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#this isn’t FOR YOU
lesbielol · 28 days
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can men stop interacting with wlw blogs PLEASE
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I love how the forest scene™️ is almost like a short film in itself. It’s seamless, just flows bc what is that chemistry?? But also bc it’s all about defying expectations.
Notice how at the start the picnic bench in the woods is a terrifying setting. Chrissy gets there, and is immediately hounded by Vecna, bc the place looks terrifying in on its own. But then, as Eddie arrives and we get through that beloved conversation, the place starts to look homely. No wonder it’s a top setting of so many Hellcheer fics!
And then, it’s the same with how both Chrissy and Eddie interact with each other. At the start, she’s scared and he’s apprehensive. Both are expecting the worst of the other. The mean and scary. But then that changes. Because just like the clearing in the forest, they defy expectations! They find exactly what they were looking for in each other
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queenjiru · 10 months
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It’s been too long since I’ve drawn some proper nsfw so….here’s a lil preview
Uncensored
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splish-splashy · 2 years
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My advice for feeling good about yourself is a pretty nightgown you like and Paul Dano
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zytes · 6 months
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this manatee looks like it’s in a skyrim loading screen
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tariah23 · 18 days
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White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.
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firephoenix23 · 4 months
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Like I literally have second hand embarrassment for Vox after seeing what Alastor ACTUALLY is like in a rivalry.
Like homie wishes he could be that close to Alastor 😂😂
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cthulian-priestess · 22 days
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Maybe it’s the brain worms, but I have always found it so fascinating when butch or nonbinary or other gender non-conforming lesbians talk about gender. To them gender is something so complex and abstract that it can scarcely be described, a geode of a different shade within each one.
Sometimes I think because I’m femme that my gender is more simple. My aesthetic has been mistakable for trad-femme ever since I hit puberty, for me womanhood is to be found in the frills and the chiffon and the pretty long hair.
Maybe it’s because I’m in a committed relationship, so I feel more free to explore my gender expression now, but as I’ve gotten older to me being femme has become something so wonderfully odd. It’s still frilly, it’s still traditional looking on the surface, but it’s so many other things too.
To me, being femme is smelling like wet stone.
Having something long and metallic and sharp under your skin that you can’t find or explain, something that may burst forth one day
Being femme feels mechanical, algorithmic, intrinsic.
The pains of womanhood are enlightening and transcendental moments before they are crippling, debilitating.
To be big is femme, to be small is as well
The parts of me that are femme look like gazing through a kaleidoscope.
My desire to feed my wife and children is femme.
My desire to tear anything that bothers my beloved apart with my teeth is femme.
Heels are femme, and my ankles, getting thicker as age wears at them, are femme.
My desire to be with my family is femme, my desire to cut out people who would drain me with no regard for what is left is femme.
Things become tangled in my gender expression which are genderless but which possess a deep, meaningful relationship to gender in my mind.
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Little Gummi and his mummi
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ato-dato · 8 months
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Go on, burst every one of his bubbles why don’t you
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ambrosiagourmet · 4 months
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I want to talk about why I think this is the one of the most important Falin panels:
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So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.
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In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.
At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.
And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.
Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.
If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.
We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:
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So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.
Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."
So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.
However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.
Isn't that the same thing?
No, no it very much is not.
Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:
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Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.
But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.
If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.
Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.
Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.
Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.
We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.
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And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.
So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.
It doesn't seem like Falin has ever confronted any of it directly.
And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:
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Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.
And this is something Falin embraces, too. She comes back to life, after all.
We see her choose to come back to life.
And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:
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Do you want to eat more?
There is a double meaning in the Winged Lion's final words on the next page.
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When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.
But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.
And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.
It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.
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ditzybat · 2 months
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dick, who just got black mailed by 12 year old stalker tim: scary, that tim kid has a spot on bat-glare despite not spending anytime with you whatsoever, i mean the resemblance is uncanny
bruce trying to figure out if he ever slept with janet drake: very scary…
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blupoh · 2 months
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analog horror needs to let go of daisy bell I am FED UP
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rabidbatboy · 4 months
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“girlcock” this, “girlcock” that. what if I want to watch the corner of her eyes crinkle when she talks about the tv show she likes. what if I want her to be able to confide in me the things she never felt safe enough to tell anyone else.
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jerseymuppet · 4 months
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getting up on my soapbox for a moment. i find it laughable that nearly every time someone says they don’t like rap they cite hamilton and k-pop as the only rap they can tolerate. because everything else is just so violent and full of blatant consumerism. first off. so is k-pop. secondly. idk how to tell you the founding fathers were some of the most violent people around (coming from a black american descentant of slaves who is most likely related to thomas jefferson. shouldn’t have to explain the relevance here). thirdly. hamilton and k-pop both reference and interpolate rap. so idk what to tell you babes. you do like rap. you just don’t like black people. say it with your full chest next time.
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tragedykery · 1 year
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I ❤️ self-loathing characters, characters who struggle with monstrosity (either fearing or embracing it), characters who are so lonely, who have a gaping hole in their chest, who bottle up & repress their feelings, who claw their way up & have ambitions, who fall down & lose everything, who search for identity & purpose yet can’t see themselves outside of what others want from or expect of them, who are hurt & hurt others, who long & grieve, who lie & pretend. characters who are messy & flawed & human
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