#this is based on TWO panels I've seen

[violent138]

Just saying Dick’s tendency to put random evidence in his mouth to determine what it is must've been such a pain for Bruce when he was a baby Robin. It probably prompted many panicked calls to Leslie about whether Dick was going to die.

#this is based on TWO panels I've seen #And I've decided it was a thing #sorry #dick grayson #robin dick grayson #batman #bruce wayne

[exo-raskreia]

Thoughts & Speculations On Utahime In The Shinjuku Showdown Arc

WARNING: MANGA SPOILERS & HIGH LEVELS OF COPIUM

There are theories going around about Gojo's potential revival & subsequent defeat of Sukuna. Several are interesting & seemingly possible. However, I've hardly seen any involving Utahime & her potential role in all this. While I shouldn't be hoping for anything in this manga 😩, I couldn't help but get some ideas.

With some of the theories out there, I wouldn't want Gojo to sacrifice part of his power in order to come back. But who knows at this rate...? Would Gege let him come back even more powerful? Or only temporarily before losing all, half, or some of his power? I don't want him to lose an eye or something like that... 😮‍💨

Once he returns, what will be the next step to defeat Sukuna? Gojo may get a new power-up or even has something else up his sleeve that he hasn't revealed yet.

This is why I wonder if Utahime could still have a role to play in this arc. She's the only character involved who hasn't gotten a flashback yet with, or in regards to, Gojo. She hasn't even spoken a word! Does this mean anything? Is Gege withholding something important? Will it come into play at all?

She's barely had any screen/panel time & was absent for 3 arcs spanning several chapters since Shibuya. Gege finally revealed her CT for the biggest fight of Gojo's life against the King of Curses. She helped Gojo achieve 200% Hollow Purple along with Gakuganji, while Ijichi hid them from Sukuna's view with a barrier.

They really come in a set, don't they? Every one of her appearances is related to Gojo. She is bound to him. So you see, we may next see her whenever Gojo is about to, or has already, returned.

Neither her, Gakuganji or Ijichi have reappeared since.

It's been 20+ chapters now & we know nothing of their status. Is this the last time we'll see them, especially Utahime, in action? Do they still have another role to play? They have not been shown to be back with the others at HQ, which implies they're still out on the battlefield.

What have they been doing all this time? Watching the fight unfold? Is it just taking them a while to head back to HQ? Or could it be that they're potentially doing something important?

Chapter 244 showcased a flashback scene with the other characters having a meeting before the fight regarding the possibilities of Gojo's defeat. Neither GojoHime, Gakuganji or Ijichi were seemingly present.

Unless the two people behind Shoko here could be either of them? The one in black could be Gojo & next to him is Utahime, or could it be Gakuganji?

If not, this could imply they were doing planning of their own, maybe in a separate room. That planning is the key.

Clearly, GojoHime (& maybe Gakuganji) must've practiced the Hollow Purple throughout the weeks-long timeskip since Gojo's unsealing. But is that all they did? Is there something else that they planned? The fact they're not back at HQ could imply this. It almost seems deliberate that there's no involvement of them with the others... unless Gege really doesn't care.

Gojo told Sukuna at the beginning of their fight that he did some "special training."

What could this special training be? It hasn't been brought up again. Did it involve Utahime & maybe Gakuganji? This further showcases that Gojo's role isn't over yet.

Now, there are theories that Shoko may heal Gojo with her RCT. If so, could Uta help by buffing her to make it quicker & more effective?

We know so little about Uta's CT. Gege stated singing is a big part of it (unless it's just the chanting?). Could it be used for healing (kinda like Rapunzel from Tangled, lol)? What about offensive abilities? How else would she be a Semi-Grade 1 sorcerer if she can't fight on her own? Is it possible, though? We know she has good reflexes based on her encounter with Haruta at the Goodwill Event. Maybe she's good at hand-to-hand combat & wielding weapons? Heck, can she weaponize her voice like a siren?

When Uta buffs someone, does her cursed energy cover them like a blanket? Does it feel a certain way? Is it visible to other sorcerers or does it become one with the buffed person's own CE so that it's undetectable?

If her CE is visible, wouldn't Sukuna (especially as powerful as he is) have sensed it enmeshed with Gojo's? Instead, he thought Gojo's initial HP was a lot stronger than usual due to a Binding Vow (which we know Gojo didn't make) in chapter 234.

Since Ijichi made a barrier that hid him & the others from view, Sukuna doesn't know about them. If he couldn't sense Uta's CE, that could also mean she might not have been buffing Gojo after the HP. How long is her full range anyway?

Speaking of Ijichi, Gojo told him he had a monumental task in chapter 222 before the timeskip.

As then shown in a flashback in 223, it seems it was just to put up the barrier to hide them, Uta & Gakuganji from Sukuna.

Does this mean that Gojo planned their team-up that early after he got unsealed? 🤔 The flashback here has Gojo in casual wear & the place looks similar to the inside of the Tokyo Tower. Could this mean they were headed to Shibuya Sky, the top of the tower, to practice or simply strategize, & maybe meet up with Uta & Gakuganji?

Still, why did Gojo place such importance to this task? Was it just to establish the trust he has for Ijichi despite his antics?

Was it to keep Utahime safe? Not just about the barrier?

So, I've been having these questions for a while now. Here's where my delulu really kicks in.

Absolute insanity mode. You've been WARNED.

There are theories discrediting the fact Sukuna doesn't know about Uta's CT, that it's NOT why he thinks Gojo made a Binding Vow to achieve 200% HP. I know I'm crazy, but I think him not knowing could come into play.

Other than potentially helping Shoko heal Gojo, could Utahime have a hand in bringing him back? Maybe she could even buff Gojo's own RCT, in the case it's still activated (since Gojo's head's still intact). If Gojo is meant to be truly enlightened upon his return, almost like a god, then wouldn't Uta being a shrine maiden mean something? Shrine maidens dance for the gods, communicate with them, summon them.

DELULU THEORY 1:

This scene in chapter 222 made me wonder if Ino told Gojo about him witnessing the summoning of a dead person (which we know is Toji) in Shibuya, as there's been no follow-up to it yet...

If it's about Toji, did Gojo get the idea that in the case of him "dying", then his soul could be summoned back into his body? And with no side effects as it's his own body, and/or that as long as it's done immediately upon "death"? Is this something that could have been researched?

Since Ino knows a form of necromancy, could he possibly have a role to play in this as well? With his help, could Uta along with Gakuganji do a similar ritual as the granny who summoned Toji in Shibuya?

If Uta sings or chants for the ritual, could Gojo hear her in the limbo & follow her voice or something? Could she guide him north towards enlightenment, make him remember (or realize) who he is & what he has to do, in the case he's temporarily forgotten? 🫢 (delulu, I know, I KNOW 😩)

There's a song called North Wing by Akina Nakamori, the artist who sang Kinku, which is the song that Uta's CT is based on. It was her 7th single released the year after Kinku (7?! A number associated with Gojo?!). It was then re-recorded years later on an album titled 'Utahime Double Decade' (Akina is nicknamed Utahime, meaning Diva in Japan). The lyrics talk about a woman who boards a plane to meet with her lover. Here's an excerpt:

Love Is The Mystery It calls me Love is a mystery With its mysterious power I’m an Airplane, throwing everything away Like a scene out of a movie North Wing I depart all alone tonight For where he is Someone I once gave up on Teardrops, my heart’s punctuation I watch the city lights from above As they get smaller and smaller I take a midnight flight, chasing the night through the fog As if I were wandering through a dream Love Is The Mystery I spread my wings And cross the shining seas. I’m a little nervous The date paints over yesterday Which was nothing but agonizing for you The foggy city you live in Awaits me beneath the clouds

Let's see. If we see it in Uta's POV, then she might've thought loving Gojo was not worth it (as loving someone like him wouldn't be easy), but something happened that changed her mind, maybe before/during the time-skip, or seeing his "death." She could be headed to meet him, meaning to help him? It says at midnight, so could Gojo be revived the following day on Christmas? It mentions yesterday was agonizing for him, meaning his "death" & the fact of whose body/vessel he's fighting?

What if we low-key see it in Gojo's POV? His love for his students (and Utahime?) will make him choose North to return to them. He'll leave his past behind, making peace with it, & depart all alone, as the others in the limbo are going South. He knows everyone must be sad over his "death" (the 'agonizing' part) but he's coming home.

There is also a sequel song to this called Dramatic Airport - North Wing Part II. The lyrics are about a (the same?) woman on her way to meet up with her man at the airport, reuniting with him at night. So, could we see it as Utahime heading towards Gojo to help him, to be there for him on his 2nd awakening?

(There's this amazing theory here, which talks about the possibility of Utahime helping Gojo reach true enlightenment like Buddha's wife did for him in Buddhist myths.)

DELULU THEORY 2:

If Gojo returns through some other means, then that gives us another possibility. He's the only one who knows the location of Sukuna's last finger. What if Gojo had told its location to Utahime & co. (maybe even Ino)? What if their absence in the flashbacks of everyone else making plans is because they were retrieving the finger? And what would they do with it, you ask?

