bruuhhhh I just found out through a random video that in the ROTG/Guardians of Childhood Universe: A MONKEY KING EXISTS!
i WAs just getting back into that when I stumbled on and it boosted my love for Monkey King 😭😭😭
I NEED TO DRAW THIS LITTLE UNDERRATED MONKEY NOW.
Monkey King works for Pitch Black gtfo- 💀
I read more on the wiki and somehow the tooth fairy defeated Monkey King- I don't believe this lmfao.
@maiawhimsicalt @real-sun-wukong-fan01
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hey you guys what about reigen going outside in the winter to grab him and serizawa lunch at work but serizawa stops him to put his gloves on him and reigen is being all “your not my mom it’s fine gloves are annoying” and serizawas like “reigen i know how your hands get cold easily in the winter you’ll be annoyed by how stiff they are when you’re back”
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DC X DP PROMPT #8
Danny is a Justice League member as Phantom. They know about ghosts and stuff, as Danny has taught them things.
Danny, Dani, and Dan are all relatively grown. In their human forms (Dan inhabits a clone body) they all look VERY similar. The Ghost forms of the D's don't exactly look the same, per se, but they do look very similar and it's not because they are all technically clones (though that helps)
There are more than a few days where Danny doesn't want to do JL stuff, and he figures, the JL know about his operations outside the JL, they should know about his siblings, right? Right? Wrong.
Dan, Danny, and Dani constantly swap out for JL activities and no one has noticed. They all think either A. Danny is gender fluid, B. Danny has mood swing and or multiple personalities, or C. Nothing is wrong, what are you guys talking about everyone has their off days!
The Dannies find out and OBVIOUSLY have to make a game out of it because I mean - how does the JUSTICE LEAGUE of all people not notice the difference between THREE DIFFERENT PEOPLE
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There's alot of terfs posing as transmascs in the transmasc tags rn, so i just wanna make it clear to those who follow me:
- Yes transmascs have transmasc specific issues
- No that does not mean we are inherently more oppressed than transfems
- Yes we deserve to have a term for it for ease of discussion
- No it does not oppress anyone to have such a term
- Yes, alot of people have flawed views on transmasc issues
- No, this is not the fault of transfems
Now more than ever we need to uplift ourselves and our fellow siblings with "out-of-the-norm" gender identities.
Please Please Please be wary of posts making generalizations like "Transfems dont want us to have-" "Transmascs are just taking away from-" Thats just bait trying to pit us against eachother, please block people like this.
Minors/Younger Trans people especially, please know, our enemy and oppressors are not eachother! Think long and hard about who exactly benefits when we spend our time hurting eachother instead of lifting eachother up and fighting as a united group.
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hold- wait a fucking minute...
Beelzebub is acting really freaking weird in this scene.
Ok so I encourage you to rewatch it cause I can't really properly illustrate it in gifs, but they don't sound irritated, or even particularly intimidating. We know Beezlebub to be a very dry person, even in moments they want something and need to manipulate/ convince someone for it. So this abnormally animated and even somewhat friendly demeanor doesn't strike me as part of buttering Crowley up to get him to help them.
This is a weird line. We know Beelzebub isn't like Shax, they've been around a bit more and have a better grasp on things like tone and figurative language. There's almost no way they're unaware that saying this would immediately clue Crowley in to the fact that Heaven and Hell do in fact have communication, so they must want him to know. For whatever reason, it's important to them that Crowley knows they're a reputable source.
And then I remembered where I've heard that tone before.
It's nearly the exact same one Crowley uses to tell Aziraphale that he needs to protect them. It's the kind of tone you use when you need someone to read between the lines and understand more than you can safely tell them. Beelzebub is fully ready to believe Shax when they say Gabriel's in the bookshop, and acknowledge later that Aziraphale was a very fitting and likely candidate to harbor him. They know full well Crowley doesn't want jack shit to do with Hell, and would probably be offended if anything by anyone referring to his "nasty little heart". That is merely a performance to mask what they're really trying to tell him, which is that Aziraphale is in danger.
Without this detail Crowley very well could've turned Gabriel in to Heaven instead of Hell, he certainly doesn't see much difference between the two. Beelzebub is the reason he decisively doesn't, and races home in a panic.
And I think it's genuinely so sweet, this moment of understanding and comradery between them that goes unnoticed, even to Crowley. They drop the shtick and make sure that he knows the book of life is a real threat, and you only need to be merely involved in hiding him to be erased from it. Because to them, there's also the very real possibility that Crowley knows about Gabriel while Aziraphale doesn't, so they're double checking Crowley will not to tell him and instead go straight to them. There’s just something so protective in it.
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the biggest problem with tos’ episodic format is that the episode usually ends pretty quickly after the conflict resolves and then they never really talk about it again - no matter how intense or harrowing it was
which means that we don’t get to actually *see* the interpersonal fallout of bones being diagnosed with and cured from a previously-incurable terminal illness (that he didn’t even want to tell jim and spock he had), and then just four episodes later drugging them so that he can go be tortured (and likely die) instead of spock, and so jim doesn’t have to make the choice between them.
did they talk about it? beyond just a standard debrief and a “never fucking do that again bones i swear to god i mean it this time”? did they make it the captains’ quarters for the debrief, only for mccoy to be pulled into a crushing, trembling hug as soon as the door shut while jim tried to assure himself that bones was still here, was still breathing? spock hovering nearby - a hand gently coming to rest on his shoulder?
why didn’t mccoy want to tell them about the xenopolycythemia, anyways? to try and hold onto a few more normal-ish months before every time they looked at him their eyes would be filled with grief - mourning a man they hadn’t yet lost? the same reason he ran away; to spare them what he went through with his father?
only for him to immediately turn around and throw himself back to the wolves to (almost) die right in front of them anyways
i don’t really know how they handled it. whether they talked about it and attempted to soothe the hurt, or just resolutely tried to bottle it up.
but i do know this: spock eventually came back from gol because jim simply (though accidentally) called out for him in a moment of need. bones only came back because jim personally drafted him back into starfleet
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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