I dunno if this makes me a terrible person, so I'm going to say it and you guys can tell me.
I do not ever want anything I have written to become famous on tiktok/booktok. Everything I've seen come out of that fame is awful. So if I saw something of mine popular there I would be...concerned.
Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
Quackity: This project is not over and I’ll do everything necessary to strengthen it day by day. It is a process. Step by step, and it will take time. But I’m taking care of it. [...] I have a personal conviction with this project and I’ll keep working to improve it.
This video is also available on Quackity's VOD YouTube channel, and will include English translations very soon. Please take a moment to read through the transcript of his stream in the meantime; I think it will help a lot of people feel a little bit better.
Translations provided by @QuackitySubs.
[ Full Transcript ↓ ]
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Quackity: I turned on stream to give an announcement regarding what’s happening with the QSMP structure. I know there’s people with many doubts about lots of things so I hope this helps you all understand a little bit more. I’ll be saying all of this in Spanish because I find it easier to express myself in it since it’s my first language. I wanted to make that clear.
I want to give, and explain, a little bit of the context of everything, ok? These past three weeks have been very turbulent regarding many aspects. The restructuring process that’s going on for the project has not been easy at all. Before I involved myself, and I said it before, there was people who damaged the project in very harmful ways, administrative and financially wise. I addressed this before. But I haven’t given any updates or anything of that nature because the only updates I’ve had are all inner and of legal matter. Therefore, there are no visible changes, but they’re important ones that need to be done.
I’m telling you: people with ill intent have been removed from the project, and I’m still in the process with people that have caused a lot of this harm since the beginning. That has been one of the main focuses of this restructuring that’s being carried out. Guys, I want to make something very clear: during this process, the actions that are being made have to be done with extreme care.
Recently, I’ve wanted to give many updates both inside and outside, but we’re facing a very critical issue that’s leaked information. I don’t know if the people who leaked information and announcements from the inside knew this was going on. But when I gave inside information and it leaked where it shouldn’t have; that affected the process that was needed to take care of many things. And the people who affected me administratively and financially, which I already talked about in a past stream, found out about matters that they shouldn’t have known about and used this information to twist it and affect the process. This complicated to a great extent many things. This is why I haven’t given any announcements. This is why I’m not able to talk freely as much I’d like to, and I’m not ignoring or evading but a very, very delicate process is being carried out.
Since the beginning it was known, within my involvement, that to achieve a complete change we had to start with the people who affected me, the project, and that were the cause of many issues that have been going on this whole year. With that being said, what happened was we started looking for a financial strategy for the project because the costs are very high. The project was going to shut down, I already talked about this. And as soon as I could define through different strategies, if there was a way to support the project, the next step was going to reestablish the many QSMP parts that did not longer exist. And I want to make something very clear; given the financial circumstances of the server, I did not want to make anybody a promise that not even I knew could be fulfilled. For this reason, this element was still present- the financial element, and I could not give any more inner updates because I was working on a very important part of the financial element of the server.
It is my understanding that the lack of communication has been notorious, and I reiterate, it’s not on purpose. There are many matters behind the scenes that I’ve been meaning to address, but I’ve had to be very, very careful. I understand if there are people who do not agree with the approach of the process, and if you don’t trust the project neither the process that’s being carried out, don’t worry. I don’t have an issue if you stop consuming the project. I understand that completely. I said I had a personal conviction with the project and it will stay that way.
I’ve been working arduously, and I’m going to do everything in my power for the project to continue but with the best conditions possible, and something I want to make very clear is that this process takes time. That is something I want to make very clear. This process takes time.
Guys, there’s people who have parted ways with the project and that will continue leaving on their own will and I understand that fully. I don’t have a problem with whoever took or will take this decision and I wish them the absolute best. In fact, I made an inner announcement where I let them know that a restructure would take time to be implemented. And there’s people that, for reasons, no longer want to be a part of this project, and I completely understand it because it’s not easy to be in adjustment stages, so I understand. Something I announced from the beginning was that my main goal would be that the project would go back to normal, but with the best conditions possible. This can be achieved following the right dynamics and the right setting for every person contributing to the project and this cannot be done within three weeks. This entire process continues.
Having given a little bit of context behind many aspects regarding the project, I ask of everyone that would like to stay, their utmost patient. I don’t want to make any promises and I don’t want to sugarcoat it. I want to make concrete actions. And that’s what I’ve been doing, whether you can see it or not, that’s what I’ve been doing step by step.
Guys, the changes that I’m doing are in the project’s best interest and I’ll say this openly: These changes are in the project’s best interest and for the people who love it, people who have been impacted by it, people who follow and love what this project means. These people are my motivation and the inspiration for which I started the project, for which I’m still doing the project and for which I’ll keep doing the QSMP. I am not doing this, and I want to make it very clear, I am not doing this for the people who, for a very long time, want to see the project torn down through efforts that show the complete opposite of having love for the project. Be it non-constructive comments, malicious actions, ill intentions wishes upon me, the team, and any community that consumes the QSMP, and the project in general. To me, that all of these ill-intentioned people stop consuming the project does not bother me in the slightest. I want that very, very clear.
