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#the point of that isn’t to show that they themselves are bad. it’s to show how trauma fucks you up
showtoonzfan · 22 hours
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I know I said I’d stop watching Helluva, but since this is a five minute short and not an episode, I decided to watch it, especially since it revolves around Millie and Sallie. However I don’t have much to say, this short is honestly a nothing burger, it revolves around Sallie coming to the pride ring to visit Millie for an evening out, but the only scene that matters is the last minute because the majority is just a montage of Sallie and Millie going around town and enjoying themselves.
The major thing is the fact that Millie is excited to see Sally and has a fun time with her. What happened to that “sibling rivalry” huh Viv? You know, the one that you argued gave Millie depth? And by the way, this short does nothing for Sallie and Millie as characters. Millie is the same bubbly and nice yet bloodthirsty character she always is. Meanwhile Sallie was hyped up for so long and yet she’s kinda just….there. She doesn’t really have any interesting or defining characteristics, she really is a brownie point cardboard cutout with little personality, like I’m sorry but it’s funny how we finally get content revolving around two females and it’s very empty, though I don’t know what I expected.
Sallie has this out of nowhere forced emotional moment where she shares she’s upset that Millie left her home town. I guess this could have been interesting had it been built up before, but this is writer Vivziepop we’re talking about, nothing is built up and everything comes out of nowhere. Part of it doesn’t help because this is the first time we’re getting to know Sallie as a character and yet you’ve already retconned her relationship with Millie. In the end it doesn’t matter, Millie says that she’ll try to visit her family more and that Sally can visit too whenever she wants, then it ends with them watching a show. This did nothing for Millie’s character, her relationship with her family, or Sallie’s character, (if you can call her one) and I find it funny that the relationship between Mille and her sister isn’t even in an episode, they don’t affect the main story or plot at all that a five minute short was enough, it’s just telling lol. Anyways short wasn’t god awful or bad just a nothing burger, something Viv’s writing has been for some time now.
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fujii-draws · 18 days
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OKAY! Chatot rant in tags below! Read at your own discretion.
#okay starting from the beginning of where ppl usually dislike him. apple woods chapter.#he doesn’t give hero/partner the CHANCE to explain themselves despite them being relatively good recruits up until that point.#and that legit might be my only gripe with that chapter bc!!! stories need conflict! I LIKE the conflict in apple woods!!!#hero and partner being punished so something they didn’t do!#the misunderstanding! how team skull (Skuntank) actually outplays the main duo with a clever yet rotten trick. I LOVE that it segways into-#one of the more sweeter scenes of guild members looking out for eachother. I LIKE APPLE WOODS CONFLICT.#but chatot just. not giving them a chance. is so dumb.#I’d personally fix this by having a lil montage of hero/partner fucking up on jobs. A LOT. and chatot giving them a pass every time.#and let the perfect apple incident BE the one where he puts his foot down and doesn’t listen to them. bc he’d given them loads of chances.#and doesn’t want to hear any excuse.#but yeah. I legit dont mind him during that chapter except for that really stupid and frustrating moment.#NOW. CHAPTER 17.#UGGGGHHH WHERE DO I BEGIN#Him not believing hero and Partner about Grovyle and the future being in ruin? FINE. ACTUALLY GOOD. BC CHATOT WOULD BE SKEPTIC.#IT FITS HIS CHARACTER!!#BUT WHAT DOES SUCK. IS HIM GOING ‘Dusknoir isn’t the bad guy. he didn’t do anything wrong’#WHEN HE LITERALLY KIDNAPPED HERO AND PARTNER RIGHT I N F R O N T OF HIM.#(​NO LITERALLY. HIS CHARACTER IS IN THE FRONT ROW WHEN IT HAPPENED.)#and him. having the GALL to tell hero and partner they must’ve been ‘seeing things’ and downplaying the HELL they went through.#despite them being missing for hours/days. his own guild recruits. and his angry sprite showing up.#like. I think that’s when I genuinely despised him.#that and him going ‘OH I BELIEVED YOU THE WHOLE TIME HEEHOO :)’ shit was so fucking annoying.#just playing it off as a joke the second the guild started to believe hero and partner.#IMAGINE IF HE W A S ACTUALLY TESTING THE GUILD’S TRUST. SHOWCASING HIM AS THE MORE RESPONSIBLE AND RESPECTFUL RIGHT HAND OF THE GUILD.#and yes. Brine cave he saves hero and partner. but at that point I just didn’t care anymore.#he fucked those two over so much. that I didn’t care what ‘valiant’ sacrifice he had.#and he grills Team Skull for what they did OFF SCREEN. they couldn’t even give us THAT.#<<< THAT or him outright saying sorry would’ve been nice. IKIK his ‘actions’ or whatever but.#eughh again this is all imo. I’m not trying to make people hate him or change their mind.#I’ll get into positives in the second post cause I’m running out of tags
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like i see people say stuff like “rei is a deconstruction of the idea of like the perfect girl in a male gaze-y way” and and i'm ready to agree until they go “it’s because she’s creepy and weird and bad!” like no. rei's a deconstruction of misogynistic ideas of womanhood because they’re ideals forced upon her that damage her, not because she’s in any way “creepy”. like, the fact she’s a fourteen year old girl who was basically used as a substitute wife by her father bc she looked like his own dead wife is not something that is meant to make rei look bad like holy shit.
like both rei and asuka are very obviously like. showing fantasised and misogynistic ideas of an idealised woman don’t work irl yeah. shinji's misogynistic view of them is wrong. but that’s not because rei and asuka are bad people it’s because like. “fourteen year old who's flirty and seductive” and “fourteen year old who's a quiet obedient object” are major signs of abuse and trauma and anyone actually acting in those ways at that age clearly isn’t normal. asuka is desperate for attention in any way she can get it, even unhealthy and dangerous ways. rei is at the very least I has a weird pseudo-incestous enmeshment filled abusive relationship with her father, even if she's not actively being sexually abused. asuka is seeking support, rei is a grooming victim. these are not things that are flaws in their character the entire point of subverting the expectations is to show how those expectations are unhealthy to rei and asuka like. god.
#like. negative fucking media literacy.#like. rei and asuka show signs of abuse in ways very normal for teenagers#every one of the Children in Evangelion is a victim and they react in messy ways#the point of that isn’t to show that they themselves are bad. it’s to show how trauma fucks you up#like none of them are bad people! they do fucked up shit bc it’s normalised to them!#people will just centre rei and asuka’s trauma around shinji and then call the show misogynistic for that like.#woah pal. there’s issues in the show yeah but i think that’s more an issue on your end buckaroo.#like their trauma interacts with him. and his trauma interacts with them. bc the show is literally about human's influences on each other#like the human instrumentality project isn’t there to just be funny it’s a thematic conclusion???#and also like. it’s comparing and contrasting all threes trauma to understand exactly how they got shaped the way they are.#just. think about the show you’re watching. please.#rei isn’t creepy she’s a schizophrenic abuse victim who's probably done the least screwed up shit out of the main cast#shinji isn’t a loser he's a heavily mentally ill young boy cracking under the pressure of toxic masculinity and having his boundaries erode#until he's unable to even respect the boundaries of others and recreates his trauma for a desperate attempt at control#asuka isn’t like. okay i mean she IS a bitch but literally so is every thirteen year old ok.#and it’s bc she fucking despises the vulnerability being kind shows. she despises herself and is overcompensating bc she’s scared and 13#like. god.
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redstarwriting · 11 months
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bestie
spider squad x black cat!fem!reader
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request?: yes
request: “hi! okay i love your works and my brains been rotting thinking abt this lol. i was wondering if i could request a black cat variant! reader that somehow (idk how sorry ), she's apart of the spider-society? Given that black cats backstory isn't all that nice, maybe she has a deal W miguel to let her stay if she makes sure she uses her skills to help the society instead of stealing? and how the squad(miles, gwen, pav, hobie) meet her in the society?”
requested by: anon​
word count: 2.1k
genre: platonic and chaotic LMAO
Warnings: language, stealing, bad Spanish, slight Gwen crush if you squint but also like not really
A/N: STOP I LOVE WRITING PLATONIC AND CHAOTIC THINGS!! i did change up the prompt a bit as they didn’t meet her in spider society necessarily (even though the did, they just didn’t know it lol) i hope you enjoy this anon! also if anyone wants to knows some of the specific songs that gave me black cat 2099 vibes lemme know 👀 i’ll make a post
pt ii - becoming hobie’s bestie
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Gwen, Miles, Pavitr, and Hobie were called to “the principal’s office” as they started calling it. So here they are, in front of Miguel, waiting to be reprimanded for something they did. “I have a mission for the three of you,” he says, pointing to Miles, Gwen, and Pav. “Hobie, you’re not needed.”
“Like ‘ell I’m not,” he says, crossing his arms and leaning against the wall. Miguel subtly smiles to himself. Reverse psychology. Works every time.
“Wait, what?” Miles asks, eyes wide. “You aren’t gonna yell at us for existing?” Gwen asks, equally as surprised. Miguel rolls his eyes. “For existing? When have I ever…” he trails off as Pav, Hobie, and Gwen point at Miles. 
And Miles points at himself. 
“Dios mío,” Miguel mumbles, pinching the bridge of his nose. “No. I’m not doing that. This time.”
“What’s the mission then? Are we going somewhere new? Oh! Can I bring back a souvenir?” Pavitr asks, excitedly. “No, but I’m sure you’ll end up with some sort of souvenir regardless,” Miguel grumbles, and Hobie raises his eyebrow. “Well, what do you mean by that?” Gwen asks and Miguel types into his computer. A picture of a girl pops up on the screen. “I need you to bring me her.”
“Uhhh what? You want us to bring you a… civilian?” Miles asks, and Miguel nods. “She’ll respond to you all better. You’re the same age,” Miguel says, and they all glance at each other. “Can you not be secretive for like, a couple of seconds? Is she an anomaly?”
“No, Gwen. Just bring her to Spider Society, please. She’s from this universe, so I’m just sending you to where I need you to go,” Miguel says, opening a portal for them to go through. They all glance at each other before Gwen shrugs, walking through the portal. Miles and Pav follow her, and Hobie rolls his eyes following the three of them. They find themselves… at a show? They’re on top of the catwalk in a stadium show, looking down at the audience. “What the hell?” Gwen mumbles and Hobie is intrigued when he sees the instruments on the stage. “Now why did he send us to a concert?” Miles asks, and Pav shrugs. Right at that moment, the lights go down and everyone starts to scream. “So, you think she’s in the crowd? How are we supposed to find someone in all of these people?” Miles asks, and Pav shrugs. “I can do it, easily,” Pav says, and Miles and Gwen give him a Look™. “What?! It’s simple you just look for her face! Miguel showed us a picture of her.”
“Aye, ‘e’s right. Found her,” Hobie says, and they all look at him. He’s pointing, and they follow his finger. “SHE’S THE SINGER?!” Gwen yells as the music starts. “Yeah. Guess we gotta wait for the set to finish,” Hobie says, shrugging and sitting on the catwalk, “Gettin’ a free show outta this shit at least.”
“Oh, please, every show you’ve ever been to has been free,” Gwen says, sitting next to him, taking her mask off. Hobie, Pav, and Miles all follow suit. “What does Miguel want with a singer?”
“I like her outfit,” Pav says, ignoring Miles’ question and sitting next to Gwen. Miles quickly slips between Pav and Gwen, shooing him away slightly. “Not my style. Lyrics ain’t bad,” Hobie says, leaning back and observing the performance, “She can sing, I’ll give ‘er ‘at.”
“I fuck with it. Lyrics speak to me,” Gwen says, and Pav nods. “She seems angry.”
“Yeah, that’s why I can respect what she’s doin’. Threatenin’ and angry music is cool,” Hobie says, bobbing his head up and down. Gwen nods. “Okay, guys, seriously, what does Miguel want with a singer?”
“Maybe she’s a scientist or something? Miguel needs her help?” Gwen suggests, and Miles shakes his head. “Nah, I feel like he’d just meet with her then.”
“He did mention she was close to our age, though. And her songs make it sound like she has an issue with authority,” Pav mentions, and Hobie nods. “I fuck with ‘er.” They all look at him. “Oh, I get it. She’s Hobie’s age,” Gwen says, and Hobie raises his eyebrow. “What does ‘at ‘ave to do with anythin’?”
“You two are the same age, both have a problem with authority… whatever she is, she needs someone she can relate to to actually come with us,” Gwen says, and Hobie nods. “Guess ‘at makes sense.” The four of them continue watching the concert. Even though it isn’t necessarily punk music, Hobie loves the lyrics. And Gwen loves all of the songs because she understands the lyrics more than the other guys. Miles is enjoying it because Gwen is enjoying it, and Pav is enjoying it because other people are enjoying it. However, neither of them would probably listen to this after this mission. When you’re nearing the end, Miles slips his mask back on. “Alright, everyone. What’s the plan?”
“We need to get backstage,” Gwen says, slipping her mask on as well. “‘ave a gander down there,” Hobie says, pointing at some marks on the stage. “What’s that?” Pav asks. “Pyrotechnics. When they go off, we go in,” Hobie says, and they all nod. “Hope they’re big enough that no one sees us,” Gwen mumbles and Hobie scoffs. “Gwendy, it’s a stadium show. It’s ‘bout to be big,” he says. The four of them prepare, running along the catwalk and getting ready to web back to where you would disappear to. Sure enough, the pyrotechnics go off and Hobie was right. They’re big. It gives them the advantage as they slip undetected backstage. They hide high up, watching as you run offstage after your encore. They silently follow you to your dressing room and Miles points at an air vent. Gwen nods, quietly yanking it off of its hinges. She crawls inside, taking a glance to make sure you’re still clothed, and then motions for the boys to follow.
