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#that's been at the core of my issues all season
oepionie · 1 year
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— "MY JOLLY SAILOR BOLD." tweels
💭masterlist | 💬ao3 link
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SYNOPSIS: You meet two mysterious yet beautiful mermen around your age and you ask them to sing for you. They agree—though there's one condition....they want a kiss in return. A fair deal and you decide that nothing could possibly go wrong....right?
⊹ [ cw ] — suggestive, making out, lovesick/slightly yan-coded behavior, both of them pin for you, drowning, the tweels deserve a warning themselves, fighting, mild blood and injuries, mentions of murder, everyone here is morally grey◞
⊹ [ tags ] — gn! reader, on my siren eel agenda, flirty pirate mc, siren-eels are not to be messed with but mc is reckless, jade and floyd having an ariel moment but they're…a fucked up version of ariel, typical siren-behavior, floyd calls you pretty◞
⊹ [ w.c ] — 3.3k+◞
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WHAT AN ODD LITTLE pirate you were.
Raised by your mother, horrific twisted tales of the deep were practically bedtime stories for you. She was a former ship's captain and a seasoned sailor who had spent more than half of her life at sea.
Mother weaved tales of glorious bloody battles, of thrashing waves, and, most importantly, of dangerous creatures in the sea. Hatred and fear for these grotesque marine creatures have been indoctrinated in you since you were young. It was imbued to the very core of your being, hammered and nailed into your head.
Alas, it appears that you have entirely disregarded the cautions that were issued to you. Any capable pirate knew better than to invite merfolk around.
Especially if you were all alone on a ship.
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This year, spring had arrived a little earlier than usual, but you didn't mind at all.
It was at an obscene hour of the night when you were aimlessly paddling your little rowboat over the waves.
Floating a few feet away from your ship, you were gazing out over the sea where the waters were flat and serene, blue as far as your vision would allow. It was a sight you've grown all too accustomed to seeing.
You've sailed a hundred expeditions down this route and you were well aware of the carnage and bloodshed that’s been wrought here in the name of piracy.
A majority of which you've taken part in as—Captain (Y/N).
Young as you were, despite your youth, you had ambition. Already having established yourself as a living legend—or, as some have dubbed you, a living nightmare.
Sailors—young and old—have perished in your name, ships have sunk at your command, and your sword has spilt the blood of hundreds. You had amassed a great fortune from wandering merchants, and fellow pirates alike, all of which were misfortunate enough to fall upon your path.
These were tales and legends from bygone eras; the golden age of piracy had long since passed. Nowadays, you just cruise the sea anyway you pleased.
Adventure seldom found you.
In the middle of reminiscing, you abruptly became aware of a shimmering brilliance beneath the murky sea.
Oh?
'Maybe it was a trick of the waves? Or was it the moonlight's illusion?' You ponder to yourself as you stand at the stern of the boat and look out into the dreary waters.
The entire ocean sleeps when the moon is full. In the middle of the night, no fish or creature would dare remain thus near a boat...so what could possibly be out there?
Peering down, you make eye contact with a pair of glowing yellow eyes, slitted into diamonds.
Startled, the unknown creature slips back into the darkness with scarcely a ripple to disrupt the waves enveloping all about them. You're hypnotized by their shimmering skin as they moved smoothly and elegantly past the icy surfs.
In those short seconds while staring into the pitch-black sea, your mind conjures only one word.
Mermaid.
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STRANGE AND STRANGELY FASCINATING, it was. "It" being the obsessive infatuation the Leech twins had for you.
Since they were little, the two brothers have been watching you grow up on that ship, peeping at you behind rocks and tall clusters of brilliant coral.
Curiosity and an interest for humans drew them to you at first, so they thought nothing of it. However, later, as they grew older, that interest developed into something more.
One that made their hearts feel like it was going to burst, a blood-curdling carnage of red and pink spills gushing out in a splatter. With the mere mention of your name, their stomachs sink and turn. The hems of love along their hearts diving into obsession—both feelings closely akin.
Jade and Floyd haven't run upon anyone who was courageous enough to meet creatures like them. Though, they shouldn’t have expected anything less from a pirate like you with an astronomical desire for adventure.
As you waved down at them from the ocean's depths, both of them swiftly swam up to the surface, eager to meet you. Their hands were clamoring and their hearts were racing to a tune that sang praises for you.
"There you are." You grinned handsomely, cocking your head to the side. The flowing fabric of your blouse blew wildly in the fresh salty wind, exposing bits and pieces of your chest and neck for them to see. "Hello~"
Big love-tinted eyes peeked up at you, drinking in every feature, blemish, and scar on your flesh. Occasionally, your gazes would meet and they would quickly avert their stare—a deep blue hue creeping up their cheeks, almost as if they felt bashful around you.
Even then, you thought it would be more appropriate if you were the one who was acting timid.
Because, by the gods, their beauty was such a sight to behold above the waters. In all your years out at sea and land, you've seen no maiden nor man with such features.
Such captivating features.
Teal-haired, with keen, slitted eyes that were veiled with thick, drooping lashes. Cheeks colored with a pale touch of death.
They were breathtakingly beautiful.
There was an urge, a pull at your heart to dive down and join them—drowning yourself in their embrace. Though, you resisted, almost immediately recognizing the sorcery that pulled on your carnal desires.
Mother and weather-beaten sailors had warned you of this. This overwhelming want. This spellbinding stare. Yet as they both drift closer, the forewarned dangers vanishes from your thoughts like mist. You're now left with little more than a hazy consciousness as you see them approach your boat.
You are in grave danger yet you are not afraid. Fear does not grip you as you raise a leg over the side of the boat, swing it over the top of the wood, and then sit over the edge, never taking your eyes off the mermen in front of you.
Their entire body, apart from their eyes, were submerged in the water which made it hard to determine what their species were. Though you could occasionally catch the flicker of their tail slapping against the surface.
Speaking of their tail, it was an utterly resplendent sight! Even if you tried, you wouldn't be able to explain its magnificience as it gleamed brighter than any of the gold or jewels your sullied hands have ever taken hold of.
Its lack of a single color and its vivid, luminous nature fascinated you. Depending on how the moonlight hit it, it radiated a wide range of shades, from the deep tint of blueish teal to a rich shade of bluish jade.
"First time away from your home?" You rasp, waving a hand in the ocean, watching as small ripples curved against the water's surface, tides of the blue abyss travelling outwards.
Minutes pass, and yet you get no response.
"Hmm…you two don't talk much, do you?"
Jade and Floyd knew all about pirates, heard every story, whisper, and tale of the bloodthirsty monsters fueled by lust for gold and glory. And yet, they somehow struggle to picture you as the avaricious captain you were labelled as.
Still, while you appeared free and jovial, both of them could sense that you yearned for the thrill of danger, for life-threatening adventure, and for the many fantastic yet perilous things the ocean has to offer.
They exchanged glances, and at that instant, their plan was set in place.
Appearing docile, Floyd shook his head no, hovering near you and spinning around playfully.
"Awe, aren't you a cute little guy?" You cooed, running a rough hand along his back. The mer shivered, preening at your compliment.
"I really shouldn't be so close to you, though. Us pirates usually avoid approaching any merfolk since…they feel your methods, your ways of living are…" You trailed off, waving a hand in the air as you searched for the right words.
"Spooky?" Jade spoke out, swimming closer to you with a sinister glitter in his eyes. Breath hitching in your throat, you leaned towards him, an amused smirk slowly stretching across your cheeks. "Oh ho? You do talk."
"I can do much more than that." Jade purred, the tone of his voice sinking into a sonorous lull.
Well, you certainly can’t deny that something draws you to these two.
The predictability of your life on these seas has gotten boring to you. Gone were the days of bloodthirsty glory instead, it was always the same routine. Poring over the same ancient yellowed maps, loitering about the deck, and secluding yourself away in the vast sea.
You know your mother would be horrified by your actions, disgusted to see you mingling and, Poseidon forbid—flirting with these…mer.
Though you couldn't bring yourself to care. Speaking with these two was the closest thing to excitement you've felt in a long time.
"That's a pretty voice, love." The grin on your face lacks any of the warmth it had in the past few moments.
You tip your head back and giggle, raspy and brittle, "I heard a mer's song was, um, what did those bards call it? Ah, yes—A voice that is so alluring that men and women jump overboard in squadrons."
"Hauntingly beautiful, that's what the poets call you mermaids…" You hum, watching them slyly from your row boat while reclining back against the wood.
Gaze drifting down their body, your arms folded around your chest and your gaze turned half-lidded, lips curled up in a sensual, cat-like smirk. "…and I can see why. Haunted, I am."
Both of them go abruptly silent and you chuckle, staring at them through the wreaths of grey smoke that curled into fanciful hazy whirls from the foggy environment.
Floyd and Jade squirmed as they both felt the strong pull of their instincts, screaming at them to just drag you into the waters already.
Your conniving praises and silver tongue was starting to get to them. One more push and—
"Say…I've been meaning to ask," You murmur, and seem to take a moment to stare into their innermost souls.
"Can you sing for me…?"
Something snaps.
Floyd makes a low sound, somewhere between a trill and a growl, while Jade's eyes darken considerably. Beneath your piercing, ice-cold gaze, the twins felt their nerves prickle up like the flickering electric stings of a jellyfish. 
This is a dangerous game you're playing. 
"…You're quite the flatterer," Jade—ever so composed—is quick to snap out of it and smiles simply, tapping his talons along the wooden deck. "…I suppose I could grant you your wish. Though, there is to be an exchange for it."
"Hm? What's that, mate?" You looked up at your ship from your little boat, eyes darting to the windows of your chambers. "That ol' girl isn't new to the seas so there's quite a lot of stuff there. Maybe some of my treasures will catch your fancy—"
"No." Jade interrupts you, the shadow over his eyes returns. "…I do not wish for any treasure or gold. All I want is a kiss."
"A kiss?" You parroted, an eyebrow elevated and amused laughter peaking from your lips. "I have chests of golds and heaps of ruby-eyed jewelry; yet, all you want is a kiss, is that truly what you desire?"
"Yes."
"Nothin' more?"
Jade ponders and pauses for a while, before turning to face his brother. "Floyd, perhaps you want something as well?"
"I wanna kiss from pretty shrimpy too!" Floyd cooed, pursing his lips at you and imitating kissing sounds by hollowing his cheeks. His strong arms, taut with ripping muscle, are crossed over one other as it rests upon the rims of your boat.
"So, what do you say, Captain? Is it a deal~?" Floyd stretches out a hand expectantly.
And you take it.
"Deal." You smirk. "One kiss for each of you, in exchange for a song. Pirate's honor."
Not like the honor of a pirate was worth much anyways.
