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#this is extremely very important
aerequets · 1 year
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guys very important question please
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is the white stuff HAIR or TOWEL/NON HAIR MATERIAL?
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christakisbang · 7 months
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the-data-files · 23 days
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Mission: put that lizard baby to bed
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wildflowercryptid · 4 months
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the girls are beefing in the clubroom again. [ og post ]
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beanghostprincess · 3 months
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I will forever love seeing Luffy and Nami holding Zoro's swords. He's so protective of those three but it's not even because he fears something might happen to them, but because he's scared something might happen to the crew and himself if he doesn't have them with him. They're like extra limbs. The ones he uses to fight and protect and breathe. He feels uneasy whenever his swords aren't around him, and that is just a fact. You can't deny that he feels comfort in having them by his side at all times, knowing that he'll be able to protect the crew from any dangers. They're tied to his heart and soul in a way that if he loses sight of them he might actually lose himself too. So he does not enjoy seeing his swords in somebody else's hands. They can disappear, he will find them. They can run away, he will follow. They can break, he trusts them not to but if they do, he will keep going carrying their bond with him still. But he doesn't like seeing them in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.
But.
But sometimes Luffy acts like he knows what he's doing and actually asks for permission instead of just taking what he wants. As if crossing Zoro's boundaries would be unforgivable, when he knows Zoro would give him anything he wanted to take from him. But he asks. He asks, with a careful, polite, deep voice Zoro isn't used to hearing. But it always ends with the softest of smiles and the petition reaches a place inside of Zoro's heart that he just knows has also touched his swords. So he lets him, because how could he not, and he runs his fingers through all of them. Amazed. Astonished. Respectfully talking to them as if they could hear him. And they can. Zoro knows they hear and feel and love and crave and long for his captain's touch. He knows, because he does too. Because who wouldn't? Luffy holds them in a way he never holds anything else- Carefully. Like they aren't his. Like befriending somebody he fears might reject him. Like taking hold of Zoro's heart and holding him so gently in case he might break him. He worships them as if he weren't the god in this relationship. He looks handsome, too. Not pretty. Not cute. Handsome. Mature. His hat covers his adventurous gaze but leaves his mischievous grin for the whole world to see. And yet, the swordsman trusts him enough. Without any look or any word. He knows Luffy's face by heart, he realizes, now that he can picture his eyes quite too perfectly under his hat. His skin glistens under the sun and his tender fingers hold the sword with so much clumsiness it looks dumb. He doesn't know how to hold them, yet they don't want to move away from him. It's clumsy but it takes over them. Maybe it's his haki. Maybe it's the effect the future king of the pirates has. Zoro thinks it's just him. Luffy. And his heart stops the second Luffy smiles, as if he had just heard the sword respond to him. He wants to kiss him. Bite him. Let him bite back and draw blood and eat him. Let him hold him the way he holds the swords but tighter. Closer. Maybe he's in love. Zoro. With Luffy. It's not a maybe. Who is he trying to trick? He knows he is in love. With the way he smiles and the way he holds and the way he wants but respects and loves. It's funny like that, the fact that Luffy keeps being so careful when Zoro would let him tear his heart apart and eat it if he so desired. It's funny that the swords love him with such gentleness when they often demand power. Perhaps kindness is the most powerful weapon of all or, at least, Luffy's most powerful skill. Zoro hates it when somebody else holds them because they don't own them. They don't own him. He doesn't even own his swords, anyway. Nobody can. They're his the same way he's theirs, just with a bit more dominance and respect. But Luffy isn't owning them. He's praying to them. Talking to them. Befriending them. Loving them. And they would bow to him if he so desired. Zoro knows they would, as fierce as they are and violent as they seem and as sharp as they cut. They'd bow to him because Zoro would too. The uneasiness does not exist when Luffy is the one to hold them because, if Zoro had to give out his soul for somebody to take care of, that would be Luffy. And if he has to be unprotected. Naked. Bare in front of a thousand soldiers. He will if it's Luffy the one fighting instead.