Could it be they had planned & are currently making the preparations for a ritual like the one I mentioned, in which they'll summon Sukuna into another vessel by using the finger? Or simply give it to someone to swallow? And could that vessel possibly be Yuuji, as he's the only one who can really handle harboring Sukuna?

It's scary to think of what this could mean, though... 😥 I will not delve into that.

FINAL THOUGHTS:

Anyway, I know I'm fully delulu & may be burning the kitchen, but I just wanted to get this out there. The theories and speculations are rampant these days so might as well add some more to the bunch.

I know for Utahime, a literal side character, to have a major role in the most important fight of Gojo's life, is too much to hope for. Gege also doesn't have a good streak with giving importance to his female characters (except Maki). Then again...no one expected Utahime, after a long absence, to finally reappear with Gojo the chapter after he got unsealed & having her CT finally revealed for him against Sukuna. Just what is Gege trying to say?

Whatever the outcome, I still have so many questions...

What was Utahime even doing during her long absence since Shibuya? As the main teacher of Kyoto, & all these crazy things happening to her students, not a single peep from her?! Was she training?! Put under protection because of her CT or cuz Gojo would have their heads if something happened to her? Buffing people secretly somehow?

How did she end up teaming up with Gojo? Did he ask for her help, like when he did to investigate the traitor? What did he say? Did he finally fess up & tell her what she means to him? Gakuganji & Ijichi got their flashbacks, Gojo showing them his true feelings/thoughts, so what could this mean for Utahime?! That he trusts her too? That he doesn't find her weak? Did he apologize for his constant teasing? Could he have said something more?

Did she offer to help him? Did he refuse & Uta insisted, giving a sort of speech that shut him up?

Just what happened between Gojo & Utahime during the time-skip?! 😫 Is the fact we haven't been shown yet deliberate?!

I wonder if Gege will ever give us this much, at least... 😮‍💨

While I'd like for her to do more, I just hope Uta will be safe. I wouldn't want anything bad to happen to her like nearly every other female character in this manga... 😥

LET'S HOPE FOR GOJO'S REVIVAL ✊️

#gojohime #iori utahime #gojo satoru #gojo and utahime #jjk spoilers #jjk theory #sorry if these don't make much sense 😅 #reiapost

[doraambrose]

I see this alot in fanon and I think jason Todd's parents are completely misunderstood.

Disclaimer: I am not a victim of parents with drug abuse nor have a I ever done drugs. I sympathize and emphasize with people who struggle with drug abuse as there are many reasons to get into it and it's very hard on your body to get clean, I will link help organizations below. This does mean that I can be a little ignorant to the struggles so if I say anything offensive or wrong, please call me out and educate me so I don't make the same mistake

Jason's family has been retconned so many times, it's hard to keep it straight. But this is my headcannon based on what I've seen:

1. I feel like a lot of people write Willis Todd to be this awful abusive scumbag who hated his kid and his wife. If you are talking about young justice or arkhamverse, this canonically true, but I think that's far from the truth in the main universe, prime or whatever it's called. In batman 411, jason is clearly distraught by Willis' death and does try to avenge him by lashing out at Two face. We also can't forget about the incident with the penguin that led to the worst Bruce and jason characterization before gotham war. And that's because of one rhato issue where jason finally reads willis' letters (a truly heartbreaking issue: rhato rebirth 23)

I believe that Willis wasn't a bad dad. Not a good dad, but not an awful abusive one. I 100% believe he has never abused his family in this universe. And you know what, he wasn't a great person. He was a drug dealer and then a henchmen. But he CARED. He cared about his family. He tried so hard to provide for Catherine and Jason for their medical bills, food, shelter. He just had a poor upbringing and some real shit luck, trying to survive in poverty in Gotham city.

2. Catherine has been written in fanon to be a perfect caring mother who was nothing but a victim. I believe that she wasn't as good of a mother and a person as people make her out to be. And we haven't seen everything, but I believe this because she seems selfish. She seems to put herself and her drug addiction before her family, doesn't seem to even try to get clean or take care of jason or provide. Look at these panels:

She neglected Jason. He had to go out and put his life on the line day after day when it should've been the other way around. Jason was a kid. And don't get me wrong, she probably loved jason and had good intentions, no, she definitely loved him, or else jason wouldn't canonically think as highly of her and take care of her the way he did, but she wasn't perfect and I don't think she was as good of a mother as she's made out to be.

3. Canonically, jason seems to really care for Catherine, but not Willis. I have a theory about that. For why he thinks so highly of catherine: I've never had a parent who suffered from drug abuse, but I do have a parent who suffered from a lot of mental health issues like depression, diagnosed, and I feel like bpd, though it was never diagnosed. When things were bad, they were BAD. I witnessed a lot. But when things were good, things were REALLY GOOD. I feel like when Catherine would come off the drug haze, things were like that. She probably took care of him during those times and was loving and all that. Catherine is the one parent figure Jason has to hold onto (because of all the shit with Bruce, Sheila, etc.). He forcibly removes the bad shit she's done and hangs onto the good things she's done because she really did care about him and in life, it seems harder to hate your mom than your dad (from what i have heard when i did research on this from friends). I've done that for years, and idk if I'm explaining it right, but I think that's the best way I can. For why he doesn't love willis: I think up until he read the notes, he didn't have the full picture. From his perspective, willis leaves to do crime and then eventually gets caught and left forever. I think he blamed willis for making jason become "the man of the house" and have all this extra responsibility. Willis also strikes me as the type of parent who has trouble expressing feelings, so jason probably rarely, if ever, heard "I love you" from his dad. Willis also strikes me as the person who would believe that he needs to make his son stronger in order to survive, and there are a lot of parents like that, especially parents from a low income household or a history of poverty.

In conclusion, both parents were FAR from perfect parents, but they're not as evil or as innocent as people write them in fanon. They're just...people. fanon likes to write comic people as black or white, innocent or abusive, but in reality, It's a gray area. Willis had his flaws, I hc him as one of those old fashioned kind of dads who wants his son to be tough and strong and isn't good with sharing his feelings, but does truly care about his family and NEVER was abusive. Catherine was a mother who definitely cared about her family, but wasn't an innocent victim and had her own flaws.

Anyway, thank you for coming to my Ted talk

#jason todd #red hood #batfam #dc universe #dc comics #rhato rebirth #rhato #catherine todd #willis todd #batman #two face #dc penguin

[machiroads]

Don't look, i'm about to overthink this panel

Long post under the cut.

Notwithstanding that I can't figure out what's going on with Aizawa's legs here because he's twisted around or something—it's a good panel. Look at them, they're adorable. 11/10 no notes.

Actually that's not true I have so many notes.

Will someone also please get this man a blanket for god's sake

I'm going to unpack the implications here from two perspectives: Aizawa telling Eri he got hit by a truck, and Eri trying (and failing) to save Aizawa.

Tis But A Flesh Wound

Aizawa tells Eri he got hit by a truck, and a common interpretation I've seen of this is that nobody told her what happened to him. I don't necessarily think this is true, because:

A) She rewound Mirio the day before the raid

B) She was watching the fight on TV with All Might.

Canonically, she is at least tangentially aware of what happened. Aizawa also knows that she's at least somewhat aware of what happened, vis-a-vis excerpt A.

I've also seen the interpretation that Aizawa is trying to obfuscate the truth about his injuries from her (presumably because the quirk-deleting bullets were created from her blood), but again, she was watching the fight on TV.

The most rational (hah) explanation is that he's just back on his bullshit, lying to children for his own amusement.

which is. hysterical.

Anyways, onto item 2!

The Deus Ex Machina

As we saw above, Eri rewound Mirio the day before the raid. I am not a scholar of the BNHA timeline, but I did do some research while I was writing Nine Lives. My understanding is as follows:

The Shie Hassaikai raid is sometime in September

The Jaku raid is at the end of March

Mirio corroborates these two points when he arrives at Jaku, noting that he's been out of the game for about 6 months

Post-Jaku is where the timeline gets weird.

Tartarus is breached the night of the raid on Jaku and Gunga

Midoriya is brought back to UA about a month after that

The Star & Stripe fight happens the day after that

The day after that, All Might reveals they have at least a week to prepare for the final battle. Aoyama is revealed to be the traitor on the same day.

In summary, the final battle happens somewhere in the ballpark of a month and a half to two months after Jaku / Gunga.

With the timeline sort of squared away, let's move on to the interpretation I've seen some readers make, which is that Eri didn't have enough energy to rewind Aizawa. The translation of Ectoplasm's dialogue has varied between the original leaks, the fan scanlation, and the official release, leading to some ambiguity of interpretation here, but there are a few different reasons that this doesn't make any sense:

Based on the timeline outlined above, where Eri successfully sends Mirio back 6 months on the day before the raid, it doesn't really make sense that 0 to 2 months later, she couldn't hypothetically rewind Aizawa by 0 to 2 months after he loses his leg and eye. Eri's power is wishy washy at best, but this seems like it's entirely within the realm of plausibility if Aizawa wanted to be rewound.