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The melody lifting from Jade's lips was somewhat familiar to you, yet it was of a faraway nostalgia. You couldn’t remember where you'd last heard it, but it felt…right. He had a voice that was velvety smooth; thick, and deep like a dream.
"Upon one summer's morning /  I carefully did stray," Jade sang, deep voice flowing off his lips in a sweet honeyed song—its melody lathering itself on your tongue. The saccharine taste of its imbricating rhythm obliterating every bit of skepticism you held towards them. "Down by the Walls of Wapping, where I met a sailor gay."
"My heart is pierced by Cupid / I disdain all glittering gold." Jade continued, tucking the long dark strand of his hair behind his ear—leaning his head atop the rickety rims of the boat's mossy wood. "There is nothing can console me / but my jolly sailor bold."
"Come all you pretty fair mers, whoever you may be / Who love a jolly sailor that ploughs the raging sea." Floyd hums along, lovingly tracing a hand up your arm. His voice was a lovely little thing; echoing deep throughout the air.
As expected, they sang beautifully, hauntingly; with an accent in a tongue native only to the sea. There was a mystical lull weaved into their voices—fitting to their titles as bewitching creatures of the sea.
"My heart is pierced by Cupid /I disdain all glittering gold." Jade stares straight ahead, his sapphire gaze alluringly fixed on you seated in front of him.
"There is nothing can console me…" Pushing himself up the wooden edge of your boat, the eel lures you over and you followed. "…but my jolly sailor bold."
As Jade's song came to its finality, he leaned in close and pressed a swift warm kiss atop your agape mouth, such tenderness in his affections—and that of heavily masked lust. The eel parted from you, nipping at your bottom lip and watching with unbridled delight as a flicker of pink hue glazed over your diluted eyes.  
"Come in the water, shrimpy~" Floyd cooed at you, claws reaching out to trace against the curve of the ships side. "We don't bite~"
Songbound, you leaned in towards the two and plunged in.
You don’t think about holding your breath.
The water was ice-cold and it strikes at you like a venomous bite. Yet before you could sink, two strong hands grasp at your waist, keeping you afloat in spite of the rough rocks of the sea. Jade was cradling you close to his chest, his hold firm and uncompromising while his tail encircled and bound your legs together.
"Hello, shrimpy~" Crooning, Floyd moved to rest his wet cheek against your tangled hair, talons pushing past the fringes of your damp torn-up shawl to rest against your thighs.
The slippery pads of his fingers trailed up to your torso; Travelling from your hips, past your corset, all the way up to your chest. The eel toyed with the drawstrings of your poet shirt before grasping it tight and yanking you forward.
"You're so pretty~" Floyd trailed his other hand up your neck, sharp talons feathering over your pulse dangerously. The eel craned his head down to meet you eye to eye. 
"I could just eat you up." The silky strands of his lashes fluttered against his lidded gaze as he leaned in close, breath fanning across your burning cheeks. Floyd pulled you into a deep kiss, loving the way you groaned against his mouth.
Chuckling against your lips, Floyd tightened his hold on your neck—his claws almost breaking skin, "You like that, shrimpy?"
You return the kiss, dazedly smiling against his lips before pulling away, lungs in desperate need of oxygen.
Floyd could see drops of water resting atop your swollen lips, and as your tongue darts out to wipe them, a fiery desire ignites in the deep curves and crooks of his heart. It didn't take long before he was diving in once more, lips pressing against the side of your neck.
While his brother was fixated on marking your skin, Jade hugged you from behind—affectionately cuddling into your hair.
The eel ran his hand up your throat and grasps your jaw with webbed hands to tilt your head backwards. He presses his lips against yours, the thick muscle of his tongue prying your mouth open before it darted in.
Floyd glides away from your form after a few minutes, leaving your neck sufficiently bitten and marked. He grinned excitedly and took your hands in his webbed ones, whisking you away from Jade.
You couldn't help but notice how he was gently dragging you away from the rowboat. "Say, shrimpy~ You ever wondered what it's like to swim under the sea?"
A flash of clarity hits you, shattering the enchanting spell that both mermen had cast upon your heart. You sensed danger as both eels started to close in, grinning ominously which revealed their fangs—long and dripping with thirst.
It seems that your fun little swim was over.
"I can't say I've ever experienced the pleasures of drowning—" you muttered. "And I don't intend to do so very soon."
The texture of their tails may appear solid and rough, but when you kick your legs at Floyd's, you immediately discover how the skin is supple when touched.
The sharp end of your worn boots cut at his silky luminescent skin, dragging along the scales of his flesh and leaving a deep cut in its wake. A small trickle of blue blood spreads into the waters and the eel hisses, darting away from you.
You try to swim away, but something—or rather, someone—gets in your way.
"My my, leaving so soon, pearl?" Jade quips, grin all-to-sharp.
In hindsight, it was foolish to interact with two mermen you hardly knew, especially ones who were taut with sharp teeth and firm muscles. Any pirate with half a mind would know to turn the other way and flee if these two approached them.
The mer both advanced to surround you, a mysterious glimmer swimming behind the haze of their duo-colored eyes.
A startling epiphany rushes over you.
As slippery as they might be, there’s no hiding the lethal sheen of pink in their eyes—especially not from you, a pirate who’s spent a fair number of their days hauling the cold dead bodies of lovesick sailors away from their watery graves.
These two weren't your run-of-the-mill mermen, no. You have heard about them before—in tales and legends.
Mermaids. Vampires of the sea. Water nymphs. Naiads. Sirens.
Many names, yet they are all the same.
A sighting like this is not unusual. This species of mer is mostly found in the deepest, darkest sections of the ocean, and they only come up to hunt at night.
It seems that you've walked right into their trap. Sailors were their easiest prey.
"Ah." You grit your teeth, a low, breathy snarl slipping past your swollen lips. "I should've known."
There’s a warm yet strong pressure against your shoulders and arms; followed by an odd feeling of heaviness as you were suddenly propelled down the water's surface. Webbed hands keep you pinned beneath the waves and you're suddenly all-too-aware of your body's exhaustion; of the salty liquid flowing past your tongue and the scorching gurgle that ignites your lungs as water fills it.
There's a ruckus around you, and you can barely hear Jade's voice, who was eerily calm in the midst of your murder. A bottle is then abruptly forced into your mouth, the potion within it spilling down your throat and leaving you disoriented.
It appears that today is the day that the monotony in your life finally ends. The pull of unconsciousness becomes too strong to resist, and the world darkens.
TO BE CONTINUED...?
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txttletale · 10 months
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Apologies for the dumb question and loads of personal information, but..
I have severe moral ocd, and in the past the exploitation has actually caused me eating issues. I’d get intensely guilty whenever I ate anything bc I couldn’t avoid thinking of the exploitation that occurred to get it here and I honestly started avoided eating.
is that what im supposed to do? I know there’s no ethical consumption under capitalism but my sustained existence is reliant on food from the exploitative world of global “trade”, medicine from the oppressive pseudo jails of the psychiatric system, and technology running on copper and cobalt that people suffered to mine. I claim to be a leftist, but my sustained quality of life, god, my entire life, is dependent on the imperial core continuing to extort the rest of the world. Should I just give up?
nah. ultimately if you're a socialist you have to understand that what you do as an individual is--politically speaking--irrelevant. it's good to be aware of the harms that were done in the process of production, but it's both a political dead end and personally self-destructive to then flagellate about that. (and to be clear, if that awareness is impossible for you to maintain without falling into disordered eating behaviours, you don't need to be that aware--again, this isn't about moral duty. genuine socialist politics are never about individual moral duty, or about being a good person. there is no level of Thought or Awareness or Conscienciousness that can become a lever of meaningful political action.)
the harms have already been done by the time the commodity exists for you to access--you're not participating in or exacerbating them by using the commodity. even if you did find a way to live completely without interfacing with the systems of exploitation, those systems would continue unabated. they don't care about you. the idea that if everyone spontaneously individually decided to stop using the goods that are generated by exploitation then exploitation would end is laughable in both premises and conclusion.
you have to look at this on a material level--the 'harm' is not an abstract quality that gets infused into the fruit or the medicine or the iphone, it's not haunted, you cannot show me an atom of 'harm radiation' emitted by an out-of-season banana--the 'harm' is a series of actual events taking place somewhere in the world. and the way to combat that has nothing to do with the personal consumption of individuals--it has everything to do with organized efforts, with groups of people taking collective action to stop that harm from happening.
you're not god. you're not a dynasty warriors character. you vs. united fruit and foxconn is a losing battle. you alone can't change the world in any way that matters, good or bad. the only thing you can do is join your energy to a group, to participate in class struggle. to unionize or join a party or participate in a mutual aid network. class struggle, the marxist analysis of class struggle, the only meaningful vector of political action across myriad forms, cannot be reached or analysed through the lens of 'do my personal consumer choices make me a good or bad person'. i know it is obviously difficult to do when we live in a society that focuses on consumer choice as the be-all and end-all of personal and political and moral expression, but you have to reject that question outright.
socialism is not catholicism--the aim of left-wing politics is not to live virtuously. it is to unite as members of the working class and improve all of our lives. focus on uniting first--find the people around you who you can form organizational bonds of solidarity with--and then figure out how to participate in the class struggle together. that's the only way forward. everything else is a trap, a dead-end, or in this case, pointless self-abnegation. good luck, comrade.
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three--rings · 6 months
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to get back to ofmd bitterness for a minute, I'm increasingly over the oh-so-plentiful variety of post that's like:
oh but OFMD S2 is actually perfect, it's only problematic to people who OVERTHINK THINGS.
Like, hi, this is fandom, have we met? THAT'S WHAT WE DO HERE.
And no one is saying you can't enjoy it for what it is and enjoy gifs of actors being cute and kissing and everything, have a blast. You don't have to get deep into textual analysis to be a fan.
BUT, while OFMD has always been a funny, cute show that tells a brisk story, but what I really, really appreciated about it was that when you interrogated it more deeply, it HELD TOGETHER. In fact, there seemed no end of depth to it. Everything WORKED symbolically, thematically. I became used to looking at the story on that level.
And S2 came out and it SEEMED like it was the same. so much depth, so much seriousness it seemed to be treating things with.
And then...it all fell apart in the last half. And that's SO FUCKING FRUSTRATING.
As an example, when the opening scene was Stede's dream of killing Izzy and running to Ed on a beach, looking dashing and manly, MANY MANY people in fandom immediately were like, OH. This is the show telling us what's NOT going to happen. This is the schlocky, cliched version of things. Where the hero is masculine and violent and the evil are punished and the romance is easily happily resolved.
This is the show saying we're not going to do the expected thing.
And then the end of the show killed Izzy and had Ed and Stede run to each other on a beach while doing violence, Stede looking capable and rugged, and they didn't really have to work at resolving their issues they just were Fine Actually.
