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#this isn’t about one character in particular
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Winter's King 14
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No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.
Warnings: this fic will include dark content such as noncon/dubcon, cheating, violence, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.
This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.
Summary: You are a maid to the Duke of Debray, a lord of the Summer Kingdom. That is, until the king of Winter appears with his particular air of coldness. (Medieval AU)
Characters: Geralt of Rivia
Note: Another work week :(
As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.
Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.
I love you all immensely. Take care. 💖
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Not long after the king’s departure, Lord Jaskier excuses himself to see to his horse. Queen Jazlene sends him off with a similar quip about serious matters. You don’t quite understand her. She should be concerned with the weeks of travel ahead of her, not only of the time, but of the climate. 
She finishes the bottle on her own. Much of it went to her cup. You think of warning her but it isn’t your place. You can only watch her head wobble as that hazy look softens her features. On her last gulp, a droplet trickles down her chin. You suspect she might be as unhappy as her husband claimed of himself the previous night. They make a rather sad pairing. 
It’s early still. Perhaps once they are settled, it won’t be so tense. They will have a chance to know each other better without the stresses of a war or the road ahead. 
Your thoughts stray and your vision fogs as you stare at a blue tapestry. Jazlene continues to babble and suddenly, the clink of her cup jolts you from your trance. You look at her as she slumps against the table. Her shoulders are slack, her arms bent around her head as it droops onto the wood. You can see her breath as she hunches weakly in her chair. 
“Your highness?” You call to her. You sway on your feet as you watch her. Come on, move. “Your highness?” You take a step toward her, “Lady Jazlene?” 
She groans and slips to the side. You rush around without a thought to catch her. She garbles drunkenly as you hold her in her arms, one leg still on the seat as her other hangs limply. She’s heavier than you would expect. 
“Your highness?” You squeak as you struggle to keep her off the ground. You can’t drop the queen. 
Her head lolls as her lashes flutter. She is certainly not conscious. The acrid scent of wine rises from her lips. You try to hike her higher, slinging her arm around your shoulder as you grunt. She’s not that big, you’re just weak. You can carry a cask or a chest, but a person is a much different matter. 
You wrap your arms around her and haul her around the table. Her slippers drag and you clatter into the chairs and nearly trip on the edge of the rug. Your leg muscles thrum with the effort and your back racks. You look around. The bedchamber is too far. 
You turn and little by little, step by step, drag her to the couch. Her feet loudly scrape across the floor. You angle her around with another laboured grunt and as you do, the hinges whine and the left door opens. You look up as the king enters and your lips part in surprise. You’ve been caught. Rather, the queen has. 
He stares at you and eases shut the door. He comes around as your arms quake. He wordlessly takes his wife from your grasp and lays her across the sofa. You put a pillow under her head and back up, rubbing your upper arms. 
“Your highness, she was not feeling well,” you say. 
“She has drunk herself into a stupor,” he snarls as he backs up, crossing his arms as he glares down at her. “Do not lie, especially on her behalf. It does not become you.” 
“Your highness, I apologise. I only worry for her--” 
“You shouldn’t,” he intones, “she doesn’t worry for you. Or me. Or anyone but herself.” He turns and goes to the table. He rights the overturned cup and you reproach yourself for not doing so first. “But I do appreciate you attending to her. I’d rather not have found her upon the floor.” 
“Your highness,” you bow your head. 
He’s quiet. You’re unsure what to do next. Should you leave him with Jazlene or stay to tend to her? He will need sleep for the ride. 
“Little maid, you will send to have a bath drawn. There will be little chance to wash upon the road,” he commands. 
“As you wish, your highness.” 
“Mm, if only,” he murmurs as she sits and grabs the empty bottle, sneering at its hollowness. 
You set off to have water brought to his chamber. You assist the other servants in carrying the vessels of steaming water. All the while, the king ruminates at the table. He picks at his index finger and his cheek ticks. When at last the tub is full, you go to trail out after the castle servants. 
“Little maid, I require assistance,” he says. 
You remain and the doors close in the tension. You watch the king, your fingers twined together as you cautiously approach. He glowers at his fingers and huffs. 
“You have small hands,” he rests his palm open on the table, “please, I would have use of them.” 
Curious, you move towards him. He turns to you and holds out his large hand. He pokes his index fingers up and hisses. 
“I got it on the door. A splinter,” he explains. 
You see the dark spot, just the minuscule tip of it poking above his rough skin. The skin around it is inflamed, both from the sliver and his fussing. You bring your hands to cradle his single one and lean to have a closer look. You keep one hand under his and slip the other down the side of his palm. 
You brush your fingertips over the lines of his knuckles. He’s quiet as he lets you gently squeeze. You glance up beneath your lashes. 
“It might hurt, your highness. Apologies.” 
His cheek twitches, “I’ve had worse than a maid’s touch.” 
You squeeze until his flesh his taut. You pinch the tip of the splinter with your other fingers, using your nails to get a grip of it. You pull slowly. Very slowly, terrified of losing hold and having it go deeper. The wooden sliver slides out and before you can examine it, it falls to the floor, disappearing into the fabric of the rug. 
The king sighs, “better.” He brings his other hand over yours and covers your small ones with his, “many thanks, little maid.” 
He lets you go, his calloused skin brushing your sleeves, and he hums grimly. He bends his head forward and his white waves shift on his shoulders. He pushes his hair back and raises his head again. His eyes almost glow as he looks at you. 
“I should fetch some water for the queen in case she stirs--” 
“Later,” he dismisses, “might I ask another favour of such delicate hands?” 
You dip your chin down, “I serve you and the queen, your highness.” 
“Mm, yes, you recall, the knot in my shoulder, where I carry my sword,” he points along his shoulder, “if it isn’t trouble, I might have you loosen it before I must ride anon.” 
“Your highness,” you acquiesce, curling your fingers into your palms. You remember that first night you met him, as he sat in the steaming tub and had you touch him. You sweat at the memory. 
“It would be best before I soak,” he reaches to untie the laces of his tunic. 
You watch him, helpless. As with the queen, you can only heed his whims. At least he is gentler in his mastery. He pulls his tunic above his head and strips it away completely. He lets it hang over one leg and squares his shoulders as he sits back in the chair. 
You go around him and he moves his hair to his other shoulder. Your hands tremble slightly before you touch him. His muscles are thick and his skin taught across everyone. His arms are rounded with bulk and his neck is bullish in girth. He carries so much strength and power as if it is nothing. 
You squeeze the muscles gently with one hand, pressing the other behind it. You knead carefully, gradually putting more behind it, responding to the soft breaths and low grunts rising from the king. You hit a spot with some resistance and he growls. 
