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#sorry bout that you'll just have to imaging
bluebell1116 · 1 year
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Minecraft SMP’s :handshake: Apocalyptic Events
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1moreff-creator · 9 months
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Everything We Know About Mai Akasaki + So Many Theories
AKA, me going insane over a character with exactly nine seconds of main series screen time so far. I checked.
At this point, it's probably fair to say that Mai Akasaki is by far the most mysterious aspect of DRDT. A character we only learn about in short, cryptic bouts of information, yet one which seems intrinsically linked with the series' plot and characters. We know extremely little about her, and what we do know, it's usually speculative.
However, it's still really interesting to talk about this funky little woman, and try to figure out what exactly her deal is. Join me in insanity land, as I compile everything I could find about her, and speculate on her story! I can practically guarantee that you'll learn something new.
WARNING: Insanely long post. I reached the 30 image limit, to give you an idea of how crazy this is.
Wait, Who?
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Her! <3
(A lot of what I'm about to say come from this post by despairing-disaster and this one by akemiai, huge shout out to them!)
For the uninitiated, Mai Akasaki is the secret seventeenth student of the DRDT cast, hidden somehwere in this school wait no that's Mukuro. Her name can be found in the hidden quote in MonoTV's character profile, which itself is found by doing "inspect element" on said page.
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Her name is Mai Akasaki
(I am such a hacker)
Typing in https://danganronpadespairtime.tumblr.com/maiakasaki (or clicking there) takes you to a pretty empty page, with this text:
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All you have to do is ask for my hand, and I'll give it to you. Ask for my life, and I'll give it to you as well. Don't apologize for asking, I'll give you my forgiveness too.
As you'll see later, this quote is probably something Mai would say.
And this hidden quote:
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"Are you still searching for a secret? For some explanation that will satisfy you? There's no answer I can give you that will make you happy. Maybe I should have lied instead. I'm sorry."
Note the quotes, which as far as I can tell, aren't in any of the other hidden phrases. That said, spoilers, I don’t have any idea what this means.
You may aso have noticed some highlighted letters in that first quote. Typing those in, https://danganronpadespairtime.tumblr.com/aoaviepkro, takes you to the most important page for our purposes:
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(Also, you can just look it up on google nowadays)
Mai Akasaki's character profile. And yes, it's the girl Teruko remembers after being stabbed by Xander, in episode 6 of chapter 1. After that memory, Teruko thinks:
It's strange I would remember her now, of all times. What was her name again? It's on the tip of my tongue, but I can't remember. Xander always reminded me of that girl. Perhaps that's why I'm thinking about her now. They looked similar, with that same red hair and smile. And... they both wanted to help, didn't they?
Teruko and her clearly have something going on, but we'll get to it later (take a shot every time I say something like that). For now, we have to dive into the profile.
Profile of Someone Dearly Loved
Basic Info
She's listed as the "Ultimate ???", likes phone charms and dislikes silence. She's 5'8'' tall, weighing 124 lbs and with a chest sie of 30 in. I doubt anyone cares about the latter. Her birthday is February first, which you may want to keep in mind for later.
The Subtitle Quote
As every character does, Mai has a quote right under her name. In her case, "There's a way for you to be happy". Keep in mind these quotes are usually things the characters would say, and as you'll see in a moment, that fits.
However, what's interesting is that this quote was not the one originally there when Mai's page was first found. It changed. It used to be, apparently, "Anything, anything at all..."
What I don't know is when it changed, or why. The earliest reference I can find to the change is this post by stfu-sage, the 20th of March, 2023. This is just three days after the release of Ch 2 Ep 8, but that feels like quite a strange time for it to change, especially since we don’t know how many days passed without anyone checking the profile. I feel it makes more sense if it had changed either with the release of Ch 2 or with the BDA on chapter 7. Regardless, the exact time doesn’t matter much.
What do these lines mean, though? Well, starting with “Anything, anything at all”, I believe it’s related to line from the Mai Akasaki URL. You know, “All you have to do is ask for my hand, and I’ll give it to you…”, that one. When you read them together, it makes sense:
All you have to do is ask for my hand, and I'll give it to you. Ask for my life, and I’ll give it to you as well. […] [You can ask for] Anything, anything at all.
Considering the code for Mai’s profile is in the “ask for my hand” line, I think it makes sense.
Then, the changed quote, “There’s a way for you to be happy”. Considering the general time for the change, is it possible this is something Mai said to Arei, during their time at Hope's Peak? It's the best I have for now, but I feel we may need more context to know what this is about.
In any case, I can't gather much more from the subtitle quote. Although I do feel like pointing out, Mai’s quote is somewhat unique in that none of the words are highlighted. All the other characters have one or a few words highlighted (eg: Arei - secret, Teruko - no matter what), except MonoTV and Mai. Don’t think it means anything, but it’s there.
Hidden Quotes
And here we have it. The most important part of Mai theorizing. Whenever you refresh the page, a new body of text appears, which is related to a specific character via the code of the website. You can see in the screenshot I took, it says “A girl with many friends”. But here’s a full list of all the possibilities:
Teruko: Some years ago, she was searching for someone named ‘Teruko Tawaki.’ Charles: A girl who loves her family. Rose: She remembers everything that is important to others. Arturo: A girl who sees the beauty in everyone. Levi: A girl with a floral tattoo on her arm. Whit: A girl with many friends. Eden: She kept calling the number, even though no one picked it up. J: She kept it a secret, and told no one. Hu: A girl who wanted to keep everyone safe. Nico: Everyone confided in her. Ace: A girl who had a bright future. Arei: She doesn’t like it when her friends fight. Min: An average girl with nothing special at all about her. Xander: She couldn’t stand to do nothing. Veronika: A girl who didn’t foresee the consequences. David: She forgives everyone. MonoTV: It’s all your fault.
You may notice the order is somewhat peculiar, and it's for a good reason. It's the order the "bios" (name of the variable in the source code... I think that's how that works) are laid out in the source code of Mai's page.
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... I know you can barely see and not all of them are on frame, but just trust me. If you want to check for yourself, you can go to the profile's source code (Ctrl U), and either scroll to almost the bottom, or just search (Ctrl F) for a word like "average" or "confided" which only shows up in the "bios". There's probably easier ways to go about it, but this is how I got there. I'm telling you this because it took me like an hour to find out where the hell the order came from. I am not good at computers.
However, for now, let's just ignore the order (and the tenses of the sentences, I swear I'll get there) and focus on the main points for now.
+Mai is extremely well-liked by the other members of the cast. In particular, some of the quotes compliment her based on faults the character attached to them has.
>Arturo is extremely judgemental based on ugliness, but Mai "sees the beauty in everyone".
>Charles forgot his dead brother, but Mai "loves her family".
>Rose is absentminded and often forgets things if she doesn't see them, but Mai "remembers everything that is important to others".
>The hidden quote on Ace's page has him saying "I don't know what to do with myself anymore", suggesting a lack of control over his future, but Mai "had a bright future".
>Arei constantly causes altercations between the cast, but Mai "doesn't like it when her friends fight".
However, plenty of quotes are simply good qualities, such as Hu's "A girl who wanted to keep everyone safe". The point is, everyone seemingly adored this girl.
+Mai is good at keeping secrets, as implied by J's and Nico's quotes ("She kept it a secret, and told no one" and "Everyone confided in her", respectively). Those same quotes actually seem to imply Mai likely knew those two's secrets, and possibly a lot of the others.
+Among other things, Mai is compassionate, forgiving, friendly, and generally a positive presence.
+Mai and Teruko have a particularly strange relationship. We'll come back to this.
+Mai seemingly did... something, and it brought consequences. This is implied by the quotes of Xander ("she couldn't stand to do nothing") and Veronika ("A girl who didn't foresee the consequences"). But, what was it? Well, to get a better idea, we need to take a look at... the Bonus Episodes.
A Not-So-Unnamed-Classmate
Technically-a-Theory: Mai is the Unnamed Classmate
I say "technically" because I'm pretty sure no one actually disagrees with this. Yes, technically it's never been confirmed, but it seems likely Mai is the Unnamed Classmate who shows up in both of the Bonus Episodes we have so far. The PoV character in both of those episodes has the same voice, which sounds like a girl's, and their personality seems to fit with the very little we know of Mai.
Additionally, as you’ll see, the text boxes in the Bonus Episodes are surrounded by flowers which look very similar to the ones in Mai’s tattoo, further connecting them.
It's not much, but since we don't know anyone else who could be Unnamed Classmate, they and Mai are likely the same person.
With this clarified, let's talk about Unnamed Classmate.
Bonus Episode #1
This episode is mostly focused on Min and the history of Hope's Peak, but we can still start to grasp a bit of Mai's personality. She seems generally upbeat and somewhat bubbly, and we can see glimpses of her kind and caring qualities when she comforts Min near the end of the episode.
There's also a few lines which actually tell us a few more concrete things about her, though. I won't post them in chronological order, btw.
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Min: Hey! Put your textbook away! Don’t cheat!
Seemingly an insignificant joke, but it does help establish Mai as slightly mischievous/cheeky, which will be expanded upon later. Other indications of this cheekiness include Mai comlimenting Min and trying to distract her by talking about the sky and her backstory, presumably to procrastinate. I may be reading too much into it, but I really don't think Mai is as easily distracted as she makes herself out to be.
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Mai: Auughh, the test is too soon, there’s no way I’ll have enough time! I’m totally going to fail!
Mai: I'm sorry. I shouldn't have bothered you to help me study--
Mai: I see. That's how you got your talent. I'm ashamed that I'm only now learning something so important. I'm sorry.
(Yes, I had to bunch a few of these images together because I ran into the Tumblr 30 image limit)
A few lines which seem innocuous at first, but when paired together, they hint at something. Essentially, I believe this implies Mai doubts her abilities and actions, and may even have a self-deprecating streak. She's at the very least much harsher on herself than she is on others. It sounds like a stretch, but I swear it's not as farfetched as it seems.
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Mai: You're somebody who buys fish-shaped pastries and saves the chocolate-filled ones for me, because you know that those are my favorite.
Mai likes chocolate-filled pastries. Hey, when I said “everything we know about Mai”, I meant everything (that I could find).
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Min: I suppose for someone like you who doesn't care too much about Hope's Peak and who, no offense, would never be eligible for the [Ultimate Contest for Eminent Students] with such average grades...
Min: You might not do very well in school, but you're quite sharp.
Put simply, Mai has average grades, but is still considered smart by Min. Her intelligence is visible throughout the episodes, mainly in the form of emotional intelligence and a hint of deception (that's where the mischieviousness comes in).
However, perhaps it’s the first phrase which is most interesting. Mai “doesn’t care too much about Hope’s Peak”. Which is only reiterated by the following lines.
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Min: Maybe someone like you who never cared about Hope’s Peak Academy wouldn’t understand. But it’s everyone else’s dream to be an Ultimate.
Mai: Ultimates aren’t everything. As if I’m only friends with you because of your talent. There’s more to you than that.
Mai seems to have a much more laissez-faire approach to the concept of Hope’s Peak and Ultimates than what Min considers normal. By itself, this isn’t too strange, as we know there’s other people not too attached to their status as Ultimates. However, this actually may have something to do with the incident implied in Xander’s and Veronika’s quotes. I’ll get to it later (overused phrase of the day), but for now, keep this in mind.
Nevertheless, there is one more theory affected by this nonchalance towards Hope’s Peak. Except, it’s a theory I believe is actually harmed by this attitude.
Good Theory I Don’t Believe: Mai is a Reserve Course Student
Don’t get me wrong, it’s a cool theory! I just don’t think it works all the way.
Essentially, this theory is what it says in the tin. Mai is the Ultimate ??? because she’s actually a Reserve Course student, a la Hajime Hinata. There are many good posts on this theory, like this one by delightfullydiscordant, and I recommend you read them since they’re well put together! Some of the main points of this theory include:
>Min’s quote for Mai is “An average girl with nothing special at all about her.”, which could imply she doesn’t have a talent. However, there are other interpretations for this line, so it’s far from conclusive.
>Mai seems to be wearing a Japanese Hope’s Peak uniform (check out this post by laly-481), but the jacket around Mai’s waist is darker than the one worn by Ultimates in DR 3. Instead, it seems closer to a Reserve Course jacket. The issue I have with this is that… well, we know very little about what the Japanese Hope’s Peak in the DRDT universe looks like, so this feels a bit vague.
>
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Mai: You’re not nobody. Even if I pretend that you’re not an Ultimate and that we’re not both students in Hope’s Peak Academy, you’re still somebody to me.
I’ll ask you to ignore the lesbians for a moment and focus on the beginning of the quote. If you look at it closely, it seems to imply both Mai and Min are Hope’s Peak alumni, but they’re not both Ultimates. Thereby, Mai must be a Reserve Course student.
However, I actually have a different interpretation of that quote, one which, you guessed it, I’ll get to later. But for now, if we’re going to get involved in semantics, we also have to look at this line:
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Mai: The US Hope's Peak Academy takes in college-age students, and there's two of them, and we have this really weird curriculum, and there's a bunch of other things, and...
Min: Remember that we’re East Class 27, so that means that Hope’s Peak is how many years old?
Min: Look at what our classmates are doing now. They're Ultimates too. They're all doing things relevant to their career, if not actually out working.
Min saying “we're class 27" could be interpreted as her simply referring to herself and the other Ultimates, but even then, referring to "our classmates" while talking to Mai implies they're in the same class. Also, Mai saying "we have" a weird curriculum feels odd unless both she and Min have the same curriculum, meaning both of them likely attend the same classes, thus again, both are Ultimates.
But that’s only a minor problem. In truth, there are other reasons I believe Mai has a talent, and I even have a guess of what that talent may be. But the main one is what we just established: Mai never really cared about Hope’s Peak.
I admittedly may be missing some context, since I’ve never watched DR 3, but from what I know, Reserve Course students are usually characterized as people who desperately want to be Ultimates and are obsessed with Hope’s Peak, which doesn’t fit Mai at all. You could argue maybe she went to Hope's Peak to search for Teruko as Teruko's quote implies, but the problem with that is that Teruko remembers Mai, at least a little bit (see: dream sequence), which means they should have reunited before Hope's Peak, since the last thing Teruko remembers before the "amnesia zone" is going to Hope's Peak's entrance ceremony.
Not to mention, we… can’t even be sure the Reserve Course exists. For as much info as we got from the Bonus Episode #1, that course was never even mentioned. And seeing this is a post-Tragedy world, the Reserve Course may not even exist. Especially when Min also says that actually being an Ultimate is considered more important than going to Hope’s Peak in the US.
So, final verdict on this theory? While it’s quite interesting and I definitely think it’s more plausible than many of the other things I’ll bring up, I don’t find it to be the most likely, again because Mai’s disinterest in Hope’s Peak pushes her away from the standard Reserve Course student, and because I prefer a different theory about her talent.
And with that, we’re done with the first Bonus Episode for now! Let’s see what the second one brings.
Bonus Episode #2
This one, surprisingly, has fewer lines which gives us info about Mai. However, what it does give us is arguably some of the most important intel we have so far.
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Mai: No, it’s fine. Don’t think you’re making me come with you. I'm here because I want to be here.
Mai: [Xander reimbursing her for the trip]'s silly. I can pay for it myself. Besides, you're letting me stay at your place for a week, so if anything, you're doing me a favor.
The first just reiterates that Mai is compassionate and wants to help whenever she can. As for the second, it seems to imply Mai doesn't struggle too much with money, which is info I guess. However, she also says Xander is doing her a favor by letting her stay over. I think that just means the expenses of living wherever she's living for a week exceed the expenses of the trips? I don't see any other reason that would be considered a favor in that aspect. I considered maybe Mai could have a bad home life, but in the secret quotes:
Charles: A girl who loves her family
So, I don't think that's the case. I think it really is just a money thing, and we don't have to overthink it too much.
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Mai: 'Oh, speaking of Hope's Peak. I need to ask Xander if he found that document I asked him to look for.'
Mai: 'I didn't want to unload the work on him, but he's much better at digging up stuff than I am.'
Mai: 'But it's definitely not something I should bring up in a public place. I'll remember to ask him later'.
And here we are. The single biggest Mai-related reveal in the Bonus Episodes. Her and Xander were involved in some sort of secretive operation related to Hope's Peak. In particular, seemingly during their trip to visit the graves of Xander's family, Mai asked Xander to retrieve a document related to the Academy, a document they shouldn't discuss in public. In fact, right after this, Mai changes the subject to Xander's eyes so as to not talk about it, again showing she can be somewhat deceptive when she needs to.
This might be related to Teruko's claim that "[Xander and Mai] both wanted to help", but it seems impossible for her to remember anything which happened during HPA (Hope's Peak Academy, got tired of writing it out) time, so I still don't know what she actually meant by that.
Nevertheless, it's pretty obvious that whatever this is, it would be bad news for HPA. I mean, if Xander's involved, there's no way it's good for an institution. But it also ties back to Mai's critical view of HPA and the Ultimate title.
However, messing with something as powerful as HPA could be pretty dangerous. Thus, I believe this little operation is likely what's being referred to in Xander's and Veronika's quotes.
Xander: She couldn’t stand to do nothing. Veronika: A girl who didn’t foresee the consequences.
(By the way, Xander's quote in particular is why I don't quite believe the theory that the document mentioned here is only to get Teruko into HPA somehow. It's a cool theory, but Xander's quote feels a bit too dramatic for that to be the end goal of Mai's plans)
I mean, for one, it's Xander saying Mai did something, and messing with HPA could have quite drastic consequences, from what we know. Thus, from now on, I will henceforth call this vague action against HPA "the HPA Operation", because saying "that thing Mai did which Xander's and Veronika's quotes allude to" is gonna get tiring.
What exactly the HP Operation was, I obviously don't know, we're on chapter 2 of the series and this is quite clearly a mystery which may last until chapter 6 (assuming a standard DR formula).
However, I can tell you one thing. It may not fully be Mai's idea.
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Mai: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause...
Mai: I'll trust that you know to do the right thing.
Xander: Yeah, of course (NOT PICTURED)
Xander: That's why I've come to Hope's Peak, isn't it?
The lines about the HPA document appear right after this, although Mai does seem confused at first by Xander's claim that "that's why [he's come] to Hope's Peak". So although Mai is the one who asked Xander to find the document, it's possible the basic idea to go against HPA came from Xander. After all, remember. Mai never cared much about HPA, so it seems unlikely she paid enough attention to it to notice its flaws as quickly as Xander would. Ultimate Rebel, and all that.
However, even if Xander was the one who planted the idea of revolution in Mai's head, she's clearly invested in it. She tells Xander to never give up on anything he sets out to do, even if it's risky or against the rules.
So, there it is. So far, what we know about the HPA Operation is:
>Mai and Xander were heavily involved.
>It may have originally been Xander's idea, but Mai seems to have taken the role of tactician at some point.
>HPA likely wasn't too happy with it.
>It likely had horrible consequences for Mai.
And that's all we had for a while, as Chapter 2 Part 1 didn't add anything to the conversation. Well, except maybe a thought Teruko has when Arei starts crying after her breakdown in the playground:
That pitiful crying... It reminds me of... Of...
That could be about Mai, but I really don't know what it could mean, so I'm sorta ignoring it for now.
So, yeah. Nothing new.
Until it came out.
Going (Literature Girl) Insane
Yeah, the David MV. Mai is listed in the cast list as a secondary character, though her name is crossed out. This likely refers to the portrait of her seen in the background.
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The portrait of Mai is labeled "portrait of someone dearly loved", while Teruko's is labeled "portrait of someone dearly unloved", the words flipped. This is one of many things which seem to imply Teruko and Mai are meant to be opposites of each other.
There is also that one image of a girl whose identity is unclear.
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It doesn't look like Mai, but maybe that's my prosopagnosiac ass assuming different hair = different person. Generally, people assume this is "Diana Chiem", if she even exists, though I somewhat lean on it possibly being the mysterious name out of frame in the cast list. You know, the name which vaguely looks like "Ms Naegi". However, I'm showing you the image to get a second opinion on something.
You see the hand Mystery Girl is holding? Doesn't it look like it's wearing a glove? Because of the white line in the wrist. Maybe I'm going insane, that could just be a bend of the wrist, but... I kinda don't see it? It makes a bit more sense to me as a glove. And since it doesn't seem to be cut off at the fingers like Xander's, it would have to be Mai's. Other characters also wear this type of glove, but they’re not on the cast list.
The counterpoint is that it looks like you can see the nail of the PoV person's thumb, but I'm not sure that's the case? That part of the sprite is really strange and seems to be different in all three of the Mystery Girl images, so I can't tell. Anywyas, if any of you have ideas, tell me. Again, it's most likely I'm overthinking and that's just a bend of the wrist.
Anyways, enough dillydally, let's get to the big stuff.
The Roman numeral
As you may or may not know, during the MV we’re shown a crossword puzzle which is solved with the characters’ names, and this assigns each character with a different Roman numeral. This numeral later shows up attached to some kind of phrase, which in turn relates that character back to the phrase. I made a post talking about all of them, but I'll go more in detail about Mai's in this post than I did in that post.
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Solution by raspbeyes
In the crosswords, Mai intersects Arei and Levi. I don't think this means much by itself, since the way the names intersect doesn't seem to be too important in general. Like, yes, if you squint you can see things like Whit only intersecting Charles, but there's also things like Min only intersecting Arei, Eden only intersecting Rose, Veronika intersecting everyone and their morther... My point is, the exact position in the crosswords doesn't tend to matter much.
What's more important are the numerals. Mai's is XI (11), a number which, from my research, is related to leadership and bringing out the best in others, as well as nobility or higher conciousness and spirituality and knowledge and new beginnings- Okay, the point is, I found mostly inconclusive stuff, but a lot of this sort of relates back to Mai, so we take it.
And the phrase itself:
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XI. God is dead
What could this mean? Well, in philosophy, the phrase "God is dead" refers to the breakdown of ethical and sociocultural structures as christianity and religion in general became less universal. So, loss in faith in an institution leads to changes in the status quo. One way to interpret this in the context of this numeral is that Hope's Peak is the "God", and Mai's actions involved a loss on faith on HPA, and everything which comes with it. This could even be related to the phrase which directly follows this numeral in the song, "become brainwashed: go do it!". If HPA's propaganda which makes everyone love Ultimates can be considered brainwashing, anyways.
...
But that's not what any of us first thought when we read that, is it?
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Is Mai Dead?
Yeah, we gotta talk about the elephant in the room.
You'll have noticed, lots of the hidden quotes on Mai's profile speak about her in the past tense. This already had people thinking she was dead since it was first found, but the MV really drove the point home. Considering how the characters think about Mai, it's not impossible to imagine Mai is the "God" here, and "God is dead" has a far more literal meaning.
But, let's hold our horses here, no need to kill her so quickly. There is a chance she's alive.
Coping With the Quotes
Like I said, some of these quotes speak about her as if she's dead, but some of them actually talk about Mai in the present tense. Here, I sorted them out.
Referring to a past event:
Teruko: Some years ago, she was searching for someone named ‘Teruko Tawaki.’ Eden: She kept calling the number, even though no one picked it up. J: She kept it a secret, and told no one. Xander: She couldn’t stand to do nothing. Veronika: A girl who didn’t foresee the consequences.
These are phrases which can't be used to determine Mai's status, since they talk about a specific thing which she did. Even if she's alive, these would still be in the past tense. Teruko's is explicitly talking about years ago; J and Eden are talking about things Mai probably did during her time at HP; and Xander's and Veronika's talk about the HPA Operation. These are inconclusive.
Miscellaneously inconclusive
Whit: A girl with many friends. MonoTV: It’s all your fault.
MonoTV's line doesn't refer to Mai at all, so it's not useful here. And I put Whit here because... frankly, I wouldn't trust him to tell us even if Mai really is dead. "[His] mother is dead, [he] omit[s] this truth", and all that. Though his quote does seem to imply she's alive, for what it's worth.
Present Tense
Charles: A girl who loves her family. Rose: She remembers everything that is important to others. Arturo: A girl who sees the beauty in everyone. Levi: A girl with a floral tattoo on her arm. Arei: She doesn’t like it when her friends fight. Min: An average girl with nothing special at all about her. David: She forgives everyone.
Admittedly, some of these don't actually have verbs, so putting them in "present tense" is a bit of a misnomer. Still, all of these seem to imply Mai's alive. Notably, David's line is right after Xander's and Veronika's in the code, so he might be saying this after the HPA Operation fell through? Take that as you will.
Past Tense
Hu: A girl who wanted to keep everyone safe. Nico: Everyone confided in her. Ace: A girl who had a bright future.
I was surprised by how few of these lines actually speak of Mai strictly as if she's died. They are all together, too, and separated from Xander's and Veronika's by Arei's and Min's in the code. But what's even more important is that these are still inconclusive.
When Hu says Mai "wanted to keep everyone safe", she could be talking specifically about the HPA Operation, and the phrase would be in the past tense even if Mai survived that.
When Nico says "everyone confided in her", that could mean everyone at one point or another told her their secrets, and again, it would be in the past tense even if Mai is alive.
And although Ace says Mai "had a bright future", we don't know why she no longer has one. It's possible the consequences Veronika speaks of only ruined Mai's future, but didn't get her killed.
With all this in mind, it actually seems like the quotes lean on the side of Mai being alive! That's still inconclusive, and MonoTV's quote is a bit too ominous for me to say they definitively confirm her status.
Especially because... well, the quotes aren't the only part of this discussion.
The MV Killed the Hope's Peak Star
Let's start with the biggest issue, the flowers of an unknown species.
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As pointed out by delightfullydiscordant in this post, those flowers appear to be the same ones on Mai’s tattoo and Unnamed Classmate’s text boxes. And as the comments point out, they seem to be camellias.