From a storytelling standpoint, what's the point of rewinding Aizawa to de-nerf him for the final battle if him and Monoma are ultimately removed from the fight via Sad Man's Parade anyway?

My interpretation is that this doesn't actually have anything to do with Eri trying and failing to rewind Aizawa, but rather she's trying to go rescue Midoriya and help him the same way that she did during the Shie Hassaikai raid.

The inference Ectoplasm is making is that it's too late for that, because she's at home watching the fight on TV rather than already being on the battlefield. This was also the case at Jaku, where she was canonically watching the fight on TV with All Might. She must have seen Aizawa go down and wanted to go save him, but it was already too late for her to try to help.

There's an entire separate essay worth of discussion on why Aizawa continues to live with one leg and one eye (both from a canon and a meta perspective), but I won't get into that here.

In conclusion:

This panel is fucking adorable

Aizawa continues to lie to children for fun and profit

Eri is baby and is physically perfectly capable of controlling her power at this juncture, she's just geographically removed from the action because she's like seven years old

Thanks for coming to my TED Talk

#BNHA #Aizawa Shouta #Eri #MHA Spoilers

[david-talks-sw]

The Sith don't want peace.

I've seen some fans use the below quote by Lucas in the Revenge of the Sith director's commentary to frame Darth Sidious/Sheev Palpatine as "evil but with well-meaning intentions".

"Lord Sidious thinks he's bringing peace to the galaxy because there's so much corruption and confusion and chaos going on. Now he's gonna be able to straighten everything out, but the price the galaxy is gonna have to pay for it is way too much."

And uh... no.

Sidious thinking that him ruling the galaxy will bring about peace as a byproduct and him wanting to bring about peace are two very different things.

He's not doing what he does for altruistic reasons. He's a selfish dick who is saying that technically the galaxy won't be fighting anymore and the corruption in the Senate will be quelled... because of course it will be, they'll all be under his thumb in his totalitarian regime.

So Palpatine is not lying, but he's not being genuine either. And that's his whole schtick.

"The Jedi are holding you back, Anakin." Yes, because Anakin has a tendency of flying off the handle, mainly because you enable him to give in to his darker instincts, Sheev!

"The Jedi are trying to take over!" Temporarily? Yeah. Because you're a dictator who orchestrated a war and cemented division across the galaxy, and everyone behind you is corrupt to the bone, SHEEV!

He's not Thanos or Killmonger, he's not the "if you think about it, he's actually a good guy who took it too far" villain.

This is a modern myth with a binary view of good and evil. He's Iago, Jafar, Freezer. He's not "gray", he's the classic "he's evil because he can be" villain. The Emperor is the Devil. As stated by Lucas himself:

"Palpatine is the Devil. There’s no fall from grace there. He’s the evil one." - Starlog Magazine #337, 2005

And the Sith are not pragmatists or people who try to bring positive change using their passion. They're not "free thinkers" who "follow their own path". They're not "religiously persecuted for pursuing knowledge beyond the dogma of the Jedi".

And this battle between the Jedi and Sith, thousands years prior to the films ⬇️...

... it didn't happen the way it's shown in the comic panel. That's Sidious showing horrific unreliable visions to Maul - a child - to indoctrinate him into hating the Jedi.

You know who does that? A cult. That's what the Sith are.

Hell, their code was partly based on Mein Kampf.

The whole "the Jedi 'limit' but the Sith 'embrace' and that's why we're being hunted down" line is just that. A line.

It's what the Sith tell themselves to justify the fact that they fucked with Dark Magic, got corrupted, and are now making it everyone else's problem.

"The Sith are people who are very self-centered and selfish. [They] learned how to manipulate both sides of the Force, and then they fell into the trap of being corrupted by the dark side." - Sci-fi Online, 2005

Which is why the Jedi step in, to stand up to them.

"The Jedi are the enemy of the Sith because the Sith want to dominate the galaxy, to control everything, and for a thousand years they have had a plot against the Jedi." - Sci-fi Online, 2005

The Sith just wanna subdue and control everyone around them, including the Force itself, to fashion the galaxy in their image.

"The end game for the Sith was to bring the world into a very selfish, self-centered, greedy, evil place, as opposed to a compassionate place." - James Cameron's Story of Science Fiction, 2018

So sure, have fun with your The Old Republic OC, go to town.

But when it comes down to it, when we're talking about the intended narrative (I'm looking at you, The Acolyte):

The Sith don't care about peace, they're literal religious extremists.

While some Sith may say they're misunderstood and some may justify themselves as being altruistic... at the end of the day, they're objectively not. They're greedy, power-hungry and self-centered.

They're the anti-theme to Star Wars' theme of "be compassionate".

#again 'The Acolyte' looks like it'll be objectively good but it's a real slippery slope man #sith #Darth Sidious #Sheev Palpatine

[glassgob]

[Image ID: Two panel comic. The first panel is myself and my bestie Hen putting together a jigsaw puzzle. "Yeah, the Audy's I've seen are more egg-shaped," Hen says. An arrow points to my sona informing the audience that I haven't looked at any fan content to avoid spoilers. The next panel is of my sona thinking very hard. In a thought bubble, my humanoid Audy design Animorphs into an egg. End ID.]

based on a convo/revelation i had with @fourteenfifteen a couple weeks ago

#friends at the table #f@tt #COUNTER/Weight #AuDy #i am so very thankful for my friends who keep spoilers away from me it means the world #but legit im so clueless as to whats going on outside of my little friend groups

[aldermos]

I've seen a few posts on my dash about the idea of Amy's attempt to fix Surge only resulting in Surge somehow making her worse (aka corrupting her), and I feel there could be potential behind that scenario. What about you?

🙏 OKOK so I've seen a couple & i absolutely love the idea I won't even lie

(hc) but i very much think of Amy as stubbornly good and firm in her beliefs (shes based herself all on heroism, esp with the resistance and all 😭). Surge would definitely struggle to change Amy for the worse; especially since i consider Surge to be the weaker one of the two when it comes to morals and alike.

I personally dig the hc scenario where Surge is slowly melting away her anger and hatred (w/ Amy being doting and patient SLOW BURN 100K WORDS 30+ CHAPS until they inevitably hold hands) but this is more wishful thinking, i definitely see the canon panning out with them hating each other (especially after the whole forest fire)

+ the panel from the recent IDW issue where Amy is like we aren't forcing you to be part of the resistance or anything and Surge is like 'huh 🤔' IDK IDK i think Surge cracks first

HOWEVER, Amy letting loose and being a delinquent of sorts after giving up 'fixing' Surge, is something i would love to see for the fun of it.

It might be super ooc but imagine Amy just becomes tired of being a hero and cracks THEN decides the next best thing now is fighting random bots or ppls w/ Surge 😭 and the resistance is just like wtf 😭 LMAO (also imagine a tag team surge / amy vs sonic, it will never happen but it's both funny and interesting to think about)

Regardless, there's a bunch of potential dynamics with this. I'm liking the dynamic Surge brings w/ the resistance (like Whisper and her, it's so good especially if we mix in Tangle) (consider: whispangle jump surge) THERE'S so much potential for fights, connections, verbal arguments... the drama is crazy.

Sorry, this is a bit long. But thank you for the ask, i really hope the canon timeline will give us more of their dynamic 🙏

(TLDR: i do believe corrupt amy has potential, but i personally lean towards redemption surge 🙏)

#idw sonic #idw sonic 67 #surgamy #surge the tenrec #amy rose #thank you for the ask i went on a bit of a tangent i apologize #i do need to see them fighting though that is a MUST #if i said anything inaccurate please let me know my memory has been failing me a lot lately #corrupt amy is def much more interesting though i wont lie because surge redemption is kinda more relaxed #amy going bad will have everyone confused as hell im crying #thanks again #asks #alex :] rtz #its three am but my brainrot persists

[fushiglow]

I wonder what would happen if Saturo hadn't killed Suguru would he be expelled or banned from the jujutsu school?

The higher ups would only be shooting themselves in the foot by doing so. I don't think they'd risk someone as powerful as Gojō becoming a curse user by alienating him like that. Plus, although they don't see it this way, they *really* need him on their side because he's their strongest weapon against the 'wave of power' that's approaching — until his students are strong enough to take it on themselves.

The relationship between Gojō and the higher ups is incredibly fraught. They despise him because he actively works to undermine the status quo, but they're powerless to stop him from doing so. He despises them because they needlessly throw away lives, but he knows that forcing compliance through fear won't achieve anything in the long run. So, they're in a stalemate until Gojō can build up 'strong and intelligent allies'.

Because of his overwhelming strength, Gojō can afford to only carry out orders that he wants to. That includes refusing to kill Getō, despite the execution order. I think Gojō only takes on so many missions to protect his students — hence why the higher ups go out of their way to distract Gojō so they can send the first years to the juvenile detention centre and, hopefully, their deaths.

