That latest chapter of Palmerosa was a big one right in the feels, I'm simultaneously worried that Raphael is going to be a total shit to Astarion and also kind of hoping that he is so that the people at the Last Word can tell him off for it. Cymon is very sweet, but God do I want to punch Eurus in the face.
Aha, I'm sure Raphael will be a total shit and somehow be decent at the same time.
The thing is, I think the people at the Last Word have a very 'how they are in that relationship is between them and none of our business' - so if Raphael were to torment Astarion in order to help ground him, they'd honestly stay out of it.
Eurus definitely showed his most hostile side, but from his perspective, he's got a devil who has locked two folks he knows into contracts, and he's got a vampire spawn who literally can only exist by eating people like him and his partner, who is vulnerable and under his protection.
He has no reason at all to view Astarion from the same lens we do, and he has actually no reason at all to view Astarion as anything other than a violent and unpredictable monster which - frankly - is pretty understandable given this is actually how most vampire spawn tend to behave.
Like, even giving him a chance to talk to Cymon on his own is incredibly generous of him.
We award Astarion personhood and humanity because we've played the game. Eurus however lives in a universe where vampire spawn literally murder, kill and eat people like him so they can keep murdering, killing and eating people like him. They are an infection / parasite / curse / monster that takes over the body of whoever was there before, and uses their visage to hunt. Personhood is not something that is awarded by default to folks like that, especially when those folks are in the company of someone who already has a pretty difficult relationship with The Last Word!
This is one of those situations - that I love writing - where Eurus has his own motives, and is making his own choices. If we view his actions through our own lens of knowing Astarion very well, then he's a dickhead. If we view his actions as someone who is determined to make it clear he isn't afraid to stand up for himself or his loved one in front of two monsters who could - honestly - tear the room and everyone in it apart if they wanted to, he actually becomes someone who's behaving in a fairly heroic way to keep it together for his partner, while still allowing for some flexibility because Alectrona is there.
That whole 'everyone is the hero of their own story' applies very well to Eurus in these circumstances, tbh.
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pinterest showed me some screenshots of posts that gave me the concept for an au where both harry and ron are sorted slytherin & draco is just slightly less rude in the first book. i could go into why i think this makes a lot of sense for ron but i won't. i've affectionately dubbed them the platinum quartet in my head and they will not leave me the fuck alone
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So I put on this netflix show, in their tradition of being extremely obvious with names its called Mech Cadets, and its an alien-mecha human-pilot fight-the-giant-bug-aliens story. My first complaint is that the alien mechas are called Robo's. Wow exciting /sarcasm.
Anyway thats totally forgiven because 1 the story actually makes choices and puts the characters through consequences instead of like hinting at oh it something bad gonna happen psych we dont have the guts for that. Its a kid/teen show so its not super dark but it follows through and goes the places it needs to.
2, and maybe most importantly, I gotta talk about the disability rep. There's four teens chosen by the alien mechs to be their drift-compatible pilots (I think im using that correctly? Im not super informed on the genre but I know some), and we see straight away that one of the guys has a prosthetic leg from the thigh down, and uses it as an example to tell the main protagonist, hey none of us are perfect we dont have to be perfect we just need to be human. The next episode the mechas are given human-designed weapons to fight with, and the disabled kid gets these flippy sticks I cant quite work out. One of them gets a staff, the other gets this glove for punching, story moves on.
Then a bug-alien-antagonist gets into the teens dorm and while fighting it, the alien dismembers the guys prosthetic. He immediately grabs his crutches and goes to town on it with his crutches, and balancing on them to kick with his one good foot*. Then they disconnect the rest of the prosthetic and use its sharp edge to kill the alien. And then he just moves around on his crutches with no comment and Ill cut myself off there so I dont spoil the whole thing.
Except, a couple episodes later, Im watching him in the mech fighting and moving around, and I realise that his giant fuck-off monster attacking weapons ARE A PAIR OF CRUTCHES. Theyre his fucking WEAPONS. Thats cool as fuck!
