the rat scurries back through the labyrinth of the walls.

When he hurries out onto the lawn, the mice and lizards are already there, looking up at the two humans expectantly. This time, the Cinder-Girl looks at them and smiles broadly.

“Hello, all. So—how do you do it?” she asks the woman. Her eyes shine with eager curiosity. “I had no idea you could do such a thing. How does it work?”

The woman fixes her with a look of fond mock-sternness. “If I were to explain to you the details of how, I’d have to tell you why and whom, and you’d be here long enough to miss the royal ball.” She waves her hands she speaks. “And then you’d be very much in trouble for knowing far more than you ought.”

The rat misses the girl’s response, because the world blinks again—and now all of them once again are different. Limbs are long and slender, paws are hooves with silver shoes or feet in polished boots.

The mouse-horses mouth at their bits as they glance back at the carriage and the assortment of humans now standing by it. The footmen are dressed in deep navy this time, and the girl wears a dress as blue as the summer sky, adorned with brilliant silver stars.

“Remember—“ says the woman, watching fondly as the Cinder-Girl steps into the carriage in a whorl of beautiful silk. “Return before midnight, before the magic disappears.”

“Yes, Godmother,” she calls, voice even more joyful than the previous night. “Thank you!”

—

The castle is just as glorious as before—and the crowd within it has grown. Noblemen and women, royals and servants, and the prince himself all mill about in the grand ballroom.

He’s unsure of the etiquette, but it seems best for her not to enter alone. Once he escorts her in, the coachman bows and watches for a moment—the crowd is hushed again, taken by her beauty and how important they think her to be—and then returns to the carriage outside.

He isn’t required in the ballroom for much of the night—but he tends to the horses and checks his pocketwatch studiously, everything in him wishing to be the best coachman that ever once was a rat.

Perhaps that wouldn’t be hard. He’d raise the bar, then. The best coachman that ever drove for a princess.

Because that was what she was—or, that was what he heard dozens of hushed whispers about once she’d entered the ball. Every noble and royal and servant saw her and deemed her a grand princess nobody knew from a land far away. The prince himself stared at her in a marveling way that indicated he thought no differently.

It was a thing more wondrous than he had practice thinking. If a mouse could become a horse or a rat could become a coachman, couldn’t a kitchen-girl become a princess?

The answer was yes, it seemed—perhaps in more ways than one.

She had rushed out with surprising grace just before midnight. They took off quickly, and she kept looking back toward the castle door, as if worried—but she was smiling.

“Did you know the Prince is very nice?” she asks once they’re safely home, and she’s stepped down (drat) without help again. The woman in white stands on her same place beside the drive, and when Cinder-Girl sees her, she waves with dainty grace that clearly holds a vibrant energy and sheer thankfulness behind it. “I’ve never known what it felt like to be understood. He thinks like I do.”

“How is that?” asks the woman, quirking an amused brow. “And if I might ask, how do you know?”

“Because he mentions things first.” The girl tries to smother some of the wideness of her smile, but can’t quite do so. “And I've shared his thoughts for a long time. That he loves his father, and thinks oranges and citrons are nice for festivities especially, and that he’s always wanted to go out someday and do something new.”

—

The third evening, the clouds were dense and a few droplets of rain splattered the carriage as they arrived.

“Looks like rain, milady,” said the coachman as she disembarked to stand on water-spotted stone. “If it doesn’t blow by, we’ll come for ye at the steps, if it pleases you.”

“Certainly—thank you,” she replies, all gleaming eyes and barely-smothered smiles. How her excitement to come can increase is beyond them—but she seems more so with each night that passes.

She has hardly turned to head for the door when a smattering of rain drizzles heavily on them all. She flinches slightly, already running her palms over the skirt of her dress to rub out the spots of water.

Her golden dress glisters even in the cloudy light, and doesn’t seem to show the spots much. Still, it’s hardy an ideal thing.

“One of you hold the parasol—quick about it, now—and escort her inside,” the coachman says quickly. The nearest footman jumps into action, hop-reaching into the carriage and falling back down with the umbrella in hand, unfolding it as he lands. “Wait about in case she needs anything.”

The parasol is small and not meant for this sort of weather, but it's enough for the moment. The pair of them dash for the door, the horses chomping and stamping behind them until they’re driven beneath the bows of a huge tree.

The footman knows his duty the way a lizard knows to run from danger. He achieves it the same way—by slipping off to become invisible, melting into the many people who stood against the golden walls.

From there, he watches.

It’s so strange to see the way the prince and their princess gravitate to each other. The prince’s attention seems impossible to drag away from her, though not for many’s lack of trying.

Likewise—more so than he would have thought, though perhaps he’s a bit slow in noticing—her focus is wholly on the prince for long minutes at a time.