“There,” he grits as he drops his head forward. “Harder.” 
You push your thumb against the little pearl of tension you feel along his shoulder. He exhales deeply and lets out a wolfish snarl. He grips his thigh as you work his flesh. Your hands move without much thought. Lady Rezlyn often requested to have her feet done, a much less ideal task. 
“Mm, treasure...” he breathes though his words aren’t entirely clear. 
Another noise rises from him, sharper than before. You stop, frightened. 
“Your highness, have I hurt you?” You utter. 
Before you can retract your hand, he has a hold of you. He lifts his head and hangs it back, his hair spilling down. He looks up at you with his bright eyes as he clings to your hand. He presses it flat and moves it over his shoulder. He drags it down against his chest where you can feel his heartbeat. 
You’re caught in his gaze and his grasp. You just stand there, entranced by his golden irises. Each time you see them, they are more brilliant than the last. Your own chest tightens and binds up your breath. 
“You can never hurt me,” he rasps. You gulp as he lightens his hold and pets your hand. He closes his eyes and winces. “Little maid...” he sits forward and gently moves your hand away from his chest, “you must go now. You must face the road with us and you will require rest.” He lets you go completely and stands. “I trust my wife will have many a demand to keep you busy.” 
“Yes, your highness,” you murmur. 
“Now,” he insists. “You must go now.” 
He crosses the chamber and stops in the door to his bedchamber. You quickly flit over to the doors that lead out to the corridor. You pause and glance over as you sense him move. He stares at you, his eyes licking with flames. His chest rises and falls, trimmed in thick hair that trails down his hard stomach. 
“Go...” 
You obey and heave open the door. The soldiers on the other side snort. It is late, they must’ve dozed. You don’t think much of that as you harry down the corridor, not looking back. The king’s timber nips at your ears. The way he spoke; ‘go’. It was more than just a word; it was a warning. 
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You rise with the castle, quickly falling into the tumult of the impending departure. When you arrive at the king’s chambers that morning, you are sent away. You find Jazlene in her own. He must have taken her back before the sun. 
She is groggy and sombre as you help her dress. The pain in her skull leaks out in pathetic moans. You offer her lemons water and a cool cloth for her head. You see the difference as she accepts but she remains weak. It will be difficult for her to ride. 
Horses fill the courtyard and the luggage carts crowd around the stables and rear of the castle. The scene reminds you of Debray. You only hope Queen Jazlene does not cause a similar scene. You don’t believe she can. 
You accompany her to the front of the train. The king is not there. The queen clutches her throat as if she might be sick as the smell of the horses is stirred by their whipping tails. She grumbles and calls for a water skin. You find one and she shooes you away. 
“Enough of you,” she snips.  
You stay close, keeping watch should she signal for anything else. She can barely lift her head to do more than drink thirstily. Lords and ladies as good as ignore the queen as she mutters to her horse. 
“Eh, mouse, there y’are,” Bryce’s voice undercuts your pity. “I’ve been looking for ya.” 
You face him and the weight slips from your shoulders, “you have?” 
“What are you insinuating?” He challenges, “Daisy’s missing ya.” 
“Oh,” your brows raise, “well, it just so happens I miss her too.” 
“We’ll be off soon. You should come claim your place with the luggage.” 
“Should,” you agree. 
You follow him through the press of bodies. You get further down, away from the pages and soldiers, see Daisy lazily hoofing at the ground. She chews on a sparse bit of grass in the dust. As you near, you notice that her holster is thicker than it was. She is attached to a small cart. 
“What is this?” You ask as you stop short. 
“It’s yours, mouse,” Bryce says staunchly, “isn’t right you riding with the chests. Not for so far as we need to go.” 
“You... you did this for me?” You ask. "But... what about--” 
“Found a spare horse. He’s a bit less friendly than our beloved but he’ll do fine enough,” he explains, “’sides, Daisy needs a respite. She don’t needa be carrying around my hefty behind much longer.” 
“Oh, my,” you put your hand to your cheek and go to the cart, “Sir Bryce, you are a true knight.” 
“Don’t you get sappy with me,” he tuts as he follows. “Look inside, will ya?” 
You look inside the cart. There’s a long cushion and a pack. It’s a lot compared to what you came with; nothing. Bryce reaches in and tugs something from beneath the cushion. You watch the fur ripple out as he reveals the cloak. It’s thick and long and hooded. He holds it up. 
“When we get to the Hinterlands, you’ll be needing this,” he says. 
You touch the fur, it’s soft. You blink and feel it between your fingers. Your eyes sting. 
“Sir,” you bat your lashes, “it is too much for me.” 
“It isn’t very much, you are just too humble, mouse,” he folds and holds it out to you. “Now, don’t you be telling anyone this was my doin’. I got a reputation to uphold.” 
“Oh,” you clamp your lips shut as you try to hold back your emotion. 
A smile breaks through and you bare your teeth. Your cheeks hurt from the joy bursting forth. You hug the cloak and rock, looking around. As you do, you falter at a familiar face.  
The king leads a dark horse along the edge of the yard. He is looking at you, or so it seems. You let your expression slip and tamp down your glee. You bow your head in King Geralt’s direction. 
When you look up again, he is gone. 
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bestworstcase · 3 days
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the perennial Tai Discourse is really interesting to track bc, speaking broadly, the two major camps are just:
those who focus primarily on ruby’s recollection of her childhood and relationship with her dad (and filter what yang says through that lens such that “i had to pick up the pieces and keep things together when i was five” gets diluted into “yang had responsibilities as a child”)
those who focus primarily on yang’s memories and her arc in v4 (and tend to just ignore or minimize the things ruby says that suggest a positive relationship with tai, in particular often just flat out disregarding how excited ruby is to spend time with or receive care packages from him)
when it’s like. yeah that’s. literally the point. that ruby and yang had profoundly different childhoods.
they’re half-sisters in a story about fairytales and only one of them had a decent dad. rwby is unsubtly interrogating the fairytale archetype of the Evil Stepmother/Dead Mother with raven (not dead, but absent) and summer (villain, presumed dead) and that archetype quite literally requires its counterpart archetype of the Neglectful Father who remarries and tacitly participates in the Evil Stepmother’s abuse of his child from his first wife
tai is as much an exploration of the fairytale Neglectful Father as raven is the Dead Mom and summer is the Evil Stepmother. that’s. a core aspect of the narrative surrounding the rose xiao long family.