The issue is that the MV confirms they’re white. And white camellias, in Japan, are popular funeral flowers and are associated with death. Yeah.
Now, let’s not bury the girl yet. White camellias also represent adoration and respect in a more platonic way than, say, red camellias, for example. They can also represent purity, beauty, and even hope. Yeah, we’re dropping the H word.
I also tried looking for literary references with white camellias, in the spirit of the MV. However, the only thing I found was that they show up in “To Kill A Mockingbird”, a book which if I recall correctly is never mentioned in the MV. And it’s a good thing, too, since they apparently represent racism in that book. I don’t think that’s related to Mai, frankly.
So, good news! It’s still not conclusive! Well, but there’s more. In particular, take a look at footnote 20.
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This shows up directly after Mai's numeral and the brainwashed phrase I mentioned earlier. It’s a definition of the model of the five stages of grief, with the footnote itself simply claiming it is considered by many to be outdated. Also, there’s an emoticon of someone sticking out their tongue. Don’t know what else that would be, and I don’t know what to make of it.
But the fact it’s a model of how people deal with grief, usually related to death, and that it shows up directly after Mai’s numeral, seems to imply Mai’s dead.
And then there’s the problem of her numeral! Mai has one of the only ones numerals which is colored, in this case gray. The others are mostly just white, with the only other exceptions being Xander's (translucid, "(the world of abnormal sentiment dances)") and Min's (pink, stylised as the X of a death portrait, "democratic-ly" and the rules of class trials). It doesn't bode too well for Mai to have something in common with 2/3 of all confirmed dead people, I have to say.
However, it being gray specifically could be a direct reference to her death as well. Color theory (don’t question it for now) connects gray with the depressed persona of David, though, so this isn’t very conclusive.
And finally, edging into more “confirmation bias-y” territory, you remember how I said the position in the crosswords doesn’t really matter? Well, yeah, but. Mai’s name, as it goes over the A in Arei, also happens to cross the Roman numeral IV (4), a number related to death as per footnote four. In fact, I’m pretty sure that’s why Arei has it. You know, the third dead person. Nevertheless, again, crosswords positioning is usually not important, so take that with a massive grain of salt.
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So, what’s the conclusion? I think it’s still up for debate, but I lean more on the idea of Mai being dead. The flowers and the model of stages of grief are pretty damning, and I don’t think most of the quotes being in present tense can really be trusted.
Anyways, let me continue a bit with the idea of her being dead.
Sub-Theory: Shot Through the Heart, Xander’s to Blame
You remember how the MV claims there’s six bullets around? But it also tells you it’s impossible to find them all? I made a post about it, where I found the five bullets which I think are the only ones which i can be found.
My conclusion in that post, which I sort of stand by, is that if there’s six bullets, but only five are visible, the last one is likely loaded in the gun. It’s labeled “(not) a prop gun”, so it’s apparently real, but still connected to Xander.
The issue? That gun is sorta pointed directly at Mai’s portrait.
This kinda fits with the pieces I’ve been putting together. Mai (possibly) died because of the HPA Operation, but Xander may have been the one who originally planted that idea in her head. Or at least enabled her plans by finding documents. In that sense, one could argue it’s Xander’s fault Mai died. So, it kinda fits! I’m going with that.
The question now would be who blames Xander for Mai’s death. After all, I sorta doubt he’s the one who actually killed her. My original instinct was David, since that’s the guy the MV is about, but that doesn’t quite fit. David idolizes Xander a fair bit, so it feels odd to think he’d blame him for this.
Instead, if this theory is true, I think it makes more sense for Xander to blame himself for Mai’s death. Survivor’s guilt is a huge part of his character (see: the Bonus Episode and the quote on his page), so if he survived the fallout of the HPA Operation when Mai didn’t, he’d be quite heartbroken by it. And thus, he may end up blaming himself for dragging her into the whole mess.
So, that's about it for what we know about Mai's status. But would you believe it if I told you we're not done with the MV yet?
Color Theory
Color theory in the context of the MV refers to this post and reblog by accirax, where she went over every colored lyric in the MV and assigned each color a character based on the characters' color scheme and the lines themselves. I recommend checking out her whole post, it's really good and I won't talk about everything she brought up.
For our purposes, the important color is Mai's. And I agree with accirax that Mai is likely black (the color, not the skin tone). Although the color doesn't show up much in her color scheme, she's a generally cryptic character with a generally cryptic color. But the lines work with Mai better than practically anyone else:
>"You" x3: As pointed out by accirax, everyone is obssessed with Mai, so it sorta fits.
>"The track to the ideal country ->" The arrow points to a passage from "Utopia", btw. This makes sense with the HPA Operation. It's a vaguely revolutionary operation which seeks to improve the world, so you could consider that "the track to the ideal country."
However, we have to talk about the elephant in the room. Her color scheme would still set her up to be red. Maybe yellow if you count her eyes, but red is an important color for her. It wouldn't be unheard of for an important character to have two colors, since David has two. But red is a special color for color theory... because it's completely nonsensical.
Red is by far the most overrepresented color in the MV, having practically double the amount of lines any other colors do. And considering the color, you'd imagine it would either go to Mai, Xander or Veronika. However, no character fits all the lines that well, as explained by accirax in her posts. I explained in this reblog what I believe about this in detail, but essentially, I believe red is intentionally ambiguos, and any given red line can belong to any of the three characters I mentioned.
I'll quickly go over the way I would assign the red lines, but I'll only explain the Mai lines, since I already went into detail on the other ones in that reblog I linked to before. Keep in mind some may apply to multiple characters.
Unassignable: Aa, ah, isn't it?!
Veronika: whatever; go mad x3; broken; go insane?; won't change; original; you've killed so many; medicine; self-denial confessions; self-delusion.
Xander: are all just idiots (final verdict); Bye x2; Goodbye; escape!; together; are all just idiots!; ignorant; great applause!!!; won't change; original; and disappear!; 1; medicine; revolutionary; idiot; self-delusion
Mai: Bye x2; Goodbye; broken; God; and disappear!; medicine; revolutionary, self-denial confessions
I will mention, you can also give her all the "idiot" lines Xander has, as well as "won't change; self-delusion" and all that, since David (the guy presumably "singing") may be somewhat skeptical about Mai and her revolutionary ideas.
>Bye x2, Goodbye, broken, and disappear!: She's probably dead, so. I also inexplicably think "broken" works with her death, but not Xander's. I have no idea why.
>God: The biggest reason why Mai has to be included, the others just aren't as God-ish as Mai (hey, it's like that song!). Not much to say; it's connected to Mai via numeral XI, and I already explained why she could be "God" here.
>Medicine; revolutionary: She's a revolutionary thanks to the HPA Operation, and you could argue that means she's the "medicine" of society.
>Self-denial confessions: Mai works better with this line's original context (revolutionaries being coerced into going back on their ideals) than Veronika, but it still leaves behind the question of what exactly she's denying. Maybe denying the ideals of Ultimates, when she herself is (probably) an Ultimate? Something like that. I guess that could also work with Xander in hindsight.
So, there we go! Full interpretation of Color Theory as it relates to Mai. Wow, that was a lot for very little new info!
We're almost done with the MV, but first, we have to talk about the man himself.
David's Relation to Mai, and his Potential Involvement in the HPA Operation
But first, a side note.
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Does David remember Mai?
There's a theory floating around that David might remember parts of his time at HPA, including Mai's existence. Check out this post by anderscim and reblog by xmicrophonyx if you want a full explanation, but I'll cover the main points here. It's a really good theory, and it's not any less plausible than some of the other theories I'll mention later in the post, but I don't quite believe it.
See, the main evidence for this theory is that the Literature Girl MV includes Mai's face in the portrait and an image of Xander with two eyes, as well as things like the morse code and possibly tally 5 which seem to reference David and Xander's relationship during HPA time. And that's my first issue with the theory, I just don't think the MV can be used for this.
Of course, it comes down to interpretation, but the way I see the MV is as an abstract form of storytelling, not a completely 1:1 view of David’s mind. Essentially, while a lot of it is spoken from the perspective of David, it’s not actually a reflection of his real mental state, but rather a representation for us the audience. It’s hard to describe :v
The main thing that I want to bring up in support of my interpretation is the youtube comments scene, I hope you know what I’m talking about. There’s no way David would be aware of these comments, such as the one referencing the J and Arei swap theory. In particular, the comment talking about (presumably, the names aren’t explicitly written) Teruko as a protagonist is impossible for David to conceive, since there’s no way he would know we see her as the protag; and the ones that namedrop Byakuya, Nagito and Kokichi are practically impossible as well, as Veronika has claimed not to remember any other killing games before the one in DRDT. Kokichi in particular would be problematic depending on your interpretation of V3.
What does this mean? This means that the MV isn’t beyond showing us the audience things outside of David’s own mind, for the sake of storytelling. It’s not hard to imagine, then, that the scene with Xander having two eyes is meant to show us that they had a good relationship in HPA, even if David doesn’t remember it. Same with calling Mai “someone dearly loved.”
There’s also a few things about other characters which don’t quite match what David would know about them in the killing game. For example, Rose’s numeral: II. Ego cogito ergo (turbatus) sum. (I think therefore I am disturbed). This only really makes sense in the context of Rose’s conversation with Teruko and Nico, where she admits to having trouble separating reality from her memory and her dreams. But David wasn’t there for that. Another example is Teruko’s: XIII. or not to be? Which seems to reference her suicidal tendencies, implied in that one thing she said to Arei. Again, that’s not something David would be aware of during the killing game. 
Either David remembers way more about HPA than implied in the theory, or those are also examples of the MV going beyond David’s mind to continue telling us things about the story.
In xmicrophonyx’s reblog, she also brings up the pre-chapter dialogue as possibly being David’s. I… don’t see it, frankly. The pre-chapter 1 dialogue seems to fit Teruko more, imo.
“Half-remembering is worse than forgetting. Her name, his face…”
We know Teruko doesn’t remember Mai’s name based on the CH 1 EP 6 dream sequence from before, and the “he” could be her brother. Prosopagnosia, and all that. 
And while the chapter 2 dialogue could fit David and his feelings towards Xander  better, there’s nothing which explicitly implies he remembers anything about HPA before the killing game.
I still miss you. I miss you so much that I wish you had never been part of my life. The worst part is, even though you left me like this, there’s nothing I can blame you for.
Also I think that’s Eden but that’s besides the point.
And finally, now that you understand why I don’t think the evidence for isn’t very good, we have to address the evidence against. Mainly, the fact that David doesn’t seem to recognize Xander during his introduction. At all. He even explicitly says, “... I don’t believe we’ve met before”, and calls Xander “sir”. There was no indication at that point that they’d be missing memories, so David has no reason to pretend he doesn’t know who Xander is. In fact, I imagine that if he did remember Xander as having two eyes, and he sees him with an eyepatch, he would react to it in some way, right?
In conclusion, although I like the theory, I don’t think it’s very likely that David’s kept any memories from HPA time.
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Anyways, back to my speculation. There is relatively little reference to Mai in the MV, so it's not like we can get much here, but there is still one thing I want to talk about. And that's the morse code at the end of the MV. As translated by dav-suburbiia:
“YOU STILL BELIEVED IN ME DESPITE EVERYTHING I’VE DONE.” “BUT THAT’S JUST FANTASY, ISN’T IT?” “I SIMPLY CHOSE TO BELIEVE THAT YOU DID.” “AFTER ALL, I’M INCAPABLE OF BEING SOMEONE WITHOUT YOU.”
Now, most people assume this is about Xander, which is perfectly understandable seeing the context of the MV. However, I think there's an argument to be made that this is actually about Mai.
The main thing here is the apparent contradiction which rises if we assume this is about Xander. The "you" in this code knows what David "has done", but they also seemingly aren't around anymore. If we assume the first is referring to David's "manipulation" thing, then this would have to be about HPA Xanvid, since we've never heard of David confessing his issues to killing game Xander. However, if the "you" really isn't around anymore, this would have to be for killing game Xanvid, since Xander only died in the killing game. Am I making sense?
This isn't conclusive, mind you. You could say the code never explicitly says the "you" is actually gone, just that David can't be someone without them. Or, alternatively, that David did reveal "everything [he's] done" during the killing gmae. But it's still an odd way to phrase all this.
So, is there any evidence this is actually about Mai instead? Well, if you squint. The code is directly followed by footnote 22: "The rest is silence". Silence is the dislike stated in Mai's profile. Word association coming in clutch.
But perhaps more interesting is the phrase "You still believed in me despite everything I've done", combined with:
David: She forgives everyone.
The "you" in the code forgave David, and Mai evidently forgave him as well. It's not conclusive either, but it could be a connection.
Under the interpretation that this is about Mai, it would be related to HPA time. Mai still believed in David, or at least, at one point David believed Mai believed in him, and apparently gave him a purpose in life.
The worrying part about this code is actually the middle. "But that's just fantasy, isn't it? I simply chose to believe that you did". Apparently, it's possible Mai never actually trusted or forgave David, another reason I believe it's possible this isn't actually talking about Xander. As established, Mai can be deceptive when she wants, so it could work. We're missing a lot of information, so what exactly this all would mean is up in the air.
But in any case, it's possible that if David was given purpose by Mai or Xander, he would be involved in the HPA Operation, though how exactly is obviously impossible to know. I know this is really weak, but...
Okay, can we talk about Tally 5 yet? I kinda have to talk about Tally 5. Don't worry, I won't actually post the image.
!!!TALLY 5 SPOILERS (NO IMAGE)!!! SCROLL IF YOU DON'T WANT TO READ ABOUT THE CONTENTS OF TALLY 5!!!
If you've been living under a rock under the past month or so, Tally 5 refers to an image you get to by solving a code related to the "correct/incorrect" code in the David MV and inputting it into a webpage accessed via the QR Code in the MV's books. I won't talk about the puzzle itself here, so if you want to solve it, maybe go do that or just scroll past this part of the post.
Anyways, as I imagine you know by now, Tally 5 shows David holding Xander's jacket with the following quotes under it:
I became a villain in pursuit of your dream.
I threw away my humanity for an ideal that I couldn't understand.
But I don't regret it. To "regret" is to imply that I could have done anything else.
I never told you, but the truth is, I wasn't capable of ever becoming human in the first place.
So in the end, you're always-
Listen, I'm not gonna pretend I have some sort of infallible exaplanation of what this means. I have several theories about it, and to give you an idea of how insane it is, one of my theories involves quote 3, the one about regret, being said by MonoTV. Don't ask. I might have to do a completely different post about all this, but I'm sorta waiting until I can read some other peoples' thoughts about it.
But for the purposes of this post, this, to me, heavily implies David was involved in the HPA Operation. He's probably talking about Xander here, and Xander's dream would be the HPA Operation, since as I said, it may have been his idea in the first place. That's the ideal David can't understand: an ideal to change a world David sees as immutable.
Now, the lone jacket would imply this isn't the case. It would seem David is saying this in the killing game, after Xander's death, as holding his jacket seems to imply he's gone. However, I don't know what the dream would be in that case. Killing Teruko? It's possible, but I find that unlikely.
So, yeah. Combined with the morse code, here's a full interpretation of what this could mean in relation to Mai:
Mai or Xander somehow learnt of David's true feelings and the way he sees his own actions. She/he forgave him, or at least pretended to forgive him, and this gave David hope. Mai/Xander then introduced David to the HPA Operation, and asked him to do something which would turn him into a villain, asking him to throw away his humanity for an ideal he couldn't understand. What exactly that would be is obviously impossible to know. David accepts, and even when the plan fell through, he doesn't regret doing what he did, because he feels he couldn't have done anything else.
Am I confident in this interpretation? Not really, but it's a plausible interpretation which is related to Mai and the HPA Operation, so I wanted to bring it up. There's a lot there which is probably wrong, but it's what I have for now.
!!!TALLY 5 SPOILERS OVER!!! YOU CAN START READING AGAIN IF YOU WERE AVOIDING THEM!!!
And with that, we’re officially done with the MV! I mean, I may reference it later, but now the bulk of it is gone. Surely this means we can get to some lighter theorizing and-
Teruko Tawaki
Yeah, we gotta talk about the other elephant in the room. Mai and Teruko are clearly connected in an important way.
The first thing to note with them is that they’re generally set up as opposites. Of course, the most straightforward thing is the “dearly loved/dearly unloved” portraits in the MV, but it goes much deeper. Also in the MV, Teruko’s numeral appears right after Mai’s, if that counts for anything.
Another thing is their color scheme. Teruko is mainly associated with green, while Mai is mainly associated with red. And these colors are complimentary; they’re opposite in the color wheel. Not to mention, taking Teruko’s redesign into account, one could associate her with black and Mai, thanks to her uniform and the white camellias, to white. In particular, it’s notable white camellias actually have a white flower, but a black stem. They’re even the same height, at 5’8”! It’s so they can kiss each other in the lips more easily
Additionally, their attitudes from what we’re seeing are also opposite. Mai “forgives everyone”, which means she’s really trusting, while Teruko is (for now) very distrustful. That one’s a bit looser, but eh. May I even go so far, as to say that right now, Teruko represents despair while Mai represents hope? Alright, now I’m reaching, but it fits. Teruko is someone resigned to her horrible fate (luck), while Mai constantly fought for a better world. In fact, Xander, someone Teruko associates with Mai, calls our protag out on her hopeless view of fate… right before stabbing her.
Hell, practically all good things said about Mai? Not true of Teruko (at the moment).
Charles: A girl who loves her family.
Teruko’s an orphan, and doesn’t remember her brother.
Rose: She remembers everything that is important to others.
Well, you could consider people’s faces something important to them, but Teruko has prosopagnosia.
Arturo: A girl who sees the beauty in everyone.
If you watched chapter 2, you know this isn’t true of Teruko.
Honestly, I could keep going like this, but I feel you get the point. There’s no reason for me to dwell on this further when you can just read the quotes and figure out how Teruko isn’t described by most of them.
Well, one possible exception is Levi.
Levi: A girl with a floral tattoo on her arm.
Yeah, time to talk about this theory.
Theory I Absolutely Believe: Teruko and Mai are Tattoo ‘Bud’dies
(Get it? Because flowers and buds- Yeah, no)
So shoutout to cider-est for first pointing this out in this post, but it’s true. Teruko’s left arm is always fully covered, either by bandages or by her jacket sleeve. Which is especially odd, considering her right jacket sleeve is always rolled up.
And it’s especially odd, because her left arm is covered even in the jacket-off reference picture.
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And yes, there is a suspicious question mark next to Teruko’s left arm. It ain’t even subtle.
But if there’s still any doubt left in your mind, let skulemojee dispel it in this post, where they point out this image from Ch 2 Ep 2:
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Yep, you’re seeing that right. Those black lines on Teruko’s left arm look a suspicious lot like the stems of Mai’s tattoo. It's not perfect, since we can't see any flowers and that may just be scars, but we never get a good enough look at the back of Mai's left arm to know if the flowers are tattooed on the forearm, or if only the stems reach that far.
(Also, Teruko in this scene says she doesn’t remember that scar in her back. Part of me thinks it’s related to Mai and the time of the missing memories, but the more rational side of me tells me I need to chill and stop seeing Mai everywhere)
It's also worth noting this would explain the choice of camellias for the tattoo. Remember, although they represent death in Japan, they mainly represent platonic adoration and respect. A very pretty thing to get matching tattoos with your bestie. But since they're not colored they could be interpreted as red and thus romantic for the shippers
So, yeah. I believe they share a tattoo. Which gives a whole lot of context to the quote.
Teruko: Some years ago, she was looking for someone named 'Teruko Tawaki'
In case it wasn’t clear before with the way Mai smiled at Teruko in that dream sequence, or the way Teruko associated Xander with Mai before she got stabbed by him, the fact they possibly share a tattoo implies they knew each other for a while and had a good relationship with each other. Another indication is that Teruko's favorite color, in the latest Q&A, is stated to be red by association. Sorry Xanruko shippers, that's clearly about Mai, since Teruko associates Xander with Mai in the first place.
What exactly the timeline of this mess is, is... complicated if the tattoo thing is true. Because that would require Teruko and Mai to have gotten the tattoo when at least Teruko was 18, both in Japan and the US. In some states of the US, she would be able to get it at a younger age if she got parental consent, but... what parents? She's an orphan.
In fact, when does that dream sequence take place? Is it Hope's Peak time? Can't be, because Teruko wouldn't remember it. Actually, why doesn't Teruko remember Mai's name is Mai had been searching for her for a while?
Yeah, I can't pin down anything specific about their relationship. Obviously I can't, this is a big mystery and we're only in Chapter 2. The best I can give you is that their relationship was clearly very positive, even before HPA.
...
Which is what makes this line so weird.
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Mai: Hang on, "real Ultimate talent?" You're the Ultimate Student! I mean, it's not like you're a "Lucky Student" who was picked by lottery.
This line is really odd, isn't it? It seems uncharacteristically mean for Mai, to dismiss someone else's talent so readily. And Teruko's in particular, when again, they clearly liked each other well enough before HPA. This almost reads more like something Mai would say about herself rather than someone else...
Huh.
Theory: Mai, the Second Ultimate Lucky Student
As established before, Mai has a slight self-depricative streak, where she says things about herself she would never say about one of her friends. So, the fact she's so quick to dismiss the Ultimate Lucky Student as a concept could imply she is the Ultimate Lucky Student. (ULS)
Of course, the first question is how this would work with Teruko. A HPA class only has one ULS, and Teruko's there. I've seen others suggest perhaps Mai was the ULS at Japan's HPA, which is apparently still a high school, so it's possible for her to go there and then go to US HPA, which is more like college.
However, I actually think there's an easier explanation. Mai and Teruko both went to US' HPA at the same time. They just went to different ones.
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Mai: The US Hope's Peak Academy takes in college-age students, and there's two of them, and we have this really weird curriculum, and there's a bunch of other things, and...
Yeah! Did you forget there's two HPAs in the US?! Because I sure did! I swear, I rewatched that Bonus Episode like 5 times before I caught that. How does this thing keep spawning in information?
I believe this is why Min specifically calls their class East Class 27. Seeing as this is in the US, I imagine there's likely an East Coast HPA and a West Coast HPA. But what would be the point of splitting the school like this? There's no reason the dev couldn't just keep them as just one HPA... unless there's a reason.
Because with two classes of the same age, there has to be two ULS of the same age.
Now, of course, it's possible West Class 27 is completely irrelevant to the story, but if you assume Mai is East Class 27's ULS and Teruko went to west coast HPA, a lot of things start to make sense. Have you ever wondered how Mai could have been in the same class as everyone else, when HPA usually only have 16 students? Well, it's because one (or more, possibly) just went to another class.
This also explains why we have to get this particular detail from a Bonus Episode. Although all the characters have talked about going to HPA, no one ever mentions which HPA they were invited to. It seems like a weirdly specific detail to omit, unless there’s a reason for it. Because if most of them were part of East Coast HPA, and one of them wasn’t, it would immediately stand out as strange to the cast.
And Mai does have some connections to luck. I mean, of course she does, her story is closelly intertwined with Teruko. For example, remember her birthday? February 1st? I told it'd be relevant, right? Well, as pointed out by fuji-iri in this post, on that day, there's 333 days left of the year. 3 is a number associated with bad luck, but there's also associations to "parting ways" and the three stages of life (birth-marriage apparently-death), again explained in the post I linked. That works with Mai and Teruko splitting up... whenever that happened, as well as Mai possbly dying, but the luck thing in particular is notable.
Now, the main reason I believed this before was just that "it's not like you're a 'Lucky Student' line", but as I researched this, I may have found something else? Except, it may just be me being horrible at code and getting really confused. If anyone can confirm or deny this, it'd be great.
Here's what happened. I noticed that when you look up Mai's name in Google, the text under the link to her page had Teruko's hidden quote: "It is an equal failing to trust everybody, and to trust no one at all." So I went into the code again.
First, I right-clicked on the title (Mai's name) and clicked "inspect". I expanded the "<head>" section (God I'm bad at this), and found this under <meta name>.
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meta name="descripttion" content="Mai Akasaki Ultimate ??? "There's a way for you to be happy." It is an equal failing to trust everybody, and to trust no one at all. The protagonist. Despite having the Ultimate title of "Lucky..."
Now, at first, I assumed this was just a coding quirk where for some reason, I was seeing the text of the next character or something.
But, I checked some the other characters, and none of the ones I checked have the same style of text. Look, I'll transcribe some.
Teruko:
meta name="descripttion" content="Teruko Tawaki Ultimate Lucky Student “I will survive this, no matter what!” The protagonist. Despite having the Ultimate title of “Lucky Student,” it seems like the only luck Teruko has is bad luck..."
Xander:
meta name="descripttion" content="Xander Matthews Ultimate Rebel “Screw the rules!” Loud in both voice and personality, Alexander “Xander” Matthews earned the title of Ultimate Rebel through his consistent tendency to go against the..."
MonoTV:
meta name="descripttion" content="MonoTV “Ultimate TV Show Host” “I’m the most beloved character in the cast!” A strange robot with a television for a head. MonoTV claims to be the “Ultimate TV Show Host” who is in charge of an..."
I also checked Veronika, Whit and Nico, but didn't check any more since the pattern's easy to see.
As you can see, usually this section of the code just has the name, the subtitle quote, and part of the body text. None of them have the secret quote, unlike Mai's, which has the quote which is supposed to be Teruko's. But Teruko's name or subtitle quote is never brought up in Mai's "meta name" thing.
Again, maybe I'm missing something, but it really looks like that is meant to be some kind of description of Mai.
It sort of fits. Teruko's quote about trust can fit Mai, hell, is completed by Mai. Teruko usually shows the failing of trusting no one, but Mai may be meant to show the failing of trusting everybody. Mai is also important enough that calling her "the protagonist" is fitting enough.