Sometimes Nami wants to hold them just to feel what it's like to be in Zoro's shoes. It's a stupid reason. He refuses to let her do it as an instinctive reaction at first. She doesn't seem as interested in following the protocol as Luffy is, but she knows where to stop and she knows what to say to get on Zoro's nerves, anyway. She's equally as fierce. Equally as sharp. He won't let her hold any cursed sword, but it's not like she wants to. She's smarter than that. Careful and respectful but not that interested in the swords and what they mean, more in how they feel. Zoro gets it. Kind of. Somehow. She says something about always letting them eat her precious tangerines, so he should humor her by letting her hold Wado at least. She isn't pushing him. He knows she wouldn't. She's just teasing because she knows. She always knows. She knows he will say yes. Because he always does what she says, although he keeps demanding a bit of respect to not be treated like a dog. But Nami never forces him to do anything. He could refuse. She would give up at some point. But there's just something about her- Stubbornness. Strength. Love. So much love and care and worry and anger. And Zoro likes her. She's selfish, too, like a pirate should be. Stronger than Zoro in the ways that matter. Smarter, too, even if he wouldn't admit it out loud. But she leads the way and he follows, not because that's a dog's job, but because he wants to. He trusts her. Something he never thought he would. But he does. She's smart. She leads the way. She knows where they're going. They somehow are the same and totally different at the same time. Zoro grounds Luffy when he gets lost. Nami leads them both so they won't. So there's something about her curiosity that makes him soften. He never knows exactly why he does what she says. Why he indulges her like that. But it's satisfying, for some reason he refuses to read within himself, the satisfactory and pleased grin on her face when he hands her Wado. She's careful with her. Awful at holding her. Bad posture. Great smile. Horrible movements. Beautiful eyes. It's okay, though, he thinks. Wado likes her because Zoro likes her. Nami loses interest within a minute, complaining about the weight and the sudden realization of "you always have this thing in your mouth" which makes her want to give her back. But she stares at her for a whole minute. It isn't her thing, but her eyes spark when the sword is returned to Zoro. Trust. A smile. Thankfulness. Her bangs are getting a bit longer and one strand of hair gets in the middle of her teasing smirk. She says she prefers her clima-tact, but swords are fine, "I guess". "She's pretty" she says. Zoro thinks she is pretty. Nami. In a way he can't quite describe because he has never really been good at that. But she is. Like a blade. Sharp. But in the right hands this time for her not to cut the ones she loves anymore. She hands him a tangerine next, every time he lets her hold his sword. An exchange. "I give you something that matters. You give me something that matters". Zoro wants to say it's not the same, but the tangerine is sweet. Juicy. His fingers then smell strongly of citrus. Almost as similar as steel. If he can feel Nami's heartbeat in every bite, he wonders if she has been able to hear his in the hilt of his sword. Calm. Peaceful. Safe.
Zoro doesn't like seeing his swords in somebody else's hands because those are his swords. His limbs. His heart. His soul. It's just not right. It never feels right. But.
But sometimes it does.
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animalsandskyyy · 1 year
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comradekatara · 1 year
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les bébés
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canisalbus · 6 months
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Is that canon!?! Was Machete just really naive/didn't really understand the implications of his relationship to Vasco? Did his mentor ever find out about them or discuss such things with him? I assume bc he didn't have parents, he kinda didn't get educated on sex or anything. Was it a big shock to realize he was "sinning"?
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poorly-drawn-mdzs · 10 months
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Someone asked why my cat guy was in a bikini, and the answer is: Men and them can wear bikini’s too!
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To demonstrate, here’s Lan Wangji and his brunch friend Elle Woods at their weekly summer hangout.
