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#thank you for this wonderful thought
sandbarbirdie · 2 years
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birdie!! my beloved, my light, my sweet!! <33
thinking about these and thinking about the beach scene. firstly because he looks fucking incredible and so delicious, but secondly, i can’t help but think about lying on his chest or being curled up into his side later that evening on the beach.
when you all play dog fight football and you watch from the side, you watch jake run around and tackle people to the ground, screaming and yelling with all the testosterone he can muster. but you know a far softer side to jake. one that after they’re finished playing, he’ll come running up to you and swoop you up into his strong arms and seek your approval like a little kid.
“did you see me out there baby? wasn’t i amazing?” he asks with his infamous grin and sunglasses sliding down his nose. when the high fades from dog fighting, he’s placing you back down on the ground and dotting all over you. “you okay? you need some more water? sunscreen? let me put some on you anyway. have you eaten? let’s go get something.”
he loves you and he truly cares about you and he’s not afraid to show it off or get all sappy on you, the rest of the team be damned.
in the evening you’re pressed up into his chest wearing one of his old button up shirts, while you all sit around the fire and continue drinking your beers and laughing about dumb manoeuvres everyone’s pulled. you’re mindlessly playing with his class ring and feeling the deep rumble of his chest when he laughs at something javy said.
every so often he leans down to your ear and asks you softly, “you okay?” giving your hand and hip a reassuring squeeze. if it gets really cold, you’re wearing his hoodie that smells just like him. you’re already wrapped up in his arms, but you just feel so safe, so protected. like nothing could hurt you or will ever hurt you again.
SEB. AHHH. Just dropping this one like this in the night?? I can’t stop looking
Of course you go watch him and his friends play dogfight football. Of course you offer to rub in his sunscreen. Watching him drip sweat and exude testosterone from a towel in the beach with a cold drink is the perfect afternoon activity. When they call it quits he jogs towards you with a big smirk on his lips as you stand up and he sees you in your swimsuit. Next thing you know he’s picking you and spinning you around. The both of you laughing.
“Did you see me out there baby?” Of course you did! How could you not stare at your attractive boyfriend running on the beach. Chest on display. But his self centered ness and need of approval from you stops there and. He shifts his entire attention on you. “You look so good in this suit baby. Mm your sunscreen smells so good. Roosters havin a bonfire tonight if your up to going”
Your plopped in his lap. Leaning against his chest as his arm is around you. Phoenix has already snapped some photos of him snuggling up to you. He’s just so in love with you and it really shows. The team welcomes the softer image of Jake that you bring out. He absolutely adores you and loves seeing you I. His button ups or sweaters looking all cozy and soft. Your touch comforts him and he’s gonna hold you close until you don’t want him to anymore. He just wants to make sure you feel safe and comfortable around his friends and teammates. He knows he can be a lot sometimes but you bring the best version of himself out, even in the still intimate moments.
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lady-harrowhark · 1 year
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You know the Gilmore Girls episode where one of Emily's maids sues her for wrongful termination and she has to ask Lorelai to serve as a character witness? That but it's Glaurica complaining about conditions on the Ninth and they interview Gideon.
Also have fun at the concert!! Sending good thoughts for her to play Ivy, it's my favorite too <3
I spent way too much time on this but I truly couldn't help myself
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poorly-drawn-mdzs · 9 months
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Game night results (from this poll)
Character selection inspired from extraterezi's post!
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killjoy-prince · 2 months
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House M.D. but it's when House says Wilson's name
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aquanutart · 2 years
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chomp
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shyghosties · 2 years
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uncanny-tranny · 3 months
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I jokingly thought before that reading Junie B. Jones as a kid turned me into a feminist, but unironically, it kind of did.
I honestly think it comes down to the fact that Junie B. was not only allowed to be "weird," but her character arc never concluded like other girl characters would. In other media featuring "weird girls," the girl always ended her arc tamed - by force or convince, she would be prettied up, she would smile and be polite, and she would never speak out of turn. She would be perfect then, and would shed her veneer of individuality with the freedom that is conformity. As a kid, I noticed that girls weren't permitted to be "weird" like boys were. So when I read Junie B. Jones, I loved that she was frankly just fucking weird. She said things out of turn, she was rambunctious and imaginative and she was a realistic portrayal of a little girl. I loved reading those books because the narrative taught her lessons without punishing her for being weird, if that makes sense. So often, narratives punished weird girls for the crime of being a socially unacceptable girl, not for any true wrongdoing like lying.