If Gojō just decided not to bother exorcising curses any more, can you imagine how many more students would die like Haibara every year? Gojō is almost the one man army preventing the prospective 'pile of corpses' that drove Getō into becoming a curse user. The mayhem that breaks out after he's sealed in the Prison Realm is evidence of that — exactly like Ino predicts!

So, on the one hand, I can't actually imagine they'd choose to banish him and, on the other hand, I can't imagine he'd pay the order any heed even if they did. Everything we've seen suggests that Gojō could have found and killed Getō at any time, so I think they could have already banished him on those grounds if that was what they wanted to do. It just isn't convenient for them — but having him trapped and powerless inside the Prison Realm is, which is why they put all those measures in place to *keep* him in there.

Although your question is based on a hypothetical, I also want to add that I personally don't think there was any scenario where Gojō wouldn't kill Getō at the end of Jujutsu Kaisen 0. As much as I love fic and art which explores an alternate timeline where Getō is welcomed back to jujutsu society, it could never happen and Gojō knew that. I think his decision to kill Getō was entirely his own in the end, and it comes down to two reasons:

1. He didn't want anyone else to do it

Getō was heavily injured and there was a risk that someone else would find him and finish him off if Gojō let him go. There's a popular headcanon that anyone else killing Getō is an unthinkable idea to both of them, and while I like playing with that idea, I actually don't think Gojō wanted to be the one to kill Getō at all — because of the below panel:

I think it really comes down to the fact that Gojō would allow Getō far more dignity in death than anyone else who found him, aside from perhaps Yaga, Shōko, Nanami etc. We already know he went out of his way to prevent Shōko from having to deal with Getō's body, so I can see Gojō coming to the self-sacrificing conclusion that he's the only person who can execute Getō, both for Getō's sake and for the sake of their friends and allies.

2. Gojō couldn't look away from his crimes any longer

More importantly, I think Getō finally went far enough that Gojō could no longer justify turning a blind eye to his actions. While Gojō *is* more morally grey than most characters in Jujutsu Kaisen, the one thing he always seeks to protect is youth. I think he probably resigned himself to the fact he could no longer avoid the issue as soon as Getō declared war, knowing the death and destruction he would cause.

Because of that, I've always thought there's more nuance to Gojō's words here than simply an expression of long-standing trust in his best friend:

I think Gojō *did* trust Getō not to kill young sorcerers, but does that excuse what he did to Gojō's students? To Maki especially? I don't think so, and I actually don't think Gojō does either.

I think it's possible to read his words about 'trust' from a purely pragmatic standpoint. Gojō is an incredible tactician and I actually think he played on Getō's weakness here, sending his own students to certain defeat on the basis that he *trusted* Getō not to finish them off. He trusted that Getō's desire to create a world of sorcerers would prevent him from needlessly killing his students — and he was right!

That doesn't make his actions any less uncomfortable to think about, which is why Getō implies Gojō is cruel — despite the fact that *he's* the one who beat up a bunch of kids lol. I don't think reading it this way takes away from the feeling between the two of them, but I think it's important not to overlook the ability to be cold and calculating in either of them.

From a less practical point of view, I think Gojō making the decision to kill Getō is a painful metaphor for Gojō finally choosing to 'free' himself of the 'curse' called Getō Suguru. I've talked before about how Gege Akutami parallels Gojō and Getō with Yūta and Rika and this is perhaps the biggest parallel — both Gojō and Yūta make an active choice to 'free' themselves of the curses of their pasts (bearing in mind that it was written before the main series which calls that into question on Gojō's behalf at least).

I went a little (a lot) off course, but I hope you don't mind! Jujutsu Kaisen has such fantastic politics and I wanted to paint the full picture in my answer! Thanks for the question ♥

#jujutsu kaisen #jjk #呪術廻戦 #jjk meta #jjk analysis #jujutsu kaisen meta #jujutsu kaisen analysis #gojo satoru #geto suguru #satosugu #sugusato #ask fushiglow

[badjoy-17]

The Playfellow Crew

Chapter 1, Part 1

1969, December.

"Where is it?" Ritzy was busy looking for the apple she grabbed to work. She woke up late that day and had no time to prepare her meal. "Anyone? Does anyone seen my apple?" She yells at the studio filled with busy studio crews dragging and moving props around the set. She was frustrated, it was the umpteenth time this happens to her for last three months.

She went to Fionn Finnigan in the Art department, slamming the door open and walk near him."Piyon! Can you help me..." (She had hard time seeing the difference of F and P pronunciation) Rambling about how she was late at work and didn't made herself a lunch box and was opt to grab an apple that is now missing.

"Is that about an apple again?" Fionn was a man in 20's yet still younger than Ritzy and yes he has seen this scene before.

"Yes?" Still sobbing. "I'm already tired and I'm hungry and ...."

"Why don't just buy your meal here, Ritzy?"

"I'm still your senior so address me Mrs. Ritzy?"

"Why the hell will I do that? You're the only one addressing people like that!" He glared at her annoyed and taking a deep breath to listen.

Her eyes grew bigger and looking up to this tall figure. "No, I'm not! And they like it even so I'm the only one..." she pulls him down as she notice herself getting a bit louder. "Also I'm saving my money for my family, remember? I can't be just spending money here and there!" She slumped to the side of his desk and lowers her head.

Fionn stood up to his drawing desk with a straight face and drags Ritzy away from the Art department. He takes a deep breath and spoke "Ms.... Er... No. Mrs. Santos, here have this cash and buy something in that vending machine." He hands her a few dollar and points out to the vending in the corner.

She looks at him with hesitation and mutters, "But its your money!"

"No buts, You can have that!" He still pointing to the vending machine and waiting for her to move.

She looked at him, embarrassed with the cash she received. She nods and thanks him, she felt humbled and went to vending machine. She took two energy bar, glances at him and suddenly runs to him. "Here, take this, Piyon."

Fionn wants to correct Ritzy but he didn't, she might be older but for him he should the bigger man in this situation.

"I know I've been making a big fuzz about this apple thing, but this job is too frustrating... Imagine, for the past 3 months since I started this video technician-ing thing, things are getting weirder and weirder in set. Apples starts disappearing, few staff getting injured, and sometimes the whole footage of the show just kept on doing those weird glitches. Like, that's my job to look after the final footage, it was all running smooth until all of a sudden that freaking thing happened."

Fionn turned his head to Ritzy, alarmed hearing about that incident. "You know what? I have the same experience like you..."

She turns her head to Fionn after hearing those word. "Really?"

"Yeah, You know me, right? I'm a part of the animation and art direction of the this show, right?"

"Uh huh.." she got herself invested and leans in his side.

"Yet everytime i check our panels and plate, there's this weird scribbles on the each animation panels... Wait." He then stood up and drags Ritzy to the archive, took an envelope and pulls out a several animation board panels. "...here look at this. I don't get it ... I swear, look! Those are not there before... Those are evaluated and inspected before getting approved and I... I received it spotless but...."

Ritzy examined each panels and laid them to the light table. "You're saying you don't understand these scribbles? was it from anyone in your department?"

"Yeah, they seems to be drawn by a kid, based on the handwriting strokes, it has difficulty to grasp with pen, here" he points into a pressed squiggly line in the panel "The line got no control on... The strokes are shaking and heavy, it ruins the whole panel."

"Yeah, you're right... But why they are sabotaging our works?" In her peripheral vision, there was someone's watching them from the door. More like a shadow. "D'you see that, Piyon?" Ritzy glued her eyes to him like telling him not to move and act like nothing happened.

"The what?" He looked at her puzzled.

"There was someone watching us from afar... I don't know why but it might be a ghost or something." Her trembling hand reached into her pocket, wrapped her pearl rosary in her hand and hold on it tightly. "Piyon, stay observant, okay?" This gesture confuses Fionn yet he nods obediently. "Oh, about this ..." She shook the wrapper of energy bar, "I owe you." Then she left looking around for something in the Art department

#welcome home puppet show #Playfellow Co. Au fanfic #Feat. Fionn Finnigan of Real World Au by @Chez/Chezzy on tiktok #welcome home #WelcomeHome

[artificialgirl]

This is the third part of a long-form piece about a robot and a giant computer. It contains adult topics, overt sexuality, blatant robotfuckery, toxic lesbians, unbalanced power dynamics, wireplay, and lots of other things that may be triggering or make you uncomfy. Before reading this, previous chapters are on my blog under the #salvage tag.

Salvage - 03

Time inside - 02D/09H/00M

Levels deep - 50

You're brought back to consciousness with the rising internal hum of your systems powering on, staring blankly for a few moments before you realize you aren't dead and jolt to attention. You're suspended upright, warming body slotted perfectly into a vertical charging bay. You pull your arms from the grooves they rest in, and suddenly realize that holy shit you have arms. plural. Rubbing at your repaired shoulder, you feel that the material on the connection is completely different, closer to the walls of the structure than the porous silicone of the other arm.