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shivroy · 7 months
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future shiv
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irawhiti · 8 months
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kia ora! i would like to suggest the coining of a term that would hopefully help a large demographic of mostly-forgotten-about māori to connect with each other and share our experiences to feel less alone, congregate around a concept regardless of country of origin and upbringing, and organise as activists.
i politely ask as many people to spread this as possible to help indigenous people organise with each other and to get the largest amount of interactions possible.
anyway, with all that being said,
i would like to coin the term "ngāti rangiātea" for māori who do not know their iwi to use.
this is based on the well known whakataukī/proverb, "i will never be lost, for i am a seed which was sown from rangiātea." i chose this whakataukī due to the spiritual significance of rangiātea as a place in māori culture, as well as to emphasise that no matter how it feels, we are not lost, we can find ourselves in each other, we can experience strength and self-realisation, and that we will exist with mana and without whakamā as rightful tangata whenua.
i've put my reasoning, personal experiences shaping my viewpoints on the matter, and various statistics under the cut to make this post reblog-friendly and i would suggest fellow māori read it regardless of whether or not they know their iwi. i also ask for the opinions of other māori, ESPECIALLY AND SPECIFICALLY other māori who do not know their iwi. in fact, i politely ask māori to share this with their whānau and people in general to share this with māori they know, especially any they know who do not know their iwi. a wide reach is what i am going for to get the largest amount of voices, critiques, and opinions on the topic and to avoid this from just becoming a very small thing that stays in an online echo-chamber.
to begin, the 2018 aotearoan census shows that, of the 775,836 people identifying as māori in aotearoa, roughly 17% are unable to identify their iwi in the census. this has gone up by 1% since 2006, showing that we are a considerably stable percentage of people. along with this, there are more than 170,000 māori living in australia and, while there are no solid statistics, there are an estimated 8,000 māori living in the UK, 3,500 in the US, 2,500 in canada, and 8,000 in other countries where there's no option for māori or any polynesians on the census.
this number adds up to 967,816 total māori and while there's no census in these countries asking for your iwi, i would go as far as to assume that there's a larger number of diaspora māori who are no longer able to identify their iwi than there are in aotearoa. of course, this is just speculation based on my lived experiences and conversations with other diaspora māori, however even assuming that it's the exact same amount globally, 17%, this is roughly 164,532 māori worldwide who do not know their iwi. nearly one in five māori do not know their iwi.
regardless of the specific statistics, the hard fact here is that there is a large percentage of māori who are unsure of their iwi for whatever reason. it's extremely easy to feel unsure of yourself, lost, disconnected, and uncomfortable speaking on issues regarding te ao māori when you're unsure of your iwi (or your hapū, whānau, waka, or anything else, but there is heavy emphasis on the iwi) and it's very easy for whakamā to take hold, especially when many māori who can recite their whakapapa aren't very polite or understanding about your situation to say the least.
and there are a lot of those people.
unfortunately, i've spoken to many māori who are of the opinion that not knowing your iwi due to colonialism, assimilation, forced disconnection, etc. means that you should not, cannot, call yourself māori. this is a disgusting viewpoint to have and in my opinion it spits on the fundamental concepts of māori culture and worldviews. thankfully this is a small yet vocal group of people, but even so, they add to the collective experience that makes it extremely difficult to navigate a world while full of whakamā and internalised racism. it can feel like there's no space for you, no term you can use, nobody you can relate to, no mana you can claim, nothing. when you cannot recite your whakapapa, it can feel like there's a part of you that's fundamentally missing.
as well as this, even when people mean well, when you are in this situation, you're usually told to just do some genealogy work, do some research, ask your family what they know. sometimes, these steps are simply not possible. other times, we've already done everything suggested over and over and over again. we're generally told "oh, that sucks, but one day you'll find out, keep looking!" in response to our lack of iwi. sure, they mean well, but i have never once been told anything along the lines of "that's okay, some things are lost to time through no fault of your own. don't beat yourself up over something your whānau had to hide to survive, what you do now to uphold your family's mana, what you do know about your whānau, and who you ultimately become is more important than what you no longer know."
and why? why is it seen as shameful to say matter-of-factly that i don't know my iwi? i'm not looking for comfort, i'm not looking to be told that, aww, there there, i'll find it eventually. i'm stating a fact. i do not need pity, i need my mana and voice to be respected.