Meanwhile, you’re wiping your makeup off, sipping on some water to soothe your throat from your performance. You walk away from the giant mirror to go grab a snack in the corner of the room when, suddenly, you feel like someone is watching you. You subtly unsheathe your hairbrush, which doubles as a dagger. Just in case. You take a deep breath, turning around, and throwing it. Miles leaps out of the way, and the other three’s eyes are wide. The accuracy with that throw was a little too good. “None of you are Miguel,” you say, on edge still. “Ay, don’t compare me to that bloody bloke. I’d rather die than be called ‘im,” Hobie says, and you give him an amused look. “I can arrange that,” you say, and Gwen clears her throat. “I just wanted to say your concert was like, totally, awesome.”
“Aw, thanks! Did you pay to watch?” you ask and she looks around. “Well uh… I, um—” She gets cut off by your laugh. “I’m kidding. I don’t give a fuck if you didn’t. In fact, I would prefer you didn’t,” you explain. “Oh! Then no. Too cool to pay, you know?” Gwen rambles and Miles turns his head to her, giving her a look that translates into ‘What the hell are you talking about?’ You chuckle. “Why are you four here, then? Señor O’Hara miss me?” you take a bite of the snack you picked, leaning against the wall. “How do you know Miguel?” Pav asks and you snort. “Long story. Oh! He finally find out I took something from him?” you ask, tossing your food to the side and crossing your arms. “I… we actually don’t know. He just said we had to bring you back to—”
“Wait he’s actually inviting me into his super secret spider society?” you ask, a look of excitement spreading across your face. “Uh. Yes?” Miles says, and you squeal. “This is so exciting! My first time being invited, okay, great, hold on,” you say, quickly running off and behind the changing room divider. “Uh… you’re just gonna come with us?” Gwen asks, and you yell a quick ‘yep!’ They all look at each other and shrug. “No offense, sweet’eart, but I thought it woulda been ‘arder to convince ya. Wasn’t aware bein’ invited by a stuck-up wanker like ‘im was all it would take,” Hobie says, and they hear a giggle from behind the screen. “Oh this isn’t my first time in his little fanclub,” you step out from behind the divider, garnishing an all-black catsuit with shiny black gloves coming to claws at the fingers. A small eye mask adorns your face, and you smirk. “It’s just the first time he’ll know I’m there.”
“Holy shit, no way! You’re Black Cat!” Gwen says, and you do a little curtsy. “Pleased to make your acquaintance officially, Gwen Stacy,” you say, and her eyes get big. “How did you know—”
“Like I said. Not my first time there. Surprising since you all have that spidey sense or whatever, but guess I’m just that good,” you say, pulling out a dimension-hopping watch. “When did you—”
“Do I have to say I’ve been to your Spidertopia already again? Come on, I’m sure your pendejo of a boss is waiting for us,” you grin, and Hobie shakes his head. “Not my boss. I like you, though. Gettin’ fuck the establishment vibes,” he says, and you wink at him. “Thanks, Hobie Brown. Appreciate it. Also, Pavitr, you need to tell me what your haircare routine is,” you walk through the portal, and the four of them follow after you. Sure enough, you step out of the portal and stand right in front of Miguel’s desk. “Hello there, Spider-Boy,” you say, and he sighs. “(Y/n). Give me the device back. Now.”
“I’m good, actually. Been having too much fun with it,” you say, placing it on your wrist. He mutters something in Spanish as the four of them appear behind you. “Wait, if you’re Black Cat, why are you like… a superstar?” Miles asks, taking his mask off. “Was told at a young age to never settle for second best. So, I never did. Also if you want to steal from the big leagues, you have to be in with the big leagues,” you say, shrugging. “Damn, she is… so cool,” Gwen whispers. “We have an agreement, (Y/n),” MIguel says and you groan. “Miguel! Big guy, amigo, can I call you that?”
“No.”
“Don’t care, when have I ever stuck with an agreement?” you ask and he frowns. “This is all because you want to be able to come here whenever you want, isn’t it?” he asks and you grin. “You’re so smart, bestie,” you say and he groans. “You’re impossible.”
“I know. So can I come here and not have to worry about multiple spiders biting me all at once?” you ask, and he sighs. “Yes.”
“YE—”
“BUT!”
“Fuck, there’s a but,” you groan, as he continues talking, “No. Stealing.” You feign offense. “What makes you think I would ever steal something from here?” He points to your wrist. “I have no idea what you’re talking about. This was gifted to me.”
“By who.”
“Myself.”
“Esta maldita chica,” he mumbles, and you grin. “Well, thank you so much for approving my breaking and entering of your little arachnid club. I’ll be sure to return everything I’ve taken in hopes that you would notice I wanted to be invited,” you grin, and he clenches his jaw. “You step one toe out of line—”
“I woooon’t! Promise! Before I return everything though, I kinda have a heist planned in Earth-42,” you shrug, pulling up a portal. “I’ll tell Miles you said hi, Miles,” you give him a smirk, but before disappearing into the portal, you hear Miguel. “When you’re done come back here. I actually might be able to use you for something.”
You smile at him. “Say less, Spider-Man.” Then, you disappear. “We’re about to see a lot more of her, aren’t we?” Miles asks, and Miguel sighs and nods. “Dude! She is so cool!” Gwen says, and Hobie nods. “She don’t take shit from no one. Respectable.”
“She’s funny! And she was able to shut you down, Miguel, that never happens,” Pav says, laughing a bit. “She seems kinda crazy,” Miles says.”
“What, like we aren’t?” Gwen retaliates and he shrugs. “I am perfectly sane! Most of the time…”
Miguel runs his hand through his hair in frustration as the four of them continue discussing you while walking out of the room.
He was not looking forward to the friendship the five of you were about to form.
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rileyslibrary · 9 months
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pretty pretty please 🩶
imagine ghost is forced to speak at a school’s career fair because he’s out on medical, and reader gets sent with him to chaperone. (i.e. make sure he doesn’t scare any kids to 💀. and also maybe to feed him some slightly manipulative praises so he stays in a good mood lmao)
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You’re both standing in the principal’s office. The school was kind enough to offer you a private room since kids are a little rowdy today, and Ghost isn’t very fond of tiny hands tagging at his uniform and asking him “how many people he has killed”.
You’re holding two balaclavas; one is black, while the other is a deep shade of army green.
“It’s either this one or that one.” You say while raising both to his eye level.
He pushes your hands down and points to his skull mask. “No.” He states. “I’ll stick with the one I’m wearing.”
You frustratedly shake the balaclavas to your sides. “Come on, Lieutenant,” you plead, “you’ll scare the kids.”
“Have you seen kids these days?” he asks, raising his hands. “These fuckers are not afraid of anything!”
“Oh god,” You wince and toss the balaclavas on the principal’s desk. You shake your index finger at his face like a teacher disciplining a misbehaving student. “Don’t you dare to swear in front of them!”
“Have you heard, kids—”
“—these days.” You cut him off with a flick of the wrist. “Yes, but there’s no need to reinforce bad behaviour.”
He lets out a long exhale and places his hands on his waist. He begins pacing around the principal’s office, swearing under his breath. You’re trying to figure out whether he needs to let it all out before his big speech or if he’s cursing the moment he has agreed to do this.
He pauses in front of a painting hanging next to a window overlooking the school’s playground. He slouches and places one hand on his lower back, rubbing his injury.
You approach him from behind and gently grasp his forearm.
“Hey,” you whisper, “what’s wrong?”
“Nothing,” he replies sternly. “Never mind.”
“Are you in pain? Please talk to me.”
“I’m not in pain!” He protests. “In fact, I wasn’t in pain to begin with, when the medics decided that I was,” he makes air quotes with his fingers, “temporarily unfit for duty.”
You place a palm on his lower back and begin rubbing it. He relaxes at your touch and puts one hand on the wall to support his weight.
“You talk about not reinforcing bad behaviour,” he murmurs, “but I’m not the best role model either.”
“Bullshit!” You scowl.
“Seriously,” he insists, “I highly doubt I’d be here talking to kids about their future if I hadn’t been injured.”
He’s correct, but he doesn’t need to know that, especially now, as you wait to enter a classroom full of kids. Any other team member would be far more qualified for this role. Gaz is such a cool guy that most kids would deem him a god. Price feels like the father you wish you had when he talks, and Soap can adapt to anyone he speaks to. Even you would be a better fit for this year’s career fair. But, Ghost? No, not at all.
“Come on, Simon,” you say as you continue rubbing his back. “It’s less about ‘being a role model’ and more about relating to them.”
“How am I supposed to relate to them?” He wonders, “My childhood was nothing like theirs.”
“How do you know?”
He looks at you and motions towards the window. “Look at them,” he says, “they’re full of life.”
“Not all of them are like that, Ghost; some are putting on a show.” You explain, and he turns to look at you again. “They look all jolly, but they might struggle at home or school. Worse, they can’t admit what’s happening behind closed doors because they’re either ordered to remain silent or not understand it themselves.”
He huffs and shakes his head. “Now I can relate to that.” He murmurs.
“See? You need to spot these kids and indirectly talk to them.”
“Spot?” He asks. “How do I spot them?”
“You mean to tell me you’re trained to spot targets from miles away but can’t see when a child suffers in silence?” You ask back. “Plus, it takes one to know one.”
He nods. “And what should I communicate to these kids?” He asks. “How do I help them?”
“By showing them that there’s something better waiting for them out there.”
“Don’t be naive, Y/N. How is what we do better than what they’re going through right now?”
“It’s not about the military, Simon.” You elaborate. “It’s about giving them another chance. They deserve to know there are options other than turning into their drug-addicted mother or alcoholic father.” You lean forward so he can meet your gaze. “Someone gave you a second chance, right?”
He closes his eyes and ponders your words. You tilt your head at him, trying to predict what he’ll say next so you can respond quickly.
But he doesn’t say anything. Instead, he straightens up and takes a deep breath. “You know,” he begins, “I gave one of those speeches to a school a few years ago.”
“Oh!” You cheer and pat him on the back twice. “Did you, now?”
“Lysychansk, Ukraine.” He recalls, “I was being held hostage with a bunch of kids.”
“Tell me more about it,” you say, sitting on the principal’s desk and playing with a pink highlighter. He begins narrating his story, and you can tell he’s becoming more confident as he realises he’s spoken to children before, albeit in a very different context, but who cares? What matters is that he is becoming more at ease with his “previous experience.”
You, in turn, try to give him your full attention, but now that his doubts have subsided, your primary concern is that mask of his. He needs to take it off.
“See? You’re far more experienced than any of us!” you shout. “And in that setting? My god! None of us would have been able to do such a thing!”
He chuckles and looks proudly out the window at the children playing in the school’s playground. He seems to be looking forward to it now.
“Hey, um, sir?”
He shifts his focus to you.
“Your mask, sir; It’s dirty,” you say as you point to his cheek.
He puts his hands on his mask. “Where?” He yells.
“It’s right….” You get up from the desk and take a step closer to him, inspecting his mask. You raise the marker and draw a bright pink line across his cheek, “...there.”
He immediately places his hand on his cheek, looks at the highlighter in your hand, and then back at you.
“You... motherfucker...” he murmurs.
You move away from him and stand behind the desk.
“I’m sorry, sir, but I can’t let you go out with that mask on; the parents will be furious.” You point to the balaclavas on the principal’s desk. “You do, however, have two other options! Take your pick, and I’ll see you in class in 5 minutes!” And with that, you rush out of the principal’s office and into the school’s corridor.
You enter the classroom and greet the kids with a smile, trying to hide your nervousness. Walking towards the back where the parents are seated, your mind starts racing; Is he trying to choose a mask, or is he cleaning up your mess? What if he’s so furious that he doesn’t show up, leaving you to give the speech? Worse, what if he enters the classroom and takes his anger out on you?
But, the door opens, and Ghost walks in. Your eyes widen, and your jaw drops. He’s not wearing any mask. Not the black one, not the green one, not the skull—with the pink streak—mask on. Nothing.
You observe him moving around; despite his lack of disguise, he maintains his composure. He greets everyone in the room, smiles, waves back at the kids and stands next to the teacher. You let out a relieved exhale through pierced lips. This is going well, thank god.
As the teacher introduces Ghost to the class, you turn to give him a thumbs up, and his eyes lock with yours. There’s a faint smirk playing on his lips, and your heart skips a beat as he silently mouths something in your direction: “You’ll pay for this.”
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A/N: YOU’LL PAY FOR THIS, ANON! I was forcing myself to take a break from writing, only to be slapped by an inspiration wave. Hope you liked it, though; I had fun making it.