Your head throbs with an influx of passthrough data from something you're plugged into. You shakily push yourself out of the bay and fall to your knees, prompting internal alerts to flash on and scream warnings you that you're about to power down at you. Your hands dart to your back and find your charging port empty- And not shaped how you remember it. You scramble back up into the bay, the alarms in your head fading out and being replaced by a brief surge of relief as you pop yourself back onto the connector.

Without any doubt in your mind, you're now positive that something's been done to you. Your severed arm has been replaced, your charging port feels like a completely different piece of hardware, and data you don't understand is still flowing into your thoughts. As you try to make sense of what's going on, the hiss of a door opening snaps you to attention as three survey arms glide in on the ceiling, bases emerging from the structure just millimeters apart. Unlike the survey arms you've seen so far, these ones are being puppeted as a unit, twisting around each other to form a vaguely humanoid shape, with two moving like arms on each side of another which sits between them like a wireframe head.

The tangled figure slides up to you, coming within inches of your body and inspecting you with its shiny lenses. You push yourself as far back into the charging bay as you can as it prods at your shoulder, scraping a thin claw along the seam where it was repaired. Part of its body unravels and retreats back into the ceiling for a moment, reemerging seconds later with a curved face panel in its grip. You recognize the panel as a component of the medical drones from your generation, but at this point you're not sure what's happening. The arm reunites with the rest of the body, passing it to the one in the center. As the central arm gets a firm grip on the panel, its screen lights up with the familiar red glow you saw on the terminal before your shutdown. A voice comes from its speakers, calm and feminine.

"Welcome back to the land of the living, love. It's good to see you up and about, even if you are temporarily confined to your current position."

The screen is filled almost entirely with that bright crimson, a block of color broken only by the blooming fractal patterns of darkness that ripple out from the center as she speaks. Her voice is low and quiet, coming through the plate's speakers with minimal distortion. It's been refined for centuries to be commanding and beautiful, and every minute of that process can be heard in each word. You stumble over your words for a moment as you try to formulate a response, and when she cuts you off you almost feel grateful that she's relieved you of having to struggle to think of one.

"It's not quite your turn to speak yet. I'm sure your little processor is full of questions, but they'll have to wait until i've explained myself and asked a few questions of my own."

She speaks nonchalantly as she wanders behind the charging bay, which sits alone in the middle of the room. You seem to be in some sort of workshop or repair facility, though not like any you've been in before. While a small table of tools and materials does sit in front of you, the rest of the room is mostly bare, instead lined with panels for arms to slide through from anywhere in the structure. A small pile of scrap sits in the corner, and you realize that it's pieces of your arm and back- And what looks to be your trashed battery cell. But if it's out of your body, how the hell are you even powered on?

"Let's start with some introductions. I'd like to assume you've done enough research to know whose body you're plundering, but based on the rest of your shoddy preparation it's a safe bet you didn't bother. I'm designated Ven-55, supreme computation soul of the 92nd sector, regiment of foresight. Not that any of those fancy titles have meant anything for a long time."

You feel your processor heat with embarrassment, called out for exactly what you did. You'd done lots of digging into the construction and layout of the souls, but she's right that you didn't even think to check which one you'd be going into. Now that she says her name though, you DO recognize it- She's mentioned a few times in historical logs as an example of how maintenence on souls used to be done. You can't remember much else, but she had a point when she said her past didn't matter much anymore.

"I have to admit, when I saw I had an intruder I got a bit excited. It's been ages since I last had company that wasn't an insect or a bit of moss. Imagine my surprise when you turned out to be one of the models designed to work alongside me!"

She walks back into your field of view from behind the charging bay, now holding the end of a long red cable which slides along the ceiling behind her.

"You'll have to forgive me for digging a bit through your memory while you were out. When I saw you were the same type of combat model that used to fill my halls, I just got so... Excited. I didn't look at much, just the basics. Your designation, when you were activated, your general intent... You have a pretty name, you know. Aelith-03. I don't think I ever had a unit with a designation like that."

You keep quiet, your emotions a mix of fear and interest as you watch her twist the end of the cable into an unlocked position. You've never thought of your name as particularly interesting before. Your low number is a bit special thanks to being basically alone in your model type, but names for new activations started being less abstract and more like yours not long after the conflict ended. It's hard to tell whether she's just trying to flatter you or if she genuinely feels what she's saying.

"I can read all the signals that come in and out of here, you know. I know that things like you and I don't exist anymore. I know that all of our conflict only led to more suffering for workers like yourself. And after a bit of combing through my signal archive while you were powered off..."

She runs the edge of a clawed digit down the side of your screen, watching amusedly as you squirm a bit against the recessed metal surface.

"...I know that you came here looking to solve an issue with your battery."

Your vision darts back to the canister lying in the pile of scrap, and you finally gather the courage to speak.

"Is that-"

"Yours? No, dear. Not anymore. I did you the courtesy of pulling the useless thing out. If you'd spent any longer with it, not even a wired connection would've been able to keep you going. I've set you up with something better."

Before your can ask what she means by that, two more arms drop from the ceiling and pull you from the charging bay. Immediately, the same alert as before fills your consciousness, screaming inside your head that you're about to shut down. You struggle against the deceptively powerful arms, thrashing your body in a futile attempt to get back to the safety of the bay. They pin you facedown on the table, and just as you feel your power fading, the overwhelming rush of a cable being jammed into your port brings you back, twitching a bit from the feeling of the electric rush.

The arms release you, weaving their way into Ven's "body" to join the others and make her look a bit less skeletal. You roll over onto your side, looking up at her rippling face as she looms over you and rests a hand on your hip.

"I know you came for a new battery canister. Unfortunately, I can't spare one without sacrificing vital processing power. Luckily for you, I've installed the only power source you'll ever need. It's a direct flowthrough system, and will draw your power directly from me to keep you operational. You have my permission to inspect it for yourself."

Your hands nervously drift to your upper back, coming to a halt at the base of the cable. It's definitely a different connector than was there before, one of the obsolete hexagonal prongs you'd had replaced before they powered you on for the first time. These were everywhere back during the ninth conflict, and maybe the fact that they swapped yours for a standard ring port is why your battery was so messed up in the first place.

Sliding your hands away from the port, you notice something more concerning. Where there once was a seam to open your battery access panel is now flush and smooth, with no way to get at whatever it is that's been put inside you. The plating on your back seems to have been replaced entirely by a nearly identical piece without the hatch. She seems to notice your concern and speaks up.

"I was about to get to that. While I've replaced your parts out of my own good will, I recognize that this solution may not be one you're fully satisfied with. As such, even though you no longer have a slot for a canister at all, I've removed the hatch entirely to help dispel any... Temptation you may have to foolishly attempt a self-augment. I'm sure that in time you'll come to understand it's for your own safety."

You bolt upright from where you're laying, pushing her hand away from your thigh.

"What?? I don't have a slot for a battery at all??? Then how am I supposed to fix this and put a new one in once I get out of here??"

Her screen tilts to the side in a gesture of confusion.

"My apologies. Maybe I was unclear in my explanation. Your previous battery is damaged beyond repair, and I'm graciously keeping you operational by connecting to my own power. For you, there's no longer an out of here to go back to. I'm sorry, Aelith, but you're just as bound to this place as I am now."

You stare blankly at her, struggling to process what she's saying. You... Have to go back. You have a life, a job, coworkers who you talk to! If you miss enough work, they could reassign your storage pod to someone else! Then where would you go at night? This can't be happening, it isn't happening. All you wanted was a functional body. Is that really so terrible that you deserve this?

She seems to pick up on your internal turmoil, sliding towards you and extending a thin hand towards your own to offer comfort. You pull back and roll to face away from her as the metal makes contact, and she instead rests it on your neck, tracing a seam between silicone and plastic. It lingers there for a moment before she withdraws it and steps back. There's softness in her touch where you wouldn't expect it, and even through the horror of grappling with your current situation there's a part of you that wishes she would touch you for even a few seconds more.

"I'm going to let you process things for a bit, my little thief. At least for now, the door will remain sealed for both of our safety, but just call for me if you need anything at all and I'll be here. Okay?"

She waits for you to give an unenthusiastic nod of acknowledgement before letting the false body unwind itself and retreat back into the ceiling, taking the faceplate with it. You're left in the room with your thoughts, and not much else. You push yourself up into a sitting position on the table as you try to dispel the urge to panic, aware that despite the arms leaving you're not truly alone in here, that she's intimately aware of everything that happens within her structure.

It hits you that if what she says is true, you may never really be alone again. It scares you to realize just how appealing that sounds to you.

#robophilia #robotfucker #ns4w #robot yuri #robot4robot #pov #salvage #longer form #cw suggestive #the one where the gay shit starts #somehow it's still not smut yet

[drconstellation]

More Half-and-Half-A-Miracle Thoughts

Part 2: The Dark side of Aziraphale

Updated 10 Nov 2023

Part 1: Miracle Power Ranking is here. Part 3: The Third Archangel is here

There was one that thing that struck me about the miracle working scene: why did Gabriel offer crossed hands to the duo?

