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#this episode was gut wrenching at that moment
lovelybrooke · 13 hours
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you have said wanting to write more of Ohshc, how do you think they would act when they are jealous ?
Like maybe Reader have some friend from middle school and they catch up like the ep with Haruhi i dont remember which one
Jealousy (Yandere OHSHC)
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I really like this but I changed a few things from your original ask, sorry. This is inspired episode 6. Also don't mind the name, I just looked up a random name.
based on these headcanons
masterlist
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"I want to learn how to charm (Y/N)! Please teach me!" 
It was a quiet day in the Music Room, at least before all this started happening. The Club period was over for today, the rest of the Hosts getting ready to leave before a random first year walked in. 
"I apologize, the Hosts are all done for today" Kyoya said without even looking up from his papers. "Please come back tomorrow if you would like to meet with one of them." 
"I don't want to meet with any of them." The voice was deep, deeper than most of the clientele. The voice caught the attention of the other Hosts, mainly the twins and Tamaki, who moved to see who exactly it was. Kyoya looked up from his paper, peering at the person in question.
Kida Yutaka. He was a first year in your class, including your art elective. His father owned a tech company, partnering with schools all over the world to provide computers, as well as making popular phones. Kida wasn't known for being particularly popular, in fact some would even say he was shy, evident by the way he was shaking while speaking. So it's surprising to see him so bold at this moment. 
Tamaki was immediately fuming, rushing up to Kida, causing him to back away in shock. "Who are you?! What do you mean to (Y/n)!?" Kida was clearly shocked by the Host's behavior, seeing him react so badly to something so simply puzzled him. 
"I-I see (Y/n) come here often--I assume you know what they like..." Kida moves away from the blond, who is seething, backing into the twins in the process. "What--" 
"Aww, you look nervous~" They say in unison as Kida spins around. "You must really like them~" They say again, watching Kida's face heat up. 
Kida was obviously getting fed up with these Hosts, pushing past the twins and moving further into the room. "Okay look, I don't--It's just--look all I want to do Is--" 
"Mori--what's going on?" Kida jumps at the sound of another boy, Honey-Senpai, who looked clearly very tired. He was standing near a much larger boy rubbing his eyes. Mori's gaze was locked on Kida, surely meant to intimidate him. 
Where are they all coming from?
"This boy--" Tamaki spits out. "Wants to take (Y/n) from us!" He cries, leaning all his weight on Kyoya, who seemed unperturbed. Honey however, who was now being held up high by Mori, gasped dramatically.
"Really...I don't want (Y/n)-chan to leave..." Honey sounded like he was about to cry, very scared. Mori look like the exact opposite, his face was stern and cold, holding no empathy for Kida whatsoever. "Are they really leaving..." 
"No Mitsukuni." Mori says with a low rumble. 
"He might as well be." Kaoru says on his left. 
"He wants to sweep (Y/n) off their feet." Hikaru adds on his right. 
Kida looks like he's about to explode, his face red, confused and scrunched up. Moving away from the Hosts encircling him, he knew he needed to explain himself. "Look--all I want to do is learn what (Y/n) likes so I can ask them out! I assumed that since they spend all their time with you that you'd, y'know, give me advice." Kida finally let out. The room was finally silent, which strangely made him feel worse. It was gut wrenching, watching them analyze him. 
The first one to break the silence was Kyoya, letting out a low chuckle while pushing up his glasses with the hand that wasn't being restricted by Tamaki. "Well what a predicament we have here, it seems our dear (Y/n) has caught the eye of someone else, what a surprise." He didn't sound so surprised, the smirk on his face evident to that. "If it's advice you need then you came to the right place, isn't that right, Tamaki?" He turned his head to face the blond, who was still moping. 
"No absolutely not!" Tamaki belted. "I refuse to divulge my dear (Y/n)'s secrets, especially not to a scoundrel like you!" He all but spits in Kida's face. 
"Scoundrel..." Kaoru sighs
"What is he, five?" Hikaru finishes. 
"You should be making fun of him!" Tamaki points to Kida "He's the one trying to sneak his ways into (Y/n)'s life." 
Kida scoffed, crossing his arms and raising a brow. "What do you mean sneak? Me and (Y/n) are already friends." The sentence made Tamaki gasp, looking back at Kyoya, who was still smirking. 
"What does he mean? Why did he say that? Kyoya?" 
"It means that (Y/n) has friends outside of us, Tamaki." You would've thought Tamaki was shot by how much pain it looked like he was in, a stark contrast to his knightly persona. The twins both laughed at his shocked expression, moving closer to him. 
"Oh you hear that boss, they have friends~" They say in unison, laughing as Tamaki tries to jump them, only being stopped by Kyoya. 
Kida watched in pure confusion as he feels someone tap him on the shoulder. It was Honey, still being held by Mori. "What is (Y/n)-chan like in class?" He tilts his head, and if it wasn't for the situation at hand he would've thought it was cute. "We don't have any classes together so I don't get to see them much..." He drones on. 
Kida thought for a moment. "They're kinda quiet, they don't talk much, especially not in art class. They're really kind though" He smiled for the first time since entering the music room. "Once, they let me use their paint during class since we sit next to each other, we talked the entire time. It was the first time I heard them talk, it was nice. They're nice..." The room was silent, Honey simply staring at Kida, nearly unblinking. 
Kida realized he liked you months ago. You and him were alike in a lot of ways, quiet and reclusive. It made him comfortable around you, it made him like you. You were his first crush, and for a while, he hated it. You were a commoner, there was no way that his father would let him be with you. But that didn't stop him from wanting you, he'd talk to you every day during class, some days he'd even eat lunch with you. But as time went on, he noticed you spending more and more time at the Host Club, he started to think that maybe there was something about them that you liked. 
If he could make himself more like them, then maybe you'd like him. 
"So are you gonna help--" 
"What are you guys doing? Who are you?" Haruhi walked into the Music room, you right behind her, causing Kida's face to light up. 