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blluespirit · 2 months
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okay first three episodes thoughts
good
bending is cool as fuck
sozin’s actor does an amazing job at full crazy but calculated
scenery is STUNNING
monk gyatso made me cry. idk why i just saw him and wanted him to give me a hug so bad
APPA ACTUALLY LOOKS GOOD AND NOT LIKE A LITERAL MONSTER
i wasn’t sure how id feel about them showing the air nomad massacre but i think the importsnt thing is that they showed it was a massacre - and that although they can defend themselves, they don’t have the ability to fight back like an organised army would bc they’re pacifists! they attacked a peaceful group
the abandoned fire nation ship in the southern water tribe looks so fucking cool
ARTIST ZUKO???!!! LETS GOOO
Dallas does an amazing job at getting across Zuko’s intense desperation
I actually ended up loving all the Sokka and Suki interactions sm it was so cute and wholesome
Katara is perfect i will kill and die for her
Azula’s opening scene being her manipulating those people trying kill ozai ultimately leading them to getting burned alive by him and smiling - literally so fucking good. she is the best villain in history of forever
really good move having the mechanist (Sai!) and Teo be in Omashu imo. having them destroy the northern Air Temple so carelessly always pissed me off
THE FREEDOM FIGHTERS ARE LITERALLY PERFECT I AM SCREAMINGGGG
I was wondering how they were going to introduce the Mechanist and Jet in a limited amount of episodes but I like how they combined the two stories
Also Sokka absolutely nerding out in the Mechanist’s home is so important to me
Zuko getting has ass beat by that lady for fighting Aang is literally so funny and reminiscent of the goofy aang vs zuko fights we see in season 1 (to be clear: i adore zuko. this is NOT hate on him)
Zuko losing shit about his notebook and trashing his room and then outing himself as a fire bender in Omashu is so perfect. god i love him so much. it’s very season 1 zuko. it’s giving I DONT NEED ANY CALMING TEA!!!
things i was not a fan of: (some of these are a little pedantic i’ll admit)
Exposition is a little is a little janky but i’ll forgive it i guess bc at least it isn’t egregious as The Movie That Shall Not Be Named
Aang leaving just to get fresh air/clear his head and intending to come back is a silly change to me. all i keep thinking about is the storm where we got those epic Zuko and Aang parallels which now doesn’t really work and also takes away a lot of Aang’s depth. A good change adds to the story, but personally this seems to take it away
WHY would they not make Katara the one to bring him back from the avatar state? just seems like a strange choice to me? not saying this from a shipping point at all but that moment is a big step to their bond/friendship especially since they have only just met
Still don’t understand why they made the head of the village Suki’s mum. like i don’t think it’s a terrible choice but they still could have let them have a mother/daughter bond but still let Suki be the leader without any implications of nepotism. it mostly seeems silly
tl;dr - really enjoying it so far!
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watermelonsloth · 2 months
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I think the reason why Naruto fans get so passionate and upset about the series is because of how real it can be. Naruto isn’t about paragon heroes outdoing dastardly villains. It’s about human beings fighting tooth and nail to survive in a world surrounded by death. It’s about broken systems made and perpetuated by broken people.
The Hyuga clan isn’t just antagonistic or pretentious, they practice slavery.
The Uchiha clan weren’t just killed by some raging psychopath, they were systematically massacred.
Itachi isn’t just cruel to Sasuke because he’s a bad brother, he’s cruel because he’d been told time and time again that you can only survive by being cruel and he wants nothing more than for Sasuke to survive.
Nagato isn’t trying to take over the world just for the sake of power, he’s trying to take over the world because it beat him down to the point of believing that the only chance at peace there is is the world being forced into compliance through fear.
Iruka isn’t hard on Naruto just because he’s a strict teacher, he’s hard on Naruto because he knows from experience how unforgiving the world is towards orphans.
Kakashi isn’t just some silly and slightly lazy teacher, he’s a contract killer still grieving his loved ones and struggling to do better without knowing how he’s supposed to.
Sakura isn’t just a fangirl, she’s a normal girl in a very dangerous and abnormal world constantly being made to choose between what she’s supposed to do and what she feels.
Sasuke isn’t just some edgelord, he’s a survivor who lost everything then gets repeatedly told that he has to choose between keeping what he’s gained and doing better than his brother.
Naruto isn’t just trying to be the best Hokage there ever was, he’s trying to prove his worth to a society that abandoned him just for existing and, in a way, confirm his worth to himself.
The Naruto story is about humans trying to force themselves into the role of weapons because that’s what they were told they had to be. It’s a story where everyone is a perpetrator but no one is trying to do wrong. It’s a story where everyone is a victim but no one is a perfect victim.
The world and the characters aren’t simple and trying to simplify them only takes away from them. So of course we get passionate about showing off all the reasons why they shouldn’t be simplified and all of the ways they’re complicated. Of course we get upset when we see others simplifying them or selling certain aspects of their characters short. Of course we get upset when the series itself simplifies them. Of course we get upset when the series chooses to abandon them. Because it not only feels like the characters are giving up, it feels like the series is betraying anyone who chose to get invested in its complexities.
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bibluebutterfly · 4 months
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Okay so I’m taking a risk here by talking about StaticMoth (as some fans will come at your throat if it’s mentioned), but let’s do it since I discovered something interesting.
The main thing being, I noticed that throughout these last few months, there has been a steady rise in StaticMoth fanart (which would make sense as StaticMoth has gotten a lot more shippers since the Instas were confirmed as noncanon), with Viv herself liking the more comedic/wholesome pieces.
Then upon closer inspection (aka, seeing one specific artist pop up constantly and finally deciding to check her profile), I realized that the Animation Director for Hazbin and Helluva has a LOT of their own StaticMoth fanart, with Viv even sometimes commenting on it.
So I’m now beginning to suspect that StaticMoth will NOT be as abusive as we were initially led to believe.
Check it out
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(Smiles is the animation director for Hazbin and Joel is Val’s VA, just to be clear) that, and if you check this account you’ll see that they are all a BIG VoxVal fans, and Smiles also mentions how she worked with them a LOT in the show.
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Now call me crazy, but I don’t think this woman, or any of them would ship StaticMoth as hard as they do if one was abusive and the other wanted to get away from them. And since the art that Viv likes is actually really sweet at times, I think that StaticMoth will actually be a functional couple.
I mean they also get a playmat and the only couples who get playmats are the canon functional/going to be functional couples (ie. Chaggie, Stolitz, M&M, and Fizzarozzie)
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Also while I’m at it I may as well mention that they WERE included in her Valentines post. And in that gif, we have Vox is smiling evily at Val while he isn’t looking. That doesn’t really scream “abuse!!” to me.
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Ironically, the last time I saw behavior like this from the team (Viv liking fan art, animators and storyboard artists making their own cute fan art, playmats before canon, etc), it was about Fizzarozzie, and they turned out to be the healthiest couple on the show.
Coincidence? I think not. (Art below is done by Hunter B, a storyboard revisionist and Vivziepop herself)
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Now don’t get me wrong, I DONT think that they will be in any way healthy, but I don’t think it will be abusive. Or if it turns out Val does hit Vox to the point of breaking his screen, I think Vox will in return rip his arm out. If they’re abusive, it will be on both ends.
And since Vox has been appearing more in trailers and promos than Val, I think he will be the bigger, more prominent character. And it has been confirmed by many that Vox will very much be as bad as Val. He’s the most powerful the the Vees, and is clearly the head of the group. At the very least, I highly, HIGHLY doubt he will be the uwu babygirl that some fans think.
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I think StaticMoth will have a “evil couple” vibe where they probably aren’t head over heels, (their one true loves will almost definitely be money and themselves), but they have a blast bringing other people down together. They will be equally awful, we’ll hate them, but we will LOVE to hate them.
Or I’m dead wrong, and this post will age like milk.
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proxima-writes · 1 year
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title: toyin’ with them older guys
pairing: bartender!joel miller/female reader
rating: explicit (18+ MDNI)
chapters: 1/1
read on ao3 | masterlist
summary:
Joel Miller is the grumpy bartender and owner of your favorite bar near campus, where you attend trivia every Tuesday night. Thinking there’s no way Joel could return your feelings, your friend suggests trying out Tinder.
But when you bring them to the bar for a date, they keep leaving mid date with no explanation.
Maybe there’s something Joel isn’t telling you after all.
author’s note: thank you to everyone who hyped me up to post this when i wasn’t sure how i felt about it. your comments mean the world 💕
content warnings/additional tags: explicit sexual content (18+ MDNI), alternate universe - no cordyceps outbreak, no use of y/n, unspecified age gap, alcohol references/consumption, possessive behavior, jealousy, mild violence (in the form of Joel kicking someone out of his bar), brief reference to Sarah’s mom and divorce, tinder dates, bribery, dirty talk, begging, pet names, praise kink, unprotected p in v, oral (m receiving), spanking. let me know if i’ve missed anything!
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There’s a bar near the university that you love to go to for multiple reasons.
For one, they have great drinks. For two, their loaded tater tots are the best drunk food you’ve ever had the pleasure of consuming.
But the number one reason, above all else, is the grumpy bartender and owner, Joel Miller.
The first time you saw him, he was challenging a kid with a fake ID, his arms crossed over his broad chest, emphasizing the strain of his flannel over his biceps. When the kid tried to take a swing at him, he grabbed his arm and twisted it behind his back before marching him out of the bar and kicking him to the curb.
Your friend had to remind you to breathe.
He hosts a trivia night at the bar on Tuesday nights, the perfect excuse to see the man weekly. You sit at the bar each time, scribbling your answers on the notepad as you sip on a vodka cranberry and sneak glances at the older man while he works.
One night, you were struggling to answer a question about where the Lord of the Rings trilogy was filmed when Joel leaned across the bar, bringing his lips close to your ear to say, “New Zealand.”
You’d gotten the point, thanks to him. And from that day forward, he’d linger near your corner of the bar, watching to see if you needed help with an answer. Eventually, you started showing up earlier and earlier for trivia night, just for the chance to talk to him.
You told him about your PhD program and the research you were conducting. You wanted to be a psychologist, but for now you’re just a perpetual student. You miss winter weather in Colorado, but appreciate not having to store a giant jacket anywhere in your small apartment. Your favorite season is fall, and your favorite holiday is Halloween.
He tells you about buying the bar a few years ago, after his divorce from Sarah’s mom and ensuing custody battle had been finalized, an investment he made with his brother Tommy. They’d fixed it up themselves and made it a popular local spot. His favorite movie is Indiana Jones and he prefers whiskey over any other drink.
It’s no surprise that along the way you’d fallen in love with the man.
Too bad he’d never feel the same.
————
Joel remembers the first night he saw you. Your rosy cheeks and tipsy smile as you leaned forward to say, “Vodka cranberry, please. With lime .”
“Lime, huh?” He remembers saying. You nodded your head vigorously.
“The lime is the best part,” you insisted. He chuckled.
“Not the vodka?”
“Gross, no.”
He tossed in three lime slices and you shimmied your shoulders with glee.
You come into the bar, alone, for trivia night on Tuesdays now. You’re a fountain of random facts, but every once in a while he’ll feed you an answer to help you out because he likes the smile that you give him in return.
He has no right to be looking at you the way that he finds himself doing every week. Eyes wandering to the way your jeans hug your ass or drifting to your cleavage when you rest your elbows against the bar.
But between the conversations and the trivia and the sweet smiles, he’d gone and fallen in love.
Which is why when you come to trivia night with a man who wraps an arm around your waist, Joel loses his goddamn mind and does the stupidest thing ever.
You get up to go to the bathroom and Joel leans across the bar to address the guy, keeping his eyes on the bathroom.
“I’ll give you $100 if you leave right now,” Joel says.
“What?”
“Hundred bucks if you walk out that door and don’t talk to that girl again,” he says again. He digs his wallet from his pants and pulls a bill out, setting it on the bar top.
Without further question, the man grabs the money and stuffs it in his pocket as he heads out the door. Joel feels a flash of guilt when you return from the bathroom and look around for your missing date.
“Said he had an emergency,” Joel lies. He’s surprised when you look relieved.
“He was kind of boring, anyways,” you shrug, dragging your notepad and pen closer to you. “He probably would have just dragged us down.”
Us, Joel thinks.
He could get used to that.
________
Your friend, Marie, had convinced you to try out Tinder. She was absolutely certain you were missing out on the love of your life by not swiping mindlessly through profiles that held no interest to you.
You weren’t about to confess your unrequited love for the local bartender to get her off your case, so that’s how you ended up on a date with Michael. He was a law student and liked kayaking and hiking.
You liked neither of those things, but he had curly brown hair and you had a type, so why not give it a shot?
You didn’t have it in you to be too upset when you returned from the bathroom only to find out from Joel that Michael had left. Joel slid you another vodka cranberry with lime and your night went as it always did.
When Marie asked you the next morning how the date went and you told her he bailed, she insisted on picking your next one. She chose Scott, a financial analyst at a local bank.
You’re starting to think Marie doesn’t know you very well.
Regardless, you show up at the bar for another trivia night date. Scott is tall and lean, with blonde hair and blue eyes, and he wore a suit to a bar. When you comment on it, he pulls a face and says he came straight from work.
“Not all of us are lucky enough to not have real jobs,” he says. You blink at him, surprised by the hostility.
That hostility continues when Joel approaches the two of you at the bar, lips turned down in a scowl, and Scott decides to order for you.
“She’ll take a vodka water with lemon and I’ll have Bulleit, neat.”
Joel raises his eyebrows at Scott, his eyes flicking to you briefly, before he sets a plastic cup on the bar top. He holds Michael’s gaze as he pours a shot of vodka into your cup, before using the soda gun to dispense cranberry juice. You have to bite back your smile.