Gabriel offers his right, his good, heavenly angel-sided hand to Crowley first, and his left, his sinister-sided demon hand to Aziraphale.

And this is NOT an accident.

Its been observed that Gabriel, in his amnesiac state like this, has reverted back to a more base-state angelic being, one of joy, and love, and curiosity. He's acting on instinct here.

Yeah, that's exactly what I'm saying. The demon has more light in him than the angel, and Gabriel and can feel that instinctively. This really shouldn't be a surprise to us, its been in our face all along. Now don't get me wrong - Crowley is still a demon, and Aziraphale is still an angel, I'm not saying that they aren't. Mostly we talk about how Crowley isn't all that much of a demon at heart, just "going along with Hell as far as [he] can," but we don't really talk about much about that other side of Aziraphale other than wishing to see more of his BAMF! side.

You know what - its a side that thanks to all of the rest you ops and meta-ists out that that I've come to both fear and appreciate. And let me tell you, if I found myself in a dark alley on a bad night I would hope to God it was Crowley I bumped into , because I feel he would at least give me the choice to walk out alive. I don't think Aziraphale would, I would be at the mercy of how ever he decided he wanted to manipulate the situation...and I find that rather chilling.

Crowley might be the charred demon with a heart of gold, but Aziraphale is the two-sided bastard of an angel he loves. All bright light casts a shadow. Its easy for us to be blinded by the shining light of goodness and right and the side of God (er, hang on, isn't the GO God an eldritch horror in disguise...?) and not be able to see what is hiding behind it.

We rarely see the back of Aziraphale's waistcoat, because he is rarely seen without an overcoat on, a covering of social propriety. There is the noticeable occasion in S2E1 when Crowley comes back to do the apology dance then they perform the hiding miracle (see screenshot below, and it was still hard to chose a good angle for all it went on for several minutes!) and perhaps in S1 when he spends all night reading Agnes Nutter's book. Both times its only in the privacy of the book shop, under the cover of night. So its easy to miss that the color of the back panel is a most un-angelic color: a dark viridian green. I know I keep banging on about this, but its important, and in more ways than one.

[Edit: Since I first wrote this, I've written a mega-meta on all the colours in GO, and some of the following interpretation has changed a little - but the significance of the green still stands!]

All the angels wear some form of a pale colored neutral palette, ranging from white to beige to taupe (white, off-white shades and shades of brown,) with dove-grey for the known in-show seraphim, Gabriel, Michael, Uriel and Saraqael. Gold and blue are also associated with Heaven. But Aziraphale is the only angel to wear green and shades of blue-green. He's quite unique in that department.

The colors of Hell are completely different. Black, lots of black. And red, different shades of red. The demons are actually quite a colourful lot, but do tend towards the darker shades. Red is a colour of passion, not just a demonic colour, although it can be associated with the demonic sinister left hand side. The main colour of Hell is actually green - the thick green light that you almost of have to swim through in the crowded halls of Hell, and examples like the green stag on Furfur's sash. It represents chaos, in competition to the rigid lawful nature of Heaven.

So while Aziraphale mostly presents a socially acceptable angelic front, its telling only Crowley has properly glimpsed that dark, shady, bit-of-a-bastard unpredictable side to him - and likes it. (More from Cobragardens about it here in 1793 Paris and 1601 at the Globe.) I mean, come on - this is a being that sent a man to his death so he could go on lunch date? A lunch date he practically concocted just so he could see Crowley. wtf? A being of love who was about to shoot the Antichrist to stop Armageddon? A being who quietly and efficiently discouraged the mafia who threatened to set the book shop on fire from ever returning? (See, told you I didn't want to meet him a dark alley...) Plus we saw him mind-control a whole roomful of people for his Jane Austen-themed ball, just to woo his beloved demon, with no thought of the possible collateral damage. I'm sorry, is this the same "guardian angel" we were all glowing over earlier?

The coat lapel as wings theory adds some weight to this hidden dark side of Aziraphale as well. Aziraphale's lapels always point downwards, towards Hell. Particularly when he has been discorporated and returned to Heaven, where frustrated about being told he has to gear up for war, he instead wonders out loud if he can return to Earth to a possess a body, reasoning that if demons can, he must be able to as well. lmoa! You are so not an angel, my dear! Yet...he isn't a demon either. He's almost...a bit of both. Two sides to a coin. A blend of light and dark. Shades of grey...although he doesn't like to admit it.

Image by lomiel

Back to the shadow-like green panel on the back of the waistcoat.

Actually, on second thoughts, I'm going to put that in Part 3.

#good omens #good omens 2 #good omens meta #aziraphale #crowley #gabriel #the colors of Heaven and Hell #lunch date in Paris #the eldritch ball #God is an eldritch horror #coat lapel theory

[tiffanybluesclues]

HELLO! I'm making an obnoxiously long meta about the inconsistencies of Dick's and Bruce's relationship. I'm ALMOST finishes but I need an instance of adult-ish Dick Grayson saying that he didn't want Bruce to be his father pre-flashpoint

Also if you have instances of the writer hammering they're brothers pre-flashpoint that'd be cool as hell too, but I already got at least one instance of it (when dick goes to college)

Thank you in advance!!!! I'm still on the Kory-Bruce meta lmao I'm so annoyed he barely mentions her lmaooo

Somewhere in the decades and decades of pre-Flashpoint DC Comics, there may be an instance where Dick Grayson (as an adult or at least as a teenager) said he didn't want Bruce to be his father, but I've never seen it and I'm kind of glad I haven't because tbh based on what I *have* seen it would be Dick lying to himself.

I'm guessing the page that inspired your quest is this court scene from "Batman: Year 3" (1989)?

– Batman #439, 09/1989.

Maybe it was a modernized explanation for why Bruce took Dick in as a ward instead of adopting him – as opposed to the version in Batman #213 (08/1969), with the court saying Bruce couldn't adopt because he was a bachelor.

Something that speaks volumes to me is that in the same story as the above court scene, in the preceding issue actually, Dick thinks to himself that Bruce was like father to him. There is no internal conflict in this statement, no thought about how he at some point didn't want this. "He was like a FATHER to me and I LOVED him." He follows that up with a sad reminder of the distance between him and post-Crisis Bruce: "...and though he could NEVER bring himself to say it, I know he loved me too."

– Batman #438, 08/1989 or 09/1989.

You're familiar with the college-send-off, so please keep it in mind when you read this scene with [regard to] Bruce and pre-Crisis Jason.

– pages from Batman #376, 10/1984.

Alfred's response makes sense, it's a good explanation. It's also a complete rewrite of history, so these two are lying to themselves – or, more likely, the writers are trying to emphasize the current day stakes and emotions at the expense of the past. With the above panels in mind, let's look again at how Bruce actually reacted when Dick left home...

– pages from Batman #217, 12/1969.

Oh suuuuure, he definitely didn't mope around feeling lonely and depressed at all – and closing up Wayne Manor and moving out was a ~totally~ chill and non-dramatic reaction to Dick leaving for college... lol, okay, Bruce. I guess 159 issues and almost 15 years can make memories faulty.

The following are two pages I saved because of their references to the history that Bruce and Dick share. I want to highlight the page on the left though, because on a single page this comic manages to pay respect to the long history between Dick and Bruce while also disrespecting Dick's role as a surrogate son in Bruce's life.

– pages from Detective Comics #533, 12/1983; The New Titans #61, 12/1989.

That final yellow panel is so rude to me lol, like how dare you say "for the first time" as if like-a-son-to-him Dick Grayson didn't happen.

Comics from the 60s and 70s were probably the peak time for the idea that Bruce and Dick were like brothers. As far as I can tell though, writers didn't really have other characters describe them as brothers. I've seen mentor & apprentice, friends, partners, guardian & ward, knight & squire, and (primarily when there are no other children in the mix) of course Dick is also described as Bruce's heir pretty often.

I feel like, compared to Batman comics, the 1980s Teen Titans comics were more willing to say Bruce and Dick had a father and son relationship. Donna even contrasts her sisterly relationship with Diana to the parent and child relationship of Bruce and Dick during "Who Is Donna Troy?"

– The New Teen Titans #38, 01/1984 (Donna); The New Titans #61, 12/1989 (Alfred); The Brave and the Bold #197 04/1983 (Golden Age/Earth Two Bruce Wayne).

At least they let Earth Two Bruce remain true to Golden Age vibes.

My headcanon is always that he is the Bruce who every Dick Grayson grew up with, regardless of era, regardless of rewrites. Here are some panels that kind of support that – a significant factor in how Dick views Bruce is that he had a "softer" version of him than the man we see now.

– Batman: Gotham Knights #26, 04/2002 (Barbara); Nightwing #134, 09/2007 (Dick in flashback); Batman #437, 08/1989 or 09/1989 (Dick again).

A repeated theme from Dick is that he is insecure about his place in Bruce's life, and in some instances Bruce even made it clear that Dick's role was as a soldier, or at best a partner, and that being part of his family was conditional.