the Dead Mom often reincarnates as a bird or tree or similar spirit to watch over her child; rwby turns this on its head by reimagining the Dead Mom as an absent one. raven watches over yang in her bird form because she is too afraid to be meaningfully present; she isn’t dead, but her absence in yang’s life is so complete that she might as well have been, and the fairytale tension between the Dead Mom’s death and her lingering presence is explored through these cramped and inadequate half-measures raven takes in trying to have it both ways.
the Evil Stepmother is a vehicle for making the fairytale heroine miserable; she has no identity nor any reason for her monstrous treatment of the child who is not her own. rwby, again, flips this over with the mystery of summer rose. who was she, really? did anyone know? she was a good stepmom—she loved yang like her own daughter—but now she’s gone. she left. she never came back. she lied. she joined salem. why? what expectations did she feel on her shoulders? what broke her? why did she do the things she did?
lastly, the Neglectful Father must either be a love-blind fool or a weak, contemptible man with no love or loyalty to his own blood; he forgets his motherless child at the behest of his new love. rwby turns this on its head too by rendering tai as a human being—messy, flawed, fully-realized. wicked stepsisters exist for the purpose of being spoiled by the Evil Stepmother in juxtaposition with her cruelty to the first child, who is kind and good because she remembers her mother’s lessons. the fairytale children of these archetypes function as repetitions of their mothers. rwby makes that the central conceit of its spin on the Neglectful Father: what if he loved both the Dead Mom and the Evil Stepmother so much and then both of them broke his heart in mirrored ways, leaving him a single father to both of their children? if he sees raven in yang and summer in ruby, how does that color his relationships with both girls? if you take away the Evil Stepmother but not her daughter, does the Neglectful Father remember his first child? or are people more complicated than that?
and with all three, the narrative engages with these one-dimensional archetypes by constructing complicated, multi-faceted characters on top of them; by tossing the simplistic moral didacticism of a fairytale and presuming, first, that everyone is trying their best, that bad choices can be made from good intentions, and that no one gets it right all the time, or even most of the time. love and profound dysfunction can coexist.
ruby and yang had very different childhoods. that’s the narrative foundation the whole rose xiao long family is built on, because they’re a deconstruction of the archetypal fairytale blended family.
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Don't Ask Me for QL Recommendations Because My Taste is BAD
Bad as in TRASHY.
For your own good, don't ask me for recommendations.
I'm writing this because I've gotten some asks lately for QL recommendations and I wanted to spare you the pain.
If you still don't trust me (because to be fair, why would you? I'm just a random weirdo on the internet), let me tell you how bad my taste is so you'll know why I'm doing you a great favor by sparing you the pain.
(I also watch, and rewatch, series/films for ridiculous reasons, yet another reason not to listen to me. I’ll come back to this in a minute.)
Let's start with a brief rewind to a couple of decades ago (because it matters in this context).
The first queer content of any kind I can remember watching was Xena: The Warrior Princess in the late 90s and early 00s (I was a child/pre-teen at the time). It was such a pivotal point for me, which is why I remember it vividly. Not only was Lucy Lawless (the actress playing Xena) the most beautiful human being I had ever seen at that point, Xena was also queer and I loved her.
The series, though? It’s bad.
It’s over-the-top, contains ridiculous humor, face-palm-worthy fight scenes, etc., etc. (But, it was also the 90s, so it was quality television at the time, no matter what anyone else says.) It was so bad that it was ridiculously entertaining. I would watch it today (if I could find it anywhere…). That’s how bad my taste is (or how attached I am to bad shit).
That’s when the groundwork for my bad taste was laid. I blame THANK Xena: The Warrior Princess for it.
Then there was a huge skip until July last year when I found the Asian QL world, because I had no idea it even existed (I’m from Europe, btw).
(My personal story is that I fell into the queer/gay film world before the QL world, and the queer films I could find were made and released very sporadically. But ever since I found the treasure trove of Asian QL series in July 2023, I’ve watched 291 series/films as of right now.)
The reason I fell into the Asian QL world was thanks to a Short on YouTube with the main characters from Roommates of Poongduck 304 kissing. (Want to know what convinced me to watch it? One of them was wearing blue and the other pink, two of my favorite colors. Yep, that’s the reason. Told you it would be ridiculous.)
Since then, I’ve been exploring this rabbit hole and loving every second of all the bad shit that’s out there (there’s some great shit too, and some great things that aren’t shit at all, but they’re not really my taste because my taste is trashy, remember?).
I quickly noticed what my taste was pulling me towards and, in some cases, the trashier it was, the more I liked it.
(I’m talking about fiction here. I’m mature enough to be able to separate fiction from reality. Just because I enjoy watching a series/film that depicts a problematic topic, and sometimes do it in a problematic way, doesn’t mean I condone it in real life. I’m just putting this here as a disclaimer because people on the internet are easily offended nowadays. And I honestly don’t have time to respond to people who are venting their anger after purposefully misinterpreting what I’ve said, unless there’s a very valid reason, which there usually isn’t.)
So, what are some of my favorites that I absolutely do not recommend you watch?
Unless you want to watch trash, then, have at it. Just don't say I didn't warn you.
(Btw, if you like any of these, I apologize for calling your taste bad and trashy. But, if you like any of these, I think you already know your taste is bad. Also, if you like any of these, hey, bestie!)
Let’s start with the less extreme ones so I don’t scare you away from the start. After that, they’re in no particular order.
(With the issues/TW section for each series/film I include possible trigger warnings, taboo topics, what viewers/commenters have brought up as problematic, my possible issues with the writing, etc. I won’t list everything (because some of them would have looong lists) but I’m including some of the major ones.)
Kiseki: Dear to Me (Taiwan)
Issues/TW: Dubious consent, age gap, “adoptive” brothers becoming lovers, etc.
Both couples in this series have their own set of issues. Ai Di and Chen Yi are the “adoptive” brothers who become lovers while Ze Rui and Zong Yi have an age gap (I can’t remember how big of an age gap but I think it was close to 10-ish years).
(Before I move on there’s one thing you should know about me… I was born into a family with a varying degree of age gaps within marriages, from 2 to 23 years. Even though we’ve talked about the bigger age gaps occasionally, it’s never been an issue. I don’t mind age gaps as long as they’re legal. Does that mean I would hook up with someone in their late teens or early twenties? No. I would rather hook up with someone who has a fully developed brain, which science suggests doesn’t happen until somewhere in the mid-to-late-twenties. But it does mean that age gaps (as long as they’re legal) aren’t something I’ll be bothered by or judgemental of.)
Kiseki: Dear to Me is one of my favorite series because:
It’s from Taiwan, and the Taiwanese QLs are generally great at dealing with more difficult and taboo topics.
