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leviathiane · 4 years

Note

SHOW US YOUR WROR RAW UNPROCESSED WHOLE GRAIN ORGANIC NOTES

this is going to be a long-ass post i am so sorry to Everyone! i take a lot of notes.

So, as You specifically know (as well as all of my lovely Soggers) I take a LOT of notes. Obsessively. I write fucking everything bc i have very little memory and very much paranoia. This results in literal Piles of notes. Raw planning, on paper, on my phone– doodles of scenes im brainstorming, bulletpoints, entire SCRIPTS– it’s all there but scattered (I’ve got scenes planned in the margins of my goddamn anthropology notes and deciphering it was a NIGHTMARE)

I won’t even upload all the photos of my writing notebook, because itd be like 50 pages of illegible nonesense. but heres a couple of planning phase pages. (may be hard to read, I dropped this notebook both into some tidepools, into a creek on campus, and accidentally leaked my waterbottle onto it in my backpack :/)

if you can’t tell already, yes they all look exactly like this. Some are even more illegible, because I wrote them with the notebook half under my actual class notes. Because i wrote most of them in class. During lectures. And pretending very badly that i was not doing exactly that. (pay attention in class please i got away with this bc i was filling up elective units)

I’m also flat out MISSING a large portion of my notes bc some of it? isnt even in the damn notebook. its on a sheet of binder paper, or on the empty back of an assignment. I’ve now lost most of those notes, but the ones i do still have are just as (even more, actually) indecipherable chicken scratch:

Wow, how clean and tidy and easy to follow! i am in hell.

and this doesnt mention the PAGES and PAGES of outlines that are on my laptop, and the pages of outlined scenes that are on the notes app of my phone. if i put them all, you would have entire chapter spoilers up to the very end of the story so i cant post a lot of them– and also theres just a goddamn lot of them. currently i have 16 pages of outlining. There are no spacing breaks. It is a solid 16 page block of text. Looking at it gives me a migraine.

some assorted notes which i have dredged up from the deleted parts of the main draft google doc go all the way back to when i started Wror in June and they are Barely more readable than my handwriting on sheer account of: articulation is not my strength. These include:

“Ch 8 plan: sabo gets trained specially, awakens his armament haki, beats ace in a bunch of spars and proves himself to be anything but vulnerable. The boys are like “we fucking recognize that technique ryu taught you before us!!” and goad ryu into finally starting them both on basic haki training, just to awaken it, since sabo already has. Also this is the chapter that ace finally confronts ryu for his devil fruit after ryu confirms that some devil fruit users can’t be hurt without haki and ace immediately catches onto that and tries to slam his pipe through ryus head. It doesn’t work, ryu catches the weapon with a haki covered hand, to avoid turning to flame with hit and ace just gets frustrated and accuses ryu of hiding his devil fruit, because he remembers what he saw in grey terminal and that now that he has seen haki he can distinguish it from what he saw and he’s sure no one could do what ryu did. He calls ryu a hypocrite for coddling them even after telling them to stop coddling sabo and ryu has to sit them down and explain that yes he does have powers and he has been hdiing it and explains his reasoning. However instead of understanding th eboys just get fired up and say they don’t wnt to be scared of fire, especially not when it means ryu isn’t taking them seriously in a spar. Ryu finally agrees to start them on desensitization training for fire trauma. Fire desensitization training happens on the beach, so that they have water nearby in case things get out of hand. At some point ace gives ryu a considering look and is just like “if you have a devil fruit that means you can’t swim either right?” and ryu is basically just like “lmao yeah” and then ace immediately attempts to drown him. Lots of murder attempts in ace’s department toget his older brother to be less of an idiot with little success lol(extra: ace tried to attack ryu earlier both to confirm that ryu has a devil fruit that would force him to use haki to hide it, and because he now knows that he CAN’T hurt ryu without haki and as thus can’t beat him and make him admit he’s awake without being good at haki.)” [chapter 8]

“Small sabo lost his hat and goggles in the incident and while he doesn’t remember having them future sabo notices he looks uncomfortable and keeps touching his hair and head. Ace yells at him for it thinking he bandaging are bothering him and that he can’t touch them but little sabo just comments that something about it feels wrong. Luffy blurts our that he had a hat, like luffy does, But he doesn’t now ace begrudgingly mentions that they can’t get a new one in town. Future sabo doesn’t even hesitate and just plops his own hat onto his younger selves head. It clearly too big for him, and almost falls over his eyes but he grins up at future sabo and is like “wow!! Thank you! I’ll take care of it till I have one of my own” and creates a paradox like Luffys own hat. The footsteps younger sabo has yet to fill. This HAS to happen AFTER the talk where they explain that future and past sabo are both the same person, to give little sabo that pressure.” [chapter 9]

