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#the order of events is actually what happened in my game
mumms-the-word · 14 days
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A Little Boat Voyage
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Pairing: Gale x Tav (Dani) Summary: Immediately after defeating Cazador and stopping Astarion from ascending, Gale and Dani need to discuss Gale's own ambitions. She agrees to a little voyage on the Outer Planes to hear what he has to say, preparing to fight him about his plans. ao3 link Tags: Angst, fluff, teeny tiny bit of implied smut, mostly angst A/N: This is a rewrite of the Act 3 romance scene that reworks a lot of the potential dialogue for that scene to fit what I actually think would have happened for Dani and Gale. I combed through the datamined file for all the dialogue that Gale and Tav could say, depending on all the possible situations for this scene, and stitched together a lot of game dialogue with Dani's own convictions about Gale's plans. So in my head, this is canon for them lol
Astarion’s words echoed in Dani’s head as she left his side in the group’s Elfsong Tavern suite. He was sitting by the window, looking out onto the moonlit streets below, contemplating the aftermath of his decision to slay Cazador rather than ascend, trying to process and make sense of it. She had gone over to speak quietly with him, knowing he needed her more than Gale did in this moment, and in the midst of the conversation, he had looked up at her with a kind of uncertain awe mixed with tired gratitude.
“You believed in me,” he’d said. “Believed I was enough just the way I am.”
There was more that was said between them, mentions of newfound freedom, new futures, more words of gratitude. But for some reason, those words stuck with her. Enough, he’d said. As if it were a novel concept to him.
She could relate. There were days when she never felt like she was enough, for some person or some challenge or another.
She paused to lean against one of the columns in the room, her eyes unconsciously searching for Gale. She found him sitting in an armchair by the fire at the center of the suite, staring into the flames. He’d been wanting to speak to her all day, but between all the drama of that morning and the difficulty of getting to Cazador and battling him, she’d almost forgotten about it. Now, she was almost too worn down to approach him. It would be all too easy to just go to bed and tell him that whatever he had to say could wait until morning.
But even she wasn’t that heartless. She sighed to herself and moved around to the lowered center area of the suite, approaching him from behind. He looked up as she  stopped next to his chair.
“Gale,” she said coolly, one hand on her hip.
“Ah.” He gave a kind of grimace, as though he were wincing yet trying to twist it into a sheepish smile at the same time. “You’re still talking to me then?”
Dani pursed her lips and crossed her arms, waiting for him. She had no idea where this conversation was supposed to go, and part of her didn’t want to make this easy for him. He rubbed the back of neck, self-conscious. 
“I suppose you have questions…related to a certain book we read together,” he said. She arched an eyebrow and he winced. “Well. That I read,” he amended. “And I do mean to discuss it but…” 
He trailed off, his eyes wandering over to where Astarion still sat near the window, staring pensively out through the glass. “You’ve given me quite a lot to think about today.”
She sighed softly through her nose. She wanted to be angry. But honestly, she was just tired. 
They’d started the morning off with a visit to Sorcerous Sundries, thinking it would be a relatively innocent visit. But her anger had been tested at the sight of poor Rolan, beaten and bruised by Lorroakan, and her fears kindled by the hunger in Gale’s eyes once they had found the Annals of Karsus. Then Gale had sparked her anger again, boasting to Lorroakan about his plans for the Crown—none of which he had disclosed to Dani at all—so Dani had retaliated by petulantly revealing his plans to Elminster when the old wizard had popped up unexpectedly outside the shop. Then there was her and Gale’s argument in the street, all before it was even noontime. 
That would have been enough for the day, except that they had spent the afternoon and evening infiltrating Cazador’s mansion to stop his ritual. That experience had been draining for everyone and the resulting conclusion of the events was bittersweet at best. Dani had stopped one of her best friends from giving in to his dark ambitions, but she still had her work cut out for her when it came to her own lover’s ambitions. 
She just wished everyone around her would stop being so damned power hungry. Was it so wrong to wish for nothing more than a warm home and for one’s friends and family to be safe and comfortable? She knew she could be greedy too, but her greed didn’t test the limits of reality or threaten thousands of lives all at once. It just emptied a few pockets. Maybe a few bank vaults.
At her silence, Gale shifted uncomfortably in his seat before at last giving a soft sigh of his own. “In truth, I wouldn’t blame you for giving me a wide berth. I thought the orb’s ever-present censure had tamed my wilder ambition, but that wasn’t the case. Obviously, as evidenced by all that I said and did today.” He shook his head. “There isn’t anything I can say that would excuse my reprehensible behavior. I’m sorry.”
She pressed her lips together this time, wavering between wanting to stay irritated and wanting to say that there was nothing to forgive and move on. But there were concerns she still had, questions he had yet to answer. She didn’t know where to start and so, after a moment, she simply pulled another chair over to the fire, near him, and sat down, watching the flames in silence. It took her another moment to finally put to words what she wanted to say.
“I’m not mad anymore about anything that happened today,” she said quietly. “I’m just…scared.”
“Scared?”
“Of losing you. To the orb. To Mystra. To your own ambition…” She shook her head, unable to look at him. She didn’t want to explain all of her fears right now. Some of them felt utterly stupid.
She couldn’t deny that she loved Gale, ambitions and all. What else could it be but love that kept her at his side? She’d abandoned relationships for far less in the past. No, she was certain with her entire being that she loved him more than she had ever loved anyone. But this path of godhood that he kept hinting at…if he was determined to follow it, it was a path she couldn’t take with him. She just wasn’t interested in abandoning this chaotic, colorful world just yet. Not for the Fugue Plane, not for an illithid life, not for godhood, not for anything.
But if she wouldn’t follow him…what then? The thought of leaving him or of him leaving her threatened to break her heart. She felt as though she’d never recover.
But she couldn’t say all that to him now. It felt petty and selfish to admit that the only reason she didn’t want him to become more powerful was because she was scared he’d leave her behind. She was petty and selfish, but Gale inspired goodness in her. It was ironic, truly. The very qualities that had inspired her to become a better person were the same qualities that he would give up if he continued to pursue the path of godhood for the “betterment of all,” as he’d boasted to Lorroakan that morning.
But what did she know, she thought bitterly to herself. She had never intimately known a god nor harbored ambition enough to actively plot to dethrone one.
Still…if she could at all sway him…
“Listen,” she said, eyes still on the fire. “I believe you’re capable of so many great things, Gale. I believe in you. Always have, always will. But when it comes to this plan with the crown…”
“All I am asking is that you consider it,” he said.
She made a helpless gesture with one hand. “I don’t even know how I could. How can I respond to something so…immense? It’s beyond comprehension. I want to understand, but I don’t.”
He was quiet for a moment before chuckling softly and shaking his head. “I don’t think I deserve you at times.”
“Gale,” Dani said softly, his name almost a resigned sigh as she said it. She didn’t want to hear this again. But Gale held up a hand.
“Please. Let me finish.” He paused, seeming to gather his thoughts, before taking a deep breath. “I watched how you handled the events with Cazador and Astarion today. You showed nothing but compassion and courage. Your heart bled for the victims in their cages. You sought a way to save as many people as you could, despite impossible odds. And you didn’t allow Astarion’s desperation or impassioned speeches to sway you or change your mind.”
“I didn’t want to lose one of my best friends,” she said. “If Astarion had ascended…he wouldn’t be Astarion anymore.”
“I know. Yet it could have been so easy to give in. To let him have his way, simply because you are his friend. But you didn’t. You appealed to a nobler part of him, risking your friendship to keep him from changing. From transforming into something more. Something sinister.” Gale paused again, glancing back at Astarion across the room. His expression softened into a thoughtful, yet sorrowful look. “I can’t help but wonder. Do you see the same kind of choice when you look at me?”
She didn’t answer, but her silence was answer enough. She looked back at the flames, watching them crackle and spark, letting them fill the silence. 
“I hope that isn’t your final judgment of me,” he said. “I hope that you can give me another chance to earn your faith. I want you to continue to believe in me. I want to show you the wizard I am capable of being, rather than the poor excuse for a man who’s kept you company thus far.”
“Gale, stop,” she said, finally turning to face him fully, twisting in her chair. “Stop calling yourself a poor excuse for a man. That isn’t what I think of you. I know I get frustrated with you, but it’s because I see so much good in you.” She reached for his hand and enveloped it in both of her own. “I don’t want to lose you to the Crown any more than I wanted to lose Astarion to Cazador’s power. You mean everything to me, Gale. Worth more even than music and magic.”
“You won’t lose me,” Gale said, tightening his hold on her hand. “If anything, you’ll gain so much more for being with me. Please. Let me show you.”
“Gale—”
“Even if a permanent place in the heavens isn’t for us, at least allow me a chance to show you what it would be like. Indulge me. Close your eyes. Allow me to take you on a little boat voyage.”
She frowned, wanting to resist. But she could tell this was important to him. She breathed a small sigh and closed her eyes, keeping one hand in his. 
She heard him murmur a spell and felt the aura of magic shift around her, the warmth of the Elfsong Tavern room giving way to much cooler air. Her skin tingled all over with the touch of magic, while Gale’s hand remained solid and warm in her own.
“Few mortals ever glimpse what you’re about to see. But don’t be alarmed—I’m here with you.” He gave her fingers a gentle squeeze. “Now…open your eyes.”
When she opened her eyes, she found herself seated in a glowing blue boat with Gale sitting across from her. All around them, the sky, the space below, all of it was filled with scattered stars and clouds of purple, pink, and blue stardust. The galaxies and starfields stretched on infinitely around them, swirling peacefully in silence. Their boat drifted easily along a current of shimmering magic and when she lifted her free hand over the edge of the boat, her fingers caused tiny motes of starlight to drift and float through the air.
“Quite the view, isn’t it?” Gale said, looking around them. “The Outer Planes are a place of profound, sometimes overwhelming possibility.”
“It’s beautiful,” she whispered. She gazed out over the infinite expanse, waiting to feel that reeling, terrifying sensation of being suspended over a void, but it didn’t come. She was safe in Gale’s little boat, his hold on her hand grounding her and keeping her steady. 
“The home of the gods,” he continued. “Where they observe us from afar. Where they make play-things of us. Such power…infinite possibilities…how could I not crave this?”
She fell silent, focusing instead on the specks of starlight that fanned out behind her fingers, watching them dance briefly in the atmosphere and fade. He said it so simply, as though it were natural to crave such wondrous power. And maybe it was. Maybe she was the fool for limiting her desires to the Material Plane.
Not for the first time, she burned with jealousy toward Mystra and hated all that she had gifted Gale. All that she had made Gale capable of. How could a mere bard compare to a goddess who allowed him to tap into the mysteries of magic itself? And even now, with Gale hardly interested in reconciling with the goddess, who was she compared to all the power of the crown? Who was she compared to all this?
Gale could have this again. This and more. And she, with her small dreams and her fragile love, a love that would only last a mortal lifetime…she would fade into obscurity. Even if she managed to secure a legacy for her name, her body would rot in its grave and her soul would wander the Fugue Plane for an eternity until some god took pity on her and accepted her into their domain.
Perhaps if Gale became a god, he would be the one to take pity. She’d dwell forever in his domain of stars as one among a million other souls. One more copper in a vast bank, utterly forgotten by him, yet unable to escape him. The thought churned her gut and threatened to make her sick.
She swallowed, half-preparing herself for the worst outcomes for the rest of this conversation. “Is this really, truly what you want? To ascend? To claim godhood?”
“No, not like that,” he said, squeezing her hand. “I don’t want to join them, I want to better them—with you at my side, willing and wholehearted. Together we could become better than gods. We could have all of a god’s power with a mortal conscience, a mortal heart. I can think of no better candidate for redefining godhood than you.”
“I don’t want godhood,” she said. “I know you think it sounds insane that I don’t, and maybe it is, but…” She shook her head. “I’ve read too many stories, too many tragic ballads about what happens to mortals who ascend to godhood. They change, Gale. And they leave the ones they love behind.”
Gale sat back, a little surprised. “Is that what you think I intend to do to you?”
“Not immediately. But who knows how you would change once all that power was coursing through you. You saw how Cazador was—you saw how hungry Astarion was to claim that power. You know it would have changed him. Think how much more godhood would change you.”
“But it wouldn’t be true godhood,” he said, tightening his hold on her hand. “The power of gods would be at our fingertips, yes, but we could be—we could find a way to—”
“Stop with the bullshit,” Dani snapped, snatching her hand from his. “You can’t even articulate it because there’s nothing else to call it. You want to use the power of the crown to become a god. That kind of power corrupts, Gale. And if that’s what you want then—then—“
Her throat tightened suddenly with the threat of tears and she looked away, struggling to compose herself. She hated crying, especially here, where there was nowhere to hide, but there was no stopping the emotions building up inside her. She hid her face briefly behind her hand, but it was no use. The wide expansive of pink and purple starlight winked back at her and illuminated the flood of tears that welled up in her eyes.
Gale reached for her hands again. “Dani, I—”
She shook off his touch. “Don’t. I can’t—I can’t let you do this,” she said, the tears spilling down her cheeks. “Please. I know what you’d become and it would be nothing like the man you are now. And no matter how you would try to justify things or convince me to join you, I could never bring myself to abandon my family like that. Never. So in the end you would leave me behind, because nothing about me is enough to convince you to stay. So you’d leave, I know you would, because that’s how power works. It corrupts, it—“ She was rambling now, not making sense, her words a tangle on her tongue.
“Dani, please,” he begged, getting on his knees on the floor of the boat, taking both of her hands in his. “None of that is going to happen.”
“Isn’t it?” she asked. “Look me in the eye and swear to me that the moment your humanity is stripped away in your ascension that you won’t forget tiny, insignificant, mortal me, the lover you’re leaving behind, the moment I refused to ascend with you.”
He hesitated for just a fraction of a second, but it was enough to confirm her fears. She snatched her hands from his again and used the heels of her palms to wipe the tears from her cheeks.
“Gods, I hate you,” she mumbled, but it was a complete lie. The fact was she loved him too much. Desired him too selfishly to let him reach for godly power. She swallowed and amended her statement. “Not you. This. I hate this. Sorry.”
It was his turn to be silent in the face of her confessions and her tears. She pressed the heels of her hands to her eyes and breathed softly through her nose until at last she felt calm enough to speak. Then she took a shaky breath and reached out to cradle his face in her hands. 
“Please, Gale,” she said quietly. “Don’t do this. I don’t need the stars. I don’t need eternity. I just want you. For all that you are right now. I love you for the man that you are, not the god you’d pretend to be.”
He stared up at her, stricken but amazed, his hands resting on her knees. There was a faint glimmer in his eyes that could either be tears or the reflection of the stars around them, but when he blinked the glimmer was gone.
“You…you would really prefer me as I am?” he asked softly. 
“Yes,” she said. There was no room for doubt in her heart, nor any in her words. “You’re already everything I need you to be and more. Just…please. Let me be enough for you. Let me find a way.”
“Oh Dani,” he breathed. He rose to one knee and slipped one hand behind her head, guiding her down into a deep kiss that stole her breath and made her a little dizzy. She clutched the fabric of his shirt, trying to bring him closer and steady herself at the same time, trying to convey all the desperate longing and fear she couldn’t put into words silently through their kiss.
He pulled away, breathless, cradling her cheek in his palm. “I used to believe Mystra’s forgiveness was worth dying for. Or that the only way forward was to challenge her. But I was wrong. You showed me just how much I have to live for, here, on mortal soil. With you, I forget my goddess. With you, I want to live. With you…I even forget my greater ambitions. You put the very stars to shame, Dani.”
She felt her breath hitch as her eyes widened slightly. Of all the things she was expecting to hear him say, those words were not it. She searched his face for signs that he’d changed his mind, and found him staring back at her earnestly, dark eyes full of love and longing. For the first time that day, she dared herself to hope, just a little.
“I don’t deserve you,” he said. “And I could never leave you behind. Godly power, I can live without, but you? You’re everything.”
She stared, half-disbelieving, but his gaze was sincere and warm and so full of love she couldn’t help but be convinced. She curled her fingers around his wrist, not sure what to say next, but he merely smiled, grateful and tender, and brushed her cheek with the pad of his thumb. 
“I love you,” he murmured.
“I love you, too,” she whispered, leaning in to kiss him again.
He guided her off the seat of the boat down onto the floorboards, dismissing the benches with an idle wave of his hand to make room for them to lay down at the bottom of the boat. There he kissed her, breathing her in as naturally as if she were air, and she lost herself in his warm touch. The galaxies above swirled dream-like and slow overhead as their fingers found each others’ buttons and laces, their clothes slipping off with practiced ease, until both lay bare beneath the infinite sky, her pale blue skin tinged a faint shade of lavender by the light of the pink-purple stardust.