And, if that really is about Mai, then the final portion is confirmation. "Despite having the Ultimate title of "Lucky..." If this is about Mai, then Mai is unequivocally an ULS.
Again, I don't consider this conclusive because I am an idiot and could very easily be wrong. The wording is exactly the same's as Teruko's, so again, it may be a coding oddity. But with all the other stuff I mentioned, I can at least say this is the theory for Mai's talent I believe the most: She's East Class 27's ULS, while Teruko went to West Coast HPA as their ULS.
Anyways, anything else about Teruko? Oh, yeah, a final sub-theory on her.
Sub-Theory: Shot Through the Heart, Teruko's to Blame
Take a look at the 2nd Anniversary picture.
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[The three frames of the 2 year anniversary "video"]
Okay, I know you can't see shit here, but I'm running out of the 30 image limit. Check out lacunasweven's post where she discovered this (to my knowledge), and stfu-sage's reblog where he solved the code.
When solved, that code translates to “It’s all your fault”, which you may remember as MonoTV’s line about Mai.
So, Teruko reaches out for Mai, then “it’s all your fault” appears for a frame or two, and then suddenly Mai’s gone. It’s not exactly hard to imagine that this means Teruko is at fault for Mai’s death, or at least whatever consequences the HPA Operation had. How exactly is impossible to know, because again, it’s a mystery we’re not meant to solve yet. I have a gut feeling it’s probably related to Teruko’s luck, but that’s all it is, a gut feeling.
This doesn’t conflict the “Xander’s at fault” idea, if you’re curious. It’s possible for multiple people to consider themselves at fault for Mai’s death. Xander for bringing her into the HPA Operation, Teruko for her luck or whatever else happened.
Although… yeah, we gotta talk about that right? The scene before the prologue.
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I can’t say anything definitive, because again, not something we’re meant to figure out at the moment. But I can tell you what I think.
First, the PoV character is probably Xander. There’s a bloody fork there, and while I’m not the one who came up with the idea, (see: anderscim's post about this) that’s likely the weapon which was used to take out his eye. His wounds do look suspiciously fork-like, though I struggle to explain it without images, and I’m already stretching thin to make the image limit. I’ll have to ask you to look it up yourself.
Anyways, that may be Xander, and this may be the incident where Xander lost his eye. The reason I’m bringing it up is that, since Xander is involved, there’s a chance this is somehow related to the HPA Operation. Here’s a full transcript of what’s said:
... Fuck!! Fuck, fuck, fuck, this really hurts... Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.
So, a woman attacked Xander unexpectedly, managed to overpower him and stab his eyes out with a fork, then presumably ran away. And this all seemingly happened in some form of killing game. And Xander already wanted to kill Teruko.
I doubt Teruko was the one who attacked Xander. Because Xander calls her out by name at the end, and also because, how would Teruko be able to overpower Xander? Unless you “divine luck” your way into an explanation, I just don’t see it. In any case, it’s probably a different woman. Without knowing anything about the previous killing game, we can’t know much about this situation.
However, the fact that Xander already wanted to kill Teruko here is notable because it seems to imply this killing game happened after Mai's death. After all, Mai and Teruko had a good relationship, right? So Xander wouldn't have a grudge against her until after the HPA Operation fell through. The final conclusion here is that Teruko somehow caused Mai's death, which somehow led to the pre-series killing game. I think? Obviously, it's impossible to say anything conclusive here, and I don't even know what exactly the connection would be between Mai's death and the previous killing game.
And with that, we finish discussion of Teruko.
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Quick Side Note: The Mai-stermind Theory
I’m not funny.
So, in case it isn’t clear yet by the fact I keep assuming she's dead, I don’t think Mai is the mastermind of the killing game. I’m aware it’s a possibility, seeing as she’s very mysterious and all that, but frankly, I just have never seen anyone seriously bring up this possibility, since there’s essentially no evidence. It’s also important to note, even if she is a mastermind, she can’t be the only mastermind, since we know one of the participants of the killing game is a mastermind as well.
To be fair, I did notice some connections to MonoTV while researching. Like I mentioned at one point, they’re the only characters without any highlighted words in their subtitle quotes. And the secret quote in MonoTV’s page is “Her name is Mai Akasaki”, but frankly that feels a bit too… unsubtle. Also... no, actually that’s kinda it.
I’ve also seen some people attribute the “teacher” speech to Mai, but I really don’t think that’s her. If you don’t know what I’m talking about, it’s the text in the code of the About page for DRDT on Tumblr. Here’s a post about it by delightfullydiscordant. I won't go into their theory on it, since it's unrelated to Mai. As you'll see, there’s nothing intrinsically relating the speech to our girl, and nothing in the text suggest she’s the one speaking, so I don’t think it’s related.
With what we know of Mai, I don’t think it makes sense to call her the mastermind. I’m only bringing it up now to be thorough, and because I didn’t know where else to put it :v
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Other Characters, Miscellaneous Connections
Essentially just me talking about all the characters I haven’t covered yet, to see if any of them could have a connection to Mai or the HPA Operation than what may seem at first.
Already talked about: Xander, Teruko, David
No Evidence of Connection Beyond ‘Classmates’: Rose, Arturo, Levi, Hu, Nico, Ace, Arei, Min
What this means is that while it’s technically possible these characters are related to Mai and the HPA Operation, right now we don’t have any indication of it. Sorry. That doesn’t mean I don’t have things to say about them.
Arturo is usually so mean that, honestly, the fact he says anything positive about Mai at all makes me wonder if he may actually be related. Reminds me a bit of David’s quote, I guess. But maybe I’m just biased because I want this guy to be plot-relevant.
I guess Levi mentioning the tattoo in his line could be important, but unless he has the tattoo too (which is possible I guess, but I don’t quite see it), I don’t know what it could mean.
I could actually see Hu’s and Ace’s lines implying a connection to the HPA Operation, honestly. Seeing as they’re some of the only people who actually talk about her in the past tense, I think it’s possible they were involved. Hu would want to help Mai if she felt she “wanted to keep everyone safe”, for what it’s worth. I sorta hope Hu is plot-relevant too.
Even if Mai is talking to Arei in her current subtitle quote, I don’t see much evidence Arei would be involved in the HPA Operation.
You may be wondering about my old theory about the Sleepy MV and how it could tie back to Mai, and while I still think it's a possibility, I frankly don't believe it anymore. It requires a very specific reading of the song which I don't think is entirely accurate, and there isn't actually much connecting the MV to Mai. I still think Min's line being so overly insistent on Mai being "an average girl with nothing special at all about her" could imply their relationship may have broken down because of the HPA Operation, which makes sense. If Xander engineered the plan, obviously Min will dislike it on principle. But that's probably me trying to make Min more plot relevant than she actually is.
Only Connected via “Original Killing Game” Theory: Charles, J, possibly Ace and Arei
What the hell am I talking about? In the Color Theory reblog I mentioned earlier, I described a wild theory that quite a few of the characters we know were actually involved in that pre-prologue killing game, and we can learn who those characters are thanks to the word "original". Sound insane? It is. I won't go over the reasoning here, I'll ask you check the reblog I linked.
This is the "Original Killing Game" Theory, and it's one of the most far-fetched theories I've ever enginereed. But since it's sorta connected, I thought I'd mention it. The characters involved are Charles, Veronika or Ace, David, Teruko, J/Arei, Xander, MonoTV, Whit. I’ve already talked about some of these, and don’t think MonoTV is worth talking about, frankly.
So, why am I only bringing up Charles and J for now, as well as potentially Ace and Arei since they could actually be part of the theory depending on how you interpret the colors? Well, these are the only ones in the “original killing game” theory who I don’t think have any evidence of being connected with Mai any further. Since that theory is already insane to start with, and it’s possible Mai was already dead when that killing game started, I don’t think it tells us anything.
Although sometimes I wonder if J’s quote is talking about something other than Mariabella, but at the moment, I have no clue what that would be. So that’s still the likeliest possibility.
Eden: Eden
Eden, huh? In case you haven’t noticed, I’ve been sorta dancing around Eden’s line a bit, because… like, what in the actual fuck does it mean.
Eden: She kept calling the number, even though no one picked it up.
It’s such an odd line. It’s nothing like the other ones, which you’d think would make it significant, but it’s just… cryptic. I’m sorry, but while I think this probably means something, I don’t have a good answer of what it could be.
… Well, there is the one thing.
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Crack Theory: Mai the Girl Kisser
This theory states that Mai is the girl mentioned in Eden’s secret, the one the Clockmaker kissed.
See? Theorizing’s easy! Just grab a random character we don’t know anything about, and slap Mai on top of it like a bandaid!
I’m aware the dev has sorta poked fun at people like me who see an unknown face and instantly jump on Mai, but at least this one has a bit more reasoning. Mainly, that I just don’t know what else Eden’s quote could be referring to.
Consider this concept: Eden and Mai kiss at some indeterminate point before HP, and Eden freaks out. She gets extremely worried about how Mai’s going to react, and she runs away. Mai tries to contact her afterwards, but Eden was avoiding her. Still, “[Mai] kept calling the number, even though no one picked it up”.
Is this essentially just fanfiction at this point? Practically, yeah, but I have nothing else.
On the insane off-chance this is true, it would come with certain implications. It would mean Eden and Mai had met before going to HPA, which is… uh, something. If it helps, that would mean their relationship would have a “new beginning” at HPA, and Eden’s character has some themes of new beginnings. Her birthday is on December 31st, so New Years, and her favorite color is daffodil yellow, when daffodils represent new beginnings. It’s small, but it’s there.
(And if you know who I am, you know I believe Eden killed Arei to reunite with the girl of her secret (long story). Mai helps here because of course she would have enough rizz to make a good girl go bad, have you seen how everyone talks about her? She would get all the bitches!)
Anyways, again, this is extremely silly, but it’s sort of the only thing I can think of for Eden’s line, so for now, have it. If anyone’s got better ideas, I’m more than open to hear them.
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A Connection is More Plausible: Veronika, Whit
In no particular order, these are the characters, apart from Xander and Teruko and David, which I think have an actual chance of being involved with Mai and the HPA based on what we know so far. Let’s go a bit more in depth.
Veronika’s Peculiar Problem of Popping Up Fucking Everywhere
It is insane how many times I’ve brought up Veronika in this post without being able to pinpoint why exactly she keeps appearing. She shares the color red with Xander and Mai in my version of Color Theory, though admittedly that may just be her hair. She’s in the “original killing game” under that theory. Hell, she’ll show up again when I talk about Whit.
But by far, the most concerning thing about her is her line in the Mai page.
Veronika: A girl who didn’t foresee the consequences.
I’ve mentioned this line before, of course, because it’s clearly related to the HPA Operation’s fallout. In fact, it’s the only line apart from Xander’s and MonoTV’s which explicitly reference it. This could easily imply she was involved somehow, either as someone helping Mai and Xander, or actually going against them in some way. Whatever is more entertaining for her, I imagine.
There are two issues with this. One, I cannot discount the possibility that Veronika got that creepy and ominous line because she’s the creepy and ominous character, and it doesn’t actually mean anything for Veronika herself. It’s a very real possibility.
Two, even if she is involved, there’s nothing we have which could help narrow down what she did. Again, she’s too unpredictable.
In other words, while I’m putting Veronika here with the vague idea that she could be connected to it all, I don’t have any concrete theories.
Though maybe I should address the one Veronika-Mai theory which exists, for the sake of completion.
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Crack Theory: Veronika Is Mai
To be clear, I don’t believe this. It’s pretty clear to me that Veronika is her own character with her own backstory. But I still want to point out some connections to show you how insane I’m going writing this.
+They’re both the same height (5’8”) and have long red hair. This is enough for my prosopagnosic ass to confuse them if they change hairstyle. Their weights and birthdays are different, but weight can change and birthdays can be lied about. Their chest sizes are different, though, so I’m pretty sure that rules out this theory already.
+Speaking of birthdays, August 7th, Veronika’s birthday, happens to be 7 months away from Teruko’s birthday on January 7th. 7? Lucky number. Lucky Student. Word association -> Mai.
+Veronika covers both her arms, so no tattoo would be visible.
+Veronika asks Teruko if she would recognize her were she to wear contacts, a wig and different clothes. This could imply she is, and would therefore be Mai.
+Her pose in the character profiles is vaguely similar to Mai’s, but flipped. This is interesting because no other character’s pose is even close.
+She wears a small earring given to her by someone named “Alyssa Belyaeva”. This by itself means nothing, but the earring is a small green triangle she considers a good luck charm. Luck?! And triangles have three sides. 3?! That number we said was unlucky and related to Mai before? And green. Green?! Teruko! Auasfruryg- <- short-circuiting from thinking too much.
+Veronika has plain brown eyes. Come on, have you seen this cast’s eyes? Those are absolutely contacts.
+Her hidden quote about people being broken could refer to the hopeful Mai being broken into Veronika as a result of the HPA Operation’s consequences.
Yeah, most of this is pretty silly, but again, I don’t think this theory is very likely, so I’m just poking fun at how suspicious Veronika can be at times.
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Whit and Tetraphobia
At first, it doesn't really seem like Whit is too involved in this. I mean, his quote is pretty inoffensive:
Whit: A girl with many friends.
And sure, he is the Original Killing Game Theory, but even if that's somehow true, it's no guarantee he's involved in the HPA Operation or anything. Nothing really seems to connect him to Mai...
Except the one thing.
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XV. Remaining ignorant, isn't that "happiness"¹⁵?
XV is Whit's Roman numeral, and again it isn't too strange on its own. Other than being the only numeral to ever show up alongside another numeral, in this case Veronika's because of course it's Veronika's.
The issue is the background text. It's hard to see, but there's faint pink text saying "subtract 4, due to tetraphobia⁴". Footnote 4 simply defines tetraphobia, which is the practice of avoiding the number 4, as it's considered a number related to death, and is seen as unlucky. Of course, the fours themselves are colored green for Teruko, presumably.
But the important part is, what does this mean? The most straightforward idea is to subtract four from the numerals on screen, or perhaps the footnote?
For the footnote: Subtracting 15 - 4 = 11, quick math, and that's the footnote which talks about being an only child and that (presumably) Diana Chiem never existed. I... don't think that makes too much sense for this scene, frankly.
For Veronika's numeral, subtracting XIV (14) - 4 = 10. That's Min's numeral, which shows up in the part of the MV most directly tied to class trials. This could simply imply she enjoys the trials and the bloodshed, and it also looks somewhat mastermind-y, but that's not really new for Veronika. You could also do this one more literally, taking out 4 from 14 and ending up with 1, connecting her to Xander, and at this point I'm not surprised.
But, of course. The tetraphobia line only shows up when Whit's numeral does, and it's colored in the pink associated to him via Color Theory, though of course, being background text, the tetraphobia line isn't actually included in that theory. That would seem to imply it's about him, right?
Well, in the same vein as before, if you subtract XV (15) - 4 = 11 (XI). And... that's Mai's numeral, attached to the line "God is dead". So, uh-
Sub-Theory: Shot Through the Heart, Whit's to Blame
The idea that maybe Whit was somehow involved in Mai's death. By the end of the series, I'm gonna end up blaming half the cast for this, apparently.
So, the tetraphobia thing is the most straightforward piece of evidence towards this possibility, but there's a bit more. For one, in the recent Q&A, it was stated that Whit's least favorite color is gray because it's boring, and that's the color of Mai's numeral. Remember how I pointed out it's actually one of the only numerals to be colored? Yeah.
Furthermore, Whit's numeral appears right before Mai's, but that may just be the way the song works out, since LGI wasn't made for DRDT. However, remember that "become brainwashed: go do it!" line I said was directly after Mai's numeral? Yeah, the word brainwashed is color coded pink, connecting it to Whit via Color Theory. And, if that wasn't enough, in the section for footnote five, the one with the Japanese characters? The word blood shows up, in pink, as the song speaks about revolutionaries. Yes, DR blood is pink usually, but there is red blood in the MV (near the snake), and the characters canonically see it as dark red (since that's the stated reason why dark red is Xander's and Charles' least favorite color). My point is, the dev could have made the blood red there, and/or just written the symbol for blood in red, but since it's pink, Color Theory ends up connecting it to Whit.
All of this could point to Whit as another culprit of Mai's death, but don't jump to conclusions. For one, since we have no clue about the circumstances, perhaps he only accidentally caused the death. We've seen that Teruko is also likely to blame in some way, probably in a similar fashion. And because it may have been accidental, this also doesn't mean Whit has to be the mastermind. It makes him look oddly suspicious, sure, but nothing too damning.
And of course, there's a huge chance I'm reading too much into things. There are other explanations for brainwashed and blood, and it's still totally possible that the tetraphobia thing refers to Veronika or even the footnote.
A Summary of Her Story, So Far
To end things off, I'll go over everything I've concluded with what we know so far, though of course I know we're missing a lot, and that a ton of this is also probably wrong. Here's how this is going to work.
Regular text means this is something we pretty much know for sure.
Italics means it's a theory I'm quite convinced of.
[Brackets mean I'm relatively unsure about something]
*Asterisks mean the theory is insanely unlikely, and it can probably just be assumed false*
{Braces are for flavor text, you can ignore this for theorizing purposes}
Closing Argument
>Mai was born February 1st, 20--, to a nice family she loved. We know little about her childhood, but [it's possible she was friends with or somehow got interested in a girl named Teruko Tawaki. However, fate kept them apart for years]. But Mai was not easily deterred, she would search for and find Teruko, no matter what.
>*As she searched for Teruko Tawaki, she met a girl named Eden Tobisa. They kissed, but Eden freaked out and ran away. Mai tried contacting her, she kept calling the number, even though no one picked it up.*
>At some point before Hope's Peak, her and Teruko reunited. *Even when Teruko couldn't recognize her and even struggled to remember her name*, Mai still remembered everything that was important for Teruko, as she always did.
>Mai and Teruko, loving each other so much, decided to get matching floral tattos on their arms. White camellias, a symbol of adoration and respect.
>{But fate really didn't like to see them together.} Soon, Teruko received a letter, teling her she was chosen as the Ultimate Lucky Student of Hope's Peak's [West Class 27]. This was uncharacteristically good luck for Teruko, who before had to hop around schools, always stealing uniforms, just to get an education.
>{The problem?} At the same time, Mai received a letter that she was invited to join Hope's Peak's East Class 27 as their Ultimate Lucky Student, on the other side of the country. Mai never really cared much about Ultimates or Hope's Peak, {but Teruko insisted it was too good of an opportunity for either of them to pass up. They decided to keep in contact,} as Mai headed to East Coast Hope's Peak.
>Alexander Matthews is scouted as the Ultimate Rebel. David Chiem is scouted as the Ultimate Inspirational Speaker.
>At Hope's Peak, despite being an average girl with nothing special at all about her, she quickly became a girl with many friends. She saw the beauty in everyone, and everyone agreed she had a bright future. Everyone confided in her, J even telling her about her mother, something which Mai kept secret, and told no one.
(Okay, maybe fitting in all the quotes isn't as easy as I hoped it'd be)
>*She even reunited with Eden, and they decided their relationship would have a new beginning*.
>However, she also met a very interesting boy: Xander Matthews. He had gone to Hope's Peak with one goal in mind: revolution. He confided in her, as they all did, his issues with Hope's Peak and the system it was built upon. Mai was revolted by the truth, and asked what she could do to help. She couldn't stand to do nothing. She wanted to keep everyone safe.
>With that, the HPA Operation started.
>They started small; stealing a few documents here and there. [But their plans grew bolder over time.]
>[Along the way, they discovered something shocking]. David, who always spoke of change and hope, was hiding his true feelings. He didn't see himself as human, not being able to relate to his peers as the others did. He saw himself as a manipulative bastard for lying to all the people he gave speeches to. He hated himself, and expected Mai and Xander to hate him, too.
>[But they didn't. Xander still saw the best in him, and Mai? Well, Mai forgives everyone. And to make him see the good in himself, they asked him to help in the HPA Operation]
>He didn't understand it, not really. The world wouldn't change, no matter what Mai and Xander told him. But even though he didn't understand, he still wanted to help them.
>As the popular Ultimate Inspirational Speaker, David had more connections and influence than a simple Rebel or Lucky Student. That meant he could offer things to the Operation the other two couldn't, even if it was through... less than moral means. But to David, that was no object. He would become a villain in pursuit of their dream, throw away his humanity for this ideal. It's not like he could have ever been human, anyways.
>*Not everyone was as receptive, though. Min in particular, after finding out about the plan somehow, got quite angry with Xander and Mai. It wasn't unusual for the Student and the Rebel to disagree, but Mai still didn't like it when her friends fought*
>Mai knew it was risky, she really did. But nothing could prepare her for what was about to happen. She didn't foresee the consequences.
>[When Teruko was visiting], the HPA Operation faced a huge issue. A plan gone wrong, a variable miscalculated. And, with Teruko to blame, [and possibly Whit] *and Veronika, who got dragged into this mess at some point*, Mai died.
>{Chaos ensued. Mai's death broke the class, reverberating through the students like the rumbling of a fallen god's corpse. "It's all your fault!" Xander screamed at Teruko,} hiding that he felt responsible for her death as well. After all, he was the one who had dragged her along. And now, he was once again left alive to mourn a death he himself narrowly avoided. Talk about survivor's guilt.
>[One thing led to another, and a killing game was set up]. Xander and Teruko got stuck in it, with Xander losing his eye as he tried everything he could to end the game, or at least kill Teruko. *Charles, Veronika/Ace, David, J/Arei and Whit might have also present in this killing game, ran by MonoTV.*
>More stuff happened, and finally, the students all lost their memories and wound up in the killing game we follow throuhout the series.
>A shattered dream, a tragic fate, a broken hope. Though mystery continues to shroud her existence and her role in the story, for now, this is my final conclusion on the story of: Mai Akasaki, the Ultimate ???
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Holy hell this was pain to write. I don't want to make another post this complicated for a while. Jesus. This broke my soul.
Anyways, I hope you enjoyed my insane ramblings, if you really were strong enough to put up with my madness for this long. I still want to hear any thoughts you may have, since this character is really interesting and cool and fun to theorize about.
But for now, I leave. Thanks for reading! If you made it this far, then just know, Mai would be proud of you! And you should know, because you should practically be a scholar on her by now. Take care!
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agendabymooner · 11 months
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if not for you ! daniel r. x ofc (måneskin member! ofc) // toto w.
SPIN OFF for COLOUR ME YOUR COLOUR and RUSH
"there'll be no spring if not for this love of mine"
summary: posts and tweets exchanged between lester and others during the baku race weekend as she babysat toto and tilly wolff's children. OR chaos ensues in the paddock and the hospitalities as the wolff kids and an asshole ex-lover (is he really?) made their presence known to almost anyone
content warning: character-centric, mentions of questionable man, appearance of characters not yet shown in the series colour me your colour, toto wolff being canonically fashionable, use of explicit language, faceclaims used for the kids, danny is full on babygirl in the instagram comment section. f1 drivers being messy.
note: sorry for the awol guys, i was walking my fish. tomorrow is the start of the canadian gp 2023 and i am sad that i am not there. maybe next year when i have the money? or maybe when i work for pr. who knows. since i'm not there, i'm just celebrating and writing this.
ALSO!! should i do a blurb or something relating to lester babysitting the paddock kids- like the wolff kids? i've started on it but...
enjoy xx
masterlist
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[first image dialogue: i don't normally look at the time because i dress faster than this. i even dress ren and tia for less than seven minutes and they're always dressed nicely for their music classes]
[second image: if they're dressed ten minutes after, that's not my doing; toto dresses them and he struggles a lot. he mostly gets them ready if he's taking them to work or if i'm off to a meeting in milton keynes]
[third image: we've made a lot of trips to ralph lauren and tommy hilfiger because he thinks that he can just mix and match the clothes that we got there for the bunch. said it's a "capsule wardrobe." that's what happens when you're married to a fashion expert, i suppose.]
[fourth image: you'll be able to know if he dresses them once you see the jumper/dress shorts/trousers combo or the dress/jumper combo. you'll know he did the preparing if tia's hair is put in place with a hair clip. she loves it when her papa puts in barrettes in her thin hair.]
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tagged tillywolff, mercedesamgf1, redbullracing
view 32142 more comments
carlossainzjr ay, i didn't know they were running a barber shop! i need a haircut
tillywolff i don't recall buying that toy set for them 🧐
charles_leclerc maman said to get it for them so it can remind them of their mamé pascale
tillywolff thank you so much for taking care of ren and tia! i've been told they enjoyed being with their zia lori. maybe you can take care for adelmo next time? liked by loressandro
loressandro i will definitely set up a playroom for the next time!
landonorris thank you so much tillywolff for the best hairstylist ever 😇 i got the best trim in the grid right now and no one can outdo it
mercedesamgf1 boss is asking who's responsible for allowing one of the wolff puppies drink red bull? just asking for research purposes 😊
charles_leclerc maxverstappen1
lewishamilton maxverstappen1
user1 LMFAOOOO not lewis and charles snitching on their in-law 😭
charles_leclerc user1 i need to be in toto's good graces again.
maxverstappen1 it's a red bull water bottle 💀 stop trying to push me back at the starting level mf charles_leclerc
user2 those kids are so toto coded 🥰
user3 if you can survive lando, you can survive the wolff kids 🙌 liked by loressandro
danielricciardo if you can survive the wolff kids, you can survive our kids 😘 liked by loressandro
thomasraggi_ yeah but try surviving her kids 💀
ykaaar you're about to have the BEST years of your life, danny
ethaneskin alessandro-ricciardo kids bout to treat the tracks like mario kart deluxe 🤡
loressandro guys please... this is the only man who's willing to put up with me. stop scaring him away
danielricciardo i'm not scared, i am challenged 😎
landonorris danielricciardo mental health wise? bc same.
danielricciardo when are we having our little ricciardo??
loressandro depends if your swimmers are still working in few months or years. also if you stop laughing at your own nephews and nieces, dickhead
danielricciardo got it ma'am. anything just to have your kids <3
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187 notes · View notes
dreamingofep · 1 year
Text
Strangers in the Crowd pt. 5
(Elvis/Austin!Elvis × reader)
Character/Fandom: Elvis - Elvis (2022)
Request: No, just another one of my delusional fantasies.