"Sorry, I left my bag here--oh hey Kida, what are you doing here?" You waved to him, moving around the Music room. Kida watched as you grabbed your bag, too afraid to say anything. This was too sudden, he wasn't ready to confess to you. 
"Hey Kida do you know when our next painting is due--Kida, where did he'd go?" Hikaru and Kaoru appeared on your sides. 
"You scared him." Hikaru whispers in your ear. 
"He's a baby." Kaoru whispers in the other. 
You push the two away, sighing as you swing the bag over your shoulder. "I have to get to work, bye guys." You wave, leaving as soon as you came. 
With Kida gone it as though Tamaki could finally breathe, slipping off of Kyoya and composing himself. "We're never letting him in again." He exclaimed. 
"Already banned, sir." Kyoya said with a smirk.
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A/n: In conclusion they're insane.
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moonlightmagical · 19 days
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buddy dawn cannot raise himself from the grave.
buddy dawn is not a chosen one.
buddy dawn is a child.
buddy dawn was manipulated by organized religion through no fault of his own, most likely since he was born.
buddy dawn had his throat slit by people he probably considered good friends.
buddy dawn is kristen applebees in a different—worse—life.
buddy dawn is dead, and there’s a good fucking chance helio won’t answer his questions.
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supah-llama-artsu · 9 months
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SCREAMING AT ELATION RIGHT NOW
NOTHING COULD HAVE PREPARED ME FOR THIS EPISODE
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roz-ani · 4 months
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While I know there are people who can voice their thoughts on the main plot of this episode and how it handled the SA topic, I can say that I have been Charlie once. This scene broke my heart. You're so confused because you want to help someone, and then they say they have it under control, figured out, or that there's nothing you can do. The pain you feel when the one you want to protect says you shouldn't get involved is unimaginable. The last thing you want is the victim getting hurt, but how exactly do you handle that? What if they "don't want help"? What is driving them in that situation? What if you're actually hurting them even more by doing what you feel is the right choice? You can't force someone to get help. They know it, you know it and the abuser does too. Mind you, everyone in their own way. So you just feel guilty. You share the responsibility, you carry that burden of knowing someone's going through one of the worst things imaginable. You're aware that getting involved directly is often not the solution, but helplessness is just gut-wrenching.
There are dozens of ways we can unpack it. Whether Charlie does or does not have the power/authority despite the contract being signed, how she approaches Angel's boundaries etc. We need to remember that this is Hell, so sexual exploitation and violence are not as shocking. Yet, to someone with Charlie's heart and beliefs, and to the show's audience, it's still repulsive, still something that should not be taking place. I know I certainly don't have the strength to discuss this.
I saw that many people were highly critical of this episode a week ago. Today, I saw a lot of viewers praising it for the way the issue was handled and for making them feel understood. Some moments make me uncomfortable, but I don't have any problems with watching it all again. There is some part of me that thinks it's well-made, that the voice actors did a stellar job (which I think we can admit in general), that the fact it hurts a casual viewer is the main point, it's supposed to be uncomfortable to some extent...  That's the part of me that doesn't have that experience, but should those feelings be denied?  
At the end of the day, there's one thing I'm sure of - this episode should have a trigger warning
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goodomensblog · 9 months
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For almost the entirety of Good Omens s2, Crowley says yes to Aziraphale (often with bickering and a show of reluctance, but still).
Off the top of my head, a non-comprehensive list:
Lets Aziraphale drive the Bentley
Helps harbor Gabriel, wanted by Heaven and Hell
Babysits Gabriel and watches the bookshop
Dances!!
Follows Aziraphale around while he plans the neighborhood meeting ball
Shows up the SECOND Aziraphale calls (plus the comment about Aziraphale only calling when he needs something, wants to talk about something he’s proud of, or he’s bored)
Helps to set Maggie and Nina up
Sneaks into Heaven
Aziraphale has come to rely on Crowley. He says that Crowley likes saving him — and he clearly does — but I think he’s also come to expect that, at the end of they day, Crowley will show up for him when asked. However, at the end of the second season, we have a shift. Aziraphale has a plan — he’s going to fix Heaven, and he asks Crowley to help him do it.
And Crowley says no.
Because of course he does! This is the one thing that Crowley cannot do. This is so much more than Aziraphale asking for a dance, or to borrow his car, or even for Crowley to risk his existence solving an angelic mystery. In asking Crowley to return to heaven, to once more become an angel, Aziraphale has asked Crowley to change a fundamental part of himself, to be something that he is not.
This is a necessary and pivotal character moment for each of them. It’s important for Crowley, because he’s realized what he’s not willing to compromise on. And you can see that it breaks his heart to do it. He loves Aziraphale. And now Aziraphale indisputably knows it too, but Crowley will not become something he’s not — even for him. And Aziraphale? I think he’s begun what will be a season’s worth of learning: that Crowley has limits, and Crowley needs to be shown up for in the same way that Crowley’s been showing up for Aziraphale all these years. They both clearly love one another, but things have not been balanced between them. Do I wish that this was a lesson that could have been had mid-season and resolved by the final episode so that we weren’t left with that last gut wrenching ten minutes before an indeterminate wait for season 3? YES. However, I can also see how this development could absolutely need a full season to bring it to fruition.
I have a lot of thoughts and feelings 😭
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coffee-n-converse · 3 months
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**PJO Episode Seven Spoilers ahead!!**
I expected the moment they realized they only had three pearls to hurt. I expected the moment Percy had to leave his mom behind to hurt.
I absolutely did NOT expect to have whole ass TEARS running down my face for the entirety of that scene with Sally and Poseidon!!
And yet, the moment the rain started outside the window and you could just SEE the relief in Sally’s shoulders, the world breaking gratitude that he had heard her and he was there…. And she had that same look on her face from episode one when she’s on the balcony and feels like he’s there with her because of the rain.