Guys, let’s not forget about something very important: it is very difficult to build something but it very easy to destroy it. To everyone who would like to join us in this building process, you’re welcome. For those who seek to destroy it maliciously… this project, since the beginning, wasn’t and it is not made for you.
Lastly, I’d like to say that these past days I’ve been getting many calls, emails and messages from people all around the world expressing what QSMP means for them. This is why, and I’m saying it as it is, this project is not over and I’ll do everything necessary to strengthen it day by day. It is a process. Step by step, and it will take time. But I’m taking care of it.
I want to thank everyone for putting their trust in me beforehand, and I reiterate my personal commitment to strengthen this project. I hope this clarified some doubts and gave context that to many people it was necessary. I reiterate, I have a personal conviction with this project and I’ll keep working to improve it.
something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
Hi. I am OVERWHELMED with matchup requests. I have had them closed FOR A LONG TIME and people STILL send them in. Not to be rude, but I have said numerous times that I'm not taking more, but I've been such a pushover my whole life I haven't deleted them either (still considering it). One of them even said 'oh hi whenever you open them again I'm in line' as if that's how being closed works. I feel like a content machine more than a person receiving consideration when I get requests ignoring my attempts at minimizing stress. Bottom line is, I feel a little bit sick even saying this because I fear I'm going to lose my audience, but I don't enjoy doing matchups half as much as the original imagines, headcanons, and one-shots I set out to do and I feel a lot of pressure to complete matchups, get them out fast enough, etc. I am losing my enjoyment of writing on this account and cannot focus on the works I am really excited about because it feels like a task now and I don't want that. My fire is going out and I have been considering inactivity because of it all. This blog was a passion project to put out the content I wanted to see and share thoughts and it has lost all passion.
Matchups are closed indefinitely and any received after this post will be deleted unless you are a friend/mutual. All other types of requests are back open, though it may be a little while for me to complete them just because of the large buffer. But I want to enjoy myself here again and do what I love lest I do go inactive, which I have been considering. Thank you for understanding and I'm sorry if this is a mean post, a rude post, you no longer want to interact with this account, etc. My therapist has encouraged standing up for myself and my own mental health and I have been trying to practice that more.
TLDR MATCHUP REQUESTS ARE CLOSED INDEFINITELY. ALL OTHER REQUEST TYPES ARE BACK OPEN AGAIN. I WOULD LOVE TO HEAR YOUR HEADCANON, IMAGINE, SCENARIO REQUESTS AND I REALLY HOPE YOU ALL UNDERSTAND WHERE I'M COMING FROM 🫶🏻
Kakashi considers Obito one of his best friends when for most of their time together they foughr, insulted each other, and failed to work together
He called Obito and Rin his friends after one nice meal together shortly after losing his father (Anime only i believe but still in character)
If there is any character who the line ‘you don’t need a reason to love someone’ makes sense for it’s Kakashi. He literally lives and breaths that line with his own friendships/bonds.
Call it stupid all you want but it’s clearly something he believes in.
obligatory intermittent post once again requesting more people make pjo askblogs. pretty pretty please. they're very fun I promise and askblogs are a dying species. i'm very sad that for like the past 6 years there's usually only been one or two riordanverse askblogs active and I'm one of them.
"but i can't-" there's options! text-based askblogs! illustrated/drawn-response askblogs! cosplay askblogs! voice acting askblogs! combinations of the above! whatever else your heart desires! get funky with it! getting funky with it is really cool!
also do your local askblogs a favor and send them some asks sometimes. here's a list of illustrated pjo askblogs I have curated, and a list of other formats of pjo askblogs. I'm also working on another list of general askblogs so if you have any other askblogs you should tell me about those ones too.
hear me out. Ambrose (derogatory) could have been such a good character if he was *actually old* (no that party city beard ain't fooling me).
Like from the beginning it could have been "I'll show him- threatening a new student before orientation, no less- ACK, oof, my back!"
And YW would have been like "Nah don't worry about it old man, I'll fight that Mall staircase or whoever for you. But first let's get you to bed, you haven't taken your meds today."
