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#the 100 analysis
ellionwrites · 5 months
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Let’s talk about how much Geto (canonically) loved Gojo. He saw Gojo in a way no one else did.
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The way that Geto answers this question is deceptively meaningful. Let me explain…
This is a flashback, but we can assume this interaction is roughly 10 years after Geto’s defection, based on Nanako and Mimiko’s (Geto’s adopted-ish daughters) apparent ages. Right around the time of JJK0.
For context, let’s remember that the last time Geto and Gojo spoke as friends (KFC breakup), Geto said this:
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Geto was being intentionally hurtful here. He knew that everyone (except him) sees Gojo, first and foremost, as “the strongest.” Gojo is barely even a real person to them; he’s just a savior or threat or deus ex machina.
Geto used that to twist a knife and ask: “Is there actually anything more to who you are than just being the strongest sorcerer?” He knew this would be devastating to Gojo. Gojo’s best and only friend is saying: “even I don’t know if there is anything else that’s important about you other than your strength.”
Let’s go back to Nanako's question.
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She sets this question up in an important way. Like every (non-Geto) person, she sees Gojo’s fundamental defining quality as “strong." So, naturally, her immediate sub-question to “who is he?” is “he’s super strong, right?”
She’s asked the question in a way that Geto could very easily answer it: “yes, that’s right. He’s the strongest sorcerer.”
BUT
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Geto gets contemplative. (“Hm…” - he’s thinking about how to answer because “Who is X?” is either a very basic question or a very philosophical question).
He ends up not even acknowledging the second part of the question about Gojo’s strength and instead tells her who Gojo is to him.
Because when they were best friends and even a decade later, he never actually thought of Gojo as just the strongest. Gojo was always something more to him.
“He was my best friend.”
As an adult, an ex-best friend from high school isn’t necessarily someone meaningful to you. Is Geto saying this actually significant? Yes.
This memory (“who is Satoru Gojo anyway?”) is what Nanako remembers as the context to this next thought:
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This is WILD.
This thought is during Nanako’s interaction with Sukuna where she is essentially blackmailing Sukuna into helping get Geto’s body back.
She loves Geto so much that she’d risk pissing off the most dangerous curse/demon/sorcerer just to get Geto’s body back. That’s how much she loves him.
But the man who actually killed Geto she will (never fully forgive but) “let things be” with. Because Gojo was Geto’s one and only best friend in a way that was deeply meaningful to him up until his death.
..
“Are you the strongest because you’re Satoru Gojo or are you Satoru Gojo because you’re the strongest?” is just what you say to someone you love when you need to hurt him enough that you can stay away from each other.
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chronurgy · 6 months
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Gortash designs and builds mechanisms so I imagine he has to be able to sketch fairly decently in order to sketch his projects and designs. And I'm imagining a pile of charcoal sketches of Durge, done over their entire acquaintance, starting out with sketches of them in battle and then slowly becoming more detailed and intimate and as they do, the titles changing from things like "The Bhaalspawn" and "Bhaal's Chosen at Their Bloody Work" to "The Chosen in Contemplation" and finally just Durge's name
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nothingbizzare · 2 months
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To be a sunflower looking at the sun
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gingersp1ce547 · 2 months
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Q!pac’s goal of becoming his best self, a stronger version of himself being displayed by this new archer skin makes me feel crazy because look
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Look that the similarities between these two skins. The crossbody strap that covers up the logo’s of their shirts. Fingerless gloves on their right hands and a more bulky almost gauntlet like glove on q!pac’s that emulates q!fits prosthetic arm. The jeans.
Q!pac’s idea of his best version of himself is one so innately and intimately tied to q!fit as if to say that he cant fully be that version of himself without q!fit.
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araminakilla · 1 year
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Regarding Death Wolf...
Hear me out (NO, it's not the kind you are thinking)
We know Death has a job, right? To collect souls and most likely release them to the afterlife.
And for this job, he has to be there when somebody is about to die, as demostrated with him being there moments before Puss' eight death.