Here’s the thing. I don’t think, up until that moment, they’ve occupied the same space since the day he had to leave her before Percy was born. I can’t explain it, but something about the way Sally hesitated before dropping the match in… this was a last ditch act. An act of sheer desperation. She’s been doing this alone for SO LONG and she finally broke. She finally thought “I can’t anymore” because she felt like all she was doing was hurting Percy over and over again. And she was terrified she was going to keep hurting him. And I don’t think she burnt the sundae to try to talk to the god Poseidon; I think she burnt it to feel close to the man Poseidon that she loved. She didn’t want to feel alone in that gut wrenching moment, she wanted to come as close as she could to having the man she loved holding her in his arms.
And the he SHOWS UP. My gods, the only time this woman has burnt an offering to him, and he is THERE without hesitation. He knew she was a badass and could handle the world and was doing an incredible job of raising her son, so when she burns a sundae to him he knows she’s at her breaking point and he is THERE.
But then… gah their whole conversation had me crying. Not for what they were saying (though him saying she was doing an incredible job hit me hard) but because they never once actually looked at each other. They had this whole beautiful conversation and for once Sally doesn’t feel completely alone in this (and you can see it in her shoulders and on her face) and she is so grateful to not have to do this moment alone, and he clearly still loves her and believes in her and trusts her to raise Percy right and even gives her a safe space to vent about HIS family and come to her own decision, but they never look at each other. And I cannot explain why that GUTTED me. Like I know why he didn’t look at Percy, but it gutted me that him and Sally didn’t look at each other. It worked and it was beautiful and it made me cry.
While we’re on that convo, can we just talk about how Poseidon lets Sally make the call about school or camp?? Like, he’s a literal god and technically this is his son we’re talking about, but he never once gives her his opinion on the situation. He doesn’t try to parent, doesn’t try to make the call. She literally summoned him with a match in a sundae and still he doesn’t take over and call the shots. This man has so much faith in Sally Jackson’s ability to raise Percy when he can’t be there to help at all and I just…. Aaaahhhhhh
To be honest I never super shipped Sally and Poseidon in the books. For me they were a pretty summer love story that was nice for a few months and then eh. It’s over. But this?? Don’t get me wrong, I don’t want them to get back together, but their dynamic as two beings heavily invested in primarily Percy, but also each other, in this adaptation is *chef’s kiss*.
I loved this episode, but I am legitimately FERAL for this scene.
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legitimateluffy · 8 months
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I was going to touch on this in my overall thoughts of the OPLA, but then I realised I had a lot to say about it.
This, to me, might have been my favourite moment in the One Piece Live Action:
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And here's why. OPLA spoilers under the cut.
Nami and her character arc are the things that got me really hooked to One Piece as a teen. I was 13 and at the time, I had no idea if I'd ever finish (at the time) a 600 episode anime. But Arlong Park cemented me in as an OP fan for the rest of my life.
Obviously the Help Me scene was the thing that really got me in for life. But as I grow, I think it was also the way Oda made each moment with each character feel small while also being grand. The small moments make this arc for me. It's complex, and purposefully so.
Throughout the arc, and even prior, Nami is built up with small throw away lines and actions. Questioning why people do things for others, her over generalisation of pirates, her belief that she has no freedom.
She's an exact opposing entity of Luffy. Luffy IS free. He's the concept of freedom. Nami, by default, is not. She not once ever felt free. Her original village was destroyed, her mother killed due to lack of money, having to work for Arlong to survive. She never had freedom.
There's cases like this all over the manga. She's materialistic due to her trauma of lacking freedom. She has to do what she has to to survive. She will put her desire for money (to save the village) FIRST. Because if she doesn't, she will never be free.
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I remember this moment so clearly when I saw this for the first time, the thought ingrained into my mind. When I saw she left and abandoned the crew, I was so MAD. I couldn't express my anger. But when I saw this scene, all I could think about was "I feel so bad for her."
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I didn't know what was coming, but this scene alone made me feel so sad. And I didn't even know WHY. I felt gut wrenched for her. Looking back, seeing her finally no longer have to do everything herself and allowing herself to break down and ask for help, it also struck me.
However, this moment, now as I've aged, doesn't hit just because it's a relatable feeling. Finally breaking down and getting hope after you've felt so helpless. So many people want that. I wanted that. And seeing it there in front of me hit me hard. The reason why I think this ultimately made this moment work for me was this theme of freedom. The strawhats made her feel like she was safe for even a short moment. She could forget. Nami, for the first time in her life, even for one second, WAS free. She was!
Nojiko highlights this. It's a small panel. It's less than 5 words but it highlights an important aspect of Nami's character. For one moment, she was free, and that's why leaving them hurt her so much.
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Usopp describing something as normal as having fun is something we take for granted. But Nojiko knew that this was an important moment for Nami. She knows she's never been free. Remember, Nojiko & the rest of the village KNOW what Nami is doing. Her sacrifice. Her lack of freedom.
So this bring me back to OPLA. There are so many short scenes of Nami where Usopp and Luffy are just goofing around and bantering with each other. Hell, she's not even participating! She's just watching! And then the moment happens.
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She laughs. She's free! This one small moment, this blink and you'll miss it scene. THAT, is pure and utter freedom. And to me, that's what One Piece is. It's freedom. Nami, for the first time in her life, is free.
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This scene hit me hard, because immediately I thought to that scene with Usopp and Nojiko. Everyone behind the live action understood the core aspect and themes of One Piece. It's freedom. It's always been about freedom. That has never changed. And seeing freedom be portrayed as such a small and humane action such as LAUGHING, for all of a few seconds, really encompasses what this series is, not just to the characters, but the audience.
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racingliners · 19 days
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Still bouncing off the walls re this weeks Star Trek Discovery episode bc we really got:
Time loop/travel shenanigans
Learning how to stop butting heads with your stubborn First Officer via the medium of said time/loop travel shenanigans
Call backs to all the key moments from Series 1-4 of Disco
Lessons in how to very quickly clear a room with Paul Stamets
getting to see just how far Michael has come since S1 (and my goodness am I proud of her)
AIRIAM!!!!!!! (which was both lovely and gut wrenching)
(Also Bryce!!! I missed him!!)
