I, a hearing person who likes subtitles just as a preference, shouldn't have to read a subtitle that's obvious nonsense, go back a couple seconds, and listen again in order to figure out what's going on. An accessibility feature should not be the most half-assed part of a professionally made production. Scripted media has absolutely no excuse for not having subtitles or having subtitles that aren't perfectly verbatim. Professional captioning services should be ashamed of the shoddy work that they put out. Captions should be treated as a part of the production, just like filming, editing, audio balancing, etc - and anything that releases with missing or bad captions should be seen as unfinished
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Do any of you ever wonder if Camp Half-Blood accidentally brought in a demigod of a different pantheon before?
This would be especially hilarious if it happens sometime after The Last Olympian/Heroes of Olympus, where the gods are required to claim their kids quickly.
A whole day passes, and the new demigod needs to sleep in the Hermes Cabin and Percy is furious. Meanwhile, the Greek Gods are pointing at each other and shouting, contacting the most obscure of mini gods. Chaos erupts on Olympus as every deity in Greek Mythology is called upon and interrogated. Hermes hasn't run around so much in centuries.
Hecate sits in silence, fully aware of what's happening, but enjoying the show too much to intervene.
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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Dazai, in Fifteen, described the act of living as "we breathe, eat, fall in love and die". Through that statement and a few subsequent incidents, like telling Oda planning someone's death was romantic, flirting with nearly every girl he sees, and his fixation with finding someone to commit a lover's suicide with, we can conclude Dazai is a deeply romantic man. Therefore, the REAL tragedy of soukoku as a pairing is that Dazai is a very romantic individual and will not, cannot let those feelings out with Chuuya of all people, due to the mostly antagonistic nature of their relationship. In this essay, I will-
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Thinkin about a DCxDP where Danny’s helping ghosts find peace while he’s laying low in Gotham.
Like, he moved away from Amity for whatever reason. Maybe the reveal went badly, maybe he just couldn’t stand staying any longer. For whatever reason, he’s in Gotham, because the rent is cheap and he’s nowhere near the strangest thing there so no one looks at him twice.
However, this city is cursed. Like, cursed beyond cursed. It’s actively alive with how many curses there are, and the ghosts there are extremely unhappy about it.
(Of course, that’s not a problem for Danny. His ghost side filters out the toxic smog and the chemicals in the water, and his human side gives a resistance to the rank ecto and the hexes that are actively trying to devour him.)
He doesn’t really want to do anything about it, to be honest.
He’s sick of playing hero, considering how it went last time, and he’s busy working at Waffle House or Walmart or whatever other store doesn’t bother doing a background check (in Gotham, that’s probably all of them), and maybe trying to find a way to get highschool credits that don’t immediately disqualify him from every college in existence.
Still, the ghosts know he can hear them. They know, and they keep coming for help.
So, hey, why not? He definitely can’t put this as experience in any sort of job application, but he really doesn’t have much else to do.
So, he becomes errand boy for a bunch of ghosts.
Sometimes he’s finding objects that are important to them, sometimes he’s giving evidence they collected together of their murders to the police, sometimes he’s getting them the last meal they never had, sometimes he’s just spending time with them like they’re not dead.
The ghosts don’t always move on, but they’re always more at peace. Occasionally they pay him back in charms and blessings and the locations of valuables that he can keep or pawn for cash.
Eventually, a new ghost shows up.
She looks like a shadow, like all the ghosts of Gotham, but she seems stronger than usual. She asks him for a favor that those who came before him were never able to fulfill.
She asks him to find her engagement ring, and give it to her son.
Easy enough, he thinks. It’s a bit of a pain to buy the ring from the seedy pawn shop it’s in (he would usually just steal it, but he doesn’t want to implicate her kid in anything, which she seems grateful for), but everything’s going mostly alright.
Then, she tells him who her son is, and wow, no wonder no one’s helped her yet.
He’s Red Hood. The guy who is(/was) the crime lord in charge of crime alley. The title sounds a bit stupid to Danny, but he’s still a genuine threat to a living person.
Good thing he’s not one of those.
And so, the next time he sees Red Hood out and about, he goes right up to him. The man seems mostly unbothered, but Danny does notice how his hand slightly drifts towards one of his many weapons.
He tells Red Hood outright that he’s there on behalf of the man’s mother, then just holds out his hand with the ring inside, dropping it into Red Hood’s open palm.
Then he leaves, not waiting for a response.
—
Jason has a mystery on his hands, and he might just cash in some favors from Babs and Tim to figure it out.
He’s got to find the guy who gave him his mother’s ring, and find out everything he knows.
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