“(Right after this older sabo takes them down to the ocean so that they can play a little and desensitize themselves and immediately fucks himself over when he goes weak in the water bc he somehow fucking forgot his own devil fruit again and now even younger sabo is on his case about not letting him near the fucking ocean that little goddamn HYPOCRITE—) )” [for chapter 9]

“Ch 9 plan: they finally leave dawn island. Starts with the boys getting a haircut after training and luffy mentions how long it’s been since they’ve last needed a haircut, giving sabo and ace time to point out that it’s been 2 months now since ryu joined them, and that sabo was completely healed by now. The boys are now aware of the basics of haki, and while luffy hasnt awakened either yet ace and sabo both have a little bit of weak armament haki. (sabo won’t awaken observational haki until he gets his memories back) ryu tries to sneak off into the city to steal a boat but his brothers refuse to leave him behind and keep sneaking out after him, not wanting him to go alone and saying that since he’s been training them they’re clearly stronger and he needs to let them do this. Ryu eventually just lets it go because why the fuck not it’s a dream and they make him feel better. They get the boat out on open ocean and finally fucking sail out, cheering loudly, ryu struggling to make them all calm down but also not really trying. He’s happy as shit, and they’re all so excited and happy and sabo dips a hand into the waves and then smiles so fucking wide and tackles ryu so violently they both nearly tip into the water and it’s just very very good. “ [also for ch 9]

** I flat out dont Have any outlining from before chapter 6, because i only started actually outling chapters after that. i tend to just sit down and Write up until i hit a plot point or writers block and then am forced to actually think it through and plan rather than letting it come naturally. thats also why the quality and editing is better in later chapters despite everything being written within the same time frame.

besides entire chapter outlines, there are the scene specific phone notes like:

“(ADDED) Right after they leave dawn, when sabo is sure they’ve gotten enough of a head start, he calls Garp. He doesn’t say who he is, but that all of the boys are safe and happy with him and has them all talk into the phone to assure him that they’re fine. Garp is honestly just pissed off he doesn’t know who’s calling and when he asks sabo just laughs and says a disobedient brat before hanging up. “

“(ADDED) TO EXPAND ON CH 3: sabo gets offered the chance to go with dragon, and he hesitates on the offer to go through with his previous life with the family he’s made in the revolutionary again. He almost agrees, because the bought of losing them in this lifetime is near excruciating but reminds himself swiftly that it’s no place for his brothers and not what they’d really want, and he wants selfishly to be with them as long as he Can until he “inevitably” wakes up. The boys are visibly relieved by this, especially ace. (Sabo gets asked who he is by dragon, who wants to know more about the stranger with his son, but dragon has always been quicker to make connections no one guessed and he just smiled knowingly at sabo and tells him he’s sure the other will have no trouble finding them if he’s in need. Sabo in turn warns him to keep Kuma close, and to look for a slave girl named koala.)”

I have…. many of these. I have Many of Everything.

finally, i have scene doodles. if i hit a bad writers block it usually helps me to sketch scenes or the character designs to regain my grip on what the hell is happening in the plot– Breach of Intention has character design sketches, pakcbond has MANY scene sketches, even some of my nsfw has some sketches. my wror skecthes arent Good of course, I am an art teacher for children and that means i am more often explaining the color wheel and brush techniques over drawing perfect human replicas– and i just dont really make a lot of fanart? ive never drawn sabo before but i sure have a bunch now. i wont include close ups because they genuinely suck but heres an example pic

So… yeah thats about everything. this is a VERY long post and yet i only included like maybe ¼ or 1/5 of all the notes i have dbskhjgfkjadns lmk if anyone wants more (or notes for my Other stories, which contain NO WHERE the same absurd amount of shit that wror does.)

#depths' ask #response #idk what to even tag this honestly?? this post is such a mess abhdsjfgdkjn #thanks mido love u dear 💕🎉 im gonna want some damn notes on second chances heads up #wror #wror stockpile #touchmycoat #i started this response at goddamn 3:52am and its now 4:40am #it took me. almost an HOUR #oh my god

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edelwary · 6 years

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when you were first getting into art, what and how did you draw? (like did you just doodle ur masterpieces on pieces of paper and posted-notes or did you have a proper sketchbook) how did you find motivation? bc ive been trying to draw but I always get unmotivated and stop while still wanting to get better just by doing nothing.