So it felt kinda like spitting in the face of all the people writing meta about the show. It was playing INTO expectations instead of against them, and that felt like a betrayal of the show's core Thing.
But if you're not someone who was thinking about that kind of thing, then sure, probably it felt like 'oh it's a happy ending, cool.'
And I'm just sad that when I try to analyze these characters and their arcs in this season in detail, as I really on some level feel I NEED to, I'm left holding a bunch of parts that don't fit together. I thought I was being given a bunch of cool puzzle pieces that was going to make a pretty picture but when I was told it was done it was just some random shapes.
And again, if you're a casual viewer, like my husband for instance, you can walk away going "I thought it was pretty good" and be satisfied and that's great.
But I'm here trying to write fic set in a post S2 canonical universe and I CAN'T MAKE THE CHARACTER PIECES FIT RIGHT. and it's driving me nuts.
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ourflagmeansgayrights · 7 months
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ok so like objectively yes ed did things wrong but not only do i personally feel no negative emotions about any of that, i swear it would make more sense tonally with the rest of the show to NOT make a huge chunk of s2 be about ed facing the consequences for and redeeming himself from the marooning/pushing lucius overboard/izzy toe thing. like if im wrong i’m wrong and it’s whatever but i really really think the focus will be more on ed’s internal emotional state and how his choices were informed by trauma and how he’s going to learn to heal more than it’s gonna be like, Ed Learns It’s Wrong To Maroon People And Force Feed People Their Own Toes. like if anything i think it’ll be Ed Learns That He Deserves To Be Happy And He Also Realizes That Marooning People And Force Feeding People Their Own Toes Is An Unhealthy Coping Skill That Negatively Affects His Mental Health And He Learns New, Healthier Coping Strategies. like i think the focus of coming out of the kraken era is going to be almost entirely on ed’s feelings, and any mention of how his actions harmed the rest of the cast will be brief and/or it’ll primarily be played for comedy
which yes irl this would kinda suck to have some guy respond to getting his heart broken (and other stuff) by killing and maiming people and then have his whole journey of self-discovery be solely abt him and not any of the people he’s hurt. HOWEVER a biiiiiig part of the humor of the show is that the characters are experiencing some very real and very relatable self-esteem issues and insecurities and vulnerabilities, and all of that is placed on a backdrop of comedically gratuitous pirate violence. like this is a romcom and ed is basically going through the classic emotional beats of the romcom heroine getting her heart broken and eating a whole tub of ice cream and crying in her room for days before becoming cold and distant and “love is dead” edgy, only the joke is that bc he’s a pirate his “love is dead” romcom era includes some people actually literally dying. izzy and the crew all just happen to be in the blast radius for this joke, and while we as fans might love and care abt those characters too, the plain fact is that ed and stede are the main characters and the other characters’s feelings or storylines or internal motivations simply do not matter nearly as much to the show as theirs (with the exception of maybe jim, and also maybe olu depending on how s2 goes). and that’s literally just how romcoms work. this sort of “protagonist bias” is like, a core part of this kind of story.
and there’s nothing wrong with not vibing with the story because of that. if season two comes and goes and you aren’t happy with how the show handled the consequences of ed’s actions in e10 that’s fine, nobody has to feel any specific way about this show. but if i’m right and this is how s2 plays out and some of y’all don’t like this, the problem is not that ofmd is bad. the problem is just that this is not the story you wanted or expected to be told.
i DO think, tho, that there’s something very powerful abt a character like this being a queer indigenous man. he’s a gay romcom protagonist and narratively speaking his feelings trump all. this is a queer romcom that uses gratuitous slapstick violence as a punchline and where the queer main characters are allowed to get violent and unhinged about their feelings, and at the end of the day they ultimately get a pass bc it’s a gay romcom and the show is about them. like literally that description itself is more than i could’ve ever dreamed of from any tv show ever, and THEN you’re telling me that one of the main characters is indigenous???? it’s been a year and a half and s2 is right around the corner and i swear to god i still can’t believe this show actually exists. we don’t GET shows like this, we don’t GET characters like this. ed teach is such a fucking blessing of a character and i love him with all my heart.
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bengiyo · 6 months
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Only Friends: They Can't Sit With Me
I’ve been trying to find the words to express my consternation about Only Friends properly for weeks. Now that we’ve finished the show, I think I can say it plainly: The show just isn’t that deep, and the characters are unintentionally some of the worst gays you know. They can't sit with me and mine.
In so many ways this show avoided saying much for most of its runtime by just presenting the characters and putting them in situations. This would generally have been fine until the final episodes where the push to marry off the characters within their actor pairs coupled with the decision to punish Boston exclusively for any of the wrongs he had committed this season.
I hate feeling like I must defend Boston, because he was not a good friend to his squad. He introduced Top to their group just to fuck with Ray of all people for some reason. Then he got jealous when Top took a shine to Mew. He fired Ray at Top and Mew, and misrepresented a video he took of them to get Top to hook up with him one more time. (As a note, I also hold responsible for his decision to fuck around with Boston and withhold that information from Mew as well, but we’ll get there.) However, Boston is one of the only people in this show not using sex as leverage over the person he’s with or hounding people about putting out.
I hate that this show kept comparing other characters to Boston when Ray is fucking around with Sand while he’s seeing Mew. Top and Mew are playing their little stupid games about sex the whole time. Nick is pretending to be okay about stuff that he isn’t and using a sex tape as blackmail. Boston becomes the victim of blackmail and revenge porn in this show! Why is he the one who deserves to be punished for anything wrong that he did exclusively while everyone else is in “happy friend land” at the end of this show?
Also, what the fuck was the point of Boeing? They introduced Boeing as like a final boss but he revealed NOTHING about any of the characters, especially Top! Force did such a thankless and difficult job in this show only to get stuck in an enigmatic character that we can never get a secure read for. Boeing showed up and seemed like he was more of all of them, and we learned nothing because of his intrusion, and he gets rejected in the most perfunctory way possible as the final source of drama. Disappointing.
As I reflect on this show, I wish it had been episodic instead of a serial. The problem Only Friends has is that in the end it becomes a single story that took 12 weeks to tell. All this drama was so aggravating because these homos DO NOT have each other’s backs. Mew helps Boston out of a sticky situation just so he can be morally superior to Boston. Top helps Ray out of a situation and many of us thought that Top could have been the one who called the cops on the party! Cheum decides to castigate Ray AS HE’S BEING ARRESTED FOR DRUG POSSESSION. Cheum accuses Boston of assaulting her brother under false pretenses, never offers him a real apology, and then thinks that Boston should abase himself before the group at the end. If this show had been episodic, each episode could have been about a gay issue within this group and resolved itself within the episode while continuing larger arcs.
I feel like the angst between Boston and Mew went to waste. Why are they jealous of each other? Why didn’t they hate fuck? Mew is a virgin and Top was his first time. Why did we not unpack how Mew views himself after having sex for the first time? He had been holding out for so long and we never spend time with him really understanding how sex impacted him. Why wouldn’t he touch Ray at that point? Sure, he was never into Ray that way, but what is the core of his sexual preciousness?
This show spent the entire final episode taking a victory lap around Boston losing everything and celebrating these dysfunctional ass couples getting together, only to end on a scene of Mew being interested in Mix’s character as Top looks on worried. What a terrible place to end. We never understood Mew’s thing about sex and especially Top. We never understood Top. After dunking on Boston one final time, we end on Mew wanting to flirt with someone else? Terrible.
These people are still young, but this is not what community looks like. These characters are mean to each other in a way that makes me really worry about the shit that this queer team had suffered as they came of age and entered the scene. I believe in queer community. I believe in helping the people in our spaces even if I don’t like them personally. Even at their worst in Queer as Folk, those guys and gals had each other’s backs. Where was that energy here?
They are truly terrible friends. In so many ways, I was grossed out about the way a bunch of homos turned on the slut in their group only to end the show on a game of spin the fucking bottle where they made Sand make out with Top. It feels so weird that a group of queer people essentially ostracized one of their own for failure to conform with monogamous norms. NOT A SLAY.
Beyond that, I feel like most of the cast didn’t even get to play against type! Khaotung playing drunk so consistently was impressive, but he’s always been a pretty, rich, shit stirrer in most of his roles. First is always a grumpy simp. Book is always the virgin. Force got to be a jerk in a really fun way, but we never understood the interiority of his character. Mark and Neo got to do different stuff, and I really hope Neo gets an award for the way he fully embodied Boston.
I had a lot of hope for this show, but in the end, it will just be remembered as an amusing romp that fell flat in the back half for me. With that, I am done with Only Friends, and hoping to be done with GMMTV in a while, honestly. Between this, Hidden Agenda, Dangerous Romance, and a Boss and a Babe, I’m quite over it.
We wrote so much about this show trying to mine depth from it and the well was too shallow. It’s alright for us to admit that this show wasn’t that deep. We can admit that it was just a lot of fun for a few months. “This show is fun” (read: easy to fap to) and “This show is good” can form a Venn diagram, but that is not a circle. You gotta know when to fold ‘em.
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byler-alarmist · 8 months
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Disclaimer: I am not anti-Vickie by any means. I think Vickie seems very sweet (although there may be something going on with her we don't know) and I will fully support her and Robin if the Duffers can prove to me in S5 why they work together.
That said, I am going to examine the one, glaring issue I have with Rovickie. If you're not put off by that, read on!
So, most of the criticism leveled against Vickie is that we don't know anything about her. That's true; we don't.
However, my main criticism is:
Does Robin know anything about her??
All we hear from Robin in S4 is that Vickie is the girl of her dreams, but we never hear why. In all her gushing/agonizing to Steve, Robin never tells us what about Vickie makes her so special.
Is she smart? Funny? Ambitious? Kind? Is she a pro at playing poker?
Even Tammy Thompson, whose role in S3 was purely offscreen, got a shout out of traits that Robin valued ("she has dreams!").
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We can't say the same for Vickie. All we know is:
-she laughed at one of Robin's (Steve's) jokes
-she likes Fast Times
-she talks a lot when nervous
-she possibly likes boobies
And those last two were only figured out by Robin in the final episode of S4.
If Robin's feelings for Vickie are more than mere infatuation based on looks, wouldn't Robin have told us more than the most surface-level things about her?
And if your immediate response to this "well, she just hasn't spent enough one-on-one time with her to know!" .......that's exactly my point.
The writers have shown time and time again that the shallow relationships where tbe couple got into it without really talking or getting to know each other do not last .
I'm reminded of Lucas telling Mike "you're just blind because a girl isn't grossed out by you." 👀
All this in the same season where Robin is spending one-on-one time with Nancy, getting to know her and respect the things that make her "her". Rather than just looks, Robin gets to see Nancy's drive, intellect, leadership and bravery.