Supposing he is THE Death and he has been doing this since the beginning of time (or at least when there were enough stories of the Grim Reaper to adquire a physical form) that means he has seen a lot, A LOT of awful things.
Murders, suicides, massacres, death of infants, people who didn't deserve to die alone, animal cruelty, some other heavy stuff I won't mention here, etc etc etc.
And we thought "man, how is he able to cope with all of that? That job has to be utter torture for someone."
Probably many of you could think that he is able to do that because he is Death, and he was "born" with that purpose and only him can reap souls perfectly.
But while he is a force of nature, he also WAS a force of nature. Let me explain it well: He adquired a personality enough to be angry, excited, frustrated, amazed, happy, among other emotions.
While he has supernatural power and is most likely the most powerful being in the Shrek Franchise (or in Dreamworks as many say) he is also a PERSON.
Someone with a code of honor, morals, opinions, beliefs, etc.
Returning to the question "How can he bear all of that?" taking into account he is no longer an inevitable force, but a character of his own.
The answer is something you may relate to, and that is: Creativity and escapism.
To be the embodiment of Death, the guy is a very creative fella.
First of all, his design. I heard many people saying here and in Twitter that his design is something they would come up in their edgy, teen years of drawing their first fursona.
Guess what? They are right, the wolf form is someone's fursona. It's DEATH'S fursona. He clearly came up with this badass, piercing canine form to blend with the Fairy Tale Land assuming the form of the "Big Bad Wolf". He most likely had other forms he designed over the centuries and was able to present as them like if he were on a role play game in the living world.
His sickles? The weapon of choice with the little crossed cats on it to have a bigger effect of terror for Puss? Those who can become knuckles and join to create a scythe? Those are his creation, probably after thinking it for a while and writing all of those functions on a paper.
The way he presents himself? In the bar? The coins in his eyes as a "watching you" sign while being a cool reference to the Ferryman of souls? He transforming Perrito's forest into the background of a skull? The chilling reveal at the Cave of Lost Souls? The fire ring? It was all him.
As for the escapism part...
When the world becomes too heavy to deal with as real life issues tend to make us feel bad, depressed, angry... we tend to escape it somewhere. And in our time the common place would be the internet as in webpages or comics, stories, etc.
But what has to do with Death Wolf you may ask?
Well, while he would NEVER be able to escape his job entirely, he can have moments where he can enjoy a good hunt of people who don't appreciate life, like the whole plot of the Puss in Boots sequel could demostrate.
He managed to have a little time outside his eternal routine to chase an arrogant cat who took life for granted. He enjoyed it, it was thrilling, it was exciting.
It was a way to escape a monotonous, grim "life", if just for a short moment.
So, when the chase ended as his prey no longer feared him and now was ready to fight for his last life, the wolf retreats, happy for Puss' character development but resigned because he once again had to return to "The Eternal Duty"
And that's not even counting all the times Jack "I'm dead inside" Horner had to interrupt Lobo's hunt and remind him of his job even in his "spare time"
Death knew the chase had to end eventually, but he didn't want it to end.
He didn't want to return to his own world
And if we look at Death like that, then he is probably one of the most relatable characters Dreamworks has ever make.
In the Shrek Franchise:
Monsters can be loved
Princesses don't have to fit the perfect standards of beauty
Handsome guys can be possesive jerks
Love at first sight doesn't work like one would think
Happily ever afters had to be built and not just obtain them with magic
And Death is the most creative and "full of life" being in the world
Because he would absolutely go crazy with his life/work if he wasn't.
Because in a world of Kings, Poets and Soldiers, he's the Supreme King
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And he's also a perky goth but none of you are ready for that conversation.
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ahmobbu · 1 year
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i would like to talk abt how yuzuru tachikawa went OFF in storyboarding/directing the separation arc w/ the use of natural and artificial light on reigen.
we only see his face w natural light before opening s&s
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and then after his fallout with mob, it’s only behind him.
