"The next morning I put on every single piece of clothing I’ve brought with me and venture out for breakfast. Schools are closed, many shops are shut and the whole city sparkles with a holiday air. At Raison d’Etre, a restaurant with faux marbre walls, real marble tables and walls filled with good art, people are wrapping their cold hands around cups of cappuccino and eating great puffy brioches and omelets filled with fancy ingredients like Icelandic shrimp and hollandaise.
This is a wonderful place for breakfast; the corned beef hash comes with homemade catsup, and omelets are garnished with tangerines cut in half and dotted with pomegranate seeds, the ruby seeds glowing against orange fruit. The food, like the clientele, is an odd mixture of self-conscious artiness and a certain sweetness. The food is delicate, but the portions are enormous. I can’t think of a better definition of Northwest chic.
~~article by Ruth Reichl, LA Times, Dec. 1985.
Raison d’Etre, 113 Virginia Ave., Seattle, (206) 624-4622.
Andy and Jeff (and possibly Stone) were working at the Raison when this article was written. Photos are from the designer - Sheila Kline's - portfolio c. 1982.
Same address, changed a bit through the years.
Stone, Jeff and Andrew, all of Mother Love Bone, used to be baristas here, a long time ago. It's right around the corner from the 1st Street World Headquarters of Sub Pop records, less than 100 feet from the back door of the Oxford where Jeff lived at one point.
More money than any of us here will ever see in our lives, taken directly from our taxes, is funding death and destruction unfathomable across the ocean. Not universal healthcare, not schools, nothing good. Just death.
Keep protesting, keep up using your voice, and don't lose hope, we owe Palestine that much
Then, too, at sea—to use a homely but expressive phrase—you miss a man so much. A dozen men are shut up together in a little bark, upon the wide, wide sea, and for months and months see no forms and hear no voices but their own, and one is taken suddenly from among them, and they miss him at every turn. It is like losing a limb. There are no new faces or new scenes to fill up the gap. There is always an empty berth in the forecastle, and one man wanting when the small night watch is mustered. There is one less to take up the wheel, and one less to lay out with you upon the yard. You miss his form, and the sound of his voice, for habit had made them almost necessary to you, and each of your senses feels the loss.
—a sailor's diary entry, on losing a shipmate, ca. 1834 (from Two Years Before the Mast by Richard Henry Dana Jr.)
I have not been the same since Zheng Yi Sao became a character in our flag means death. It means so much to me that pirate-related media is representing her more because I never would have known about her and she is too cool to be forgotten.
For years pop culture either portrayed her as the racist "submissive asian woman" stereotype or ignored her completely. It's infuriating. Now though we have a strong portrayal of her in both doctor who and our flag means death!! Let me tell you a few things about the rightfully named "Pirate queen".
On average, most pirates died 2 years after starting piracy. Edward Teach died after two years, Stede Bonnet died after one and Israel Hands impressively died around 8 years after starting, all executed. Our pirate queen died at 68 after a successful 9 year career. In fact, she only stopped because she was made to surrender and lived the rest of her years in effective retirement.
She inherited her late husbands pirate fleets and at one point commanded around 1,800 ships. Blackbeard is believed to have a maximum of 5- likely because he didn't get along with people well enough to amass enough crews to run them. She had the largest fleet in history.
Zheng Yi Sao was a leader and undoubtedly one of the most successful pirates ever and yet we dare to forget her.
going through my old journals as part of therapy homework and i'm reading a section written in the emotional wreckage of a full-on breakdown when i get hit with this line:
There is never a satisfying answer to ‘Why didn’t they love me?’
it's incredible that tumblr fandom went from DESPERATELY trying to see ANY sort of queer love in the shows we liked, to having shows—high budget, well-made, interesting, mainstream shows staring known actors—that are ABOUT queer love. explicitly, without argument. and just ten years later.
i saw (and reblogged) a post about how GO, ofmd, and wwdits are the new superwholock and i havent stopped thinking about it. cuz i was there, i was in the trenches back in the day. i was there when the writers and actors made fun of us for seeing on screen chemistry and perfect stories to set up romances. they all humored us then shat on us and saw us as a joke. a bunch of weirdo faggy teens that don't think two men can just be friends.
and now look at us. we're seeing the on screen chemistry and it's REAL. it's ON PURPOSE. these ARE romantic stories about queer people. we're not projecting or have wishful thinking... it's TRUE!! it was written and directed and edited and acted that way in earnest. i will take NO SHIT regarding these shows and people's love for them.
and do you know WHY these shows are being made now? these well thought out, feels-real, non-pandering queer stories? it's BECAUSE OF WHAT WE DID ten+ years ago. a lot of queer media never got the green light to be made because execs don't think there's enough of an audience. that more people will dislike the gays than like them. and we've shown them that that's unequivocally untrue. the outcry we had for all those years, the reviews we left, the statements we made, the backlash, it gave show runners ammunition to say "hey. people will watch this. they will like it. let us make it."