REALLY LONG, LOTS OF ADVICES FOR ARTISTS :

TL;DR ; skip to the HOW TO ACTUALLY FUCKING DRAW part bc i have a megaton of shit to say lol + The MOTIVATION part

mmh… I’ll get into details with this one tbh bc it’s a long ass process ahah :

I live by the sea ; when i was youung i used to draw TONS of boat, but like, dollhouse boats, you could see the insides and stuff ; i loved to add tiny details and stuff, and imbricate everything together !

around 8 or 9 yo, i went to the public library with school and discovered the wonderful world of mangas ! I basically… Copy pasted an entire Mermaid Melody tome x)

For about 2 years i alternated between reading mangas and trying to copy them ! Then i just kept drawing in the margins of my schoolwork for about… 5 years ! I have a Fuck Ton of sketchbooks of that time, it was… The start. Lol. Never say it’s bad because it’s never bad, just not there yet !!

Around my 13 yo, i went every saturday, for two years, under a bookstore ; there was a cave, and drawing classes ; that teacher was mean and harsh and stuff, but like… Not really. He would take away my eraser for the class, force me to use pencil, to draw something else (bulky boys instead of magical girls).

I’ve learned a lot, more in terms of How To LEARN to draw than to draw itself, but i still progressed a LOT !!

Then i kept drawing by myself for a year and i really worked hard on it ; about hours a day, trying watercolors and stuff ; i have a real problem with colors in traditionnal art, but i’m much better with lines (i should scan some RAD stuff i made in the weekend, yall ive never done anything this good i stg i dont know why i always forget im so much better on paper)

This gets us to my sweet 16 ; i have to year of advance, bc i got ‘’’promoted’’’ idk how to say it ; anyways, i entered my (current) animation school for the first year at 16; vERY IMPRESSIVE AND TERRIFYING.

And i learned. A fuckmegaton. Of shit there.

Now i’m going for my third year there and i can make photorealistic marmora blades and cyberkpunk decors if i want to and that’s rad, but here is

HOW TO ACTUALLY FUCKING DRAW :

I have one HYPER important advice, and i’m keeping it to heart since i’m like, 11 : Have. Sketchbooks. Please !!! It’s very important. Here’s why :

You keep everything with you in one place. You have 1 sketchbook, it’s basically easy to take every where (a A5, or A4 are pretty easy to carry, i have like, 12 of those, and around 8 of A3)

You keep track of what you’ve done. It’s super important, bc first you can cry of laughter at your old stuff bc its cute but not so good, and second, you can just be like ‘holy mama’ and see how much you’ve improved

It’s very important to be organized. I WORK in art, and trust me, if there’s something that i’ve learned this year through tears and missing files and bugs : Be. Impeccable. Now if it’s for fun, go a little loose, and just have a folder for art on your computer, and a sketchbook, no need to stress, but the better you try to keep a record of where is what, the better you’ll see whats wrong

Notebooks are friends !! You can draw, write, glue stuff, make notes, lists, everything !!! I have my life in those. It’s more important to me than any of my phones.

Be proud of it. Like, not everything, duh ! But try to tell yourself than it’s like a RPG ; even if it’s only 2 xp here and there, one day you’ll beat level 40, and that’s super important : art is. Fuckin. Long.

I cant stress it enough. It’s soooo long !!! SO LONG !! it’s years. It’s like karate and fishing and ANYTHING. To be good at it, it takes time, but it WILL COME if you keep trying. There’s no secret passage.

You’re gonna me it, believe in me who believes in you.

Use. References.

Coming from a little shit who’s got a really good visual memory, that can sound like bs, but i stg everything is always AT LEAST twice as good if you’ve used a visual support.

I’m not saying COPY EVRYTHING (even though thats a good training) I’m saying, if you really want to do that asian tiger, please have at least two or three pictures of it nearby. Take photos of your hands, and stuff !

Make it harder.

No eraser.

Paint.

I draw all my backgrounds on my sketchbook with INDIAN INK; no returns, no refunds.

Ink, Ink, INK !! Don’t allow mistakes.