She combed her fingers through his hair as he kissed all over her, sighing and arching her back as he worshipped her body more than he’d ever done before, as if he were making up for a litany of mistakes. She could scarcely think straight yet she tried to encourage him with her words, breathing out her love and pleasure in half-lucid lyric fragments and shaky swears alike. He lavished love on her with his mouth, his teeth, his tongue, his hands, until at last he joined their bodies together and she unraveled. Every tangled thought and emotion unwound itself as pleasure coursed through her veins until they were both left spent, lying on the floor of the softly glowing boat, and she was left with nothing but her love for him and a dazed sense of amazement that here, amid the infinite expanse of stars and magic, he had chosen her.
Some time later, as they lay gazing up at the stars, with Gale fingers threading idly through her long, loose hair, he turned and brushed a kiss against her head. “I’m sorry for upsetting you,” he said quietly. “I had no idea you felt so strongly about…well.”
She wrapped her arms more tightly around him. “I love you, Gale. I don’t want to lose you to anything. Not even this. As pretty as it is. You’ll have to forgive me for being so selfish with you.”
He chuckled, kissing her hair again. “There’s nothing at all to forgive, my love. Be selfish with me.”
They contemplated the stars and auroras that surrounded their little boat, words lost between them for a moment, until at last Gale, trailing gentle fingers down her arm, began to speak again softly.
“I conjured this illusion often during my confinement in Waterdeep,” he said. “An escape for the mind, where there was none for the body. It was easier to stare at the celestial abyss than recognize the emptiness within myself. Easier to pretend my destiny lay among such stars, than work to salvage a life on solid ground.” 
He turned his head and she lifted her chin so she could meet his gaze again, her heart aching for him. She could all too easily imagine him locked in his tower, conjuring images of these galaxies and planes, desperate to be outside the walls that enclosed him for a year. Longing to be back among infinite beauty, rather than confined and seemingly trapped in a small set of rooms on the mundane Material Plane. She had thought the illusion he had conjured of his home in Waterdeep was charming and wonderful…but she could see how it must have felt like a prison to him.
“You changed all that,” he murmured, gazing down at her. “You see me as I am, and do not find me wanting.”
He seemed a little awed by that, but not disbelieving. She smiled and sat up, straddling his hips and taking his hands, lifting them up to her lips for a kiss to each one. Her long hair trailed down around her, the ends brushing against her thighs, against his bare chest and stomach. She held his hands, weaving their fingers together, and pushed his arms up so that they stretched over his head, leaning in to kiss him sweetly, her lips lingering on his.
“I will never find you wanting,” she murmured against his lips.
“Nor I, you,” he said. He freed one hand from her grip to move her hair from her face, gathering it all over one shoulder so the light of the galaxies and stars beyond could shine on her face again. “With these stars as my witness, I swear—you will always be enough for me.”
She stilled at those words, letting them wash over her and settle into her skin, into her chest, processing them. His words, the emotion behind them, the loving determination in his eyes, all of his was genuine, heartfelt, and deeply, deeply meant. It threatened to reduce Dani to tears again, but this time she swallowed them back and kissed him again, letting him know with every ounce of her being what that promise meant to her.
She thought she could never love him more than she already did. But hearing that promise from him—that she would always be enough for him—made her heart practically ache with love for him. She smothered his face with kisses until she was breathless, and he in turn tried to catch or return every one until he gave up and allowed himself to be smothered with a chuckle.
“I love you, Gale Dekarios,” she said at last, still hovering over him, her hair a curtain on one side of them both. 
He smiled up at her and reached up to brush her cheek. “And I love you, Meridan Zavrai. I always will.”
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kamen-rider-ooo-fan · 4 months
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So, completely unrelated to anything, I remembered I made a thing, and honestly the fact I did was definitely a thing that, even as I was making it, I asked myself why I did it, but kept going anyways, and I figured if I put any form of effort, which admittedly wasn’t a lot I just downloaded a sprite sheet, meme, and .jpeg and edited them together, I’m gonna make others see it, so, behold, the result of my brain being my brain during FGO’s Christmas event on the NA server,
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annabelle--cane · 3 months
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"the magnus protocol had a whole ARG beforehand? what?"
yes! it did!
"oh so I need to have participated in this whole big thing to actually understand the podcast?"
not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."
"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"
SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:
for a starting point, I would really recommend this video by @pinkelotjeart
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it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.
here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms
here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.
here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.
once you've got the lay of the land, some of the game materials that I found particularly interesting include:
the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.
chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.
klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.
EDIT: have a few more saved materials from the game that I forgot to include.
an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.
an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.
the robo-voicemail greeting from the OIAR's phone line.
EDIT II:
here is a wayback machine capture of the OIAR's official website.
here is a wayback machine capture of the bonzoland website.
(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)
once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.
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ithebookhoarder · 6 months
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Truth or Dare (Anthony Bridgerton x Wife!Reader)
Summary: Married only a few months, you are very much one of the Bridgerton brood - something that often drives your poor husband mad, especially when you happen to be every bit as chaotic and unruly as his siblings... Also known as, you, Benedict and Eloise take a game of ‘truth or dare’ a bit too far. 
A/N: What can I say? It’s well and truly fluff-tober over here on my blog 😅
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Warnings: Alcohol, mild smut, swearing, Anthony losing his mind, typical Bridgerton sibling shenanigans 
Masterlist
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There weren’t many nights Anthony spent away from your side.
They were few and far between, but that didn’t lessen how irksome you found them when the odd occasion called for him to leave you over night. You didn’t know what it was exactly, but you never truly slept well without your husband there to hold you.
Of course, it had to be one of those nights that you truly found yourself in a spot of mischief. Though, in fairness, it had all started rather innocently.
Un-beknowst to you at the time, it was Benedict that had been first outside on the garden swing, sipping from a stolen bottle of whiskey he’d pilfered from the kitchens. He’d been sat there perhaps ten minutes by himself, staring at the stars and lamenting about some problem or other.
Then Eloise had come along.
As was her habit - you later discovered - she had been swift to follow her brother’s example, sneaking out of the house in her nightgown for a reprieve in the night air… and a cigarette or two. Apparently her second-eldest brother was something of a soft touch when it came to her, not that you could blame him for it. You doted on Eloise too.
Then, finally, completing the eclectic cast of characters, there had been you.
Now, in your defence, you hadn’t intended on going out into the garden that night, but had found no other alternative suitable given the blasted summer heat. It was worse tonight that it had been all week, and without Anthony in bed beside you, you saw little point in enduring with the effort of trying to get any rest.
So, you’d decided to make your way quietly through the house and sit outside a while, and pray for a breeze. You hadn’t, however, expected to find both Bridgerton siblings already sat there, having had a similar idea.
“My, what do we have here? Another night owl?”
It was Benedict who spoke first, smiling warmly at the sight of you appearing out of the darkness. He was quick to rise, offering you his swing as a perch to rest upon, beside Eloise.
You were about to protest that it wasn’t necessary and that you could find somewhere else to sit, but a warning glare from Eloise was enough to silence you.
She was all too eager to pat the seat next to her in invitation, looking remarkably pleased to have another addition to their little party.
“Come. Sit,” she ordered. “We were simply discussing how tedious Lady Tremaine’s luncheon will be tomorrow and how we could possibly avoid the whole thing. Now that you’re here, you can help us plot our escape. Benedict’s only suggestion thus far has been some kind of contagious summer cold.”
“I think I actually said that I would use such an excuse, sister,” Benedict corrected with a teasing grin. “Not that we would share it.”
“Traitor.”
“Hardly. It is every man - or woman - for themselves. Right, Y/N?”
“Alas, I think your mother would be rather suspicious at all three of us suddenly being absent,” you sighed by way of explanation as both their eyes turned to you. “Besides, I only came outside because of this heat, not to join some conspiracy.”
“Hardly,” Eloise chuckled. “We simply had the same idea, but I am rather glad you came to join us. Perhaps we should form some secret kind of club - Bridgertons against boredom?”
“And do what? Constantly find excuses not to attend social events we deem too tedious or odious to be dragged along to?”
“Sounds like a marvellous idea to me.”
“It would, sister dear,” Benedict teased. “You always have a talent for causing chaos and anarchy. You’d suit the cause perfectly, even if we both know our mother would never stand for it. She somehow sees through even our best efforts.”
“In which case, it’s time I take a leaf out of your book, Benedict. After all, you always say social events become far more bearable after a good drink or two,” Eloise smirked, gesturing towards the bottle of whiskey Benedict had been steadily nursing. “Perhaps I should follow my brothers  example and learn to hold a drink, maybe then things will be more fun.”
“Oh no.” Benedict was quick to shut down that idea, holding the bottle possessively to his chest and shaking his head. “No. I am not allowing you to start drinking. Mother would have my head if she caught you, not to mention Anthony would have all ours heads on a platter in no time.”
The thought of it made you laugh. Your husband was hardly a tyrant, even if he’d been known to have a temper but he was easy enough to handle. A few soft words in his ear or a kiss on the cheek and he was putty in your hands, helplessly and completely in love with you. Just as you were in love with him.
“Don’t tell me you’re scared of Anthony, Benedict?” you giggled, causing Eloise to join you. “I assure you, he’s more a kitten than a lion and he’d probably prefer you to allow Eloise to sample alcohol here, under your supervision, than when she inevitably decides to rebel and has her first drink later on, in the middle of some public ball…”
The warning was clear and you all knew very likely true. Still, Eloise was beaming in victory as Benedict cursed to himself, muttering about Bridgerton women and the likely death he’d receive should Anthony ever find out he had allowed Eloise to sample whiskey. “Just a few sips, El. I mean it.”
“Oh hush,” she snorted, taking the bottle before he could change his mind. She was quick to throw back her head and down a rather brave mouthful, causing you to laugh even harder as she scrunched her face up in disgust. “Oh! That is revolting.”
“I told you.”
“Now you, Y/N,” Eloise grinned, turning and offering the offending item towards you. “Go on. Join us trouble makers - I won’t say a word about it if you don’t.”
“Oh, for goodness sake… Give me that then,” you sighed, earning a cheer from them both, knowing it was better to simply surrender rather than try and fight their mischievous whims. It only increased as you took an ambitious swig from the bottle, wincing at the acrid burning sensation it left in your throat.
If only Anthony could have seen you. He’d have probably had some kind of seizure - especially as you took another quick swig before handing the bottle back.
“There. Your turn again, brother dearest.”
“My my. You really are quite surprising,” Benedict sniggered, before winking up at you in admiration. “Who knew it? You can hold your drink better than Colin. He seems cursed to choke any time he drinks anything stronger than a brandy.”
“Well, it is your sex that falsely deemed us the weaker,” Eloise quipped. “It’s not our fault you were ignorant.”
“I’d like to remind you I wasn’t part of that decision and you also looked ready to choke a moment ago, El.”
“Doesn’t matter, you’re still one of the enemy,” she giggled, earning another raucous laugh from you. Oh, you loved her. If you’d ever been so blessed to have had a sister, you hoped she’d have been just like her. “Now, it is your turn again, brother.”
“Oh … joy.”
“Else we shall have to have some kind of forfeit.”
“A forfeit?” you scoffed, finding the idea absurd. “Like what?”
“How about… truth or dare?”
Benedict froze. “Oh no. Not again. Pall Mall is one thing but we swore we would never play that game in this family again-“
“But Benedict-“
“What’s truth or dare?”
Your innocent question ceased their bickering instantly. Their eyes widened as they turned to you, a knowing and nervous look passing between them. Somehow, you knew this evening was about to get wildly out of hand.
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Sometime later, you’d been fully apprised of the rules of ‘truth or dare’. In fact, you’d been something of a natural at it, even if you knew the copious amounts of whiskey you’d all consumed was more than likely the responsible culprit. Else, you’d probably have known better and snuck back off inside before you could make a fool of yourself.
By the end of the night, Benedict had climbed a tree, confessed to being oddly scared of spiders, and been forced to sing the national anthem in French.
Eloise had also made an admirable effort, despite her obviously lower tolerance for drink. She still permitted Benedict to try and arrange her hair, before daring to steal a sock from Colin’s room whilst he’d slept. Then she’d loosened a leg on a dining chair. (Alas, none of you could remember which one but that somehow made it even funnier - even if it would not be come morning when you were forced to sit at the table for breakfast in some kind of roulette.)
You could only pray you didn’t choose said seat.
You could also only pray neither of your conspirators shared your contributions with your husband. You weren’t exactly sure how Anthony would feel at the fact you gone for a midnight paddle in the pond, nor that you’d mixed up the papers on his desk, all before finishing the night with a final dare that involved stealing several cakes from the kitchens… you still swore Mrs Reynolds would notice, come morning, that there were no longer twelve perfect cakes.
That, and Benedict had somehow knocked flour all over the counter, causing you all to erupt in drunken laughter as you’d bolted back outside.  
Needless to say, you all looked a sorry sight as you lay in the grass together, staring at the approaching dawn. Had you not been so tired, or drunk, you may have suggested retiring back to your rooms before the house awoke shortly.
“Now that… was fun.”
“Fun? That was more than fun. I haven’t laughed like that in ages.”
“Told you it was a good idea.”
You hummed in agreement with your sister in law.
“I can see why you all favoured this game so much,” you sniggered, winking at Eloise as she sat in the grass beside you. “I can also see why you all agreed to stop playing it… I don’t know what Anthony would say if he saw what we’d been up to.”
“Something sensible and disapproving most likely,” Benedict sniggered. “Our brother, and your husband, can be a right prig, no offence.”
“Oh hush. At least I didn’t let my sister dress me up in her petticoat when she was five.”
Benedict’s jaw dropped.
“Who told you about that?” he demanded indignantly.
“I have my sources.”
Benedict’s eyes narrowed as he turned his head to glare at his younger sister. “Well, you can tell your source that she’s going to have to find someone else to fetch her lemonade at the Cowper’s ball tomorrow night unless she apologises. You can also tell her that I’ll accept either a verbal or a written apology as long as it’s suitably abject. And that means very, very abject,” he added darkly.
“Tell me, Benedict, was it a lacy petticoat?��
With a wordless grunt of annoyance, Benedict groaned, but it was hard to hear over the laughter echoing from you and Eloise. You resembled more a pack of hyenas than two noble ladies - you probably looked just as feral after your night of mischief.
And of course, as was always your luck, that was exactly how your husband found you mere seconds later.
How Anthony had arrived without any of you hearing a carriage pulling up to the house at this time of the night - morning? You couldn’t be sure - was a mystery. Yet, there he was, hands on hips and looking thunderous as he stormed towards the three of you with all the fury of an exasperated headmaster.  
“What in God’s name are you all playing at?”
You all froze.
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It was as if someone had poured a bucket of ice water over you as your eyes widened, and you all turned to stare sheepishly at him.
“Oh, darling. You’re home?”
“Don’t ‘oh darling’ me,” Anthony sighed, attempting to scold you but without much success. His attempt at seriousness was somewhat undermined by his brother’s heckling, singing ‘here comes mother’ and that ‘someone’s in trouble’. That, and with the way you were lying, he was upside down. “What are you doing up at this god forsaken hour? And why are you … is that flour? And why are you soaking wet?”
“I went for a swim.”
“A - you went for a -“
“And Benedict did my hair,” Eloise interjected suddenly, waving her arms about as she gestured to the tangle of hair upon her head. “Isn’t it marvellous?”
Anthony’s expression very much said that he did not think it was marvellous. Nor did he find any of this vaguely amusing.
In fact, by the way he took a long deep breath, you knew he was doing his best not to lose his temper and wake the entirety of the household. His brow always creased like that when he was faced with dealing with his family, but the expression only made him seem more adorable and handsome to you, rather than authoritative. However, you’d never told him so, knowing it would hardly be deemed a compliment in his eyes.
You also doubted he’d appreciate your usual response right now, which was normally to kiss said brow until it eased back into its relaxed form.
“We were just playing a game to escape the heat, darling,” you soothed. “We couldn’t sleep and all had the same idea to seek refuge outdoors… we simply got carried away passing the time.”
“What game?”
“Pardon?”
“I said, what was the game you were all playing?” Anthony suddenly quipped, the warning clear in his tone. That, and his eyes landed squarely on his two siblings, who at least had the decency to look sheepish… and afraid. “Because there is but one game I can think of that would result in a mess like this one, and I’m confused, because I know for a fact that we banned that game under this roof, and any other roof that houses the Bridgertons.”
No one moved.
No one even breathed.
It was as if you were all too scared to risk answering Anthony, even if the empty bottle of whiskey did most of the talking by itself.
“I don’t recall the name,” you blinked. “Right, Benedict?”
“Oh, uh… we… we were just- Eloise?”
Eloise froze, the guilt written all too clearly on her face for her to even try and salvage the situation - though that could also be down to the whisky she had consumed… it was honestly hard to be sure at this point.
“Well, dear brother,” she began, only to trail off as Anthony lifted his hand.