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blue the beetle and booster the gold
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working on doodle requests from my shop ✨
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so I'm trying to read all the appearances of my favorite characters and I'm rereading marvel graphic novel #4. it's really interesting how usually (lately) humans are portrayed as having wide open minds/needing technological telepathic blockers to stop psychic intrusions, but Black Eagle (Dani's grandfather) is noted as having specifically natural psychic defenses, in addition to what almost looks like a form of precognition (the vision Dani pulls from his head is his own death at the hands of Pierce's agents). this in addition to the fact that apparently Black Eagle and the Lonestars knew Charles Xavier makes me think that Dani's not the only mutant in her family...?
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actually one thing causing severe sunday scaries is my former coworker said she'd front the cost of me submitting my writing to a pretty prestigious contest that includes mentorship and publication, and while i'm not afraid of being judged, because i know the value of my poetry and i know what it means to ME, i am deeply afraid of winning and someone being like do you have chapbook material, and me having to be like. well i have a pantoum about nathan mackinnon, some blackout poetry about being transgender from an article about the new jersey devils, and a really good poem-comic about grief and love and queer found family but it's also about witches and also it's kind of distantly fanfiction about the baltimore orioles but i don't have the art skill to pull it off. like hello? no. i don't fear anonymous judges disliking my poetry because ultimately i do not care about their opinion, i fear being asked to seriously consider publication of my nonsense poetry
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This line is just deeply funny to me, coming from an alleged archaeologist.
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nothing is funnier than seeing huge masses of gamers having One Major Complain about a game that's about to come out and repeat it over and over as THE deal-breaking thing, meanwhile you (gamedev) are like "buddy that's not even in the top 3 of things that are wrong with this game you're all gonna forget it was even a thing that bothered you by the time you actually have the controller in your hands"
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Impressed that they were able to keep the video under 6 mins. If it were up to me this would end up being a 1:55:00 thesis.
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[ID: ten shots from 'revolutionary girl utena with excerpts of black text edited onto them. the first is of a bandage unravelling from around saionji's hand. text reads: '"you can be so inconsiderate." / "you are too sensitive." / "then why don't you take my feelings into consideration?" / "if you weren't so sensitive it wouldn't matter."'
saionji's exchange diary being dropped into an incinerator by touga. text reads: '"do you love me?" / "of course—; but i resent it."'
saionji pointing a katana at touga, who appears unfazed by this. text reads: '"couldn't we ever speak to each other without irony?" / "sure."'
a close-up of touga and saionji's hands in saionji's memory; touga has just finished bandaging his hand. text reads: '"i love you, you know." / "yes... but why?"'
touga standing on a discarded love letter. a butterfly perches on a poppy near his foot. text reads: '"why do you like these paintings?" / "what isn't there is more important than what is."'
touga and saionji sitting back-to-back on a bicycle at sunset. text reads: '"we should be more open with each other." / "yes." / "shall we talk things over?" / "what is there to say?"'
touga and saionji sitting at the student council meeting table, cameras surrounding them. text reads: '"are you ever going to cut down on your smoking?" / "it's all right— i don't inhale."'
touga and saionji standing in the student council elevator together. text reads: '"sometimes i get very annoyed with you." / "the world is annoying."'
touga and saionji embracing intimately as saionji prepares to pull to touga's sword for a duel. text reads: '"do you enjoy suffering?" / "you can't work if you don't suffer." / "but we suffer anyway." / "i know."'
young touga and saionji in a church, touga kneeling down to utena's coffin to play with her hair; saionji stands behind him anxiously. text reads: '"you're always so negative." / "i feel death all the time." / "are you afraid of anything?" / "not working."' /end ID]
revolutionary girl utena (1997) / lloyd schwartz, who's on first?
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more dnd and adjacent media should be run and written by people who think dwarves and elves are boring but care very sincerely about halflings and gnomes
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The more I think about, the more I think Sesshomaru's biggest problem in Yashahime narratively is that in the second half especially he really had nothing to do. It's another thing I appreciate about the manga tbh, the fact that he's doing stuff. And we can blame this on anything: whether or not a third season was intended but cancelled due to the company merging, Hishida's extremely divergent opinion on Sesshomaru and the metaplot around Second Act, but regardless of what it's blamed on I think Sesshomaru's biggest issue was that he really had nothing to do until the very end.