Rayner's 20 word get to know you sentences actually being useful, who knew
Reno just being her wonderful self
The USS Found Family gaining a new (if still grouchy) member
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doomedsisters · 5 months
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i’m like. cool with vi joining the enforcers or whatever, like i absolutely hate it lmao but it’s definitely gonna happen so i just gotta accept that. the thing that actually makes me nervous tho… how the hell are they gonna make that shit work? yeah caitlyn wants to reform them, that’s nice, that’s lovely i guess, but also. they met like, a week ago. vi has been suffering from oppression and trauma and violent abuse at the hands of enforcers & piltover for over twenty years. how are they gonna turn this ship around in (presumably) nine episodes and make it believable?
on another note? and this is kinda fun (fun in a way that makes me wanna sob tbfh) is that vi joining the enforcers would be another “the monster you created” moment but this time for jinx. and that’s incredibly sexy to me like vi unwittingly pushing powder directly into the arms of silco... jinx unknowingly pushing vi directly into the arms of piltover… yes lord be each others downfall! be the primary reason why the person you love most in the world becomes an unrecognizable monster to you! i keep imagining jinx & ekko’s reaction when vi comes to zaun in her uniform for the first time and it’s delicious in the most gut-wrenching way possible
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hacash · 2 months
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something about the way the terror introduces its characters... you can't tell who out of the minor characters is going to have a big impact. collins is set up to be a significant character in episode one and then drifts out of focus until carnivale. jopson's basically in the background until crozier's drying out and then literally has the most gut-wrenching death imaginable. david bryant, georgie chambers john weekes and john lane are all one-scene wonders and then barely show up again. tozer just seems to be a bit-character until halfway through the show and then helps drive the plot from that point on. le vesconte basically has two scenes in the entire show, but you can't forget either of them. no minor character is introduced in a way to steal the spotlight, and then so many of them have these striking moments that you're not expecting.
I guess I like it because it's the antithesis of a piece of writing advice which has always rubbed me up the wrong way: to avoid fleshing out a minor/background character because it steals focus from the major characters. which has always bugged me, because every character is going to be a major figure in their own story. and I love that the terror seems to acknowledge that: it's not just about the main characters, everyone on these ships is a major character in his own story, and they're all given moments of real significance to pay homage to that.
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watchyourbuck · 13 days
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the second they made buck bi i watched the whole show for the first time, took a week, finished just before the latest episode came out. this obviously means i do not know my first thing about anything, most theories and fanon storylines included. what is the most important stuff that i need to know? the more deranged and delusional the better 🌸
lmao gotta love this ask. okay nonny let’s see.
the couch theory: right after Buck breaks up with Taylor, Eddie and Chris have dinner at his loft. they make fun of the fact that Buck doesn’t have a couch, and he says “my last two couches came with girlfriends — maybe I don’t wanna pick the wrong couch again.” we strongly believe the right couch is Eddie, and the scene itself is pretty, uh… hinting. I made a post about it.
the color theory: this theory stems from the fact that most of us believe the colors they are dressed in or are illuminated by (etc) aren't a coincidence, as in, we think different colors mean different things pertaining to their story and feelings. pls see our preacher on this subject @lover-of-mine <3 her posts are amazing
dad!buck: its a commonly accepted truth that Buck is not Chris’ uncle, but his dad. there’s not a lot of explaining to do, other than the man just loves Chris as his own, and clearly Eddie thinks the same, considering he added him to his WILL (insane behavior if u ask me).
shooting/lightening as direct parallels: Eddie getting shot and Buck getting struck by lightning are the two highlights of their individual and intertwined tragedies. there’s obviously other moments where they fear they may lose each other but these two are the biggest, most gut-wrenching ones. (these are their strings of fate, remember they both had to pull the other to safety).
buddie tends to parallel to every canon couple on the show: I’d have to pull up many receipts but, if you watch closely, you’ll see them. Bathena and Buddie both have water trauma, for example (tsunami vs capsized cruise ship), plus other more lighthearted ones like the Madney karaoke + the bachelor party Buddie karaoke scenes (7x06).
Edmundo Díaz is demisexual: and most likely gay. idk i didn't feel too comfy with the hyper-sexualization of Eddie on 7x05. but it’s more than that, obvi. that man was seen sleeping with Shannon, then with no one until Marisol, and i kinda believe Eddie getting out of the house to not have sex with her bc he felt distanced from her tells us a lot about him. he seems to only be able to engage in sexual activity should he feel something for that person.
I didn’t mean for all of these to be buddie coded, but alas, I’ve watched the show through their looking glass, and these are the theories that I’ve engaged with the most. for anyone reading, feel free to add more!💗
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mizunoryuu · 2 months
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Day 6: Journey/ Favorite Episode
Episode 21 "Home Away from Home" ("Koromon, the Great Clash in Tokyo!")
This episode.
Tai's relationship with Kari.
Going into the series, I didn't know that Tai had a younger sister until he mentioned her. I didn't think she would be ever mentioned or seen in the series, but then he returns to Tokyo in episode 21. I felt like that episode was such a turning point for Tai's character. He could have abandoned all his friends and stayed at home with his little sister that he had great affection for, but decided not to. He realized that it was more important to return to the Digital World to defeat the rampant Digimon, which would in turn protect his younger sibling.
The moment of separation was so gut wrenching to watch in this episode and it left such an impression, so thus I tried to recapture that moment in my piece.
I have an older brother myself. When I was a child, I really wished Tai was my older brother. I wanted someone that could protect me and I could have fun with. I had that but there was also something off with our relationship, or at least how I perceived it. Something tarnished the relationship and I won’t go into detail about it here except say that there is another Chosen that I more deeply relate to which I’ll honorably mention in a DA Week bonus post.