The silence was instantaneous. 
No one dared to say another word, let alone move. 
You’d never seen Eloise or Benedict so still in your entire life. Hell, you weren’t even sure they were breathing - probably out of fear Anthony would decide to inform their mother about their mischievous exploits. 
If Anthony Bridgerton was scary when vexed, then Violet Bridgerton was a nightmare brought to life in human form. After all, as the matriarch of a family of eight children, she had learned a long time ago how to keep her unruly children in line - a harrowing experience you had only had occasion to witness once or twice since your marriage into the Bridgerton family. Once had been when Colin and Gregory had broken a priceless vase when racing around the house, despite being explicitly banned from doing so. The other had been when she had caught Eloise and Benedict smoking outside on the terrace one night. 
It was easy to say where your husband had inherited it from. 
“Not. Another. Word,” your husband growled, bending down and sweeping you up into his arms in a move that made you squeal in surprise. “Right now, I am taking my wife to bed and I suggest you two do the same - after you clean up your mess. I’ll deal with the lot of you in the morning.” 
A laugh escaped you as you tried not to look like you were enjoying the sudden turn of events too much. After all, you doubted he’d be too happy once you were more sober and he discovered the true extent of your nightly activities. 
It was why you were only too happy to let him put you to bed, grumbling all the while about letting his siblings run wild. He really was most handsome when he was flushed - a fact you were reminded of as he hastily changed for bed, flashing you a tempting glimpse of his bare torso in the process. 
You could tell without asking he was tired from his journey home, as well as fighting the urge to rip his hair out over the chaos he had found upon his return. 
Thankfully, his need to be in your arms outweighed the need to scold you over letting yourself be drawn into his siblings’ schemes. All it took was you pulling him down onto the mattress, and climbing into his lap to turn him into a needy, lovestruck puddle. 
You’d equally missed having him in your arms, but you’d be lying if you said that your sudden forwardness wasn't also due to a mixture of the whiskey you’d drunk, and the residual giddiness from a night of mischief. A confidence radiated from you as you began to run your hands over his bare chest, taking care to graze the areas you knew made him groan. 
“You’re lucky I love you so much,” he teased breathlessly, visibly unable to refuse your advances. 
“Is that so?”
Anthony chuckled, nodding as he surged his lips towards yours. “Yes, so come here, my delinquent drunken wife, and let me kiss you before you and those doe-eyes of yours drive me insane. Now.”
Your laughter and surrender was immediate. “As you wish.” 
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Alas, for poor Anthony, that was not the end of the ordeal. 
In fact, it was the next morning as you made your way into breakfast that you faced the final consequences of your delinquency. 
Despite wishing to remain abed for the entire day, you’d been granted no such reprieve as your maid had entered your room at the usual appointed time and proceeded to open the curtains with no regard for the fact that you had slept a mere handful of hours. Whereas you would normally greet the day with a reluctant smile, you were in no state to manage much more than a groan as you were harshly ripped from your slumber.
If you had somehow not yet come to the conclusion that last night had been a bad idea, then the sudden flare of pain in your head at the bright intrusion was all the proof you needed. That, and the sudden churning in your stomach. 
You would never let Benedict or Eloise coax you into drinking with them again. 
You had not realised, despite how the idiom went, that what went up was sure to come down again - and you had come crashing down. 
Hard.
“If you’re ready to dress, my lady, then breakfast will be served shortly,” your maid chirped, a dress already picked out for you to wear. She either couldn't detect your fragile state, or didn't seem to care as she continued speaking at a painfully loud volume. “My Lord sent me to wake you as he is finishing business in the study. He was up frightfully early, I could scarce believe it went the housemaids told me they’d already found him awake when they went to start the fires this morning. Gave young Samantha a right fright he did, scribbling away at his desk.” 
“Oh?” you croaked. 
You hadn’t even noticed the empty space in the bed bedside you until then. 
Clearly Anthony had risen early, if he’d even gone to sleep at all. Why were you not surprised? Your husband was perpetually in motion, always claiming there was something or someone that needed his urgent attention as the head of the Bridgerton clan. It was just one of the things that made you love him so much.
“Is he still there?”
“Yes, Ma’am,” the young girl continued, breezing about your room. “And that’s not the only strange incident this morning. It will tickle you rotten when I tell you the latest drama, but you see, Mrs Reynolds was ranting and raving about how she swore she had made three trays of fruit tarts last night, yet this morning, there were only two. The youngest kitchen maid, Betsy, is convinced it must be a ghost but my money is on Carter - the groom’s boy - he’s always snooping about the kitchen...” 
You winced. Ah. Maybe you hadn't been as stealthy last night as you’d hoped after all...
With as much enthusiasm as you could muster, you began to peel yourself from the mattress, trying to appear as if you were listening to your maid’s theories as she dressed you for the day. It then took all your resolve to make it downstairs and to the breakfast table without tripping over your own feet, or emptying the non-existent contents of your stomach. 
To your relief, only Eloise and Benedict had so far taken a seat at the breakfast table - and both looked about as miserable as you felt.  
“Good morning,” you mumbled, taking your usual chair next to the head of the table. You were quick to accept the steaming cup of coffee Benedict handed you, shooting him a thankful look. “Dare I ask how we feel?” 
“I think better than you and my dear sister here,” Benedict chirped, gesturing at a miserable looking Eloise. She had her head in her hands and was desperately trying to look at the plate of food in front of her with something other than repulsion. “Then again, I must admit I am somewhat more experienced in the art of late-night mischief than you both. I also did not have to deal with my brother before going to bed - thank you, again, for that noble sacrifice.”
“Your welcome,” you chuckled, a faint heat rising in your cheeks as you remembered the exact events after you and Anthony had gone to bed. “I just feel bad that you both got left to clean up the mess.” 
“Don’t be. I think we got it all.”
“You say that but I can’t remember anything after you started singing in French,” Eloise groaned, massaging her forehead once more. “I have the oddest feeling we may have forgotten something.”
You paused. You could only hope for your sake she was wrong. 
However, you were saved from such discussion by the arrival of the rest of the Bridgerton bunch. All conversation about your night-time escapades were quickly forgotten as Colin, Hyacinth and Gregory entered the room, bickering about something you couldn’t quite make out. They were swiftly followed by Violet and Francesca, who both looked unfairly cheerful for so early in the morning. 
You could only wish to look so fresh and composed before your first cup of whatever caffeinated beverage you could get your hands on. 
Then, finally, came your husband. Entering the room last, he turned and shot you a warm smile. Clearly, your shenanigans had been forgotten - for now - replaced instead by the memory of your other activities, much to the relief of you and your co-conspirators. 
In fact, you swore you saw Eloise exhale a breath of relief when Anthony didn't immediately launch into one of his lectures. Instead, he chose to join the rest of his family in helping himself to the awaiting breakfast spread, laid out on the sideboard for them, listening to some ongoing debate between his mother and youngest brother. 
“-but you said we could visit the park this afternoon.”
“I know, sweetheart, but I have to take Francesca and Eloise for their final fittings at the modiste. We shouldn’t be too long, and we can go after? Unless, perhaps your brothers will take you. Colin? Benedict? Anthony?”
Benedict looked physically pained at the idea of an afternoon at the park, what with his current delicate constitution and all. You honestly couldn't blame him. “Well, I uh - have a drawing class, this afternoon. Very last minute. Sorry.” 
“And I... um, have a meeting at the club?” Colin stammered hastily. “Anthony?” 
“Please, Anthony?” Gregory begged, all but pouting at his older brother as the pair made their way to the table. “I promise I’ll do all my lessons this week without complaining if you say yes. I’ll even let you have my pudding tonight.”
“As you asked so nicely, brother, I don’t see how an hour or so at the park could do any harm -” Anthony began, pulling out the chair next to you and lowering himself onto the seat in a moment that felt like it lasted forever as a horrifying sensation swept over you. 
You remembered what you’d forgotten. 
The chair.
“Anthony, wait-!”
The sudden crash was startling, as was the sight of your husband being sent flying backwards as the chair collapsed beneath him. 
No one moved. 
No one said a word. 
Benedict looked across at you and Eloise, the horror clear in his eyes as he choked the word you felt on the tip of your tongue: “Run!”
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tricky-pockets · 1 year
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My boyfriend keeps looking at me like 😐... 🥚 when I tell a story that happened pre-transition and it gets funnier every time, so I present to you, in no particular order,
egg shit that SOMEHOW did not tip me off:
Played in numerous d&d campaigns in college; didn't play a lady character even once.
Invented a male persona so I could sub in when my boyfriend's frat was a man short for Beer Olympics.
Maintained that male persona and later pledged the frat.
Was regularly the only girl invited to Boys' Night because "you're a guy like at least 40% of the time anyway".
Planned elaborate costumes every halloween; never once went as a lady or anything lady-adjacent.
Actually won 'Sexiest costume (male)' at a theatre event.
Regularly auditioned for male roles in theatre productions. Landed a small part in an all-female production of As You Like It as Silvius and was never more psyched to be in a play.
Watched Ouran High School Host Club straight through by myself; felt weird and immediately chopped off all my hair about it.
Messed around with my college boyfriend while in boymode, using masc pronouns and an assumed name.
80% of my wardrobe in college was hand-me-downs from that same boyfriend.
Went as a wizard for halloween multiple times as a kid, with the beard and everything; never once considered being a witch.
Invented a male persona in middle/high school just for going to hockey games with my uncle.
Made out with more than one gay dude who said "I don't know what it is about you, I'm usually never attracted to women."
Ended up effectively living in my buddy Jake's dorm room every single year, no matter what my official living arrangements were.
Started wearing Old Spice in high school because a boy I liked wore it and I liked how he smelled. Pulled the same move in college with a particular brand of shampoo.
Wore the men's jeans+high-impact sports bra combo in an astounding number of photos.
And I didn't know! My oblivious ass sat there in my boyfriend's old pants with my titties tied down, calling myself Jack, playing a male illusionist for the 76th time in a d&d game with my frat brothers and making plans to go to Boys' Night afterwards for Streetfighter and beer, and I didn't figure it out.
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weirdmarioenemies · 28 days
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Name: Spamley
Debut: Ralph Breaks the Internet
Hey, remember the Ralph Breaks the Internet craze of 2018? What a time to be alive! Disney's film about What If The eBay Was A Place was an instant hit, due to the fact that everyone knows the Internet, and everyone wants to see a movie about it! You couldn't stop hearing about it! No wonder it won the Academy Award for best animated film! I think it beat out some movie about spiders, or something...?
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Kids today might not remember, because 2018 was so long ago. They're too obsessed with their new age sexymen, like Raymond and the big balls Dwarf. But this movie wouldnt've been the cultural phenomenon it was without one character taking the world by storm: a certain J.P. Spamley!
The Internet fell in love with Spamley at first sight, flooding social media with memes and fan art about the loveable green prick. He rose to the highest ranks of the Tumblr Sex Man for a good while! You couldn't scroll for a few minutes without seeing his catchphrase, "Now's your chance to get rich playing video games!"
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What kind of a megacorporation would Gisnep be if it didn't capitalize on Spamley's popularity? So they held a special Spamley Sweepstakes event on November 2019, allowing fans to donate money in honor of Spankley himself! All proceeds would go to Bob Iger and Baby Yoda, and if that's not wholesome, I don't know what is. Those who entered even had a chance of winning WILD prizes, like:
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That's it that was the only prize
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See him in theatres! This is what Disney told us all to do, and we listened! Little did we know they were doing this to hide a dark secret! If you buy the Blu-ray version of the movie, you can actually manipulate the Scene Select to watch the movie out of order and make some... strange things happen. You can look up a walkthrough online, but the gist of it is making Vanelope kill all the Disney Princesses. Especially Merida. And when you do, you unlock a weird alternate ending...
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Spamley NEO is the secret true main antagonist of the film, and he wants to take over Oh My Disney to spread spam and advertisements! No! Not Oh My Disney! Please, for the love of God, NOT OH MY DISNEY!! You have to kill him. You have to destroy your Blu-ray copy of Ralph Breaks the Internet now. I hope you're proud of yourself.
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risestarkiss · 3 months
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Being Purple ○ Part Two
Rise Ramblings #315
Previous | Being Purple ○ Part One This post is a continuation, so I recommend reading Part One before reading this Part Two. ••••
We’ve talked about what Donatello was and his role in the family.
But, we never examined why. Why is Donnie so gung ho on physically providing for his family?
Well, to understand why he feels that way, we need to go back to the beginning. After Splinter and the turtles were mutated, Yoshi was obviously unable to access any of the funds or resources he held as Lou Jitsu due to, you know, him now being a giant rat. He had to start life a new from the bottom of society.
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We don’t know what happened during their time on the streets, but we can make some inferences as to what happened next. Splinter eventually moved the boys down into the sewers and was able find a comfortable space for himself and his little family.
Here is where I’m going to try my best to piece together the order of events regarding Donatello’s earliest contributions. I’ll be using two episodes: the season one finale, “End Game,” and the Nick web exclusive mini-episode, “Turtle Tots.”
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In Turtle Tots, the family has gathered in Splinter’s room. We can also see the den through Splinter’s doorway. This home is, indeed, the home that we are familiar with in the show. Thus, we now know that at this age the boys were already living in the sewers. We also know that the den has already been outfitted with a tv, electricity, and probably some kind of cable hookup.
Is it possible that Splints did this electrical work all on his own? “End Game” gives us a clue that can lead us to an answer.
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Here he is, the boy of the hour. In this picture, given the perspective, young Donnie is much shorter than Splinter. Their heights here are actually comparable to their height difference in the “Turtle Tots” clip. Therefore, I believe it’s fair to conclude that Donatello is about the same height in both instances, and likewise, relatively the same age.  
Given that new piece of information, now we can speculate further.
When you look at the room that crying Dondon is in, he’s surrounded by wires, batteries, boxes, and what appears to be little bits of tech that he was working on, hence the booboo. There’s a small rotary plane of some sort, a tiny workbench, and other bits and pieces. So, we can deduce that Donnie is familiar with electrical work and is building things for himself, even at this young age.
Donatello is already cooking.
With that evidence, I believe it’s reasonable to surmise that Donatello had a hand in hooking the den up with a refurbished TV and in wiring the house with electricity, which is such a big job for such a little guy.  
If it had stopped there, I wouldn’t bring it up, but as we can plainly see…
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It never stopped. His labors are endless. Everything from the turtles’ transportation, their living space, and their comforts at home was created, built, enhanced, and refurbished by Donatello. Consequently, he internalized the idea that his usefulness equated to the safety and security of his family. And that’s just how he lived his life.
He doesn’t know any different, and I’m sure at this point he wouldn’t want any different. This is his role. This is his place. Besides, his beneficence makes his brothers happy, and his father happy, and by extension it makes him happy.
Hence, his “gift giving” love language.
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If Donnie is happy, then where’s the problem?
I’m sorry, but external validation as a primary source of happiness, or even worse, as a source of self-esteem, is dangerous…
But I digress…
From the outside looking in, it’s easy to assume that his genius is best utilized as a tool for the team’s benefit. But as a child, the weight of ensuring their entire family’s physical infrastructure is a large burden to bear…and it is almost the exact definition of Instrumental Parentification.
Parentification is a process in which a role reversal occurs where the child or adolescent is obligated to act as a parent would to their siblings or to their actual parent. Instrumental Parentification involves a child assuming the responsibilities of maintaining a household through physical means. In this case, Donatello literally maintains the household.
I’ve said all of that to say this.
Donatello has been subjected to Instrumental Parentification for almost his entire life. He doesn’t know life without providing for his family, but he’s happiest when his family is comfortable and safe.
So when we ask, why does Donatello make these sacrifices for his family, the answer is obvious. Love. And that answer reigns true in the past, present, and future…
Anyways, Donatello is such a complex and intriguing character, I could go on about him forever. But I think this as good a place as any to put a pin in my deep dive on this fiery little grape, because our next dive’s focus is on the true pinnacle of the Hamato clan…
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○○○○
Previous | Being Big Red • Being Baby Blue • Being Purple ○ Part One
Next | Orange, Baby!
Finale | Being Hamato Yoshi
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yuri-is-online · 7 months
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Azul totally has an octopus and shrimp plush that he makes kiss.
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Who? How? Usually when I get an ask I know where it comes from (or why anyway) but this time I just looked at my phone and got hit by a bus. But you know what annon? You are so right, he totally does.
notes: they/them used for Yuu, Azul engages in some SSS tier simping (shrimping?), once again this is a joke but I am not taking cold meds this time! Please look at my masterlist for more serious works.