She calls her a "genius", says she is "full of surprises", and learns even more about her when Nancy opens up about her relationship inecurities. Robin sees her complexity.
I don't know about you, but to me, this is the core of why Rovickie is not as compelling as a ship. If they are meant to be endgame, why was Robin paired with Nancy all season?
Surely there could've been some plot device to bring Vickie into the fold, just like Max was brought into the Party back in S2.
Vickie could've been trapped with Robin and the older teens after some supernatural things happened at rhe pep rally or other school function and they got separated from the rest, or she could've been related to the Creels and the gang needed to ask her for help. It's a TV show; they can do whatever they want.
Either way, they decided not to involve her in the main plot of the show at all, preventing both Robin and the viewers from getting to know her fully. I believe this was intentional and will have consequences for their relationship in S5.
One final thought- in early S4, Robin tells Steve that she has found the girl of her dreams but can't get the courage to ask her out, whereas Steve goes on a ton of dates but has no idea what he wants.
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I think it would be VERY interesting if their roles were actually swapped, i.e. by the end of S4, Robin is the one who doesn't really know what she wants, and Steve is the one who realizes he has found the (person) of his dreams.
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twig-tea · 2 months
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TsukuTabe S2 Is Perfection
I’ve been waffling about what to write about Tsukuritai Onna to Tabetai Onna s2, which completed last week (and which we have access to at all thanks to the hard work of @furritsubs). I have had to just give up on getting across how much this show means to me; there's no way I'll be able to communicate these feelings with words. Season 1 was excellent but Season 2 was everything I wanted and more that I didn't know I needed. This is going to be more disjointed than usual because I don't know how to be coherent about this show (and because tumblr ate my first two attempts).
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At its core, Tsukuritai Onna to Tabtetai Onna asks what if we were all just a little bit more conscientious and kind to one another? What if women were given space to be themselves and to make the choices that were best for them? This is the world of TsukuTabe, and I'm so grateful to have had the chance to inhabit it over these last four weeks. 
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I have so much love for the way Nomoto and Kasuga develop their relationship in conjunction with their relationships with the other women in their lives. Nagumo, Sayama, and Yako are integral to the success of Nomoto and Kasuga’s relationship, and they're also important relationships for the happiness of Nomoto and Kasuga in their own right. The found family vibes are immaculate. 
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The conflict between Kasuga and Nomoto this season was so perfectly them; the way they struggled with the transition from friends to lovers and being two people who are kind and giving in a relationship together and how that requires honesty and trust were both familiar conflicts that hit me hard in the feels. 
Kasuga's conflict with her family also hit me really hard. I once did the wrong thing and showed up to support my family in caring for someone who abused me, and it was a horrible experience that was ruinous to my mental health and took years to get over (and in the end they had to find a different solution anyway, which they could have done in the first place). Watching Kasuga refuse to make a similar decision, standing strong in the face of the social pressures of her parents and her aunt was so healing for me. And then to have her decision affirmed by someone of her parent's age? I sobbed in those scenes. 
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I also loved the way this season handled Nagumo’s anxiety issues and how she was given space to decide to get professional help on her own time and terms. The way her parents tried to help was also very familiar to me and realistic, and it was just a little heartbreaking how they tried and didn't understand how their attempts at helping added pressure in a way that wasn't helpful. 
The way this show covers this important beats in a person's life through these small, everyday moments, and in such a gentle way, is what I love so much about it. The show itself makes a safe space so that these subjects can come up and not feel overwhelming. 
And it's also really important to me that all of the characters get to have these moments. Sakae not only reflects on her insensitivity and the unfairness of Japan not having marriage equality, but she also reflects on the pressures on her to marry and whether she actually wants that for herself. Fujita not only helps Kasuga gain proxy acceptance for her choices but gets the same back for herself around her decision to divorce. All of these women live in ways that invoke social stigma, and the way this show gives explicit permission to these women to live their best lives is both cathartic and critical.
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I can't end this disjointed ramble without talking about the character I most identified with this season, Yako. Yako is an older, self-actualized asexual lesbian who makes friends with Nomoto on the Internet, recommends lesbian films to her, and mostly listens and affirms as Nomoto goes through her own process of discovering herself. I ran a GSA and have been on the Internet a long time, I've been in Yako’s position a lot (though I can only aspire to be as kind and wise). She is so patient and so genuinely happy for Nomoto when she and Kasuga get together, and she seems so quietly thrilled to have more wonderful people in her life willing to indulge her random party ideas. Her sharing a connection to a LGBTQ+-friendly real estate agency while being angry on their behalf that she even has to was perfection. 
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It's so important that these characters say the things they say aloud. I want to inscribe every sentence of this show into everyone's brains. This show is perfect, and lovely, and a warm bath, and a hug, and a cup of your favourite warm beverage perfectly fixed to your liking all in one. If you haven't done yourself the favour of watching yet, I highly recommend that you do so immediately. 
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[not an ID: Real footage of the entire audience's satisfaction and catharsis after watching TsukuTabe S2. Actual ID in alt text].
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greenhorn-art · 3 months
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World Champions | Artwork for World Champions by TheDefenestrator by TheDefenestrator, art by Blurb_brain
Fandom: The King's Avatar | 全职高手
Rating: Teen And Up Audiences
Category: Gen
Words: 71 944
At the end of season 4 of the Glory Pro Alliance, the government finally receives the information it has been waiting for: The other players have caught up. Or, In which Glory has been a government recruitment ploy for remote-piloted mecha operators all along.
About the Book
FONTS: Mundo Serif, Azonix [dafont], Segoe UI Symbol
IMAGES: Illustration by Blurb_brain [AO3]; cover image by NASA ID: 440611 [Rawpixel]; Planet Earth background ID: 6331593 [Rawpixel]; Circuit lines background ID: 3117935 [Rawpixel]; endpapers' image by Eric Eastman [Unsplash]; Swoksaar, Desert Dust, Lord Grim, Vaccaria, and Cloud Piercer [The King's Avatar Wikia]
MATERIALS: regular printer paper (8.5"x11", 96 bright, 20lb), 80pt bookboard, Iris Bookcloth (colour: Black Pearl), Neenah cardstock (8.5"x11", bright white, 65lb), waxed linen thread (white, 30/3 size), embroidery floss (shades 3750, 350, 3845, 370), leather cording (1.9mm diameter), Reeves’ acrylic paint (Mars Black, Phthalo Blue, Titanum White), Americana acrylic paint (glow in the dark), ph neutral pva glue (Books by Hand)
PROGRAMS USED: Typeset in Affinity Publisher, cover/title page/endpapers designed in Affinity Designer/Photo, QR codes generated with LibreOffice Writer, PDF arranged for printing with Bookbinder-JS
BINDING STYLE: quarto, case bound (slightly rounded, with oxford hollow, forgot to use tapes)
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Fenes' "Glory's tech isn't handwaved" AU. This was great! Funny and creative, and I'm both amazed and full of admiration for Fenes' ability to juggle so many characters.
I was feeling excited and ambitious with this one. Tried some new fun things (double core endbands, painted edges) and used some new equipment (a lying press).
The Text
TITLE/HEADINGS FONT: Azonix says 'SciFi' to me, it's a bold, non-serif, sleek font.
BODY FONT: Mundo Serif, it's a decent serif body font I haven't used before. Felt like it worked with Azonix.
SCENE BREAKS: a special character in Segoe UI Symbol of a black & white icon of Earth, the globe showing Asia.
TYPESETTING: Finished typesetting the fic, left document open on my laptop, laptop's battery failed, file now crashes immediately upon reopening, issue persists with copied versions of file (; ̄Д ̄) . Thankfully I had a backup file for the typeset with the barebones of the text, so I didn't have to restart from scratch...
Title Page
My thinking: it takes place in space, the world's at stake, and it's the dawn of a new horizon for Earth. Glory and the titular champions are represented by Swoksaar, Desert Dust, Lord Grim, Vaccaria, and Cloud Piercer – the captains of what I'd call the 'big 5' teams. A circuitry board background element hints at the tech/mecha nature of the story's competition. It may not match Blurb's art, but I hope I was able to convey some of what the story is about.
The circuitry image is used as decoration throughout the book. I only used the avatars of the top five teams' captains because too many silhouettes would lessen their impact and readability. (Removing the backgrounds was tedious, but worth it.)
Here's what it should have looked like. The test prints for this and the BB art were fine, but I think my inkjet started running out of ink just when I printed the final copies and I didn't reprint them. (Too impatient, really wanted to finish up and read the book)
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The Cover
World Champions is another Big Bang fic, and once again I based some of my design choices off of the accompanying artwork. The dominant colours of Blurb_brain's illustration are red and blue-green.
COVER PAPER: For the decorative cover material I used NASA's ASTER image of Poyang Lake. NASA has some really interesting photography some of which remind me of marbled paper, thought it could be interesting. I chose this image of Poyang Lake because 1) it's in China, 2) the colours were similar to Blurb's awesome illustration (fate strikes again, dropping matching images and artwork into my lap!), and 3) NASA is tangentially relevant to the fic, which takes place in space.
BOOKCLOTH: Verona bookcloth in the shade Black Pearl, a lovely dark navy blue colour. Thought it suited the cover paper and title page. (Bought it for this fic specifically, but the colour goes well with almost all of my decorative papers so it should see a lot of use in the future!)
Endpapers
The final decision that held this project at a standstill for two months. In the end I drew inspiration from the matchups against the final opponent in the story. The image I used is a little chaotic and a little too unrelated to identify why I picked it without an explanation, but this book is for me and I know why, so there. (Note that I played around with the colours and cropped the photo.)
Endpaper inspiration: the maps for the matches against the Infilhites
"a long bridge through an enormous tube-like hall, where light seem to come from every side through stained glass windows. It was visually confusing, limited lateral motion" "a warehouse, crates stacked on and beside metal racks that went all the way to the ceiling." "a house of mirrors, fully enclosed to be sure the Infhillte couldn’t fly out of it." "like a volcano, rivers of lava moving sluggishly down a slope, occasional vents of overheated air nearby." "a series of overlapping bridges between halls and stairways, level after level layered over an open abyss."
Trimming & Painting the Edges
Going all out, a 2-for1 deal: the opportunity to use my lying press for the first time and learn a new technique!
TRIMMING: Used a paring chisel and lying press.
CHISEL: The 1.25" wide paring chisel I used was form a modern manufacturer. (Vintage paring chisels are very thin, enough so that you can bend/flex the blade. But don't do that.) It's long and wide blade made it easier to register against the surface of the press for consistent cuts. Looks like this one below from Lee Valley.
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LYING PRESS: My dad's project. Solid black walnut, hand carved screws and internal threads — he even made the tools to make the threads too! The jaws of the press are each 3 7/8" wide. It's big and heavy (though much smaller than full-sized professional ones omg), but there's enough of a flat surface to register the chisel against. A thicc boi, much like this one below from Bookbinding Supplies.