“Vodka cranberry with lime,” he says, sliding you your drink. “And your whiskey will be right out.”
“That’s not what I ordered,” Scott replies.
“Yeah, but it’s what she would’ve.”
Scott sputters, face going an alarming shade of red with his indignation.
“I’ll be right back,” you mutter, taking your drink with you as you head to the bathroom.
________
“I’m not paying for that drink,” the blonde asshole says, knocking his knuckles against the bar for emphasis. Joel huffs a laugh.
“I don’t give a shit, kid. I want you out of my bar,” he says, planting both hands on the wood.
“Excuse me?”
“You heard me. Get the fuck out of my bar.”
“I’m on a date!”
“Not anymore.” Joel rounds the bar and gets up in the little weasel’s face. “Get. Out.”
The boy’s eyes go wide, like he realizes that maybe Joel isn’t playing around. He scrambles from his barstool, standing to his full height like he’s about to challenge Joel.
“You can’t kick me out, old man,” the blonde snaps.
Joel’s had enough. He fists a hand in the starched white shirt collar, driving him back towards the exit. The other patrons move out of the way, some whistling and cheering Joel on. He shoves the man out the door and looks at the doorman.
“He doesn’t come back inside,” he says. “And you? Don’t ever fuckin’ talk to her again.”
Joel returns to the bar as you’re walking up. For a moment, he worries that you may have seen him acting like a caveman getting rid of his competition, but you look around in confusion.
“Where’s Scott?” You ask.
“He forgot about somethin’ at work,” Joel says. Your brow furrows.
“Kinda weird that’s happened to me twice now,” you comment.
Joel just shrugs.
________
You don’t tell Joel about how you saw him throw Scott out of his bar that night.
You’d just left the bathroom when you saw Joel stomp out from behind the bar, his eyes dark and fixed on your date. You couldn’t hear what he was saying, but based on the affronted way Scott was responding, it wasn’t anything good.
You crept closer to the scene, but stayed amongst the crowd. Joel marched Scott backwards with a fist tangled in his collar, shoving him out the door.
“And you? Don’t you ever fuckin’ talk to her again.”
Your mouth went dry at his words and your mind reeled at the implications. Was he doing this from a place of friendship? Or…could he maybe feel the same way you do?
Only one way to find out.
You call up Travis, a good friend from undergrad who still lived in town.
“Trav, I need your help,” you say when he answers the phone.
“Burying a body type of help or financial type of help?” He replies easily.
“Actually, more experimental.”
“I don’t swing that way.”
“No, listen to me, I have a hypothesis,” you insist, explaining the situation to him. How you’ve been on two dates at Joel’s bar but each time, the men have left without another word. And how after what you witnessed, you’re inclined to believe that it’s not a coincidence.
You ask Travis to come with you to the next trivia night. All he needs to do is pretend to be there on a date with you. A bit of hand holding, maybe an arm around the waist. Nothing more.
“But what if he tries to threaten my life?” Travis asks.
“Well…I mean…every experiment has risks,” you reply flippantly. He sputters indignantly down the line. “I’ll buy you your drinks and get you tater tots.”
He’s silent for a moment before responding, “Fine. Extra jalapeños and I’m not getting well liquor.”
“Thank you!”
________
You come into his bar with another man. His arm is draped over your shoulders as you approach the bar and Joel has to set the glass he’s drying down before it shatters in his hands.
“Joel! This is Travis,” you say, gesturing to your date. He forces a smile, reaching a hand across the bar to shake his hand.
“What can I get started for you?” Joel asks. The man, Travis, orders an old-fashioned with top shelf whiskey, while you request your regular.
“I’ll be right back,” you say as Joel is pouring the drinks. You weave through the crowd towards the bathrooms and Joel leans in to address Travis.
“I’ll pay you $100 to leave this date,” Joel says.
Travis smirks. “Make it $200.”
“Are you serious?”
“That depends, are you?”
Joel’s eyes flick towards the back of the bar and he reaches into his pocket for his wallet. He pulls out four fifties, dropping them on the bar.
Travis pockets the money before adding, “You know, there’s cheaper ways to get the girl.”
“Get out,” Joel grunts. The younger man laughs his way to the door, and you appear at the bar a moment later.
“Where’d Travis go?” You ask.
“Oh, he—“
“Can I get an order of the loaded tots?” Travis asks, cutting Joel off from making up an excuse for his absence and sitting back down on the stool beside you with a shit eating grin. “She owes me.”
“Owes you?” Joel asks through gritted teeth.
“Yeah, she lost a bet. I told her I could get the number of that guy over there in less than three minutes and she doubted my charm.”
“Travis and I went to undergrad together,” you explain. “We just wanted to hang out and catch up.”
Shit.
________
Travis decides to leave after two plates of loaded tots and one too many drinks. You help him call an Uber, but you stay behind as the bar starts to clear out.
It’s just Joel behind the bar, wiping down the wood and setting bottles back to their rightful spots as you sip from a cup of water. The kitchen has closed down and the music has been shut off, leaving the two of you in loaded silence.
“So…,” you say, twirling your straw in your near empty cup. “You wanna tell me what that was all about?”
Joel’s shoulders go tense before he releases a deep sigh, turning to face you. The bar separates you, and it feels like miles of distance when all you want to do is get your hands on him now that your hypothesis has been proven.
Joel Miller likes you. And he’s been sabotaging your dates because of it. Perhaps you should be more upset, but all you can feel is an effervescent giddiness bubbling in your veins.
While he struggles to find the words, you decide to take matters into your own hands. You reach across the bar, hooking your fingers into the collar of his t-shirt and tugging him forward. You lean over to meet him halfway, pressing your lips to his.
You pull back and look into his eyes. The coffee colored brown of his irises seems darker, his eyes half lidded as he looks at you.
“You wanna get out of here?” He asks.
“Thought you’d never ask.”
________
Joel’s got one hand on the wheel of the truck and the other resting on your thigh. He has to keep a hand on you because he’s worried that if he doesn’t anchor himself, he’ll wake up from this dream.
You kissed him. You reached across the bar and dragged his lips to yours in a way he’d only dreamed of doing a thousand times since you’d sauntered into his life.
He can’t help the small smile that tilts his lips up at the thought.
“What’s got you smiling over there?” You ask, your voice teasing. He glances at you.
“You do, darlin’,” he says. He relishes in the pink that blooms across your cheeks at the pet name.
Joel drives to his house, parking the truck in the driveway of his little bungalow. His bachelor pad, as Tommy calls it.
Maybe not for much longer.
He circles the truck to open the door for you, helping you down from the cab. He keeps his hand on your low back as he leads you up the porch steps and through the door.
You toe off your shoes in the entryway, letting them join the pair of sneakers Joel left by the door. You’re wearing a pair of socks with tiny cats printed on them, the sight so endearing to him he can’t hold back his laugh.
“What?” You ask.
“Nothin’, just…like the look of you here. In my house,” he says.
“Yeah?” You take a step closer to him, toe to toe as you look up at him through your lashes.
“Yeah,” he whispers, wrapping an arm around your waist, tugging your body against his. The heat of you even through the layers of your clothes sends a shiver down his spine.
You press your hands to his chest, sliding them up and over his shoulders before linking them behind his neck.
“You gonna give me a real kiss?” You whisper back. Your lips are so tantalizingly close that they ghost across his as you speak.
He closes the distance, lips dancing with yours as he kisses you senseless. The feel of you against him, moving with him, sends sparks skittering across his skin. He’s unable to hold still, hands roaming from your back to your waist to your hips as your mouths part and your tongues tangle with increased desperation.
Joel slides his hands to the backs of your thighs, crouching slightly to lift you up, your legs wrapping around his waist. Your core slides against his growing hardness and he groans at the sensation as you let out the neediest whimper.
He wants to hear more.
He walks you both through the empty house until he reaches his bedroom, tossing you on top of sheets still rumpled from last night’s sleep. You scramble to sit up on your knees, moving to the edge of the bed and curling your fingers into the waist of his jeans.
“Can I suck your cock, Joel?” You ask, voice all breathy as you stare up at him with your big doe eyes. “Please?”
Joel’s mouth has gone bone dry. “Yeah? You want my cock in that pretty mouth of yours, sweetheart?”
You nod your head, fingers working on the buckle of his belt. His hands work in tandem with yours to get his fly open, shoving the denim down his thighs until he can step out of them. His cock tents his boxers, a wet spot already apparent on the fabric and he watches as you reach a hand out to stroke him, a groan escaping him at the feel of your warm palm against him.
“Take your clothes off and get on your knees,” Joel commands. He lifts his own shirt over his head as you unbutton and remove your pants, shimmying the tight fabric down your legs. He takes a seat on the edge of the bed as he watches you lift your shirt up and off.
His eyes rove your body hungrily. Your perfect tits and gorgeous curves, the way you flush beneath his gaze.
“Come here, baby,” he says, crooking a finger. You come to stand between his legs and he reaches around your back, unhooking your bra with deft fingers.
“You’re rather skilled at that, Mr. Miller,” you tease.
“I’m old, not dead.” He slips the straps from your shoulders, tugging the last barrier between him and your tits away. “God, baby, these all for me?”
“Mhm,” you him as he wraps his hand around the weight of one breast, thumb teasing your pert nipple.
“Tell me somethin’,” Joel asks, “why’d you bring all those boys around when you knew you needed a man?”
You lick your lips. “Didn’t know if the only man I wanted would want me back.”
Your voice is small and vulnerable as you say it, and that just won’t do. “Don’t just want you, baby. Need you.”
Your face lights up in the brightest grin. “Yeah?”
“Yeah, baby. Need you so fuckin’ bad,” he tells you, digging his fingers into your hips. “S’why I had to play dirty.”
Your smile turns downright salacious. You drop to your knees, running your hands up his thighs. “Show me how much you need me, Joel.”
________
Joel shoves his boxers down, exposing his cock to your hungry gaze. It’s gorgeously thick, the head a dark red from his arousal, a pearl of precum sitting in the slit. You lean forward and dart your tongue out to gather it.
“Don’t tease, sweetheart,” Joel says through gritted teeth. You keep your eyes fixed to his as you take him in hand, swirling your tongue over the sensitive head before taking him further into your mouth.
His hand is instantly in your hair. Not pressing, but his fingers tangle in the strands and tug deliciously against your scalp. He moans as you take him as far back into your throat as you can manage.
“Fuck, your mouth is better than I ever dreamed,” he says, voice rough.
“You’ve thought about this?” You ask when you draw back for breath, hand pumping his length in place of your mouth.
“‘Course, baby. These pretty lips wrapped around me, beggin’ for me to make them all swollen and used,” he says, standing and bringing a thumb to your lips and swiping it across their spit slick surface. “Open up.”
He uses his thumb to press against your bottom lip, opening your mouth as he takes his cock in hand and feeds it slowly between your lips. The smooth, hot length of him dragging across your tongue makes you moan.
“You like that, baby?” He growls, pumping his hips in shallow thrusts. “Like me usin’ your mouth how I want?”
You try to nod, your movement restricted by the grip of his hand that’s returned to your hair. There’s spit trailing down your chin and tears gathering in the corners of your eyes from the effort of keeping your mouth open for his thick length. You know you must look like a mess but with Joel staring down at you with his lust drunk expression, you feel on top of the world.
“I gotta fuck you, baby, will you let me, huh? Let me feel that pretty little cunt strangle my cock?”
You hum around his length and he withdraws, tugging you up by your hair and pulling you into the dirtiest kiss, all tongue and teeth and blatant desire as he turns your bodies, shoving you down onto the bed.
Joel slips an arm beneath your low back, using it to pull you up the bed as he crawls on to join you. He positions himself between your legs, tearing the soaked fabric of your panties down in a frenzy.
He slides his fingers through your wetness before bringing them to his lips, sucking them into his mouth with a groan.
“Christ, I’m gonna feast on you for hours, baby, but I wanna fuck you so bad,” he says.
“Then fuck me, Joel, please,” you beg, lifting your hips so that his cock slips through your center. “Come on, wanna feel you.”
He lines himself up, pressing into you with a delicious stretch, the slight sting of it making you whine. He shushes you, not stopping until his hips press against the back of your thighs.
“Good fuckin’ girl, takin’ my cock like you were made for it,” he says, leaning forward to kiss you, the shift in angle making him go impossibly deeper. “Tell me when I can move, sweetheart.”
You shift your hips restlessly beneath him. “Please move, Joel, wanna feel it.”
Joel pulls back before slamming forward, the force of it making you slide up the bed as all the air leaves your lungs in a whoosh. His grin is sharp as he does it again and again to the tune of your desperate cries.
“Joel!” You cry, clawing at his back with each thrust. “Fuck, yes, yes!”
He withdraws abruptly, the loss of him as you clench around nothing making you whine pathetically. With a bruising grip on your hips, he twists your body until you’re on your belly, ass in the air and chest pressed to the mattress.
Joel slides back inside your tight heat, a palm slapping across one cheek then the other as he resumes his powerful thrusts.
“Fuck, darlin’, you’re so goddamn tight,” he growls. A hand presses to the back of your neck for leverage, changing the angle yet again. “Can you cum for me? Can you soak my fuckin’ cock, baby, I bet you can.”
You nod, the movement restricted, but you can’t form words. All you know is the feeling of Joel pounding into your body like he owns it.