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his face becomes illuminated by only his laptop in his apartment
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also after mob leaves him, the blinds in the office are closed compared to when he first started. this is the window that originally showed him the light. he is subconsciously shutting out that dream of “being somebody”
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more under cut!!
the only exception to this rule is his convo w/ ekubo, who is the character he can be the most honest to.
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when we get to the bar scene, it’s nighttime, so there’s ONLY artificial light. it’s framed similar to him looking out the s&s window, which was the last time he was able to live w/o the fake “psychic” title. except now, it’s lit blue instead of warmly.
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he wants the same thing, but the second time is leading him to a path of self destruction: like a moth to a flame.
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when we get to the Cancellation, he’s under studio lights and, later, camera flashes. the lights are brighter but his shadows are harsher. he’s being seen but in the worst way possible.
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lastly, you’d expect sunlight to be on his face when mob tells him he’s a good person, but it stays in the shadows because reigen doesnt Say it. he hasnt Told mob hes a fraud. you can see the shadows creep into his face when he lifts his face. the good part of him is acknowledged
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exilepurify · 1 year
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Studio Bones’ and ONE’s masterful work with the extremely nuanced and allusive facial expressions in Mob Psycho 100 adds so much subtext and subtlety to scenes. Like there’s a rich world of emotions behind the text of a lot of important scenes��stuff said only through furtive movements and charged looks. It’s very fun to go back through the context of the anime or the manga and really pay attention to the details. People who won’t watch or read MP100 because of the art style are really missing out
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fumifooms · 4 months
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Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.
His grey hairs are so earned
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#Chilchuck tims#dungeon meshi#analysis#HAPPY CHILCHUCK DAY#You know what yeah understandable have a good day#Alcohol be a ticket straight to chilling out town I suppose#Spoilers#dungeon meshi manga spoilers#Thinking on if I should split my family masterpost into diff posts for max reach hmm#Anyways I’m def editing in the second page into that post that “I’ve got three people to think of here” sounds sooo much like that’s#How he’d think about it in a family setting as well. He works so hard for them 🥺#I could have put 100 pics on this post to justify everything I mentioned but this is a speedrun for a reason. I’m planning so many#Compilations rn i need a break from rereading lol#He’s just here to do his work!! He just wanna do his work!!!#I’m always rotating him in my brain like rotisserie chicken :( Hopefully this doesn’t sound disjointed or insane to average readers#He’s always on his guard so he has a short fuse and his type of humor & liking for snarky remarks doesn’t help#Also bc he knows nothing lasts he has a very work hard play hard mentality where ‘dying doing something you love. Like drinking’#Is nice in his opinion#This post makes it all sound so dry. Chilchuck is so messy thinking about him is thrilling I swear. This is concise but at what cost…#OH ALSO he has weird self-hate issues where he really values his skills but devalues himself on a personal level.#‘I am a coward. I only care about myself. I cheated on my wife (lying for no reason)’ etc etc#Can’t disappoint people and make them leave you if they already have no expectations and esteem of you 😏💡
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thefiresofpompeii · 13 days
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the ninth doctor trusted rose enough to believe she would stay with him after his face changed. and twelve took some convincing but towards the end of deep breath accepted that clara would stay by his side no matter how old he looked. but thirteen was so used to losing people. her previous self had loved clara and lost her, he had looked after bill and failed to save her, he had tried to redeem missy and (to his knowledge) lost that cause too. no wonder she wouldn’t trust yaz to stay for her fourteenth face. no wonder she believed she ‘had to do this next part alone’. she had grown quietly distant with the new knowledge that she was no longer even an ordinary gallifreyan, not something of this universe, but outside of it, alien even to the aliens. isolated and inaccessible, standing on an invisible pedestal her ancestors placed her on — a pedestal that more resembled a cage. glass walls on all sides like the forced regeneration chamber. thin glass wall between her and yaz now, transparent but too solid to break through. harder than azbantium when there’s no solid footing to stand on.