While I don't have a fanart piece, Episode 48 "My Sister's Keeper" ("Bombing Mission! Mugendramon"), also gets honorable mention because we get a glimpse more of Tai's and Kari's relationship growing up. We see how reliant Kari is on Tai and wanting to not be a burden on him and Tai’s regrets for not being a better older brother and not being observant that his sister was sick. This plot shows how far Tai’s come and why Matt had every right to feel jealous of Tai being the ‘better older brother’.
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foggysirens · 2 years
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i think what made the last episode of kenobi, and the kenobi show as a whole, so special is because it really just reminded us that the heart of star wars is love.
we see it full force with beru and owen. both willing to do anything to protect luke. put their lives on the line for him. we see it in beru immediately jumping into action. we see it in owen's claiming of luke as his own. his son. their son. in the looks on their faces when they see luke again, the utter fear that he may be gone. because while obi-wan could most likely feel him in the force, for one gut wrenching moment owen and beru thought their boy was gone.
we see it in breha and bail. their odd, funny little girl finally home and you can just feel their joy. their pride when leia is unapologetically herself. and how when obi-wan talks to leia about her birth parents, she instead looks to them. those who have raised her with a fierce love and kindness. how when she looks to them, they look back with so much love.
we see it in obi-wan and anakin. obi-wan apologizing to anakin, and we have to wonder how long those words have been building inside him? and then the tragic acceptance that there is no longer that person there to love. that his ten years of grief, maybe longer, was over something that was not his fault, that he could have never succeeded in preventing. but at the same time, we know that obi-wan still holds his love for anakin. it's just that darth vader isn't him.
and don't even get me started on obi-wan and his love for luke and leia. how leia was the one to pull him from his isolation. become the man he was again. how watching over luke is his motivation to stay that way. how thinking about them literally is what gives him the strength to pull himself up from the ground. honestly obi-wan and the twins deserve their own post.
star wars has always been a story about love. it can, after all, ignite the stars. and the kenobi finale has captured that fully, making it feel like the most truly star wars show in ages.
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bluginkgo · 1 month
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Just what in the fack did I watch... I'm gonna go watch it again just for funsies and to cry again (Rambles/Thoughts)
This post will mostly contain random rambles and thoughts I had while watching and rewatching the episode. And a lot of this is just going to be me ranting about scenes (the rants will most likely make you wanna go "Ginkgo, that's common sense we can see it smh." XD Just roll with it. Oh and NUzi scenes
Spoilers, duh and lots of words. Oh and gore warning? Kinda?
I mean... that scary *ss mother facking thing towards the end- you know what I'm talking about if you watched the ep 😅
First thing I found interesting, is how the Solver behaves in this scene. It's mere shadows, not even fully manifested. Further proves that the Solver transcends simple time and space, and is on a different plane of existence- a 4th dimension if you will.
The humans did, in fact, learn how to control the Solver. The pentagram like projections act as gravity enforcers and lights that subdue the solver for a period of time. Buuuut it seems that it's not full proof. It seems that this occurance is fairly common, seeing as the workers nearby were not very concerned that an eldrich being was about to break loose.
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Alright another slow moment here. But I had to google wtf "MacGuffin" meant (English isn't my first language, so take it easy on me ;w;). And taking this straight from the google search "an object or device in a movie or a book that serves merely as a trigger for the plot." So most likely, the Absolute Solver is referring to the fact that Mitchell the intern set things in motion simply because he was mistaken for the real Dr. Chambers... Classic- CLASSIC human mistake XD
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So... Heart/Nori. Something interesting is going on with her. I believe Nori WAS injured by the DDs and had to be finished off by Khan. I'll touch on Khan a bit later. But, just as seen with Eldrich J... I'm not sure why I've never thought of this before! It makes sense for Nori's corrupted core: Heart, to still function properly. Meaning, she could have snuck away when she was killed and returned to the cathedral to search for the crucifix. Uzi gets most of her style from Nori 🥹. Seems like Uzi got her mom's style and Khan's engineering abilities.
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I had it all wrong- and I am ALL FOR IT! N wasn't afraid of something he saw ahead. He was upset with what they left BEHIND! V! And THIS ENTIRE SCENE
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You cannot believe how surprised I was. This scene was so much better than I could have imagined it. Yes, it was painful to watch, but sweet robo-god this was executed SO DAM WELL TwT It was delicious angst. And Tessa was not in fact drawing her sword on Uzi, but instead protecting her... kinda... with an ulterior motive of course.
The gut wrenching betrayal right there. The animation team did a wonderful job at animating the betrayal and how it manifested in Uzi. Disbelief and then anger.
Not to mention her stumble. I hyper fixated on that stumble a bit too much on my first 2 watches. (Yes, I've rewatched the episode 8 times now, hush I love it XD). Her stumble shows weakness. And in that moment, she wishes to be anything BUT weak. The suspicion of betrayal is settling in, and she needs to be able to fight back. But her body is giving out. The events are taking a toll on her. And makes me appreciate the animation detail that much more.
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This scene N is definitely angry. He's trying his best to keep it together and Tessa's pressure to injure and kill Uzi is not helping. So for him to be talking to Uzi, while glaring at Tessa is just him driving the point home. He is NOT going to hurt Uzi, no matter what they might find down in the labs.
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But a poor choice of words that was. It gives Uzi a glimpse of what was actually happening and what has been bothering N. The trust vaporizes, and with it, any attempts with communication.
And what I believe, gives a nod back to ep2. As N steps in to try to help Uzi up, she retreats. Same happens in this episode. And the kicker? "Falling... for you" song starts lightly playing in the background.
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This is far too comical after he says he deserves to have his limbs cut off. The whiplash I got from that is ridiculous... in a sad and funny way.
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What an amazing shot. But it does paint a picture of what the DDs have done. Perhaps the blood also acted as cooling agents, and this is why the trend continued with robots- except this time around as oil. And this is what the Administration CYN most likely blocked out. Not only the manor time, but also the bloodbath that followed as Earth collapsed.