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PAINTED EDGES: The idea was to have dark navy edges, speckled with white stars. I used acrylic from a tube to paint the edges — tutorials recommended it over liquid bottled acrylic, and I had an old set hanging around. Had to water it down because otherwise the paint just flaked off.
My test of trimming and painting went well. Then the trimmed book itself came out slightly crooked, the paint required significantly more watering-down than before, and the white paint did not want to be both opaque and speckle-able. Unfortunate, but still book-shaped! And now I have an idea of what to do differently next time.
Also, did not like the glow-in-the-dark paint. Looked too translucent in the light when compared to the white acrylic, and needed a thicker coat to be visible in the dark. (The thickness combined with the translucence and base colour kinda reminded me of boogers... Ended up scrapping most of it off, so there's not much left to glow.)
Endbands
Still in the mood to have fun and go all-out, I attempted double-core endbands for the first time.
TUTORIAL: YouTube @ BookbindersChronicle: Bookbinding 101 Sewing Headbands Session 2. Also watched @ DAS Bookbinding's Double-Core Endband // Adventures in Bookbinding, but I personally found Chronicle's closeup video easier to follow.
I used embroidery floss from a 100pk of assorted colours off Amazon, wrapped around a core of 1.9mm leather cording from Michaels. I drew from Blurb_brain's art for the general colours, choosing a dark base, with red, blue-green, and gold. The specific shades were picked to go with the cover.
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battlekidx2 · 3 months
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Hazbin Hotel - Vaggie Finale Thoughts
My thoughts on Vaggie are… complicated. I think the last two episodes of season 1 do a really good job with her and I love the beats her character hits, but the rest of the season didn’t build up to some of these beats the way they should have to make all of them hit as hard as they could.
I’m just going to jump right in to explain what I mean.
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Vaggie’s role in episode 7 where she has to go convince Carmilla to help them face the angels is at its core fantastic and the song that they get together is a banger, but the basis for this song– that Vaggie is being driven by vengeance and has to fight for love instead– rings hollow. 
Everything Vaggie has done this season has been for love. She’s been nothing but supportive of Charlie, putting all her effort into the hotel and Charlie’s mission. Her song and arc in episode 3 surround Vaggie’s belief and love for Charlie. Vaggie fighting for love has never been the central issue of her character because she’s been doing it all along.
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I like the idea of Vaggie being driven by vengeance, considering how brutally Lute mutilated her and how she was cast out of heaven for the “horrible” offense of hesitating to kill a child this would make sense for her character, but this wasn’t shown at any point prior to this song. 
Where was this thirst for vengeance when she came face to face with Adam and Lute in the hotel room? Where was Vaggie’s anger at heaven when Charlie was calling out their hypocrisy? At what point in this season did Vaggie choose vengeance over her love and support for Charlie?
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If vengeance was what was really driving her character then Vaggie would be pushing Charlie to call out heaven. She would take some impulsive actions to strike back that put Charlie’s goals in danger. She wouldn’t be the one telling Charlie to keep a cool head or singing about supporting Charlie no matter what.
This is the issue that’s been plaguing Vaggie this entire season. So much of her character has been tell rather than show. We were told by Husk that Vaggie hates herself. We were told by Carmilla that Vaggie was driven by vengeance. When Vaggie is faced with the decision to support Charlie against heaven or side with heaven to keep her secret the narrative lets Vaggie just not make a choice.
She doesn’t get to show her character and flaws through her actions. At least not the ones the show says she has.
I think this problem is a bit more obvious because when the show does build up something with her character it is really good.
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Vaggie being the one to reach out to and convince Carmilla to help their cause is a great beat. We see early on that Vaggie isn’t a people person. She has trouble trusting and/or inspiring others, but here we get to see her reach out to and connect with someone else, and it's through this understanding the two have that she is able to get Carmilla to help her (by training her to fight angels) and the hotel (by providing weapons).
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This exact struggle is also reflected in the moments with the hotel residents. Throughout the season Vaggie has always come across as being on their level. Charlie is well-meaning, but because of her privileged upbringing she has a very black and white view of redemption and struggles to deal with the more serious mental health issues that the hotel residents face. Whereas Vaggie is more jaded and has made massive mistakes in the past.
The other hotel residents can understand her struggle to do the right thing and redeem herself, which is why it was impactful to have Vaggie be the one to let them know that they can leave and that she’s the first one to see that they stayed. It emphasized the connection between them.
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Vaggie’s fight with Lute was also amazing. Lute was the angel that cast her out, ripping out her eye and cutting off her wings. There’s a personal connection there that makes this battle investing. The way their battle ends really emphasizes the conflict between Charlie and heaven in episode 6 by showing that Vaggie, someone cast out of heaven, is more worthy of heaven and angel wings than Lute, Adam’s right-hand woman, through her decision to choose love over hate and spare Lute’s life.
It’s these moments that show the full potential that Vaggie has as a character and put the moments that they fumbled in stark contrast.
I really like this show, but I do think it has flaws. Vaggie’s character is a prime example of how the pacing of this season made certain character arcs suffer. 
I'm hopeful that the show can improve on some of these issues now that it officially has a season 2 and that it was the biggest animated release on Amazon Prime (which is impressive because The Legend of Vox Machina had the massive already established fanbase of critical role watching it). I really enjoyed watching this season week to week and can’t wait for what they have in store for us next.
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Side note: The moment where Vaggie spared Lute is where she should have gotten her angel wings and specifically she should have gotten Lute’s angel wings. This would just heighten the thematic importance of this moment and show through Vaggie’s mercy– the very thing that got her kicked out of the exorcists– she has shown that she is more worthy of being an angel than Lute. I can’t take credit for this. I heard it from Sarcastic Chorus.
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sea-buns · 19 days
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hey to a gorgug liker what do you think about his nightmare section from sophomore year? cause I feel like the horror there is less “ah my grandparents were racist” and more “fuck am I being a stereotype? are the people who hate me right about me?” cause wrt to his having to modulate between barbarian and artificer in fhjy it’s like. idk
oh boy do I have thoughts
Tbh, I had zero recollection of the racism stuff until reading this. It was just SO MINOR. His trial in the forest felt really lackluster to me. I feel like everyone else's really dug into an issue at the core of their character and his felt more like "everyone is getting a trial, what do we do for gorgug?" And idk if that was just a bad delivery/call on Brennan's part or if it could have been helped by Zac engaging more in it but it just. Didn't feel like anything. It was a lot more about the dice than the horror of the claustrophobia and the bugs and you've never fit in anywhere you live to make yourself smaller wherever you go you're just the loser who hits hard. Like yeah I guess there was an overarching theme of Gorgug gaining confidence in himself but it was done very poorly imo.
And I think his trial in the forest was wrong for putting such an emphasis on his intelligence. I think that would have been much better suited in fy, back when he was still being heavily bullied, but beyond that it felt like a quick and easy thing for them to grab. Yes, he had insecurities about his intelligence with all the complications with Zelda. But, to me, the focus of fhsy was his HEART. It put a spotlight on how his social circle has grown, and his bully is his friend now, and he's not alone anymore. His interactions with Ayda, the friendship book, trying to help Fabian, I believe in you spring break, it's Gorgug keep going. I made a post earlier in the season (including a great addition by another user) that I think articulates that emphasis on his emotional intelligence very well.
Fhjy HOWEVER. I think it's doing everything that sy failed at. It's giving him space to have an inner conflict. It's addressing lots of little issues and conflicts he's had over the campaign and combining them into one coherent piece. Like, guy was in a relationship pretty much all of fy, and then dealt with the fallout in sy, but I don't think we've EVER seen as much quality relationship development with Gorgug as we have in jy. He and Fig spent an entire summer together trapped in a tour bus and no season has indicated that bond and friendship more than this one. He and Riz have found something to bond over, meanwhile in previous seasons there was pretty much zero one-on-one personal interaction between them. Fabian expressed sadness over Gorgug leaving the Owlbears, because it was the only thing they had that was just for them to hang out and be friends.
Just with that, we're already doing leagues more with Gorgug's character than we ever have. And I haven't even STARTED on his barbificier journey, oh dear god lmao.
Gonna preface this bit with a post I made before the season even started. It was about Zac's steady improvement in his performances with every PC, and how I was predicting that it was gonna culminate into a Gorgug that does him the justice he deserves. It was initially supposed to be a criticism, but I got a little lost in the sauce of loving my boy lol. Still very relevant to the topic of this ask!
God, where do I START?? Addressing his relationship with rage? I'll be honest, I didn't think that would ever be used as a character arc. And I'm not even sure why I've felt that way. I just didn't think... I didn't think about how he might've had a dislike for his own rage. Like, the WAY he rages isn't bad by any means, but I don't think it ever crossed my mind how actually harmful his lessons to sing to combat rage were. No, I did not like the way Porter went about teaching him (a bit too unsupportive of his capabilities and reminiscent of shitty teachers for my liking). But his point about EMBRACING anger; that rage is not bad and does not— should not— need to be stifled. THAAAAT. That opened up such an interesting dialogue for Gorgug.
I do appreciate the beginnings of Gorgug's interest in artificing in fhsy. I think the crumbs of it back then did a great job of leading into his larger commitment to multiclassing. And I think what he's been doing with it this season is exactly what was lacking in his section of the nightmare forest. His trial was a puzzle, based entirely on die rolls, where his solution after failing even when he's assisted by the enemy is to essentially give up. I understand that facing their fears was the whole point of the trials, but his section came off as incredibly anticlimactic and unfulfilling. Just the fact that it was a trial based on stat numbers more than the development of the character itself.
Where junior year succeeds in actually showcasing his intelligence and the evolution of the worth he holds in himself is with the hands-on approach it takes. Yes, the academic rolls are still dice and stats, but there's a physical manifestation that wasn't there before. Gorgug is smart when it comes to getting his hands dirty. It is in the practical applications of his skills that his brand of intelligence shines the most.
And while, once again, I did not LIKE Porter's heavy resistance to multiclassing....I have to admit that I don't think Gorgug would have had such a boost in confidence without that struggle. Even if my boy had trouble expressing it to Porter verbally, HE STOOD UP FOR HIMSELF. Instead of simply rolling over and agreeing that he wasn't built for a technical class and it was stupid to try– he was DEFIANT.
The kid who said "I'm a dumbass. Eat me you stupid bug." took on FOUR CLASSES. Three school years worth of artificer simultaneously. AND stayed with the Owlbears. AND went along on party missions to help Kristen's candidacy. AND was always on deck to help the party with the overarching plotline.