Ai Di is the feistiest, most colorful, and pettiest bitch and I love him with my entire ice-cold heart.
Chen Yi looks amazing in black.
The neon lights (because I’m a slut for that).
Also, the kissing (from both couples) is great.
You know, I did say that these would be series/films I absolutely do not recommend you watch. But I’ll actually recommend this one. Watch it. It’s great.
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Unknown (Taiwan)
Issues/TW: Age gap, “adoptive” brothers becoming lovers, etc.
This is another one I’ll actually recommend you watch because it’s great.
The main couple (Qian and Yuan) are the “adoptive” brothers becoming lovers while the age gap is most prominent between San Pang (Qian’s business partner) and Lili (Qian’s younger sister). There’s also the fact that San Pang is part of their chosen family and has seen Lili grow up and stuff. So, if that bothers you, then don’t watch it.
The biggest reasons I would personally recommend it to those I know aren’t particularly bothered by taboo topics are because:
The yearning is palpable (and I love shit like that).
Qian would move heaven and earth for his family.
The great story.
The even more amazing acting.
Some moments made me bawl (and since I'm an ice queen, I get obsessed with shit that shatters my ice and makes me cry).
I know I said my taste is trashy… but I would actually give myself a gold star for loving this one.
Now, back to the real trash…
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Love in the Air (Thailand)
Issues/TW: Dubious consent, SA, rape, MAME, etc.
Everyone and their aunt (or however the saying goes in English) seem to have an issue with MAME (the original creator of LITA and several other trashy BLs) and for good reason. (I would say that she improved a lot with Wedding Plan, which is the least problematic thing I’ve watched from her and it’s the latest series of hers, as of right now.) If she’s grown, remains to be seen. But it doesn’t change the fact that LITA has some issues.
Honestly, I just watch this for the visuals, as in the motorcycles and the neon lights. That’s it. That’s the reason.
I mean, if you look at the whole first sex scene between Sky and Prapai, you get what I mean with the neon lights. It’s divine. (I recently rewatched LITA for this very reason. A waste of time, you say? Not when you’re a slut for neon lights.)
Don’t watch this though! Just enjoy this gif instead…
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I just saved you 13-ish hours of your life. You’re welcome.
TharnType and TharnType 2: 7 Years of Love (Thailand)
Issues/TW: Dubious consent, homophobia, domestic violence, MAME, etc.
Don’t watch this. This is bad. As in, really bad. And all the issues are in the main couple’s relationship.
But, since my taste is really bad, I rewatched this recently for horny reasons (it’s Mew, after all, and he’s got me in a chokehold for some reason). It’s still as bad as I remembered it, but I would still rewatch it for Mew’s sake (and because Techno is ridiculous throughout both seasons, which means I love him).
To be fair there are other, a lot spicier, series that I watch more often for horny reasons (yes, some of them are in this post because they’re trashy too), but none of them include Mew. And since I have to get my dose of Mew from time to time, I return to TharnType (especially the second season).
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Big Dragon (Thailand)
Issues/TW: Dubious consent, blackmail, etc.
This isn’t that problematic in my opinion, but there is definitely a drug-induced sexcapade that’s taped and used for blackmail for a while. And that's how the series starts.
I recently did a rewatch of this and it was still bad (in a good way) and I loved every second of it.
What I love about this series are:
The visuals. The set designs are beautiful (especially Yai’s home and the bar, before he demolishes it). As a visual artist, this is speaking to my soul.
The chemistry between Yai and Mangkorn.
Pong and Park. Two idiots I love with my whole ice-cold heart.
And the title track because it’s addictive as hell to listen to.
Also, the sex (which my horny ass needs). Let's not forget the sex. Those scenes were also visually stunning, which made me love them even more.
Honestly, I'll kneel and bow down to this shit because it's that great.
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Don’t trust my judgment, though, because my taste is trashy.
Only Friends (Thailand)
Issues/TW: Manipulation, stalking, promiscuity, etc.
This series is messy in terms of intrigue (especially from Boston and then Boeing’s part). The ending had some issues. The sex isn’t everyone’s cup of tea, either. I, on the other hand, would drink a whole pot of this.
Overall, I loved this trash. Mainly because of:
How visually stunning it is.
Sand. He’s a hardworking, good person. He’s also a proud bi!
How they depicted and handled Ray’s addiction and recovery. (I know some watchers were upset that the focus of the series landed on Sand and Ray towards the end while neglecting the other characters, which is a valid point. However, setting that aside, the way they portrayed Ray’s addiction and then his road to recovery in the last couple of episodes was realistic, and I loved it.)
The promiscuity, because I loved it and the mess it created.
Boston being a slutty asshole. The more of a slutty asshole he was, the more I loved him. (I know, it’s a me-problem.)
Boeing coming in and kissing (almost) everyone.
It’s trashy, it’s messy, and I love it!
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But, I don’t recommend it to anyone.
My Beautiful Man 1, 2, and 3 Eternal (Japan)
Issues/TW: Dubious consent, obsession, bullying, lack of (or no real) communication, etc.
I love this series (2 seasons + 1 film), but I honestly don’t see it as particularly problematic. But I know others will disagree with me, so here it is on my list of trashy QLs.
I don’t mind Hira’s obsession because I know Kiyoi is just as whipped for Hira (even though he doesn’t know how to communicate it to Hira at first, especially in a way that Hira understands). Would I be okay with someone’s obsession and stalking in real life? Of course not. But, as I mentioned before, I’m mature enough to separate fiction from reality.
Also, I love miscommunicating characters, especially when the misunderstandings they create bring out all the emotions (angst, hurt, anger, sadness, embarrassment, etc.) and even the flight response. I especially love miscommunicating characters when they learn to communicate throughout the series/film. And this series is especially delicious on the miscommunicating part.
But, it’s also problematic, apparently. So, don’t watch it.
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The End of the World With You (Japan)
Issues/TW: Blackmail, biphobia, cheating, etc.
I’ll be honest and say that I’ve only watched this series three times. And that’s because the biphobia is fucking annoying. In this series, the bi character is depicted as a cheater (which is common in QLs, btw). It’s an exasperating stereotype. Cheating has nothing to do with your sexuality and everything to do with who you are as a person.
(I mean, you can be a proud bi like Payu in LITA or Sand in OF. They have eyes only for one person as soon as they’re pursuing or dating someone. Give me more bi characters like this, please.)
We could discuss how cheating can be used as characterization in certain stories. But not in this one. Here, they’re basically using Ritsu’s bisexuality as the reason he’s cheating (since he’s sleeping with Masumi while having a thing going on with a girl, and then sleeping with a girl when he has a thing with Masumi), which is why it’s bothering me in this series.