THE DOG MADE IT IN AHAHAHAHAHAHAHA
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It's interesting on how the solver manifests in the drones. It seems that Uzi's wings and tail, do not make the solver go insane, and she can continue to use it. However, later in the episode the same wings and tail go berserk. So it seems that once the transformation has set in- like with Uzi- it becomes part of the drone rather something that is manifested by the Absolute Solver's control.
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SO MUCH TO UNPACK HERE XD Part 2A that Khan refers to is on the bottom left corner, the green core that Uzi got a hold of back in pilot episode- also titled as "I think this is a robot liver or something lol."
Plan B: Uzi could have had a normal gun if railgun didn't work. Bottom right corner
Top left corner under Uzi's railgun title: "30 min recharge time. That'll be fine." Famous last words ever XD
Top right corner: "Other things it can do: Not judge me, force prom dance, I can say I had friends but fricken murdered them with sci fi weaponry."
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I love how sassy he is here XD His character development and arc is something that I will never forget. He has definitely come a great ways. Khan also seems adamant about his wife being completely dead. Which proves that he didn't know a single thing about the Absolute Solver and what it can do. He could only reference Nori's insane drawings and deduce that the planet was going to eat them all soon.
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Idk if this is just my tired brain, but this comment felt like a joke to me. (Remember, I don't know anything about computers and the language ;w;) But the physical patch to save herself... as in, the same patches that are sent out for games/programs to fix bugs? That's the joke I got out of that one 😅
This entire sequence was something out of my nightmares XD The heel tapping that KEPT GETTING QUICKER definitely had me reeling back from the screen XD
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The Nori and Yeva scene was so wholesome 🥹. I loved the way the animators showed their interaction. Despite the hellish events, they were still close.
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My only issue with this image is, on what is Doll moving? Not like the floor. The core is gone from her body, what the heck is still driving her forward? Perhaps just on the sheer will to warn Uzi to "fight back." And I suppose I can see how she could still move without her main core. Almost acting like chickens do, when you cut their heads off. One was able to live for 18 months after the head was cut. So I suppose I can get behind the idea that Doll's final wish was to warn Uzi, at the very least, and thus forced the body to move until it did so.
But then, Tessa shows up. Which makes me wonder if she was the one that simply lead Doll's body to come to Uzi. How? Uhhh... Absolute Solver! Let's just go with that sweat face. The con in that theory is a simple: why? Why bother leading Doll to Uzi? To spook her? To give a false reason to attack Uzi? Given that N was still very much behind them all, I don't see why the Absolute Solver would try to make up some odd reason to attack Uzi. It could just simply... go ahead. There was no one there to fool, and could incapacitate Uzi easily. Buuuut I could also be looking too deep into this, as per usual.
Hey guess what.
I found the answer. XD Just as I'm typing this up, a frame popped up.
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Yup, the core was still inside and thus running Doll and thus Doll could move, ok carry on. XD
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Emotions spike the Absolute Solver, something that I love seeing and appears to be less headcanon and more canon at this point for me. Through the entire episode, the Solver keeps glitching out and forcing Uzi to lose control because in this situation, she's very stressed. A betrayal, a misunderstanding, learning about the past, everything becomes too much. This makes keeping the solver at bay that much harder.
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He did NOT give her any chance. Yes or no, Tessa. That suddenness surprised me- in a good way. This shows how much N has grown. He's willing to stand up for his beliefs that much better. If he suspects something, he now acts on it, and does not wait for the other side to perhaps change his mind.
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This scene. This scene shall live in my head rent free for a long while... Actually, the entire episode is gonna live rent free for a while. XD Not to mention the "Falling... for you" song plays in the background yet again. Ugh, pulling on heart strings there ;w;
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They had us all fooled XD The hand lights were on just to trick us, and in fact were meant to be off this entire time! Oh you sneaky sneaky people. >w<
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ALL OF THESE SCENES, they're all so cruel but SO GOOD TwT So cruel in context of how tortured N must be to fight Uzi, but so good in context that this fight sequence and animation is executed SO WELL. All of Nori's slaps were so personal XD Mama Nori educating NUzi
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When I saw this scene, I couldn't help but think of ep3 and their dance. This entire episode is so bittersweet ;w;
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She's still there TwT And she sees this entire fight. Of what she has become and done to N and omg I'm crying again. Moving on.
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OMG YOU SILLY GOOBER BAHAHAHAHAHAHAH XD I love Nori/Heart's reaction, but the Absolute Solver also gets me laughing a bit too hard. "WHAT." That's so simple yet so effective. "What. Why. You are a DD I sent to kill the hosts, why are you hanging out."
The entire scene with NUzi screaming. Just. YES. What better way of gettin rid of stress than screaming! ^_^
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Oh you sneaky, sneaky people. Well, all I can say, you got me. You got me good. This is something I didn't think of, but should have. It's simple to get these shots with certain rigs missing. And it was done seamlessly. Well done, well done. I begrudgingly applaud you. XD
HE'S PATTING HER HEAD AAAAHHHHH *proceeds to ascend to another realm*
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They did not... omg they did XD Ah, yes, welcome a new horror oh and by the way here- :3 a cute face
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Omg they look so cool- KHAN WTF XD
LOL J THE PRIOR HAZARD WARNING AHAHAHAHAHA
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The way she shook his hand trying to snap him back to himself and wake up 😭. And the entire sequence following this... I'm just now slowly starting to process it, oh and great I'm sobbing again. Alright, moving on.
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Well, I have some thoughts in this. This is personal thoughts, thus this is where you are more than free to yeet this section into the void that Uzi was dragged into... sorry that was a bad joke- anyways. "Die mad." I feel like this is her way of telling N to not give up. To go out there and FIGHT. But if he can't win, then to die like she is. To die in a way that he will be proud of and to go batsh*t crazy. Because by now, Uzi must know that all of their chances of survival are slim. So you might as well go out with a bang and "die mad."