The hand on your hips moves to the front of your body, fingers finding and pinching your clit. You sob against the mattress, the sheets wet beneath you from tears and drool.
“Come on, baby, fuckin’ cum for me,” he growls. “Won’t fill ya up until you do.”
That’s the visual that does it. The thought of Joel finishing with you, inside of you, dripping out of you too much for your lust addled brain. With a shout, the thin remnant of your control snaps and you pulse around him.
“Fuck yes, that’s it, sweetheart, good fuckin’ girl,” he praises, his hand leaving your neck as he sits up, his tempo fast and sloppy as he chases his release through yours. “You want me to cum in this tight little cunt, honey.”
“Yes, please,” you manage to slur, muffled by the sheets. With three more harsh thrusts, he does as promised, spilling inside of you with a shout.
He slows before withdrawing, your body collapsing against the mattress without him there to hold you up. He chuckles as he flops beside you, dragging you into the cradle of his body.
“You done playin’ games with those boys?” He asks, smiling smugly against your neck.
“Yeah, think I might be into older guys,” you tease. He pinches your hip, making you laugh.
“See if I ever help you during trivia again.”
________
Joel’s standing in front of you, arms crossed with a scowl on his face as you stare up at him with pleading eyes.
“Come on, baby, help me out,” you ask sweetly, batting your eyelashes.
“Last call for an answer to our final question! What is the only song credited to all five original members of the band Fleetwood Mac?”
Joel sighs, biting back his smile. “The Chain,” he tells you. You scribble the answer, running your paper up to the emcee. When you return to the bar, you lean across the polished surface and tug him towards you, planting a kiss to his lips.
He drags you back for another kiss. And another.
“Anytime, darlin’.”
Joel Miller tag list: @huffle-punk punk @johnwatsn @hopelessromantic727 @whereasport @pedr0swh0r3 @yellingloudly @dragon-of-winterfell @thedeadsingwithdirtintheirmouths @mydailyhyperfixations @liati2000 @ghostofjoharvelle @cutesyscreenname @morgaussy @letsgroovetonighttt @endlessthxxghts @fake-bleach @brilliantopposite187 @mattmurdock1021 @str84pedro @justsomeoneovertherainbow
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heavenblvd · 2 months
Text
𝐒𝐓𝐑𝐀𝐍𝐆𝐄𝐑𝐒.
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pairings — fem!reader and rafe cameron.
summary — after rafe takes your life, he tries to move on, and simply pretends he’s the one who didn’t do so. eventually, hauntings and truths will lay themselves out to remind rafe just how sickening he is.
warning tags — adult language. details of gruesome m*rder & m*rder itself. mentions of DV relationship, (brief) child ab*se & awful parents. talks of religion and god. reader’s pov from heaven (?? just stick w the program). rafe actually going more insane than usual. overall dark content.
author’s note — this is based on and inspired by ethel cain’s song ‘strangers’ and while this song has multiple interpretations to go by, i’m taking mine by the main and common one (just without the c*nnibalism!). this also gets super dark and depressing so if you cannot bear any of it, please click off! this also isn’t revised at all so my apologies for grammar mistakes.
likes, shares & reblogs are very much appreciated ⋆୨୧ ₊゚
you had tears in your eyes, body shaking to point you thought you’d convulse. you tried to be obedient by keeping in rafe’s secret of what he had done on that tarmac. he beat you to make sure you kept your mouth shut for good.
he said, “i’ll kill you if you say one word,” and it took enough fear to believe him, but you didn’t think that day would come.
murder is an evil thing, and everyone can attest to it. rafe murdered sheriff peterkin as if she was nothing, as if she was a problem in the way. bad enough, he let john b. routledge — one of your best friends — take the fall for it.
you continued to keep your mouth shut, but after rafe tried to invade the police, ward killing himself, you didn’t see a reason to keep quiet. ward was the only reason why rafe could stay out of prison, and now that he wasn’t around, you could speak.
your father preached every sunday to live by righteousness and good, to never let evil win.
rafe was that evil. he was the devil himself.
the devil that you danced with, let make love to you, kiss you, but also beat you until stars twinkled in your vision, and your breath kept getting caught in your throat.
your mother would be horrified to know that, your father too. but it was their fault in a way that you accepted this cruelty as love; your father, especially to blame.
if love is not meant to be hit at you, does it even exist? your father showed you that when he’d slap or punch you for falling out of line, but go to church the next day, and preach about being a good servant to god.
you wanted all evil out of your life. it was suffocating, it was drowning you.
rafe had to be eliminated first.
“you killed peterkin, and i’m tired of knowing it,” you said, picking up your car keys. “we are done, and i won’t even show up to your trial when you go down for it.”
rafe just stared at you appalled and puzzled, sitting on the edge of his bed. you were close to being far out enough to your car until strong, violent hand seized you.
you screamed and kicked, not being new to this routine, only knowing that he was going to harm you.
you could never predict that his violence would lead him to murdering you.
“let me go, rafe!” you screamed, being pulled inside, your pleas and cries echoing in the empty home.
expecting to be physically berated, you were being led downwards.
to the wine cellar basement.
and for once in a while, you prayed to god, and hoped he would finally listen to you this time. that he would save his child, and perform a miracle.
but a miracle never came as rafe manhandled you, pinning you down on the cement ground of the basement.
“shut the fuck up! stop crying!” he yelled, a solid punch coming to your cheek, and you yelped, an easy gush of blood rushing out of your mouth. “you’re a fuckin’ backstabber. after everything i’ve done for you, gonna treat me like that?”
you cried, shaking your head. “r—rafe, please! i’ll be good, i’ll stop!”
“don’t trust you, little one. can’t let you ruin everything,” rafe said, reaching for something out of his back pocket.
the more you fought back, the more angry he got; the more you fueled the fire that rested in his hands and body.
before you could let out another plead, a sharp pain was made into your abdomen.
rafe stabbed you — and he wasn’t planning on stopping there.
god wasn’t there. you would show up to his gates in this condition, and ask him why he let it happen. if god is real, why did he bear witness instead of saving you?
rafe doesn’t recall killing you.
he remembers grabbing, and dragging you down into wine cellar basement, but couldn’t be able to tell anyone what happened after that. all he knows your blood was quite literally on his hand, knife shaking in his grip.
your babydoll white dress was now stained with violence and scarlet red blood.
the sight should’ve made him sick, but it didn’t. he just stared at you, breathing heavy, and it didn’t strike him until a while later that he had killed you.
rafe cameron had killed the love of his life.
he only panicked when it came to how to dispose your body, take off any evidence that could trace back to him. he was more than willing to dump your body in the woods, let any gators eat at you for supper.
he tossed your body only hours later in the depths of the woods, and it didn’t take long until you were reported missing.
of course, he was questioned first. it was easy for him to play the concerned boyfriend, crying because he also hadn’t heard from you, saying he had been texting and calling you for hours.
your parents sobbed on the news and asking anyone to come forward with any information, that they’ll give up however much money for their child to come home.
rafe just stared numbly at the television screen, a cup of scotch in his hand.
your best friends, the pogues, sobbed for days, and even started a search party for you. rafe made sure to dig you levels down in those woods when the ground was wet enough to dig up, and cover you up.
sarah cameron had a feeling her brother had something to do with your ‘disappearance’ but it was only just a gut intuition, she couldn’t prove it. she always questioned why you got with her brother, always emphasizing how horrible and violent he was, but you would tell her, “you don’t know him like i do; you don’t know how much he loves me, and takes care of me.”
kiara knew how bad rafe was — for god sake, she momentarily went to the academy around the same time he was a senior. she knew he wasn’t destined to be a boyfriend, let alone even in a fucking relationship.
the boys of the group were beyond furious, the three wanting to round up and take ahold of rafe, beat some information out of him. but they knew you wouldn’t want that, and that rafe would easily get the police to arrest them.
however, months passed, and you slowly became a memory to not only the town, but to rafe himself. he went on with his days like nothing occurred, that he didn’t violently take the life of his girlfriend.
you weren’t on his mind anymore, and he didn’t have to worry about you anymore.
or so he thought.
karma and revenge go hand in hand together; they mingle and burst out, they make sure they arrive at the doorstep of the people who deserve it.
rafe always thought getting rid of you would avoid his downfall, but the murder of you was just the beginning of it all.
he slept peacefully like he had done for a while now, with him about to drown into a deep sleep. he rested with his hands laid atop of his stomach, comfortable and at solitude, a female whisper woke him up.
he peeked around, but saw no one. he assumed he was just sleep deprived and imagining things, his eyes closing again for sleep.
“do you feel sick yet?” the voice that sounded like yours came through, more clearer and visible. he shot up, and turned on his bedside lamp.
nothing. no one. not you.
why would he have to feel sick? you were gone, you were no longer a problem.
rafe shook it off, and was able to go back to sleep.
you were angry in the afterlife. you stared at rafe from heaven, trembling with rage and regret. a man you once loved, had acted as if you never existed. you adored him, and he disposed you like garbage.
you just wanted to be his, wanted him to tell you that you were his only; that he loved you as much as you did to him, that he would change and better himself for you.
that the violence would dissipate, and his rough hands would be nurtured with love and softness.
but no. that never came, and never would.
you were taunted by your murder, burning with the need to remind rafe of how sick he was.
your violent lover let you bleed before him, and without tending to your wounds or simply sitting with immediate regret, he soaked in his actions and dismissed it.
why couldn’t he be gentle? was him painting you blue and purple not enough? did he have to go as far as killing his lover to satisfy the disdain and vexation he held for you?
was that enough? was that enough to make you enough?
rafe’s nights slowly turned interrupted and sleepless. your voice was always there, and time to time, he thought he saw you standing in his bedroom, drenched in blood and with tears streaming down your face as you kept asking him, “do you feel sick yet?”
sick. not regretful. fucking sick.
sleep deprivation was catching up to him, making him more mean and angry than usual, more out of control.
the coke wasn’t even helping either, only making everything worse.
he was at barry’s trailer, snorting endless lines of the white powder, trying to shake off the sight of you from last night.
“country club, you good?” barry asked, and rafe didn’t respond. “you don’t seem well, bro.”
“just need this shit, okay?” rafe mumbled, separating another drop of cocaine. “just… just want to sleep, need it.”
barry didn’t want to push him with more questions, minding his own business as the blond haired boy snorted up excessive amounts of lines.
rafe ended falling asleep on his couch, barry mindlessly scrolling on his own phone as he laid down on his bed.
the cold air from the air conditioner ran around in the basement, making it more freezing and chilling than usual.
rafe could smell strawberry perfume, indicating you were around. he looked around, and saw nothing of you.
“where are you!” he screamed. “you can’t scare me, you bitch!”
“i’m not here to scare you,” you talked, rafe spinning around to find you perched in the corner of the basement. you careened closer, the dim light emphasizing on your mangled body.
rafe stared at your stomach, where immense stab wounds laid on it. he swallowed thickly, his breath shaking and jagged.
“do you feel sick?” you asked, and rafe looked up at you. he couldn’t move in this dream, he was paralyzed and a witness to your lacerated body.
nausea and despair washed over rafe, almost consuming him entirely.
you were finally face to face with him, your hair disheveled and bunched, face stained with tears and runny makeup, all for him to look at.
rafe could feel your physical touch, your soft hand grabbing his, and made his palm touch your abdomen. he almost fucking threw up.
you could see it, you could see he was wanting to vomit everywhere. “am i making you feel sick?” you asked, and rafe shivered, forcing his hand to put more pressure on your stomach, blood rushing out onto it. “am i making you feel sick?”
rafe screamed and lurched up, his eyes opening and alarming barry. “woah, what the fuck, rafe!” barry shouted, and rafe breathed rapidly, his heart thumping against his chest, a need to vomit.
rafe brought his face into his hands, trying to shake everything out of his hand.
your face, your touch, your blood — he felt it all. he was being reminded of you, when he didn’t want to.
barry kept asking him what was wrong, why he was crying, if he was okay, but all rafe could focus on was your voice asking, “am i making you feel sick?”
he was no longer immune to his destruction. he was becoming infected by it. you were a disease that he couldn’t treat, a parasite that ate at his brain.
he would never get rid of you — and you would make sure that he never did.
it was month seven without you, and you became a faded name to the outer banks. the only people who lived on to tell your name was your parents, and your best friends. the pogues carved your name into the chateau’s tree, a ceremonial bench placed at the high school.
your body or you weren’t ever discovered, but the police had listed you as deceased. you weren’t a runaway, you were eighteen, and had nothing to runaway for. when you couldn’t be traced anywhere on the grid, the police pronounced you dead, and that was that.
pictures of you and any sort of evidence remained in a cardboard box somewhere in the police station. you were left to rot in every way.
you were tired of being forgotten, but more exhausted that nobody knew that your boyfriend did this, and you probably weren’t going to be the first girl he killed.
rafe cameron needed to know what he did, and you wanted to do everything you could to make him drag himself to the police station, sit down, and say, “i killed her — and i enjoyed every fucking second of it.”
madness was becoming rafe. he was already an insane, depraved fuck before, but the lack of sleep and memories of the murder were catching up to him for good.
dark circles were around his eyes, hair greasy and messy, his body tired. he felt like he was going to snap any second.
he kept drinking, smoking weed and doing coke back to back, surprised that his heart didn’t give out yet.
a random exhaustion toll pushed over him, laying him down on the floor of his bedroom, and his eyes threatened to snap shut.
he didn’t want to sleep, he was afraid to. he was afraid to see you, with your bloody dress and sad face, making him touch your wounds.
rafe didn’t win the fight of sleeping, and he knocked out cold on his bedroom floor.
he wasn’t in the basement, he was in his bedroom, and he could hear your feet padding away to the front of the house, to your car.
oh, he was reliving the night. and he couldn’t stop. he couldn’t get out of the memory — he was facing everything.
he saw you bloody by his doorframe, and you tilted your head. “why are you doing this?” he asked, his voice sounding as if he was trapped in a void.
you only frowned. “so you know.”
like a reflex, rafe hurriedly rushed over to you outside before you could get away, seizing you away, and taking you to the basement.
he pinned you down to the ground, and screamed at you to stop crying, upset and angry you were willing to betray him when he did everything for you.
you were sobbing, but it became echoes and his ears rang, everything around him becoming silent except his own heavy breathing. he grabbed the knife that sat in his pocket, and he could see your eyes widen with fear to the sight of the object.