Why do people keep recommending Dreamwidth as a Tumblr alternative, when Dreamwidth and Tumblr are so different?
To be flat-out honest, it's because Dreamwidth has so many things that Tumblr users say they want, even if it's also lacking a lot of features that Tumblr users have come to love:
Dreamwidth has incredibly lax content hosting rules. I'd say that it's slightly more restrictive than AO3, but only just slightly, and only because AO3's abuse team has been so overwhelmed and over-worked. Otherwise, the hosting policies are pretty similar. You want to go nuts, show nuts? You can do that on Dreamwidth.
In fact, Dreamwidth is so serious about "go nuts, show nuts", it gave up the ability to accept transactions through PayPal in 2009 to protect our ability to do that. (It's also one reason why Dreamwidth doesn't have an app: Dreamwidth will never be beholden to Apple's content rules this way.)
Dreamwidth cares about your privacy; it doesn't sell your data, and barely collects any to begin with. As far as I'm aware, it only collects what it needs to run the site. The owners have also spoken out on behalf of internet privacy many times, and are prepared to put their money where their mouth is.
No ads. Ever. Period. They mean it. Dreamwidth is entirely user funded.
Posts viewed in reverse chronological order; no algorithm, opt-in or otherwise. No algorithm at all. No "For You" or "Suggested" page. You still entirely create and curate your own experience.
The ability to make posts that only your "mutuals", or even only a specific subset of your "mutuals", can see. Want to make a post that's only open to Bonnie, Clyde, Butch, and Cassidy? You can do that! Want to make a post that's only open to Bonnie and Butch, but Clyde and Cassidy can't see shit? You can do that, too!
The owners have forsworn NFTs and the blockchain in general. Not as big a worry now as it was even a year ago, but still good to know!
We are explicitly the customers of Dreamwidth. Dreamwidth wants to make us happy, so any changes they make (and they do make changes) are made with us in mind, and after exploring as many possibilities as they can.
Dreamwidth is very transparent about their policies and changes. If you want to know why they're making a specific change, or keeping or getting rid of a feature, they will tell you. You don't have to find out ten months later that they're locked into a contract to keep it for a year (cough cough Tumblr Live cough cough).
So those are some things that Tumblr users would probably love about Dreamwidth.
Another reason Dreamwidth keeps being recommended is that a significant portion of the Age 30+ crowd spent a lot of earlier fandom years on a site known as LiveJournal. Dreamwidth may not be much like Tumblr, but it it started out as a code fork of LiveJournal, so it will be very familiar to anyone who spent any time there. Except better.
Finally, we're recommending Dreamwidth because some of the things that Tumblr users want are just... not going to happen on the web as it is now. Image hosting is the big one for this. Maybe in the future, the price of data will be much cheaper, and Dreamwidth will be able to host as much as we all want for a pittance that a fraction of the userbase will happily pay for everyone, but right now that's just not possible.
Everywhere you want to go that hosts a lot of images will either be running lots of ads, selling your data, or both.
Dreamwidth knows how much it costs to host your data, and has budgeted for that. They are hosting within their means, within our means.
Dreamwidth is the closest thing we may ever get to AO3 as a social media platform. One of the co-owners is from, and still in, fandom; she knows our values, because they are also her values. It may as well be the Blogsite Of Our Own.
quotes by Victorians about the 1920s view of their generation's women
"We are frequently told that the Victorian woman...generally behaved like a pampered and neurotic infant. This is all moonshine. I do not think that I ever saw a woman faint before I came to London in 1869, and not often after then...they enjoyed a hearty laugh, and a good many of them a contest of wits with any man." -Nineteenth Century, a Monthly Review, 1927 (written by a man born in 1850)
"What queer ideas the girl of 1929 has about the Victorian period- they are not a bit true...Marriage was by no means the end and aim of our existence. Oxford and Cambridge claimed quite a few of us after school days were over. We had great ideas about 'life' and what it all might mean to us." -St. Petersburg Times, 1929 (written by a woman born in 1853)
"True, debutantes were chaperoned at balls. But that fact did not prevent them from dancing as frequently as they chose with their favorite partners. The idea that girls in the Victorian era spent their days sewing seams and practicing scales is another fallacy." -Gettysburg Times, July 1, 1927 (quote from the Dowager Lady Raglan, Ethel Jemima Somerset, who lived from 1857 to 1940)
hello. this is a PSA. ao3 is NOT releasing your browsing history, despite what you may have heard on tiktok.
if you’re signed into ao3, your history is viewable in the dashboard tab. it always has been, nothing is changing. please don’t believe everything you hear on tiktok.
no one is able to view your browsing history unless they are signed into your account.
Signed on to Twitter today in the first time in over a month
I’m so tired.
When we say there are antisemites at these marches and we don’t feel physically safe attending them believe us instead of saying that YOURE not antisemitic. Fine. Don’t be antisemitic. Just stop people who ARE.