Her attention is always divided a bit whenever she admires the interior of the castle, the many people and glamorous dresses in the crowd, the vibrant tables of food. It’s all very new to her, and he’s not certain it doesn’t show. But the Prince seems enamored by her delight in everything—if he thinks it odd, he certainly doesn’t let on.

They talk and laugh and sample fine foods and talk to other guests together, then they turn their heads toward where the musicians are starting up and smile softly when they meet each other’s eyes. The Prince offers a hand, which is accepted and clasped gleefully.

Then, they dance.

Their motions are so smooth and light-footed that many of the crowd forgo dancing, because admiring them is more enjoyable. They’re in-sync, back and forth like slow ripples on a pond. They sometimes look around them—but not often, especially compared to how long they gaze at each other with poorly-veiled, elated smiles.

The night whirls on in flares of gold tulle and maroon velvet, ivory, carnelian, and emerald silks, the crowd a nonstop blur of color.

(Color. New to him, that. Improved vision was wonderful.)

The clock strikes eleven, but there’s still time, and he’s fairly certain he won’t be able to convince the girl to leave anytime before midnight draws near.

He was a lizard until very recently. He’s not the best at judging time, yet. Midnight does draw near, but he’s not sure he understands how near.

The clock doesn’t quite say up-up. So he still has time. When the rain drums ceaselessly outside, he darts out and runs in a well-practiced way to find their carriage.

—

Another of the footmen comes in quickly, having been sent in a rush by the coachman, who had tried to keep his pocketwatch dry just a bit too long. He’s soaking wet from the downpour when he steps close enough to get her attention.

She sees him, notices this, and—with a glimmer of recognition and amusement in her eyes—laughs softly into her hand.

ONE—TWO— the clock starts. His heart speeds up terribly, and his skin feels cold. He suddenly craves a sunny rock.

“Um,” he begins awkwardly. Lizards didn’t have much in the way of a vocal language. He bows quickly, and water drips off his face and hat and onto the floor. “The chimes, milady.”

THREE—FOUR—

Perhaps she thought it was only eleven. Her face pales. “Oh.”

FIVE—SIX—

Like a deer, she leaps from the prince’s side and only manages a stumbling, backward stride as she curtsies in an attempt at a polite goodbye.

“Thank you, I must go—“ she says, and then she’s racing alongside the footman as fast as they both can go. The crowd parts for them just enough, amidst loud murmurs of surprise.

SEVEN—EIGHT—

“Wait!” calls the prince, but they don’t. Which hopefully isn’t grounds for arrest, the footman idly thinks.

They burst through the door and out into the open air.

NINE—TEN—

It has been storming. The rain is crashing down in torrents—the walkways and steps are flooded with a firm rush of water.

She steps in a crevice she couldn’t see, the water washes over her feet, and she stumbles, slipping right out of one shoe. There’s noise at the door behind them, so she doesn’t stop or even hesitate. She runs at a hobble and all but dives through the open carriage door. The awaiting footman quickly closes it, and they’re all grasping quickly to their riding-places at the corners of the vehicle.

ELEVEN—

A flash of lightning coats the horses in white, despite the dark water that’s soaked into their coats, and with a crack of the rains and thunder they take off at a swift run.

There’s shouting behind them—the prince—as people run out and call to the departing princess.

TWELVE.

Mist swallows them up, so thick they can’t hear or see the castle, but the horses know the way.

The castle’s clock tower must have been ever-so-slightly fast. (Does magic tell truer time?) Their escape works for a few thundering strides down the invisible, cloud-drenched road—until true midnight strikes a few moments later.

—

She walks home in the rain and fog, following a white pinprick of light she can guess the source of—all the while carrying a hollow pumpkin full of lizards, with an apron pocket full of mice and a rat perched on her shoulder.

It’s quite the walk.

—

The prince makes a declaration so grand that the mice do not understand it. The rat—a bit different now—tells them most things are that way to mice, but he’s glad to explain.

The prince wants to find the girl who wore the golden slipper left on the steps, he relates. He doesn’t want to ask any other to marry him, he loved her company so.

The mice think that’s a bit silly. Concerning, even. What if he does find her? There won’t be anyone to secretly leave seeds in the ashes or sneak them bread crusts when no humans are looking.

The rat thinks they’re being silly and that they’ve become too dependent on handouts. Back in his day, rodents worked for their food. Chewing open a bag of seed was an honest day’s work for its wages.

Besides, he confides, as he looks again out the peep-hole they’ve discovered in the floor trim of the parlor. You’re being self-interested, if you ask me. Don’t you want our princess to find a good mate, and live somewhere spacious and comfortable, free of human-cats, where she’d finally have plenty to eat?

It’s hard to make a mouse look appropriately chastised, but that question comes close. They shuffle back a bit to let him look out at the strange proceedings in the parlor again.

There are many humans there. The Harsh-Mistress stands tall and rigid at the back of one of the parlor chairs, exchanging curt words with a strange man in fine clothes with a funny hat. Shrieking-Girl and Angry-Girl stand close, scoffing and laughing, looking appalled.