And if you make mistakes :

New page, restart

It’s okay

It’s for you

I once started back again a whole EXAM bc it was bad, i got one of my best grades

You’ll improve and be more assured if you know you just have to DO IT. Trust me. It’s VISIBLE; if you can erase, you fidget and hesitate and ‘’kbeujebez hahhaaa idkkidsd’’ ; stop ; do it, and if you don’t like it ? Try again, there’s no time limit

Draw as large as you can

There’s no interesting story here, it just helps. Bigger movement of the hand, more place for details, breathing lines

Thin lineart helps

Thinner. Make it even thinner

Break the rules, but not the ones that structure your art

Big lineart ? Why not

Unfinished lines, vaporeous colors ? Pretty

Cubism is actually based on extensive and intense practice of classical art, it’s not wibbly wooblly ; the anatomy is more correct than you think

Structure and composition are important, but so is movement and life ; choose your fighter ; mine is fluidity and fun, i’m like, a rogue/archer in drawing. Some people are dwarf fighter. That’s amazing and great.

Don’t be afraid to do nothing

Pages and pages of my sketchbooks are actually just lance facing right and smiling, you know…

Sometimes it just doesnt work : two ways :

Take a break, Kiki’s delivery service style

Keep trying, break your art until it obeys and comes back

Take breaks. Breath.

Don’t compare. I do it, it doesn’t help at all. You’ll make it ; and if you compare, keep in mind that everyone’s different

I’m not gonna lie, it’s NOT easy, it’s even hard

But I really, really think it’s worth it

MOTIVATION :

My main bitch

I’m always pumped for art because i can LITTERALLY NOT do anything else ; i love reading and writing and stuff but at the end of the day i just want !!! to draw !!!! aaaaaa-

Fall in love with it, and with the possibilities ; i have stories to tell, tell me yours ! Do your best, one day it WILL work

Actual advices :

I have an inspiration blog where i just reblogs stuff i like to draw them later

Find a picture, copy it. Do it again. Change the characters (i have 2 ocs and Lance and Keith as default characters) in the pic.

Like an artstyle ? Break it to its very core, analyse it, copy it, redo it, trace it and ABSORB it. Don’t copy/past, LEARN from your heroes.

Do what you like. I have 86578 pieces of voltron, this is not a coincidence. I have ENDLESS ideas for this show, wtf.

Try new things. Buy indian ink im begging you. It’s so cool.

Have a game with yourself, or a challenge. STICK TO IT.

Study. When you’re bored, usually it’s because you’re stagnating. Make it harder or do hands until you cry.

Love your backgrounds; make backgrounds, study trees, and tokyo streets, and venice’s bridges. Decor is just as cool as characters, if not more

Mess a little with everything. My roomate more than one found me stained from head to toes trying to DO STUFF

Draw outfits. Draw what you want but can’t afford

MAKE YOUR LIFE A COMIC. Remember those sketchbooks ? Make a comic a week/month/every full moon, whatever, and draw your life (mine’s the roomates au lol)

Prompts blogs are cool too

Make fanart of a fic you liked ; you have the characters and the pose already, you just have to illustrate ; double bonus, you probably will make a writer’s day, if not year !

That little movie that plays when you listen to your favorite song ? DRAW IT

Your favorite scene in your favorite movie ? Redraw each shot. On post it. Plus it looks awesome afterwards to have the infamous TREX scene of Jurassic Parks in post it

Get bored. That’s inevitable. Dance, scream, get back to it. Walk, draw everything you see.

Make a paper google map street view : Take a walk : every 50 meters, draw what is in front of you.

Snapchats your friends. Draw their snapchats when they answer

Draw maps. Invent places. Invent bikes, and hovercrafts, and monsters. Make your everyday inventory. Make your life a video game, and do the concept arts of it.

FETCH your inspiration. I have approx. 20 artbooks, full of drawings and concept arts of my fave movies/games ; take what you like and add it to the story you have since you’re 8. We all have one.

Ask for it ; your sis, your mom, me even ! If you dont have ideas, someone will have them.

WELL i’m gonna stop there, even though i got like, 9864567 more to say, but with this you should be fine ! Anon, i’m rooting for you ! we all start somewhere, just hold on!!!!

#Anon you'll do it !!!!!!!!!!#asked #artist advice #art #i put my heart in this omg #it's 1.5 K WORDS #wtf #but yeah #you just gotta do shit and mess around

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justanothercinemaniac · 7 years

Text

Epic Movie (Re)Watch #183 - The Fault in Our Stars

Spoilers Below

Have I seen it before: Yes

Did I like it then: Yes.