this concept is what i want to emphasise by coining ngāti rangiātea. some things are lost to time, but we aren't. our loss of knowledge does not mean that we are unworthy of being māori, that we are unworthy of basic human respect. it does not mean that we have lost everything that our whānau knows. it is a scar, a reminder of what colonisation took from us, yes, but we cannot allow it to continue to be an open bleeding wound. we will not be lost to time and we should not bow our heads and act like we do not exist, that we're inconvenient, that we damage the "image" that māori have. in fact, we are an important aspect of māori culture and ignoring our existence does harm to everybody.
and of course we can't speak on some topics regarding te ao māori. this seems to be a topic that comes up frequently as a strawman. yes, there are some topics that would be irresponsible to speak on when we have no experience with them. this doesn't mean we can't speak on anything. having a collective identity, an "iwi" to congregate around even just politically, would help us speak on topics that we are more qualified to speak on than māori with knowledge of their iwi (yes, those topics exist, shockingly.)
we will never be lost, for we are a seed sown in rangiātea.
by identifying as ngāti rangiātea, i wish to emphasise that it's important to accept that sometimes, someone just won't be able to find every piece of information. loss of family knowledge is literally one of the primary goals of forced assimilation! we all went through it as colonised peoples, why must we continue to attach shame to those of us who were forced to obfuscate our history to keep our children alive? it's not a personal flaw, it's not a dirty secret, it's a fact of life that must not continue to be kept quiet out of shame, and the sooner we can focus on healing this subsection of our community, the stronger māori as a whole will become.
so, this is why i'd like to coin a term for māori who are unsure of their iwi. this is what i intend to achieve by giving us a name, our own "iwi" to congregate around, to identify ourselves as. instead of hanging my head and saying "i'm not sure what my iwi is, i'm sorry", instead of feeling inclined to beg like a dog to be treated with respect, i would like to look people in the eye and tell them that i am ngāti rangiātea. i would like this label to be synonymous with strength and not shame, that i refuse to let my whakamā swallow me, that i am just as worthy of calling myself māori as anyone else, that there are many others in my iwi (or lack thereof). i would like other people to have that as well and i would like those like me to feel less lost when all they've been told is "well, you'll learn your iwi eventually!" as if that's going to help someone feel better if they can't find their iwi.
and even if a person finds their iwi eventually, it's absolutely disgraceful that people are treated that they're not allowed to access many basic parts of te ao māori until they discover something they are not even 100% destined to find. i think that this view contributes to a lot of people who eventually find their iwi becoming unnecessarily arrogant towards those who truly cannot find this information, that they're just not putting enough effort in. if a person finds their iwi after identifying as ngāti rangiātea, they are fully welcome to continue to identify as this political label along with the iwi they now know they belong to as i wish for it to be a term that describes your experiences, your upbringing, and your community. you don't suddenly lose your whānau or your lived experience when you discover your whakapapa.
finally, this hopefully goes without saying, but ngāti rangiātea is not meant to function as a real existing iwi does. the term will hopefully be used as a way to identify yourself and other people and organise but i don't expect nor do i want this to be treated like a coordinated iwi. i expect and hope for this to be a decentralised way of identifying and experiencing community to make it easier to organise as a people. think of this the way the terms ngāti kangaru, ngāti rānara, ngāti tūmatauenga etc. are used.
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so, the tl;dr is that i feel like coining a name for a phenomenon that nearly one in five of all māori experience in quiet shame, to make it easier for us to congregate and find each other, speak on our experiences, organise as activists, feel less lost, and ultimately give us the ability to regain our mana as a community with shared goals and experiences. i have spoken to many māori who feel this way and my suggestion for this term is ngāti rangiātea, to show homage to the well known whakataukī, "i will never be lost, for i am a seed sown from rangiātea", to give us a community to work with, and to give us an "iwi" to list when asked instead of fumbling for words and feeling whakamā.
i would like to take the emphasis off of constantly looking to the future for what you may or may not even find with this identity. we are not broken, we are not lost, for we are seeds sown in ngāti rangiātea.
tēnā koutou, tēnā koutou, tēnā tatou katoa, and if you got this far, thank you for reading.