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Plush toys do not exist in the ocean, the concept of them was something Azul had been made aware of in his research and made note of in land training camp. But of course, as was the case with more things than he would ever admit to outside of a court order, Azul failed to grasp just how ubiquitous and popular plushies were. He had even been gifted an octopus plush as a prize during one of the first Board Game Club events he attended, something he had intended to brush off as childish until he saw the way his club mates reacted, even if he didn't understand why himself the little guy was clearly an enviable prize. A claim made less believable with how he hadn't let Floyd squeeze it, or Jade poke at it, and he certainly had not agreed to give it to Idia no matter how much he had begged.
The shrimp plush had been a... strategic purchase. No really, if anyone asked he had a perfectly reasonable explanation for why he had bought this specific plush that he had to go out of his way to find, order, and watch out for to make sure that Jade didn't bring it to him with the rest of his mail. The Mostro Lounge was always going to expand to have a merch store, and since plush toys were so popular with humans it made sense to have some! He just needed to ensure this particular brand was of a high enough quality to commission-
No one was going to buy that excuse. All the more reason to keep this little indulgence a secret, even if the seller had been confused by his request for discreet packaging.
"It's just a plush sir?" To them maybe, to him this is a painful sign that he should just say something already but he needs to plan for that and this should help. The two plushes certainly look natural enough together, Azul has seen pictures of some beds that have a bunch of little guys set up on them and he's beginning to see the appeal. Maybe he should get two eels? Smaller than the shrimp, obviously, it's the only way the real ones will ever let him live it down. But by thinking that he is sort of acknowledging who the little shrimp is supposed to represent. And they're sitting next to him in his bed.
He takes back his previous thought, Azul has no idea how humans sleep with things that remind them of the objects of their affections, it's filling his mind with situations.  He props himself up against the headboard, holding both plushies close to his face so he can see them without his glasses.
“I was so lonely.” Azul is incapable of picturing him otherwise.  “I really missed you.”  He sniffles, and the little shrimp jumps to comfort him.
“I missed you too!”  The little shrimp is friends with the octopus?  Azul has no idea when that happened he just got them today-  “Let’s never be apart again ok?”
“Do you really mean that?”  The little octopus tentatively reaches out one of his stubby tentacles towards the shrimp, who takes it happily.  “I don’t want to let you go…”
“You don’t have to.” comforts the little shrimp. “We can get married and do our laundry and taxes together forever and you won’t ever have to be lonely ever again.” 
And that is apparently when Azul decides to come back to his senses, just as he is halfway through humming a wedding march and making the plushies kiss.  He remembers himself enough to keep them from dropping to the floor, but they still fall to his side as he collapses back onto his pillows redder than a boiled lobster.
Maybe he should just… give the little shrimp over to Yuu.  And make some actual progress on that laundry and taxes bit.
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scintillyyy · 4 months
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the steph brown conundrum aka the problem with steph being a character with hugely divergent doylist and watsonian readings
okay, so like. there is always a part of me that feels that to this day, didio kind of won when it came to the destruction of steph's character. like she wasn't a toxic character like he thought before he got his hands on her, but since he did & there was fallout from it, it has completely destroyed dc's desire to do anything potentially interesting with her, even as they've brought her back. like. she will always just kind of be a shell of her former self, doomed to stay uncontroversial and in the background. because when it comes to steph, and the problem with utilizing steph as a character now, you have to acknowledge two things
steph from an editorial and out of universe perspective was treated horrifically. the nonsensical and terrible things they made her do to move along the plot of post-crisis are awful and excessively reckless to the point of intentional character assassination & it was all done to justify her fridging for bruce's (and tim's) manpain which is awful
but the things that steph did as a result of the above are extremely load-bearing and important on plot and character dynamics and motivations from war games all the way to reborn era & to try and remove or minimize things that happened as a result of those actions just because they were arguably out of character from her has the unfortunate result of completely and intentionally warping the characterization of everyone who interacts with her to the point where it negatively affects almost every single other character instead.
so in order to show this we need to start at war games, talk about what happened, & go into how this affects things & why her character assassination is not as easy to fix as cass's or leslie's
so war games. ah war games. you know, having recently reread it, war games is frustrating because it's arguably a semi good event for most everyone except steph and leslie (especially leslie--now that was character assassination.). so let's get into the bare bones of what exactly happens in war games (war games being the three main events of this time: war drums (the prequal), war games proper, & war crimes (the follow up & worst part of the event)) (and i'm not saying i necessarily agree with this, just. this is what we have to consider.)
war drums:
this event has two main stories - the bruce & leslie story and the steph becomes robin story
in the bruce & leslie story (which is definitely racist), we have a young teenage pregnant girl who shows up at leslie's clinic having been shot. leslie attempts to save the girl and baby, but is left in a precarious situation where only one can be saved. she reluctantly calls bruce for help finding the girl's family, who finds out that the girl in question is popstar l'shea's sister--the popstar and her entourage in question kidnap leslie & the girl & bruce finds them, where it's revealed the girl is actually l'shea's daughter (like i said. racist.). l'shea makes the decision to save the baby, which kills the girl. leslie tries to get bruce to see that he can't save everyone, and ultimately gets upset about the cycle of violence she feels he perpetuates when he goes to take mr. freeze back in. she later comes to talk to bruce & it ends on a positive note fairly consistent with the bruce & leslie relationship--one in which leslie wishes he could devote himself to saving lives nonviolently & hoping he could see her as an example. my only quibble is that bruce responds as "ha-ha" leslie when if you compare to the batman chronicles #18, bruce absolutely counts on her to challenge his worldview & be a shining example of what he cannot be.
we do start to see the seeds of character assassination for leslie here imo, though this part is the best understanding of her by far--she's always been a foil to bruce as far as her pacifism and her determination to try and show him that there are other ways than his crusade, but traditionally she's always been defined as well by her immense love for him & he for her. she fundamentally disagrees with his crusade, but she's going to be there for him because she knows there's good in him that's worth saving--because to leslie, every life, including bruce's, is worth saving. anyways, read the batman chronicles #18, where she's determined to use O- blood on zsasz because of her firm commitment to the belief that every life is precious & she and bruce talk about their differences in opinion but how she's determined to keep showing him there's another way & he wants her to do so. this leslie who has, up until this event, been troubled by his crusade--but has decided it's tireless, but worth it to show him the good in people, suddenly seems a lot more, hm. overtly hateful of how batman operates & the fact that he puts criminals back in prison just for them to break out and the cycle to continue & has a sudden desire to not work with him if at all possible because of her total disagreement with his methods. which is. hm. somewhat but not entirely consistent with leslie's motivation. leslie would have no problem asking bruce for help if it meant saving an innocent & the fact that he believes in the redemption of criminals is something she inherently believes in. anyways i digress-
the other main story is, as we all know, the steph becomes robin story. and while you do not have to agree with how it is written wrt stephanie, the barebones of what exactly transpires is thus: tim has quit robin for his dad. he is attempting to live a normal life--go to school, hang out with friends, & not do the vigilante thing even when he sees people in need. he meets up with steph, who tells him of her determination to return to spoiler now that her broken leg has healed & he tells her that it's very hard for him to leave the house on account of jack always being suspicious that he's going out to be robin & be involved in anything vigilante again (it is implied that this is the first time he had been able to get out in a while because of his dad, as he didn't know she got her cast off). one day, when tim is at school, darla aquista, who has a crush on him, kisses him out of the blue. this happens to be seen by steph, who is now officially active again & chooses to be active during the day as a result of wanting to avoid batman as she doesn't have his approval, has gone over to tim's school to check on him because she's suspicious he's hiding something from her other than he's basically under house arrest from his dad atm since it had been so long since she had seen him. it, of course, looks terrible to her and she flounces off--deciding that she's going to become robin. bruce agrees, which everyone--alfred, barbara, eventually tim, etc completely understands to be a scheme to lure tim back. steph proceeds to completely ghost tim for the next two months--he calls and leaves messages, and she never calls back or comes to see him at all--she is completely radio silent & avoiding him and he doesn't know why but he is worried. bruce tells stephanie that she will not be privy to any secrets & the minute she disobeys an order she's out (a double standard, yes, but completely consistent in that he, again, is using her basically only to lure tim back). meanwhile, scarab is hunting tim, killing boys in his age range with dark hair and their families in an attempt to kill robin as there is a contract out for his life. tim then finds out through the newspaper that the reason steph has been avoiding him is because she became robin & calls the batcave to finally talk to steph & ask her to meet so they can finally talk in perso. about what exactly happened and how on earth steph became robin. cassandra comes instead--steph doesn't show up because batman and robin are busy hunting scarab who is trying to kill tim/previous robin & tim needs to be put under protection. steph gets a tracking device on scarab. day 49, bruce and steph go to get scarab, bruce goes in while steph is let behind for support in the batplane, bruce gets blinded, steph disobeys bruce and comes in to help, steph gets caught by scarab, scarab gets away in the batplane because steph forgot to arm the security system. steph officially gets fired 3 weeks later for disobeying an order on day 71.
yea, it's something. but it is what it is.
war games:
so we get to war games proper. overnight, a gang war has erupted & set the city ablaze and into chaos after a letter was sent out calling all the crime bosses to the harbor where a firefight breaks out on account of the main player who was supposed to be there if those letters were sent out, matches malone, not showing up. since tensions are high, it's easy for then to start shooting and killing each other & in doing so creates an immediate and widespread vacuum of power in the criminal underworld of gotham that people leap to try to fill & wipe out their competition in the meantime. innocent people are caught in the crosshairs.
nightwing (who is already having a terrible time) shows up to help (with tarantula) & is personally dealing with the emotional fallout of letting tarantula kill blockbuster amongst other things.
barbara is doing her best to help out and triage people to help, but there's really only batman, batgirl, nightwing, tarantula, & orpheus against a whole city. and at this point, tarantula has taken over a gang under batman's command to try and control things and can't overtly help & orpheus was already in control of a gang under batman's command in an attempt to protect women & children and exert some control over the criminal underbelly of gotham and also cannot overtly help out.
stuff with hush is happening in gotham knights but i don't care aj lieberman, by god, i do not care.
tim is doing his best to go about his day and keep his promise to his dad and not go out to help despite the fact that the city is falling apart. this becomes harder when a rival gang comes to kill his friend darla aquista at their high school, on account of her father being a mob boss. the kids are panicked and run into the school for sanctuary and safety, but are followed in and darla is shot.
what happens next is that tim's school is taken over by gangsters--the ones who came to kill darla, and the ones who see the opportunity to kill the ones who are trying to kill darla--and the kids are trapped in there with them, doing their best to hide, but some are taken hostage & are at the mercy of their captives (kids are killed). tim shelters in the nurses's office & does his best to go out and help who he can bring to safety, alone with getting a lay of the school (which gang is where).
meanwhile, bruce, cass, & dick have been informed that tim's school is taken over and kids are dying. along with all their other current trauma, they have to go find tim in an active shooter zone where he could very well be dead. dick gets to be the one who finds him (such a traumatic time for dick btw), and he's thankfully okay. they get control back of the school and free the kids. batman comes out on live television holding darla's body--she's not dead yet, but she's close.
we find out where steph is. selina finds her and we finally find out why this happened: upset at getting fired and frustrated that she's never been able to truly land their approval, steph lashed out & stole a plan designed to unite the crime families in gotham under batman's control hoping that if she was able to set off a plan for batman & it worked he would take her back and she'd finally have his approval. however, the main man didn't show up and it fell to pieces--doomed to fail. and the reason that this all happened is because steph was never told that batman is matches malone. there's actually a ton of 'bruce what have you done' here. catwoman shelters steph & tells her to stay put. steph does not do so, she leaves so she can try to find orpheus & help get the situation under control because she knows he's key to the plan.
tim, unable to stand by any longer despite his promise to his dad after the thing at the school, returns to the manor where he is greeted by alfred & returns to being robin.
batman finally also realizes that what happened is his war game contigency plan/hypothetical/thought experiment just as a citywide blackout hits--a plan he never intended to implement, it was one of his hypotheticals. & they also start looking for orpheus, as he's the key because they need to keep him alive as the plan was for the criminal underworld to reform united under his, and therefore batman's, rule.. steph finds him first, just in time to see his throat slit--by black mask.
steph gets into a one v one altercation with black mask and is overpowered and at his mercy. he tortures her. it's gross, we all know.
tim tells his dad he's returned to being robin. we get what is probably some of the best jack drake charactetization. tim meets jack and dana so they can go help out at leslie's clinic to help the injured.
steph, eventually, after being tortured, finally tells black mask that the plan required orpheus and is now obsolete because orpheus is dead.
cass is looking for steph because she's probably the only one aware that steph is out as spoiler & she knows that the last time she saw steph steph was lying to her about something
leslie is currently acting extremely out of character. and she's kind of a jerk to cass when cass comes looking for steph & is downright hateful about his mission. (which. is ooc for leslie--while she's never agreed with bruce's mission she's always, always, loved and respected them all--consider her in NML vs here. she wants to end his crusade and him to do something better, but she's always looking to be a beacon of hope that there is another way. every disagreement should be steeped in her love for them).
hush is still here for some reason and will tell black mask where the batcave is
catwoman is concerned about steph--who has passed out from the torture--calling her "the kid you messed up so badly she started this whole mess"
batman takes over oracle's & the police's system by force. we're really in it now. steph wakes up, determined to get to batman to tell him about orpheus's death.
black mask, however, has taken over orpheus's identity and is contacting batman, ostensibly to continue the "plan". and darla officially dies, meaning her father is out for revenge and wants everyone killed.
batman meets up with black mask as orpheus & figures out spoiler was there, but he assumes she fought zeiss. he leaves, black mask is planning...something as orpheus.
batman has barbara take over the police waves once more. barbara is getting really sick if this shit.
gotham city is starting to rail against vigilantes as a result of the widespread chaos of war games, calling for them to turn themselves in.
batman has orpheus call a grand meeting. ostensibly to end things and ensure peace in gotham with everything unified under orpheus's commands. orpheus is, however, dead. black mask uses the meeting to set everything ablaze again & barbaba has to call off the vigilantes from helping to protect the gcpd to go help batman--this is the straw that breaks the camel's back of this causes an official break in the uneasy alliance between vigilante & gcpd and comissioner akins gives the order to shoot to kill vigilantes on sight (as also, as a result of the plan failing due to orpheus's murder it seems as if batman et al are on the side of the villains causing mayhem)
at this point the game it out of control & they have to focus on stopping it. cass finally has a chance to talk to batman and tell him her suspicions that steph was the one who set the entire thing into motion, which he has now figured out (on account of him finding traces of spoilers's at orpheus's)
dick gets shot in the leg by the police while fighting firefly
tim meanwhile is happy to return to robin, and actually has bunch of nice things to say about steph's time as robin--that she kept things light for bruce, that he's not too proud to learn from her--even if he did admittedly resent her a little bit for how it all went down. he's also currently in the middle of a breakdown over darla's death and is pretending everything's okay by just go go going.
steph has freed herself from her bonds and gets into it with black mask, finally overpowering him when she realizes "this isn't a game". she gets a gun to his head & wants to pull the trigger and end him for good, but can't--as that would mean betraying everything she's been taught. the hesitation costs her and black mask gets the gun and shoots her in the shoulder & kicks her down the stairs & leaves
she manages to get herself up despite her extensive injuries and escapes by rooftop, where she's finally found by batman, who brings her to leslie and begs her to save steph. he then tells her she did good & that she did everything she could & that the city owes her after everything she went through.
and black mask is still causing trouble--hush supposedly told him the location of the batcave & he plans to solidify his reign as the undisputed crime lord of gotham by sending everyone there--it's not the batcave, however--it's the clocktower. all the criminals are now converging on and headed for directly for barbara. they get in and make it past all her defenses and invade her safe space, black mask making it to her control room & taking her hostage. the gcpd also descend upon the clocktower.
batman goes ham and almost kills black mask, saying it'd be worth it to end everything that's transpired. tim creates a diversion by lying saying they'll turn themselves into the police. barbara blows up her clocktower so that bruce has to make the decision between saving her & killing black mask. bruce chooses to save her & it's over. bruce gets called to leslie's clinic, where it turns out steph had too much internal damage to save her. steph tells him that she started it all, and bruce says he knows but that they took care of it. he tells her that tim isn't mad at her and that the baby she had won't want for anything ever. he lies and says that taking her on as robin wasn't just to bring tim back, that she was really robin & that he'll be watching over her. she dies. black mask takes over as the new criminal overlord of gotham city.
as a result of all of the above, we get the following: gotham is no longer safe for vigilantes to operate. tim has been set in motion on the path of loss from darla to steph to his dad in another event that will eventually lead him to the mental space he needs to be in to become red robin and leaves for bludhaven. cass follows in her grief of all that transpired. dick is out of commission due to his gunshot wound & dealing with the fallout of working with bruce while feeling like he doesn't deserve to, but is also the only one left to work with bruce. barbara, whose safe haven was trampled upon and destroyed, feels gotham to go be with the birds of prey in another city. bruce is operating all but alone, save for a couple of other distant vigilantes.