Like it could've been such a great dynamic between a guy who's knowledgeable and truly wants to help but is way past his prime, and the young apprentice who has no idea what's going on at any given time but is "yeah this dude will 100% keel over from trying to take on the weight of the spiral if I leave him alone for two seconds so I'll knock some heads for him. I like knocking heads anyway >:D"
First off I absolutely love "Ambrose (derogatory)" I'm gonna get that tattooed on my body /j
AND SO LIKE IM KINDA LIKE 🤔 AT THIS SCENARIO (not you anon your idea is absolutely lovely, just thinkin hard about this) BECAUSE LIKE. OKAY HERE'S MY THOUGHT PROCESS
I guess it would be cool to have a YW who instead seems eager and willing to fulfill the role of the Savior instead of dreading it (and it would give a bit of a different face to their relationship mentor/mentee with Ambrose) buuuuuut like in the case that Ambrose is really too old to deal with things himself, instead of whatever reason he doesn't do things in canon, he could always just like find a capable and prepared adult to deal with the nationwide threat of Malistaire INSTEAD of the new kid who's eager to fight
AND THIS ISNT ME DISSING ON YOU ANON I LOVED YOUR IDEA. Like instead of seeing the YW unhappy and resentful and trudging along doing dangerous stuff it's interesting and cool to see where in an alternate universe the YW immediately takes to being a hero and loves the action and does it FOR Ambrose, not just because he told them to. I think that would be very cute if it like, removed the actual issue that Ambrose is still relying on an ill-prepared child to do his work. Whether in canon where the YW is urged to follow Ambrose after Malistaire, or if Ambrose falters and then the YW rushes in to beat his minions up instead, it's still on the Young Wizard to clean up this very adult mess. If this scenario continues on just like canon, the Wizard still ends up being Bartleby's Scion with a tainted Shadow Soul and heaps and heaps of trauma. It just started out a little differently
I HOPE IM NOT SCARING YOU ANON IM NOT SCOLDING YOU IM JUST ANALYZING THIS (please don't be sad I love you anon ty for sending this). Please feel free to send me more of this if you like because it's really interesting tbh. I really.hope I didn't scare you off with this HASKDNDRLSJSJ this was a great ask
HI hopefully this isn't a weird question to ask, but i was just wondering if you have any particular headcanon for what Papyrus would look like as a human?? :00
no it's not a weird question!! I'm delighted you asked me! but i hope you don't mind my answer which is: i hate thinking about that!!!!!! if i think about him being a human i am not attracted to him AT ALL and it feels weird! if he somehow got turned into a human i would cry real tears! sometimes i think about that just to check if anything changed but it never has!!!! SOMETIMES I THINK ABOUT THAT as angst fodder because it would be a pure tragedy if he somehow became a human!!!!!!!
oh anyway i just realized i didn't answer your ACTUAL question because you didn't ask me how i felt about it. as for his looks i have zero feelings. EXCEPT!!!! that he would have the cutest smile in the world to me. (that means it would look exactly like my husband's smile)
what do you think about the kaeya = caribert theory? i saw some people use it as an 'explanation why his skin is dark' like. oh he used to be a Monster and the skin is a remnant of it :) and it pissed me off so bad. i need to know what other people think about it
its honestly not a theory im super fond of i think its a little stupid no offense. i dont think it makes a lot of sense? to go super in depth i'd have to take another look at the caribert quest (and maybe read up on the khaenri'ah lore we have so far again) but i kinda feel like it establishes pretty firmly that kaeya couldnt be caribert. descended from that branch of the family maybe (though im more fond of the theory that kaeya is descended from the branch of alberichs that were actually being regents, something that chlothar wasnt involved in because he distanced himself from the rest of the family to look after his son) (makes sense that kaeya would know more about the alberichs being the regents in khaenri'ah than he knows about an alberich being the founder of the abyss order) (theres a post about it i reblogged it some time ago and it hasn't left my mind since) but like.. him actively being caribert? sounds.. honestly really dumb to me.. don't ask me how kaeya isnt (or at least doesn't seem to be) affected by any curse, be it monsterification or immortality, but i just feel like that isnt the explanation. the actual explanation could be related to the events in caribert though.. cant wait for them to tell us what it actually is lol. on the off chance that this fucking theory is true then ill just bite my tongue i guess but i know im right. ok now moving on to the elephant in the room. what kind of take even is thatttttt "thats why his skin is dark"what is bro talking about🔥🔥‼️ if i read that with my own two eyes id block a person SO fast. why would you say that and treat it as serious evidence and backing for your theory. thats just. racism basically. what. anyways kaeya whos half from sumeru supremacy
(though better yet, the car is packed and I am leaving within the hour :D I originally thought I'd stay through lunch and do the bulk of my driving tomorrow, but Grandma thought "leaving Sunday" meant "Sunday morning" and frankly this week has been stressful enough that I didn't dispute her)
Well, I’m still glad that Gojo was always a character who was growing and learning at least. He’s literally one of my favorite characters of all time now. Like, he’s never been as perfect as how the fans would make him out to be despite canonically being viewed as an absolute nuisance to everyone around him (I don’t think his peers necessarily hate him but a lot of them probably hate to see him coming and the ones who’ve dealt with him long enough to consider him a friend, tolerate him and groan whenever he opens his mouth, too 😭… out of love. He’s extremely childish so there is only sm the other adults around him can take and to an extent, his students. I think the only characters in canon who adore him and their eye’s sparkle whenever he’s around, and being a silly teacher was Yuuji and Miwa (she asked him for his autograph (he’s the most famous sorcerer in the jjk world) and when she was alone, she did a little dance in the empty hallway 🥺…) from what we’ve seen even though the others still care about him, too. They just find him rather annoying, which he most definitely is. And he does it on purpose. He plays too much.)