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clansnaphance · 2 months
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I'm really not vibing with whatever staff is doing now. Not only does there seem to be a total internal communication breakdown, there also seems to be an absolute disregard for how the players are affected by this.
Like, ignoring the fact that the consistency argument doesn't even hold water, their takeaway from the Fern/Paisley thread seems to have been "oh we gotta change Breakup and Hypnotic too!!"
And then completely reversing Sandsurge Blend on top of that? A gene that's been out for over half a year and was only listed as having the gradient softened, not reversed? Just a total failure to communicate and an absolute bullheadedness in pushing the changes through despite the very reasonable player concerns?
To top it all off, none of these are bug changes, they are style changes. Someone saw these genes before they went live, greenlighted them, and put them in the game. And now, months upon months later, someone else (presumably) says "fuck that, I want the gene to look like this instead" and that complete change is just... pushed through??
Like. Did they learn nothing from the Butterfly debacle, from Obelisk Flair, hell, from the Eyepocalypse?
What the fuck is going on behind the scenes?
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You're sooooo silly thank you for all the bears :3 <3
we’d say we are the silliest but polar bears exist
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iamfuckingsorry · 1 month
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Thinking about that mural from DE
You know which one
TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR THE NEW PEOPLE. IT IS TOO LATE FOR US. WREAK HAVOC ON THE MIDDLE CLASS
The next world mural. In the game, you encounter this piece very early on if you interact with everything available, you probably see this mural before you've ever even heard of Dora or before you've started to get really serious about your commie tendencies, if that's how you choose to play. And the reaction is like, "wow, this is kinda profound actually". Or maybe it's like, "oh lol, this game really is commie af isn't it" (even though later on it turns out that the game is much more critical of communism than you'd think at first). And the story in the ledger provides some insight into Harry and Jean and how they work together too, so it feels like it makes sense, it fits in very well at that moment in the game and that's it.
But looking back at this mural after you've played through the entire game, knowing what you know of Harry's relationship with Dora...
It's Harry's own fucking love story in a way, isn't it?
Him and Dora came from very different backgrounds. He's genuinely poor, grew up checking the trash cans on the streets for tare and edible food, spent his teenage years running around with a bunch of kids who all OD'd or got themselves killed one way or another over the years. He had dreams of getting an education, getting a chance to use his creativity and curiosity and learn about all that that is worth exploring in this world (which is everything), but those dreams are long dead. She's solidly middle class, with access to all the education and art and music he's always dreamt of, with her family to always fall back on. She's everything Harry's ever dreamt of growing up. She might as well be living in another world.
They fall in love with each other and she moves to Jamrock to live with him. Jamrock, the biggest fucking ghetto in Revachol, full of tweakers and gangsters and just thousands upon thousands of poor people permanently down on their luck trying to get by, with no proper aid or government and a police station so understaffed and underfunded they never even stood a chance. And they can barely make ends meet even living in Jamrock, moving from shithole to shithole, never knowing when they'll have their electricity cut, when something will happen that gets them thrown out, desperately scrambling for a new place to stay. And Dora could never do that, not really - she never actually lived in Jamrock, she always had the possibility of leaving, of going to work across the river and visiting her parents whenever she felt like it or just escaping, packing her shit and getting on the tram and never going back. And as long as she knew she wasn't really, truly stuck in this miserable shithole forever, she wasn't ever really living in Jamrock. And it could never be enough for her.
And she wanted more - for herself, for Harry, for their family, who even knows. Maybe she saw Harry struggling trying and failing to make a difference as a gym teacher and thought he could do more good with the RCM. Maybe she was getting desperate, living in this fucking shithole, and thought they needed more money. Maybe it was something completely else - but what is certain is that Harry ended up joining the RCM, and the 41st, and everyone there is on speed, everyone is miserable and desperate and always running behind playing catch up with the case load, with the crimes, with the drug addicts and rapists and murderers, and Harry, who's always been like this close to a genuine mental breakdown, just fucking falls apart. He needs to help people, needs to make a difference, and working at the 41st, with the budget and case load and staffing situation and the pure fucking misery in the area. He goes out and meets a miserable person after a miserable person and he can't do anything else than be nice, make their day a little bit more manageable, do his best- but he knows that no matter what he does, his best won't be enough. He won't be able to make a dent in the pure fucking misery that is Jamrock. But he needs to, so he drinks, he smokes, he does drugs, he loses any semblance of control he ever had over the voices in his head, the dude telling him to hit shit and the dude telling him to forget everything and just get fucked up and Revachol herself screaming at him about her imminent death. And in the end Dora can't stand it anymore and she leaves (and, honestly, good for her. I'm happy for her. But this is about Harry, and Harry isn't, he isn't able to be happy for her at this point in time).