If I’m going to tell you why I like this series, however, it’s for 2 reasons:
It’s about getting a second chance, a topic I love.
The sex (laser-focused horny Ritsu is my favorite Ritsu).
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Check Out (Thailand)
Issues/TW: Biphobia, cheating, lazy writing, etc.
(It should be mentioned that I’ve read some comments about some issues involving the company behind this series. I haven’t dug deeper into this so I don’t really know if there’s any substance to the comments I’ve read (like official statements from the company or the other people involved, etc.). But I’m putting this out there in case this might be a potential issue for you (even though I’ve already told you that I don’t recommend you watch any of these because they’re all trashy).)
When I first checked this out at the beginning of this year, this series seemed to have created a storm of bad comments and reviews on MDL since it first came out. So, obviously, I needed to watch it because my taste is trashy.
And, you know what? I loved it!
Besides having the bi character depicted as a cheater (again, the use of this biphobic stereotype is so fucking annoying) and the sporadic clunky and stale scenes, I loved this series because:
It’s about second chances. As I mentioned before, I love that topic.
Best (the actor playing Daonuea) is the best in this series. There’s just something about him that grabs my attention every time. He has me in a similarly tight chokehold as Mew.
There’s sex (and my horny ass needs it).
But, it’s also trash, so don’t watch it.
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Pit Babe (Thailand)
Issues/TW: Domestic violence, non-consensual, SA, age gap, etc.
This became popular. Really popular. I saw people comment about it everywhere. And usually, when stuff becomes popular, it’s more than likely reduced to trash quality by the general public. So, obviously, I had to watch it.
Did I end up loving it? Yes.
Honestly, the biggest issue this series had for me was the whole omegaverse thing (this was a new thing for me because I don’t come from an erotic fiction background, my head was rather stuck in fantasy fiction). And, from my limited understanding of this, they didn’t seem to fully commit to the omegaverse thing in Pit Babe, which was unfortunate.
The racing was also so-so for me, which hurt my soul because I usually love racing (cars, mcs, boats, etc.).
What I did like, however, was:
The chemistry between Pete and Kenta (and I’m so sad I only got crumbs of this).
Pavel (the actor playing Babe). I would watch and listen to him recite product placement scripts for toothpaste all day long.
The sex, especially the scene with Babe and Charlie in ep. 9 (even though it was mixed with clips from the racing) and Jeff and Alan’s scene in ep. 13 (because it was sensual, if we ignore the music).
The neon lights (have I mentioned that I’m a slut for neon lights?). I mean, just look at this:
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I can watch that pinkish light all day long, even though Babe and Charlie are trying to distract me. (Especially Pavel!)
Dead Friend Forever (Thailand)
Issues/TW: Grooming, bullying, suicide & suicide attempts, etc.
Besides the issues listed above, this also suffered from lazy writing at the end. BUT, I fucking loved DFF anyway.
I never expected to love this series because it’s just a bunch of teenagers stuck at a house in the woods. How interesting could that be? Turns out, very.
DFF wasn’t perfect (perfection doesn’t exist anyway), but what I loved about it was:
The morally ambiguous characters.
The revenge plot.
The poetic justice.
The questioning of what was real vs hallucination.
The visually stunning shots.
The mask!
And Tan’s mask!
The beheading scene.
I could go on, but you get the point. I just love this piece of trash.
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But, please, don’t watch it. You will suffer from brain rot. Trust me.
I, however, am currently rewatching this because I choose the brain rot. And my taste is trashy, remember? Or, perhaps I just love watching chaos unfold…
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HIStory 3: Make Our Days Count (Taiwan)
Issues/TW: Dubious consent, age gap, tragic ending, etc.
Everyone and their aunt and even their dog have an issue with the ending of this one. And it’s understandable.
I don’t necessarily like or dislike the ending. Obviously, the bury your gays trope is tragic in itself, and, tragically, it’s still being used. That’s why I couldn’t find myself liking the ending, even though I don’t mind tragic endings. (Romeo and Juliet is one of my favorite classics, which people tend to forget is a tragedy and not a romance, btw, but I digress…)
At the same time, though, this series made me cry for a whole episode before tragedy struck because I could feel it. And you have no idea how obsessed I get about shit that makes me cry (since I’m an ice queen).
(Another side note: one of my favorite BLs is Once Again, which made me bawl throughout the whole series. It’s not on this list because it’s neither trashy nor bad, but it’s still one of my favorites because it broke me in the best ways. But, anyway…)
The best part of this series from beginning to end was the other couple, at least for me. This couple is the one with the age gap (which, again, doesn’t bother me) and I fucking love them! One, because Wilson Liu (the actor playing Bo Xiang) is such a gem. Second, because their first time was such a spur-of-the-moment thing fueled by a desire that went from 0-100kph in less time than a Ferrari would. And I loved it (just as much as the squeezing of boobs from behind, which, for some reason, appeals to me).
Also, the twins are so pretty it’s annoying.
Do I recommend it, though? No, because I don’t have time to respond to the clap back I’ll get when you come to the end.
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HIStory 4: Close to You (Taiwan)
Issues/TW: Dubious consent, SA, obsession, age gap, stepbrothers becoming lovers, etc.
This one has some problems (especially the relationship between Yong Jie and Xing Si), but I love both the series and its problems (yes, I’m trash). You could say that I’m as obsessed with this series as Yong Jie is with Xing Si. Would I get this series drunk and fuck the living daylights out of it? No. But I would watch it once every 3 months or so. Oh, wait… I already do that. Because I’m trash.
What do I love so much about this series (other than what I mentioned above):
It’s from Taiwan.
Li Cheng is ridiculous, which is exactly why I love him.
Every time I rewatch it, it gets funnier.
The chemistry between Li Cheng and Teng Teng is amazing.
As well as the chemistry between Yong Jie and Xing Si.
The kissing is just as amazing.
The main fujoshi girl, Mei Fang, is so cute I can’t handle her.
And the bathroom scene! In that lighting! It’s iconic!
I don’t care what anyone else says. This is fucking gold to me. But, then again, my taste is trash. So, don’t listen to me.
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KinnPorsche (Thailand)
Issues/TW: Dubious consent, SA, torture, Stockholm syndrome-ish, etc.
This is some next-level trash, and I fucking love it.
Two of the major relationships in this series (Kinn & Porsche and Vegas & Pete) are problematic at some point. Especially Vegas and Pete who have this whole captor/captive, torture, BDSM-ish type relationship. Of course, I love Vegas and Pete because my taste is super trashy (yes, it’s a me-problem, but I don’t force my taste on other people, so, for the love of all that is holy, don’t watch this!).