Prompt: You and your best friend are on are annual girls trip and go to see Elvis at the International.
Little did you know this would be a show you'll never forget. Fem!Reader
TW: SMUTTT, cussing, fingering (f. receiving) teasing/ tension, oral, the usual really dirty stuff.
Rating: Explicit/Mature (NSFW, 18+, so minors Do NOT Interact)
Word Count: 6.7k
A/N: Hi lovlies. Thank you for being so patient! Sorry it took so long for me to write this part but hopefully it was worth the wait! I’ll never get enough of 70’s Elvis🤭 Get ready for some smut, and more smut… I went overboard lol.
Feel free to message me or comment what you think!
Thanks for all the love. Sorry for any spelling mistakes or goofs.
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Tell me you’re mine…
His words give you goosebumps and echo loud inside your head. Your answer came flowing from your mouth so easily, it was at the forefront of your mind from the moment he met your eyes and pressed his soft lips onto yours.
Elvis is still cooling down and heat slowly radiates off of him. He grabs his robe and wraps it around himself and brushes his damp hair off of his forehead. He takes some deep breaths before facing you again, still sitting on the table. His eyes bore over your body and he goes to grab a blanket off the back of the couch. Unfolding the blanket in front of you, he wraps the warm, soft blanket around your shoulders, scoops you up off of the table, and carries you off into the bedroom.
The low-lit room feels safe with Elvis’s arms wrapped around your body as he gently places you on the bed, the pillow resting comfortably behind your neck. He places gentle kisses on your forehead and caresses your face. You sigh at how tender he is with you and wish you can live like this forever.
“Why you gotta be so stubborn, honey? Why are you so afraid of being with me?” He asks softly, his icy blues calm and serene compared to the fiery storms they were. You look at him with pleading eyes, the silence in between you two is deafening. You play with your rings in a nervous state and try to muster up the words that will show him how you really feel.
“I’m sorry, all of this is so overwhelming. I met you last night and I just…. Never really thought you’d care so much bout me. I’m just one girl.” You say insecurely.
“Honey, I care about you so much. I want you, and I mean it. Please be with me, I want you here. I haven’t felt like this for anyone in a really long time,” his boyish charm shines here and his voice dips low, showing his own insecurity.
Your heart melts for him, seeing him not as the untouchable force of Elvis Presley, but just a fragile, lonely man needing love. It feels silly the more you think about it how it never crossed your mind how sensitive he may be. The image of a man is one thing, the human being is another.
You inhale deeply and meet his eyes again, “Elvis I want you too, more than I can ever show you. I don’t want to, but I have to leave tomorrow,”
“But I can give you everything right here. I promise to take good care of ya,” he coos, “how many times do I need to prove that to you,” he snickers into your ear.
You blush at his tempting words and shake your head.
“Elvis I’m finishing college, I have a few more weeks to go. I really need to go back and finish and graduate. I can’t put my entire life on pause,” you say regretfully.
He gets really quiet and looks away.
“Would you like to visit Graceland on the weekends when you’re free? I don’t think I can not see you for so long,” he says in a hushed whisper and kisses your lips softly.
You sigh into him, wanting to succumb to every last wish but reality does set in and you know that’s just not possible.
“I can try. I’d love to see Graceland. It looks beautiful in pictures,” you say as you look at his gleaming eyes.
This brings a cute smile to his face and he nods in agreement.
“Graceland is wonderful dear. You’d love it. It’s my true home.” He takes a pause, “Can you stay one more night with me? I don’t want to wake up without ya,”
“Yes, I’ll stay with you,”
You get comfy on his chest as he runs his fingers through your hair. You didn’t realize how tired you were until you closed your eyes and the darkness of sleep takes over.
*
Your eyelids flutter open and feel Elvis’ arm around your shoulder. Your head is on his chest, rising and falling with the pattern of his breathing. You hear his heart beating away, ringing like music to your ears. Your hand rests gently on his stomach and the feeling of his soft silk pajamas on your skin feels divine. You rub your fingertips softly over the fabric, down past the waistband of his pajama bottoms. There you pause as you feel the outline of his cock, soft, but laying heavy down the side of his leg. You hold your breath as you continue to run your fingertips along his shaft. Your body aches for him, doesn't matter what time it is, you just want him and for him to be showering you with love and affection.
You carefully adjust your head and your body lower, hoping Elvis won’t wake up.
Your hand skims over the soft silk and around the length of him. You want him, more than it’s possibly feasible and your mouth waters at the idea of having him.
You slip your hand under his pajama pants and wrap your hand around his girth. You feel the length of him respond to your touch and grow harder. The heat from the blood rush to his cock and you start to slowly pull his length above his waistband.
You pull back his foreskin and start to slowly jerk his cock in your hand. Heat rushes to your core and you feel the wetness start to pool. His length gets hard in your hand and the sight of him has you completely weak for him.
You wrap your lips around his head and slowly lick, sucking lightly. You feel his body stir, responding to the attention he is getting. You take more of his length, swirling your tongue on his shaft. He inhales deeply and lets out a grunt as you suck more on his length.
“Goddamn mama, whatcha’ doin’ ta me,” he slurs sleepily, his hand reaching for your hair.
You hum slightly and suck harder, causing him to moan heavily. You lower your hand to gently cup his heavy balls, massaging them softly with each suck. His hips jolt forward when he feels this, letting out another moan that sends a shockwave straight to your core.
He tightens his grip on your hair and pulls your head up to look at him, making you whine.
“What’s my little girl think she’s doin’? Being bad so early in the morning,” he chuckles.
You nod your head at him with pleading eyes and bite the inside of your cheek.
“I’m just trying to take care of my baby. Want him to feel good for the day,” you say sensually as you stroke his dick in your hand.
His hips involuntarily move up with your motions and he clears his throat.
“Let me teach you how to do that honey,” his voice deep and full of temptation.
You sit on your knees and watch as he sits up, taking your face in his hands and kissing you intensely. His hands wander down your chest and finds your erect nipples. He plays with them in between his fingers and puts pressure on them causing you to moan softly. Elvis’ eyes look calm, but nevertheless intense.
He scoots up higher on the bed and sits back with his head resting comfortably against the lush pillows. You watch as his slender fingers work the button of his pajama top and start to take it off of himself. He spreads his legs open a bit and you stare at the most perfect-looking man in front of you, tan skin glowing, his raspy southern drawl luring you in like a siren would.
“Come mere’ lil’ mama. Lemme teach you how to ride me,” he tantalizes, his hand wrapping around his length, slowly rubbing the precum that is leaking from him. You swallow sharply, nerves sizzle through you and yet you are so turned on. You want him to take care of you, but nothing sounds more tempting than for you to have the control and fuck him.
You nod your head and straddle his narrow hips, his cock resting up on your mound and the heat of it making your core drip with wetness. You stand up on your knees and wait for his instructions readily.
“I want you baby, please show me what you want,” you beg, ready for him.
He smiles and starts to rub his length through your sopping folds, coating his length. You gasp at the sensation and feel the throb in your core become more prominent.
“Okay honey, I’ll show you,” he shifts your hips and aligns his cock to your entrance, and rests it there, “I want you to sink down just on the tip, feeling it rub on your walls, slowly stretching you to get ready for the rest of me,” you instantly whine at his words, craving him carnally.
You lock eyes and you feel both of his hands on your hips, hovering over his cock, and slowly sink you down on him.
You bite your lip as you feel him start to enter you, and he lifts your hips up and holds you there. You moan at the loss of him inside you and stare at him with pleading eyes. He tuts his tongue softly and squeezes your hips.
He lifts his hips up and enters you this way, only putting the tip inside, and taking it out over and over. This drives you mad, you want him to let you take over and release a frustrated moan. Suddenly, he lets go of your hips and moves his hands up to your face, placing it on your jaw.
“Take more of me, baby,” he instructs.
Your instincts take over and swivel your hips, taking more of him and sighing when you feel him stretch you. He moans with you and watches as you enjoy moving up and down on his length, finding the perfect angle that makes your eyes roll back. He feels so irrefutably good, the way his hard length fills you up so completely and has you clawing at his for release.
“Being so good, taking this cock so well,” he praises as he takes your breasts in his hands and squeezes them with his large hands. His breathing becomes labored and his eyes drink in the sight on top of him. How you roll your hips with him and hit that spot inside you that could send you flying. How you claw at his chest when you put more of him inside you. You take inch by inch of him, feeling your walls taught around his length giving you the most fervent feelings surging through your body.
Elvis puts his hands back onto your hips and smiles up at you, “I want you to take all of me now baby, want you to bounce on me and come apart like that,” he says in a hushed whisper. Your heart races uncontrollably, so turned on, and yet a bit scared too.
You take more of him and feel the overwhelming sensation of him getting deeper inside you. “I don’t think I can…” you say breathlessly.
“Yes you can baby. You like it when my cock is stuffed inside you like that. I want you,” he coos as you feel his cock twitch inside you.
You know he’s right. You want him more than anything right now and to have him hit your most sensitive spots deep inside you. You bounce on your knees more, taking it slow and watch how he gets a crooked grin on his face watching you get off on him. You ride him faster, snapping your hips at the perfect angles that make you want to scream.
Your walls begin to flutter as you bottom out on him and cry out. You grab onto his shoulders and ride him harder, the obscene sounds coming from you fill the otherwise silent room and Elvis is loving every moment of it.
You lean your head back and he watches how his length disappears completely inside you every time you sink down.
You start to lose control and grind back and forth, rubbing your clit on the base of his cock. You gasp as you feel your coil about to snap and you stare at Elvis with wide eyes. He helps you rock into him more and without saying a word, beacons you to give into him.
You cry out his name when you feel your orgasm washes throughout your body. Your toes curl and you squeeze your eyes shut as you ride out your high.
You hear his groans grow louder as he feels you squeeze his length over and over. His hands grasp all over your body all at once, like he is so overwhelmed by it all and doesn’t know where he wants to touch.
“Aw hell mama, you’re gonna make me cum,” he moans as he reaches to grab a fist full of hair. You moan his name as you continue to buck your hips on him.
“I want you to cum,” you moan breathlessly, “cum inside me please, Elvis.”
A deep growl comes out of him and he squeezes your hips as he moans in pleasure and you feel his cock twitch. Hot spurts start to coat your walls and his hips buck up with every movement. You cry out for him, wanting him to keep going and make you feel even more incredible. The grunts that come out of him are animalistic and everything about the sounds of it has you hooked. You never want to stop having him make those sounds for you.
Your body gives up and you collapse on top of his chest. Your body trembles and you hold onto him tightly as if you’re about to fly away. Both of your chests are heaving and try to soothe each other down by running your hands in each others hair.
You look into his eyes and look at him in awe.
You start to giggle and he starts to laugh with you.
“What are you laughin' at woman,” he teases and tickles your side causing you to laugh more. Tears start to slide down your cheek from laughing so hard.
“I’m just… I loved that. I have never come so much, you felt great,” You say embarrassed as you cover your mouth with your hands.
“Mmm good baby, I can say the same for you. You looked so good. I could watch you do that over and over,” he says and you blush bashfully.
He really likes to watch… you think.
The silence grows loud around you two and you get off of him and cuddle close to him, resting your head on his chest.
“I wish you can stay longer with me. I have so much more to learn about you,” he quips.
The blood rushes to your cheeks, still shocked that this man is so attached to you despite being able to have any woman he wants.
“I know, I feel the same. But I really need to get back. These last few weeks are crucial for me,” you say gently.
“You never told me what you’re studying,” he says inquisitively.
“Oh, yea I guess I forgot. I’m studying Journalism. I think it’s really important, to tell the truth and tell the world that. I’ve never seen myself do anything else. I think it’s my calling or something,” you stop yourself not wanting to sound too cheesy.
“I love that darlin’. You’re gonna be a great journalist unlike a lot of them nowadays. I can see you on the tv now,” he teases.
“I don’t think the tv thing is for me. I would much rather focus on writing. I think my best ideas come to me when I have a pen and paper in front of me.”
He smiles and his eyes light up as he looks at you with amazement.
“You’re really something. I’m just so happy we found each other,” he says softly leaning in to give you a warm, wet kiss.
You sigh into the love he’s giving you. You are beyond thankful you decided to see Elvis’ show and be that stranger in the crowd and feel like two magnets trying to meet for the first time.
Another wave of emotions wash over you and you feel tears start to well.
“Me too, Elvis. This was a trip we’ll never forget.”
He placed a few more kisses on your lips and sees the emotion about to spill over. He holds you tight and tells you it’s going to be okay.
“Would you like some food before you go? Can’t have you going hungry.” He says tenderly.
“Mmm yea, I can go for some pancakes and bacon.”
“Okay honey coming right up,” he puts on his pajama bottoms and walks to the phone on the desk across the room. You sneak into the bathroom and wash your face and grab a robe from behind the door.
*
After breakfast, you start to gather your things and make the painful goodbye. You get dressed and decide to put on a lilac sundress that was conveniently placed in the bathroom for you. You step out of the bathroom and see elvis standing by the window in a black long sleeve with sliver cherry blossoms on it and black slacks. His hair was perfectly put into place and his sideburns trimmed made him look even better than usual.
Fuck he looks good…
Get a grip, you think to yourself. Everything in you was telling you to not go but you knew that just isn’t possible.
You sit on the bed staring up at the ceiling, taking this all in and remembering every detail of the wildest 48 hours of your life. None of it feels real but based on how your body feels, it was very much real.
You feel the bed sink down beside you and you feel Elvis wrap his arm around you. The warmth of his body next to yours makes you sigh with comfort and you snuggle closer to him. There are so many emotions going around on in your head and you’re on the cusp of crying. But you hold it together the best you can. You told yourself a million times to not get attached but here you are, about to go and feelings bubbling up like lava.
“Thank you, for everything. I had a wonderful time.” You say shyly, realizing how dumb you sound for thanking him for fucking you.
“Me too darlin’. I’m gonna miss you,” he says as he squeezes you tighter. “I’m serious about you coming to Graceland. Give me your number so I can let you know when things can be arranged,” he reaches for the nightstand where there’s a small notepad and pen.
He hands you them and you scribble down your number and put a heart at the end of it.
You pathetic little girl.
“I’ll be waiting for your call,” you wink at him. He grins cutely at you and kisses you on your forehead. You breathe deeply through your nose and let the scent of him wash over you. The impeding silence fills the room again and you nervously pick at your nail polish.
He shifts slightly on the bed and you can tell he is a little nervous about something.
“What’s wrong?” You ask.
“Well, umm… before you go. I was wondering if I could take some pictures of you?” He says shyly with that little boy innocence.
You blush immediately and press your lips together, “Yea I don’t mind. Do I look alright?” You ask straightening out your hair, pushing it to the front of your chest and smoothing out your dress.
A small crooked smile forms and he nods at you, “just perfect honey.” He reaches into the drawer of the nightstand and pulls out a Polaroid camera. He checks to see if there’s film in there and pulls out another pack of film and puts it on the nightstand.
You start to stand up when he puts his hand on your shoulder, “I think you can stay on the bed. You look gorgeous in my bed,” the possessiveness rolling off his tongue so easily and barreling right at you. You decide to play his little game and sit up with the pillows behind your back. “I’ve only got 10 of these so hopefully we can get a few good ones,” he teases.
You stretch out your legs and smooth out your dress over your thighs. You look up at him and he’s staring at you like you’re his next meal.
“Okay, tell me how to pose,” you say cheekily.
He nods his head at you, “stay just like that pretty girl, give me a smile,” he says playfully.
You tilt your head a bit to the side and give him a teeth-baring smile and you hear the shutter.
Click…1
He hums softly to himself and pulls the Polaroid out of the camera and shakes it a bit.
“This one is going to be a cute one,” he quips.
You giggle at him and get ready for the next pose he wants. He sits down on the bed to get a better angle and raises the camera to his eye.
“Hmm, now blow me a kiss doll,” he says.
You smile to yourself and pucker your lips at the lens and put out your hand in front of your chin to make it seem like you’re blowing a kiss to him. You hear the click and the flash of the bulb goes off.
Click…2
He takes out that picture and gives it a shake and puts it to the side. He has this ear-to-ear grin and you can’t help but gush over the fact that Elvis Presley finds you this attractive.
You insecurely bite your finger and look down. A low grumble comes from his chest and you look up to find him looking at you with need. You start to put down your finger and he stops you.
“Do that again honey. You look so good like that,” he says quietly as he lifts the camera in your direction. You listen to him and make the same gesture and look up into the lens. Your heart starts to beat faster not out of nervousness but more out of enticement.
Click…3
Elvis bites his lip looking at you and gets that fiery look in his eyes and you know he is thinking about things he probably shouldn’t be. He leans in and caresses your face and kisses you. You moan into him. His thumb rubs on your cheek as he breaks the kiss. He rubs it along your bottom lip and he puts the camera up to his eye.
“Open that mouth for me, baby. Show me how I taught you to suck on me,” he commands.
This sends a shiver down your body and you breathe in heavily. Your core starts to grow needy and you feel yourself starting to get wet for him. You bat your eyelashes at him and open your mouth and he pushes his thumb inside you. You swirl your tongue around his long digit and close your mouth around it and suck. You let out a small, airy moan. You continue these motions and look at Elvis behind the camera. His cheeks are starting to flush and his chest begins to heave.
“Fuck,” he moans.
Click…4
Your whole body is buzzing and you want to keep making him want more. You brush the straps of your dress off your shoulders and cup your breasts in your hands and squeeze them lightly, making them look extra full. 

“Take one like this honey,” you say sensually. You bite your lips gently as you watch him raise the camera.
Click…5
“You’re trying to kill me I just know it,” he says exasperatedly. He brushes his hair back with his hand. You give him a cheeky smile and reach out your hand to place it on his thighs. You give it a small squeeze.
“What else would you like from me?” You pause as a devilish idea enters your head. “You probably wouldn’t want to see how wet I am for you,” you say.

His eyes grow wide and he clears his throat. Your heart pounds away with what you’re about to do. You start to sit back and lift both of your legs up and spread them open. You slowly start to scrunch your dress in your hand, carefully lifting it up, a sliver of your panties becoming exposed.
“What? I thought you like to watch, baby. Are you gonna just stare at me or take the picture, honey?” You quip and give him a mischievous grin. You have no idea what has come over you, this type of display would have scared you half to death a few days ago. He groans and leans back and sets up for the shot.
“Naughty, naughty girl,” he mutters under his breath.
Click…6
You look over at Elvis and see his cock straining in his pants, leaving a hard imprint down his leg. You start to get flustered by just the sight of him. You feel the heat coming off of him and crave for his touch. Scrunching up more of your dress, you lift it up to expose your wet panties, showing Elvis the wet spot that has accumulated there. He takes in a sharp breath as he sees you laying there waiting for his next command.
“Mmm, I see those soaked panties baby. Show me that weeping pussy,” he coos. Your heart thumps loudly in your ears and you stare at Elvis’ dominant eyes. Your fingers play with the lace and feel the wet pool that has formed at your core. You watch as he looks wide-eyed and starved for you. You play with the elastic of the waistband and pull it down, then back up, and he lets out a frustrated grunt.
“Oh, you want to be a tease?” He questions sternly.
You press your lips together to hide the smile you want to give him. You should listen to him, you think, you already know what happens when you don’t listen to him…
“Maybe a little,” you say sheepishly, looking up at him with doe eyes.
“Hmm, I guess I need to make you listen,” he says shortly, a devilish gleam in his eyes.
He reaches out his hand and rubs his fingers on your soaked panties. He moans when he makes contact with your throbbing core and moves his fingers in a circular motion over your sensitive bud. Your eyes roll back as you feel the much-needed friction on your clit. He moves your panties to the side and exposes your core to the cool air of the room. He rubs his long finger through your sopping folds and gathers the wetness on it. He then slips it in your taught hole and you whimper out.
“Look at me,” he says sternly, “Look what a needy slut you’re being.” You bite your lip as he slowly moves his finger in and out of you, the wetness seeping out of you with each movement.
You look at him, watching him point the camera to you, and hear the shutter yet again.
Click…7
He curls his finger deep inside of you and your hips involuntarily buck up. You try to hide the moan emitted from your throat but he only makes it come to the surface as he pumps his finger faster into you.
“I want to make you cum lil’ mama. I’m gonna get it on film. Put your fingers inside of yourself now and show me,” you moan at his words and your hand instantly move to your throbbing core.
He slides his finger out and you put two of yours inside yourself. You moan his name and curl and pump your fingers in and out of you. Looking at him, his eyes blown wide and his free hand lazily rubbing his cock through his pants. You groan loudly, “Elvis, please.”
“Being sucha good girl finger fucking yourself. Making me want you so bad,” he groans sensually. His words make your core clench around your fingers and your mouth forms into an O shape.
Click…8
You start to become desperate and feel the coil in your belly tighten by the second. You desperately want to do as he says.
Elvis reaches over again and grabs your breast and squeezes it, pinching your nipple, making you gasp.
“Cum for me darlin. I wanna see you,” he begs. You move your other hand and start to move it on slow circular motions on your clit, working yourself up to the brink of ecstasy. You fingers move faster and you curl them as Elvis would do to you. You squeeze your eyes closed as you feel your coil snap and you moan out his name over and over. He watches with intensity as your core flutters around your slender fingers. The sounds of your moans and the squelching coming from in between your thighs fill the room and then, the sound of the shutter.
“Fuck mama, just like that.”
Click…9
Elvis groans deeply and reaches for your wrist and pulls your fingers out of yourself. You feel the wetness seep out of you and Elvis aims the camera at you.
Click…10
You lay there breathless, your body tingling from the high you’re coming down from.
You glance back over to Elvis and he look awestruck.
“Did I do okay?” You ask coyly, hugging your knees to your chest.
He scoffs at you and shakes his head, “you were beyond good, baby. I-I-I don’t know what else to say,” he smirks at you.
He looks over to the discarded photos that are developed. You can’t help but blush at the sight of yourself on display like that.
You lean over to the nightstand where the extra film is and grab the camera out of Elvis’ hand. You take out the used cartridge and pop in the new one. He gives you a confused look and tries to grab the camera from you. You pull it out of his reach and raise it up above your head.
“Oh no, no, no. I think It’s only fair I get some pictures of you too honey. Please? Can I take some pictures with me?” You plead, your hand traveling up his leg, barely grazing his hardened cock.
He takes a sharp breath in through his teeth and squirms a bit.
“Ah hell mama, I don’t know…” He trails off.
“Please baby, I’m gonna miss you so much. I want pictures just for me.”
It only takes him a spilt second to change his mind once he sees your pleading eyes.
You smile proudly, happy you’re getting exactly what you want. You both switch positions on the bed and you raise the camera to your eye.
“Smile for me baby,” you tease like he did to you.
He presses his lips together, then flashes you that million dollar smile.
Click…1
“Now its time to give me a kiss,” you say cheekily. He can’t help but laugh at your antics and he tries to hold it together.
He puckers his lips and winks at you.
Click…2
He looks so damn good. You want to tease him just as much as he did to you and you know he’s not going to like it.
“I want you to touch yourself honey. Show me how bad you want me,” you say cutely.
“Woman I swear…” He trails off.
“Show me, please,” you beg.
Elvis groans heavily and his hand travels down to his length, rubbing it slowly through his pants. He holds his hand at the tip of his cock, perfectly showcasing his entire length in his pants and you know that’s the shot.
Click…3
“You look so good baby,” you praise. You can’t help but feel your own cheeks getting flush through this whole ordeal.
“Now I want you to take off your shirt and pants for me,” you plead.
He tuts his tongue, “what am I going to do with you,” he mutters.
“You can worry about that later, right now you need to listen to me,” you say firmly.
He hides the smile on his face as he looks down, unbuttoning each small pearl button and pausing to look at you mischievously. He discards his shirt on the foot of the bed and then reaches for his pant’s button. You watch as he slowly drags the zipper down and hooks his thumbs into the waistband and pulls them down achingly slow. He keeps eye contact with you, waiting on you with bated breath and groans slightly when he feels the friction of the pants coming off of him and rubbing along his cock.
His pants finally fall to the ground and he kicks them to the side, standing there completely naked. Your eyes wander every inch of his body and you can’t help but bite your lip when you see his length. He looked so good, his head leaking with precum and red.
“Mmm looking so perfect honey. I want you to take your hand and slowly jerk yourself off for me,” you direct as you raise the camera up to your eye. He takes his right hand and wraps it around his length and starts to ceremoniously pull and hold his foreskin back, using his thumb to spread his precum around the tip of his shaft and he looks up at you through his long lashes. You feel yourself melting into a puddle watching this incredibly powerful man succumb to your every last wish.
“Get on you knees now,” you say. He takes a sharp breath in and watch as his eyes go aflame. He sees the game you’re playing and wants to see how far you’ll take it.
He kneels down and sits on his heels, his cock still in his hand. You stand up and press the button.
Click…4
You feel completely weak for him like this, it takes everything in you to not tell him to fuck you right then and there.
You sink to you knees and place your hand on his shaft, using the similar motions he was making. He instantly groans and looks up to the ceiling, the veins along his neck protrude and you want to take a bite right there.