Do I remember it: Yes.

Did I see it in theaters: Yes.

Was it a movie I saw since August 22nd, 2009: Yes. #297

Format: Blu-ray

1) This film has a strikingly strong voice throughout.

Hazel: “I believe we have a choice in this world about how we tell sad stories.”

John Green’s original novel similarly has an incredible voice throughout, as it is narrated by Hazel who is always consistent and clear about who she is as a character. This film works with that character/narrative style well, allowing Hazel to be as strong as she is in the book throughout different narrative devices.

2) Shailene Woodley as Hazel Grace.

Hazel is the voice of this film, much as she is in the novel (in that case a little more literally). To start, Hazel is exceptionally honest. She is not stepping on egg shells but she’s also not being a jackass. Woodley is able to play Hazel’s jaded personality in an empathetic and relatable way. Throughout the film Woodley is nothing short of excellent with the ability to be funny, heartbreaking, vulnerable, angry, loving, and whatever else the story/character needs her to be. It is a phenomenal performance from a great actress and I think one of her best. This film needed a strong Hazel and I don’t think they could’ve cast a better one.

3) Remember how I said this film is strikingly honest?

Hazel: “The only thing worse than biting it from cancer is having a kid bite it from cancer.”

4) Angel Elgort as Augustus Waters.

Elgort is able to take a character who could’ve easily been kind of a creepy guy (a guy who works really hard to get with a girl who says no) and makes him wonderfully charming. Augustus could also easily have been a one dimensional pretentious boy toy. But author Green was able to make him more than that in the novel and Elgort is able to do the same in his performance. He infuses Augustus with a crazy amount honesty and heart, while also being able to play his fear and flaws (namely that of oblivion) in a way which makes him human.

5) A key aspect to this film is not only making sure Hazel and Augustus are strong on their own, but also that they have strong chemistry with each other. The key thing is that you are able to see why they’re friends first. There’s this immediate trust, shared sense of interest, shared sense of humor, and an immediate investment they have in each other. Also Woodley and Elgort are just GOOD together, because of whatever the x factor is that results in sexual chemistry.

6) Augustus’ whole thing with the cigarettes is REALLY extra. I kinda dig it.

Augustus [about why he uses cigarettes but doesn’t lit them]: “It's a metaphor, see: You put the killing thing right between your teeth, but you don't give it the power to do its killing. A metaphor.”

7) I’m probably going to talk a few times about how wonderfully honest this film is. There is no tiptoeing around cancer, it’s not glorified or romanticized or traumatized (it’s already pretty freaking traumatic). It just is what it is and these kids know what it is.

Hazel [about Augustus getting his driver’s license even though he sucks]: “Cancer perk.”

Augustus: “Total cancer perk.”

8) This is SUCH an important distinction.

Augustus [after he asks Hazel her story and he gets her cancer story]: “No, not your cancer story. Your real story.”

Knowing from first hand experience how easy it is to let cancer define your life, I think it’s important to make sure cancer does NOT define you. That when someone asks you about your story, your mind doesn’t immediately go to cancer. I love that the filmmakers and author John Green included this moment.

9) Laura Dern is remarkably strong as Hazel’s Mom. She is able to be positive, honest, but still plays the conflict of being a parent to a kid with cancer in every scene. It’s a great performance from the veteran actress and I think her relationship with Woodley comes through wonderfully. There’s an honest mother and daughter relationship there. They clearly love each other and are able to joke around with each other, even if they’re not being fully honest (which is how most parent/child relationships are). But when they are honest with each other, it’s a wonderful honesty.

10) Nat Wolff as Isaac.

Wolff (who rose to fame early on with “The Naked Brothers Band”) does a fine job in the supporting role. He fits nicely with Elgort and Woodley, feeling like an honest friend as opposed to a third wheel. His sadness and heartache comes through well, he’s able to be surprisingly funny at times, and it’s just a nice addition to the film.

11) Okay, so when I saw this in theaters I just KNEW who had read the book. And you wanted to know how I knew? Because they started crying when Augustus and Isaac were playing video games. That’s it. NOTHING SAD HAD HAPPENED YET! But still from the back of the theater all I could hear was:

12) I geek out whenever they show the “Buffy” scene in this movie. Because it’s a Fox film, so they use things Fox owns like “Buffy” and Aliens instead of like V for Vendetta from the book (although a poster for the film does appear in Augustus’ bedroom). And there’s a parallel: the scene they’re watching in “Buffy” is one of great intimacy for eventual earth shattering heartache.