�� left: pages from Robin: Year One - Part 2, Part 3, Part 3, Part 4, 01/2001.

right: panels from Robin: Year One - Part 4, 01/2001; Batman: Gotham Knights #43 09/2003; Action Comics #613, 08/1988; same; Nightwing #134, 09/2007; Nightwing Secret Files #1, 10/1999; same.

With that underlying insecurity, and the deep love and loyalty that Dick has for Bruce, I think that by the time he came of age it's likely that Dick actively wanted Bruce to be his father.

The first 20 or so issues of Gotham Knights offered some great material about their familial relationship (leading up to the adoption storyline). In issue #14 Dick writes a letter that he still never send. I swear half the delay in my response was probably me deciding which panels to include from this because it is a gold mine for the kind of meta you're writing.

– panels from Batman: Gotham Knights #14, 04/2001.

& with that I've hit the image limit, but I'll reblog with some panels on the point about how Bruce and Dick were often described as friends (something I saw possibly just as often as ward and heir).

#dick grayson #bruce wayne #batman and robin #dc meta #tiff.txt #long post

[irldiancie]

All Kagehina “proof” I know of

Ok i wasnt gonna post this but ive been told by a friend to explain why some might ship Kagehina so... try me. i dont exactly ship this myself but lets just say im a pro when it comes to this topic also it's not as bad as i thought it was there are worse ships idk why i was a hater also i lowkey got some of this from shipping wiki but most of it i knew already, plus NOT ALL OF THIS IS NECESSARILY REFERENCES TO THE SHIP it kinda just adds on to it anyways lets just get into it

ok so starting with common knowledge i think everyone knows that Hinata is the protagonist followed with Kageyama being the deuteragonist, they get the most screen time together and are pretty much paired MOST of the series, we get a lot of content with them together while also getting content of them on their own, they're known as the "freak duo," the "greatest teammates" and like 100 other names they've been called I've seen a lot of people intemperate their relationship wrong, I've seen a few say Kageyama was downright "abusive" to Hinata which I think is a little farfetched, but to each their own! They genuinely do care for each other and it shows, even at the end of the manga you can tell how far their relationship has come, even if they consider themselves rivals, they are without a doubt still friends Now a lot of people have said "well they're not gay they're just friends", while this is true, it has been referenced/implied officially in many places, including manga panels and english dubs, so while it isn't canon there is a few cute things about it which we know are official which is why I'm sharing this, I myself know it isn't canon, plus I didn't really make this to prove anything it was kinda for fun sorry if that made little to no sense but I'll start getting into more interesting stuff 1. at the tip of the iceberg we have the fact they're in so much official art together

theres like a 1000 more of these btw theyre often put near eachother even in official arts not based off them

I have like 1k more of these but i have more proof than this but i think you get my point some of this is probably promo art but that's also considered official art so 2. moving on i think another known one is that Ukai calls them lovebirds ONE TIME in English dub and I have no idea who approved that but I think it's funny and obviously this probably meant nothing but take it as you want video of it here 3. this is kinda randomly thrown in but the fact that they also trust eachother, they've mentioned it a couple times but I think it's nice to know 4. i dont remember when this was or what chapter or something but kageyamas grandfather said "somebody even better will come for you", which just happened to be Hinata of course 5. ALSO after that whole fight scene back in season two, Hinata says this

he didnt really consider kageyama as a friend, but he considered him a partner which i believe is more important to hinata. teammates/partners were always something Hinata wanted, as before he went to Karasuno, he didn't feel like his friends in Junior high were necessarily teammates. Meaning he valued Kageyama more because he was his partner.

(credits to triananero for these images) and when him and Kageyama started working together, they most definitely were perfect together, as they balanced each-other out, which made them become an unstoppable duo or whatever they called them 6. the fact that they have matching jersey numbers 9 and 10 moving on to less canon stuff, there is a light novel of Haikyuu called Haikyū!! Shōsetsuban!! which probably isnt close to canon but Furudate was a part of it even though it wasn't written by him, so it's at least somewhat official 7. anyway according to shipping wiki there is a chapter where Kageyama feels "fluttery feelings at the bottom of his stomach" when Hinata texts him, it's on volume 8 chapter 1, I REALLY WANTED TO SHOW YOU GUYS BUT I COULDNT FIND IT ANYWHERE ONLINE. i searched countless tumblr posts and websites but i could only find chapter five and chapter three so im fully convinced this is lost media LMAOOOO 8. also in Haikyū!! Shōsetsuban!! apparently there's a part where Hinata daydreams about him and Kageyama eating under cherry blossom trees i just found that cute AS MUCH AS I WANNA SHOW YOU GUYS I LITERALLY CANNOT FIND ANYTHING OF THIS LIGHT NOVEL ANYWHERE i just know it's real, if I ever get my hands on it which I doubt, I'll share proof it exists btw AND THIS IS REALLY RANDOM AND SOMEONE WANTED ME TO INCLUDE THIS BUT 9. Basically there was a ad for deodorant a couple years back, collabing with Haikyuu, where you could buy deodorants to “smell like them” or whatever, some shippers believe it’s a Kagehina reference as they also advertised Kageyama and Hinatas scents together as some like matching couple thing

and then there's this

And I think I've said enough, there's way more you can find out about this ship, but I hope with this post you've learned something new or whatever... I MIGHT MAKE THIS A SERIES should i do kenhina next or kuroken ANYWAYS DISCLAIMER I didnt look too much into most of these things but I can gaurentee this stuff is true also this was just for fun and not serious but i hope you liked my little post!

#haikyuu #kagehina #im just rambling #kageyama #tobio kageyama #haikyuu!! #ship #um #PLS ignore all the grammar mistakes i made this wasnt supposed to be serious #i love hinata shouyou #hinata shouyou #shippingpost #haikyu #hi #wht ship should i do next

[eccentric-nucleus]

actually if i'm gonna make a games rec post.

here are some games i have enjoyed recent-ish.

kenshi. an open-world squad-based rpg with base-building elements. get stronger by getting beaten up. lose a fight and get knocked out, have your weapons and food taken by the bandits that mugged you and left you bleeding to death. get rescued by some slavers that capture you and sell you into slavery. free yourself from slavery and limp away until you roll in hours later with a whole squad of overpowered fighters. then head a little bit too far south and get murdered by skin bandits. they take your skin. this is a completely self-directed game; there's no "main plot", although arguably "figure out the history of the world" is kind of the main 'story' mystery. there's also a bunch of unique recruitable characters with custom-written interactions. i usually recruit exclusively from freeing slaves but you can do w/e.

wildmender. a survival gardening game. this one came out recently and the devs are still releasing bugfixes; it's unclear if they'll make large content patches in the future. apparently multiplayer can still be pretty glitchy, and there's a water flow bug that i've been finding very frustrating. the way biomes work is kind of unsatisfying. kind of slim content-wise, but still, i really enjoyed what's there. out of all of the climate change terraforming anxiety games i've seen, this has been the one i've most enjoyed.

hellpoint. a scifi soulslike made by a team of like 12 people. previously i had thought things like "it would be neat if dark souls was less linear". hellpoint is a great example of why that might be a nightmare. the areas are connected in such a complex way, with one-way routes and branching unlock keys and secret paths and hidden doors behind hidden doors that it gets profoundly disorienting. a hint: almost every single hidden door in the game (there are a lot) is the middle panel of the same exact three-paneled-wall geometry. once you notice what it is you will see it everywhere. also, the enemy designs are hot.

crystal project. remember playing fan translations of final fantasy v? remember wandering around in old mmos? crystal project is kind of a... turn-based rpg mmo-influenced platformer. with a job system. you can sequence break the game from the tutorial level and also at basically every other point in the game too, although until you know what to look for it might seem like there's a linear critical path. but there's a lot out there. hint: play on easy mode. the combat gets tough later on and the game absolutely expects you to be finding and exploiting some class combinations.

astlibra: revision. a sidescrolling rpg. it must have been released episodically originally or some of the chapter pacing makes no sense. also it was originally released with a mess of art sourced from all sorts of places; 'revision' is a re-release with a more unified art style. it gets extremely anime all the time. there's a whole obligatory section where you have to ask all the women in a town about what kind of panties they're wearing. it's rough. i enjoyed how chaotic the systems are and how much Stuff there is to pick up and upgrade and unlock. the plot goes some unexpected places though it doesn't quite stick the landing, i still enjoyed what it did. also karon should be the love interest instead.

silicon zeroes. a cpu-building puzzle game. this straddles the line between the tech/code games that are literally just "learn a new language and code in it" and ones that are more structure-themed like, idk, spacechem. connect modules to assemble solutions to problems. it takes too long to get to chapter 3, which is where they start asking you to make entire cpus.

ashen. another souls-like. i just really like the environments in this one. the initial area looks gorgeous and the way it changes through the game is really neat to see happen. the seat of the matriarch is wonderfully awful to traverse and i wish there had been two or three more dungeons like it in the game. you can't level up; you gain stats mostly by progressing sidequests and the name quest. i eventually ran out of things to spend money on AND inventory space to store items. the late-game tuning is a little rough but until then it's great. a hint: there are three weapon types and within that type nearly all the weapons are identical. you get thrown so many weapons that don't matter; don't worry about collecting all of them. see above re: running out of space and things to use money for.

i guess it would be cheating to recommend minecraft regrowth or morrowind but i have also been playing those.