Instead you place a long kiss there, sucking at the sensitive flesh before parting your lips from him. You continue to move your hand and point the camera lens down.
Click… 5
Elvis lets out a frustrated moan and grabs your wrist and pulls your hand away from him.
“You’re succeeding in making me desperate for you, is that what you wanted?” He grins coyly.
“Yeah, just a little,” you say matter of fact, “I think you should take these last four pictures. You’d probably get a better angle,” you say and wink at him. He swallows sharply and takes the camera from you.
“What did my naughty girl have in mind?” He says low, his voice raspy.
“You should probably stand up for this,” you say.
He gets up and you remain on your knees, excitement coursing through your chest.
You place your hand on his cock and look up at him looming over you.
“I think now would be a good time to take a picture baby,” You tease.
He bites his lip and nods his head in agreement.
Click… 6
You start to place soft kisses up and down his thighs, getting dangerously close to his most sensitive spots. He leans into every touch and you can feel his body quiver in your hands.
You finally give what he wants most and wrap your lips around the head. The gutteral moan that comes out of his mouth sends an electric shock straight to your core. You continue to tease and only give him as little as you can. You flatten your tongue along his shaft and he produces another deep groan.
His hand finds your hair and he wraps his fingers around it, making you a whining mess.
You look up at him innocently with his cock in your mouth and it doesn’t take him long to figure out what you want him to do next.
Click… 7
He releases your hair for a brief moment to take the picture out of the camera and toss it on the bed, then his hand goes back into your hair, pulling it taught.
“Please take more of me baby. Show me how well I taught you to take this,” he says.
Your mouth waters at his words and you instinctively take more of him, swirling and sucking on him. He uses his hand to gently bob your head up and down along his shaft and he moans more.
Click…8
Your core tightens and you feel wetness drip down the side of your thigh.
Drool dribbles down you chin as more of his length fills up your mouth.
His breathing becomes heavier and the gruffness of his voice becomes louder. Your hands trail up and down his thighs, tightly squeezing them as you prepare to take more of him. You wrap your hand around the base of his cock and then you hear the shutter.
Click…9
Elvis moves his hips with you as you suck on him, bringing him to the edge. You feel his cock twitch in your mouth and you know he’s not going to last much longer.
“Oh baby, I-I-I’m gonna cum… I’m gonna cum all over your face.” He says in a rush.
You moan at his words and feel him take his cock out of your mouth. You watch as he jerks it in his hand and the thick, white spurts hit your face and tongue.
He lets out loud moans and being a tingle to your core. Drips of his cum go onto your chest and take your finger and lick it up. This produces another wave of pleasure and another groan from Elvis.
Click …10
Elvis puts the Polaroid on the bed and picks you up off your knees and sits you on the bed. He bites his lower lip when he sees the mess on your face. He reaches for the box of tissues on the nightstand and carefully removes any remnants of his seed.
“You were so good, remembering all the things I taught you,” he says with dominance.
You nod you head and squeeze his arm.
“I promise I’ll still remember when I see you next,” you say teasingly but also trying to stay hopeful for your own sake.
“I don’t doubt it honey,” he says reassuringly.
You glance over at the clock and realize you really need to meet Cicily downstairs now to make it home in a timely manner. You breathe deeply in through your nose and pull the straps up on your shoulders and brace yourself for the goodbye.
“I- umm… I have to go meet Cicily now,” you say softly.
He gathers up the Polaroids scattered on the bed and hands you the ones you took.
“Cant forget these,” he teases.
You can’t help but laugh and put the pictures inside your purse.
He gets serious for a second as he’s looking at you and pulls you into his arms.
Your embrace feels too quick and you would give anything to stay here. Pressing your head to his chest, you feel the warmth of his body, being comforting as ever.
You feel his chest rise and fall as he takes in one last squeeze of you, hearing his melodious heart beat one last time.
“I’ll see you in no time dear. I’ll call you as soon as I get to Graceland,” he says with tenderness.
You believe him… but the other part of you is skeptical.
You flash him a believable smile and reach for one more kiss. It’s brief, but you still feel the passion seeping through. He helps you to the door and squeeze his hand, hopefully not for the last time.
Tagging 🖤: @powerofelvis @plasticfantasticIOver @burninlovebutler @kendralavon7 @ab4eva @cryingabtab @peaceloveelvis @returntoelvis @woundmetender @thatbanditqueen @kaitaesupremacy @18Ikpeters @lookingforrainbows @presleysdarling @marriedtopresley @missmaywemeetagain @literally-just-elvis-fics @flwrs4aust @prayerstopresley @kiankiwi @elvisbf @austinswhitewolf @tkappi @thatgirlarabella @arianatheangel-girl @myradiaz @homer1960 @waiting4brucewayne2adoptme @cinnamonandmercury @ohjustpeachy1
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familyvideostevie · 2 years
Note
hi honey!! found ur master list for stevie tonight and read literally every single one and i am obsessed!! absolutely love your work so much. two questions. 1. could i be added to ur tag list? and 2. could u write a steve fic? one where u have nightmares and he comforts you?? thanks a million in advance <333
i threw in a nod to my own fic "i've got you" about comforting steve when he has nightmares hehe, enjoy! | 0.9k, fem!reader, fluff after a nightmare
The actual nightmare always has the same basic things: you're watching, sometimes from above and sometimes in your body, but it always happens right in front of you like you're meant to see it. Like it's your fault. You've seen it happen hundreds of times, each just as horrific as the last, and every time he takes his last breath with your name on his lips. Every time, Steve dies.
You've told him as much, though you can never choke out exactly what you see. That part mostly fades if you let it. But that doesn't stop you waking with the feeling that there's a hole in your chest, the sensation that something vital is missing and you'll never be able to get it back. When Steve isn't with you, you have to call him though you hate to bother him. It makes you feel needy, but he tells you to do it. Begs you to call him rather than stare at the ceiling all night and spiral. He always answers, sleepy but ready to talk to you for however long you want or even come over at a moment's notice.
But tonight is a lucky night -- well, not lucky. Ideally you'd stop having these horrible nightmares, but at least tonight he's here. It's easier when he's next to you.
You wake like you've trained yourself to: quietly and without much fuss. You used to scream a lot. But now you're used to how you can just open your eyes and you're out of the worst thing you've ever seen and back to reality. There's a cold sheen of sweat on your brow and tear tracks on your cheeks. You take a few deep breaths, fisting your hands in the sheets as you calm down. The images are already fading but the ache pulses in your chest like a jagged wound. You turn to look at Steve.
He breathes softly in the dark, face smushes against the pillow and angled towards you and you try to match his inhales. He looks younger this way, untroubled and soft. You know his back betrays the violence he's seen, scars that'll never fade on the outside, nevermind the ones on the inside. But his face is boyish and ever so pretty. You could look at him forever. He scrunches his nose as if he can feel your staring and your mouth turns up at one end. It is impossible to look at him and feel anything other than love.
"You okay?" he says, startling you. His eyes blink open slowly, squinting to see you in the dark even though you're so close.
"Nightmare," you whisper. Your throat is dry. "Sorry baby. Didn't mean to wake you."
"Y'didn't," he says. "No sorrys." He yawns in your face and doesn't look at all bothered about it when you tut at him.
"Same one?" he asks. You nod. "Baby," he frowns. His voice is thick with sleep but it curls around the word and holds it like something precious, like something loved. "C'mere." You scoot into him, his arm circling your back as he turns you both with a little grunt so you're fully on his chest. Your legs tangle, one thigh bracketed with his as he buries a hand in your hair. You press your ear to his bare chest, seeking out his heartbeat until you find it. Steady, solid, there. Steve.
"Still breathing fast, sweetheart," he says. "Match me." He takes an exaggerated inhale that makes your body rise before exhaling slowly. You work to calm down until you're in sync.
"Easier when you're here," you tell him. "Can tell myself right away that it wasn't real. That you're not --" your voice breaks. Steve gently shushes you.
"M'okay," he says sleepily. "Do you want to talk for a bit? 'Bout something else?" When Steve has nightmares he likes to hear your voice, likes you to tell him about things that make you happy. Sometimes you want the same, need to hear his rasp in your ear until you fall asleep. But tonight you're content to hold him.
"Nah," you reply. "This is enough."
"How 'bout a kiss? I could use one," he says. "Real lonely up here." You part from his heartbeat to look up at him. He's smiling down at you lazily, eyes clouded with the late hour. It's an impossible angle to look good from but Steve manages. You shift up so you're nose to nose and you take an extra second to just look at him, hovering in the dark.
"There you are," he says. "Pretty." You press a kiss to the corner of his mouth and he whines. One hand comes up to your face to guide your lips to his properly. It's sloppy, sleepy, and perfect. He kisses you once, twice, three times before releasing you, thumb trailing over your bottom lip to your cheekbone.
"Think you can sleep again, bub?" he asks before yawning again, making you yawn too.
"Let's try." You tuck your face into his neck and rest a hand back on his heart. "I love you, Steve."
"M'here," he says, hand stroking up and down your back. "Love you, too. Not going anywhere."
tags: @cheerupbarry @srrybutno @97soroka @sunlitide @gloryofroses19 @carpediem1219 @themarvelousbee @sunshinehollandd @katsukis1wife @imherefortea @spideyboipete
want to be added to my tag list? send me a message and specify for steve, eddie, or both! reblog, send feedback, requests open, masterlist here!
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beardedmrbean · 8 months
Note
I have to both agree an disagree with you and anon on the porn thing, I agree that porn has warped peoples views on sex and body parts to an extent but viewing porn doesn’t inherently make one doubt themselves nor does it cause ill effects, that is a natural reaction to worries of inadequacy that’ve been around for millennia it’s sadly something that is difficult to work through no matter one’s assets, I also believe it’s natural for young teens to explore porn of course absolutely anonymously and without any deeper interaction, we all developed sexual urges as teens in some amount (of course we all keep it hush hush as is proper social courtesy) and it’s best to deal with those urges in a safe and healthy manner but again as I stated some porn has warped people’s perception of sex in fact the industry has an annoying trend towards stereotyping, I believe though these things are a case by case basis not all porn is bad but it’s not all good either as is with many things it is exhaustingly never as easy an simple as we’d wish it were.
Also if I’ve misinterpreted your post I apologize and thank you for taking the time to read my ask.
No apologies needed for much of anything, I'm shockingly difficult to upset and even if you misinterpreted things, you're coming in in a very polite way so no need to even consider fussing about it, if you were being a jerk I'd answer totally differently.
Short answer/summary at the end.
_____________
I wind up confusing people on here a lot because I'm fairly good at leaving wiggle room for myself, for example.
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"can do"
Over the years I've developed the skill of avoiding blanket statements as much as possible, kept me out of trouble a lot, and also I agree with you it doesn't get everyone.
all that stuff where you say it doesn't inherently XYZ, be what I said too
Still don't think a 14 year old should be accessing porn, be nice for kids to just be themselves and all that for as long as possible and maybe get some comprehensive sex ed in there focused on the mechanics of it all, porn is terrible for that
I also know it's not going to happen, don't think there's been a time in history where it has, accessing some form of pornography be it peeping tom stuff or those pictures naughtius maximus drew on the parchment he keeps under his bed.
Been different things with all it though.
Ancient Greeks associated a large dong with being oafish and slow, another weird factoid learned while trying to answer a question I had in my mind (can it be done and how, you'll see what I mean) was when the Levant region of western Asia was under Hellenistic (Greek) rule there was a trend among some of the men to attempt to get their foreskins to grow back because they wanted to look "greek" devices they used then are very similar to what's available today.
So ya all that can create body image issues.
I get very jumbled when i start in on these responses because my brain doesn't always go in a linear fashion so I scroll up and add something when it hits my head and it may make other things a bit confusing, sorry bout that. ____________
Short answer: Ya I agree with most of what you said, since most of it was what I said just you used more words.
Porn bit is where we may diverge but I respect your opinion, nobody needs to agree with everything from everyone else.
That would be boring.
Again i hope this makes sense, I'm very aware of how messy my mental process can be and I can't fix it tried for years so disclaimers abound.
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janeromeroshow · 10 months
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get to know the author
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name : rev
pronouns :  they/he/she
preference of communication : discord!!! tumblr ims r the worst i'm sorry
most active muse : jane by far but i also have a LOT of muse for vanny/vanessa on my fnaf multi ( @rcluctantfollowcr, which only has one other muse besides them. and it's toy bonnie. )
experience / how many years : fully depends on what you count as experience! my first brush with roleplaying was on an old warrior cats forum when i was around 8-10, and i remember doing silly little roleplays with my friends on our messaging apps (like kik... so sorry to anyone else on there). but in terms of more serious roleplay and tumblr specific, i made my first account (which is still active if not on hiatus!) late last year :)
best experience : getting to write with the absolute platonic loml and my best friend in the whole world, flowers @mortisvitae (+ other accounts). not that they're the ONLY person i write with or that my friends i've made in the rpc matter less but i really got into this because of them and they mean the world to me <3
rp pet peeves : people who shit on younger/less "skilled" writers / blogs that don't use a shit ton of fancy fonts and images, people who harass others for responses (either ic or ooc), people who make drama out of what's supposed to be a fun hobby, and my most famous pet peeve of all: people who contribute (even unintentionally) to the insane amount of misogyny in the rpc by nitpicking, harassing or outright ignoring female muses and muns. same goes with any marginalized identity, i just think the misogyny is often ignored or brushed over which makes me want to be even louder about it.
fluff, angst, or smut : i have been known to dabble in all three <3
plots or memes : i generally tend to start things with memes due to my ridiculously annoying bouts of anxiety, but i love plotting, even if it doesn't end up being a thread :).
long or short replies : i tend to match or go over my partners' reply lengths - not out of expectation that they do the same, but i don't like leaving people with super-short responses if they've written a novel and sometimes the inspiration hits.
time to write : whenever the adhd goes "it's time to write right now or you'll suffer a cartoonish demise".
are you like your muses : yes and no - for jane, i definitely see a lot of myself in her (and project even more ONTO her), but i do enjoy writing characters who are completely different - i think you can see a bit of yourself in everyone, however small.
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tagged by : nobody i stole this >:3 tagging : @mortisvitae @thesheepcote @thehxrlequin / @entitemalefique @mxlevolence
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dead-set-goat · 2 years
Text
Aesculus hippocastanum
Also called conker tree! It’s native to the Balkan Peninsula’s mixed forests! These trees are one of Kyiv's symbols as well, hoping that when you'll come across them you'll be reminded to show kindness and support and that you'll think of the people of Ukraine.
Now disclaimer(?): This is just an appreciation post! Not informative or anything, just me sharing my love for them and some little personal thoughts on my own mental health and other personal rambles.
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So yeah, love horse chestnuts so much… every year I look forward to when they are in bloom, they’ve got such pretty flowers that look like candles almost…
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These guys are everywhere around here so naturally they were always childhood favourites of mine! I’ll never forget the excitement I felt (still feel it tho, but maybe not as much) for the coming of fall just so that I could pick up the chestnuts! I still have a few old ones that I kept in a metal box (along with acorns, I was obsessed with acorns to an unhealthy amount haha)…
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Here, an older photo from autumn, it’s a bunch of chestnut shells(with some chestnuts as well, see if you can spot them all from this crunchy image ahahaha)!
I’ve been thinking about them more lately because I hadn’t been home for a while an when I came back the first thing I could notice on my street is blooming chestnuts (prior to my leave the leaves were still very very small and fresh, no flowers). Coming back from an ugly, gray and busy city to beautiful nature… seeing everything so lush and green, it felt as if I hadn’t been home for months, but nope… felt like I was dreaming… that’s basically kinda’ every spring for me but this time the feelings were enhanced by the concrete capital, the contrast was so much stronger…
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Well, even when I wasn't home I've seen these guys around. A park we've had to asses on our field day was FULL of them, it felt really comforting for me, and I know one week away from home doesn't sound like much but for someone with pretty debilitating (ik there's a better word but it doesn't come to mind sorry) anxiety, for who just leaving the house can feel like a fight for survival, going farther away to an unknown place is very hard... just having a familiar "face" around helps a lot, they helped a lot.
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Anyway, you've made it this far huh? So uh… just you and me? So umm… how ‘bout we go for some roasted chestnuts, my treat!
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coonhoundcat · 2 years
Text
Teleporting Villain x Hero Snippet
Villain materialized in the center of headquarters, just in front of the couch. "Oh, this is nice." "WHAT THE FUCK-" Hero scrambled off the sofa, slamming onto the rug in a shower of popcorn and cushions. "GRAB THEM!" Leader barked from the opposite end of the room, unceremoniously chucking their half-finished literature to the side with a violent crash. "GOD DAMN-" "MY PLASMA CHARGER!" Inventor screeched, sprinting toward the sizzling glass shards now threatening to set the carpet aflame. From their position on the floor, Hero frantically launched themselves at the Villain, catching them in a bear hug that sent them both stumbling a few feet over. "Hey, hey!" "Get the limiter cuffs! Quick! Before they teleport!" Hero squeezed aggressively tighter, their face pressed fully into the Villain's chest. "They're not going to WORK because they're not CHARGED." Inventor spat from the floor, where the shag material was starting to smolder, along with the edges of this week's best-selling novella. "Well how 'bout we don't keep that right there in the future, alright?" Leader cringed, red tinging their ears. Purposely avoiding the murderous glare sent their way, Leader delicately removed the singed paper-back from the growing patch of black carpet, setting the wretched thing on a coffee table. "Look, we'll just find ourselves another one-" "The ONLY other one in existence right now is in my old lab, chief." Inventor hissed through their bared teeth, casually reaching across the table. "We'll just pop over there, then-" "Three hours driving. One way." "That's fine- Hold on- why haven't you teleported out of here yet?" The Villain startled in surprise, tearing their eyes from the concerning image of Inventor just taking a direct fucking bite out of a signed copy of Cicilia Schwartz's newest teen drama. That was... technically edible. "Oh. Uh," They twisted a little in Hero's prolonged death-grip, "Can't teleport, fully restrained like this." "That would have been nice to know... Hero, stay just like that. Inventor, go get your other Plasma Charger" "I'm not driving for that, Leader." Despite being three-quarters of the way through the page count, Inventor was no less intimidating. ".... Right. Hero, hold that, we'll be back in six hours." Leader glanced mournfully at the remains of their afternoon entertainment, then turned to the door. "...... Let's go." "Wait!" Hero panicked, straining to catch Leader's eye without loosening their hold on the captive. "You'll be fine." Leader waved dismissively, following Inventor through the doorway. Hero and Villain stood alone in the center of headquarters. "Do you think you could be just a little gentler..?" "I'm not letting you escape, Villain." "It's just, my lungs...." "Oh, Geeze! Sorry, sorry!" "... Goddamn python." Villain glanced around the room, taking in the spacious quarters. It was a nice base, really. ".....Sooo....." Villain popped their lips, bouncing a little on their heels. "Pretty warm, 'innit?" "Yep." Hero did not move. "We're doing this?" "Yep." "Six hours." "..." "So you wanna watch something...?" "Absolutely." Hero glanced up briefly, breaking eye contact almost immediately. "Stay still." Hero shuffled awkwardly to the right, keeping their arms around Villain as they circled to stand behind them. "There, now just walk with me-" They stepped back together, once, twice, and abruptly collided with the front of the couch, sending them into a brief sideways stagger. "Okay, okay." Hero caught their breath, taking in the layout. "We're gonna have to sit back like this." "This isn't strange at all." "I know, just stick with me, okay?" "Not going anywhere. Lead the way, Hero." Six hours later showed Hero to be leaned against the sofa cushions, arms meeting loosely in front of the Villain sitting in their lap, pressed comfortably to the Hero's chest. "Can we watch something //other than 'Death by Mother Nature'?" "I'm the one with free hands, so I control the remote." Hero groaned, resting their chin on Villain's shoulder. The door slammed open, sending a jolt through both Hero
and Villain. "FINALLY. Hero, hold their hands out so we can cuff this criminal properly." Leader and Inventor shuffled into the room, the former stretching and groaning. Inventor still looked pissed. In the blink of an eye, Hero's arms were empty. A hand ruffled Hero's hair, and they flinched forward, sending a frantic glance upward to see Villain grinning down at them from just behind the couch. "No, not today." "THE FUCK." "Yeah, sorry, Hero. I lied. Nice place, though. It was fun." Villain's laughter cut off suddenly as they disappeared from sight. "What the Hell was that."
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snake-rot · 3 years
Note
(EXCLAIMING)
(ORCHESTRA MUSIC BLARING)
(GROANS)
(WHIMPERS)
(GRUNTING)
(MYSTICAL INSTRUMENTAL MUSIC PLAYING)
(GROANS)
(COUNTRY ROCK MUSIC PLAYING)
(COUGHS)
Sweet home Alabama
Where the skies are so blue
WOMAN: Excuse me, sir, is there a commode?
Sweet home Alabama
(GRUNTING)
Lord, I'm coming home to you
(GRUNTS) Justin!
Quick, honey, take my picture. I got the pyramid in my hand.
(CAMERA CLICKING)
Yeah
Justin, you get back here right now!
No, stop!
GUARD 1: No, no, no! Stop him! GUARD 2: Go back! Don't climb!
(JUSTIN IMITATING AIRPLANE WHOOSHING)
Wait, wait.
Hold on. Easy, little boy.
Okay, stop, child! Stop right there. No!
(GASPS)
No, no, no, no, no! Oh! There he goes.
(GASPS)
Justin!
I've got him! I've got him!
(JUSTIN GRUNTS)
(AIR ESCAPING)
Outrage in Egypt tonight as it was discovered
that the Great Pyramid of Giza had been stolen
and replaced by a giant inflatable replica.
There is panic throughout the globe as countries and citizens
try to protect their beloved landmarks.
Law enforcement still has no leads,
leaving everyone to wonder, which of the world's villains
is responsible for this heinous crime?
And where will he strike next?
Gru: Freeze ray! Freeze ray! Freeze ray! [laughs evilly] Fred: Morning, Gru! How you doing? Gru: Hello, Fred. FYI, your dog has been leaving little bombs all over my yard, and I don't appreciate it. Fred: Sorry. You know dogs. They go wherever they wanna go. Gru: Unless they're dead. [laughs] I'm joking! Although, it is true. Anyway, have a good one. Fred: Okay. Yeah. Steamrolling whatever Gru: [groans] You've got to be pulling on my leg! Margo: Hello! Cookies for sale. Gru: Go away. I'm not home. Margo: Uh, yes, you are. I heard you. Gru: [gasps] No, you didn't. This... [monotone] is a recording. Margo: [scoffs] No, it isn't. Gru: Yes, it is. [o.s.] Watch this. Leave a message, beep. [Edith kicks the door] Gru: Ow! Agnes: Goodbye, recorded message. Margo: [o.s.] Agnes, come on. Gru: Huh? [screams] Kyle! Bad dog! No! No, no. Sit. My muffin. Dr. Nefario: Gru! Gru: Ah, Dr. Nefario. Dr. Nefario: I know how you must be feeling. I, too, have encountered great disappointment, but, in my eyes, you will always be one of the greats. Gru: What? What happened? Dr. Nefario: It's all over the news! Some fella just stole a pyramid. They're saying he makes all other villains look... lame. pause Gru: Assemble the minions! [throws Kyle off of his arm] Minions, assemble! Minion: Okay. Okay. Hey! Gru: Looking good, Kevin! How is the family? Good? All right. That's my Billy boy! What up, Larry? Hello, everybody! Yeah, all right! Simmer down. Simmer down! Thank you, okay. Now, I realize that you guys probably heard about this other villain who stole the pyramids. Apparently, it's a big deal. People are calling it the crime of the century and stuff like that. But am I upset? No, I am not! A little, but we have had a pretty good year ourselves, and you guys are all right in my book. Minion: Ooh! Ooh! Ooh! Gru: No, no raises! You're not going to get any raises. What did we do? Well, we stole the Times Square JumboTron! Nice! That's how I roll. Yeah, you all like watching football on that, huh? But that's not all. We stole the Statue of Liberty, the small one from Las Vegas. And I won't even mention the Eiffel Tower! Also Vegas. Okay, I wasn't going to tell you about this yet, but I have been working on something very big! Something that will blow this pyramid thing out of the water! And thanks to the efforts of my good friend Dr. Nefario... Dr. Nefario: Thank you! Gru: There he is. He's stylin'. Now, we have located a shrink ray in a secret lab, and once we take this shrink ray, we will have the capability to pull off the 'true crime of the century. We are going to steal... The Minions all pull out their weapons in response. Gru: Wait, wait! I haven't told you what it is yet. One of the Minions, Dave, shoots his rocket launcher at a crowd of Minions. Gru: Hey. Dave, listen up, please! Dave: Ditto. One of the Minions Dave shot walks over to him and punches him on the shoulder. Gru: Next, we are going to steal, pause for effect, the moon! The Minions cheer in response. Gru: And once the moon is mine, the world will give me whatever I want to get it back! And I will be the greatest villain of all time! That's what I'm talkin' 'bout. [picks up his phone] Yes? Dr. Nefario: Hello, Gru? I've been crunching some numbers, and I really don't see how we can afford this. It can't be done. I'm not a miracle worker. Gru:Hey, chillax. I'll just get another loan from the bank. They love me! Margo: Edith, stop it! Edith: What? I'm just walking. Girls: Hi, Miss Hattie. We're back. Miss Hattie: Hello, girls! Agnes: Anybody come to adopt us while we were out? Miss Hattie: Hmm... Let me think. No! Edith immediately puts a mud pie on Miss Hattie's desk, much to her displeasure. Miss Hattie: Edith! What did you put on my desk? Edith: A mud pie. Miss Hattie: [sighs] You're never gonna get adopted, Edith. You know that, don't you? Edith: Yeah, I know. Miss Hattie: Good. So, how did it go, girls? Did we meet our quotas? Margo: Hmm... Sorta. We sold 43 mini-mints, 30 choco-swirlies and 18 coco-nutties. Miss Hattie: [gets up] Okay.
