Steve parks at Eddie's, a plastic wrapped bouquet of roses so purple they're almost black carefully buckled into the passenger seat, and a nervous twist to his stomach. He didn't plan to do this. It's just, he was agonizing about his crush to Robin and she goaded him until it seemed like a great fucking idea to ask Eddie out on Valentine's Day, of all days.
The flowers were an accident. He saw them in the front window of the little flower shop in town, and it felt like fate, like they were practically made for Eddie Munson.
With a deep breath and a gritted teeth, he swings out of the car, flowers in hand. He's doing this, he's got this, he can ask Eddie out.
Music rocks from the trailer, drowning out Steve's knock. They didn't exactly have plans tonight, only they hangout every night since Vecna, so he figured...well, Eddie never said they weren't getting together.
He's a little miffed when his knock isn't answered. Even when the music is up, the walls of the trailer vibrating, Eddie always comes to the door. But the minutes tick by with no response until the annoyance turns to anxiety.
He stretches over, up on tiptoe, craning through the window to see if he can spot Eddie, probably distracted by planning for dnd or working on a song.
The kitchen is deserted, pots steaming on the stove. The two-seater table is covered in one of those paper tablecloths they have at Melvald's for a buck, patterned with bright red hearts. The table is set, two plates, two beers, a candle burning in the center of it all.
God, he's stupid. So stupid, with his nearly black flowers and his silly crush. Of course Eddie already had someone to spend Valentine's Day with.
He stumbles down the stairs, stomach fighting up his throat. The loud music makes so much sense now. He has to leave. He can't stand the thought of Eddie finding him here, letting him down easy; can stand even less seeing him with the date he has over.
Steve almost makes it back to the car before he hears the screen door slam, Eddie's voice calling his name. For a second, he considers ignoring him; for a second, he thinks about jumping in the car and driving off and forgetting this ever happened. But he could never do that to Eddie, not even when the consequence is his own heart.
"Oh, uh. Hey, man," Steve says. He runs his fingers through his hair, swallows. "Didn't mean to interrupt, thought we had plans but I guess they weren't set in stone." He's rambling and he knows it, but can't stop. "I didn't realize you--I'll get out of your hair."
Eddie's eyes flicker from Steve to the flowers clutched in his fist, the wrapping now sweaty and rumpled. "Are those for me?" Eddie asks.
Steve's mouth open and closes a few times, thrown off the track of his monologue and trying to think of a plausible lie. "I--they're--it's--"
There's nothing for it. He has to tell the truth and eat the humiliation. "I saw them today and--They're perfect for you. So, I wanted--" he shakes his head, shoves the bouquet into Eddie's arms. "Happy Valentine's Day. I'll let you get back to your date."
Eddie's face scrunches and it would be cute except for all the way Steve's heart is breaking. "Aren't you my date?"
"What?"
"Steve. We hang out every night. I thought--"
"But. For me--" He splutters. "The table?"
"Harrington, it's Valentine's Day! You bought me flowers!"
"Yeah, cause I was going to ask you out!"
This is what breaks Eddie, and he bursts out into helpless giggles.
"Don't laugh at me, Munson." But he's starting to laugh too.
"I'm sorry! I just--you," and Eddie isn't laughing anymore, he's looking at Steve with clear, shining eyes. "You brought me flowers."
Steve sobers too, hands over the bouquet. "I brought you flowers. You made me dinner."
"Yeah." He glances up at Steve from under his eyelashes. "I made you dinner."
"Sorry for--" He gestures broadly around himself.
Eddie shakes his head, soft smile on his lips. "You're something else, Stevie." The words are so fond they make Steve's heart flip. "Now, come inside before the food gets cold."
Steve walks to do the door, pausing before he climbs the stairs.
"What is it?" Eddie's eyebrows lift.
"Nothing. Just--" Steve licks his lips, notices the way Eddie tracks the movement. "I'm really falling for you, is all."
"No duh," Eddie says with a broad, smitten grin. "You bought me flowers."
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“Floyd, could you sing to me?”
The big brother looked up from where he was tucking the blanket under Branch’s feet. “Sure thing,” he said with a light smile. “What would you like to hear? A lullaby?”
“I don’t know,” Branch mumbled as he nestled his head into the pillow. “You choose.”
Floyd could still see a crease of worry between his baby brother’s brows. He softly brushed a thumb over it in a silent reassurance that everything was going to be okay before he turned around to reach for their dad’s old guitar.
I think Floyd would often sing to Branch to get him to fall asleep, usually the songs and lullabies their parents sang when the older four were still little.
I know in the movie it seemed like they all left right after their fight, but I like to imagine that they just stormed off to cool off and that they actually left in the following days. And that this was the last song Floyd sang for Branch that night. :')
Both Sides Now (specifically this cover by Voncken)
Rows and flows of angel hair
And ice cream castles in the air
And feather canyons everywhere
I've looked at clouds that way
But now they only block the sun
They snow and rain on everyone
So many things I would've done
But clouds got in the way
I've looked at clouds from both sides now
From up and down, and still somehow
It's clouds’ illusions, I recall
I really don't know clouds at all
Moons and Junes and Ferris wheels
The dizzy dancin' way you feel
When every fairy tale comes real
I've looked at love that way
But now it's just another show
You leave 'em laughin' as you go
And if you care, don't let them know
Don't give yourself away
I've looked at love from both sides now
From give and take, and still somehow
It's love's illusions, I recall
I really don't know love at all
Tears and fears and feeling proud
To say "I love you" right out loud
Dreams and schemes and circus crowds
I've looked at life that way
But now my friends, they’re acting strange
They shake their heads, and say I've changed
Well, something's lost, but something's gained
In living life each day
I've looked at life from both sides now
From up and down
And give and take
And win and lose, and still somehow
It's life's illusions, I recall
I really don't know life...
I really don't know life at all
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you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.
you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.
he says i don't like small talk. and then he smiles again, watching you.
a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.
he doesn't like small talk, figure out something to say.
you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.
people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.
wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.
also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.
he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."
you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.
"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."
he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.
you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.
is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?
you look down to your hand, clutching the knife.
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