And like. I personally doubt that she'd have left just because of the money if everything else was good. I honestly even doubt that the money was that big of an issue for her to start with, it was all the other issues first and then the fact that they couldn't even rent a fucking VHS and play it at times became just one more thing on top of this already massive pile of shit that broke the proverbial camel's back. But in Harry's mind, he was never rich enough for her. She was always the middle class girl who settled for the poor fuck, and he was never gonna be good enough for her because he was just a broke dude from Jamrock. She was perfect and so so beautiful and at one point her love was the only thing keeping him going, and then she left because he couldn't even
And from what we can see in the game she was the only person he's ever really, truly loved.
But in his mind, they could never be together again. They could try as they might, but it was never gonna work out, because she was a rich girl and he was just a poor miserable fuck. He grew up looking for change on the streets, she took piano lessons in a fancy part of town. The difference was just too large to ever truly be bridged.
So for post-breakup Harry, prior to Martinaise and even during the events in Martinaise, true love was never actually possible. It is possible only for the new people, in the next world. It was too late for him - he had his chance, and it was an impossible thing, it could never have worked out and now he's wasted it. Because of the inherent differences between different social classes. It is too late for him. So yeah, fuck it, wreak havoc on the fucking middle class. Fuck those rich bastards who took Dora from him, and fuck Dora too.
On another note, this was also one of the most recent cases him and Jean worked on prior to Martinaise. I don't remember the date exactly, but it was in his last ledger, it must have been pretty recent. Do you think he saw the mural and thought about it the same way I did? Maybe this was the one that truly pushed him over the edge? The impossible love. It truly was too late for him. The only way to fix it is a new fucking start. And how do you get that?
After life - death. After death - life again.
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rivalmelty · 9 months
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they are fukuzawa’s boys, adopted twins, and menaces to the yokohama police
(pls do not tag as beast)
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mamawasatesttube · 6 months
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other timkonbart-adjacent thoughts that i entertain myself with: the specific vibe of romantic timkon + queerplatonic konbart (who simply don't label it bc they don't feel the need. kon is bart's favorite jungle gym and bart is kon's silly rabbit. what else is there to say?)
kon and bart are just at each other's houses and homes constantly. max loves to talk gardening and farm life with kon, who passes on ma's recipes and tips for his kitchen garden. bart offloads chives (and cucumbers. and zucchini. and eggplants. max for the love of god don't you dare plant that mint) onto kon, who is more than happy to bring by some offerings from the kent family farmer's market stall. bart shows up at the farm all the time just to hang out with kon when he's bored. ma loves to feed him and he loves to eat. it works out incredibly well for the both of them. bart will help himself to kon's closet and sleep in his bed even if kon himself isn't there. this tickles ma pink. at least once kon has made what he calls "the most bitchin' peach cobbler of all time", courtesy of ma's recipe, and bart takes one bite and his entire face lights up and he just launches himself across the room like "bro this is so good i am kissing you on the mouth" and then he does. he's so very aroace but physical affection is good and great and frankly, the peach cobbler is just really that bitchin.
all of which is to say: when kon finally is like soooo ma. im uh. dating one of my friends now :> she's So confused when it's not bart. like... oh, it's... it's not? oh i just thought-- no no tim is very sweet, he fixed the tractor up so well for us, of course i love him! i just, well, i thought you and bart... i've certainly never seen bart perched strangely on the rooftop at half past four in the morning, is all. but you should definitely bring tim around more! that boy is too thin we need to feed him--
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