“rafe!” you screamed in the first stab. he hit you sharp and right in the abdomen.
he held his knife there for a second, like time was freezing him, and he felt a hot breath at the side of his face.
it was you.
“am i making you feel sick?” you asked, and rafe proceeded to stab you as you sobbed. you cried out his name, trying to fight away the knife, promising to be good and for him to stop.
“am i making you feel sick?”
another stab.
“am i making you feel sick?”
another stab.
“am i making you feel sick?”
another stab.
“am i making you feel sick?”
rafe couldn’t stop, he couldn’t control himself. he kept stabbing you as you screamed. he was a monster, with the inability to suppress his anger or violence.
“am i making you feel sick?”
another stab.
“am i making you feel sick?”
another stab.
“am i making you feel sick?”
another stab.
“am i making you feel sick?”
a part you thought you were making him feel sick because of how mutilated your body was; that the body he was once desired, was now filling him with disgust. you wondered if how butchered you looked, was making him uncomfortable and sick. he didn’t deserve your concern, but it happened anyway. was it making him sick?
rafe wanted to cry, but couldn’t. he was revisiting the person he was in this moment, and could see life vanish from your eyes, death taking you away.
he took one last stab, and held it there like the first one. you kneeled in front of him, looking over at your corpse for a moment before your eyes settled into his raging ones.
he held prolonged eye contact with you as you inched your face close to his, but kept a safe distance. you placed your hand on top of his murdering one, and with a blank face, lastly asking him, “am i making you feel sick?”
rafe broke eye contact with you to look at your deceased body, and realized and remembered this murder. your organs could be nearly seen, blood gushed and poured out everywhere, your body cold and still.
he dropped the knife, and eyed you. “i’m sorry.”
you shook your head, and sighed. “you will revisit this everyday as long as you live,” you said, sniffling. “all i wanted was to be yours, and be good enough, rafe. was i no good?”
he didn’t have an answer, and with that, you got up, staring over at your body. “i want you to know,” you chuckled softly to yourself, “i never blamed you for loving me the way that you did. i forgive you, especially since i’m happier where i’m at.”
“heaven?” rafe asked.
you nodded. “you won’t make it here, but i’ll still hope and wait that you do — because i love you too much to let god be angry with you too.”
“he’s an angry man?”
“he’s angry and unfair,” you responded. “like someone i know. i loved god, i loved you; two men who didn’t view me as much, who don’t deserve for me to believe in them.”
rafe went quiet, and enough time went by for you to disappear for good to let rafe cry, and scream. he cried and sobbed, dry heaving as he vomited everywhere to the sight of you.
he killed you, and as long as he kept it to himself, you would drive him mad and insane with the knowing of it.
rafe cameron confessed to your murder only hours later. he drove himself to the police station, and confessed to every detail, telling sheriff shope where your body was.
they found your maimed body in the exact location where rafe told them it was, your body already decomposing into near bones, eaten by critters and bugs.
the earth was consuming you.
he was hated forever, the town wanted him torched or given the death penalty. it would be a while until he got a trial.
your funeral could be proper with your body in a casket, given a rightful way to be down in the ground, protected and secured by a box stuffed with silk fabric.
you could see your mom cry, and you wish she wouldn’t. your father had to give the prayer at your funeral, your best friends sobbing, and hating themselves for not getting you away from rafe sooner.
however, your death was simply inevitable. if rafe didn’t kill you, your love for him would. he was everything to you.
even when he was murdering you — getting a vile satisfaction from it — you were worried about him, if you and your maimed body was making him feel more nauseous and sick than the actual murder was.
rafe would live with the knowing that you truly loved him, and he took your life every single day that he spent in a prison block cell.
and your ghost would continue to linger and haunt him, never letting him know peace and serenity as he never did to you.
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balancethescales · 10 months
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thinking about the specific moments where the berzatto family falls in love with sydney (because of course they do, everyone does).
for richie, it takes the end of the beef and right up till the opening of the bear to happen. he is full of contempt and grief when he meets her and all he knows is that when he looks at her face he is afraid. he doesn’t like that feeling. richie is not a man who finds himself fearful a lot, but she is everything he is not and nothing that he is and he hates himself for it. if she is what it means to be passionate, then what is he? is he nothing but an empty shell of mikey, stuck on earth to shake his fist at passing clouds, because how dare they move and continue on like mikey was nothing to them, as if he wasn’t the very point that the earth revolved around? everyone is leaving him behind, and she is proudly leading the pack. it’s not right. but then— he gets it. he talks to garrett and jess and chef terry and he sees sydney in every corner of that restaurant. the fear slowly is replaced with respect as the week goes on and he realizes that just because she’s good doesn’t mean she’s out to get him. that’s the berzatto upbringing in him doing the talking, but it doesn’t have to, because shes a berzatto now, maybe not officially (not yet, but mark his words, she will be) but she is, and that’s not how she does things. so, he lets her lead them into the future to something good and different and better.
for sugar, it’s instant. she was born to a mother who is triggered by her very existence, and it has hurt her all her life. she is full of love and the one person she wants to give it to the most doesn’t want any part of it. she was born to give but is surrounded by those who are afraid to even take it, to reach out their hand and meet her in the middle. and if they cant take then they themselves have nothing to give, so she gets used to being the one who has to force feed her love down their throats, because if no one does, if no one shows them that they are worthy of good things, then they will crumble (“if i just talked to him more—” “no, nat—” “if i had just—” “it’s not your fault, honey. it’s never been.”). but when she meets sydney, it’s like looking into a mirror. she sees her bright eyes and soft smiles and careful but strong hands and instantly recognizes her for what she is: a giver. and sugars heart swells with even more love than she thought possible, because finally, she’s not alone— there is someone else there to slowly, albeit subconsciously, take care of her crumbling family, to show them that despite what their mother may have taught them, its okay to not be okay (she tries her best not to cry when syd asks her if shes okay, but she does. and syd doesnt grab her face or yell at her or call her stupid. she makes her a meal. and sugar cries some more).
for cicero, the love isn’t instant, and it’s not even entirely love. she is strong and she is assertive, but that also makes her naive and a very expensive risk. she makes him curious for what’s to come, intrigued by the way she doesn’t back down from carmy whose voice so often mimics the berzattos that came before him (“you’re better than this, kid.” “i don’t know what i am.” “whatever it is, it’s not this.”). she's self assured and knows her place in the establishment and is unafraid to let people know it. it’s a refreshing change of pace from mikey, who often resorted to intimidation to get his way, or carmy, who’s anxiety envelopes him and distracts him from what’s right there in front of him. but she is not them. she is focused and on track and is willing to put in the work to get what she wants. he doesn’t visit the bear often, only drops by once in a while to deliver bad news or to fulfill a favour or to just enjoy some good food, but when he does, she is always there, dedicated to ensuring that carmy and michaels, and now, her dream stays alive. she is good for his family, and he trusts her to keep the berzatto spirit alive.
for michelle, it’s quite simple. she always looked out for carmy, their little bear, so when she meets her it’s a family thanksgiving party at the bear and syd stumbles out of the kitchen, obviously frazzled and a little sweaty (“carmy, im not ready, i didn’t even change yet and the turk—” “don’t worry, tina will take care of it, you look great, they’ll love you, they just really wanted to meet you—”), but she’s smiling. she’s a little awkward when she introduces herself, and michelle finds herself endeared by her nervous ramble (“it’s, uh, really nice to meet you guys. sorry, i didn’t know that i was going to be pulled out of the kitchen so soon. uh, im sydney. yeah, i guess carmy already told you guys, huh? um. im sorry, how are you related to the family again? i mean, i dont want to offend but it’s just. uh. well, you guys are just very... normal?”) and she’ll laugh and look at stanley and the two of them will think to themselves, good job carmy, she’s a good one, before telling syd something dumb and nonsensical about a genetic mutation and richie interrupts to tell michelle it’s not a genetic mutation it’s called being boring and syd will laugh and michelle will too, truly happy that their little bear found someone normal, a breath of fresh air within the smoke of their family.
for donna, it’s weird. it’s tense. they don’t meet for a long time. they don’t meet at the bear when it first opens and not at the bear even when it has found it’s footing, but by chance. they are somewhere mundane (a grocery store, a park, or maybe just the street) and there is no other family member around when syd meets the berzatto matriarch. she only knows what donna looks like from photos at sugars house because carmys apartment is devoid of any actual sentiment (although that has begun to change since she made him get an actual dresser and he dedicated one of the drawers to her stuff). she calls out to her by her name, and donna turns around startled. she doesn’t recognize syd, of course, who introduces herself and informs her of who she is to the family. when donna smiles it’s not a real one, and syd knows this, but it doesn’t deter her. she tells donna that her kids love her (“even after everything, nat?” “she’s our mother. its all that we can do.”) and that her kids are great (“carmy, you are not broken.” “im a little broken.” “no, listen to me, the fact that you are still here, means something. its something.”) and that there will always be a table for her at the bear (“chef, someones calling in for a reso for 1 but we’re all full up… except for—“ “yo, dont finish that sentence. table 7 for ms. berzatto is an indefinite booking. is that understood?” “yes, chef”). donnas smile fades and her chest fills with anger but just as she’s about to explode in typical berzatto fashion syd interrupts her. she has faced the bear many a time before and has handled herself with grace and dignity everytime, so this is no different. she smiles brightly and thanks donna for listening to her and hopes she considers coming in, because she’d really like to cook for her. she looks like she needs a good meal. she deserves one. she turns and walks away. donnas stomach growls. that night, table 7 is occupied for the first time since the bear opened its doors.
and carmy? well, there isn’t an exact moment. its a culmination of awkward partnership (“i don’t want to be shitty.” “okay, then dont be.”) and flawless teamwork (“the menu needs—” “already on it, chef.”) and nights unwinding at the bar down the street (“of course you drink an old fashioned.” “what’s that supposed to mean?” “nothing, it’s just very… tortured-chef-from-the-slums-of-chicago of you”) and spontaneous phone calls just to hear the others voice (“why are you whispering?” “i… don’t know. my dads home. its a habit.” “you’re 27.” “and you’re white, you wouldn’t get it.”) till they’re just inseparable (“cousin, wheres carmy?” “with syd, duh.” “why'd i even ask?”). and then, sydney and carmen become something else. something tender and sweet and terrifying and beautiful all mixed together into… something. there’s no word for what they have. but it feels so right; to the guests who taste their food and recognize that the hands who put it together are full of love and care; to the staff at the bear who see the unspoken communication, the lingering touches, and their soft eyes that seem to always be on the other; to the berzatto family who notice that carmy looks a little brighter, and shakes a little less. yes, its love, but its so much more. it’s syd and carmy. it always has been, and always will be.
(“can i ask you something? something corny and lame and gross?” “always.” “when did you, like, know?” “know what?” “like, when did you know that you loved me? like, not as a chef or a friend, but as... y'know.” “that’s very middle school of you to ask.” “shut up, i did warn you.” “…” “so?” “its, uh, i don’t, i don’t know.” “well, that’s rude.” “no, i mean, i can’t say its one moment because... it was all of them. together. like, one moment you’re staging and then everything happened and, and, keeps happening but the next thing i knew you were there and you always were there and i just knew that i never wanted you to not be there.” “that’s…. really, really, disgusting, and frankly, a little unprofessional.” “oh, fuck off.” “no, like, i knew you were obsessed with me, but wow, that is a whole new other level.” “fuck you, get off of me, don’t touch me.” “no no no, please—” “i let you into my family—” “let me?” “into my restaurant—” “i think you mean OUR restaurant—” “only for you to humiliate me in my own bed? how dare you.” “…are you sulking?” “…” “…carmy?” “syd?” “me too.” “…heard, chef. now come back here.”)
(and it’s unspoken, but everyone knows that michael would’ve loved her too. i mean, she’s sydney fucking adamu, she conquered the bear. how could anyone not love her?)
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heliads · 9 months
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I love you writing and I was hoping you could write Ben Florian x VK!Reader the reader is Lefou's kid. A soulmate AU where the negative things you think about yourself are marked on your soulmate's skin. Reader only has one or two things because Ben is from Auradon and has a good life and family. While Ben has around half a dozen. Reader is the one who gives Ben the love potion. During the lake scene they notice Ben is their soulmate and tries (but fails) to hide it thinking he deserves better
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There really is no good place for a prince. They are political figureheads in every sense of the phrase— too young to actually rule, too old to be allowed to skip state functions. They sit in corners of expensive meetings and cut ribbons in front of newly opened buildings, but they can’t do a whole lot except smile and pose. 