Well, you say that like it's a great sale day. [furious] Look at my face! Do you still think it's a great sale day? Edith rolls her eyes in response. Miss Hattie: [hangs up a portrait] Eighteen coco-nutties. I think we can do a little better than that, don't you? Yeah. We wouldn't want to spend the weekend in the Box of Shame, would we? No. Girls: No, Miss Hattie. Miss Hattie: Okay, good. Off you go. Go clean something of mine. Girls: Hi, Penny. Penny: Hi, guys. Gru: Hello, Mom. Sorry, I meant to call, but... Gru's Mom: I just wanted to congratulate you on stealing the pyramid. [Gru sighs in disgust] That was you, wasn't it? Or was it a villain who's actually successful? [laughs] Gru: Just so you know, Mom, I am about to do something that's very, very big, very important. When you hear about it, you're going to be very proud. Gru's Mom: Ha! [sarcastically] Good luck with that. Okay, I'm outta here. [hangs up the phone before sending her karate instructor flying] Gru: Gru to see Mr Perkins Receptionist: Yes, please have a seat. Neil Armstrong: That's one small step for man, one giant leap for mankind. Young Gru: Ma, someday I'm going to go to the moon. Gru's Mom: I'm afraid you're too late, Son. NASA isn't sending the monkeys any more. Vector: Hey. I'm applying for a new villain loan. Go by the name of Vector. It's a mathematical term, a quantity represented by an arrow, with both direction and magnitude. Vector! That's me, 'cause I'm committing crimes with both direction and magnitude. Oh, yeah! Check out my new weapon. Piranha gun! Oh, yes! Fires live piranhas. Ever seen one before? No, you haven't. I invented it. Do you want a demonstration? Shoot! So difficult, sometimes, to get the piranha back inside of my... Receptionist: Mr Gru, Mr Perkins will see you now. Gru: So, all I need is money from the bank to build a rocket. And then, the moon is ours. Perkins: Wow! Well, very nice presentation. I'd like to see this shrink ray. Gru: Absolutely! Will do. Soon as I have it. Perkins: You don't have it? And yet you have the audacity to ask the bank for money? Gru: Apparently. Perkins: Do you have any idea of the capital that this bank has invested in you, Gru? With far too few of your sinister plots actually turning a profit. How can I put it? Let's say this apple is you. If we don't start getting our money back... Get the picture? Look, Gru, the point is, there are a lot of new villains out there, younger than you, hungrier than you, younger than you. Like that young fellow out there named Vector. He just stole a pyramid! Gru: I've got it. I've got it. So, as far as getting money for the rocket... Perkins: Get the shrink ray, then we'll talk. Minion: Suckers! Suckers! Gru: We got it! What? Hey! Hey! What! Hey! No, no, no! You! Vectors: Now, maybe you'll think twice before you freeze someone's head! So long, Gru! Gru: Quick! We can't let him get away! Up ahead! Up ahead! Fire! Fire, now! Vector: You missed me! Gru: Come to papa! Take that. Vector: How adorable. Gru: Got you in our sights! Like taking candy from a... What? Vector: Hey, Gru! Try this on for size! Gru: That's weird. What is going... This is claustrophobic! No, no, no! Too small! This is too small for me! [groans] I hate that guy. Margo: ...and please watch over us, and bless that we'll have a good night's sleep. Edith: And bless that while we're sleeping, no bugs will crawl into our ears and lay eggs in our brains. Margo: Great. Thanks for that image, Edith. Agnes: And please bless that someone will adopt us soon, and that the mommy and daddy will be nice and have a pet unicorn. Amen. Margo/Edith: Amen. Agnes: Unicorns, I love them Unicorns, I love them Uni, uni, unicorns I love them Uni, unicorns, I could pet one If they were really real And they are So, I bought one so I could pet it Now it loves me Now I love it Gru: Don't you... What the... Good luck, little girls! Edith: Whoa! Cool. Margo: Hi! We're orphans from Miss Hattie's Home for Girls. Vector: I don't care. Beat it! Margo: Come on! We're selling
cookies so, you know, we can have a better future. Vector: Wait, wait! Do you have coco-nutties? Margo: Yeah. Gru: Light bulb. Dr Nefario! I'm going to need a dozen tiny robots disguised as cookies! Dr. Nefario: What? Gru: Cookie robots! Dr. Nefario: Who is this? - Gru: Oh, forget it. Mrs. Hattie: Well, it appears you have cleared our background check, Dr Gru. And I see you have made a list of some of your personal achievements. Thank you for that. I love reading. And I see you have been given the Medal of Honor and a knighthood. - Minions: Me, me, me. Me, me, me. Minion: Kevin? Mrs. Hattie: You had your own cooking show and you can hold your breath for 30 seconds? It's not that impressive. Minion: Idiot! - Minions: Fight! Fight! Fight! Fight! Fight! Fight! Fight! Fight! Mrs Hattie: What in the name of... What? Gru: Well, here's the dealio. Things have been so lonely since my wife, Debbie, passed on. It's like my heart is a tooth, and it's got a cavity that can only be filled with children. I'm sorry. You are a beautiful woman. Do you speak Spanish? Mrs. Hattie: Do I look like I speak Spanish? Gru: You have a face como un burro. Mrs. Hattie: Well, thank you! Gru: Anyway, can we proceed with this adoption? So, so excited! Mrs. Hattie: Please tell Margo, Edith and Agnes to come to the lobby. Margo: I bet the mom is beautiful! Edith: I bet the daddy's eyes sparkle. Agnes: I bet their house is made of Gummi Bears. [Edith and Margo look at her curiously] I'm just saying it'd be nice. [picks up a Cheeto] Aww. My caterpillar never turned into a butterfly. Edith: That's a Cheeto. Agnes: Oh... [eats said Cheeto, making Edith and Margo recoil in disgust] Miss Hattie: Well, Debbie was a very lucky woman. [pause] Gru: Who's Debbie? Mrs Hattie: Your wife. Hi, girls! Girls, I want you to meet Mr Gru. He's going to adopt you. And he's a dentist! Agnes: Yeah! Margo: Hi. I'm Margo. This is Edith. And that's Agnes. Agnes: [sing-song] I got your leg, I got your leg! Gru: Okay, that is enough, little girl. Let go of my leg. Come on. You can do it. Agnes: Higher! Higher! Gru: Just release your grip. Wow! How do you remove them? Is there a command? Some nonstick spray? Crowbar? [sighs] Okay, girls, let's go. [They drove off in the distance.]Vector: Uh-huh! Oh, yeah! Pretty impressive! What are you looking at? Boo-ya! You got shrunk, tiny mouthwash! Take that! You done been shrunk! (His phone rings) Yello? I got the shrink ray, all right. No, I'm not playing with it. Gru? Don't make me laugh! No. P.S., he is not getting the moon, and P.P.S., by the time I'm done with him, he's gonna be begging for mercy. (Shrinks a toilet) Okay, bye. (Hangs up) Look at you, a little tiny toilet for a little tiny baby to... [The toilet pops out and water sprays him.]Vector: Curse you, tiny toilet! [Gru and the Girls arrive at Gru's Home.] Gru: "Okay, here we are. Home sweet home. Margo: So... This is, like, your house? [realizing] Wait a sec... You're the guy who pretended he was a recorded message! Gru: No, that was someone else. [Margo gives a skeptical look before she, Edith and Agnes enter Gru's house, with Gru following suite.] Agnes: [scared] Can I hold your hand? Gru: Uh... No. Edith: [looks around] When we got adopted by a bald guy, I thought this'd be more like "Annie". Gru: No, hey! [screams] Kyle, these are not treats. These are guests. Girls, this is Kyle, my... Dog. Kyle snarls in anger. Agnes: Ooh! Fluffy doggy! [approaches Kyle before he runs away, much to her disappointment] Margo: What kind of dog is that? Gru: He is a... I don't know. Margo: Do you really think that this is an appropriate place for little kids? 'Cause, uh... It's not. [Edith sees a closet that is sharp and goes in it.] Gru: No! No! Stay away from there! It's frag... [He sees juice spilling on the floor.]Both: (Gasps) Gru: Well, I suppose the plan will work with two. Edith: [muffled] Hey! It's dark in here. [Gru opens the iron maiden, revealing Edith, who spits out a straw]Edith: It poked a hole in my juice box. [They went to the
kitchen.] Gru: As you can see, I have provided everything a child might need. All right. Okay. As I was saying... (Edith knocked a bottle down) Gru: (Cont'd) Hey! Oh. Edith: Somebody broke that. Gru: "Okay, okay. Clearly, we need to set some rules. Rule number one. You will not touch anything. Margo: Uh-huh. What about the floor? Gru: Yes, you may touch the floor. Margo: What about the air? Gru: Yes, you may touch the air! Edith: (Gets out a laser gun) What about this? Gru: (Screams) Where did you get that? Edith: [shrugs] Found it. Gru: Okay. Rule number two. You will not bother me while I'm working. Rule number three. You will not cry or whine or laugh or giggle or sneeze or burp or fart! So, no, no, no annoying sounds. All right? Agnes: Does this count as annoying? [popping] Gru: Very! [sighs] I will see you in six hours. Margo: Okay, don't worry. Everything's going to be fine. We're gonna be really happy here. Right? Agnes? Gru: Question. What are these? Dr. Nefario: A dozen boogie robots! Boogie! Look at this. Watch me! Gru: Cookie robots. I said cookie robots. Why are you so old? Dr. Nefario: Okay. I'm on it. Margo: Hello? Agnes: TV! Margo: What is that? Edith: Whoa! That is cool! Come on! Agnes: I don't think he's a dentist.Dr. Nefario: We've been working on this for a while. It's a anti-gravity serum. I meant to close that. He'll be all right, I'm sure. Gru: Do the effects wear off? Dr. Nefario: So far, no. No, they don't. And here, of course, is the new weapon you ordered. Gru: No, no. I said "dart gun," not... Okay. Dr. Nefario: Oh, yes. 'Cause I was wondering under what circumstances would we use this? But, anyway. What I really wanted to show you was this. Gru: Now those are cookie robots! Agnes: La, la, la, la I love unicorns Gru: What are you doing here? I told you to stay in the kitchen! Margo: We got bored. What is this place? Edith: Can I drink this? Dr. Nefario: Do you want to explode? [Edith kicks him in the shin] Dr. Nefario: Gru! Gru: Get back in the kitchen! Agnes: Will you play with us? Gru: No. Agnes: Why? Gru: Because I'm busy. Margo: [scoffs] Doing what? Gru: Umm... Okay, okay, you got me. The dentist thing is more of a hobby. In real life, I am a spy. And it is top secret, and you may not tell anybody, because if you do... Edith: What does this do? [She fires a laser and it hits Agnes's unicorn and it burns to ashes]Gru: Hey! Edith: Whoops. Agnes: My unicorn! You have to fix it. Gru: Fix it? Look, it has been disintegrated. By definition, it cannot be fixed. [Agnes gasps in shock, then starts holding her breath] Gru: That's freaking me out. What is she doing? Margo: She's gonna hold her breath until she gets a new one. Gru: [sighs] It is just a toy. Now stop it! (Agnes faints) Gru: Okay, okay! I'll fix it! Tim! Mark! Phil! This is very important. You have to get the little girl a new unicorn toy. Gru: Hey, hey, hey! A toy! Go, and hurry! What are those? Gru: They are my... Cousins. Jerry! Stuart! Watch them and keep them away from me please. [The three minions put on a disguise and head to the store.]Minions: Wow!- Wow! [Meanwhile the two minions and the girls are tossing toilet paper at each other. Gru comes up and he sees the Girls and the two minions having fun.]Edith: It was your cousin's idea. Jerry: What? Gru: Okay, bedtime. Girls: Aww... Minions: Aww... Gru: Not you two! Minions: Yay. Gru: Okey-dokey. Beddie-bye. All tucked in. Sweet dreams. Margo: Just so you know, you're never gonna be my dad. Gru: I think I can live with that. Edith: Are these beds made out of bombs? Gru: Yes, but they are very old and highly unlikely to blow up. But try not to toss and turn. Edith: "Cool." Agnes: Will you read us a bedtime story?" Gru: No. Agnes: But we can't go to sleep without a bedtime story. Gru: Well, then it's going to be a long night for you, isn't it? So, good night, sleep tight, and don't let the bed bugs bite. Because there are literally thousands of them. And there's probably something in your closet. Margo: He's just kidding, Agnes. Agnes: It's beautiful. Gru: Girls, let's go.
Time to deliver the cookies! Margo: Okay. But first, we're going to dance class. Gru: Actually, we're going to have to skip the dance class today. Margo: Actually, we can't skip the dance class today. We have a big recital coming up. We're doing an excerpt from Swan Lake. Agnes: Yeah, Swan Lake! Gru: That's fantastic. Wonderful. But we're going to deliver cookies! Come on! Margo: No. Gru: No? Margo: We're not going to deliver cookies until we do dance class. Really? Gru: Well, I am not driving you to dance class. So if you want to go, you are going to have to walk yourselves. What are you doing? Margo: Walking to dance class. Gru: Ya? Okay, fine. You just keep walking, because I'm really not driving you! Margo: Okay. Gru: You're going to suffer the wrath of Gru! Seriously, I'm going to count to three! And you had better be in this car! Here we go! One! Two! Teacher: ...three, four and five. And lift, and stretch. And one, and two... Agnes: Here you go. Gru: What is it? Agnes: Your ticket to the dance recital. You are coming, right? Gru: Of course, of course. I have pins and needles that I'm sitting on. Agnes: Pinkie promise? Gru: Oh, yes. My pinkie promises. All right. Our first customer is a man named Vector. Margo: But he's a V. You know, we're supposed to start with the A's. Then we go to the B's. Then we... Gru: Yes, yes! I went to kindergarten. I know how the alphabet works! I was just thinking that it might be nice to deliver Mr Vector's first. That is all. Almost over. It's almost over. Vector: Girls, welcome back to the fortress of Vector-tude! Do you have my cookies for me? Margo: Four boxes of mini-mints, two toffee totes, two caramel clumpies and fifteen boxes of coco-nutties. Vector: Exactly. I'd like to see somebody else order that many cookies. Not likely. Name one person who ordered more cookies than me. Margo: That'll be $52. Vector: Right. Seven, eight, nine... Tic Tacs! Where was I? Seven, eight, nine... Agnes: Why are you wearing pyjamas? Vector: These aren't pyjamas! This is a warm-up suit. Edith: What are you warming up for? Vector: Stuff. Agnes: What sort of stuff? Vector: Super-cool stuff you wouldn't understand. Agnes: Like sleeping? Vector: They are not pyjamas! Here you go, 52 big ones. Bye! Gru: Come on! Vector: What the...? Quiet down, fish. Down, boy!Gru: [laughs] We did it! Come on, girls, let's go! Margo: But what about the other people who ordered cookies? Gru: Life is full of disappointments... For some people. [chuckles ominously] Agnes: (Screams) Gru: Don't do that! Agnes: Super Silly Fun Land! Can we go? Please? Gru: No. Edith: But we've never been. And it's the funnest place on earth! Gru: "Don't care." Girls: Please? Please? We'll never ask for anything else, ever again! Pretty please? Please? Come on! Come on! Gru: "Light bulb." Edith: Come on! Gru: "Goodbye, have fun. [He began to leave. But a attendant of the roller coaster stopped him.]Carnival Ride Worker: Sorry, dude. They can't ride without an adult. Gru: What? [groans] [Soon Gru gets sick from the roller coaster ride.]Agnes: Oh, my gosh! Look at that fluffy unicorn! He's so fluffy, I'm gonna die! Margo: You've gotta let us play for it! Gru: No, no, no. Agnes: Come on! Gru: How much for the fluffy unicorn?Carnival Barker: Well, it is not for sale. But all you gotta do to win it is knock down that little spaceship there. It's easy! Agnes: Yay! Again! Margo: Wait! Edith: Come on. One more time! Agnes: Just one more. I accidentally closed my eyes. I hit it! I hit it! Edith: That was cool. Awww. Gru: Whoa, whoa, whoa. What was that? She hit that. I saw that with my own eyes.Carnival Barker: Hey, buddy, let me explain something to you. You see that little tin spaceship? You see how it's not knocked over? Do you know what that means, professor? It means you don't get the unicorn! Somebody's got a frowny face. Boo! Better luck next time! Gru: Okay, my turn. [Gru uses a fire gun and it blows up the whole booth.]Gru: "Knocked over!" Agnes: It's so fluffy! Yeah! Margo: That was
awesome! Edith: You blew up the whole thing! Agnes: Let's go. Let's try another game!Dr. Nefario: Gru, do you mind if I have a quick word? Gru: Okay, girls, go play. I got the shrink ray! Cotton candy! Dr. Nefario: We have 12 days until the moon is in optimum position. We can't afford any distractions! Gru: Get me Perkins. Sorry to bother you, Mr Perkins, but I figured that you would want to see this! Mr. Perkins: What? Well done, Gru. Rather impressive.Gru: Now, the rest of the plan is simple. I fly to the moon. I shrink the moon. I grab the moon. I sit on the toi-let. What? (girls start laughing) Sorry. Sorry! Could you excuse me for just one second? I told you not to touch my things. I told you, I told you. I've told you a thousand times. Margo: Hey, can we order pizza? Gru: Pizza? You just had lunch. Edith: Not now, for dinner. Gru: Dinner? Just... Fine, fine, fine, whatever. Just get back in there! Margo: Can we get stuffed crust? Agnes and Jerry: Stuffed crust!Gru: I'll stuff you all in the crust! Agnes: [giggles] You're funny! Gru: Just don't come out of that room again! All right. Sorry about that. Where were we? Mr. Perkins: You were sitting on the toilet. Gru: No, no, no! No, I'm sorry. It was a little attempt at humor. I know how much you like to laugh... [Mr. Perkins glares at him] Inside. Eh, now, I was saying... [the door suddenly opens] You don't seem terribly focused, Gru. Believe me, I am completely focused. Right? Edith: Hello! Mr. Perkins: What? Edith: That guy is huge! Agnes: Are we on TV? Mr. Perkins: What are those? Children?Gru: What are you doing? I told you to stay out of here! No, no, no! *Agnes: Freeze ray!Mr. Perkins: Mr Gru? Gru: Okay. As I was saying... Mr. Perkins: No need to continue. I've seen quite enough. Gru: But my plan... Mr. Perkins: Is a great plan. I love everything about your plan, except for one thing. You. Young Gru: Look, Mom, I drew a picture of me landing on the moon! Look, Mom, I made a prototype of the rocket out of macaroni! Look, Mom, I made a real rocket based on the macaroni prototype! Gru: I don't understand. Mr. Perkins: Let's face reality, Gru. You've been at this for far too long with far too little success. We're gonna put our faith, our money, into a... Well, a younger villain. Gru: But I... Mr. Perkins: It's over. Goodbye, Gru. Gru: Now, I know there have been some rumours going around that the bank is no longer funding us. Well, I am here to put those rumours to rest. They are true. In terms of money, we have no money. So how will we get to the moon? The answer is clear. We won't. We are doomed. Now would probably be a good time to look for other employment options. I know. I have fired up my resume as I suggest that all of you do, as well. What is it? Can't you see that I am in the middle of a pep talk? Yes! Yes, we will build our own rocket using this and whatever else we can find! Grab everything! Hit the junkyards! Take apart the cars! Who needs the bank? Let's go. Let's go! Mom! What are you doing here? Gru's Mom: And here he is in the bathtub. Look at his little buns. Gru: Mom. Not cool. Gru's Mom: And here, he's all dressed up in his Sunday best. Margo: He looks like a girl! Gru's Mom: Yes, he does. An ugly girl! Agnes: You're funny! Edith: Yes! Mine's shaped like a dead guy! Receptionist: Mr. Perkins, your son is here. Mr. Perkins: Send him in. Vector: Hey, Dad. You wanted to see me? Mr. Perkins: Yes, I did, Victor. - Vector: I am not Victor anymore. Victor was my nerd name. Now I am Vector! Mr. Perkins: Sit down. Do you know where the shrink ray is? Vector: Duh! Back at my place. Mr. Perkins: Oh, is that right? Back at your place? That's cool. I guess Gru must just have one that looks exactly like it! Vector: What the...?! Those girls sold me cookies! Mr. Perkins: Do you have any idea how lucrative this moon heist could be? I give you the opportunity of a lifetime, and you just blow it! Vector: No, I didn't. Mr. Perkins: Oh, really?Vector: You just wait until Gru sees my latest weapon. Squid-launcher! Oh, yeah! Man:
There's a squid on my face!Vector: Don't worry. The moon is as good as ours. Gru: Come on now, it's bedtime. Did you brush your teeth? Let me smell. Let me smell. You did not! Put on your PGs. Hold still. Okay, seriously! Seriously! This is beddie-bye time, right now. I'm not kidding around. I mean it! Edith: But we're not tired! Gru: Well, I am tired. Agnes: Will you read us a bedtime story? [pause] Gru: No. Agnes: Pretty please? Gru: The physical appearance of the "please" makes no difference. It is still no, so go to sleep. Edith: But we can't. We're all hyper! Margo: And without a bedtime story, we'll just keep getting up and bugging you. All night long. Gru: [sighs] Fine. All right, all right. Sleepy Kittens. Sleepy Kittens? What are these? Agnes: Puppets. You use them when you tell the story. Gru: Okay, let's get this over with. "Three little kittens loved to play, they had fun in the sun all day. "Then their mother came out and said, 'Time for kittens to go to bed."' Wow! This is garbage. You actually like this? Agnes: Keep reading! Edith: Come on! Gru: All right, all right, all right. "Three little kittens started to bawl, "'Mommy, we're not tired at all.' "Their mother smiled and said with a purr, "'Fine, but at least you should brush your fur."' Edith: Now you brush the fur. Gru: This is literature? A 2-year-old could have written this. All right. "Three little kittens with fur all brushed "said, 'We can't sleep, we feel too rushed! ' "Their mother replied, with a voice like silk, "'Fine, but at least you should drink your milk."' Agnes: Now make them drink the milk. Gru: I don't like this book. This is going on forever. "Three little kittens, with milk all gone, rubbed their eyes and started to yawn. "'We can't sleep, we can't even try.' Then their mother sang a lullaby. "'Good night kittens, close your eyes. Sleep in peace until you rise. "'Though while you sleep, we are apart, "'your mommy loves you with all her heart."' The end. Okay, good night. Agnes: Wait! Gru: What? Agnes: What about good night kisses? Gru: No, no. There will be no kissing or hugging or kissing. Margo: He is not gonna kiss us good night, Agnes. Agnes: I like him. He's nice.Edith: [turns off her light] But scary. Like Santa! Dr. Nefario: Only 48 hours till the launch, and all systems are go. Gru: About that, I was thinking that maybe we could move the date of the heist. Dr. Nefario: Please tell me this is not as a result of the girls' dance recital, is it? Gru: No, no, no! The recital? Don't... That's stupid! I just think it's kind of weird to do it on a Saturday. I was thinking, maybe a heist is a Tuesday thing, right? Dr. Nefario: Gru, you and I have been working on this for years. It's everything we've dreamed of. Your chance to make history, become the man who stole the moon! But these girls are becoming a major distraction! They need to go. If you don't do something about it, then I will. Gru: I understand. Dr. Nefario: Good. Minion: Butt. Butt. Butt. Gru: All right. Now, when we put our cups together, we will make the "clink" sound with our mouths. Ready? Edith? Gru: and Edith: Clink. Gru: There we go. And now we drink. And Agnes? Gru and Agnes: Clink. Gru: Very good! Excuse me, girls. Girls: Come on! Gru: Don't worry, I'll be back. Keep clinking. - Clink, clink. - Clink, clink.Gru: Miss Hattie, what are you doing here? Miss Hattie: I'm here for the girls. I received a call that you wanted to return them. [Gru gives her a quizzical look] And also, I did purchase a Spanish dictionary. [swats Gru's head with the dictionary] I didn't like what you said. Gru: But... I will get the girls ready. Agnes: Don't let her take us, Mr. Gru! Tell her you wanna keep us. Mrs. Hattie: All right, girls. Come on, let's go. Margo: Goodbye, Mr. Gru. Thanks for everything. Dr. Nefario: I did it for your own good. Come on, let's go get that moon. Gru: Right. What is this for? The recital? I am the greatest criminal mind of the century. I don't go to little girls' dance recitals! Dr. Nefario: Opening launch bay
doors. Commencing launch sequence. And we are good to go in T minus 10 seconds. Ten, nine, eight, seven, six... Vector: Oh, yeah! Gru: Nice work, Doctor. All systems go. Vector: Boo-ya! My flight suit. Oh, yeah! Once again, the mighty... Gru: I've got it! I've got the moon! I've got the moon. I can make it. Dr. Nefario: Wait a minute! Jerry: Kevin! Gru: Come on! Come on! Agnes: He's still not here. Margo: Why would he come? He gave us up. Agnes: But he pinkie promised! Teacher: Girls, girls, places. Edith: No, we can't start yet! We're still expecting someone. Agnes: Can we just wait a few more minutes? Teacher: All right. But just a few more minutes. Margo: He's not coming, guys. Dr. Nefario: Gru! Gru, can you hear me? Quick, we have to warn him, and fast!Gru: Okay, okay. There's the library. That's Third Street. The dance studio... There! There! There it is! Janitor: Sorry, buddy. Show's over.Gru: Over? Gru: Vector, open up! Vector: First give me the moon. Then we'll talk. Agnes: Mr. Gru! Vector: Zip it, Happy Meal. Gru: Now, the girls. Vector: Actually, I think I'll hold on to them a little while longer. Gru: No! Vector: Oh, yeah! Unpredictable! Gru: Listen close, you little punk. When I get in there, you are in for a world of pain! Vector: [laughs sarcastically] I'm really scared. Agnes: He is gonna kick your butt. Vector: What? He punched my shark! Dr. Nefario: There he is! Hang on, Gru. Oh, no! Gru: Vector has the girls. Go! Dr. Nefario: What happened to the ship? It's big again! Not as big as the moon is going to be! Gru: What? Dr. Nefario: The larger the mass of an object, the quicker the effects of the shrink ray wear off! I call it the Nefario Principle. I just came up with it now, actually. Gru: Oh, no! Margo: Did you see that? Girls: Vector! Help! Vector! Over here! Vector: Hey! What are you girls doing back there? Girls: The moon! Watch out! Vector: Ouch! Gru: Get as close in as you can. You got it. Margo: Mr Gru, up here! Agnes and Edith: Mr Gru! Gru: Okay, girls! Girls! You're going to have to jump. Edith: Jump? Are you insane? Gru: Don't worry, I will catch you. Margo: You gave us back! Gru: I know, I know. And it is the worst mistake I ever made. But you have to jump now. Margo: It'll be okay. Gru: Okay, girls. Margo: Jump now! Gru: Margo, I will catch you. And I will never let you go again. Vector: Not so fast! Gru: No! Margo: Let me go! Gru: Margo! I'm coming, Margo. Hang on! I got you.Vector: No! Oh, poop. News Reporter: This time, good triumphs, and the moon has been returned to its rightful place in the sky. But once again, law enforcement is baffled, leaving everyone to wonder, who is this mysterious hero? And what will he do next? Gru: Okay, girls. Time for bed. Edith: Come on! We want a story. Agnes: Three sleepy kittens! Gru: Oh, no! Sorry. That book was accidentally destroyed maliciously. Tonight we are going to read a new book. This one is called One Big Unicorn by... Who wrote this? Me! I wrote it. Look, it's a puppet book! Here, watch this. That's the horn! Agnes: This is gonna be the best book ever! Gru: Not to pat myself on the back, but, yes, it probably will be. Here we go. "One big unicorn, strong and free "thought he was happy as he could be. "Then three little kittens came around "and turned his whole life upside down." Edith: Hey, that one looks like me! Gru: No, what are you talking about? These are kittens! Any relation to persons living or dead is completely coincidental. "They made him laugh. "They made him cry. "He never should have said goodbye. "And now he knows he could never part "from those three little kittens "that changed his heart. "The end." Okay, all right. Good night. Margo: I love you. Gru: I love you, too. No, no! All right. Didn't I get you already? They're very good! Gru's Mom: I'm so proud of you, Son. You've turned out to be a great parent! Just like me. Maybe even better. Gru: No, I'm fine. Go ahead. No, no, no! THE END Hey, Carl! Hey. No, no, no. Me, me, me. John? No, no. Me, me, me. Oh,
poop. Oh, no! Stop! Stop! Hello, I am Gru. Back to work, back to work! Back to…
IS THIS THE ENTIRE FUCKING SCRIPT?
