#the less insane.

[listen-to-the-inner-walrus]

so in an attempt to actually use positive thinking, anytime i fuck up and my brain reacts as if ive cause a minor apocalyptic event, i compare my fuck up to the 4 minute fuck up committed by the crew of the uss william d porter.

and only today, as i was having to explain what happened to my mom when i was explaining the whole comparison thing, did i realise that most people dont know about it and ive decided that needs to change because its objectively hilarious.

...which is a weird thing to say about an event that occured on a warship in 1943, specifically november 14th.

see the uss william d porter was a fletcher-class destroyer but you dont need to know what that means, just that she had guns that went bang bang and that she was escorting another ship, the uss iowa, to cairo.

while they were on their way there, they performed some gun trials like testing the anti-aircraft guns or the torpedos. and while they were running a torpedo drill, the crew of the porter managed to fire a live torpedo straight at the iowa which you know, in terms of a list of things to do while escorting a ship, shooting a torpedo at them is not on that list.

especially if the president of the united states is on board.

yeah so fdr was on board and the gun trials were actually his idea, and part of the trials was that they were conducted under radio silence.

and that means the crew of the porter couldnt just call the iowa to be like "move out the way, we accidentally shot a torpedo at you."

but they did have signal lamps and you know, the signalman on board was trained to signal this exact kind of message.

...and uh never mind, the signalman did manage to successfully tell the iowa that a torpedo was coming toward them but wasnt as successful when it came to the direction the torpedo was coming from.

not all hope is lost though because the signalman could still use the signal lamp to correct his previous mistake and-, never mind, he announced that the porter was reversing, which she wasnt.

yeah so at catastrophic mistake number 3, they broke radio silence to warn the iowa and she managed to turn out of the way just in time which meant no one got hurt. and even though the inquiry into the incident led to chief torpedoman (fantastic job title btw) lawton dawson being sentences to hard labour, fdr intervened and waved away his sentence, saying it was all an accident.

but yeah, so thats my new measure for "how much did i really fuck up?" and when i compared accidentally picking up a pencil case without a tag on it in wilko, turns out it was a very minor fuck-up. yes, the cashier had to ask another worker to grab a duplicate so they could scan the barcode, but i didnt nearly kill the president during wartime via accidental friendly fire

#kai rambles #so like #i enjoy ships and learning about them and looking at them but like #i dont really care for warships #i dont hate them viscerally like i do cruise ships but i never really care for them #apart from the ones that were just like either ridiculously designed like the hms captain or the vasa or the novgorod #or the ones where just insane shit happened like with the william d porter #like this isnt even the extent of the porters unfortunate incidents like shr was sank by a kamikaze attack that MISSED #but somehow ended up below the ship and exploded and just like yeeted the porter out of the water #william d porter #uss william d porter #ww2 #world war 2 #world war ii #warships #again warships are really not my thing but god some of them are so fucking funny #uss iowa #fdr #franklin d. roosevelt #this suddenly got so many notes in like less than 24 hours what the fuck #shipposting

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

#hoc est meum #pride and prejudice #elizabeth bennet #charlotte lucas #meta #charlotte is a much less sociable person than lizzie #so avoiding her husband most of the time and not seeking out his company is more viable for her! #she also has more patience for people being wrong #partly i think because she kinds checks out and lets them get on with it which lizzie isn't too great at even with her mother #people have different needs like that's a thing okay #marriage #spinsterhood #pragmatism #like if elizabeth had to listen to collins talk for a few months straight she would be nearly insane with rage #he's not just a low-quality man he's a man designed to be the worst for her specifically #also note that because jane's marriage is elizabeth's fallback plan #darcy screwed her over personally by interfering between her and bingley #she ofc does not bring this up how could she #but it's intensifying the anger during the hunsford rejection i think

[surprisearson]

The main critique I've seen leveraged at Saltburn is that is falls short of its message of "eat the rich". But like...I never saw it as as that. Saltburn (to me) is steeped in a specifically English class context of nobility. There is this gap that cannot be bridged. Oliver throughout the movie has this deep frustration that he does not permanently belong in the sphere of Saltburn. Multiple people specifically goad him with this fact. Oliver is privileged by most people's standards, but it isn't enough. It's not eat the rich as they're all terrible its eat the rich as consuming them, absorbing them, licking the plate clean. The film came across as less a class critique and a hornier knives out but rather a psychological horror story about desire and not being able to have what you want the most. Oliver will never belong truly at Saltburn. Oliver despite worming his way into the family never has physical intimacy with Felix. It's not skewering the rich, it's commenting on the deep desire to inhabit their skin.