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of course yaz would run when she saw her new self. of course she would leave. companions would never stay now, they would never fully understand. when thirteen said that she would need to do ‘this next part’ alone, by ‘next part’ she meant ‘the rest of her (potentially eternal) life’. it’s the classic gambit: push the one you love away before they get the chance to reject you. because they always will, now. either that or they die in horrible circumstances. better to flee like you’ve always done.
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this is why the bigeneration was a narrative necessity, why the giggle was the perfect vision of a positive finale. the original version of the doctor gets to settle down with people that he won’t lose. people that he won’t turn away from. people whose hearts he won’t inevitably break. he’s sitting there in the back yard and he’s not going anywhere…
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…yet somewhere out there in sheffield lives a police officer named yazmin khan. she’s not all sunshine and rainbows — all cops are bastards, after all. sometimes she takes her nameless rage out on a shoplifting suspect. sometimes she hands a parking ticket to a kid that didn’t deserve it. and sometimes she does genuine good for the community, sometimes she goes to the club and dances with strangers, sometimes she sits on the sofa and watches a documentary about space exploration and laughs at the painful inaccuracies. and many miles south, the doctor spends time with his family, but he’ll never get the courage to visit her. because she’d want to run away with him again. and he could never give her that, not anymore. anything but running.
yazmin khan loved the universe in the eyes of her doctor. oh, that doctor in the garden? the stay-at-home-doctor? he’s brilliant, but he would never be enough for her. his presence would never replace the cosmic vistas and myriads of stars thirteen gave her. and she’s never coming back
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shigayokagayama · 1 year
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adhd reigen not in a “hes so goofy and silly” way but in a “he has a tendency to hyperfixate on things then drop them the moment he gets bored, has trouble forming genuine relationships with people because he’s so dedicated to making himself likable, is terrified of rejection and actively self sabotages to avoid it” kinda way
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royalarchivist · 1 month
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[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
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[ Transcript continued ↓ ]*
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
#Pactw#QSMP#Pac#March 18 2024#As much as I love keeping people updated about Pac / the other Portuguese-speaking creators#I think I might not make as many transcribed posts for their clips anymore#I just don't think I'm qualified enough to be transcribing things for a language I don't know#like yeah we have the Qlobal Translator and Aypierre's translators to rely on#And I'm always upfront when I'm not 100% sure about a translation#but I've been thinking about it a lot and it kinda makes me feel a bit icky. Idk.#I might be overthinking this but I just I don't want to spread around translations I'm not super confident about#esp. since I know a lot of people cite my clips in analysis posts or link them to other people as resources#and 90% of the time I'm like ''Hell yeah I love seeing people getting a lot of use out of the archive''#but sometimes I get a bit anxious like ''Did I do a good enough job translating this''#''Am I ruining someone's entire perception of a conversation or character because I left one word out or mistranslated something?''#And like I said that's normally not a HUGE concern since if I'm not certain about a translation I just won't post a clip. but you know#idk it might just be the anxiety talking but I really really don't want to spread bad info#Happy to hear other folks' perspective#I'm really grateful for people like Bell and Pix and others who translate clips and I always try to reblog those#but we don't have a ton of people posting clips & translating things on Tumblr since we're so English-centric#which is part of the reason WHY I like sharing clips of the non-English-speaking CCs#but at the same time I want to do an accurate job representing what they're saying#Maybe I'll just start posting things and give a TLDR context of what they're talking about but not a transcript#that way native-speakers can hop in and add translations if that's something they're comfortable doing#and if not then well. at least I'm not sharing something that isn't super accurate#idk I'm just thinking out loud a bit in the tags#But I'm open to hearing other people's thoughts on the matter#Anyways giant rant aside. q!Pac is NOT doing ok rn
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ellionwrites · 5 months
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If Geto and Gojo were so close, why didn't Geto try to convince Gojo to defect with him?
Because Geto knew that Gojo’s support would guarantee his success, but that success would come at the cost of hurting Gojo.
I believe that Geto cared more about protecting Gojo than he cared about building a better world.
..