Cinder-Girl sits on the chair that’s been pulled to the middle of the room. She extends her foot toward a strange golden object on a large cushion.

The shoe, the rat notes so the mice can follow. They can’t quite see it from here—poor eyesight and all.

Of course, the girl’s foot fits perfectly well into her own shoe. They all saw that coming.

Evidently, the humans did not. There’s absolute uproar.

“There is no possible way she’s the princess you’re looking for!” declares Harsh-Mistress, her voice full of rage. “She’s a kitchen maid. Nothing royal about her.”

“How dare you!” Angry-Girl rages. “Why does it fit you? Why not us?”

“You sneak!” shrieks none other than Shrieking-Girl. “Mother, she snuck to the ball! She must have used magic, somehow! Princes won’t marry sneaks, will they?”

“I think they might,” says a calm voice from the doorway, and the uproar stops immediately.

The Prince steps in. He stares at Cinder-Girl.

She stares back. Her face is still smudged with soot, and her dress is her old one, gray and tattered. The golden slipper gleams on her foot, having fit as only something molded or magic could.

A blush colors her face beneath the ash and she leaps up to do courtesy. “Your Highness.”

The Prince glances at the messenger-man with the slipper-pillow and the funny hat. The man nods seriously.

The Prince blinks at this, as if he wasn’t really asking anything with his look—it’s already clear he recognizes her—and meets Cinder-Girl’s gaze with a smile. It’s the same half-nervous, half-attemptingly-charming smile as he kept giving her at the ball.

He bows to her and offers a hand. (The rat has to push three mice out of the way to maintain his view.)

“It’s my honor,” he assures her. “Would you do me the great honor of accompanying me to the castle? I’d had a question in mind, but it seems there are—“ he glances at Harsh-Mistress, who looks like a very upset rat in a mousetrap. “—situations we might discuss remedying. You’d be a most welcome guest in my father’s house, if you’d be amenable to it?”

It’s all so much more strange and unusual than anything the creatures of the house are used to seeing. They almost don’t hear it, at first—that silent song.

It grows stronger, though, and they turn their heads toward it with an odd hope in their hearts.

—

The ride to the castle is almost as strange as that prior walk back. The reasons for this are such:

One—their princess is riding in their golden carriage alongside the prince, and their chatter and awkward laughter fills the surrounding spring air. They have a good feeling about the prince, now, if they didn’t already. He can certainly take things in stride, and he is no respecter of persons. He seems just as elated to be by her side as he was at the ball, even with the added surprise of where she'd come from.

Two—they have been transformed again, and the woman in white has asked them a single question: Would you choose to stay this way?

The coachman said yes without a second thought. He’d always wanted life to be more fulfilling, he confided—and this seemed a certain path to achieving that.

The footmen might not have said yes, but there was something to be said for recently-acquired cognition. It seemed—strange, to be human, but the thought of turning back into lizards had the odd feeling of being a poor choice. Baffled by this new instinct, they said yes.

The horses, of course, said things like whuff and nyiiiehuhum, grumph. The woman seemed to understand, though. She touched one horse on the nose and told it it would be the castle’s happiest mouse once the carriage reached its destination. The others, it seemed, enjoyed their new stature.

And three—they are heading toward a castle, where they have all been offered a fine place to live. The Prince explains that he doesn’t wish for such a kind girl to live in such conditions anymore. There’s no talk of anyone marrying—just discussions of rooms and favorite foods and of course, you’ll have the finest chicken pie anytime you’d like and I can’t have others make it for me! Lend me the kitchens and I’ll make some for you; I have a very dear recipe. Perhaps you can help. (Followed in short order by a ...Certainly, but I’d—um, I’d embarrass myself trying to cook. You would teach me? and a gentle laugh that brightened the souls of all who could hear it.)

“If you’d be amenable to it,” she replies—and in clear, if surprised, agreement, the Prince truly, warmly laughs.

“Milady,” the coachman calls down to them. “Your Highness. We’re here.”

The castle stands shining amber-gold in the light of the setting sun. It will be the fourth night they’ve come here—the thirteen of them and the one of her—but midnight, they realize, will not break the spell ever again.

One by one, they disembark from the carriage. If it will stay as it is or turn back into a pumpkin, they hadn't thought to ask. There’s so much warmth swelling in their hearts that they don’t think it matters.

The girl, their princess, smiles—a dear, true smile, tentative in the face of a brand new world, but bright with hope—and suddenly, they’re all smiling too.

She steps forward, and they follow. The prince falls into step with her and offers an arm, and their glances at each other are brimming with light as she accepts.

With her arm in the arm of the prince, a small crowd of footmen and the coachman trailing behind, and a single grey mouse on her shoulder, the once-Cinder-Girl walks once again toward the palace door.