Anyway, I just think it's interesting, because I watched and read a ton of books and shows and movies featuring girls and women, but none of them truly empathized with (or even tried to empathize with) weird girls on their own merits and capabilities and terms, or embraced the idea of a "socially inept/unacceptable" girl without punishing her in some way for her supposed ineptitude.
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canisalbus · 3 months
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i had a strange dream in which Vasco and Machete were both a) in a modern day gang and b) were based on real people that you, the artist, personally knew. Someone made a trivia post about your blog saying “Y’know how all 12 of the high ranking gang members in that canis albus webcomic wear necklaces with a die hanging from them? (Both Vasco and Machete had four sided dice btw) This is actually based on a real thing that the real people who are in the gang it’s based on wear.”
then someone reblogged it with “I didn’t believe this until I learned that Machete’s real life counterpart is the one that designed all of them, and has spares of them all for safe keeping. Supposedly, his most unique password is the one that protects the safe that the spares are in, which, in turn, is based on the canis albus blog!”
idk if or how you’d even interpret this as a drawing, but i kinda just wanted to let you know that i dreamt about your pups
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An analysis of Alhaitham's egoism in relation to Kaveh
(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.
Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).
In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.
As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.
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In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".
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With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).
In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:
“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185
It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:
“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186
The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.
Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.
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By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.
In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.
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This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.
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This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.
In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.
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Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.
Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.
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heynhay · 10 months
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*fnaf kids cheering noise*
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twilight-zoned-out · 6 months
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"Seven years ago we all went through the flames; and the happiness of some of us since then is, we think, well worth the pain we endured."
Although Dracula was published in 1897, some think that it takes place in 1893 because of the way the days and dates used line up. If that's the case, Jonathan Harker's epilogue, seven years later, would have been added around 1900. A new era bubbling with new change and new conventions. The story ends with Jonathan looking ahead to a new century filled with the unknown and being able to look on the past, despite its darkness, "without despair."
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aegagrusscholarship · 3 months
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familiarity, the lack thereof, and the only way it could have ended.
the thing is, ultrakill is a very diegetic game. near everything, from the style meter to the bottomless arsenal to the shitass graphics themselves, are explained in some way by some in-universe fact.
so, what with violence and the implication that V1 was designed to counter earthmovers
what with 7-4 and the fact that it is a culmination of this implication
i wonder. when V1 looked up at that earthmover, did it know, with whatever passes for instinct in a machine, exactly what to do? and if it did, then, how is this conveyed to the player?
diegetic as the game is, how does it engineer a situation in which the player, themselves, knows exactly what they have to do?
the biggest factor, i think, is the fact that the earthmover's health bar appears the moment you lay eyes (or camera, or whatever) on it, and it does not leave until you have finally killed this colossus.
but this factor is much more subtle than it appears at first glance. yes, big honkin' boss healthbar on screen for the entire level, what more to it. there's a good deal more, it turns out.
first off- this is the shortest leadup by far to any bossfight in the game. you slide through a single vent, and you are greeted with benjamin right out in the open. even P-1, devoid of any other hazards as it is, gives you a long trek down the spinal staircase before you reach the flesh prison. 7-4 has none of it. you enter the level, you enter the stage, and there you have it. you know exactly what you are up against right from the outset, and it's not quite a feeling of familiarity but it tells you exactly what you have to do. which is the point of this all, isn't it?
7-4 is also... not a bossfight! it is a full level! it is a full level framed as a bossfight. the health bar frames this full complete level as a bossfight.
and on one hand, this is not new news. on the other hand, i think this is the crux of it. the thing is, most bossfights are near-to-entirely new. you do not know how the boss acts. you do not know their attack patterns. you do not know their capabilities. you are learning something new. levels, though, you have done a thousand times over and so the player knows how they need to play through this bossfight in a way that is not quite present with any other boss in the game.
the content of the level is new, of course, because that's how it goes. but you know the motions. you have done this for two acts prior, you know the motions. you know exactly what to do.