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kaaytea · 3 years
Note
We know that Miyuki is a hot guy and girls love him so can I have a oneshot of how Amiko deals with it.
Petty Acts
A/n: This was an interesting one to write, and I'm sorry it took so long! I have to say that I'm having a blast writing Nabe and Miko scenes. Thank you for the request, lovely 💕
KDAU Navi
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"If you keep that up, you'll have drilled a hole through the floor by the end of lunch."
Nabe briefly looked up over the top of his book at the ball of nerves that was his best friend, a slight scoff leaving his mouth when the girl ignored him. The boy sent a nudged at Amiko's foot from where he was sitting across from her -a last resort tactic to get the insistent bouncing of her leg to cease- before his gaze drifted back to the pages of his book. His attempts got her to stop for a short sliver of time before she moved on to waving a pencil back and forth between her thumb and pointer finger. The boy's eyes were glued onto the slim, cylinder of wood twirling in Amiko's hand, his eyes darted wildly as the pencil moved, belittling his form to something akin to a cat stalking its favorite toy.
With a tired sigh, Watanabe snapped his book shut and plucked the pencil from the girl’s hand before hiding the distracting object away in his bag. "What's got you so tweaked?"
Amiko flumped forward, leaning her head on her palm as she stared at Nabe.
"Miyuki"
Nabe huffed in response and leaned back in his chair, crossing his arms over his chest, "I don't think I'm the best person to come to with your boyfriend troubles, Amiko."
"I know it's just-" the girl cut herself off as her mind helplessly grasped for the words to put her feelings in order, "that blonde in his class has been flocking around him a lot -I’m talking zero shame, hanging off his every word, love-struck, touchy flocking around him!"
"So you're jealous?" Nabe said, brow quirked up in a questioning way as he watched Amiko's face slip into one of pure disgust.
"I am not jealous of her!"
"Ok ok," Nabe said gently in an attempt to calm the girl. "You're not jealous but you're...worried?"
Amiko nodded in defeat. She couldn't deny that Miyuki was a very attractive person by conventional beauty standards and tended to garner lingering gazes from all kinds of students at Seidou; it was hard for her to not feel a bit self-conscious about her own image being able to match his. The public eye was brutal when mixed with everyone's contradictory opinions. She hated to admit it, but sometimes sly comments about her not being worthy enough to be with Miyuki plagued her mind.
"Look Amiko, Miyuki is a very fickle guy but he doesn't look at anyone else in the world like the way he looks at you. By some miraculous power, you've captured his emotionally detached heart."
Amiko let out a breathy laugh, partly from Nabe's choice of words and part from the small wash of relief that flooded her body. It was reassuring to hear that from an outside perspective. Amiko gave Nabe a grateful smile and a small thank you for his words.
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Miyuki was seconds away from either gouging his eyes out with a pen or slamming his head into a wall.
It didn't help that Kuramochi was dying from the lack of oxygen he was getting between bouts of laughter a few feet away. Miyuki hadn't ever officially called Kuramochi his best friend out loud, but now he never will seeing as the boy would rather laugh at him than be helpful.
No matter how many times Miyuki had pushed the blonde girl away she always bounced back with an eerily plastic-looking smile and bubbly voice. The situation was unnerving and he wanted out immediately. A glimmer of hope danced inside of him when he spotted Amiko walking towards him, his heart fluttered at the cute smile spread across her face as she munched away at a stick of Pocky. That smile dimmed slightly when she spotted Kazuya, more specifically when she spotted the girl currently harassing him.
The sweet strawberry flavors of her snack instantly became bitter as she watched the girl lay her hand against Kazuya's bicep, an annoying string of giggles flowing out of her mouth at a non-existent joke he had made. Amiko prided herself on being a fairly composed individual, she was always patient and caring when working with the Seidou pitchers, but the sight of someone pretending to act ditsy purely to get her boyfriend's attention was causing her levels of irritation to boil over.
Her conversation with Nabe was completely forgotten as she picked up her pace, stopping briefly in front of Kuramochi and shoving her box of Pocky into his hands with an empty threat that if he ate any she'd make him run bases till he collapsed.
"Kazuya," Amiko said, completely disregarding the glare being sent her way by the blonde, "My father wants us to look over the scouting notes we have on Yakushi for our practice game tomorrow."
It wasn't a complete lie, Kataoka had asked for them to look things over, but the couple had already agreed to meet after practice in Miyuki's dorm, not during lunch. Miyuki caught on to Amiko's act and quickly excused himself from the blonde.
What he didn't expect though was for Amiko to reach up to his tie and pull him down for a kiss in the middle of the hallway when he joined her side.
Amiko pulled away from Miyuki's lips and sent an overly polite smile to the blonde standing in front of them.
"Have a good day, Yuki-chan!"
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silverspectre · 4 years
Text
en garde, pret, aimer! || lockwood & co.
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pairing: light florence bonnard x anthony lockwood
genre: fencing(?)ish!au and also maybe straying away from canon bc what iS canon at this point, fluff, platonic main relationship, eventual angst, pre-canon??? aka beFore the series takes place
words: 3.8k
tags: fluffy!!, young lockwood nd flo, fencing stuff, apologies for the french (literally lol), i wrote this like half a year ago i’M SORRY-
what to expect: “’Why else would I be here? Tea time?’”
a/n: so this was beta-read and edited by two lovely people! i appreciate their help so much, as they’ve made this story what it is now. thank you so much @piratekingimogen​ and @willowwisk​ for your help! is this canon-compliant? someone ask jonathan stroud. this will be my last fic for a while, unless i have a spontaneous bout (pun intended) of inspiration. thank you all for your support!
translation: en garde, prets, allez = on guard, ready, go (used to start a fencing bout) / en garde, prets, aimer = on guard, ready, love (used to start this story)
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The train ride from London to Paris is a particularly long, arduous journey. There's not much to see; reading a book 50 times or twiddling your thumbs is perhaps the most productive thing one can do. However, though a subjective opinion, it's a great deal less dull when in the company of a pretty girl whose name you learn through one piece of black licorice.
Florence Bonnard. It was elegant and flowed off the tip of your tongue. She was pretty; her teeth shining white and her long, blonde hair practically another shade of gold, shimmering in the sunlight. Anthony Lockwood could only stare at her.
To Anthony, Paris was a dream of any fencer. It was hailed as the fencing capital of the world, home to countless famed swordsmen and agents. He could merely wish to be like them. He was sure he was on his way, however. He'd been invited to a DEPRAC-sponsored competition in France, and of course, he absolutely had to go. His supervisor, Nigel 'Gravedigger' Sykes, forced him anyways.
He made the acquaintance of Florence Bonnard only a few minutes ago, when she huffed into the train compartment that was otherwise empty except for Anthony's doe-eyed presence. Looking upset, she plopped herself down diagonal from him. She didn't even acknowledge his existence.
"Hi?" he squeaked out. His voice was a little scratchy. He coughed, then repeated the word in a much more confident tone.
"Well? What are you?" This was the first he'd heard the girl speak.
She spared a glance at Anthony.
"I'm, uh..." He thought fast. She didn't
know him; no one on the train, as far as he knew, knew his name. He could reinvent himself, banish the name used so fondly by his parents and sister. He could be...
"I'm, uh... Lockwood. Just Lockwood. Yes. That's me."
"Lockwood... classy," she commented. She paused, in thought. "Though... I think I'll call you Locky."
"L-Locky?" Lockwood stuttered. This was not how she was supposed to react to his name.
"Locky. It practically rolls off the tongue, don't you think?" She smiled, slightly exposing her white teeth. It was a pretty sight. He could've stared at her for a second or an hour before he registered her answer.
Lockwood was caught off guard. "W-well, what's your name, then?"
She smiled a pearly white smile. "Wouldn't you like to find out," she said slyly.
A sweets trolley rolled down the aisle, pushed by a plump old woman. "Anything you'd like to buy?" She popped her head in the compartment.
The girl scanned the trolley, then made up her mind. She turned to Lockwood. "You'll have to buy me a liquorice to find out my name."
"I'll have a bag of liquorice, please," Lockwood immediately said to the lady, pulling out two pounds and exchanging it for a bag. He didn't know why he complied so easily - maybe he'd fallen under a trance for her. 
He handed one to the girl, who looked momentarily startled before recomposing herself. "So, what's your name?" Lockwood asked.
"Florence Bonnard," she simply replied. It matched her, Lockwood thought. Prim and proper, it matched her perfect posture and neatly combed hair.
"You fence?"
"Why else would I be here? Tea time?" 
"O-of course not, but you're just so pretty-"
Oh no. He'd let it slip.
Florence Bonnard's lips curled upward. "Thanks, Locky. I'll remember that on the piste."
He was suddenly scared to imagine Florence Bonnard on the piste, with her blonde hair tied up and her body in first position, sword ready to attack. With her confidence, double of his, how good could she be? Lockwood felt his stomach turn queasy. How good were the others on the train?
She poked Lockwood lightly. "Worried?" she teased. "En-garde," she mimicked a referee, "prets-" she made a face, "allez!" She pretended to poke Lockwood with her rapier, then laughed.
Lockwood couldn't help but laugh with her at her imitation.
"What's your agency?" Lockwood asked.
"That'll cost you a liquorice," she stated.
He handed her one.
"Sinclair & Saones. 'm an apprentice for 'em. You?"
"Nigel Sykes."
"Really?" she drawled. "You seem like the Rotwell type - well, then again, you weren't sitting with the lot in the first place."
"Rotwell and Fittes agents always win, don't they?"
"I'll give 'em a run for their money. How old are you?"
"Ten."
She looked up and down. "Alright then."
"What's that supposed to mean?"
She smirked. "Nothing... When's your birthday, then?"
He told her.
"I'm older than you."
"So what? That doesn't mean you'll be better!"
Florence Bonnard smiled. "We'll see about that."
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Nigel 'Gravedigger' Sykes, or just Sykes, was Lockwood's mentor. He was a bit scraggly, but not enough to make him incompetent with a sword. He was on the slightly mad side, yes, but was an extremely skilled swordsman. Lockwood was constantly amazed by his ability.
"You rely on remises too much. Practice on your footwork, you're doubting yourself too much.”
They'd been practicing for two hours - maybe more. Lockwood didn't even bother trying to count the bouts. His hair stuck to his sweaty forehead, his breaths hot in the mask. Lockwood's legs were sore and his arms hurt from all the attack, parry, and riposting he'd done.
The competition started in three days - Sykes had decided Lockwood needed to cram in as much practice as he could. On and off the piste, Lockwood could hear Sykes' voice in his head, telling him to Parry quarte or Eat your breakfast, it's free food! Food was accommodated at the hotel which sponsored DEPRAC for the competition. The rooming was nice as well, Lockwood being lucky enough to get a room to himself rather than most participants in the tournament who had to share a room.
When the competition finally rolled around, he'd won the first bout easily - almost too easily. Regardless, a win was a win, even against some Bunchurch agent with half a brain.
The real competition - or so he'd heard from rumours - was Quill Kipps of Fittes. He was apparently a prodigy fencing-god in his mid-teens, favoured by the majority of the crowd. He was tall and ginger, from what people had been telling him. Easy to spot in crowds. Lockwood was curious to see the famous Kipps in practice - rather, he was curious to see what any Fittes or Rotwell agent could bring to the table.
Lockwood had yet to see the mysterious Florence Bonnard do her bout. He was eager to do so after showering and slipping into the stands to watch the next bouts. After a win from Alexander Fawley, and another from Emily Schreiber, Quill Kipps was up. The teen was fast, and his every move was clearly calculated. It was everything Lockwood could aspire to be.
Florence Bonnard was fast as well, to Lockwood's surprise. She was extremely quick on her feet and could get a touch faster than the referee could blink after saying allez. It was impressive, being younger than a lot of contestants- and she wasn't even a Fittes or Rotwell agent.
Lockwood considered what he'd do if he was ever tasked with being her opponent, but only for a split second. It was too unrealistic he'd make it that far. But still, he had a vivid image of her lunging, ponytail swaying and rapier thrust as the tip of her blade touched his side. Now was not the time to daydream.
The second bout passed, 14-15. Lockwood had won in a landslide, attacking the split second his opponent hesitated.
After, as Lockwood chugged a bottle of water on the side, still sweaty and clad in his fencing gear, Florence Bonnard approached him. "Good bout, Locky," she said in her sly way. "Although, your footwork could be better." His gaze was stuck on her, even as she stalked off in true Florence fashion. 
"Th-thanks?" It was already too late; Lockwood just watched her straw-colored hair swish away. She was one interesting girl. He sighed, staring at her back.
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Lockwood's days consisted of eating, practicing, and sleeping. He would occasionally watch other agents practice, to pick up on faults and techniques they used. That's, at least, what Sykes had told him to do. Half the time Lockwood just drifted off, staring at a wall corner or, as a current example, a blonde ponytail. ...Blonde ponytail...? It was Florence Bonnard in the flesh, practicing. Of course, Lockwood just assumed this fact, judging by the fencer's posture and hair. It was unmistakably her.
Lockwood hadn't seen her much, either because their schedules didn't match up or she barely practiced. She was very good, sharp on her feet and maneuvering like she was on ice. It was scary the way she got a touch so fast. He assumed she'd practiced a great deal privately; at least, that's how he comforted himself at the sight of her skillful rapier patterns.
Lockwood's eyes jumped to a tall ginger-haired fencer - no doubt Quill Kipps, practicing a couple metres away. He, too, was skilled. Close to Florence's level, but not quite. This could be the year someone from a small agency won - though, Lockwood couldn't keep his hopes up. Being the crowd favourite, who was to say he didn't have a couple tricks up his sleeve?
Bouts three and four passed, and just somehow, Lockwood had survived into the quarterfinals. The numbers were dwindling down; Florence Bonnard, not much to his surprise, was in strong.
The quarterfinals passed, but now that he'd won, more pressure had been draped on him. Practices stretched late into the night, leaving his muscles incredibly sore and eyelids drooping on their own accord. He almost forgot to shower one day, planning to sleep in his fencing gear. Sykes had been drilling into him much more. The lineup for the semifinals was posted; Lockwood would be fencing against Quill Kipps.
To say he was nervous was an understatement. He sweated at the thought of fencing the teen. No matter how much he analyzed Kipps' fencing, he never felt ready. Sure, he wasn't as good at Florence, but she was substantially better than Lockwood - as was Kipps. The day of the bout, Lockwood almost froze before walking in, trying not to look at the crowd. It was bigger than any he had fenced for before. He sucked in two deep breaths then pulled the mask over his face. Sykes patted him, whispered quick advice in his ear. Lockwood wasn't paying attention, more focused on the judges, rhe referee, and the feeling of his feet on the ground. He and Kipps did the salute, like any other bout.
The referee started to speak, also like any other bout. The words were muffled in Lockwood's jumbled mind. His thoughts were racing at 100 kilometers per second, tumbling around each other, unlike any other bout - but he didn't need to hear the words regardless. He knew what they were.
"En-garde."
Lockwood stared at Kipps.
"Prets."
He took a deep breath, readying himself.
"Allez!"
The bout began.
Immediately, swords clinked and clashed against each other as the agents attempted to protect themselves. Lockwood's mind went pure blank, and his body went into autopilot.
1-0. Sure, a rough start, but he could catch up.
1-1. Tied, that was okay.
2-3. Lockwood was in the lead-
5-7. Halfway there!
11-10. No, losing wasn't an option-
13-14. His sword was a blur in front of him, basically acting of its own accord. Parry, riposte, attack-! It was all too quick. Kipps had lost his balance, and Lockwood took the opportunity. He lunged, slashed with his blade just to earn a point. His blade felt something soft - he got a touch! - but then Lockwood actually looked at the tip of his blade.
Quill Kipps was stunned entirely. He'd fallen on the piste and stared up at the younger agent. The moment was silent; practically in slow motion. The crowd held their breath in disbelief.
Lockwood had struck Quill Kipps with his rapier on the bum. The judges were in shock. It was a touch, though, right? It... counted? The referee gestured, and Lockwood pulled his raper away.
The bout ended.
Lockwood won. Lockwood won, against the star of Fittes agency. Quill Kipps, meanwhile, fumed. His cheeks were redder than his hair, which was matted with sweat.
"I'll beat you next time, Anthony Lockwood..." he murmured.
The crowd was having its fun; booing in disappointment or cheering in amusement, Lockwood couldn't tell. He convinced himself it was the latter. He didn't mean to stab Kipps in the bum. It just happened. It's not like anyone ever goes into a bout thinking, "Oh, yeah, I'm going to riposte a clean one up his bum."
Sykes was impressed, though he seemed more pleased by the last touch Lockwood earned.
"You'll be going up against that Bonnard girl, so you better clean up that footwork of yours. Her bladework is quite fine, too, I'd say. Sharpen yourself up, Anthony - no pun intended."
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Practice, as always, lasted to the evening - Lockwood had just gotten out of the locker room, hair wet from his shower when he heard a familiar rasping tone.
"Locky~" Florence Bonnard sing-songed, conveniently leaning on a pillar outside.
He approached her.
"Finals are tomorrow," she said, smiling. Her teeth glinted - it was charming. Her eyes shimmered a bright blue - when had he missed this feature of hers? She was breathtaking. He didn't react, dumbly nodding as he stared at her.
"Oh, and by the way? Stop staring at me sometimes, it's creepy, Locky. I know you like me, but you're too... you." She tapped his nose, ignited a blush across Lockwood's cheeks.
"Cute," she commented. "See you on the piste." She walked away in her typical manner.
Florence Bonnard beat him the next day, 13-15. It was completely fair. Her attacks were clean and precise, and she hesitated not a second. It was a blur in Lockwood's head; one second her blade was against his torso; the next, her blade had touched him 14 other times and the referee proclaimed her the winner. He wasn't disappointed, however - she, from a small agency, had won, not a Fittes or a Rotwell agent. He decided it was well-earned on her part, completely ignoring the way she had so softly put him down the day previous. She was just so attractive.
She gave him a toothy smile after the bout and patted his shoulder. "Don't be too upset, Locky." It was safe to say he wasn't.
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2 years later.
It was terrible. It was one of those moments in your life where you can recount every detail of where you were and what you were doing exactly when it happened; heck, you could even recite the exact seconds.
Lockwood was reading the morning newspaper, sipping his pulp orange juice (the joys of being a blue whale!) when he read the news.
Both Sinclair and Saones (of the Sinclair & Saones agency) had died on a case, with poor Florence Bonnard being the only survivor. Florence Bonnard - the name reminded Lockwood of so much; mainly, his puppy crush on her when he was younger. He failed to see the appeal now, but platonically, she was wonderful, despite how much she demanded liquorice.
He visited her on the shorelines of the River Thames; it was mainly where she resided, to the most of Lockwood's knowledge. He slipped a bag of liquorice hidden under his coat for her.
Her appearance was slightly disheveled and a straw hat covered the half of her face. 
"Locky!" she croaked, but her voice lacked its usual mirth. In fact, it was incredibly fragile; to put an exclamation mark after it would never properly do it justice. She looked cold, shivering in what appeared to be her agent clothing. Her rapier was still attached to her side.
"You're shaking." Lockwood sat beside her.
"A-am I, Locky?" she hiccupped. She took a deep, shaky breath, then laughed, an echo of bitterness and a sore throat.
"I heard what happened," he said softly. "How?"
"How else, Locky?" she said, less of a question than a horrible revelation. Her voice was terribly sad, full of pain and memories. "It was ghost-touch. I protected myself with an iron cross 'til dawn against the Limbless." Her fists clenched in her skirt. A tear dropped down her cheek - which Lockwood noticed to have fresh, small scars and what looked like to be traces of tears on her slightly muddied face. It was the exact opposite from the pristine, composed Florence he'd known for so long.
"I'm sorry."
"You needn't be."
"Did you get hurt anywhere?"
She shrugged, wincing as she touched her cheek.
"I could-"
"Don't. It'll heal on its own." He wanted to tell her to clean it as well, but he could tell she'd turn down the advice in the same manner.
"Well," Lockwood said, "what are you doing next?"
Her grip tightened on the fabric of her skirt. "I don't know."
"You could train with me," Lockwood offered gently. "I don't have an agency or anything, but-"
"I-I think I'll try that. Thank you, Lockwood."
"Also, I brought these." He handed her the bag of liquorice.
A slight smile appeared from under her hat.
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Her swordsmanship was still intact. Lockwood could for sure confirm this after she'd disarmed him 5 times. She'd lost her will, though. She looked pained picking up a rapier and could barely glance at salt bombs. Lockwood didn't ask. It seemed too personal. Over the course of 3 months, nothing had changed. If anything, it seemed to be harder and harder for her to fight properly.
"Locky... I don't think I can do this."
"Do what?" Lockwood knew perfectly well what she was referring to. "You're amazing with your rapier, still."
"This whole... 'agent' thing. I-I don't think I can go back." She was incredibly vulnerable with no snarky remarks or sarcasm in her voice. It hurt him to see her like this. He'd once felt similar, in his pain-filled rage when Jessica died. He couldn't look at ghosts, couldn't bear to think of them. Unlike Florence, however, he'd had rage to direct toward ghosts; she just felt pain.
Lockwood nodded. "You're sure?"
"It's been 3 months. Every time- every time I can still see their bodies next to me. Hear the screams, see the Limbless. I can't do it."
He hesitated, then put a hand on her shoulder. "I understand. But- what will you do?"
"I'll find something, I'm sure."
"I'm always here, Florence. I've been thinking about starting an agency, so if you need anything..."
Florence Bonnard smiled her classic grin. She patted his hair - he took so long gelling it in the morning.... Her blue eyes shone like the sea. "Don't worry yourself, Locky. I've got this."
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For months, Florence wandered from thing to thing in search of replacement for being an agent. She hadn't found much. With the Problem raging, agents were in the highest demand, and it was hard to ignore all of the flyers and inquiries looking for one. Lockwood had been concerned she'd find nothing, constantly reminding her of his offer. One thing was clear, though: she was never becoming an agent again. She didn't need to say the words, but it was mutually understood even as Lockwood asked her to train with him.
Slowly, she gravitated toward relic collecting. It exercised her Talent, yet comforted her. She could be free from expectations, and not have to be perfect or clean; she could collect the relics on the River Thames and sell them. It would sustain her and calm her. Most importantly, it was an environment she was comfortable in.
As time went on, her straw hat became faded of color and gained splotches of mud on them. She traded her agent fit for a padded jacket and Wellington boots. It suit the job. For once, maybe she was happy.
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"So, you're sure you don't want to become an agent?"
"Locky, the only reason I came was because you said you had liquorice. I'm perfectly happy as a relic woman." She smoothed down her padded jacket and adjusted her signature straw hat.