Other reasons I love this series and rewatch it from time to time:
It’s visually stunning! The cinematography is amazing. As I mentioned before, I’m a visual artist, so this is a very valid reason for me to watch it again and again. And again.
The neon lights.
The whole mafia thing.
The sex (because my horny ass needs it).
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Playboyy (Thailand)
Issues/TW: SA, homophobia, suicide, etc.
I was debating whether or not to add this to my list solely based on the ending. However, up until that point, I really liked it.
The fact that every episode starts with a whole ass list of trigger warnings tells me this is my shit. And it was.
At times, it was so bad that it was good (until the ending, which was just so bad it was bad). The things I liked were:
The mystery.
Win (who played Nuth). His acting was great.
The chemistry between Nuth and Phop.
The tattooed daddy that’s Aob and his chemistry with Puen (there’s also an age gap here, btw, but as I’ve mentioned before, it’s fine by me as long as it’s legal).
The weird ass sex scenes (and the underwear).
And the not so weird ass sex scenes (like the ones between Aob and Puen and the ones between Nuth and Phop).
But, this series is trashy. Keep as far away from it as possible. If you still decide to dip in, don’t say I didn’t warn you.
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Red Wine in the Dark Night (Thailand)
Issues/TW: Obsession, blood, human blood bags, etc.
This is a queer film that’s BL-ish with some dark themes. Mainly, it’s about how far Wine would go to help the person he’s fallen for (or become attached to).
What I loved about this film was:
Fluke (who plays Wine). He’s such a great actor and I love him in everything he does.
Wine who is so desperate to love someone and be loved that he ends up doing some weird shit.
The darker and sadder vibe, which I love.
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Irresistible Love 1 and Irresistible Love 2 (China)
(This is also called Uncontrolled Love.) 
Issues/TW: Obsession, homophobia, codependency, adoptive brothers becoming lovers, etc.
This is another queer film (in two parts) that is more BL-ish than the films I’m getting into below.
This depicts a weird relationship dynamic between Xie Yan and Shu Nian where Shu Nian was basically adopted into the family to become Xie Yan’s friend/babysitter/lackey. This is some weird ass shit, and I love weird ass shit so I really enjoyed this rare, uncensored, gem from China.
But, it’s also trashy. So, don’t watch it.
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The next couple of films I’ll mention are (obviously) trashy, but also complex and deep (which is why I love them).
One Summer Night (South Korea)
Issues/TW: Obsession, dependency, oppression, etc.
This is a low-budget film from 2016 (so, production-wise, it’s definitely nothing like the usual stuff from South Korea you can watch on Netflix), but I love it.
It’s gritty, it’s raw, it’s explicit (an emphasis on explicit because you’ll see dicks), it deals with being a North Korean defector but ending up in an impoverished situation in South Korea, and it ends with a dubious ending you can interpret in different ways.
This is definitely not for the general QL viewers who watch QLs for the cutesy stuff.
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And it's trashy. So, don’t watch it.
Dangerous Drugs of Sex (Japan)
Issues/TW: All the trigger warnings! Seriously. I feel like it’s better to say that so you’ll look up the TWs for yourself (if you choose to watch this, which I'm asking you not to) rather than me mentioning a few and forgetting others.
With this film, what others see are all the trigger warnings (and, yes, I see them too, they’re fucking obvious). However, I can see beyond that and watch it for what it is at the core: Two characters dealing with incredible grief.
Grief is a topic that often affects me and I can relate to it because I’ve had to deal with a lot of grief in my relatively short life. Watching a film like this where grief pushes the characters to their very limits will (often) get a special place in my heart, especially if done well. And it’s done very well in this film.
Do I condone the characters’ behaviors? No (especially not Yoden Ryoji’s). But I do understand that grief can send you over the edge (and in some cases throw you off the edge) because I’ve experienced it. I do understand that grief can cause you to make horrible decisions because I’ve done it (though, not this extreme). I do understand that grief can be self-destructive because I’ve been there. This film shows it all. That’s why I love it so much.
Do I recommend you watch this, tough? No. Don’t do it. This is not for everyone. It’s definitely not for those who watch QLs for the cutesy stuff.
But it is for me because I love trash. Especially good trash. And this is the best trash I’ve ever seen when it comes to gay films.
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Anything by Scud Cheng
Lastly, I want to mention any film by Scud Cheng because…
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And I’m an artist so art means everything to me.
Cheng is a screenwriter and director from Hong Kong. His films, the ones I’ve seen, are gritty, nude, and real. They are more on the art side than the others I’ve listed above, which is why they have a special place in my heart.
They’re also deep and explore themes like introspection (are we doing things because we believe they’re the right thing to do, or because external forces have “brainwashed” us to believe they’re the normal thing to do?), the porn industry and how it exploits young and queer men, death, politics, and love, to name a few.
These are not for the average QL watcher. They’re not for the faint of heart. They’re not for those who want an entertaining watch.
These films require multiple viewings. I’ve watched some once, some twice, and some more times, and I still find new themes and meanings woven into the stories. So, they’re complex and deep.
But, don’t watch them because I know you’ll come at me later. So, to spare us both the time and energy it would take to argue about this shit, just don’t watch any of it.
Now, if you still want to ask me for recommendations after all that, don't tell me I didn't warn you!
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entropyvoid · 3 days
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Honestly with all the overlap between sci-fi and fantasy fans, I’m really surprised that “high fantasy in space” isn’t more of a thing.
There are some things generally assumed by most to be sci-fi that I’d personally label space fantasy, like Star Wars, where the high tech is just there as a backdrop to a classic heroic story of good guys vs. bad guys, who are definitely doing magic (by using the force). The point of Star Wars isn’t the tech or anything, it just happens to be a tale told in space. It contrasts pretty starkly with something like Star Trek, where the vast majority of episodes revolve around exploring whatever scientific or philosophical concept the writers thought would be kinda neat that week, using established characters as a vehicle for said exploration.
I think one of my favorite things about Honkai Star Rail is that it freely and unabashedly mixes sci-fi and fantasy. It just goes “You are a walking neutron bomb. Also turns out your bestie is from a self-reincarnating race of dragon people with powerful water and illusion magic. They live on this big, planet-sized ship that’s dedicated to hunting down this one cosmic horror that cursed all the ship’s inhabitants with immortality, under the banner of this other cosmic horror that exists solely to kill the first cosmic horror. Let’s go on vacation to the theme park planet, the actual resort is technically an Alice-in-Wonderland style dream triggered by the same kinda cosmic-horror-gifted bomb as you. Your new friend is a meme. By the way, did we tell you about the one time this super-genius harnessed the power of *imagination* to build a death ray that instantly obliterated a bunch of planets? That was kinda fucked up, huh.” Sometimes Star Rail tries to give explanations for its tech in a way that seems believably sciencey. Sometimes shit’s just straight up called magic or it’s from some deity or another and none of the characters present have a good understanding of why, so you all just go about your bullshit. It makes it work within the context of its established universe.