#the critique that the cattons arent unlikable drives me insane #they arent bad because theyre individually bad people. thats the point. if you couldnt critique the rich because theyre nice and charming #well we wouldnt get very far #anyway the movie is less fuck the rich and more what about the deep desire to fuck the rich #saltburn

[rendevok]

Thoughts of you

#phoenix wright #miles edgeworth #narumitsu #wrightworth #ace attorney #fan art #aa #pressed to say this is ship art because its really just im obsessed with them art #HOWEVER. the idea WAS that these are a series of instances where they were thinking of each other and/or depictions of those memories #also if you look at it they’re supposed to sort of surround one another #leftmost phoenix is surrounded by miles and likewise the rightmost miles is surrounded by phoenix #not perfectly exectuted but not terribly done either #surprising no one i love the yawny phoenix bc 1 i relate but 2 i love him with morning shadow like HOMF #when i say they make me insane i mean i did this in less than 48 hours #no brain head full of narumitsu #rendevok

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

#or just the moral dilemmas #rewatching amc interview is kind of making me insane #that moment in episode two when louis is looking for a sort of assurance in the fact that lestat may actually have some good in him #look at how he cares about music look at the simple wondrous things that can bring him joy #and then the immediate dread when the opera performance turns out to be imperfect because he knows how lestat will react to *that* #I think there’s also something really interesting in the highlighting of lestat upbraids the less skilled singer before killing him #(slowly) #but also I will wait to watch more before I articulate my thoughts #vampires #interview with the vampire #amc interview with the vampire #i ramble sometimes #I do still find the lestat and claudia film and novel dynamic by far the most compelling for how she tries to usurp him but almost to be him #but I’m enjoying this #I’m very curious if I will like show claudia more on rewatch #the movie always resonated most with me (sue me lol) because there seemed to be more simultaneous fondness and attachment even at the end

[idolomantises]

I was gonna draw a comic about 2-3 women kissing but I randomly got hit with “oh no what if Twitter thinks I’m fetishizing lesbians” because despite being a lesbian myself, I get that thrown a lot at me.

And then I went “woman sexy. lesbians sexy. the people who complain can swallow glass”

#txt #it’s been a lot less thankfully but it’s been a constant worry since people are just. insane lol #like as soon as I show my lesbians more intimate it’s considered ‘fetishizing’

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :( #I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

[marisatomay]

so cool that fanfiction won anne rice’s war on fanfiction

#the new show is sooooooo good #everyone go watch it!!! #and as my buddy pointed out #so cool that tom cruise won anne rice’s war on tom cruise #she’s 0-2 #for those not in the know: #she intentionally spread lies that cruise was trying to make the movie less gay in attempts to tank the film bc she was angry he was cast #and then fully admitted (!!) that SHE was the one who kept making edits to the script to try and make it more palatable to studios/audiences #(ie less gay and explicit) and that the director neil jordan actually put a lot of it back in there once he was in charge #and that tom had no say over the script at all #but by the time she apologized to him (like actually called him and apologized) the damage was done and people STILL think he did all that #and say what you will about him but thomas cruise put his whole pussy into lestat and stands by IWTV to this day #even after OPRAH called him to say she walked out of a screening of the movie because she thought it was putting the devil into the world #anyway. #sorry for being insane! it will happen again

[lazycranberrydoodles]

i do not remember the plot of scum villain because i read it in 2020 and it feels like a fever dream now so my characterization is entirely based off of the fanon on my dash.

hualian are my favorite but i do feel that bingqiu deserve the win. tgcf is VERY yuri, but svsss has gender as a main theme and both characters keep getting compared to maidens. overall there are more explicit references to women regarding bingqiu.

#this is the first time ive ever scumposted yayyy #theyre also more toxic and weird and reserved about each other. in a good way. #to anybody else hualian is insane but compared to bingqiu its an honest and straightforward relationship #both have complex facades built off of society and trope expectations but hualian drop theirs immediately #and to this day sqq and lbh are still fighting tooth and nail #in my experience yuri can be. a horrible spiderweb of expectations and assumptions and not wanting to make assumptions #hualian have the plausible deniability right up until the end (their romance is literally SO lesbian coded) but . after like 15 minutes #they can tell when the other person is lying #and honesty is less yuri than whatever bingqiu is going through at all times #tgcf #svsss #my art #i guess lmao #art #hualian #bingqiu #guy yuri poll #mspaint #ms paint #cringetober 2023 #cringetober #lmao

[medi-bee]