we find out that bruce didn't--couldn't--tell tim steph had died until hours after the fact, and that's when tim was finally able to hear the whole story as to how steph became robin all the way to how the gang war got started. this is also when dick finds out the whole story as well.
and thus, war games ends
war crimes:
so we make our way to the epilogue of this storyline. the very aptly named war crimes
the public is still railing against vigilantes. it comes out publicly that stephanie brown was spoiler, then robin, and that her injuries were not thus that should have killed her. batman finds out and goes to leslie's to find out who leaked stephanie's information, only to find out leslie has resigned and her chief resident left with her. batman finds the resident, murdered in a clear attempt to set batman up. (it's black mask setting him up). a man named aaron black is railing against black mask, batman, & the gcpd for the gang war
we find out that treatment was deliberately withheld from stephanie and she was purposely left to die. we find out aaron black is the not so dead arthur brown. & we find out that crystal knows something and is prepared to spill it all. black mask comes dressed as batman to attack crystal brown on live tv. we find out the joker is after black mask for killing robin. the joker gets arrested, black mask gets arrested (and escapes), a tv reporter gets indicted, the leader of the odessa mob gets indicted, commissioner akins and athur brown don't get indicted, and batman has finally figured out who killed stephanie and goes to africa where she fled to.
in, quite possibly, the greatest moment of character assassination in this entire gd event we find out it was leslie who let stephanie die because she was tired of batman's crusade, destroying everything she once stood for just to prove a point to bruce about the senselessness of it all and to try and put an end to it. congrats to dc for this horrific epilogue.
so there it is--the entire event. it certainly is a thing that happened. and that's the problem--it happened. and it was very, very much intended as a personal fuck you and goodbye to the characters of stephanie brown and leslie thompkins. and that's terrible on so many levels. but unfortunately the fact of the matter is, despite that and regardless of any personal feelings about it, war games became a load-bearing event to batman canon.
because war games had so much influence on fundamentally upheaving and changing the status quo of the characters involved and storylines following this could not happen without war ganes existing. without war games, tim does not become the tim that will eventually become red robin. without war games, dick is not injured and out of commission and does not flee to new york and the mob, leaving bludhaven for tim and cass and on his passively suicidal mission that will eventually lead to infinite crisis and the one year boat ride. without war games, barbara does not leave gotham because she needs to leave it behind, only to return during the reborn era & all the tension that entails. without war games, bruce doesn't end up alone & isolated as needed for the red hood storyline. without war games, stephanie is not killed and thus can't be evolved into batgirl as an apology for the way she was treated. the dynamics caused by war games are essential to the stories that come after it. and then you're left with two very, very uncomfortable truths:
one, war games was a horrific fuck you and. fridging to a female character solely because of the evil sexism present at dc editorial at the time and of course you want to delete anything that had such awful intentions behind it
two, war games happening is essential to the trajectory of every single bat characters' story that comes after it including hers. and so it had to happen. and the thing with war games is that steph, while not completely to blame for it transpiring, was humongous part of it transpiring no matter what. because we end up with what it seems to me, the grand circle of blame. it goes as follows: war games never would have happened if bruce hadn't made his contingency plan to begin with -> yes, but. even if it is one of bruce's toxic traits to do that, he never intended for the contingency to go into effect and it was more of a hypothetical than anything and the only reason it ever saw the light of day was because steph stole it and put it into action -> yes, but. if bruce had been less of an asshole and told steph the basic information of matches malone is batman she wouldn't have made the mistake -> yes, but. to completely blame bruce is to remove any and all agency from steph, because nobody put a gun to her head and forced her to implement the plan, that was entirely her decision. and as much as we would have liked her to have decided she no longer needed batman's approval, the fact of the matter is she did want it and she did make the decision to send those letters -> yes but, if bruce hadn't had a contigency to begin with she wouldn't have had such an awful plan to steal -> yes, but having contigencies for plans that will never come to fruition is honestly a normal thing for them and bruce planning out a hypothetical is just another tuesday, and it was steph who set it into motion -> yes, but... and so on and so forth endlessly until the end of time. like, whether things were out of character or whatnot is a valid discussion (though all comics characters are doomed for stories where they're out of character), but putting that aside: the fact is, for every character's trajectory into the reborn era, war games had to happen. and for war games to have ever seen the light of day and happened, steph had to make the decision to send those letters.
and so we're left with this. steph made those decisions because of horrificly sexist behind the scenes decisions. if steph didn't make those decisions, then no other character trajectory makes sense. and that's how we end up with a steph conundrum that is so much harder to fix than any other character assasination of the time. because cass's was easy to retcon as brainwashing, it makes sense for slade being involved. leslie was easy to retcon as faking steph's death, that removes her intent to kill a child and restores her original characterization of every life is sacrosanct. but war games? war games does not and can not happen unless stephanie decides to send those letters. things with tim and barbara and cass and even through steph becoming batgirl don't happen unless steph sends those letters. and when she sends those letters, hundreds of innocent people die and even though bruce is largely to blame (and is blamed, by the narrative), there is a culpability of steph's active decision in the entire mess that exists.
and if that culpability exists, if she sent those letters and war games happened, and innocent people died and barbara had to blow up her home and tim had to do cpr with darla's blood pouring over his hands and dick got shot in the knee and had to find tim in an active massacre, and cass lost herself to grief, then from an in-universe perspective while it's easy to for them to blame bruce for the majority of it, it also is true that every single one of those people has the right to question whether she is capable of making good judgements because of the extremely bad one she made that had so many in-universe consequences & they were all victims of it. from an out of universe perspective, it is so, so, so hard to put that kind of culpability on her, though, because of the sexism involved in deciding to make her make those decisions.
(as an aside. you also get this same issue that occurs as a part of the last arc of the robin series--wherein in order to justify steph no longer being spoiler and graduate her to batgirl, they need her to make a mistake so bad it would justify the idea that spoiler is a tainted mantle & she can't go back to it--so they decide that she needs to hire assassins to try and kill tim under batman's orders. now this is stupid & nonsensical, and she makes a mistake like that due to writer sexism thinking that that was the way to go. but her making that mistake and hiring those assassins is essential to the overall self isolation of tim & him being unable to trust her amongst everyone else that he needs to be in the headspace to kick of red robin & steph needs to have made a mistake that taints the spoiler mantle & makes people not want her to be it otherwise why would she become batgirl... it's messy. very messy.)
but because of all the horrific sexism out of universe behind the decision to write her to do these things, you're left with. hm. it is hard to want to make her have any culpability because that would just be entrenching the sexist writing she's had & she was the biggest victim, but to just completely throw it out is to make every other character appear completely irrational and unreasonable when it comes to dealing with steph. and that's truly hard for dc--who, once they make her a headlining character in her own right as batgirl, now has to be a lot more careful when dealing with steph. because if any other character does have reasonable concerns about steph continuing to exist as a vigilante after the decisions she made that sparked off war games, or hire assassins for tim, or etc etc etc then you risk people being like "no, maybe these people have a point. maybe these people shouldn't have to work with her if they feel at all uncomfortable by decisions she made that resulted in truly terrible times for them."
so you end up. dc finally has to do something grand, something triumphant for stephanie's character to make up for the completely atrocious way she was treated before. and you get batgirl 2009, which is a triumph for her character, it's the approval she's always deserved but never given, she finally gets to show all her naysayers that she's worth it--that they were all wrong about her and she deserves to be there just as much as them. and she does deserve a big doylist apology--she was treated terribly & cruelly & it wasn't right for dc editorial to do so. but you run into. hm. this problem of in order to make this big doylist apology work, you need everything that came before it to have happened. because it's a big doylist apology you can't actually have it that those things to have happened because if steph has to prove herself to the naysayers, the naysayers have to be completely wrong about her.
and that's hard given we're in reborn era and bruce is "dead". because in that case, steph's naysayers have to be barbara, tim, & dick. and while steph shouldn't have to prostrate herself for forgiveness & they shouldn't blame her for everything ever (they've all had their own issues where they've made mistakes, some with tragic consequences, and therefore can't call the kettle black), the problem with having to make them her naysayers is that you have to make them unreasonable about her & that's hard to do when they were all victims of something that occurred in part due to a decision she made. you have barbara, who should be able to have reasonable concerns about whether steph is fit for the job because she had to blow up her own sace space because steph sent those letters. but you can't acknowledge that because that would be entrenching the sexism behind that decision. so you make it so barbara is the one in the wrong about her. you have dick, who should not be able to look at stephanie without remembering his little brother calling him, wanting to commit suicide over everything that's happened, without remembering the tim at the edge of the pit, without remembering getting the call-code 619-and realizing that tim's at the site of a massacre occurring at his school and could be dead, and he gets to realize he was completely wrong about her with no consideration to what complicated personal feelings he may have about her on account of his own most precious relationships. you have tim, who does have things to apologize to her about, to be sure, but has to be cast as completely in the wrong despite the things she did having to have happened such as hire assassins & everything he had to endure as a result of her sending those letters. and that's not to say that any of this means that she shouldn't be a vigilante of course, you can't have a double standard where male characters are allowed to make mistakes and continue on regardless of mistakes made and not afford that same grace to female characters. but at the same time, it's uncomfortable to cast barbaba, dick, and tim in the role of naysayers to be overcome because that erases their victimization by the events that had to have happened in order to make it to this point. and again, they don't have to blame her to feel like it's her fault to have reasonable discomfort because discomfort =/= blame, necessarily.
and you get into this entire mess solely because of the decisions didio made because he hated her character and was determined to destroy it. and it's gross! we hate didio! but like. way back to my original thought, in a way, he did succeed a little. because of the horrific things that happened to her due to cruel and gross out of universe editorial decisions, you do have to be extra delicate with the character. you've lost the ability to show steph making any sort of mistake that has significant ramifications because to do so is to go back to war games & all the baggage that that entails. you need to play it incredibly safe with her. she can't be shown to be in the wrong because of the horrific way she was treated. at the same time, you need things to have happened, but you need things to not have happened. it's just a lot of baggage for a character, and there's probably a reason why they still play it safe by sticking her with tim (until they broke up) and now cass. it's uncontroversial after everything she's been put through. idk. i think current continuity is the best chance to finally really do something interesting with her again given that the mistakes of the past are so softened and don't need to be forefront to the character anymore because we are in an era ripe for things happened but they didn't happen, but will they? i don't know.
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cozycottagetarot · 12 days
Text
PAC: How Can You Break The Cycle
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Messages From Elle: We did it guys!😮‍💨
Notes:
This PAC Covers:
What is the cycle?
What keeps it going?
What will it take to break it?
What could that look like for you? (Patreon Extended)
‼️ THIS READING IS MEANT FOR SELF-REFLECTION AND ENTERTAINMENT PURPOSES ONLY -- While this reading does broach topics relating to mental health & mindset, contain a bit of advice and reflective questions, IT'S IN NO WAY SHAPE OR FORM MEANT TO REPLACE PROFESSIONAL ADVICE OF ANY KIND. Please use your discretion, think carefully before you act and only take what resonates be it a little, some or none at all. ‼️
Reading Masterlist | Patreon | Paid Readings -- Open 🥂
PILE 1 (Brick Wall)
Current Energy
Cards: 10 of cups, The Empress, The Chariot
I feel as though you’re currently in this energy where things couldn’t be better…. But then why are you here? I know that's my job to figure out but still. I feel like you’ve been making strides to create the life that you want. You’re charging forward, becoming more disciplined and things are starting to feel warm.
The cycle that needs to be broken:
Cards: The Wheel of Fortune, Nine of Wands, Page of Pentacles, Four of Wands
The cycle that needs to be broken is one of constantly waiting for the other shoe to drop. You’re tired of fighting or always fending off the downward turn of the wheel of fortune and while you may try to keep your faith that things can get better and stay better, you're always expecting things to get bad again. You could be worried the new beginning won't start, the relationships won't come, or the financial abundance won't find you. I think this fear or vigilance has such a tight hold on you, that you end up not taking action. You may need to readjust your game plan. You don't allow yourself to relax. You don't allow yourself to celebrate your wins… you're always in this state of hyper vigilance.
What keeps the cycle going?
Cards: The Sun, The High Priestess, Two of Pentacles, Seven of Pentacles
I don’t think you really allow yourself to be happy. That may be the current energy I was picking up on as well. When things are going great you don’t really let them go great. I also think you’re neglecting the things that are really important to you inside… maybe so much that you don’t even know what those things are anymore. Not knowing how to navigate this internal world of yours keeps fueling this cycle of 'oh, what bad thing will happen next?' You may also have a hard time making decisions or generally deciding what you want, floating back and forth between options. This back-and-forth stops you from actually putting in the work it takes to succeed and enjoy the FULL results, therefore keeping the cycle going. Another thing I picked up on is maybe the wheel keeps turning back and forth as well because from going back and forth all the time, you’re never really getting to move past the lessons you may need to learn in order for you to reach your desired outcome or abundance.
What will it take to break this cycle:
Cards: Seven of Cups, Five of Cups, Two of Cups, Ace of Pentacles
If you want to break this cycle, you have to make a decision on what exactly it is you want. It might mean leaving behind something, but you have to remember that so much more also awaits you in the process. Stop dwelling on what has gone 'wrong' before, especially if it’s past events that influence your lack of decision. It's okay to have that vigilance and use the past to better navigate the future-- HOWEVER, it's also important to get honest with yourself about whether it's a valid concern or a fear talking. It's time to change your mindset to focus on what can go right. I think also there will be someone available to help you once you make a decision about what you want to pursue. The alternate I'm getting is that you have to allow yourself to lean on others if you want to break the cycle. This could be through personal and professional relationships. But you have to actually decide yes, this is what you want. It doesn’t mean you’re not allowed to change as you grow, but first, you have to plant the seed. Once your seedling sprouts you can cultivate your plant however you’d like. There’s a lot out there available to you but making the decision to move towards it is where it begins.
Want to know what those steps might look like for you? Consider checking out my Patreon for the extended version as well as early access to my next pac!
Regardless, if you'd like a free mini-reading to clarify any part of this PAC, feel free to send me an ask with your initials and pile!
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PILE 2 (Statue)
Current Energy:
Cards: King of Wands, The Star, The Tower rev, Queen of Wands
I see you showing up as being in a hopeful energy and that good fortune of some kind is coming your way. A good balance of masculine and feminine energy. There’s a sense of resisting something internally, however. A transition of some kind that you're wanting to make. It seems like it could be good for you and a lot of different areas in your life would improve, but what you know or are accustomed to might clash with what you want. However, you have what it takes to succeed. If you were drawn to pile 1, after reading this pile consider checking it out as well.
The cycle that needs to end:
Cards: Eight of Swords, The Devil, Ten of Swords, Knight of Swords
I feel like you’ve got a gloomy inner world. Very melancholy. You’re turning a blind eye to the things that are holding you back and draining your energy. It feels like you almost escape it but it gets you every time. You might not take the best care of yourself mentally or physically. With all the swords it could be a mental thing too and it’s important that you get (professional) help and take those steps (of taking better care of yourself). The cycle that needs to break is you getting stuck in this energy.
What keeps the cycle going:
Cards: Four of Swords, Eight of Cups rev, Ace of Wands rev, Ace of Cups
You don’t rest. You won’t walk away from the things draining your energy. You won’t open up your heart and you won’t do anything with your creative sparks... more or less.
It’s so important that you take a moment to take a good pause and regroup. You could find yourself turning to poor coping mechanisms and that's not good. You can't try to leave a bad situation either if you don’t know what made it bad. You also have to sometimes stick things out. If you tried breaking a habit and it didn't work, it doesn’t mean you’re doomed to always have that habit. That’s a bad way of looking at things, and while it’s understandable to feel that way, you still need to work on it. You’re allowed to connect with your emotions and create as well... There's a need to review your plans/goals as well. You can be successful, but may lack the resources to easily be so... that’s also understandable but you can still work with what you do have. You may also lack confidence in you abilities to achieve your goals. You can manifest so many things you want but you have to believe in yourself and open your emotions to be able to connect with the feeling of what you want. It’s easy to say I want XYZ, but if you don’t figure out what that’s going to feel like, then how will you know when you’ve got it? It’s easy to get caught up in material things but the last thing you want is to wake up one day to a life that looks exactly like you wanted it to, only to realize it doesn’t FEEL the way you wanted it to.
What will it take to break the cycle:
Cards: Judgement, The Hierophant, Knight of Wands, Page of Cups
It’s time for you to get it together. Get serious about moving on to the next phase. I feel like it’s all going to work out based on the cards but you really do have to stop holding yourself back. Find a support group. Consider finding creative/artistic ways to express yourself. Step into a leadership role because there’s a good chance you can lend the wisdom you’ve acquired to others… This could be through a social media platform, sharing your writing, attending a local community event, etc. Work on making sure how you’re living aligns with your beliefs and vice versa. Allow yourself to be vulnerable. Give yourself your all. I also feel like this is one of those situations where you have to remind yourself that sometimes motivation follows action.