Early Yashahime hinted that Sesshomaru would inevitably become an enemy of the girls be Treekyo (also originally meant to be a villain), but his role in S1 was largely being Kirinmaru's lapdog: he even outright asks if Kirinmaru basically has any errands he wants him to carry out after the first time he confronts the girls. He's basically a forcibly chained dog forced to become subservient because Zero essentially had him by the balls by using the lives of his family as hostage. Sesshomaru was put into a position where he could barely do anything because doing so would sign an instant death ticket for his wife, and even his children (and we do see that he both paid for Setsuna's upkeep and tried to train her from afar as a child) would be put immediately on a horrid radar if he acted out. That is until the end of S1 when Rin makes it clear that nothing could be worth Towa's and Setsuna's safety and Sesshomaru makes it clear he's finally had enough of this bullshit and makes it quite clear he will kill Zero no matter the cost, even if it costs Rin her life, because that is Rin's own desire at this point for the sake of the kids. S1 is showing the one arrogantly proud Sesshomaru who once would have scoffed at the idea of loving a human (let alone having children with one) and gladly would have left her to her fate now forced to bow down to a heel because of the compassion he learned while only being able to give very distant support to the yashahime until he's able to bequeath the broken Tenseiga to Towa (WHICH SHE SHOULD HAVE BEEN ALLOWED TO KEEP). It's tragic, seeing that the result of him learning what made him a better person (but I think too many of us forget this isn't his default to all humans). Maybe it's not something everyone liked, but I thought it was a nice tragedy.
Then Second Act comes and Sesshomaru really has nothing to do until the end. He helps give direction to the girls but doesn't really do a lot. Season 2 really hammered in the rite of courage and cowardice thing, which is fine on paper, but it also reduced Sesshomaru to an extremely passive role except for a few key scenes and the very end. Rather than hunting down Zero to settle things once and for all, potentially creating a rift with his daughters who are now learning more about their mother and yearn to resolve this another way. He doesn't really do much until Rin is saved and then takes the frontline against Kirinmaru who never even got a rematch with the girls despite that being in the third OP and is overall not- that consequential. His role is more or less just to create a fight that firmly solidifies that he is the strongest character currently alive in the Inuyasha/Yashahime universe in terms of pure fighting ability (except maybe pure yokai Inuyasha if both were unarmed, but you can argue that if he's armed with Bakusaiga he'd come out on top), but that's kind of it. He doesn't really have any major plans than "Well hopefully Setsuna the girls Setsuna and Towa Setsuna can save Rin," and tell Moroha were to go too.
Dunno. Feel like that was my biggest gripe more than anything with Sesshomaru in S2. It's like that meme with "C'mon... do something..." but then when he did start doing something it was kinda just shounen action, which was really cool, but doesn't really say anything about his character. It's no wonder Towa was so conflicted about Sesshomaru not really doing anything by the end. Girl was pissed and it's kinda hard to blame her.
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On the one hand: Why did anyone decide that Muppet Babies Young Sheldon Lupin Zero was a thing that needed to exist in a series famously allergic to giving out reliable backstory/lore, especially for its title character?
On the other hand: Visually, it looks like the animation is really going back to its roots, which means I am duty-bound to watch it
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anon, the short answer is…not really. my block style is mostly merciful, i think. i’m also gifted with the ability to forget the faces and usernames of even users i DO like, so i rarely remember who i blocked after a certain point.
one thing i do despise when ppl reblog you en masse with walls of text, cluttering your feed, then delete their responses before you can reply, or act as if as if passive aggressiveness can be erased by signing everything with “<3.” i favor directness, and that is…the opposite.
but in that case too i see the person is usually troubled…and usually literally also torturing themselves w my blog and i feel like i’m doing them a huge favor by blocking. they get to save their energy!
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