Let me explain…
First, let’s talk about why it would’ve made sense for Geto to ask Gojo to join him:
(1) Gojo would’ve been Geto’s most important / most powerful ally
By the time of Geto’s defection, Gojo is already the strongest sorcerer in existence. He and Geto are two of only three special grade sorcerers. Having them both on the same side is essentially an automatic win.
(2) Gojo should’ve been (relatively) easy to persuade
Gojo had already told Geto that he didn't like having to save the weak and didn't care about the moral justifications for it…
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…Geto has also seen that Gojo doesn’t always value / protect human life. He was ready to massacre the Time Vessel Association without reason, but ultimately he didn't, because he deferred to Geto's judgement…
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…and, most importantly, they are best friends on a DEEP, unparalleled level. Geto is Gojo’s “one and only” best friend.
If Geto was truly dedicated to changing the world order, Gojo should’ve been the first and most important person that he tried to recruit to his insurgency / cult / mission.
BUT
Not only does Geto make zero effort to reach out to / recruit Gojo, he actively avoids him and pushes him away...
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After he kills the 112 non-sorcerers, Geto runs into Shoko in Shinjuku. He happily approaches her and willingly answers her questions.
Look at his smiling face in their interactions:
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But, when Shoko calls Gojo, Geto leaves before Gojo shows up. Gojo tracks him down anyway and demands an explanation. Geto still doesn’t want to talk about it (“You already heard it.”)
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It's strange, right? Geto loves talking about his vision of a better world with everyone else.
Then, there is this confusing progression of dialog:
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Geto is hurt/annoyed that Gojo doesn’t believe in him, so he points out that Gojo’s argument against his plan is invalid. The plan is possible (“You could do it”), therefore (according to Gojo’s own logic) it’s not “pointless.”
In a way, Geto is admitting that he knows it would make the most sense for Gojo to join him.
But before Gojo can respond, Geto pivots to saying something extremely hurtful. He's questioning who Gojo is / would be if he wasn't the strongest. Is there really anything more to him? (See more detail in my post here).
Then, in the very next panel Geto turns and starts walking away.
In summary: (1) Geto avoids Gojo, (2) Geto only argues in favor of his plan when Gojo forces/baits him, (3) Upon invalidating Gojo’s opposition to his plan, Geto immediately puts emotional distance between them, (4) Geto then puts physical distance between them.
Why is Geto trying so hard to make sure that Gojo won’t follow him?
Is he just being prideful about doing this on his own? Is he so angry at Gojo's arrogance that he'd jeopardize the success of his life's mission over it?
These arguments aren't in line with Geto's characterization / known motivations (see the end of this post, if you're interested in more on that.)
Geto's main motivation is (a twisted form of) compassion. He wants to end the suffering of sorcerers.
He is a thoughtful, contemplative person, and would've thought about the ramifications of recruiting Gojo.
What are the ramifications?
If Gojo joins the cause, Geto’s plan would succeed, but Gojo would suffer for it.
Like anyone who joins Geto's cult, Gojo would become a pariah / fugitive from Jujutsu society. He’d kill people. He’d kill other sorcerers.
But because Gojo has the singular level of strength/ability to kill non-sorcerers en masse, he would commit the vast majority (or all) of the murder / destruction. The legal, social, and mental impacts would be most severe on Gojo.
(Also, at this point, I think Geto may still question whether he’s made the right choice. It’s difficult to go from a hardline stance on protecting non-sorcerers to wanting to gen0c1de them, within the span of a year, without any lingering ethical qualms. So he may be worried about moral costs to Gojo as well.)
Let’s remember that Geto (canonically) deeply loves Gojo. Gojo is his one and only best friend. Geto worries about Gojo when he overworks himself protecting Riko. Geto is shocked when Toji kills Riko in front of him, but he only flies into a rage when he thinks Toji has killed Gojo. (Again, see my post here for more on how much Geto loves Gojo).
So, it makes sense that Geto is ready to make sacrifices to create a better world, but it’s a cost he’s willing to put on his own head. Not Gojo's.
Ultimately, Geto cares more about Gojo than he cares about achieving the mission he has dedicated his life to.