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Something I noticed and was further solidified when @bloodywolfwings also mentioned it. Uzi looks at peace here and very accepting of death. And I say, yes, she very much is. I think this was a way of her asking N for forgiveness. For getting mad at him in the beginning of the episode, for failing to be useful/protecting N, and for fighting against him- despite being possessed. And perhaps even, as an incredibly insane and radical thought, for loving him. This entire episode has put the characters and us through the wringer, and that "sacrifice" was just the cherry on top.
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Something I have seen already mentioned once at very least (by @/rebecca-babe) and something that also put me on edge was the ending credits... or the lack of. Of course, all the credits roll, but it's not the usual type. Instead of an upbeat music that is either "Uzi the drone killer" or a theme that was seen in the episode... its SILENCE. Being a musician myself, I love how much love has been put into Murder Drones. The sound effects and the main music are always top-notch. But that ending unsettled me the most. The lack of all noise is something that is terrifying and unsettling in that ending. Almost like all the music and sound left with the "sacrifice" of the main character, Uzi. The entire episode was filled with sounds, silence only being present when something incredibly WRONG was happening - like at the beginning when intern Mitchell re-entered the cathedral. And as much as I love how well executed this entire scene was, I hated it. Because that scene does the job that it was set out to do. Put you on edge, and make you feel like all hope is lost. That this is it. This is the end.
This is the end of my rambles and thoughts that I had while watching ep7. I may have more later on as I keep rewatching this episode for the rest of the week ;w;
Want to hear more of my stupid rambles? This has 3 other parts!
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half-an-hour-hence · 2 months
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To be honest, the writers of Fellow Travelers were FOUL for putting so many gut wrenching moments into the final episode. As if they hadn’t caused me enough emotional damage already with the other seven episodes. Like…what do you mean Jerome has AIDS?? What do you mean Hawk reported Skippy?? You’re expecting me to function properly after ‘you were my great, consuming love’?! And then recover in 0.1 seconds only to see Tim for the last time fighting for something he knows will save lives - not his, but other people’s?!
And what about the AIDS memorial? Roy Cohn’s quilt? ‘HE WAS THE MAN I LOVED?!’ How the memorial kept growing and growing and having to deal with the fact that every single quilt represents a real person with their own story?! FOUL. I was sobbing uncontrollably for at least the last half an hour of this episode and then for another half an hour after it finished. I demand compensation for the irreparable damage to my mental health.
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delimeful · 3 months
Text
carry them home (7)
warnings: illness, arguing, mentioned unwilling disordered eating, stressful situations, threats
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It was good that Vee was so light, because Janus found himself carrying the changeling all the way back.
At first, he’d thought that perhaps the episode was less severe, since it hadn’t involved the gut-wrenching shrieks that he’d witnessed before, but the theory had fallen flat as the minutes dragged on. Back then, Vee had at least been coherent, talking and standing on his own shortly after the vision had run its course.
Whatever Vee was Seeing this time, it was taking far more out of him.
By the time Janus returned to the campsite, the soothsayer had fallen into a dazed, unresponsive state, staring right through Janus with that strange oil-spill substance still spilling from his eyes.
The other children didn’t react well.
“Put him down this instant!” Ro commanded furiously, the air warping with the force of the heat he was emitting.
Apparently, Vee hadn’t even deigned to inform them of his plan before gallivanting off with their pet hostage. Janus wished he had enough time to be properly annoyed about that little detail, but he sincerely doubted that they’d truly lost the Iron Guard. They could be relentless when they knew they’d caught the scent of a fae, and there were more ways than one to track quarry.
Especially when that quarry kept dripping an easily-followed trail of black ichor.
“The Guard is coming,” he replied, crouching low enough that he could convince his oath that he’d moved Vee down, and thus technically followed the order. “We have to move, or we’ll all be caught. Can Logan walk?”
“Wow! That’s awfully convenient,” Remus chimed in as he advanced, smiling with far too many teeth. “Lemme guess, you’ve got a place for us to head, too? Too bad you brought back our soothsayer all dazed and confused so he can’t check and see if it’s a trap or not.”
Janus resisted the urge to pinch the bridge of his nose. The two of them may have looked extremely similar, but they wore their anger in very different ways. Very inconvenient ways, since it would make it that much harder to convince the both of them with words alone. Patton wasn’t even present, probably busy watching over Logan if his condition really was as bad as Vee’s vision had foretold.
“What did you do to him?” Ro half-shouted, staring at Vee with blatant horror. His fists were clenching and unclenching at his sides, but he didn’t get closer, didn’t try to touch Vee or snap him out of his distant-eyed state. Was he afraid to get too close to Janus, or just to anyone?
“He took me to the town to get medicine,” Janus explained shortly, attempting for a moment to tug one of the packets from Vee’s grip to no avail. “We ran into a Guardsman on the way out, and Vee had an episode right in front of him, so they’re no doubt in pursuit. I am under oath to be honest about movements of the Iron Guard and other dangers to you all, and even more vitally, I will face the same danger as you if I’m caught aiding a gaggle of especially undersized fair folk, so can we move past the suspicion in time to make it out of this alive, please.”
Ro was bristling, sparks spiraling off of his skin, but Remus had stalked close enough to squash Vee’s face between his hands, and whatever he noticed there seemed to convince him of something.
“Specs can’t walk,” he said bluntly, ignoring the startled-offended crackle from Ro. “Lean forward, and I’ll take you to him.”
Ro was the one holding the blood oath’s leash, but Janus didn’t have any interest in forcing their hands. He bowed his head and leaned in, ignoring every shrieking instinct that told him to duck away as small, dusty hands planted themselves on either side of his forehead, fingers pressing against his temples firmly enough to make his skull ache.
The discomfort was almost enough to obscure the prickling sensation of something small and gritty being smeared against his skin. He jerked back slightly, and Remus released him, smiling that shark grin again.
“If you betray us, I’ll push a bunch of spores into your brain matter and grow zombie mushrooms out of your skeleton while you’re still alive,” he informed Janus, looking all too thrilled at the prospect.