AND HE ACED IT!!! THE FIRST BARBIFICER THAT THE AGUEFORT ADVENTURING ACADEMY HAS EVER SEEN!!!!! He is paving the way for every unprecedented multiclass that follows.
Just in comparison to who he was in the previous season, the amount of drive and self-worth he's gained is astounding. In my eyes, it's done more than enough to makeup for the way his development fell flat in sophomore year.
i hope this fulfilled the ask in the way you were hoping! i told you i'd get carried away lmao. writing a bunch about any of zac's characters is always such a joy. gorgug had always been my favorite of the bad kids but i always found myself wishing he went deeper, y'know? and now it's real. my precious anxious boy has been handled so well. and watching zac's growth as a performer has been such a blast.
thanks for the ask! :D
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hitomisuzuya · 1 year
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Tighnari x fem!reader. Comfort Smut. Accidental use of an aphrodisiac. Abandonment issues mentioned. Some footnotes at the end.
a/n: Did you all think I was going to choose Scara? Nope 😋 I choose Tighnari. I have quite a few people who encourage to write for myself. So here I am. I hope you all enjoy as well. Please know every word I type is making me feel better. I hope it makes anyone reading this feel better to if they are down. I used one of my beloved @kichikichiko 's suggestions.
You'd been acting very peculiar for about a week now. Tighnari was worried. He eventually started making notes of your distant behavior in an attempt to puzzle out what was wrong. He could smell that something was going on.
*You looked tired as you sat with him in his hut, drawing a picture of creature called a dinosaur from a novel that was dog eared and thoroughly read multiple times.
Tighnari grabbed a bottle of something and offered it to you. "Here..this should help relax you to sleep since you haven't slept for days," he said quietly, setting the bottle down in front of you.
You smiled at him in appreciation, sipping it as you drew. No response however. Tighnari's ears drooped a little. He wished you would tell him what was wrong.
*He sat with you, murmuring quiet compliments about your drawing of the dinosaur. Your favorite was the one with the long talon claw on it's on the middle toes. He'd listened many times when you gushed about the Velociraptors from the novel.
Tighnari's ears pricked when you dropped your pencil suddenly. Your cheeks were getting flushed and he could hear your heart beat speeding up. He could feel some changing in himself as well.
When his eyes darted to the empty bottle on the table, they suddenly widened. "Oh no!" He exclaimed.
Tighnari had made a very VERY rare mistake. He really should've labelled the bottle properly. It was something he was developing for the mating season for fennec foxes. When the female drank it from a water source, the males would be able to smell it.
And now he'd accidentally given it to you instead of a very mild sedative.
He quickly put his hands on your cheeks, making you look at him. "'Nari, please.." you said, panting quietly.
And then it clicked. Your eyes may have been filled with lust, but there was something else there. Buried behind it was a hint of sadness. "Are you serious?" He said, nuzzling your forehead, "why would ever think I would abandon you? You are my mate."
"'Nari.." Was all you could manage to say. His kisses were deep and open mouthed as Tighnari let himself get swept by his lust for you.
Clothes were removed hastily and before you knew it, you were laying on your back beneath Tighnari. "I would never leave you," he whispered, peppering your neck and chest with love bites that would bruise the next morning. He didn't want it any other way. If marking you like this would reassure you, then he would do it all night.
The way you were moaning while he sucked and bit your skin was starting to make him feel frenzied and feral. Rubbing your clit, he plunged two fingers inside of your cunt, shivering when he felt how wet you were. "I'm sorry, my love, I have to prepare you quickly. You smell so good.."
You grasped in pleasure when his fingers found your sweet spot. You spread your legs, locking them in place around his hips. "Please, just fuck me now, 'Nari. I can't stand it anymore.." you pleaded.
You felt dizzy with lust, the aphrodisiac had made you so sensitive. You tugged on his ears, making him whimper, turning his head slightly into your hand, nuzzling it. His ears had always been sensitive, especially so when he was intimate with you.
"Archons, I'm so lucky to have you," Tighnari said, thrusting his cock inside of you. "You aren't even mad that messed up tonight."
"I love you, Tighnari," you moaned, feeling your orgasm building like a furious storm in your core.
Tighnari's cum spilled into you, making his cock squelch in and out of your pussy. Your fingernails dug into his shoulder blades, making his pace speed up. He was determined to help you reach your climax.
"I hope you don't mind, but it's going to take awhile for the aphrodisiac to wear off," Tighnari said between his own pants and moans, feeling your walls begin to clench around his cock. "We going to have to have multiple rounds." His kiss on your lips was gentle.
"Shut up and make me cum again, ',Nari," you said playfully.
Tighnari chuckled. He really loves you a lot.
*I'm referring to Jurassic Park by Michael Crichton. I'm a die hard Jurassic Park/Jurassic World fan. The Velociraptors are very favorite 🥰 Thank you for reading. I feel much better, but my responses to asks may be sporadic and slow tonight. Bear with me, please.
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chained-to-the-mirror · 2 months
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Back from my portrait hiatus, I drew my darling babygirl.
I have been trying to go through my thoughts about what OFMD has meant (and means) to me. It’s been some days now since we heard from David Jenkins that it is officially over… In my heart I was expecting it, but it was still a blow. Still, during the time between the initial cancellation and right now, I have been slowly coming to terms with the fact that we have two wonderful, wonderful seasons of TV and they are forever. I know for a fact that even if Max deleted the show and it was never again seen anywhere (legally), it would be forever burned into my brain. I can recite it in my sleep at this point, yet I still keep re-watching. Why? Because this show is like no other, to me.
When S1 first came out, I was not the person I am now. Nothing much has changed externally, but in my mind, things have shifted. The character of Ed triggered my the journey of figuring out that much of my personality and behaviours have very likely been shaped by trauma. Now, I have been in therapy, have been hospitalised multiple times, have been seeing a psychiatric nurse for years - I know I have issues, some of them even have names. But not until I saw Ed did I realise that trauma may be at the core of it all. 
It’s funny, because I’m not like Ed. I am very introverted, very insecure, not particularly skilled, not popular. But I relate to him so much it’s not even funny. What happens to him means the world to me. So what a gift it is that we got to end at Ed being happy, and on his way to recovering from all the traumatic experiences of his past. He got his happy ending! That is a rare thing indeed. I felt vindicated in some way, like I was cheering on a dear friend and they triumphed. 
So, in some ways, I can’t be too upset that we don’t ever get more of all their stories. Of course I AM upset, but not necessarily so much for myself - more for the creators, and the fandom as a whole. Most of my friends have not even seen S2, and none of them is obsessed with this show like I am. It gets lonely sometimes, but when I come on Tumblr and scroll through my dash, I see all these people who ARE obsessed, and who really live and breathe the show. I am an outsider looking in, but it’s still a bit less lonely.
My contribution to the fandom is an occasional art, and reblogging All The Things to by sideblog @dearpirates - it hasn’t got that many followers, but really I am using it as my teenage bedroom wall where I plaster all the shiny and lovely and maddening things for myself to see. There are so many wonderful things and people in this fandom.
I really hope the fandom survives, and thrives. I would miss it dearly if it ever went away. Many of the people I follow feel like friends to me, even though we’ve never spoken. That said… if you ever want to talk to someone about anything OFMD related, my inbox is there for you. Ask box too. I would love to actually talk to people, but I am very shy so I can’t really take the first step usually 😅
This got long. Thank you if you read to the end and didn’t just look at the art above and scroll past the wall of text.
Patreon / Ko-fi / Society6 / Redbubble / Commissions / Colouring book
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perenial · 9 months
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gene im so glad you said this cause I haven't seen anyone else comparing it to the book as source material for like character and tone but i am So sure that if terry was alive the season would not be like this but i fear good omens fans dont realise how big a factor the lack of terry's influence is?? or like they forget that good omens was never just neilman???
ok before i go any further: i rly don't want to detract from anyone's enjoyment of the season and everything im going to say comes from a place of love for a) the original novel (& season 1 to a certain extent bc it got me back into it lol) and b) tv as a medium so like peace and love on planet let people enjoy things etc etc
but
like u said, terry's influence on the book was enormous – what makes gomens gomens is the balance of his genuine warmth and precise understanding of humanity tempered with neilman's sardonic voice and general like.....savvy approach to storytelling? i guess u could call it? anyway what rly helps the book is that it took them years to write it, passing ideas back and forth and rewriting each other's work until their voices blended seamlessly and a well structured capital-s Story was created. when i praise the book for being self-contained i think a huge part of that comes from the circumstances in which it emerged: two authors with complementary styles writing in a v particular time period where they had both the space to play with their ideas and the constraints of the novel as a storytelling format from which to craft something extremely specific.
adaptations are a tricky business and a tv version of gomens produced literal decades after the book was always going to have some unique challenges, but i don't think that's a bad thing bc the challenges could prove to be creative opportunities to take both the established audience and those new to the story by surprise. my biggest hot take here is that i don't think translating a story into a different medium means it has to follow the original narrative exactly, bc each medium has its own ways of communicating information and these structures, rules and traditions in turn inform what that story is. what matters more than following a story beat-by-beat is capturing what that story is about at its core, what themes and messages and ideas it works through and how.
all this is to say i never expected tv gomens to be a perfect reproduction of the book and if it had it been, it probably would have been worse off for it. that being said, there are parts of the book – like u said, its tone and character – that needed to have some fidelity in order to pull it off, and for the most part s1 did that bc it was still working predominantly within the bounds of the novel & its core ideas. while i did have some issues w how neilman & amazon adapted some details and characterisations, i generally rly liked s1 – it reminded me of why i loved the book and it was just generally fun to watch.
s2 was. not that fun to watch
a few positives before i go ham w the critiques:
the hair & makeup + costumes were fantastic (although i feel like s1 was slightly better re: makeup?)
the sound design & score made some of the more awkward scenes bearable and thats no mean feat imo
david & michael gave incredible performances w what they were given – michael especially managed to salvage aziraphale enough that his complete 180 didnt feel completely tonally dissonant (more on this later)
the detail of the sets is NUTS and i genuinely want to see more of hell bc of how intricate and fun the props look
i actually like gabriel/beelzebub!! their getting together montage worked for me, although they could have spent sliiiightly more time establishing what it is they like abt each other so much + why gabriel wanted to stop armageddon 2.0 so suddenly
the opening scene, although not on par w the novel's & s1's, was visually gorgeous and thematically resonant (although neilman owes me royalties for ripping it off from this shitty fic i wrote back when raphael!crowley was all the rage lol)
now w THAT being said:
like i said yesterday, the pacing was fucking awful. flashbacks are hard to work w at the best of times and the way they were used in this season felt so needless, especially the 40s one in ep 4 that takes up like 90% of the episode. in both flashbacks + present day there were scenes that dragged for no real reason, dialogue that looped back around on itself to stretch out the runtime, and weirdly enough places where there should have been character & plot work where there just,, wasn't any?? for example, maggie & nina's night locked in the café – some parts of the dialogue in later episodes made out that they'd had some rly deep conversation abt how they feel about each other or even that they'd had an affair, but that isn't clear from those scenes in the café. i'm not saying we had to see that conversation in its entirety but that there needed to be more connective details – either in dialogue or direction – that gave that part of the story coherence.