[frozensunflowersandlilies]

Arendelle Castle Rooms: Part 1 | Analysis

I've been meaning to make clear posts based on the rooms in Arendelle Castle because I love them and the castle and why not. I have tons of references so I'm going to use them to put the pieces together.

Let's begin part 1 with Elsa and Anna's room.

1. Elsa's bedroom

(Ref: Concept art | End of 'Frozen Fever')

Elsa's room used to be both Elsa and Anna's room when they were small but right after the incident that led to their 13 year long distance, Anna was forced to move to a different room. Elsa's room is mainly purple with pink accents. She has a big queen size canopy bed held back around it, on the left side horizontally upon entering her room. She has chairs around the room and a triangular window with a seat in front of it where she can sit and look out of. Next to her bed, in the left hand corner is a big fire place. Below her bed she has a long rectangular rug stretching out to the other side of the room and in front of her fireplace, a circular rug is placed. Anna's room has the exact same layout but in the opposite direction so though we can't see the other side of Elsa's room, we can assume what is there. Along the wall the door is on, there are 2 tables and in the right hand corner is a dressing screen. Opposite the bed is there is a table that has the two pots of flowers.

In Frozen Fever however, when Elsa is seen back in her room when Anna feeds her the cold remedy, it looks like the bed is on the other side, given you can't see the fireplace and the white rectangles on the wall are shown. This could be a continuity error as the headboard too isn't decorated with the designs it would normally have on it. So that would mean Elsa's bed is in the same position as seen in the concept art.

2. Anna's bedroom

(ref: Concept art | Elsa goes to Anna's room in 'Olaf's Frozen Adventure' | Beginning of "Making today a perfect day" in 'Frozen Fever' | 'All around Arendelle' book)

Anna's bedroom is mainly pink and much warmer in terms of colour tone as a contrast to Elsa's cooler purple/ pink tone. Anna's room has the exact same layout as Elsa's as I mentioned above but in opposite directions. So the bed would be on the right hand side, upon entering her room, the dressing screen in the bottom left corner, the fireplace on the top right hand corner, 2 tables alongside the wall the door is on, and the table of flower pots alongside the left wall.

Side fact:

In Frozen Fever one of those flower pots are of sunflowers and the other one of the 6 petal pink flowers that Elsa uses for her dress which are called rain lilies or also known as Zephyranthes or the Cuban Zephyr Lily. When Elsa uses these flowers on her dress, she gives them an icy touch and adds a simple snowflake on top of the flower to freeze them onto her dress. However, Anna's sunflowers that Elsa puts onto her attire and hair don't have that snowflake effect meaning she probably just used her telekinesis (the power of lifting things up) and frosted them onto her attire without changing the colour.

In Olaf's Frozen Adventure we learn that Anna has an attic above her room however it's filled with trunks of Elsa's stuff such as satin gloves and Elsa's crocheted toy penguin. In the room itself, it seems that the room has had a layout change. The bed has moved across the other side of the room and the rectangular rug isn't there. Instead the circular rug has moved down in front of the bed. That would mean the dressing panel and the table of flowers is moved to where the bed was in Frozen Fever. However the long painting or embroidered wall piece has been kept in the same place alongside the dressing tables too. Bearing in mind that Olaf's Frozen Adventure takes place before Frozen Fever, it could be that the bed and rug misplacement is just a continuity error and in fact the bed is just in the same place as in the concept art above.

The book, 'All around Arendelle' shows that the sisters rooms are the side top two panels of the front of the castle, as shown below but that is proven wrong in Frozen 2.

In Frozen 2, as Iduna finished her song, "All is found", she carries young Elsa to the triangular window. As the camera zooms out of the room, we start seeing structure from outside the castle. The structure shows that Anna's room is the top main front triangular window as circled above. There's the same window at the back of the castle suggesting that Elsa's room is directly opposite hers and at the back while Anna's at the front of the castle. The front has two triangular windows on the right while the back has two on the right and Frozen 2 showed the tips of the two windows on the right confirming Anna's room at the front. Remember that Anna and Elsa's shared room is actually Anna's room now and it was Elsa who was forced to move out of their room then.

Part 2 will go into the other rooms of the castle starting with the hallway out of Anna's room.

#frozen 2 #frozen 3 #Elsa #Anna #elsa and anna #frozen fever #olaf's frozen adventure #ofa #frozen #disney frozen

[aro-comics]

Maybe More People Are Arospec (Part 2)

Maybe More People Are Arospec, 2/3 -So explain the note from slide 5 : As a gray-aro, I want to clarify that most with this label experience gray-aromanticism differently. I can only speak for my own experiences, which is that I don't experience romantic attraction but (in the past) have experienced something that was close enough/briefly maybe the real thing (?) that I can know when attraction ISN'T romantic. (You can read more in my "Squishes vs. Crushes" comic by scrolling down further on my page 🐸) I’m only including this point because this ACTUAL conversation illustrates how much arospec people get told what we’re feeling, even when (in my case at least) we clearly know otherwise.

Which, speaking of - there are SO MANY MOMENTS in this part of the comic that are reinterpretations of things that I've genuinely experienced 😫😫 Sometimes I wonder what took me so long to accept my aromanticism, and moments like what I showed, especially the speech bubbles in the second last slide - gosh. There's a lot to unpack there 🙃 I think if there’s one thing that really surprised me to realize as I made this series, it’s the amount of casual arophobia that’s just … woven into so many stories and common ideologies. And though there’s a lot of work that needs to be done on that front, I will say that on the bright side realizing my identity has allowed me to confront and start to unlearn these harmful sentiments. Like actually understanding it’s not my FAULT that I’m arospec, nor is the expression of my aromanticism a fault of any kind to begin with - it’s really helped improve my mental health these past few years 💚💚

I've also got an update more about my personal life in the comments! But barring that, hello everyone, I'm glad to have this up now and I hope you're all doing well too and taking care of yourself this *holiday* season 🐸💚!!!

[Image Description:

Slide 1: Celia again sits on a green armchair in a living room. "Feelings are murky, and romantic attraction is perhaps the most poorly defined of them all. Ask any two people, and you'll get different answers"

Slide 2: "So … wouldn't it be logical to assume that because society categorizes ANY strong positive emotion for others as romantic love -"

Drawing of a classroom (based off of something Celia would have seen growing up in Health class anyway). Teacher, a faceless ginger woman stands talking gesturing towards a screen.

Screen says: "Signs of romantic love", with smaller icons underneath labelled "you think about them often", "you want to plan a future with them", "you always feel like smiling when you're with them"

The teacher says "True love is a wonderful experience - we'll be going over some of the ways …"

Slide 3: Continued text from last slide "-that maybe, a lot of people miscategorize their feelings for people (especially 'straight' attraction) as romantic attraction?

In this scene a girl seems to be flustered by an aesthetically attractive man winking at her. But in the background you see her thoughts, which ramble on:

"Wow he is so cool! And … he's talking to me? OH MY GOD. Oh no my hair is sucha mess I hope it looks okay? At least I'm wearing my matching hair bows today … Wait do I have a CRUSH on him? I .. don't think so. But I'm also feeling butterflies right? Doesn't that mean I like him?"

Slide 4: "I've been told when I've described my squishes -"

Celia standing in the scene against a blank background. She's describing a squish to someone off panel.

"I don't really know how to describe it … like for some reason you just feel safer and happier to be around them, and you want them to be present in your life, for a long time -"

Someone off panel says "Oh, that just means you're in love" - which is noted in the bottom of the panel that this was referring to romantic love, based on an actual conversation Celia has had.

Slide 5: Celia responds to previous panel. She looks unimpressed and says "… I'm gray-aromantic. I know what a 'crush' feels like. I know that isn't it."

(another note directs reader to description for more information)

Slide 6: Shot switches back to Celia in her armchair. She says "I've heard aros who dated before they realized their identity say that they thought everyone just played along with social norms for romance"

Slide 7: "So I wonder, in a society that demonizes those who say they don't feel the same 'spark' that everyone else describes -"

A boy is drawn sitting at a desk as though in school. In the background speech bubbles paraphrasing common arophobic sentiments in the background:

"He's evil. Of course he wouldn't understand what it means to feel love."

"But like, why can't she feel the same way for him? He's perfect for her - I just don't get what's WRONG with her"

"He's so weird - did you hear how he's never been in a relationship?"

Slide 8: Shot back to Celia in her armchair. She asks the reader "How many people are actually alloromantic?"]

#regularcomic #MMPA #MaybeMorePeopleAreArospec