Want to know what those steps might look like for you? Consider checking out my Patreon for the extended version as well as early access to my next PAC!
Regardless, if you'd like a free mini-reading to clarify any part of this PAC, feel free to send me an ask with your initials and pile!
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PILE 3 (Broken TV)
Current energy:
Cards: Wheel of fortune, Queen of swords, Queen of pentacles, Two of wands
Your current energy is that you've shifted to a 'really good' energy or you're about to shift to a 'really good' energy. The Magician isn't here but that's kind of the energy I'm picking up on here too. Either being very faithful right now that everything is going to work out for you or that's the energy/mindset that you need to tap into. There are options available to you... You need a plan of some kind. You feel unable to move... unequipped even. Thinking about (or needing to) your long-term future. With the two queens, I think you're leaning into one of the two embodiments of the queen, maybe even both. You might have a hard time seeing yourself as either.
The cycle that needs to be broken:
Cards: The Hanged Man, The Tower, The World, Judgement
The other piles were definitely what I would consider a cycle on a loop that needed breaking but yours feels less like a cycle and more like you're just... stuck. You're ready to or have 'level/ed up', but it's as though you're stuck in limbo. This could be because you've gone through a 'tower moment' recently (say within the last year give or take) that's left you stuck in limbo. Or it could be a fear of having a 'tower moment' that is leaving stuck in limbo. Regardless this cycle is one of you needing to bring something to completion.
What keeps the cycle going:
Cards: Knight of Wands, The Emperor, The Sun, Eight of Pentacles, The Fool
You might be rather impatient. When you do things you may expect to see results immediately...that sense of 'oh, I did this tasks once, why don't I feel better 👀'. It could also be that you might not plan out your goals thoroughly or you may not be very clear on what it is that you want to do/achieve. I feel like since you don't take that moment to strategize and figure out what actually needs to be done, this cycle keeps going. You may just charge forth into whatever you think will bring you happiness. However, this means you can't put in the work required which can bring you back to a place of fear and doubt. This can create anxiety and likely catastrophizing which brings us back to that fear of a 'tower moment'. It could also simply be a case of being too laid back? On the flip side, while it's always good to have faith that things will work out, it's important to remember that a lot of times, you still have to play a role in that.
What will it take to break the cycle: Cards: The Star, Justice, Three of Pentacles, Knight of Cups
Have hope, yes. Dream and believe that good things are meant for you and those good things will find you. BUT, balance that with meaningful/conscious action. You must consider the long term. What is the end goal going to look/feel like? What is the journey of getting there going to take? Some of you already have the knowledge you need while others may still need to acquire it. Regardless, learning and implementation will help break the cycle. You have what it takes, but you have to stay the course. It's also important that you use action rather than simply ideas to motivate you. Fall in love with the act of doing.
I also feel like you should make a love list. I initially thought of that while going my first glance at the cards.
Also, do me a favour and take a nap, please! ✋
Want to know what those steps might look like for you? Consider checking out my Patreon for the extended version as well as early access to my next PAC!
Regardless, if you'd like a free mini-reading to clarify any part of this PAC, feel free to send me an ask with your initials and pile!
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PILE 4 (Hammer)
Note: If you're someone who reads what cards were pulled, I mistyped the Seven suit for Current Energy and The Cycle so now that I'm editing, I realised I have no idea which suit the card belonged to hence the (?). Okay, that's all!
Current energy:
Cards: Seven of Swords(?), Queen of Pentacles, Three of Wands
It's time for you to broaden your horizons, however, you currently have to tread carefully. You could currently be job searching or looking for scholarships etc. There's a lot of opportunities available to you or becoming available to you. But you need to be diligent and read the fine print and get the details to make sure you won't be compromised in the process. It's important though that you be able to maintain a balance between your home/personal and academic/career life. You're in an energy of needing to remember to put yourself first.
The cycle that needs to be broken:
Cards: Two of Swords, The Emperor, Page of Swords, Seven of Wands (?)
The cycle that needs to break is one of constantly being at odds with everyone. I feel like you’re constantly bending over backwards or breaking your neck to try and appease others-- and no matter what you do, it’s not enough. I think this might potentially resonate more with those who are academics. When faced with a decision between what will benefit you vs what will benefit someone else, you have a tendency to either not make a decision of choose the option that will benefit someone else instead. This could be because you either live under someone with authority over you (like a caretaker or family) or you're in a position where you feel like you have to take care of others (siblings/family, partner).
I feel as though for some of you it could also be a romantic relationship? I'm not familiar with 'channeling' through music, but find myself doing it a lot lately. The song 'Lifetime' by Livingston just resonated with part of this pile for some reason. When asking if it’s a romantic situation, I got the cards: Eight of Pentacles, The Devil, and Justice rev. I’m also getting 'the right person, but wrong time'.
I think if it's someone with whom you share romantic feelings for, it's a situation where the relationship likely feels imbalanced and like hard work, but you don't feel like you can step away. If that resonated then that could be it. It could also be any unfair relationship dynamic.
What keeps the cycle going:
Cards: The Hanged Man, Ace of Wands, Death, The Moon, Eight of Swords
I think you’re in a cage of your own making, but not because you can’t see. You can see, but what you’re seeing isn’t clear. Because of this, you tend to end up pressing pause on moving forward. There's a lot of creative energy around you... for some, it's that it's a creative field waiting to accept you. However, you're too afraid to actually go for it and give it your all so I think you keep 'pulling the wool' over your own eyes. I think if there are people around you in opposition to you moving forward, you might see it as a convenient excuse to not move forward and transform into the next stage of your life. It's almost like the cycle doesn't need to be a cycle. You know when you're listening to a song and you keep restarting it 'cause you keep getting interrupted? And sometimes it's just you being extra because it wasn't even your favourite part you're just kind of nitpicking? Yeah, same vibe I'm getting here.
If the relationship resonates: I think you may need to let go of (or loosen your hold on) because they could be holding you back to the point they're dragging you down. Things are shifting for you, especially internally. You could be trying to hold it back though, but in doing so you could burn up and out. You’re seeing what really is and maybe you don’t want to. That’s the part that keeps this cycle going. I see images of a phoenix rising too.
What will it take to break the cycle:
Cards: Queen of Wands, The Chariot rev, Judgement, Three of Pentacles, The World, The Lovers
It’s time to use the things you’ve learned. Let go and let the cycle close. Trust that you’ll find love again or that you’ll find inner harmony. Trust that it will all work out in your favour. Take steps, even if it's baby steps to doing whatever it is you want to do. I feel like I said this already in a different pile, but even if you can't make a complete switch yet, start engaging in the things you want to do or eventually pivot too in small steps. You can always research or engage with it as a hobby for the time being. Also finding balance between who you are and how you show up to the world. Remember you have a lot to offer and it's going to do everyone a whole lot more good in the long run, the more authentically you can show up.
Want to know what those steps might look like for you? Consider checking out my Patreon for the extended version as well as early access to my next PAC!
Regardless, if you'd like a free mini-reading to clarify any part of this PAC, feel free to send me an ask with your initials and pile!
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wolfjackle-creates · 8 months
Note
Ask Game:
8. "Who did this to you." and 24. Showing up at friend/mentors house.
With hurt Danny and any/all of the Bats.
Okay, but holy shit, you have no idea how perfect this one is. I was imagining a scenario with both of these earlier today. This is an alternate version of Bring Me Home where Danny and Tim were online friends from the time they were preteens. The actual fic will not go this way, so I'm so excited to have an excuse to share this version with y'all.
Nonny, I absolutely love you for sending these two in (no romo).
For those who don't follow Bring Me Home. Tim's username was IKnowYourSecrets and Danny often calls him "Secrets." Danny's username was -xXPolarisXx- and Tim will call him "Polaris."
And for everyone, Sam and Tucker ended up with codenames after all their adventures in Amity. Sam is referred to as Regrowth and Tucker as Pharaoh. This will come up later in Bring Me Home, but hasn't yet (mainly bc what I'm writing now takes place before those events).
Word Count: 1.2k
-----
Danny's vision blurred and he felt himself fall a dozen feet. He clutched his stomach tighter and grit his teeth against the pain.
He was almost there. He could make it.
With the last of his strength, he shot an ectoblast into the sky and fell a few more feet, hitting the roof of a building. He scrapped along the rough surface and the only reason he didn't scream was because he couldn't catch his breath enough to. Everything hurt.
He couldn't even push himself up and so just lay there, trying and failing to catch his breath. Not even when he heard a strange noise and footsteps behind him could he move. He tensed as much as possible.
"Who are you?" asked a man.
Danny just groaned. He hurt. He needed Tim.
The footsteps got closer and Danny opened his eyes. When had he closed them? He saw black boots and skin-tight leggins.
Then the man was kneeling. Blue accents on his chest, a domino over his eyes.
Danny let out a sigh. It tasted of ectoplasm. "Ni-win," he slurred.
"So you know who I am, who are you? What happened? How can I help?"
"R— R'bin. Know me."
"You're looking for Robin?"
His vision was going dark. "R'bin. Yea. Secrets. Friends."
"I'll get Robin here. Can you tell me your name?"
"Polaris. Tell—" Danny coughed weakly and spat out more ectoplasm. "Tell 'im, 'M ready to accept 'is offer."
"I will," promised Nightwing.
The blackness crept in further. Danny could hear Nightwing still talking, but couldn't make out the words. Everything was getting fuzzy. But he was in Gotham. Tim was here. Tim would make it all better. He let go.
---
Despite the quiet night, Tim was tense. He couldn't shake the feeling something was wrong. So when Dick's panicked voice came over the comms asking Damian about a secret friend, he was already pulling up Dick's location.
He was on the roof of Tim's civilian apartment building. Which, what?
"I do not have any secret friends," came Damian's reply.
"He's a meta. Caucasian with white hair. He's hurt bad, bleeding everywhere. Lazarus green blood—"
Tim's blood ran cold and he wished he could grapple faster. "Fuck! I'm heading to your location now. He's my friend, not Robin's. Bring him into my apartment. He needs specialized medicines and I've a supply."
"He called himself Polaris. Said he's ready to accept your offer," said Dick.
"Shit. Fuck. Okay. Eta, fifteen minutes."
"I'll get him inside."
"Don't try to treat his injuries," Tim ordered. "Human treatments won't work."
"Understood."
"And..." Tim hesitated, "Did he say how he was injured?"
"No. He passed out before he could."
Tim cursed again, but didn't reply further, despite the way the rest of his family demanded information. If it was the GIW, he'd need to arrange extraction for Sam and Tucker. But if it was Danny's parents... Well, he might just cross a line he swore he'd never cross when he first put on the Robin suit.
Fifteen minutes later, he was sliding the window to his apartment open. Dick had Danny laid out on the floor and was stripping him and pulling away loose bandages, revealing a large Y-shaped incision on his chest.
Dick looked up at him, face grim. Tim didn't let himself pause to look and ran to his bedroom and threw open his closet door. He slid open a hidden compartment revealing a safe and, with shaking fingers, punched in the code. The door swung open and he grabbed the silver-and-green case inside.
He rushed back to Danny's side. "Who did this to you?" he mumbled as he took stock of the injuries.
"Do you have any idea who might've wanted to hurt him?" asked Dick.
"With these wounds, it would be either the GIW or his parents." Tim bit back a hysterical laugh. "Been trying to get him away from them for three years now, but he swore they'd be okay once they realized who he was. Idiot." Tim bit his lip. He couldn't cry right now. He opened the case and pulled out gloves and antiseptic and began cleaning the wounds. "Dick, I need you to contact Superboy, Impulse, and Wonder Girl. Tell them Phantom's hurt bad and Regrowth and Pharaoh may need immediate extraction."
"Okay." Dick was already typing away on his phone. Moments later, it started ringing and Dick answered it on speaker.
Cassie's voice came over, "Red Robin, what's going on?"
"Phantom's been vivisected. He passed out before he could share the culprits. We're at my apartment in Gotham. If it was the GIW..."
"I'm sure Impulse is already there. I need to go home and grab my deflector first, but I'm going to get to Amity as soon as I can. We'll keep you updated."
"Thanks. Phantom's in bad shape. I don't..."
"Rob, you know what to do. We've known this was a risk for three years. You've talked to Frostbite and Regrowth and Phantom about how to best care for traumatic wounds. You're going to make sure he pulls through this."
Tim's eyes burned, but he kept working. Almost done and then he could start with the stitches. "Thanks."
"Anytime, Rob."
The call disconnected and Tim took a shaky breath. Time to start the stitches. They'd come directly from Frostbite and the thread glowed a bright, ectoplasm green.
"Tim," Dick's voice was tight, "Why do you have a case filled with Lazarus water and Lazarus-green supplies?"
"Not Lazarus water." He didn't bother explaining more. He laid the thread along the wounds and willed it to close the wound.
The thread obeyed, breaking into small pieces and sewing the skin together on his own. For the first time since he realized Danny was hurt, he smiled. Ghost medicine definitely made this part easier.
With the major injury taken care of as best as possible, Tim began checking over the rest of Danny. He had a bad burn on his left thigh, new electricity marks on his right shoulder, and his right ankle was either badly sprained or broken.
So he set to cleaning those as best he could. Creams then bandages covered the burns. The splint he laid along the ankle set itself just like the stitches had.
Dick tried to help, but Tim brushed him aside. It'd take too long to explain what had to be done.
Eventually, Dick got up and walked away. He could hear him in the kitchen area messing around in the fridge and reporting the situation over the comms, but he ignored it.
Finally, everything was categorized and bandaged to the best of his abilities. Now, for the final step. He pulled out a syringe shining bright with ectoplasm and stabbed it into a mostly-uninjured area of Danny's thigh.
Danny's back arched off the ground and he gasped, eyes flying open.
Tim leaned over him, "Danny, it's okay. You're safe now. You made it."
"Tim," gasped Danny.
"Yep. You made it. Can you tell me who did this to you?"
Danny closed his eyes and breathed out. "Mom and Dad."
Tim grasped Danny's hand. "Danny..."
Danny squeezed back. He opened his eyes and met Tim's gaze. "Still have that spare room for me?"
"I've had it since the day you died, idiot. Welcome home."
Danny gave a small smile even as tears tracked down his cheeks. "I'm home."
-----
Okay! That ended up being both longer and shorter than I thought it'd be. Hope you all enjoy. Thanks again for sending the prompt, Nonny! And the rest of you, feel free to keep sending some in. I'm off tomorrow and should be able to fill one or two. Any others I can work on over the course of the week.
For now, it's bedtime.
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thcfountain · 4 months
Text
Dating Noah would include:
nsfw & fluff. mdni.
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falling asleep so many nights while on the phone or facetiming with him. usually, Noah falls asleep first. The adrenaline of the stage performance and the exhaustion of the day take him long before you're ready to fall asleep. Sometimes, if he hasn't dropped the phone face down, you watch him sleep.
learning to clean better than you ever thought you could. He's very meticulous about the way things look and exactly how they're cleaned and eventually that rubs off on you. Spring cleaning is a huge event in your house (even if it doesn't always happen in spring.)
"What if I cleaned topless? I could be a top less maid," you tease as he cleans the walls.
"No, you have to take this seriously," he says and you know he's too focused on cleaning to register what you've actually said, but when it does sink in, he pauses. "Okay, actually I might like that. Especially if you wear a short skirt and bend over a lot."
planning trips in order to meet up with him for a night or two while they're on tour. You love to watch the band perform because seeing Noah succeed fills you with pride. Afterwards you two manage to squeeze into his bed on the bus and its cramped and uncomfortable yet the feeling of you petting his hair puts him to sleep immediately and it's the best sleep he gets in tour.
being inevitably lonely when he's gone. And he's gone a lot. It's hard at first and you two fight a lot in the beginning because you feel neglected and you feel shitty for feeling that way because he's doing what he loves and he feels shitty for making you feel shitty.
"I'll call you every night," he promises, because he already knows you're worth it. Knows he'd be an utter fool to lose you. And he keeps that promise, no matter how tired he is.
Noah manscapes. He's very vain about his appearance, but in such a way that he's vain specifically about how he views himself over how others view him.
"Did you shave a heart into your pubic hair?" you ask him after seeing him naked one day after he's manscaped. You think you'll die of laughter that day and he ends up joining you. Both of you laughing wildly at his silliness.
Going to sex shops together and picking out toys to try. Noah will try almost anything once, as long as proper research has been done into it and safe words and actions have been set. This doesn't necessarily mean he will end up liking everything you try and every toy you purchase, but it does mean that he trusts you and you are both growing sexually together, learning and setting new boundaries as you discover new things.
Noah has kinks. He absolutely does.