(there were pacing issues w the editing too but i don't want to jump down the editor's throats on this one bc im more focused on writing & direction issues)
the second major problem that i mentioned in my tags yesterday is the protagonist shift, which is an issue that started in s1. aziraphale & crowley are side characters in book gomens – significant ones, yeah, but still somewhat peripheral to adam (& anathema who counts as a deuteragonist imo). this works incredibly well w who they are as characters: they're Just Some Guys who happen to be involved in this epic biblical-level bureaucratic nightmare and importantly, they don't want to be in the spotlight. the arrangement was created so that they could explore what it meant to be themselves away from the Big Narrative; literally any time they get involved in larger affairs is bc the plot is alive and caught them unionising on company time. the last fucking chapter is adam (& god) being like haha u guys are alright keep it sleezy and letting them go. like. hello. neil u let them go.
but then!! tv gomens s1 does something interesting at the end w the body swapping addition that i dont totally hate – it gives aziraphale & crowley the extra bit of character work that brings them slightly more adjacent to their book selves. see i kinda view tv a/c as the younger, less settled versions of book a/c; they're still caught up in the immediacy of being key players and haven't fully realised that earth is their home. i haven't watched s1 in a while but one scene i remember rly clearly is crowley throwing all those astronomy texts in the air and angsting abt when he was an angel; i remember it bc his anguish in that scene feels a lot newer and rawer than book crowley's feelings about falling. when tv a/c do their bodyswap, it gives them the chance to land a blow against heaven/hell in a way that solidifies their allegiance to earth in a way that more closely resembles what book a/c have been abt the entire time (still adjacent, though. not parallel).
the reason why this works is that it does one final pivot to orient aziraphale and crowley as almost-main characters in a manner that makes sense in relation to a) their book selves and b) the position the tv show has placed them in. a combination of factors made tv a/c feel a lot less mature than their book counterparts but at the end of s1 they're sort of facing the same direction the book ended in, albeit through their own flashy late 2010s means.
when s2 was announced i was.......apprehensive bc to me, that felt like a satisfactory ending. i get the impression that amazon saw how wildly successful the adaptation was and was like oh shit we could make way more money out of this and neilman, having all those undead darlings that he and terry killed in the process of whittling the book into a workable novel, jumped at the chance to resurrect all those half-realised ideas. but not only were those ideas probably discarded for a reason, they've either been laying in wait for years unworked or they're new inventions, which means they weren't molded in the way that the book had been. like i said before, book gomens underwent years of rewrites and creative collaboration, and i think that process was what made it so good; s2 didn't have that. even if some of terry's ideas made it into s2, his influence is still missing bc he and neilman weren't in dialogue the same way they were in the book (and in some ways s1 bc i know terry was involved in the process of adapting gomens to screen before his death).
i don't think it's a case of newer fans forgetting terry so much as it is the context of terry's involvement being so removed from the current circumstances that certain aspects & discourses (i.e. is the s2 finale queerbaiting (no), does binge watching change the viewership experience (yes), etc etc) about the show overshadow other discussions that would usually be taking place. and before anyone says it's a case of neilman forgetting terry, i definitely don't think it's that either bc thats. yknow. wildly disrespectful. but also there are larger systems and structures at play than one writer no matter how much beef i have w him and his decisions, bc ultimately he's just one guy (a powerful and wealthy guy, but just a guy) and there's a wider cultural shift happening rn towards rehashing old stories without understanding what made them successful in the first place, and that same culture just doesn't allow for much, if any, constructive discourse analysis
so yeah
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sagesparrow394 · 1 year
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So I heard it’s Mother’s Day in the US, so in honour of that, here’s a very late and mildly unhinged analysis of what roles in the family the Sides claim in the 5th Anniversary video
Patton - “I’m the dad”
In the ‘traditional nuclear family’ (ew) the father is typically seen as the head of the household, the breadwinner, the one with authority. This reflects how Patton has always had a position of authority among the core sides, with Thomas often putting his say first and relying very heavily on his opinion. However, much like how the idea of the father being the head of the household is outdated and problematic, so is the position of authority Patton is put in, which we’ve already begun to see. It’s time Thomas puts less pressure on Patton. Maybe even go to the ‘other half’ of the couple…
Logan - “Why am I the mom? What gender roles are we pushing here?”
Most notably, he is the only one who does not choose his role in the family. Patton is the one to assign Logan the role of mom, while Logan’s own feelings and thoughts on the matter are ignored. This reflects the issues he’s been dealing with throughout recent episodes, being ignored and overlooked. The fact he is in the mom role furthers this, with again, in the ‘traditional nuclear family’ (ew) the mother’s work and suffering often being overlooked, because she is simply doing ‘what is expected’ of her.
Roman - “I’m the son, the hotshot, who’s only dream… is to be a star”
Being “the son” of among the ‘Light’ sides potentially links to Roman’s feelings of inferiority, believing he has less power in Thomas’ life compared to Patton and Logan - not surprising after POF. And his sad tone when talking about his dreams links to his feelings of being failure, both with the whole callback debacle and Thomas literally becoming a star, and just generally in his desire to be seen as Thomas’ hero.
Virgil - “I know you think I’m the son, but I’m not. I’ll be the gay emo cousin.”
Virgil immediately starts by separating himself from the rest of the core four, placing himself outside of the immediate family. This links to both his current strain against Patton, but also his insecurities after revealing himself as having once been a ‘Dark Side’. He no longer feels like he belongs with the ‘Light’ Sides, as was affirmed in the first episode of season 2. Rather, he puts himself in the immediate family of the other ‘Dark Sides’.
Remus - “I feel like I’m a fresh out of jail uncle.”
“Fresh out jail” equals new to the group. No one knows much about him or what exactly his deal is, since he hasn’t been around long. However, what they do know is he’s come from “jail” - aka, was repressed for being bad creativity. Therefore, they instantly have a negative bias against him and assume the worst.
Janus - “And I’m the sassy aunt. Who talks shit about everyone…”
Despite being ‘accepted’ by Thomas and opening up about his name at the end of POF, he still positions himself with the ‘Dark Sides’ and not the ‘Light’ ones. This could mean two things:
1) He has still not fully been accepted by Thomas,
Or 2) He doesn’t personally see himself as ‘with them’. Whether because he knows full well the ‘Light and Dark’ dichotomy is meaningless, or because he doesn’t trust them back, or because not all of the ‘Light’ sides accept him yet, we don’t know.
Him “talking shit about everyone” is also notable. He is the one who can see the problems among the core four, viewing them from the outside. He knows their weaknesses, struggles and issues - and he is going to make them apparent, so that they and Thomas can finally deal with them.
Thank you for coming to my TEDTalk.
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kcrossvine-art · 1 year
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whats crackling? whats snackling? in the near future, possibly YOU! This next one might be good for those of yall who dont have big kitchens. Today on our cooking review revue is Golden Hill pears from the Redwall Cookbook- 
(for crackling and snackling purposes you can find the original recipe at the bottom to follow along)-
MY NAMES CROSS NOW LETS COOK LIKE ANIMALS
SO, “what goes in to Golden Hill Pears?” YOU MIGHT ASK
sugar
water
4 medium pears (peeled, halved, cored)
ground allspice
As you can guess by the ingredients, golden hill pears are just caramelized pears. Am a huge fuckin fan of caramelized stone fruits- peaches, pears, plums,- but contrary to my normal method of using an oven to achieve the desired syrupy goodness, this recipe calls only for a little sauce-pot and lid! 
AND, “what does Golden Hill Pears taste like?” YOU MIGHT ASK
If you've had caramelized fruit before you'll get the gist, however, these are on the higher end in terms of taste 100%
The allspice is such a brush of warmth and comfort
Tastes like cuddling the person you love in front of the fire
Caramel taste is even throughout
Would be so so so good paired with a nice pulled pork stew
And warm apple cider would be perfectionx2
A fulfilling end to a fall season that passed too fast
. Where pear halves called for, strained and used canned pear slices (0% added juice) . Where sugar called for, used fine granulated sugar . Tripled cooking time for initial caramelization
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Go fucking hogwild with the allspice honestly, i used about 2 soup-spoonfuls of it and couldve still probably done more. its up to personal preference but its damn good.
Also; cooked way more evenly than youd think. Once the initial caramelization was done each 'batch' of pears cooked pretty quick.
SO, it took me about 3 tries to get this right as the book describes itself. My first mistake was letting it get to a golden brown color, as the book says you should, because by the time the sugar and water is that color alone in the pan, it is already way too late and is going to burn by the time you add the pears in. You need to add the pears in a bit earlier than whats going to feel right- when the mixture becomes a strong yellow-ish color id say?
The second time, because the first try had burnt, i tried lowering the heat/going against the books advice and stirring throughout. In all previous times ive caramelized something it was good to get some motion in there, so i figured if it burnt before maybe the issue was too much heat and no movement. This didnt work. This instead somehow created massive sugar crystals which over the period of about 30 seconds (once reaching temp and adding to the pan) quickly hardened and had to be chipped away until it broke off the spoon and the pot. Im not a scientist i have no fucking idea.
It mightve tasted good and been a cool cake topper but at this point we were 40 minutes in with no delicious pears so we werent wasting time with tasters.
Third attempt; corrected from previous mistakes. Watched the saucepot like a fuckin HAWK, didnt stir or disturb the pan, had it on medium heat for about 21 minutes until it started turning yellow, added the pears and allspice in immediately, covered and simmered it. I had 2 cans of pears that i strained and patted dry of excess fluid, so with 2 seperate batches for the one pot. I think the second batch came out richer but there wasnt too much a difference. Both came out lovely to eat with the syrup drizzled over top.
All in all, from deciding to make them to having them in my belly, and subtracting failed attempts, id estimate it took about 30 minutes? It would be longer if you prepared the pears yourselves, along with the cooktime for them probably, but its not neccesary for this recipe.
It tastes fuckin good and would be excellent in living situation where all you have available is a portable hot-top. I could see myself making it again now that i know what visual cues to look for.
I give this recipe a solid 8/10 (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.)
🐁 ORIGINAL RESIPPY TEXT BELOW 🐁
Ingredients:
3 tablespoons sugar
4 medium pears, peeled, halved lengthwise and cored
Generous pinch ground allspice
Method:
Put the sugar in the bottom of a heavy saucepan and sprinkle 2 tablespoons of water over it. Cook over medium heat without stirring until the mixture reaches a golden brown caramel, about 7 minutes. (Swirl the pan if the caramel colors unevenly).