Shame your friend seems so fixated on capturing one, then. It feels like you’ve just barely left the Isle of the Lost, only bid farewell to the entirety of your prior life experience hours ago, and yet already Mal is scheming about how to best tear down everything around you. If Prince Ben is the best way to fulfill her nefarious plans, then so be it.
The only problem is that you’re now involved in all of this, too. Mal wants a wand and so she’ll take a prince to get there, but as one of her best friends, you’ve been drafted into the plot to catch a prince. Ben won’t have any idea what’s coming. Shame, he would probably run if he had any clue.
Mal’s good at covering her tracks, though, she always has been. You can remember elaborate plans from when you were much younger to steal cookies or cloaks, spellbooks and shoes. At this point, hearing Mal tell you that she’s going to bewitch the crown prince of Auradon into falling in love with her shouldn’t surprise you, just the fact that she’s taken this long to come up with the idea.
Usually, you have no problem going along with Mal’s little adventures. They’re entertaining, at the least, a good way to pass a few days when you’ve already gone over every alleyway and hiding place on the Isle at least a dozen times in the last month. The issue is that you’re not on the Isle anymore, and maybe– just maybe– disrupting everything here isn’t entirely what you want to do.
Mal doesn’t know this, of course. None of your fellow VKs do. Every time they monologue and moan about how they can’t wait to get out of this place, you find yourself holding your tongue, biting back your real thoughts about how the school isn’t actually as bad as you feared. Sure, the constant judgment from the other children of princes and princesses isn’t all that fun, but Auradon Prep has its positives, too. For one thing, you think your soulmate might be here.
What a terrible thing for the child of a villain to prioritize. You’ve heard Mal scoff at the idea of a soulmate, and although Evie is certainly more interested in the idea than some of your other friends, you’re still not sure that you’d find a welcome audience amongst their ranks when it comes to tracking down your soulmate. After all, the odds of that soulmate being from Auradon and not the Isle are pretty high. They’ve all but told you that themselves.
All things considered, for a society with such control over magic and spells, it’s pretty difficult to find your soulmate. You’d always wondered why those in charge couldn’t shorten the whole affair to something more simple– a name on the wrist, perhaps, or an invisible string that only the two of you could see– but instead, soulmate magic went the complicated route. How lovely.
The story about the origin of the soulmate magic is convoluted and ancient, going back generations and changing with each family. The general consensus is that soulmates were created to preserve the sanctity of true love, with the idea that soulmates should be able to love each other entirely, flaws and all. So, when you think something negative about yourself, those very same thoughts will show up on the skin of your soulmate, something like a warning label for what they’re going to get themselves into.
This is all well and good for people with few negative thoughts, maybe they’ll have something here and there about a bad sports result or a poor test grade that their soulmate can chuckle over before meeting them. For you, though? You, the child of a villain, cursed to live forever on a too-small island with the other convicts and criminals, you have had more fears and hated things about yourself than most. Your soulmate must be covered in unhappy musings, which only makes you feel worse about yourself than before. A self-perpetuating cycle of the worst kind.
By contrast, the startling absence of your soulmate’s negative thoughts on your own skin makes you certain that they couldn’t be from the Isle of the Lost. There are only one or two fears on your skin, proof of loving parents and a stable home, and they’re minor things like a bad hair day or a fear of not doing their absolute best. These change, often leaving every few months to be replaced by something else insignificant.
What makes you most certain that your soulmate is the child of a royal is the one negative thought that has stayed on your skin since the very beginning. Your soulmate, whoever they are, is terrified that they will let down the king and queen. Only someone with close ties to the royalty could have such a fear, so it’s proof that your soulmate is somewhere here on Auradon.
So maybe you don’t want to leave this place, not yet. Not until you can learn who your soulmate is. It’ll be almost impossible to track them down on this information alone, but supposedly that’s how the whole thing is supposed to work. You learn about the worst parts of your soulmate, and then you get to love the best of them. The only problem is that you’re fairly sure that if your soulmate is a royal, they won’t want to love you at all.
It’s easier to ignore the whole affair. Easier to agree to Mal’s plan when she proposes enchanting Prince Ben. At least another one of your friend’s schemes will keep your mind off the soulmate affair.
That’s what you tell yourself, at least, but your conscience is starting to get steadily more vocal as the days go by. Ben is a nice guy, which hurts, surprisingly. Although the love spell may have been cast on Mal, as one of Mal’s closest friends, you’re around the two of them all the time. The boy you see is someone that you wish could be your soulmate. He may be a prince, and you may be a villain, but he makes you want to believe in love after all.
You certainly have the capacity for such musings. For some reason, the love spell didn’t take all that well, and although Ben is now compelled to stay with Mal more than he was before, it’s not like he’s totally obsessed with her as Mal had hoped. Mal claims it’s because love spells can never work fully due to the soulmate issue, like having a soulmate is a kind of shield to protect you against that sort of enchantment, but regardless, Ben has just enough independent thought that he can tell you jokes and try to make you smile like– well, like he tries to do with Mal.
The realization that Ben is a genuinely good person, and worse, someone you don’t want to trick, haunts you as you fall further into Mal’s scheme. You’ve been trying to push the whole thing from your mind, letting Ben join your soulmate in the depths of your mind you don’t want to touch, but your train of thought keeps circling back to him despite your best attempts otherwise.
Besides, it doesn’t help that Mal keeps trying to involve you in the plot. Right now, the two of them are at the Enchanted Lake, out on a cute little date. Mal had been making mock disgusted faces at you the whole time she was getting ready, but some part of yourself can’t stop whispering that this doesn’t seem so bad, actually, that the thought of being out here alone with Ben would make for a wonderful day instead of the tedious chore Mal is making it out to be.
Ben doesn’t know you’re here, though. Mal wanted backup in case something happened, so you’re lingering in the woods to keep anyone from stumbling upon the scene and also holding onto more magical baked goods in case Mal feels the need to renew the spell. It’s kind of like torture, strolling through this beautiful forest, knowing that Ben is so close and you are helping hold him under the thrall of this plot.
The storm in your mind must be thundering too loudly for you to think straight, because you lose track of yourself and accidentally walk too close to the lake. You weren’t supposed to be spotted, but before you can back away and melt back into the foliage, Ben looks up and sees you. You panic, immediately heading the way you’d come, but you hear footsteps after you moments later and Ben manages to track you down before you can go too far. Mal is so going to kill you for messing with her plan.
“Sorry,” you murmur, eyes wide when he finally catches up to you, “I didn’t realize the two of you were– I’ll go now.”
Ben shakes his head. “No, no, it’s alright. It’s not like we have a monopoly on the woods.”
He’s dripping water, most likely due to a recent dip in the lake, and you can’t seem to stop your gaze from following the path of the droplets as they cascade down his shoulders, across his hands, and, most importantly of all, over the swooping letters of the fears of his soulmates. 
Usually, Ben wears long sleeves or something else to hide them. You can see why now– there are many of them, many more than you, perhaps half a dozen in all. You can’t read all of them from where you’re standing, just snippets about how a villain’s kid shouldn’t have a soulmate, how they’ll never amount to much, things like that. Things like what you’ve been thinking recently.
Ben must catch on to your train of thought, because he smiles weakly, absentmindedly scratching at a sentence proclaiming that his soulmate isn’t worth the good luck they get. “Yeah, my soulmate’s a little stressed, I guess. Hopefully, I can talk about that with them soon. I want them to know that they’re worth it, wherever they are.”
It had never occurred to you that hating yourself would make your soulmate this obsessed. You have no proof that Ben is your soulmate but– 
But, as you watch, you can see a new fear appearing out of nowhere, wrapping itself around Ben’s left wrist. I’m not good enough for a soulmate this good. Just what you were thinking mere moments ago. It’s like proof.
Ben looks up slowly, and although you were never blessed with the ability to read minds, you swear you can tell exactly what he’s thinking right now. “Are you–” he starts, ends, tries again, “Do you know who your soulmate is?”
You can do several things at this moment. You can confirm what you’re mostly sure is true, you can lie, you can pretend you hadn’t heard him. You spot movement in the trees behind him, a flash of purple, and remember belatedly that Mal is still somewhere at the Enchanted Lake, waiting for Ben to come back and wondering why you’re holding him here for so long.
All of a sudden, the reality of the situation comes crashing down around your shoulders. This is not something that can happen. Ben is a prince. You are the child of a villain, and the friend of another VK who’s counting on you to continue fooling Ben so she can pursue her latest mad plan. There is no world in which this works out.
So, you force a smile, banishing all thoughts back into the deep recesses of your brain once more. “No,” you say, “I don’t know. I think they’re a VK, though.”
Ben’s face falls in a flash. “Really? Because I thought–”
You shake your head quickly. “I don’t– it’s not me. I think Mal is waiting for you, though. You shouldn’t keep her for long.”
Ben glances back over his shoulder in memory of the girl he’s left somewhere in the woods behind him, and when he looks back, you’re gone. You’re good at running. It’s a skill you’ve perfected over the years. You just never thought you’d have to use it now.
Prince Ben is your soulmate. Impossible. True. Mal comes back later that afternoon, tells you the date went splendidly despite your accidental intrusion. Ben must not have let the brief moment in the woods faze him for long. It hurts more than you care to admit.
There is only so much running a VK can do, try as they might to pretend otherwise. You avoid Ben at all costs, hoping that whatever foolish war is currently being fought inside your heart will come to a tolerable ceasefire if you just ignore it long enough. Mal tells you that the plan is going swimmingly, she’s never seen the prince more excited about the VKs and the upcoming coronation. You nod and smile and tell her that you’re glad everything is going to plan, but inside, you cannot seem to stop your mind from screaming. 
And then, all of a sudden, despite your best attempts to remain out of sight, Prince Ben finds you. It’s completely out of the blue, so casual that you almost don’t realize it’s happening until he’s sitting down at your table in the library and it’s too late to run. 
You feel like an animal caught in a trap. He’s just smiling like nothing is the matter. “I know it’s you,” he says by way of hello. 
Your heart is stuck in your throat. “What?”
“I know it’s you,” Ben repeats, “I know you’re my soulmate. I had the Fairy Godmother do a little spell so I could check for you, but I think I knew since that day at the lake.”
You frown. “You can do that?”
He shrugs, looking a little embarrassed. “Not everyone can, I think. But I, uh, insisted.”
You grin. “Prince privileges?”
“Something like that.” He’s smiling, though, maybe pleased that you’re not trying to run off this time. “But you knew even without the spell, didn’t you?”
That does shake your uncertain sense of calm. “Yes,” you admit, “but I didn’t think you— I didn’t think it would work out.”
The look on Ben’s face is genuinely heartbreaking. “What, just because I’m a prince?”
He says it so casually, it’s almost funny. “Yes, Ben, because you’re a prince and I’m a VK. I mean, my dad was Lefou. He literally tried to ruin the happy ever after of your parents, why would you want someone like me to be your soulmate?”
“Same reason you shouldn’t be afraid to want me. You’re not your father, Y/N, and I’m not my parents. We’re just us, and I know that I want you to be my soulmate. I have since the start. I was hoping you would tell me you knew, but after a few days went by and you still said nothing, I figured I had to take matters into my own hands. Even if that meant using a spell or two.”
You keep waiting for the other shoe to drop, for him to laugh in your face and tell you it’s ridiculous to think that he would ever want a VK as a soulmate, but he doesn’t. In fact, you don’t think he ever will. As impossible as it seems, Ben wants someone who isn’t from a perfect fairy tale. He wants you. And that, lovely and wonderful and absolutely crazy, sounds like a fairly good happily ever after for you. 
disney tag list: @rogueanschel, @lovesanimals0000, @mayfieldss, @eclliipsed
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hacash · 11 months
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‘Nate hasn’t earned a redemption arc yet!’ my dude no-one on Ted Lasso ‘earned’ a redemption arc, that’s the whole damn point
‘redeem’ literally means to compensate for. to give something good in repayment for something bad, to ‘buy back’ the shit you’ve done. And Ted Lasso has never tried to do this. Rebecca didn’t ‘earn’ a redemption arc: she couldn’t unsay all the cruelties she’d said to Higgins, couldn’t bring Jamie back from Man City, couldn’t undo the damage that let to Richmond being regulated. Jamie couldn’t unsay his ageism to Roy or his snottiness to Ted. he couldn’t buy his way out of the bullying he’d imposed on the team – he tried, don’t get me wrong, and then Ted put the breaks on buying the team’s love because he knows how poorly that’s going to go down. earning redemption is an exhausting arc, and Ted Lasso’s been very clever in never really doing it.
what these characters did, however, is resolve to change.
Ted Lasso has never been about redemption: it’s been about reformation. reforming your life, and giving other people the space to acknowledge that and appreciate that. former ‘villains’ in Ted Lasso don’t abase themselves or spend episodes earning back people’s good opinion or their trust: they acknowledge that they’ve done something wrong, and they resolve to turn themselves around. and vitally, they can’t do that until they’ve escaped from the shit place they are in their lives, from their own personal dark forest. Rebecca can’t reform until she’s removed herself from the mental state of obsession with Rupert and instead finds herself in a place of community. Jamie can’t reform until he extracts himself from Man City and his desire to get his father’s approval. mentally, they have to be in a better place themselves before they can start being better for other people.