(GIF source unknown [if this is your GIF please let me know].)

13) This is sweet.

Augustus [after saying okay with Hazel a few times]: “Perhaps, ‘okay,’ will be our, ‘always.’”

Hazel: “Okay.”

(GIF originally posted by @oliversqueen)

14) This film plays remarkably well with visuals. There’s a lot of texting and email correspondence between characters which end up being important to the plot. This could’ve been boring but they use a nice doodle visual AND phantom images to keep our interest. It’s a nice touch.

(GIF source unknown [if this is your GIF please let me know].)

15) Oh Gus, look at you being all poetic. Subtle.

Augustus [at a piece of public art of a giant skeleton]: “They’re using a skeleton as a playground. Think about it.”

16)

Hazel [after a great day with Augustus]: “And then this happened.”

[Hazel wakes up in the middle of the night because she can’t breathe.]

Can I just say, from personal experience, cancer sucks. It fucking sucks. It seems like someone is doing well, that they’ve reclaimed some semblance of normalcy. Then cancer shows up to beat you down again. Fuck cancer. Cancer can go fucking die in a pit.

17) Well, this is heartbreaking.

Hazel’s Mom [in a flashback to when Hazel was 13 and dying]: “I’m not going to be a mom anymore.”

This is very key to Hazel’s primary conflict in the film, but more on that later.

18) A film is a story told in cuts.

Augustus: “Well, I demand to see this swing set of tears.”

[Immediately cut to Augustus and Hazel sitting on said swing set.]

19) This is very true of the attitude I have known some cancer patients to have.

Hazel [trying to push Gus away]: “Gus, I’m a grenade. One day I’m going to explode and I’m going to obliterate everything in my wake. And, I don’t know, I feel like it’s my responsibility to minimize the casualties.”

20) Nice to know that Augustus is being honest with himself though.

Hazel [after her mom says she and Augustus are cute together]: “We’re just friends.”

Augustus: “Well, she is. I’m not.”

21) The date night between Augustus and Hazel on the town in Amsterdam is very cute and the connection they’re able to portray with almost no dialogue speaks greatly to the chemistry between Woodley and Elgort.

22) Augustus’ declaration of love is done VERY well.

Augustus [almost out of the blue]: “I am in love with you. You heard me. I am in love with me.”

This scene is very organic and honest. It feels like the most natural next step for not only the scene but their relationship as well. It doesn’t feel forced or awkward it makes sense. And I think both Elgort and Woodley play the scene wonderfully.

23) I kinda realized half way through this film is effortlessly feminist. We make a big deal sometimes out of honest female representation in the media but honestly it hardly comes to mind with this film because all the characters - male and female - are easily honest. You don’t even think about it, they just are three dimensional characters throughout. It’s surprisingly refreshing.

24) Willem Dafoe as Peter Van Houten.

I’m not one to say to never meet your heroes, but if you do make sure your expectations are considerably low. This way if they’re a raging asshole like this guy you won’t be too disappointed. Because that’s what Van Houten is. An asshole. A raging, pretentious, alcoholic douche bag who thinks he’s SO above everything. Literally no part of the meeting Hazel and Augustus have with him goes well, leading to a very expected and very cathartic blow up. Dafoe plays the asshole well, making him a character we love to hate and a nice aspect of the film.

25)

Van Houten: “How familiar are you with Swedish hip hop?”

If you want to avoid vulgar lyrics in your music, do NOT google the translation to the Bomfalleralla. It’s worse than you might think.

26) This is SO key to Hazel’s conflict.

Hazel [asking Van Houten about his characters’ lives after the book]: “But that doesn’t mean her family and her friends don’t have a future [after the narrator dies], right?”

As Hazel will observe later, this is her biggest fear. It seems she has made her death with peace and dying but she is so terrified of how she is going to hurt the people she loves. That is the most key internal conflict she has in the film and one which will be consistent until the end.

27) The Anne Frank House.

More than anything else, this serves as incredible show of strength for Hazel. She is fighting to live, and choosing life over death by deciding to be with Augustus even if it’s only for a limited amount of time. The setting of the Anne Frank House drives home the idea of life’s unfortunate impermanence. I’m sure the use of Anne’s narration underscoring the scene acts as some grand literary device but it is difficult for me to analyze it because I am so invested in Hazel’s struggle in the scene.