"I want you to sit on my cock while I game," he tells you one day. He's very strict in reminding you that you are there solely so your pussy warms his cock. Any time you squirm or get a little too excited, you feel his lips near your ear. "I told you to be still," he warns in that soft and domineering voice he sometimes takes on. When he tires of playing and when you're dripping all over his cock, he finally stops the game and fucks you.
-
"I want you to walk around with my cum in your panties," he tells you on another day. When he has your consent, you pull your panties down just enough for him to rub one out, cumming spurts into your panties and over your cunt. He loves knowing that you're walking around, underwear dirty with his seed.
-
You find him, a needy, whiny mess, hand on his hard cock as he begs to be filled by you. The strap you picked out together sits on the bed, waiting for you as he calls your name. He's such a good boy for you, he takes your silicone cock so well, lifting his hips in time with each thrust. You soothe him with kisses and praise afterwards, while you're cleaning his cum off his stomach.
going to the shelter together and adopting a cat. the cat is ancient and grumpy. an old man who's initially wary of you both and hisses any time you get too close. But one day you walk in on Noah in bed, blankets pulled around him almost like he's built a nest and the old cat is curled up on his chest, purring away.
"Take a photo," Noah whispers excitedly and you do. It becomes his wallpaper immediately and the cat, having found his person, becomes the snuggliest animal, especially when Noah is home.
Cooking together when he's home. There's something heart warming about being domestic together. The two of you moving around each other in the kitchen, in sync with one another as you make a meal to share.
Watching anime together, snuggled up as close as you can get as you binge watch full seasons together.
bragging about his success because when Noah succeeds, it fills you with excitement. He feels the same way for you and the two of you are each other's biggest fans, encouraging and supporting each other through every milestone.
stealing his clothes to wear, especially when you miss his scent. And you know that he also goes crazy, seeing you in just his shirt and your underwear. He likes the way you look in his things and you like the way you feel.
going to industry events together because if he can't get out of them, he's dragging you along.
getting along with his friends. Asking questions about culture and food since Nicholas is Cuban and Jolly is Swedish. Hearing Noah laugh as you try pickled herring sandwiches with Jolly and fish paste.
"Get your stinky fish mouth away from me!" He jokes, playfully running away from you as you try to kiss him with a mouth full of Swedish "Kaviar".
hearing snippets of songs before anyone else, watching him strum a guitar or write lyrics, bringing him and Jolly snacks and drinks as they produce the next album.
he has social anxiety and so when you're out to dinner together, he stares at you for help when his order is wrong or an item is missing. What would he do if you weren't there to tell the waiter that his mashed potatoes are missing?
learning to communicate better. He's trying to grow past trauma, to be a better person, and this means you are too and most importantly it means learning to communicate with each other. Not ever day is a good day and that's okay. You've both come far enough to understand that in order for things to work out, you have to communicate your needs and feelings, even when its hard.
"Can I have space?" you ask after a fight, knowing that you need time to cool down and collect your thoughts. "I'm feeling very overwhelmed and frustrated right now and I recognize that I am not able to communicate my thoughts properly."
He agrees and when you've both taken a step back and calmed down, you return. The problem is too much or too big, not when you both know that neither of you is working on it alone.
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thechekhov · 4 months
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How often would you say that you draw comics and art while also focus on the other things in life; work, family, etc?
Like, for example, if you had an exact number of minutes, hours, or days of drawing, what is an estimate per day or week? I'm just curious.
Honestly, it's difficult to count since my workweeks tend to vary based on the season but here's a quick example:
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I don't work full-time at this point but I do have an hour commute both ways, and because I'm on a salary, I'm sometimes forced to stay overtime, meaning that my entire day is just sleep-eat-work-eat-sleep in that order, with nothing else that really happens that day.
During non-work days, most of my non-work time is..... art-work time!
And by that I mean that if I'm not washing the dishes, running an errand or spacing out, I'm drawing.
When do I play video-games or watch shows? I don't.
When do I spend time with friends? I don't.
Not unless it's specifically scheduled, such as when someone visits from far away. I have about 1 hour of social stuff set aside each week because I participate in a taiko group in the city I work at.
When I count it up, my art stuff ends up being anywhere between 30 -35 hours each work. My part time job is supposed to be 24 hours (not counting the commute), but often ends up going over. And I usually need another 5 hours each week to take care of the back-end office stuff - scheduling posts, managing Patreon, answering asks and planning future stuff.
I will admit I would not be able to do that if it were not for the kindness of my partner, who takes care of most of the cooking and cleaning, and often ends up cooking me things to eat:
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I appreciate him and his commitment to keeping me alive very much
Also, just to be clear: I am not pretending that this is not a good work-life balance.
It it just the balance that works for ME, personally. I think most people would find this...less great.
I do not go out for coffees with pals. I do not watch new series, and I do not partake in social events. This is something I am fine with, but I know many other people would find my life incredibly repetitive and boring.
Actually, looking at this math laid out, I am quite disappointed in not being able to accomplish more with the 30 hours I have per week. But...the reality is that aside from running the comic on my Patreon and doing random personal doodling on my main blog, I'm also often trying to do other projects in the background that I don't feel like sharing until their completion.
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The reality is, I enjoy this load, though. I make it work for me, and I'm getting to do stuff I like AND make money for myself and my partner! So I'm fine with it. I'm not actually dying from exhaustion.
It's just hilarious when I sometimes get asks going "Hey, have you played that latest 130-hour-long videogame? :)" followed by a swift "I wish you would post comics daily again :((( I want more arrttttt" like kids, you can't have both, I don't know what to tell you.
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book 7 part 3 thoughts!!
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***THIS POST CONTAINS MASSIVE SPOILERS FOR BOOK 7, PART 3 OF THE MAIN STORY AND MALLEUS’S DORM UNIFORM VIGNETTES.***
If you’d like to watch a rough part-by-part summarized translation, please check out this archived stream!
Please note: this is NOT meant to be a summary or a translation; these are only my initial thoughts on the events that unfold. There may be details overlooked or misunderstood in this post, so PLEASE do not use this as a translation.
LOL???? We start this part in Ignihyde 😂 with Idia getting a phone call from (OG/grown-up) Ortho??? Ortho says he’s enrolled at RSA and it’s Idia’s first year as a dorm leader????? What sorcery is this???? I-Is this Ortho’s dream…? Or is it Idia’s dream???
cnn kdveienskebe Okay, it’s Idia’s dream??? Oh gosh, he pictures Ortho as being the kind of heroic and kind-hearted person who would attend RSA if he were still alive… 😭
NOT THAT IMPORTANT but Idia games with Lilia and it’s cute :>
Idia is happy to go along with the call but then notices weird little discrepancies like how NRC’s opening ceremonies are at night (but Ortho called him during the day and Ortho is excited about NRC even though he himself is going to RSA)? He feels like something bad is going to happen…
AND SUDDENLY A WILD MALLEUS GREETS HIM???? Wow, he finally got invited— Gao-Gao Dragon-kun returns as a motif throughout episode 7, Idia seems super hype about it. Interestingly, it looks like Gap-Gao has evolved into a full-fledged dragon when Malleus shows it to Idia 🥺 The set-up is very similar to Idia’s + Ortho’s ceremonial robes stories, but in the original vignettes, Idia meets Malleus on the way to the ceremony and gets too scared, so Idia heads back to his dorm.
OMINOUS??????? Malleus is all like, “Gao-Gao was broken many tomes, but I fixed it and I intend to keep it this way for a long time”. This, of course, is him actually talking about what he’s done to prevent everyone from leaving him :)))
OMG WILD LILIA TOO
Entrance ceremony~ The characters repeat the exact same lines spoken during the prologue!! Deja vu~ Cool little easter egg there, this really is a redux but with nothing bad happening and Malleus actually invited and Idia physically present instead of just being a tablet— Something else weird is that Yuu and Grim don’t seem to be at the ceremony.
RSA is confirmed to have dorms and dorm leaders as well! No specific dorms are referenced though.
“I feel like I’ve forgotten something very important…” — Idia
Back to Diasomnia we go… and the expected Sleeping Beauty dream sequence from Yuu… Then Yuu wakes up to what seems to be the room Mickey described to them (from the animated short 1936 Thru the Mirror) but mirrored/flipped (the date on a calendar is written as 51), Also???? Yuu and Grim seem to remember the “real world”; they recall Malleus casting magic before they passed out. UHHHH they’re locked in the room and there are ghosts drawn on the windows. That’s weird, that’s suspicious 😳
THE FOOT STOOL (ottoman?) IS A DOG WITH A PUG FACE???? Wait… THIS IS MICKEY’S ROOM, ISN’T IT??? He literally described a foot stool thing that barks like a dog the last time he talked to Yuu.
WHAT everything is alive??? Beauty and the Beasting it… Grim eats a sketchy nut and temporarily becomes big (a la Alice in Wonderland), they mention there are mushrooms in the Queendom of Roses that have a similar effect.
OH MY GOD MEETING MICHARD REAL GONE WILD NOT CLICKBAIT
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Mickey makes more Thru the Mirror references (he squirts ink at playing cards)? Then he mentions dancing about the queen (of Hearts!?) and the king getting mad about it… ordering the card soldiers to attack him. “I feel bad for the card soldiers.”
Mickey weirdly says something like. Their consciousnesses are in this place but their bodies are elsewhere. Mickey is going to help them look for their friends!! They sort of imply this is Mickey’s dream world, he starts vanishing because now it's morning... and now he is "waking" from the dream.
Blot??????????? They punch a monster thing????
HUH???? ??? ? ???? ? SILVER PULLS UP TO SAVE OUR ASSES???? 😭 We get his UM reveal as well! It's called "Meet in a Dream" (written as "Let's see the same dream") but we don't immediately get to see what it does because we cut away to the real world. The incantation for "Meet in a Dream" is roughly, "For the person/people I met before, for the person/people I will meet soon". IT SOUNDS LIKE SOMETHING AURORA WOULD SAY WHILE WAITING FOR HER PRINCE THAT SHE DREAMED OF
Back at Diasomnia, Malleus is creepily humming over everyone sleeping...DHBFIYODSBFIOIOAF MORE IMPORTANTLY THOUGH, ORTHO'S CONSCIOUSNESS IS IN CYPERSPACE AND HE ACCESSES THE LAST MEMORIES HE HAD STORED BEFORE GETTING KNOCKED OUT (something, something... emergency protocols activated because Malleus emitted a high amount of blot)👁️ His hologram goes and tries to wake Idia up (lol I guess he did end up getting affected by Fae of Maleficence), then tries to connect to his spare bodies but their circuits are not working. He also tries playing music of Idia's favorite girl group to wake him (Idia usually wakes up and dances), but Idia still doesn't.
The time also seems to have not moved, just like during Endless Halloween Night. Wow, Malleus really decided to reject any and all change, even the passage of time...
Ortho realizes just how wide Malleus's spell has been cast (like, it seems to extend even to RSA which is on the other side of Sage's Island). That's... scary... x_x Guess no heroes are coming to save them, huh?
OMINOUS COMMENT: Ortho says that if people continue to dream like this without waking, they will miss out on food and water that their bodies need... and so they will DIE. They got like a week tops without water 🤡 and then their consciousnesses will remain forever trapped in the dream worlds????
STYX becomes relevant again! They get alerted to the blot levels on Sage's Island.
KJBLDVITUFUQFWOVYQFEOBAFIBAFI DIRECTOR SHROUD AND HiS WIFE SHOW UP???????? THEY GOT ON FULL-ON CYBERpUNK HELMETs ON TOO??? Mrs. Shroud sounds so young 😭 and she acts surprisingly cutesy???? She calls her husband “papa” and serves at STYX's technical director.
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STYX forces on Sage's Island can't seem to penetrate it... UM IT SOUNDS LIKE MALLEUS'S MAGIC FIELD IS EXPANDING, STYX is going to evacuate people close to Sage's Island.
WEIRDLY, IDIA'S DAD COMMENTS THAT HE FEELS LIKE HE HAS SEEN THIS SCENE OF SPRAWLING THORNS BEFORE???? Mr. Shroud remarks that he has seen it in stories of the Thorn Witch. I-Is history… repeating itself?
Ortho gets in contact with STYX and Mrs. Shroud is soooo cute 😭 She calls him “Or-kun” and worriedly asks him about his older brother and if Ortho is hurt, etc.
So Malleus used ancient magic (regional dominion?) to control everything in that field?? Mr. Shroud says fairies in general have always historically had the magic to “change” the world/nature, like land forms and the weather.
Uhhhh so??? They that Malleus’s magic won’t ever run out because he can absorb power from the natural elements to fuel his magic??? His magic field will keep expanding… so Twisted Wonderland is pretty much fucked if they can’t stop him 💀
OH MAN Mrs. Shroud says they’re going to try and contact Briar Valley 🤡 though Grandma Shroud tried to in the past and it was difficult?
Aww, sort of sad?? Mr. Shroud implies he’s a normal person and that he’s dealing with geniuses that try to do things that he can’t.
The Briar Valley actually responded and try to help them break the barrier around Sage’s Island!! But it sounds like even they could not get past it…
Ortho transfers his consciousness to the Cerberus Gear body!! (Mrs. Shroud makes it for him!) It can last ~20 minutes inside the field. Two dogs will follow him; they have the Cerberus security system in them.
He’s the best suited for this investigation (it’s NOT meant to be a rescue, just a mission to collect info) because his existence defies nature itself; he is the culmination of human ingenuity and Malleus can’t overwrite that. Ortho promises to come back and to save his big brother, he doesn’t want the Shroud parents to lose “another son” 😢
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LOL all the researchers are passed out on the floor, even Mr. Shroud was like. Sleeping under a table 😂
Not Mrs. Shroud joking about peeking at Idia’s password protected folders 💀 and not Idia leeching off of STYX’s wifi cuz he’ll die without high-speed internet to do his dailies…
Mrs. Shroud continues to be so wholesome and worried for her children, she encourages Ortho to come back if he’s scared or feels like he’s in danger. It’s so moe of her 🥺
Hmmm 🤔 the Shroud parents are definitely a lot different than what I thought they’d be?? They’re very warm and accepting of Ortho, especially Mrs. Shroud. I didn’t get that impression from book 6 and Idia’s post-OB flashback, it seemed like the Shroud parents were very hands-off and work oriented. Of the two, Mr. Shroud is definitely quieter and more stand-offish, so it seems like Idia takes after the dad and Ortho after the mom. It’s not a bad thing, I’m just surprised!! I’ll definitely keep this in mind while writing them moving forward.
Back to Mickey's world!! ... Suddenly, they're in the sky and comedically falling out of it???? They land outside of Diasomnia dorm.
HMMMMMM so Silver says that the “blot” he fought earlier is like… the darkness that appears in dreams. He has seen it many times. If the darkness catches you, it will drag you into an even deeper dream… and it seems like they fell into a new dream because Mickey woke up (so Mickey’s dream crumbled).
“Meet in a Dream” allows him to enter the dream world of people who have a bond with him. So… there is a preexisting connection Silver has with Mickey????
Silver has??? Met Mickey before in his dreams?? This confirms the story Mickey told us before of seeing a silver-haired boy. Usually the dreamer does not remember him being there, but Mickey for some reason COULD remember Silver. (When Silver himself wakes up from the dreams, he doesn’t remember them.)
bcsksbiexbkss OMG POOR LAD????? Silver has tried to wake up before by punching himself and by bashing his head against rocks (to no success).
He doesn’t 100% understand his power or dreams yet, but he describes each dream to us as its own landscape? It’s an oddly artistic way of describing it but I guess without the context of Malleus trapping them all there it calling them “landscapes” is nice!!
Silver says he somehow stumbled into Mickey’s dream while following a bird that shone with rainbow colors. Ho-Oh is that you (A bird that gives the illusion of rainbow colors… It sounds similar to the white birds Kalim borrowed in his dorm story vignettes from Silver.)
There are other stipulations to using his UM; Silver has to be sleeping AND be aware that he is dreaming in order for him to dream walk. He also can’t decide whose dreams he ends up in. Silver eerily mentions that he cannot escape from dream worlds, not unless the dreamer wakes up or the dreamer/Silver gets a large enough shock.
Silver falls through the sky to get to new dreams? He calls these transitions “dream corridors”. He describes dreams as places of memories and wishes, making up one’s greatest desires… but also meaning different things to different people.
They enter Diasomnia and IN COMES SEBEK SHOUTING AT THEM??? Apparently there's a party going on at Diasomnia to send Malleus and Lilia off for their internships. (There is a little glowing fairy thing flying around Sebek which indicates that Sebek is the dreamer. We did not previously see this light around Mickey.) Sebek rushes them to the party where everyone else is waiting!!