Janus stared at the kid for a moment, trying and failing to find the appropriate emotional response to this information. “Wonderful. So be it. Are you satisfied? Can we escape a horrible, painful fate now, or would you like to sit here and add more restraints to the only human helping you on this entire continent?”
Remus cackled a little, something unrepentant and near-manic in his gaze. “Someone’s feeling bitchy!”
Janus couldn’t help the face he pulled at that, but neither twin reprimanded him for it, or for rising back to his feet with Vee still safely in his arms.
The sparse camp was already packed up, and they ducked further into the thick brush until a small, thorn-protected space amidst the trees revealed itself.
“Guys! You’re okay!” Patton was inside, and even his clear relief at seeing Vee and the twins unharmed couldn’t hide the way worry still hid in the wrinkles of his forehead.
At his side, Logan lay on his back, wings spread out on either side of him, his breathing heavy and strained. There was the damp shine of sweat on his skin, a raspy quality to each exhale, and despite the rustle of their arrival, he didn’t even twitch. He was in no state to go anywhere.
Janus swore mentally, and knelt to try and set Vee down on his feet, praying that the kid at least had the presence of mind to stay upright.
Vee kept his feet for about ten seconds after Janus let go, and then he was wavering to one side and his legs were crumpling beneath him, and Janus hissed out a swear as he caught the kid’s bony shoulders before he could topple completely.
“Language!” Patton said, but it was half hearted at best, and not a direct command anyhow, so Janus didn’t pay the comment any attention.
He glanced over the lot of them, and knew that there was no way any of the three would be able to haul even one of the two unconscious members without being slowed down far too much.
“Are you going to say we should leave one of them behind?” Remus asked, neck cracking uncannily as he tilted his head at a discomfiting angle. He hadn’t stopped staring at Janus with wide eyes and rigid posture, like a hunting dog straining at the end of a leash. “Are you going to try and make us choose?”
“If you would stop putting words with horrifying implications in my mouth, I would appreciate it oh-so much,” Janus replied, sharper than he should have. He inhaled, closing his eyes briefly, and then shed his coat and wrapped it loosely around Vee’s shoulders. “Help me get him onto my back.”
Remus narrowed his eyes slightly without losing the smile, like he was thinking of refusing just to be contrary, and it was Patton who stepped forward and took Vee’s weight while Janus turned around and crouched.
With a little maneuvering, they managed to get Vee propped up on Janus’s back, and he tied the arms and ends of his coat around his front, creating a sort of makeshift sling. It wasn’t exactly comfortable, but Vee remained solidly in place even when Janus took a few testing steps and turns, so it would have to be good enough.
“Alright, pick up whatever you���re not leaving behind,” he instructed, and carefully slid a shoulder under Logan’s shoulders, pushing him up into a sitting position so he could carefully fold his wing closed.
Patton, who apparently traveled light, hovered anxiously for a moment before ducking forward to mirror the action on Logan’s other side. “You’ll be careful with him, right? He may be birdlike, but that doesn’t mean he’s untweetable, okay? We won’t give up, right?”
“I certainly wouldn’t be going to all this trouble if I meant to give up,” Janus told him, keeping his voice as soft as he could manage in the face of the kid’s obvious distress. “Vee got the medicine for him. All we need is a safe place to administer it, and the quicker we move, the faster we can make that happen.”
Patton nodded, those strange square pupils locked on his friend’s limp form. “Okay. Okay, got it.”
Logan’s expression pinched slightly as Janus wrapped an arm under his shoulders and wings, with the other looping around his knees, but he didn’t wake from the jostling. Probably for the best, seeing as Janus wasn’t the most reassuring face for him to see at the moment.
Janus braced as he moved to stand, only to find that Logan was startlingly light for his size. Hollow bones, possibly? He breathed a quiet sigh of relief as he hefted the kid fully into his arms, the task ahead feeling slightly less daunting.
There was a foreboding weakness in his arms, the result of too many skipped meals, but tucking Logan closer to his chest took some of the strain off, and Janus forced his mind away from it. No use in dwelling when there was nothing to be done.
“We’ve got to go. The town was south, so our heading should be any direction other than that. I’d advise sticking close to— no, wait, running water. I’d advise we head away from the river as well, so we don’t get pinned. Other than that, stealth is our best advantage.” He turned to face the three kids that were still on their feet. “Does anyone know how to cover tracks?”
A moment of silence, and then Ro hesitantly held up a flickering hand. “I could start a fire?”
Janus considered it, despite Patton’s unhappy expression at the idea. “Too risky. A single wrong turn, and we’d be in just as much danger.”
That, and he doubted Ro had the control necessary to keep the fire spreading into something catastrophic. The less people they had out for their blood, the better.
“It’s alright,” he said instead. “As long as we move fast and keep moving, it won’t matter if they can find our trail. I imagine Logan will be able to cast something to disguise it once he’s recovered.”
There were the right words. A little of their unease faded, and Janus turned and started off.
“Hey, wait!” Ro called, and Remus appeared at his side between one blink and the next. “Where are we going?”
“Away,” Janus emphasized, and then nodded at the forest ahead. “I can barely see past Logan, let alone pull out or read a map. I’ve given you all my advice, you’re the ones who should lead.”
He tried not to think about what the spores along his temples might do if the Guard caught them, if it seemed for even a moment that he’d betrayed them. No use dwelling, no use dwelling.
Remus was still watching him like a puzzle that needed to be figured out, but Ro had brightened at being put in charge of a task, and Janus followed in his heated-air wake, trying to keep his focus on the here and now.
Logan shifted slightly in his arms, turning his face against Janus’s torso as though attempting to hide from the sunlight. He made a small, raspy chirping sound before settling again, feathery ears at a less harsh angle than before.
He’d outmaneuvered the Guard before, and that was with only his life on the line. With his current burden, there was no other acceptable option than to repeat the feat.
No matter the cost.
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