The last thing Geto says to him is this:
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What he's really asking Gojo is: "Have you stopped loving me, now that I've committed myself to this dark path? Would you kill me to save them?"
If Gojo hates Geto enough that he’d kill him, then Geto never had a chance of recruiting Gojo in the first place.
Of course, Gojo can’t make himself hurt Geto. He still loves Geto too much.
Geto protected Gojo by pushing him away.
___
Addendum:
I'll also argue against two other possible explanations for Geto's behavior.
(1) Geto is jealous / prideful /wants to build his own legacy without Gojo stealing the spotlight
Geto has clear motivations for his goals and they’re not egotistical. He wants to end the suffering of sorcerers caused by non-sorcerers’ existence (e.g., Riko’s death, Mimiko & Nanako’s abuse).
Geto’s pride isn’t hurt when Gojo becomes the strongest. The only thing that bothers Geto is that they’re getting sent on separate missions.
After Gojo becomes stronger that him, Geto still has overt affection for Gojo (e.g., he asks Haibara to bring back sweets from his mission so he can share with Gojo).
Although Geto does believe in his superiority over non-sorcerers, he doesn't feel superior over other sorcerers and doesn't struggle with his 'inferiority' to Gojo.
Does Gojo’s lack of faith in Geto’s ability (calling his goal “impossible”), spur Geto to want to prove himself? Yes, probably. But Geto had already been avoiding Gojo before he said that. And I don’t believe that wanting to prove himself to Gojo would overshadow his stronger motivation to build a better world for sorcerers.
(2) He thinks Gojo actually is too moral to join him
After Geto kills the 112 non-sorcerers, Gojo is shocked and upset by what’s happened, but not once does he insult Geto or imply that Geto has done something unforgivable. In fact, he’s practically begging Geto to explain himself because he wants to be able to justify his actions. And, again, Gojo’s argument against Geto’s plan is NOT that “it’s wrong,” it’s that “it’s impossible.”
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awsok · 7 months
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okay. let's talk about shin, sabine, and whatever the hell is going on here:
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i've been trying to figure out this moment, and why shin responds like this. because it feels like a change, right? the shin of episode 1 would be thrilled to have permission to hunt down and kill sabine. but here, she's clearly protesting the order (indirectly, because she can hardly outright say 'no' to thrawn).
on one level, this is definitely at least in part because the order is coming from thrawn. orders from baylan are fine for shin: baylan is her master, and by this point in the series it's obvious how much she respects him. but thrawn? baylan told her finding thrawn would bring them power, but instead both she and baylan are being treated like his underlings - this is not what shin thought they were signing up for.
but if this were solely about thrawn giving orders, i'd expect shin's reaction to seem irritated or offended - she's hardly a stranger to anger, after all. but i think it's fair to say that shin's response here can be best characterised as alarmed? she's clearly surprised that they aren't letting sabine go, and more than that: she's not happy about it.
so then, i thought maybe that this was about honour - that shin was so disturbed by this, because it is dishonourable for baylan (who has made a point of insisting on keeping his word to sabine) to break their agreement. (and i know it may seem counterintuitive to assume that shin cares about such a jedi-like concept as honour, but judging by the way baylan speaks of the jedi and shin's padawan braid, he probably instilled her with their values if not their morals.) but then i remembered where episode four left off (which is indicated by the show to be a most a day or two ago):
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this takes place literally immediately after sabine has made a deal with baylan. if shin cares enough about honour for it to override her hatred of sabine in episode six, it doesn't make sense for her to disregard honour (even in the heat of the moment) to try and kill sabine in episode four.
so if this isn't about thrawn (not entirely), and it isn't about honour (probably not at all), what is this about? what has changed to make shin go from homicidal obsession to protesting seemingly on sabine's behalf?
sabine, of course.
(by which i actually mean: shin.)
let's talk about The Look!