Cosmic horror in general is often (but not always) found in sci-fi, but where the point of sci-fi is to expand on and detail a concept in a believably scientific way or explore the impacts of a scientific thing, the point of cosmic horror is that there is a Thing that is beyond human understanding or comprehension. Sci-fi is a fun thing to insert it into, because the more scientifically sensible and well-understood elements of the world you have, the more jarring that becomes.
Then you’ve got things like Dungeon Meshi, which exists in an inverse of something like Star Rail: it takes a very Tolkien-inspired Dungeons and Dragons-esque setting, and then details it in a very scientifically sensible way. There is magic, and there are these fantastical monsters, yes, but the monsters are parts of their own delicate and intricate ecosystems, they are edible, and they have very particular nutritional values and ways you can cook them! The protag’s biggest strength lies in him being a nerd about monster biology. Magic, too, by the end of it, ends up with a plausible enough explanation as well. And the explanation is a cosmic horror! In this way, Dungeon Meshi, despite being built entirely off of very easily recognizable and classic fantasy tropes, is probably more accurately classed as sci-fi.
I just love all of it. Can I get like 50 more of these fucked up lil mixtures of science and magic please?
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total-feminism-takes · 18 hours
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I might get flamed a bit for this but… I do genuinely believe this fandom has a bit of a misogyny problem when it comes to sierra.
Now I understand that there’s absolutely no justification for almost all of her actions and what she did to Cody is beyond disgusting. However, it irks me so much that Cody isn’t held to the same standard. “Oh but what Cody did to Gwen can’t even begin to compare to what sierra did to him!” True, but you gotta remember that regardless of Cody’s victim status he still did some really creepy shit. The two things I want to highlight in particular are Cody’s actions in the Amazon and Jamaica episodes- first off, cody flashed his privates at Gwen; she genuinely believed he had underwear on and let her use his x ray glasses knowing she was gonna see his dick without warning if she did and didn’t even try to stop her. He also took a photo of himself getting in her personal space while she was asleep which led to her hand getting seriously burned. Again, sierras numerous violations of Cody have no excuse but it does feel like there’s a big misogyny factor when there are people who will straight up block you for saying anything remotely positive about sierra or coderra because she’s a “predator” yet have Cody as one of their favorites claiming that he’s some precious person who’s completely innocent.
Also with how many people claim that sierra is a bad character because “she’s nothing without Cody.” Sierra has a lot to her character- namely her hyperfixation on the show and how she’s incredibly knowledgeable about all things total drama. I do agree that they should have utilized this trait more but sierra isn’t just some damsel in distress like the fandom makes her out to be, she’s an incredibly intelligent force to be reckoned with and uses her intensive TD knowledge to absolutely kill it in some challenges. There’s plenty of male TD characters who don’t have much going for them aside from their one (1) gimmick or their love interest yet I don’t ever really see this type of complaint made about them.
-🐈
- 🧡
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tragedykery · 1 year
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I ❤️ self-loathing characters, characters who struggle with monstrosity (either fearing or embracing it), characters who are so lonely, who have a gaping hole in their chest, who bottle up & repress their feelings, who claw their way up & have ambitions, who fall down & lose everything, who search for identity & purpose yet can’t see themselves outside of what others want from or expect of them, who are hurt & hurt others, who long & grieve, who lie & pretend. characters who are messy & flawed & human
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benbamboozled · 1 year
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I would actually kind of like the “becomes a doctor and takes over Leslie’s clinic” story…for Damian.
NOT because I think it would be ~ethical~ or idk whatever-the-fuck.
I just really love the concept of Damian having this “I HAVE A BIG IMPORTANT DESTINY” backstory/lineage/bloodline …
…SON OF THE BAT, and all that jazz…
But when he connects with Gotham and the people in it—because Batman should be connected to the people he’s protecting—Damian realizes that he doesn’t actually WANT “his” destiny.
And it’s not about rejecting Batman or his father or his mother or anything like that, but instead about taking what he’s learned and what they’ve given him and shaping it to fit himself.
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camgoloud · 2 months
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tricoufamily · 4 months
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castle pack leaked goth pack soon place your bets now will they do the black swatches right this time for once or no
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auslanderka · 8 months
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all I can say is I am really happy to meet him
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flocklings · 1 year
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The fact that there are people who only watch succession because of ships makes me so hostile. I’m BEGGING people to interface with narrative and characters on a level beyond smut and surface deep dynamics that you feel the need to blow entirely out of proportion to fit your head cannon.
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So a) I really want Little to be themself rather than Penny with no memories and b) Little probably isn’t dead going by the rules of the ever after but also c) I keep thinking about “and even if I can’t live for real it was worth it to know you” in relation to them and crying about it
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mycological-mariner · 11 months
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Big fan of character dynamics where character A has lived as much life as they’re able and can contain no more while character B still has so much left life left to burn through and they meet in the middle, one life coming to and end while the other is just beginning. A death (spiritual or physical) and a birth. Falling into the same old routine, carving new paths.
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katnissgirlsmakedo · 1 year
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when a movie puts the two lead characters in red and blue shirts respectively…… that’s literally my favorite thing in the whole world. i LOVE two bitches wearing red and blue like that friends post about overly obvious color symbolism. i LOVE it……
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actiniumwrites · 7 months
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𝐂𝐑𝐔𝐒𝐇
synopsis: wriothesley finds out you have a crush on someone and somehow manages to guess it’s on literally everyone but himself
characters: wriothesley x gn!reader
wc: 1.4k
warnings: fluff, a tiny pinch of angst and insecurity, my poor attempt at humor, slight miscommunication, friends to lovers, coworkers to lovers, swearing, first time writing for wriothesley so he might be ooc
notes: i almost made this angst to fluff but then decided i need to stop adding angst into literally everything i write (even though there’s like a tiny pinch of angst in here too 🙄). anyway, wriothesley is a lot harder to write than i thought he would be so i apologize if he seems ooc here
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“Heard you gotta crush on someone,” Wriothesley teases as he walks into his office where you sit on one of his couches. You don’t even hear him walk in, too engaged in the book you were reading to pass time until you had to go through hundreds of inmate records to find something Neuvillette had requested.