And then, crucially, I think the crux of a Ted Lasso reformation is a demonstration that you are now a safe space for others when before you weren’t, even if it means putting yourself in a position of vulnerability. for me Rebecca did this not just when she apologised to Ted, but when she offered him an out to share her whole story with the press – risking the press intrusion she so hates. Jamie did this when he joined a potentially risky protest against a prominent sponsor, risking further potential reputational damage (at a time when Jamie’s brand has never needed more of a boost) if it means being part of a team.
and because of that, I think it’s impossible to argue that Nate isn’t in the middle of his reform. He’s already extracted himself from his dark forest: he’s put Rupert behind him, he’s sorting his father issues, he’s proven himself to be less dependent on external validation while having greater confidence in himself. and he’s also starting to show that he’s a safe person to be around, even at the risk of vulnerability. he owns a humiliating nickname that we know carries a lot of painful baggage for him for the sake of conveying to Will that he was wrong, and I think for someone who’s had so many self-esteem issues as Nate, owning a name which he saw as minimising and infantilising and humiliating was a big gesture.
I don’t think that Nate’s arc is finished yet. but I think it’s impossible to claim that he isn’t ‘mid-turn’. and no, he hasn’t ‘earned’ redemption, but ma’am, this isn’t the earn your redemption on your hands and knees show, this is the make the changes to your life that are needed and accept other peoples’ grace if it comes to you show. And there’s a big difference between the two.
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queenof3ferrets · 6 months
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I don’t think people realize how deep Vil’s character goes. Like-REALLY realize it.
I am an aspiring writer, and I would say I have quite the keen eye so when I see people talking bad about Vil—-I get confused.
YES he seems harsh and pushy. And YES he doesn’t seem to act very nice around people sometimes and he acts cocky 24/7.
But there’s a difference between cocky and knowing your worth. Vil KNOWS his worth. And he isn’t just going to hide it because someone says so. Or because it’s easier to be modest and quiet.
And it’s what Vil is constantly encouraging others to do: to not hide.
But Vil also knows how harsh the world is. An actor can be one of the most hated people in the world because they’re constantly being filmed and people jump on their mistakes like lions hunting a limping giraffe.
So he KNOWS that a glass heart will get someone nowhere.
It’s why he acts so tough. And it’s why he gives tough love to others. If he never teaches his dorm members how to survive they’ll roll over and get killed the moment they step onto the field.
Hence, his harsh actions with Epel.
When Epel cries and storms off, Vil doesn’t scold him for it. He tells Epel to show him if he can hold his ground with his words. And how beauty is a weapon to be wielded well.
Vil scolds Epel when he calls dancing ‘feminine’ or ‘girly’ because he knows that mindset will get the boy nowhere. Vil knows beauty isn’t limited only to the female spectrum and tries to get others to see it as well.
It’s why Vil is so annoyed when Epel skips his routine but also because having a routine and ACTUALLY sticking to it is the hardest thing for some people. And Vil talks about this. (When you log in for the day and you get a reward, Vil LITERALLY talks about how routine and effort is the hardest part about beauty) and if you do keep up the effort it gives rewards.
But Vil also knows not all effort is repaid kindly.
That’s the whole reason he overblotted, basically. He felt inferior because no one saw him put in as much effort as he himself did, and people have the gall to scold him for it. That, or they overlook him for something they thought was better(Neige).
When I write, I don’t EVER want to hear someone I TRUSTED say that my work was second best to another author or that my way of writing was wrong and I should have to change it. Because I put time and effort into writing and it’s something I’m proud of. I put my soul into my writing and it honestly really hurts when someone does the exact things I mentioned before. And I’m sure Vil felt the same way.
Not to mention Vil has been through rough things in his childhood. Other children wanted to hurt him because of his talent for acting just because he played a part in a series too well and they couldn’t tell the difference. Adults never thought he could be a hero because he was too perfect and self-confident. Adults wanted someone like Neige to be the hero because he looked pretty and acted kind. (Basic protagonist things)
And Vil hated it. He gained traumas at a young age because other people alienated him. He grew to hate Neige because in the people’s eyes he was perfect and beautiful. And he grew obsessed with beauty because he didn’t think he was good enough for the hero roll.
His overblot was overdue at this point. Sure his actions should not be immediately forgiven, just like all the other overblotters actions, but they’re NEVER entirely to blame.
Because all of the boys who overblot were victims too. Not just Yuu or the others. They were hurting themselves just as much as others were.
And I hate it when someone like Vil is seen as a overly harsh person. Or someone like Leona who is only seen as lazy. There is so much more to them than that.
Vil respects people.
Vil sees how hard the people around him work.
Vil tries his best to show others their beauty in his way.
Vil knows that gems need to be polished from rocks before they can be embedded into a crown. But the work put in to get the gems ready is rough and long. And sometimes it looks harsh.
Vil learned his lesson after his overblot. There is no need to hang it over his head like blackmail. The same goes for the other overblot characters.
Riddle learned his lesson.
Leona learned his lesson.
Azul learned his lesson.
Jamil learned his lesson.
Vil learned his lesson.
Idia and Ortho learned their lessons.
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ickadori · 4 months
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oml hi i’m absolutely DYING over your fics with uraume and sukuna. they way you write the dynamics between all three of them is IDNSKSOAJI!!!
i wonder what happens when yorozu is thrown into the mix since she is canonically “in love” (?) with sukuna. how would uraume take to them maybe messing with y/n now that they’ve somewhat grown attached to them ʅ(◞‿◟)ʃ
cws for fem reader and mild violence.
Uraume had made their feelings towards Yorozu quite clear from the moment they had first met her. She grossly misconstrued her purpose in the world - she was simply an extra body, a bit of riffraff to add to the background noise buzzing in Sukuna’s ears.
She declared herself to be in love with him, and the bold claim had left a nasty taste in their mouth. Her announcing her love for him so brazenly was similar to a beggar asking for the queen’s hand in marriage. Preposterous, the damned wench.
“Oh, how I pity the foolish drivel that fawn after my love,” Yoruzu sighs, her gaze focused on where you frolic in the garden, a concentrated look on your face as you carefully snip the stems of flowers and gently lay them in the basket by your feet.
“Self-pity is for the weak.” Uraume doesn’t bother sparing the woman with a glance. “And the weak have no business in Lord Sukuna’s palace. Leave.”
“Tuh. You’d banish me before banishing the sacrifice from that village? Don’t tell me you’ve grown a soft spot for that thing - it’s bad enough that Sukuna has—” Your head raises at the strong gust of wind that nearly topples you over, and your eyes turn to where Yorozu is pressing a hand to the deep gash on her neck, blood staining Uraume’s pale skin.
“Do not address him so casually, trash.” They turn their gaze to the blood dirtying their hand, face contorting into a scowl as they pull free a handkerchief from their person and cleanse themself. “If it happens again I’ll have your head.” They toss the now bloody handkerchief in their direction, not paying any attention to the furious look on her face. “And you will not refer to her as anything but her name, or else you’ll have the Lord himself to deal with.”
Had Sukuna been on the property, Yorozu would have finally been dealt with once he heard how she referred to you as a ‘thing’ - oh, how they wish he hadn’t left so soon.
You stop your flower picking to raise to your feet, and Uraume feels a tick of annoyance when you give Yorozu a concerned look. Fool. The woman had made her disdain for you, and obsession with your lover, more than clear, and yet you still housed positive feelings for her.
It doesn’t take you long to make your way over, basket clutched in your hands as you give a wary look to the still bleeding gash on her neck. Yorozu makes a face that’s identical to the one that Uraume used to throw your way, and their cursed energy spikes in anger, at her and at themselves.
“I can patch that up for you, Yorozu. There’s a balm I have that works really well to dull the pain. Ryomen brought it for me when I cut my hand one evening.” Yorozu gives Uraume a pointed look, likely waiting for the slash across your neck, and they make a low noise of amusement.
“That isn’t necessary.” Yorozu removes her hand to reveal her healed skin. “Unlike some weaker, lesser people, I can heal myself without the aid of balms.”
“Oh, I’m glad. It seems you get hurt an awful lot, so it’s good that you can heal yourself at will…otherwise I’m sure you would have died a long time ago due to never leaving a fight unscathed.” You beam. “I’m so grateful that Uraume and Ryomen don’t have that problem - they’re very strong and capable, unlike some weaker, lesser people.”
Yorozu fumes, skin reddening and fists clenching, and Uraume can’t help the splutter of laughter that leaves their mouth.
“Now, Uraume and I have to prepare for Ryomen’s return, so if you could show yourself the way out that’d be lovely.” Your hand that isn’t holding the basket moves to grab ahold of the sleeve of Uraume’s top, and they allow you to pull them through the garden and back indoors. You let go of them and spin on your heel when you’re finally inside, eyebrows pulling together in frustration as you lean to the side to look out through the open doors. “That woman makes me sick.”
“So have Lord Sukuna kill her.” You cringe and shake your head, and Uraume tuts with a shake of their head.
“I’d rather not start giving out execution orders, Uraume.” You turn your attention back towards your basket. “She’ll eventually lose in battle, braggarts like her always do, and then we’ll be free to laugh and dance in front of her grave.”
“You’re more like the master than you’d like to admit.” You let out an airy laugh, fingers carefully cradling a red primrose before you bring it up and carefully tuck it into the fold of their kimono.
“Oh? Comparing me to Ryomen? That’s quite the compliment coming from you,” your eyes flit up to connect with theirs. “I guess that means you must like me quite a bit.”
“You’re beginning to sound like Yorozu - utterly delusional.” They briskly walk around you, eyes rolling at your laughter that floods the halls, and the corner of their mouth quirks as they raise a hand to gently cover the flower, ensuring it doesn’t fall due to their quick pace.
The Japanese primrose (sakurasō) comes in a range of colors, including red, pink, and purple, and represents long-lasting love and beauty.
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yurinaa-world · 5 months
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hiii!! if it's not too much to ask, can i get the twst dormleaders with a crush/s/o with an emotion ahoge?
the ahoge droops down when they're sad, stands straight when they're surprised, forms a heart when they're flustered...etc.
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Characters: Housewardens x Gender Neutral Reader
Synopsis: with reader that has a emotion ahoge
Warnings: fluff, spelling mistakes
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𝑅𝒾𝒹𝒹𝓁𝑒 𝑅𝑜𝓈𝑒𝒽𝑒𝒶𝓇𝓉𝓈
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He’s flustered whenever you're flustered: it wouldn’t have been obvious if it weren't for the strand of hair that forms into a heart and you just looking away from him. He’s curious about your hair and it’s moving, reflecting the way your emotions and you look very cute with your moving strand of hair (he wants to send him a photo of your ahoge).
𝐿𝑒𝑜𝓃𝒶 𝒦𝒾𝓃𝑔𝓈𝒸𝒽𝑜𝓁𝒶𝓇
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His cute little herbivore has something special about themselves, isn’t that cute? He makes empty threats like “What pretty little piece of hair makes me want to rip from your head” why is he messing with you? Because he feels like it and your pretty eyes widening and ahoge standing up in the air. He’ll keeping saying empty threats just to mess with you
𝒜𝓏𝓊𝓁 𝒜𝓈𝒽𝑒𝓃𝑔𝓇𝑜𝓉𝓉𝑜
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It’s when Floyd pulls your ahoge saying it’s his way of playing with you, Azul has to step in since Floyd was having too much “fun” with you instead of working at the lounge. They think that it’s good to understand what someone is thinking just by looking at their face but your obvious, way too obvious one look tells what you're feeling. Now he doesn’t bother guessing if you like since your ahoge shows it all off.
𝒦𝒶𝓁𝒾𝓂 𝒜𝓁-𝒜𝓈𝒾𝓂
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WOW! Does it move on its own? It does! SO COOL! Now that just gave him more of a reason to hang out with you than how much he already does— he wants to touch your ahoge whenever you're feeling other emotions a lot if you want him to, if you don’t then it’s fine! 
𝒱𝒾𝓁 𝒮𝒸𝒽𝑜𝑒𝓃𝒽𝑒𝒾𝓉
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When you first saw Vil the strands of your hair turned into a heart, it always happened even while your together, his ego was getting better with the way he affected you to the point your own hair would jump up for him since he’s that beautiful! (He once tried to clip down your ahoge and the clip went flying across the room.
𝐼𝒹𝒾𝒶 𝒮𝒽𝓇𝑜𝓊𝒹
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He wants to grab it, like really wants to grab it, whenever you come to visit, he just stares at it while it moves around in such an animated way, ‘pull it’ is what he’s thinking to himself, well he loses to his thoughts and just randomly grab onto your ahoge and gently tugs it while you whine at his action. So cute, your look so cute looking at him like that, your hand on top of your ahoge to keep from pulling it again. (Ortho lectures him) He's sorry HE REALLY IS but you look so..so cute he couldn’t help it! Forgive him, please!
𝑀𝒶𝓁𝓁𝑒𝓊𝓈 𝒟𝓇𝒶𝒸𝑜𝓃𝒾𝒶
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How cute you were, your ahoge jumping up and down happily while walking over to see him, you really are one of a kind child of man, aren’t you? He tries his best to comfort you when you're feeling bad, grabbing your ahoge that was drooping down and making it stand up since you look better when you're happy.
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