Oooh, we hear what Lilia’s internship might have been! He would be going into a company that specializes in making magical tools for medicine/health; his reasoning is that the Briar Valley has people who are not used to technology, and Lilia wants to be able to make their lives easier by introducing these technologies to them. Malleus’s archeological internship would be in the Land of Crimson Long.
BRUH 😭 Dream!Lilia says he will stay in their forest cottage where he raised Silver for the rest of his life, he’s not leaving.
Silver calls them out on the bullcrap, calling the situation for what it truly is. “This is just a convenient dream!” It’s fake, it’s all wrong. He shouts at on point, which is something be rarely ever does; the last time I can recall him shouting is back at the end of Endless Halloween Night.
ERRRRR (real) Malleus is monitoring all of their dream worlds, that’s 100x more creepy than anything Rook can do 💀 Malleus is justifying this by using his position as to-be king; “it’s only natural for a king to watch over his subjects”, that kind of thing. Leona would be hella pissed—
Eh? EH????? WE'RE PUNCHING SEBEK NOW (he’s protecting Malleus). And so we beat him up and Sebek finally remembers reality. (I think the implication is that by beating him up, they’re “shocking” the dreamer awake.) Sebek begrudgingly joins our party!! ✨
bhlBFYUVAIFAIAFDIL I OH NO, MALLEUS IS MAD THAT SILVER IS “AWAKE”
AYO OB MALLEUS BATTLE, HIS PHANTOM IS MALEFICENT'S DRAGON FORM, IT’S TIME TO GASLIGHT, GATEKEEP, GIRLBOSS (before revealing his OB form, he was really trying to convince us it’s not a dream when we said it was one + confused Grim with his claims, then lowkey threatened us by saying “if you keep talking, I won’t forgive you”.) That’s… scarily accurate for how real emotional manipulators act 😬
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I kept being reminded of Malleus’s dorm uniform vignettes around this point in the main story. In the vignettes, Malleus teleports the dorm leaders (without consent) to Diasomnia to hold a meeting, and they become upset with him for treating them like objects. Malleus is STILL treating living beings like objects (even if he does care for them). Look at what he’s doing: he doesn’t think about what they want, he’s manipulating them again, and even earlier he implied they and Gao-Gao were the same… Broken things that have been repaired, and that he intends to keep this way forever.
Silver grabs their hands and says they’ll jump into another dream!! LOL 😂 Sebek’s being tsundere at the worst of times… “I WOULD NEVER HOLD YOUR HAND!!!” SEBEK PLEASE, NOT NOW!?????? We’RE GonNA DiE
Malleus tries to force them back under, but a sparkling light "like an aurora" compels Silver to not succumb. Silver asks his father to give him power while clutching onto the ring on a chain that Lilia imparted to him. AWWW SILVER 😭
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This time they wake up in a forest and get surrounded by masked people who speak in... animal sounds??? It may be a fairy language; in Fairy Gala: If we learn that different kinds of fae communicate in different ways (for example, the diurnal fae speak in like bell chimes). Sebek seems to understand what they are saying... so maybe the language of the nocturnal fae????
AYO THE MIDDLE ONE KINDA LOOKS LIKE CROWLEY... EVEN THE EYES GLOW YELLOW LIKE HIS DO???? IS IT JUST THE MASK SHAPE???? OR WAS CROWLEY A WAR VET??????? ??????? ?? ?? ? (Side note: I think these masked NPCs are meant to resemble Maleficient's minions!)
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There is also what appears to be the sound effects of canon fire??? Is this… a battleground?? The human-fairy war?????? (The masked men are soldiers that report to Lilia!)
FKJLADFIHLAFSLIHAFLIADFILETasasutvfetoqevb WHAT WHAT WHAT???!?!?!?!?!?!?!? LONG HAIR LILIA SHOWS UP IN A MASK AND SAVES THEM???? HE’S USING HIS CLEAVER TOO (this is his dream for sure now 😭)
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So in Lilia’s new design, we see that there are green gems hanging off of him; these may be magical gems or the special ore he mentioned his weapon is made from (which is very rare in modern times).
If you look closely, his hair streaks are dark red instead of bright magenta. This lines up with one of Lilia’s voice lines in which he expresses dying his hair different colors depending on his whims.
Every warrior seems to be wearing a mask? And we can see their eyes glow (I wonder if this is a trait of nocturnal fae)? The masks may be there as s cultural thing or maybe as a tactic to obscure their faces from their enemies.
It’s odd that Lilia’s dream seems to be of war time??? Because Malleus’s magic is meant to give them happy dreams, but surely Lilia doesn’t think of war time as a happy period of his life???? Maybe that will be better explained in the next update??
AAAAAAAHAHHHHHHHH??????? ? ?????? ? ? ? ? ? ? THAT'S THE END OF THE PART 3 UPDATE???? ? ?? ??? ? TWST, YOU REALLY GONNA CUT US OFF LIKE THIS?? ???? ? ? ? ???????? ? ? 🫠 WE’RE ONLY At PART 55 AnD SO MUcH SHiT hAS GONE dOWN…………………..,,..,,, …….. ….. … . .. . .. . . .
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loupy-mongoose · 6 months
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*Ahem*
Happy Halloween!! ^w^
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Bug Fables.
It's my current favorite video game, and actually, you can thank it for Linden Roots existing~
I'll explain, but in order to do so I have to dive into spoilers for one of my absolute favorite plots for one of my absolute favorite characters, so I need to slap on a;
MASSIVE SPOILER WARNING!
In my opinion, this game is best experienced SPOILER FREE, so if you haven't played it and want to some day, I recommend skipping my info dump below. (This info can be acquired before beating the main game though. :>)
You're okay with spoilers? Yes? Okay, carry on.
So.
Those who are familiar with Leif's story will probably see how Bug Fables influenced the creation of Linden Roots.
A long while ago, I mentioned Randy being inspired by my favorite fictional character.
That's Leif.
Leif is a moth who is ancient.
And dead.
Loooooong before the game takes place (I can't find an exact timeframe; it's like a generation or two), Leif went with a team of bugs to explore a cave, but ended up dying in there. In that same cave, a group of scientists later experimented on cordyceps. Now, as soon as they became relevant to the story I was HOOKED.
I learned about cordyceps as a kid, and they scared the crap out of me. But it also was one of those morbidly fascinating things I'd look into once in a while. (Before anyone tells me, yes, I know that's what's in The Last of Us.)
If you don't know, IRL cordyceps basically turn bugs into zombies.
Anyway, the scientists were trying to find a way to create eternal life (what else is new lol), and did this through cordyceps. Which, as one could guess when dealing with zombie fungus, ended up going badly for the scientists.
One of the "failed" experimental fungi was thrown out, and found its way to the deceased Leif, and brought him back to life. It took on his memories, and Leif woke up without knowing what happened, until you dig into his story during the game. So the "Leif" we know in the game isn't truly Leif, but is the fungus living as him.
Now... I'm sure that sounds a bit familiar...
This idea of a character being dead-but-not struck a chord with me. It fascinated me to no end.
But there's more to it.
As one might expect, Leif has some tragedy surrounding him.
While playing the game, you can stumble upon his decedents.
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This here is Muze. With a 'z'
This is Leif's great great however-many-greats grand-daughter, who you meet in the game's present day.
When he was alive, he had a wife.
His wife was Muse. With an 's'.
We never get to see what Muse looked like, but he says in-game that Muze is a spitting image of her. Hence why Akoya is dressed as she is in my pic. She's dressed as Muse.
Now, according to the developers, Muse was pregnant when Leif went into the cave where he died.
And he didn't know.
There are several moments in the game that show Leif's potential as a father, but one in particular stood out to me.
(Note for the images; Leif refers to himself as "We/Us".)
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Oops, I forgot one. Vi finishes by shouting "I said it's not happening!"
The text in the last shot bounces/wiggles in-game, indicating playfulness or joking.
If you're familiar with Goombario and Goombella in the Paper Mario games, this dialogue is this game's version of that. You can have the main characters give flavor text on any area and most characters in the game. (And I recommend doing it often, as it adds SOOO much to the game! ^v^)
This bit takes place in the first room after Kabbu and Vi meet Leif. And at the end of the room, an event happens to change what's said for the rest of the game. Meaning, the only time you see it is RIGHT after they meet; He was getting playful with these two bugs he'd met only moments ago.
I'm sure it can just be seen as sarcasm, but having found this dialogue after learning about Leif missing out on raising a child, I saw it as a clue that he would've been a great dad. And it shattered me. ;w;
Randy and Akoya are wish-fulfillment. They're my version of Leif and Muse. They're my way of giving Leif and Muse what I'm sad they missed out on, while also keeping some of the angst, lol. Thankfully, they've evolved into their own separate characters that I feel I can be proud of, but Leif's story and tragedy still has a deep, well-protected place in my heart.
Anyway, thanks for checking out my ramble. I accept no blame for any potential spoiler you might've seen against your will. XD
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rawliverandgoronspice · 5 months
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Hello!! I'm back for: more whining about TotK Quest Design Philosophy
I can't reblog a really great post I just saw for some reason (tumblrrrr *shakes my fist*), but hmmmm yeah not only do I completely agree, but I think I might expand on why I feel so much annoyance towards TotK's quest design philosophy at some point, because it does extend past the fundamentally broken setup of trying to punch a pseudo-mystery game on top of BotW's bones, where the core objective was always explicit and centered and stapled the entire world together; or the convoluted and inefficient way it tells its story through the Tears, the somehow single linear exploration-driven quest in the entire game.
Basically: I'm talking about the pointless back-and-forths. There were a lot of them, a lot that acted against the open world philosophy, and almost none of them ever recontextualized the environment through neither gameplay abilities nor worldbuilding nor character work.
I'll take two examples: the initial run to Hyrule Castle (before you get your paraglider), and then the billion back-and-forths in the Zora questline.
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I think?? the goal of that initial quest to Hyrule Castle is to familiarize you with the landmark, introduce the notion that weapons rot, tell you about the gloom pits, and also tell you that Zelda sightings are a thing? But to force any of these ideas on you before giving you a paraglider is, in my opinion, pretty unnecessary. I think the reason it happens in that order is to prevent Link from simply pummeling down to the gloom pit under Hyrule Castle and fight Ganondorf immediately while still introducing ideas surrounding the location; but genuinely, the Zelda sighting makes the next events even more confusing? Why wouldn't you focus all your priorities in reaching the castle if you just saw her there? Why lose time investigating anything else? Genuinely: what is stopping you from getting your paraglider and immediately getting yourself back there, plunging into the depths to try and get to the literal bottom of this? (beyond player literacy assuming this is where the final boss would be, and so not to immediately spoil yourself --which, in an open world game, you should never be able to spoil yourself by engaging with the mechanics normally, and if you can that's a genuine failure of design)
I think, personally, that you should not have been pointed to go there at all. That anything it brings to the table, you could have learned more organically by investigating yourself, or by exploring in that direction on your own accord --or, maybe you think Zelda is up there in the castle, and then the region objectives become explicitely about helping you reaching that castle (maybe by building up troops to help you in a big assault, or through the Sages granting you abilities to move past level-design oriented hurdles in your way, etc). Either way: no need to actually make you walk the distance and back, because the tediousness doesn't teach you anything you haven't already learned about traversal in the (extremely long, btw, needlessly so I would say) tutorial area.
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But to take another example, I'll nitpick at a very specific moment in the Zora Questline, that is honestly full of these back-and-forth paddings that recontextualize absolutely nothing and teach you nothing you didn't already know. The most egregious example, in my opinion, is the moment where you are trying to find the king, and you have to learn by listening in to the zora children who do not let you listening in.
So okay. I think Zelda is great when it does whimsy, and children doing children things guiding you is a staple of the series, and a great one at that. But here? It does not work for me on any level. Any tension that could arise from the situation flattens because nobody seems to care enough about their king disappearing in the middle of a major ecological crisis, except for children who are conveniently dumb enough not to graps the severity of the situation, but not stressed out enough that it could be construed as a way for them to cope about it and make anything feel more serious or pressing. It feels like a completely arbitrary blocker that isn't informed by the state of the world, doesn't do anything interesting gameplay-wise with this idea, doesn't build up the mood, and genuinely feels like busywork for its own sake.
This is especially tragic when the inherent concept of "the zora king has been wounded by what most zoras would believe to be Zelda and is hiding from his own people so the two factions do not go to war over it" has such tension and interest and spark that the game absolutely refuse to explore --instead having you collect carved stones who do not tell you anything new, splatter water in a floating island, thrud through mud who feel more like an inconvenience than a threat or, hey, listen to children playing about their missing king less than a couple of years after being freed from Calamity Ganon's menace. It feels like level designers/system designers having vague technical systems that are hard-coded in the game now, and we need to put them to use even if it's not that interesting, not that fun or not that compelling. It's the sort of attitude that a lot of western RPGs get eviscerated for; but here, for some reason, it's just a case of "gameplay before story", instead of, quite simply, a case of poorly thought-out gameplay.
Not every quest in the game is like this! I think the tone worked much better in the sidequests overall, that are self-contained and disconnected from the extremely messy main storyline, and so can tell a compelling little tale from start to finish without the budget to make you waddle in a puddle of nothing for hours at a time. It's the only place where you actually get character arcs that are allowed to feel anything that isn't a variation on "very determined" or "curious about the zonai/ruins", and where you get to feel life as it tries to blossom back into a new tomorrow for Hyrule.
But if I'm this harsh about the main storyline, it really is because I find it hard to accept that we do not criticize a structure that is at times so half-assed that you can almost taste employees' burnout seeping through the cracks --the lack of thematic ambition and self-reflection and ingeniosity outside of system design and, arguably at times, level design-- simply because it's Hyrule and we're happy to be there.
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There's something in the industry that is called the "wow effect", which is their way to say "cool" without saying "cool". It's basically the money shots, but for games: it's what makes you go "ohhhh" when you play. And it's great! The ascension to the top of the Ark was one of them --breathtaking, just an absolute high point of systems working together to weave an epic tale. You plummeting from the skies to the absolute depths of hell is another one; most of the dungeons rely on that factor to keep your attention; the entire Zelda is a dragon storyline is nothing but "wow effect" (and yeah, the moment where you do remove the Master Sword did give me shivers, I'll admit to this willingly) and so is Ganondorf's presence and presentation in the game --he's here to be cool, non-specifically mean, hateable in a non-threatening way and to give us a good sexy time, do not think about it too hard. What bothers me is that TotK's world has basically nothing to offer but "wow effect"; that if you bother to dig at anything it presents you for more than a second, everything crumbles into incoherence --not only in story, but in mood, in themes, in identity. This is a wonderfully fun game with absolutely nothing to say, relying on the cultural osmosis and aura of excellency surrounding Zelda to pass itself off as meatier than it really is. This is what I say when I criticize it as self-referential to a fault; half of the story makes no sense if this is your first Zelda game, and what little of that world there is tends to be deeply unconcerned and uncurious about itself.
And no, Breath of the Wild wasn't like this. Breath of the Wild was deeply curious about itself; the entire game was built off curiosity and discovery, experimentation and challenge (and I say this while fully admitting I had more fun with the loop of TotK, which I found more forgiving overall). The traversal in Tears of the Kingdom is centered around: how do I skip those large expanses of land in the most efficient and fun way possible. How do I automate these fights. How do I find resources to automate both traversal and fights better. It's a game that asks questions (who are the zonais, who is Rauru and what is his deal, what is the Imprisoning War about, where is Zelda), and then kind of doesn't really care about the answers (yeah the zonais are like... guys, they did a cool kingdom, Rauru used to run it, the Imprisoning War is literally whatever all you have to care about is who to feel sad for and who to kill about it and you don't get a choice and certainly cannot feel any ambiguous feelings about any of that, and Zelda is a dragon but we will never expand on how it felt for her to make such a drastic and violent choice and also nobody cares that's a plot point you could *remove* from the game without changing the golden path at all).
I'm so aggravated by the argument "in Zelda, it's gameplay before story" because gameplay is story. That's the literal point of my work as a narrative designer: trying to breach the impossibly large gap between what the game designers want to do, and what the writers are thinking the game will be about (it's never the same game). And in TotK, the game systems are all about automation and fusion. It's about practicality and efficiency. It's also about disconnecting stuff from their original purpose as you optimize yourself out of danger, fear, or curiosity --except for the way you can become even more efficient. And sure, BotW was about this too; but you were rewarded because you had explored the world in the first place, experimented enough, put yourself in danger, went to find out the story of who you used to be and why you should care about Hyrule. I'm not here to argue BotW was a well-written game; I think it was pretty tropey at large to be honest, safe for a couple of moments of brilliance, but it had a coherent design vision that rewarded your curiosity while never getting in the way of the clarity of your objective. There is a convolutedness to TotK that, to me, reveals some extremely deep-seated issues with the direction the series is heading towards; one that, at its core, cares more about looking the part of a Zelda game than having any deeper conversation about what a Zelda game should be.
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