WIP

i'm cooking

#wip tag #isat #in stars and time #my art #animatic tag #“a song to go insane to” well don't mind if i do #it is SUCH a siffrin coded song i swear #from here on the frames will be having less detail. or else (threatening myself) #killing whoever invented backgrounds with my bare hands #i was put on this earth to draw characters on empty gradient backgrounds and nothing more. and yet

[kalofi]

hello girl i want you

#one piece #op #art #buggy the clown #red hair shanks #buggy #shanks #shuggy #suggestive #buggy is beautiful. to ME. he’s always been beautiful in my mind #so i drew how i envision him and hope u all enjoy as well #plus shanks talking about carrying his balls around in his purse #me disguising my insane fantasies as things shanks would say so i feel less shame

[star-bastard]

SHUT UP ABOUT THE ICE TWINK!!!! SHUT UP ABOUT THE ICE TWINK!!!!!

SOMEONE ELSE TALK ABOUT THE IMPLICATIONS OF THIS LITTLE GIRL!!!!!!

#this is a joke I'm just going insane over that twink going “haha love of my life??? forgot about her Anyway I remade my daughter out of ice' #and he was still fucking insane just less so so i am also staring intently at that window/maybe doors and wondering if she can get out #man do i tag this.... #meh #fionna and cake spoilers #fionna and cake #I'm only awake so early because i wanted to watch these episodes Im gonna pass out and hope someone else is going insane over her

[orangelemonart]

Made a few more, probably not done yet lmao.

#OLart #golden kamuy #ogata #seventh division #koitsuki #if you squint #but also in the most codependent platonic way too lmao #you may THINK nikaidou is less aware than ogata. but hes not. hes just insane. #i was gonna include edogai and ipopte too but i wanted to limit it to the seventh division so no ed. and ipopte is TOO aware. that poor man

[waitineedaname]

everyone likes to characterize shou as the one climbing through ritsu's window uninvited, but I think it's important to remember that when he showed up at the kageyamas' house, he knocked on their front door like a normal person. ritsu however broke into kamuro's dirty fuckin room, presumably through the window, for no reason other than to intimidate him and be an asshole. and he still had the good etiquette to take his shoes off, while being a dick. I think we need to reevaluate which one is more likely to exhibit unhinged behavior and break into someone else's house between ritsu and shou

#mp100 #this is relevant to the fic I am going to post for ritsu's birthday lmao #I just think he needs to be unhinged okay!!!!! #this boy is deranged #I think shou is less likely to be suggesting insane shenanigans #I think it's more likely that ritsu is the one doing impulsive nonsense and shou is along for the ride/enabling him

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

#lewis is unarguably more famous than nico. like i feel like this a fact. and yet every other day nico is in the press saying some crazy shit #about lewis. if i was famous i woulda shut that shit down soo long ago. my ex-bf is in the press talkin bout me constantly??? that feels #like such bad pr and yet!!! lewis has not done anything. why? cause he likes it!!! cause they've never moved on from the 1st moment they #broke each other's hearts. like this is genuinely insane. #im always so nervous to post my thoughts on brocedes cause so many of you were here b4 me and have a better understanding on them #and like being a wrong is like a death sentence to me but still please tell me if i got them completely wrong #i have a lot of thoughts on lewis and his reluctance to talk about nico... most of them being that one quote from emma #if i loved you less i might be able to talk about it more #ok obligatory disclaimer: a lot of this is hyperbole. i don't think that they're asking lewis that ? every other month #but there are like at least 5 interviews where he talks about karting like they're his most precious memories #so make of that what you will #and obv i don't know these people but as someone who's brain chemistry has been permanently changed by them #i think i'm allowed to not only project onto them but also make stupid little posts analyzing them #anyway yeah #f1 #lewis hamilton #nico rosberg #brocedes

[catmask]

some specific verbage i always stumble over other people using is when i get referred to as 'the _____ guy'. like 'the pokemon guy' 'the comics guy' 'the furry art guy'. not because any of these are untrue i guess, i do love all these things - only that im not THE anything. theres a whole lot of pokemon fans and furry artists and comics artists that are dedicated and talented and wonderful people, so being known as the go to for any of those is like... hold on hold on. i know seven other variants of 'the guy' youre talking about, im really not unique in any sort of way. we're all working together in these communities so id never want any to be attributed to me specifically. especially because my knowledge is only limited to what one person knows at 25...!

#tho this is way less troublesome when my friends use it #in a group of 6 or so people yeah i PROBABLY am the most insane about those specific subjects #but in the whole world? noooo way #not even close #though people who called me 'the chameleon guy' or 'the laikas comet guy' thats fine becayse yeah i did do those by myself LOL