28) The love scene between Hazel and Augustus is incredible. And not because it’s sexy or because it’s hot or anything. It is because it is honest. There is this incredible comfort they have around each other. They’re comfortable with their scars, with their tubes, with their limitations. They don’t worry that it will turn the other person off. It is a vulnerability born out of complete and utter trust, a trust which is not abused but respected by both parties. It is incredibly tender and just very loving.

29) Did I mention cancer sucks?

Augustus: “I felt an ache in my hip.”

Okay, Hazel just fucking KNOWS what he is about to tell her. As soon as he says, “I felt an ache in my hip,” you can see it on her face. She knows where this is going because she is uncomfortably familiar with how cancer works. And it’s heartbreaking.

30) According to IMDb:

Soon after the film's release, the street bench on which Gus and Hazel had their embrace was stolen. A few months later, it was replaced by the city of Amsterdam.

People suck.

31) It’s nice to see that this film still has a sense of humor and life to it in the face of death.

Augustus [after Hazel says they should wait until after dark to egg someone’s house]: “It’s all dark to Isaac.”

Isaac [after a second]: “Dude, I’m not deaf. I’m just blind.”

32) One of Ansel Elgort’s standout scenes is his breakdown at the gas station. Hazel even observes that she wishes she could say he’d held his courage and sense of humor to the end, but that’s not how life works. This is very honest. This kid is freaking dying of cancer! Of course he’s going to breakdown! And Elgort plays that sadness totally honestly and in an utterly gut wrenching way. It’s his standout scene in the entire film.

33) I love that Hazel calls him out on this.

Augustus: “I mean I was supposed to be special.”

It doesn’t matter if everyone likes you as long as one person loves you. If you’re important to someone it doesn’t matter that you’re not important to everyone. Just because we’re all not famous or infamous or historic does not mean we are not special.

34) Hazel’s biggest fear is that her parents won’t have a life after she dies, because her death is a fact to her. But when her parents tell her that they’re being productive, that her mother is studying social work and that they will have a life after her death, she is just so freaking happy. This incredible weight has been lifted off her shoulders, she is not the grenade she thought she was. It makes me tear up, honestly.

35) Hazel’s eulogy.

This is the climax of the film. The moment the rest of the movie has been building up towards, the moment their relationship has been leading to. It defines that relationship. Woodley shines in her monologue and Elgort shines in his quiet reaction. It is heartwarming and heartbreaking all at once and just totally incredible. And this line emphasis the impact they have had on each other’s lives:

Hazel: “Some infinities are bigger than other infinities.”

36) There was this analytical post when the movie first came out that pointed out the shirt Hazel is wearing when she learns Augustus died is HIS tee shirt. I just can’t find any post about it because anytime you google, “Fault in Our Stars Tee Shirt,” you get a link to the song by Birdy that’s in the film. If you guys have this bookmarked anywhere I’d love to hear about it, but the fact that Hazel is wearing Augustus’ shirt when she learns he died is heartbreaking to me.

37) Hazel realized something quite important here.

Hazel [after making up a eulogy on the spot different than the one she read for Augustus]: “I didn’t believe a word. But that’s okay…Funerals, I decided, are not for the dead. They’re for the living.”

38) “Not About Angels” is still one of the saddest songs I’ve ever heard. It breaks my heart every time. I feel like breaking down and crying whenever I hear it. Here, share in my pain:

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39) Augustus’ final letter to Hazel is a perfect resolution the film. It speaks greatly to not only Augustus’ character but also the relationship he and Hazel had. It is a wonderful emotional resolution which I think just work beautifully.

Augustus [at the end of his letter]: “Okay Hazel Grace?”

The Fault in Our Stars is a moving and honest film supported by a great cast and a wonderful method of adaptation. The spirit of John Green’s source material is alive and well in the film, with performers like Shailene Woodly and Ansel Elgort breathing incredible life into these characters. The film can be funny and heartbreaking all at the same time, but it never falters in its honest approach to these characters. Absolutely wonderful, I suggest everyone see it.

#The Fault in Our Stars #Shailene Woodley #Ansel Elgort #John Green #Hazel Grace Lancaster #Laura Dern #Nat Wolff #Willem Dafoe #Birdy #Epic Movie (Re)Watch #Movie #Film #GIF

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