"I have my license now. I'm recruiting-"
"I'm happy where I am, thank you very much." She took a sip of tea and plopped a liquorice in her mouth.
Lockwood sighed. Florence Bonnard, as always, was impenetrably stubborn. she'd started going by Flo Bones, which was catchy, and fit her relic woman persona. Lockwood respected this. He could see how happy it made her, though not particularly sanitary.  He recalled the day she'd first told him of her new occupation. They'd been sitting on the banks of the River Thames, near where Lockwood had comforted her the morning after tragedy struck her.
"So... you're becoming a Relicwoman? Where will you get the sources?"
"The river has enough," she gestured to the muddy shore of the river. "My Sight's been getting stronger."
"Be careful, Flor-"
"Oh, and Locky, I've started going by Flo Bones - it's quite fitting, don't you think? I like it. It's catchy." She'd lifted her hat, just enough to wink at Lockwood before pulling it down again.
"Well, my offer will always stand, Flo. You're a spectacular agent - you know my address. 35 Portland Row, hasn't changed."
"You haven't an agency to work for, Locky, have you?" Flo mused bluntly.
"Working on the license. I plan to open my own agency, agent run. What d'you reckon I call it? I was thinking 'Lockwood and Company.'"
Flo gave a grunt of approval. "'Lockwood and Co.' It's decent."
"Thanks, Flo."
She'd nodded. "Now go. I can't be seen hanging about the lots of the upper class. See you, Locky."
He pushed the bag of liquorices to her, the memory making him smile sadly. "It's all yours." 
Lockwood couldn't find any agents willing to work for him. Flo, being one of his main friends, was painfully aware of this fact, subject to his forever hanging offer of employment. 
"Oh, cheer up. Don't be lonely. You'll find someone. Lockwood & Co.! It'll be known through all of England." She softened for a second. "Anyway, I have an auction to attend." She stood up, bits of dirt falling from her jacket. "Bye, Locky!" He reached out to her then restrained himself - but she'd already exited 35 Portland Row, shutting the door behind her.
"Bye, Flo." He stared at the closed door, at his slightly outstretched hand. He could only hope she was right, and he'd find someone soon.
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dylanradio · 6 years
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Now Playing on DylanRadio.com: Idiot Wind by Bob Dylan from The Bootleg Series, Volumes 1-3
Someone's got it in for me, they're planting stories in the press Whoever it is I wish they'd cut it out but when they will I can only guess. They say I shot a man named Gray and took his wife to Italy, She inherited a million bucks and when she died it came to me. I can't help it if I'm lucky. People see me all the time and they just can't remember how to act Their minds are filled with big ideas, images and distorted facts. Even you, yesterday you had to ask me where it was at, I couldn't believe after all these years, you didn't know me better than that Sweet lady. Idiot wind, blowing every time you move your mouth, Blowing down the backroads headin' south. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. I ran into the fortune-teller, who said beware of lightning that might strike I haven't known peace and quiet for so long I can't remember what it's like. There's a lone soldier on the cross, smoke pourin' out of a boxcar door, You didn't know it, you didn't think it could be done, in the final end he won the wars After losin' every battle. I woke up on the roadside, daydreamin' 'bout the way things sometimes are Visions of your chestnut mare shoot through my head and are makin' me see stars. You hurt the ones that I love best and cover up the truth with lies. One day you'll be in the ditch, flies buzzin' around your eyes, Blood on your saddle. Idiot wind, blowing through the flowers on your tomb, Blowing through the curtains in your room. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. It was gravity which pulled us down and destiny which broke us apart You tamed the lion in my cage but it just wasn't enough to change my heart. Now everything's a little upside down, as a matter of fact the wheels have stopped, What's good is bad, what's bad is good, you'll find out when you reach the top You're on the bottom. I noticed at the ceremony, your corrupt ways had finally made you blind I can't remember your face anymore, your mouth has changed, your eyes don't look into mine. The priest wore black on the seventh day and sat stone-faced while the building burned. I waited for you on the running boards, near the cypress trees, while the springtime turned Slowly into autumn. Idiot wind, blowing like a circle around my skull, From the Grand Coulee Dam to the Capitol. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. I can't feel you anymore, I can't even touch the books you've read Every time I crawl past your door, I been wishin' I was somebody else instead. Down the highway, down the tracks, down the road to ecstasy, I followed you beneath the stars, hounded by your memory And all your ragin' glory. I been double-crossed now for the very last time and now I'm finally free, I kissed goodbye the howling beast on the borderline which separated you from me. You'll never know the hurt I suffered nor the pain I rise above, And I'll never know the same about you, your holiness or your kind of love, And it makes me feel so sorry. Idiot wind, blowing through the buttons of our coats, Blowing through the letters that we wrote. Idiot wind, blowing through the dust upon our shelves, We're idiots, babe. It's a wonder we can even feed ourselves.
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Indie & Rio
Indie: can we chat? Rio: 'Course we can Indie: you still mad tho? Rio: No Rio: Serious Indie: me either Indie: my heart b heavy but not w that Rio: What's wrong, babe? Indie: all things Indie: its bad here Rio: How bad? Indie: dred like i dont wanna drag you back in but i cant cope w it Rio: Don't worry about me Rio: I'll have to sort some stuff here but how soon do you need me back Rio: and what can I do 'til then, like Indie: let me be w you i wont 2s mckenna or no thing Indie: but i gotta be out Indie: theres too many fucking situations Rio: alright Rio: of course Rio: i'll sort the uber now, where am I sending it Rio: is it the things i know or has something else, or multiple something else's happened? Indie: [sends random ass location because honestly where the fuck she wanna be rn] Indie: theres more and worse Indie: how you want it? Rio: First tell me you're safe Rio: then tell me however's easiest for you Indie: I'm proper high rn are they gonna let me come to london? Rio: Yeah, obviously don't bring anything but if it's gone it's gone Rio: You'll be fine Indie: safe Indie: i got none left to bring Indie: it been like that Rio: Damn Rio: Say no more, but do Indie: i get why my ma werent trying to do nothing but this Indie: cept its there still when you come thru Rio: That's the problem Indie: cant keep it goin innit cant keep no thing goin Indie: cant keep drew from wildin acting like a younger bringin feds to my door and my boy on my back cos hes fave target Indie: neither chatting to me like i done this Indie: did i? idk Rio: Nah, you didn't Rio: I can't even expand on it because just no, how could it be you Indie: thats how the boy treating me like i livin for the drama Indie: but the feds want drew in the pen & thats how he want it cos theres nothing left for him to fuck up in these ends Indie: i cant stop it none Rio: That ain't you though Rio: and who would be about this shit, it's the worst Rio: As for Drew Rio: I'm sorry Rio: We've been here before, there's no talking to him when he's in that space Rio: and that isn't on you Indie: every day we on this he be spitting angry at me throwing shit around but acting like im the one creating Indie: its too hard Indie: and yeah then theres drew back on his bullshit Indie: w the only apology yours to hold cos he aint offering Indie: i want him gone & i put that out into the universe so mayb i did it Indie: this is proper gone tho & that baby gonna be born soon Rio: Oh babe Rio: He don't know you like that, he shouldn't be treating you like that, standard Rio: even if you were the biggest drama queen in the world but you ain't and he got you so fucked up on that Rio: Nah, he's doing it all himself, even if you thought you wanted it or still do if not this way Rio: you can't make him do the dirt he do, or make him not Rio: The baby will be good, it'll have it's Ma and Bea is staying with her still and everyone else, you know it'll be okay Rio: what about you though baby Indie: how i let him chat to me that way? who am i rn? wtf Indie: i just want our yard back and you back and things to be what they were Indie: but its not Indie: cos even if we there what kinda ma she trying to be for real? im spinning out but like where in the universe is she @ Indie: & none of this is gonna hurt you most Indie: thats the last thing i aint chatted Rio: We've all put up with shit we shouldn't have Rio: 'cos we thought it'd pay off Rio: You ain't alone in that, nor does it make you less you even if it makes you feel less altogether Rio: I can try to talk to Drew, about the flat, idk if I can make that happen but if he goes jail he loses his lease, he only kept it in the past 'cos his boss' would pay it if he dealt inside, like but he ain't got the clout he used to have Rio: accept it or nah, no doubt we could chat about me taking it on if it comes to that but i ain't making promises Rio: I know but, you gotta trust we will all be there for damage control Rio: we're all alright ish, yeah? Rio: Go ahead, babe, I can handle it Indie: i got caught up cos i wanted someone to be for me & about me one time & everyone else has somewhere to lean Indie: you and mckenna being goals in my face Indie: everything else was a mess but i just added Indie: and now she has Indie: cos what i gotta tell you is bills told me edie be gone Indie: hardcore packed up and run out Rio: i know there's nothing i can say to make you feel less shit about it but i swear to you babe, we've all been there Rio: you know i have Rio: it doesn't make it better for you but it ain't your fuckup, it's one we all go through to grow through, yeah? no bullshit Rio: she did talk to buster but Rio: i didn't think it'd be anything more than normal Rio: i'll tell ma Indie: i reckoned bills was gonna cry she was carrying that much worry Indie: i aint no what to tell her Rio: I'll talk to her too Rio: I don't know what I'll say but Rio: it'll be alright, we can sort this Indie: i been swerving dem all hard as you Indie: more than she got detention for how hard she was trying to hit me up she said Indie: doing everyone the dirtiest ever why i gotta leave Rio: I can't blame you Rio: This shit is hard Rio: and painful Rio: I'm sorry I left you alone Indie: he aint try and fuck me i got no excuses Indie: [sends selfie] am I 😢 I can't feel it so what you seeing? Indie: not trying to be out here in the wild 💔😭 Rio: Baby calm down okay, you're good Rio: Your flight is booked and the uber is en-route Rio: I sent all your deets to you, all you gotta do is get here Rio: we're gonna sort all this okay and the shit we can't we gonna make bearable at least Indie: i dont have anything tho cant b living in mckennas garms after the last Indie: he gon b mad enough im rolling up likely Rio: No he won't Rio: I got plenty of shit you can borrow don't stress on that Rio: Nance has got a mental wardrobe here too Indie: o yeah other mckenna Indie: always sleeping on her living there too Indie: she aint but she do Rio: Exactly, I've had to borrow her bed loads of times before and you know they living that en-suite life Rio: you can stay for as long as you need Indie: innit what school gon do put drew in prison? 😂 Rio: Tbh Rio: In the grand scheme of things, that doesn't matter rn, soz teachers Indie: ill screenshot them words like my ma says Rio: I missed you Indie: safe cos imma be in your face soon Rio: wish it was under better circumstances, like Rio: but we'll get there Indie: @ the age to have a breakdown once a wk soz bout it 😂 Rio: that i can handle Rio: nothing that a pint of ben & jerry's and some chill time can't Indie: warn mckenna to lock up his squad & we all good Rio: 😏 Will do Rio: he's not really rolling with them rn so temptation should be outta the way Indie: 😍💍 be like Indie: i feel it Rio: Erm I ain't that hoe 😣😂 Indie: theres how you say & how you do bitch 😏💘😂 Indie: 👀 you from the front row in a few Rio: 🙄😔 am I really that bad Indie: nah nah Indie: mckenna be amp as Indie: its a good link Rio: Yeah but I mean Rio: do you feel like I've been ignoring you Rio: pre you know, that bullshit Indie: allow it babe Indie: you never done nobody that way Rio: Promise Rio: 'cos that ever what I was trying to be Indie: you always on the clock & your game Indie: trust Rio: Alright, 'nuff about me Rio: is there anything else you need, either now or for when you get here? Indie: gon need to grab my shit while 👻ing this boy Indie: standard juggle Indie: if hes been holding that long & not dashed it out ill break in Rio: You're gonna take some mates with you, yeah? Indie: bitch please i dont need the lads knoing my business that hard Rio: is it a good idea tho, even if he got his own van u kno they all got each other's backs, like Rio: be careful, all i'm saying Indie: they aint gonna call the feds on me man Indie: ill leave it til im back need a clearer head than this for a lock pick Rio: Yeah, don't worry 'bout it now Rio: anything replaceable we can sort now Indie: im not tryin to lose my head over things rn Indie: if imma be in london i got what i need Rio: That's the main thing Rio: and I ain't gonna come at you with 20 questions either, like Rio: space can include from me, just lemme know what you're feeling Indie: i been had enough space from you girl Indie: i miss you Rio: was hoping you'd say that Indie: i love you more than Indie: thats the mood Rio: i love you too Rio: no outs Indie: dont lets lose each other again Indie: 💖💖 Rio: never 🧡 Indie: how long this uber tryna be im 😫😫😫 Indie: imma b sleepin on this wall like i kicking it nursery rhyme vibes Rio: it's saying it's nearly there on the app Rio: if you gonna crash at the airport make sure you near the gate tho Indie: safe Indie: o sick idea Indie: the plane not trying to be up long enough for that shit tho innit Rio: legit its as quick as the bus into town like Rio: be here in no time Indie: its a madness Rio: yeah, see, it's not that far really Indie: feels like Indie: but mayb thats just how i want it so i can 👻 this town harder than afore Rio: it's far enough for that Rio: ain't letting drew out the country are they Indie: 😂😂😂 Indie: not less they start deporting crooks old school like when 🐨 country just one big pen Rio: He wishes Rio: always got his top off like we living that life here Indie: fr like he needs a tan to appear more peng nah nah Rio: if we wanna get a new wifey Rio: least if she out there we unlikely to be related to her so go off Indie: true true Indie: unless he tryna head to spain for my nan we all good Rio: 😬 Rio: yikes, not a mental image we need Indie: idk i hear she keeps things tight & fresh Indie: hes done worse Rio: Stop 😩 Rio: 'less you gonna bring me one of them sick bags Indie: get you a straw donkey when he drag me out there for the 💒 Indie: i got you Rio: when u don't wanna be nan but u down to be ma Indie: least she too old to put a 👶 in Indie: & it aint like being down to be ma is top of his list for how he want his wifeys Indie: that ones just for you like Indie: ro not trying to mother me no mind the one she growing rn Rio: Fair Rio: Willing to put up with his shit and mother him is clearly more vital Rio: 'low it with the mommy issues like he's the only one going without Rio: twat Indie: o snap Indie: just cos yours aint want you boy dont mean you gotta kill mine tho Rio: o snapped too soon Rio: but he ain't get snapped on enough for that Indie: when he offering you dem same goodies ☠ Indie: thanks dad Indie: you a real one Rio: waste Rio: he's so fucked Indie: i was 👍 Indie: down & out Indie: what that make me? Rio: you a kid Rio: not chatting down to you, but you allowed to be is what I mean Rio: he's grown and he caused your shit, he should know and do better so you could Rio: literally his job Indie: idc now if he show up for astrid thatd do man Indie: grown past him still Rio: Yeah Rio: we'll have to wait n see if he can be arsed to prove himself Rio: idk if he's been allowed near since you know Indie: not from what ive 👂 Indie: coulda changed since he stopped chatting at me tho Indie: or he coulda just been chattin it so it dont look his fault he swervin Rio: wouldn't blame them from keeping him away rn, your hormones are fucked and she's never had much sense when it came to him Rio: but i don't know if it's a forever deal or what Indie: i can see her lawin it cos he burned her so hard w this Indie: proper owned Indie: she aint tryin to let you come thru & you fam so Rio: well you know Indie: cant call her out that hard when it aint that different from how my ma tryin to be when Indie: they all 🤡 for him Rio: yeah Rio: i don't get it Rio: whatever, he's good looking Indie: so your da he aint a wasteman w it Rio: it's easier to be treated like shit sometimes though than accept the love init Indie: call out 🔫 at me bitch Rio: not what i was going for Rio: just saying he ain't special with it, we all do it Indie: 👀 you Rio: 😏 shh Indie: 😂 Rio: neway Rio: he's out, yeah? Indie: innit Rio: 👍 Indie: how you livin Indie: gimme dat 411 Rio: yeah good tbh, the place where i work is cool Rio: i'm just doing promo stuff 'cos i don't wanna get too into anything obvs but it's fun, not dry like the angel was getting Indie: sick! they gonna let me in or ⛔ Rio: see what i can do Rio: sure we get u made up no one gonna be too amp Indie: dont 🤡 me Indie: keep it 💋 Rio: oi don't be doubting my skillz Rio: you ever seen me out like that 😂 rude Indie: doubtin my ability to carry all that Indie: you ever seen me in 👠 bitch Rio: you don't need 'em when you out with me Rio: only just be touching your height in mine so Indie: 😂😂😂 Rio: 😣 be looking stupid short 'round here Indie: you will stand w mckenna Rio: what i'm sayin Indie: 😍 gotta travel far 💖💖 baby Indie: good thing he extra too Rio: 😂 Indie: hows the love Rio: I don't wanna be extra about it at you Rio: but it is good Rio: and no one totally flipped shit on it so Indie: im not that 💔💔💔 you cant speak on it Indie: boy dont get to do me dirty and keep me pining long Rio: That's my girl Rio: 💪 Indie: throw shit @ me again he gon catch these hands Rio: serious, what a cunt Rio: he ain't gonna have the chance Indie: do me a solid & dont tell the fam yeah? your ma only just calmin after wanting to merk drew Rio: 'course Rio: you got it handled Rio: they don't need to know every little thing Indie: i did nearly run there the other thinkin i was gonna be baby'd up same time as my step ma near Indie: but nah 🍀 Rio: remind me to take you drs yeah Rio: 😰 Indie: its chill i not letting any lads near me in the 24 or out of Rio: still, with your memory, i don't think the pill is the one we'll get you the implant maybe Rio: or the coil, they last time Indie: sexy Indie: he was wrapped but it got fucked up idk was wild Indie: get them posho london drs to sort me 😂😂😂 Rio: nah you wanna be the one in control of that shit babe trust Indie: 👑👑👑 Indie: i feel that Rio: boys be mad dumb that shit could be old or ripped there's no telling Indie: fr 😒😒🙄🙄 Indie: he only got a year on me too idc how many girls he tryna chat he been w he dont kno that much Rio: You can defs take off at least 20% of whatever he chatting Rio: Trust Indie: serious? Rio: Probably Rio: or think about how many of them were like Rio: 5 minute fumbles at parties and shit Rio: doesn't really do much for your game even if its a numbers booster Indie: tell me mckennas i wont say shit to him swear down Rio: 😂 i would but idk Rio: i ain't asked Indie: girl WHAT Indie: bitch imma do it for you Indie: we taking off like 90% for him 'cause how he like to chat or nah? Indie: 😂😂😂😂 Rio: I can imagine like, I don't need confirmation Rio: Poor baby 😂 Indie: do he kno your numbers? Rio: Nope Rio: 'less he tryna keep track like that which I doubt lmao Indie: its jam we can keep em on 🔒 Rio: Idc I'd tell you Rio: but he ain't wanna know trust Indie: boy too jel Indie: how they all be Rio: you know Indie: drew be tellin me how to do w my body like he something to me so we can let mckenna stand Rio: yeah that's a whole nother thing Rio: that ain't cute or wanted Indie: he aint 😂😂😂 Rio: truth hurts 😂 Indie: innit tho Rio: ur uber says its there so pull up Indie: i be waving to someone Indie: gotta b Rio: kinda excited even though it's cos everything is shit Indie: it me you gotta be hype 💖💖💖 Rio: That's alright then 😘 Indie: what mckenna say bout it? Rio: He's cool, gonna talk to his Dad so we don't have to Rio: getting food too to show he can, like Indie: trying to flex o boy Rio: ever since you dissed him Rio: gotta get good Indie: he need be told 👌 Indie: bring 🍔 🍕🍟 any of Indie: it aint hard if you smart Rio: idk if he taking orders but i'll let him know 😏 Indie: hit him w a screenshot and add 🥊 or 💪 Indie: 💍💍💍 life be like Rio: You have no idea babe Rio: getting it from both of yous again now 😜 Indie: is it? he wearin the 👖 thats how you 😍😍 Indie: i been knew Indie: 💘💘💘 Rio: Shut up 😩 Rio: That just how it be in the bedroom don't get it twisted Indie: 😏😏 when he such a daddy you let him wear the 👑 out 😏😏😏 Rio: yeah you lucky you still a flight away Rio: 🥊 'fore 💋 forreal Indie: 😂😂😂😂
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dylanradio · 4 years
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Now Playing on DylanRadio.com: Idiot Wind by Bob Dylan from The Bootleg Series, Volumes 1-3
Someone's got it in for me, they're planting stories in the press Whoever it is I wish they'd cut it out but when they will I can only guess. They say I shot a man named Gray and took his wife to Italy, She inherited a million bucks and when she died it came to me. I can't help it if I'm lucky. People see me all the time and they just can't remember how to act Their minds are filled with big ideas, images and distorted facts. Even you, yesterday you had to ask me where it was at, I couldn't believe after all these years, you didn't know me better than that Sweet lady. Idiot wind, blowing every time you move your mouth, Blowing down the backroads headin' south. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. I ran into the fortune-teller, who said beware of lightning that might strike I haven't known peace and quiet for so long I can't remember what it's like. There's a lone soldier on the cross, smoke pourin' out of a boxcar door, You didn't know it, you didn't think it could be done, in the final end he won the wars After losin' every battle. I woke up on the roadside, daydreamin' 'bout the way things sometimes are Visions of your chestnut mare shoot through my head and are makin' me see stars. You hurt the ones that I love best and cover up the truth with lies. One day you'll be in the ditch, flies buzzin' around your eyes, Blood on your saddle. Idiot wind, blowing through the flowers on your tomb, Blowing through the curtains in your room. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. It was gravity which pulled us down and destiny which broke us apart You tamed the lion in my cage but it just wasn't enough to change my heart. Now everything's a little upside down, as a matter of fact the wheels have stopped, What's good is bad, what's bad is good, you'll find out when you reach the top You're on the bottom. I noticed at the ceremony, your corrupt ways had finally made you blind I can't remember your face anymore, your mouth has changed, your eyes don't look into mine. The priest wore black on the seventh day and sat stone-faced while the building burned. I waited for you on the running boards, near the cypress trees, while the springtime turned Slowly into autumn. Idiot wind, blowing like a circle around my skull, From the Grand Coulee Dam to the Capitol. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. I can't feel you anymore, I can't even touch the books you've read Every time I crawl past your door, I been wishin' I was somebody else instead. Down the highway, down the tracks, down the road to ecstasy, I followed you beneath the stars, hounded by your memory And all your ragin' glory. I been double-crossed now for the very last time and now I'm finally free, I kissed goodbye the howling beast on the borderline which separated you from me. You'll never know the hurt I suffered nor the pain I rise above, And I'll never know the same about you, your holiness or your kind of love, And it makes me feel so sorry. Idiot wind, blowing through the buttons of our coats, Blowing through the letters that we wrote. Idiot wind, blowing through the dust upon our shelves, We're idiots, babe. It's a wonder we can even feed ourselves.
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dylanradio · 4 years
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Now Playing on DylanRadio.com: Idiot Wind (76-03-30 Malibu, CA) by Bob Dylan from Idiot Wind (76-03-30 Malibu, CA) on DylanRadio.com
Someone's got it in for me, they're planting stories in the press Whoever it is I wish they'd cut it out but when they will I can only guess. They say I shot a man named Gray and took his wife to Italy, She inherited a million bucks and when she died it came to me. I can't help it if I'm lucky. People see me all the time and they just can't remember how to act Their minds are filled with big ideas, images and distorted facts. Even you, yesterday you had to ask me where it was at, I couldn't believe after all these years, you didn't know me better than that Sweet lady. Idiot wind, blowing every time you move your mouth, Blowing down the backroads headin' south. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. I ran into the fortune-teller, who said beware of lightning that might strike I haven't known peace and quiet for so long I can't remember what it's like. There's a lone soldier on the cross, smoke pourin' out of a boxcar door, You didn't know it, you didn't think it could be done, in the final end he won the wars After losin' every battle. I woke up on the roadside, daydreamin' 'bout the way things sometimes are Visions of your chestnut mare shoot through my head and are makin' me see stars. You hurt the ones that I love best and cover up the truth with lies. One day you'll be in the ditch, flies buzzin' around your eyes, Blood on your saddle. Idiot wind, blowing through the flowers on your tomb, Blowing through the curtains in your room. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. It was gravity which pulled us down and destiny which broke us apart You tamed the lion in my cage but it just wasn't enough to change my heart. Now everything's a little upside down, as a matter of fact the wheels have stopped, What's good is bad, what's bad is good, you'll find out when you reach the top You're on the bottom. I noticed at the ceremony, your corrupt ways had finally made you blind I can't remember your face anymore, your mouth has changed, your eyes don't look into mine. The priest wore black on the seventh day and sat stone-faced while the building burned. I waited for you on the running boards, near the cypress trees, while the springtime turned Slowly into autumn. Idiot wind, blowing like a circle around my skull, From the Grand Coulee Dam to the Capitol. Idiot wind, blowing every time you move your teeth, You're an idiot, babe. It's a wonder that you still know how to breathe. I can't feel you anymore, I can't even touch the books you've read Every time I crawl past your door, I been wishin' I was somebody else instead. Down the highway, down the tracks, down the road to ecstasy, I followed you beneath the stars, hounded by your memory And all your ragin' glory. I been double-crossed now for the very last time and now I'm finally free, I kissed goodbye the howling beast on the borderline which separated you from me. You'll never know the hurt I suffered nor the pain I rise above, And I'll never know the same about you, your holiness or your kind of love, And it makes me feel so sorry. Idiot wind, blowing through the buttons of our coats, Blowing through the letters that we wrote. Idiot wind, blowing through the dust upon our shelves, We're idiots, babe. It's a wonder we can even feed ourselves.
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