His declaration is so sudden it almost makes you spit out the tea you had stolen from him.
Your eyes go wide as you stare at where he moves to lean against the front of his desk, arms crossed and waiting for an answer with that stupid smirk of his, “Hey now, that tea is expensive, so don’t go wasting it, okay?”
“Who told you about that?” you press for answers, a hint of anger in your voice as you ignore his previous statement about the tea. He had plenty to spare anyway.
Wriothesley’s smirk widens a bit, “So it is true.”
Damn him.
You don’t even bother trying to make an excuse, knowing your best friend all too well. He’d pick apart your words like weeds in a garden, finding meaning in them that you hadn’t even intended.
“And what if it is true?” you cross your arms defensively, glaring at him from across the room.
“At least tell me who it is,” he says as he rests his palms on the wooden desk behind him. When you don’t give in to his pleading, he playfully scoffs, “Oh c’mon, I’m your best friend! It’s kinda an obligation for you to tell me these things.”
You turn away, fixating your gaze on a nearby wall adorned with some weird painting he had hung awhile back, “Oh yeah? Since when? Last I checked there aren’t any rule books for being friends with someone. I don’t have to tell you a damn thing.”
“It’s Neuvillette, isn’t it?” he smiles knowingly. Perhaps that was why you were always the one receiving tasks from the Chief Justice instead of him — a guess at best, but enough evidence to convince him Neuvillette was the one.
No, you idiot. It’s you.
You snap your head back toward him, “What? No! I don’t like Neuvillette…not like that, at least. He’s nice and all, but I don’t think I’d be able to date the guy.”
“Damn, I really thought I had that one,” Wriothesley mumbles in defeat, pushing himself off the desk and instead moving to walk around the room as he thinks. It scares you. The fact that he’s so particular with facts and little details that it’s only a matter of time before he collects all the pieces to the puzzle and figures out he’s the one you like. What would he say when that happens? “Too nice, huh? So you like someone a little colder, then.”
Damn it, he got you again!
You don’t answer him.
“Not even going to try to deny it?”
“No,” you grumble to yourself, slumping further into the couch, “you’re only going to dig further anyway.”
He gives a satisfied hum, “Right, so it’s Clorinde then. I mean c’mon, we don’t get a lot of visitors, so it has to be her. She fits the description too.”
You exhaustedly sigh and swipe a hand over your face dramatically, done with his antics, “It’s not her either. And there is no ‘description.’”
He perks up in a way that makes you way too uncomfortable, “Navia?”
“No, I’ve never even met her aside from like one time two years ago,” you refute, sliding further down on the couch to fully lie down and shut your eyes, “I don’t get why you’re so excited over this.”
Wriothesley thinks for a moment before squinting his eyes, “Don’t tell me you have a crush on a prisoner?”
You teasingly peek an eye open while leaning back to look at him, “And if I did?”
“You better not,” he warns, pointing a stern finger at you like you were a prisoner and not his coworker.
You laugh to yourself at his sudden change of mood, “Relax, I was only joking!”
“Not funny,” he says unamused, prepared to pull out the prison’s rule book and slap it over your head if you did, “I’m really runnin’ out of people here.”
“Yeah, okay,” you say sarcastically, resisting the urge to roll your eyes, “thousands of people live in Fontaine. You’ll figure it out eventually.”
You really hope he doesn’t.
The following ten minutes consist of Wriothesley irritatingly pacing around the room and mumbling all sorts of names to himself. Some of which you recognized, others you had never even heard of before. And, despite all of your countless no’s to his guesses, he never gives up. Nor does he realize the answer is right in front of him.
“Just give it up already,” you finally interrupt as he stops in front of you.
A heavy sigh falls from Wriothesley’s lips as he collapses onto the couch, narrowly missing where your legs were outstretched. Defeatedly, he lays his head against the back of the sofa, shutting his eyes as he thinks a little harder. “Oh my god,” he says suddenly, head shooting up to look at you, “…don’t tell me.”
No way. Did he figure it out?
Your breath captures in your throat as his eyes flicker back and forth between your own, searching for some sort of truth. He knows. Your best friend knows that you have feelings for him — and not just the platonic kind.
His brows furrow and his face morphs into one of disgust. It makes your heart drop; the way he’s looking at you.
He doesn’t feel the same way.
“I can’t believe it,” he clicks his tongue in disgust, crossing his arms and turning his attention away from you, “you like Furina.”
Your jaw drops to the floor and suddenly you don’t feel bad anymore, “I actually can’t believe you just said that. Archons, I think you need to visit Sigewinne. I mean, seriously! Furina? Of all people!”
He grins and shrugs carelessly, “I don’t know? She was the last person I could think of.”
“Something is seriously wrong with you.”
“Clearly not so wrong that I couldn’t figure out that the person you actually like is me.”
“Oh please, I don’t even—wait, what? You knew?!”
A boisterous laugh erupts suddenly as you stare at him with wide eyes. You sit up on the couch quickly, slapping his shoulder as he continues to laugh, “Sorry, sorry!”
You don’t find it amusing, “I—when did you figure it out?”
His laugh eventually subsides into a drawn out sigh and his blue eyes soften a bit as they gaze into your own, “I’m not an idiot, you know? I wouldn’t be running this place if I was.”
“Right,” you mumble awkwardly, averting your gaze from his, “so, um, were you just doing all that to lighten the mood so you could let me down easily or…?”
“Or…what?” Wriothesley mocks you, a playful smirk pulling at his lips.
You roll your eyes with a scoff, “don’t make me say it.”
He spares you, luckily. It’s unlike him, but he doesn’t care to joke with you any longer when the subject is so serious, “Yes, I feel the same way. Is that what you wanted to hear?”
“No, I totally wanted to hear you say you hate me and want me dead,” you say sarcastically, trying to fight a smile.
“I’m being serious, I really do like you,” Wriothesley presses, ignoring the way you’re becoming awkward from the nervousness floating in the air.
You finally exhale the breath you had been guarding in your chest, relieved that this didn’t go as horribly as you once thought it would.
The alarm sounding for dinner goes off after and you both stand from your places on the couch, “So what do we do now that that’s out of the way?”
Wriothesley falls into step next to you, holding the doors to his office open to let you out first, “We have our first date in the cafeteria, of course.”
Your face drops and you stop in your tracks to glare at him, “That better be a joke.”
He laughs it off quickly, not thinking you’d take it so seriously. Eagerly, he grabs your hand tightly in his as he pulls you to the exit of the Fortress, “Relax, I’m just teasing you! You deserve only the best, after all.”
“You are so annoying.”
“Only for you, sweetheart.”
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