also! this level does not exist in a vacuum. what i am saying is this: the rest of violence layer shifts its storytelling and its tone and even its graphics. it is something completely new in contrast to the rest of the game. 7-4, though, returns to environments and graphics more akin to what you have experienced before, bringing you back to familiarity and again knowing what to do here in a way the rest of violence hasn't let the player experience.
one more thing about this level: it plays directly into expectations. which is something that the rest of the game actually does not tend to do.
the game, at base, is just not a typical FPS. it gives you movement like a roguelite or a platformer, it takes guns you expect to know the mechanics of and goes utterly wild with how far the archetype can be changed.
in a smaller scope, here is a comparison of the earthmover and the corpse of king minos as two separate colossal bosses foreshadowed in similar ways. and i mean, minos's bossfight isn't unprecedented in other works. but i think the thing that matters here is that you are not, in fact, the underdog as is the case with so many other bosses of its ilk. riven of many voices, destiny 2, similar bossfight similar scale. you are hiding from her you are a fireteam of many you are triumphing over a dragon larger than life. project gestalt, madness project nexus, you are pulling out every stop you can to take down something so far over your head (both literally and metaphorically). corpse of king minos- V1 looks up, stands its ground, and parries his god damn fist.
and the thing is, the earthmover plays into a different expectation, but it's playing into an expectation nonetheless. you look at this thing and you climb it and you dismantle it from within, like you have done in many games prior. you know what your goal is from the moment you see that healthbar and you hook onto the conspicuously placed hookpoints that tell you- you will climb this machine; you will fight your way up to whatever its core is and you will kill it. you play through the entire level with this expectation and you get exactly this expectation. you destroy its core and it begins a countdown, and so very many games have countdowns before the collapse of whatever level you have just beaten, and you know exactly what you have to do.
i don't know. i love diegetic storytelling. i love this level.
it's just familiarity, i think. this level runs off familiarity. it gives you, the player, things and tropes and designs you are familiar with. it signals to you that you should know what to do, and it lets you do exactly what you expect to do.
if i were any more cheesy i could absolutely end this by restating something about the only way it could've ended, but uh. i am not that cheesy. this time.
aw crud now i don't know how to end this oh well goodbye then
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simmyfrobby · 5 months
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Andrea Gibson, from The Madness Vase; “Somewhere, A Carpenter”
hockey poetry post 100 !!
thanks for sticking with me hockeyblr 💚
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poorly-drawn-mdzs · 9 months
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More MDZS and Hollow Knight! The cool bugs I found in my backyard have started to unionize.
Part 1 - Part 3
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camera-seventeen · 1 year
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2023 carat survey! (check the twitter thread for more results ^^)
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creativesplat · 3 months
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I would also like to see some miphlink, if that's okay!
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I was really struggling with what to draw, and then I remembered your ask from ages ago (dang ADHD brain...) anyway, sorry its such a late answer, but Miphlink inspired by Dicksee's La Belle Dame
#thank you so so much for the ask stars!! I had completely forgotten about it (I'm so so sorry!!) and it saved me from an artist-not-arting#you know the sort of pent up unpleasant feeling you get when you need to do something creative but its not happening and then its sad?#yeah I didn't get that because your ask suddenly popped into my head! so very happy about that :) thank you!#link is a horse girl and we need more of it in life#also to try and get the flowy fabric look that Dicksee's La Belle Dame has without putting Link in a dress I decided to modify Mipha's fins#and then added some of that gorgeous salmon colour from the original piece#also the reason the reason the champions tunic etc have that grey tinge to it is because the knight was wearing armour in the original piec#with a beautiful duckegg blue grey colour and I thought including that might be fun too!#anyway#the couple that is perfect for one another and should always be together for all time: Mipha and Link#mipha#link#botw#creativesplat draws#breath of the wild#miphlink#lipha#I really need to catch up on the miphlink tag... its so exciting to have so much wonderful art and writing to look through but I am a rathe#busy/ adhd forgetful bean so whenever I get round to reading or looking at art... there will be a long reblog/ queue of miphlink stuff!#eventually#at some point#because fashionably late (coughjustlatecough) is my middle name!#enough rambling sorry#I love drawing miphlink its like a comfort drawing thing#like her head is so squidgy and so easy to doodle so if ever my brain is bored or I want to draw and need happy hormones but can't find the#mipha is the answer because the squishy head is just sooooo good#the designers of mipha were amazing and I love them#epona#tloz#zelda
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