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shin staring at sabine is nothing remotely new. shin staring at sabine without a homicidal glare or a mocking smirk? that's extremely new. this scene makes me crazy (i'm trying so so hard to keep the shipping goggles off and to be objective guys). it may not seem like much at first glance, but this is a dramatic change of behaviour for shin. she's looking at - no, observing sabine in a completely neutral and open way. there's no hostility in this gaze, no judgement, not even fear or conflict. just: observing. and she's doing so openly as well - not just that she isn't disguising herself - she turns to face sabine, as if to give sabine a better look at her. as if to let sabine observe her right back.
why??? why is shin doing this??
um. well. i actually don't know.
i can't make any remotely certain assumptions about what has changed since they left seatos. maybe shin has done a lot of introspection. maybe she feels like she's seen a different side of sabine. maybe they fucked on that spaceship.
the only conclusion i do feel it might be safe to make is this:
i don't think shin sees sabine as an enemy anymore.
i don't know when exactly that changed, i don't know what exactly caused it. but it's true. and if shin and sabine aren't enemies anymore - what are they to each other? what will they become?
tl;dr - shin doesn't want to murder sabine in cold blood anymore. also i think they should hold hands.
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plague-of-insomnia · 13 days
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Ciel does not see Sebastian as his father.
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He is actively repulsed by the idea and Yana has shown this explicitly at least twice: once in the Circus Arc and again in the Murder Arc.
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I know there’s a significant segment of the fandom who genuinely believes that Ciel wanted to have Sebastian to replace his dead father, but I disagree strongly, not only because of the above, but also because Yana has shown us that OC was much closer with Tanaka than Vincent.
Besides, if you look at the revisited contract scene from ch 138, it almost seems as if Ciel is not thinking of replacing Vincent when he makes the decision to accept Sebastian’s offer, but in fact is looking for a new protector to replace RC, his dead twin.
It’s impossible to talk about this moment without the gorgeous full-page series from the chapter.
Sebastian offers the contract. Ciel recalls his brother promising to protect him. He gazes out at his brother’s corpse and realizes that his only way forward now is through making a pact with the demon. His brother’s soul is gone already, as is his life.
So Ciel becomes his twin. He takes Sebastian on as his new shield for his revenge. Sebastian may be someone that Ciel relies on, but he is absolutely not his new father figure.
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cluelessbees · 1 year
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OKAY SO I FOUND SOME STUFF ABOUT RINK O'MANIA
Hi, Hello, Welcome as I take you down the journey I fucking went through
So I was watching byler clips, as one does, and I was wondering whether or not they got lucky with the yellow and blue lighting in Rink O'Mania or whether they like – change the light bulbs or whatever. So I decided to stalk the Skating Rink they filmed at.
And holy shit did I find some interesting things.
I have no idea whether or not this was discovered before but I JUST NEED TO SHARE. SO HERE WE GO.
So, first of all, the place was originally called Roller King but they changed it to Skate O'Mania. Which, pretty similar to Rink O'Mania right? THAT'S BECAUSE THEY REMODELLED THE ENTIRE FUCKING ROLLER RINK FOR THE SHOW
LIKE I'm not even kidding.
They posted this message
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Followed by a video (which is just a photo) with a little clipart of "under construction"
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THEN, on August 10th they posted that they wrapped filming.
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"Remodel courtesy of Hollywood" They deadass redecorated the entire roller rink for the however many minutes spent in ONE episode of the season. (The probably spent half the month redecorating and the other half filming which I'm losing my mind over?? no way this is a one time setting).
LIKE– Let me show you the difference in before and after the remodelling
The Roller Rink Before and After.
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They added the blue and yellow light strips and the disco ball. And I can’t say 100 but it looks like they removed the pink and green coloured light(?)
And they added the whole ‘Skate/Rink O’mania’ sign (basically everything honestly was added by them–)
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The Snack Station Before and After.
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Again, we see the blue and yellow lighting.
The Table/Seating Area Before and After.
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And okay I’m sorry about the quality of the second one I couldn’t find a better photo from their Google maps gallery or Facebook bUT- you can see that originally the lighting scheme was pink and blue but now it’s yellow and blue.