Standing back, pour in 1/4 cup of water, taking care as it will spit.
Add the pears and allspice to the pan, cover and simmer until the pears are tender, 10 to 15 minutes.
Use a slotted spoon to transfer the pears to a serving dish. Raise the heat and boil the syrup vigourously for 1 minute.
Pour the syrup over the pears and serve immediately, or let cool and then chill before serving.
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jennagrinsoverml · 2 years
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hii do you have a list of miraculous fics you think everyone should read at least once?
Anon, I have been excited to answer this request ever since I got it. What better way to celebrate my 50th Rec List (!!!!) than with my favourite fandom fics? 🎉🎉🎉
I've tried to choose fics with a variety of tones, from different fandom eras, and different authors. These fics are all special to me in some way, and whittling this list down was HARD. Others may have fics they think should be on this list, and to those people I say: make your own rec list. This one's mine. 😘
Experimental Kisses by @komorebirei
Ladybug watched him. Maybe it was guilt, maybe sympathy, maybe a streak of playfulness. Maybe the traumatic akuma experience had softened her up. Whatever the reason, a thought wafted lazily through her mind and out of her mouth. “You know… you’re right. It isn’t fair, is it?”
Chat Noir looked up.
“I remember my first kiss, but you don’t.” She hummed and tapped her chin, making a show of remembering. “It wasn’t a bad kiss, but we were in the middle of fighting an akuma, so I didn’t get to enjoy it much, either.”
Oops—that came out sounding a little, no, a lot more flirty than she had intended. Anyway, if she was going to commit to this idea, she may as well go all in.
One-shot. Ladybug offers to kiss Chat since he doesn’t remember their kiss and the way she reacts to the kiss…it lives in my mind rent-free. I have fallen asleep many a night fantasizing about what the repercussions of the kiss might look like. One of my absolute favourite Ladynoir fics.
team is a four letter word by @ladyofthenoodle
Alya didn’t want to come between Ladybug and Chat Noir. But she didn’t want to stop being Rena Rouge either. And if Chat Noir didn’t want to talk to her, then she’d need to find a different way to prove all three of them could be a team.
Her plan unintentionally brings a few secrets to light, which leads to even more secrets coming to light, which leads to… well, Alya is sure it’ll all work out eventually.
Multi-chapter. Warning, this fic is a WIP! (But there’s only one chapter to go.) Honestly, I didn’t want to have any WIPs on this list and I was lowkey hoping that it would be finished before I posted this list but I’m obsessed with this one and couldn’t leave it off. It’s literally one of the BEST fics in the entire fandom and, I think, the absolute best delving into the characterization and relationship dynamics of the core four. This fic feels so dynamic and complex, with all of the characters feelings so like themselves and each having their own distinct voices. The conflict is so well done and so realistic. It’s such a fantastic tackling of the issues that came up in the last couple seasons and I cannot rave about it enough!!
œuf ouch owie by @ominousunflower
Chat Noir enlists Rena Rouge's help to create an Aspik illusion. Absolutely nothing goes wrong.
Ladybug smiles. “I wanted to drop by and welcome Aspik. I know it must be a little intimidating, being surrounded by so many veteran heroes…so, welcome! We’re glad to have you on board.”
“I look like an egg!” Aspik announces, T-posing.
Chat turns to Rena, feeling like he has been punched in the solar plexus. What the hell? he mouths.
Rena grimaces, her eyes wide with panic. Stomach sinking, Chat remembers one of the first things he learned about the Fox Miraculous: that if Rena Rouge isn’t focused, her illusions go haywire.
Oh, no.
One-shot. This is hands down the FUNNIEST fic in the entire fandom asdfghjkl like I have read this fic at least 50 times and I still laugh out loud every single time. If you have somehow failed to read this fic before, read it now. You won’t regret it!
lucky (we're in love in every way) by @carpisuns​
Chat Noir is Adrien, and Marinette is freaking out. If she manages to quiet her internal screaming, maybe she can also find the guts to tell him her identity too. And maybe they'll actually live happily ever after—well, as soon as Tikki and Plagg are done humiliating them.
One-shot. This fic just makes me so incredibly happy. Like it puts a smile on my face every single time I read it (and I have read it many, many times!) I love Marinette’s reactions and Adrien’s sweetness and the kwamis just absolutely ROASTING both of them. Marissa has written a ton of amazing fics for this fandom (seriously we are so lucky to have her) and I was tempted by others (like tell me something i don't know) but in the end, I had to follow my heart with this one.
Your Kitty by @gabriel-agreste-has-no-rights​
“Such a dramatic kitty.” Marinette scratched under his chin, bringing a smile to his face and a purr to his throat.
Your kitty, he didn’t say.
Wait. What?
(The one where Chat Noir thinks he needs pats like a cat, only to find out he may have jumped to the wrong conclusion.)
One-shot. When I think of Marichat, this is THE fic I think of. Adrien being touch starved is 100% my headcanon now. This is just so sweet! Marinette’s affection and Adrien’s determination to do the right thing no matter the personal cost and the way they fell for each other without meaning to... Also I love that they both encouraged the other to go back to their original crushes because that makes so much sense!!
rattle my cage by @lnc2​
In which history, despite Alya's best efforts, does not repeat itself.
One-shot. I am always here for Adrien being rash and Marinette being smart and capable and just switching to treating him as Chat absolutely seamlessly after a reveal. I absolutely love the vibes of this one.
Chasing the C/h/atwalk. by @runningoutofink
Paris. The city of lights, love and fashion. Follow the progress of Marinette Dupain Cheng as she enters the extremely competitive world of Reality television for a chance to be the winner of Project Runway: France.
Multi-chapter. It should come as no surprise by now that I’m a sucker for reality tv and this is my absolute favourite reality cross in the fandom! I love that it’s canon compliant, and frankly the idea of Marinette and Adrien as designer and model on Project Runway is friggin’ BRILLIANT. The slow burn and pining are delicious, and the identity reveal is incredibly well done! (And it has a steamy sequel, Meet me in the Middle, which is 🔥🔥🔥 and intensely satisfying after all of that build up.)
daydream by @clairelutra
you're my daydream
you know that i've been thinking about you lately
In which Adrien finds out Ladybug is Marinette, and beats the 'this is fine' dog at his own game.
One-shot. Shout-out to the author for realizing way before canon let on that Adrien is way more likely to figure out Marinette than the reverse! And then absolutely murdering us with this intense slow burn that absolutely drips with mutual pining and UST.
What Will You Do When Everyone Knows? by @sariahsue
They stepped in closer, shoulder to shoulder to catch the akuma as she landed, but she twisted in midair, landing squarely in front of Cat Noir, swiping at him. He stepped back, trying to keep his balance. Her fingertips almost touched his face, and Ladybug felt her stomach lurch.
“Duck!” she yelled to him as she whipped her yoyo around. He did, but unfortunately, the akuma woman did, too. Ladybug suddenly had no target to latch onto and lost her balance. Her stomach twisted again as she pitched forward. Black hands darted forward to catch her, but too late she realized it wasn’t her partner. Cold gloves caught her shoulder and neck, then slid up her face, brushing past her earrings. Cold. The woman’s touch froze Ladybug’s breath in her throat.
Then there was something warm around her middle. Cat Noir’s shout sounded distant as he pulled her away. As the woman’s black gloves left her face, Ladybug felt even more heat being pulled from her, along with… something else.
Multi-chapter. There really isn’t another fic in the fandom like this one. The akuma is original and provides an absolutely amazing premise for this fic. We have mystery, intrigue, and a huge upset to the status quo with the public revealing of Ladybug’s identity. I also loved the dramatic irony of Marinette being unable to understand Chat’s reactions to things that make perfect sense to us readers. It’s got amazing characterizations and suspense, and I love it!
But All I’m Seeing Is You by @chelseaapproved
After Ladybug finds out Adrien is her Chat Noir, they start dating. She didn’t think it’d be so hard to keep her identity a secret from him. She also didn’t realize how much it would affect her friendship with him as Marinette.
One-shot. This might be my favourite ladrien of all time. It’s only about 5k, but man does it ever pack in a lot of emotion and relationship development and I really, really, really love it.  I really felt how much they love each other in this one and Marinette is just so, so wonderful to Adrien and he’s so wonderful to her and if you haven’t already please read this.
A Miraculous Reveal by @kasienda​
Series of one-shots and drabbles all centered around The Reveal Moment. Identities will be revealed, feelings will be confessed, and secrets will be discovered through contrived situations, accidents, meddling friends, desperate moments, and moments of emotional vulnerability. Each chapter is a self contained piece. Love-square focused, but will not remain exclusive to them. Each chapter will have its own trigger warnings.
Collection of one-shots. I feel a little like I’m cheating in including a collection here, but like most of us in this fandom, I’m an absolute sucker for identity reveals, and @kasienda is especially talented at writing them! Every single one of these is beautiful, amazing and worth reading at least once.
the wonderful part of the mess that we made by heresie_irisee
They knew.
They knew, and there would be no magical reset button for the memories they'd made today. She'd have to  see him at school every day, and she'd see the Chat in him, as surely as  he'd see the Ladybug in her.
One-shot. Oblivio is probably my favourite episode and this is such a great alternate take on it. The mutual pining is so, so, so good! Especially love Marinette struggling to assimilate Adrien’s identities and Adrien’s obliviousness.
The following fics are amazing and absolutely worth reading, but do feature sexual content, so minors beware.
The Ladybugs and The Bees by @bullysquadess
AKA the early-fandom Ladynoir puberty fic that spiraled waaaaay out of proportion.
Multi-chapter. I’ve avoided reccing this fic for so long as it was literally the most kudosed fic in the entire fandom when I joined. However, the kudos are well-earned and I can’t make a list of must reads without including it. I love the ladynoir, the way it builds slowly, the focus on the developing relationship, both physical and otherwise, the yearning and the devotion and the vulnerability. And, of course, the steamy scenes are fantastic!! The whole thing is just so well developed and feels so grounded and real. I absolutely love it.
one night of moonlight by @mirthaculous
i’ll always think of you
inside of my private thoughts
i can imagine you
touching my private parts
2:13 ok im texting you now like i promised instead of drunktexting adrien and telling him how badly i want his cock tonight. arent you proud of me?
2:19 this is Adrien, hi.
Marinette’s brain-to-mouth filter isn’t great on the best of days. Add some beer and some misplaced texts, and things get a little more… interesting.
One-shot. Rated M. This is one of my favourite fics of all time. This is so steamy, seriously the UST is off the charts!! It is absolutely unreal how much these two want each other and the mutual pining and they’re so stupid and this fic literally killed me and I thanked it.
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