(here's another photo)
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Like idk I’m losing my mind over this- they really like remodelled the entire fucking roller rink and added so much yellow and blue like?? I just think it's insane and I needed to share this discovery.
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katapotato55 · 10 months
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how to make your writing be remembered forever and possibly be well loved.
(incredibly stupid and silly fanfiction line at the end of this post) I know that title is incredibly daunting but listen, its very simple. you ready?
MAKE STRONG CHARACTERS
"but kat! surely its not that simple! " nononono listen. bear with me. I want you to think of your favorite thing. Now ask: what do you remember the most about the thing you love? I will go first:
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I love team fortress 2. and guess what: this game has been around since 2007, and was in development hell since before I was even born. The game has been around for 16 fucking years. And guess what? in the strong year of 2023 team fortress 2 Is STILL getting memed about. and do you want to know the crazy part? the character designs to the naked eye are not special at all. ok sure from a designer standpoint, these are very well designed characters made so that you can easily tell who they are based on their silhouette. but from the average joe.... tf2 is iconic but overall it looks ok. it doesn't seem special to a stranger to tf2. look at this completely random and arbitrary example of a game in the same genre:
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I don't know shit about the characters in overwatch. Yeah i have a BASIC idea on what their personality is like based on voice lines and some videos i guess... but in-game they just exist. these characters are brightly colored, they have beautiful unique designs, hell they have even more diversity such as robots and people from other cultures! but i don't remember shit about these characters. Maybe I remember the ice lady and tracer, but nothing else. and yeah part of overwatch struggling right now is incompetant development, BUT: The characters in team fortress 2 are SO remember-able because the characters have such a vibrant personality. I am an orange box owner, its been a decade and a half and I am still remembering this game and enjoying art about it.
"but kat! that is a comedy game! Overwatch is a very serious game! are you saying comedy is needed to make a character more noticeable?" no. though I think allowing your characters to lighten up every now and then would humanize them. Not full on goofy, just give them something that makes them likeable. and if you cant do that, you can STILL make a compelling character even though they are mostly seriousness. I have an even more awfully thought out example:
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kung fu panda is a masterclass in making a serious comedic movie somehow work. Master Oogway.... he isn't a comedic character at all. Yeah we made memes about him, but ignoring that, he is a wise and resourceful person. He is at calm and has faith in this intuition. there are a lot of characters like this. What makes Oogway stand out is that he is also a little bit kooky and sassy.
youtube
this youtube clip sums up what I mean. It is a funny line, it fits the character, and It doesn't ruin the seriousness of the moment. Some of the most successful series in history have something about them that has appealed to people. In my opinion: characters with strong personality and interesting traits is always a good way to ensure your writing is successful. The second most important is the characters bouncing off of each other in terms of their chemistry with each other. There is a reason why I spent years playing the first Destiny game and all of the DLC, but I remember fuck all about the characters. I think I maybe remember the bootleg star lord robot guy.
A writing exercise
here is an exercise to get you in the spirit of character making. step 1- get a random character from a random bit of media. In this case let me bring you master Oogway. Step 2- Get a completely different character from a completely unrelated series. I am going to give you Scout from team fortress 2. step 3- write a random ass thing about them interacting. Think about how the characters would react to each other and why. Think about each characters values in life and think about how they would bond and conflict with each other. Think about characters similar to the character they met in the past and how they reacted then, and if they have never interacted, make something interesting with it. Step 4- keep experimenting. Once you get into the spirit you can apply this to any new character you could want to make anyways thats it byeee- "arent you going to do that ?" do what? "make a writing thing about oogway and scout. " ........
Scout: let's go turtle you got nothing on my speed- Oogway: The one who first resorts to violence shows that he has no more arguments. Scout: that sounds like chicken talk! come on tough guy let me have it- Oogway then proceeds to make scout eat shit before vanishing in a cloud of cherry blossoms and dust from the desert. If this post isn't popular I want you to know my dignity was lost for nothing.
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