A castle mysteriously appears in Gotham one night.
Nobody who noticed it knows where it came from, nor how it got there as it seemingly appeared overnight. It wasn't anything big, as far as castle's were concerned, it seemed to be on the smaller side of things.
However, no one could truly estimate it's actual size. For there seemed to be an ever-present fog that never seemed to stray past the castle's gates.
Just like the fog, you always seemed to hear the cawing of crows and the flapping of bats whenever you step close enough. Yet their visibility was kept hidden in the fog.
Appearances aside, there did seem to be something... off, about the castle and not just because it appeared from thin air, no. It seemed to have a distinct aura of something... other.
No one knew how to explain it, but they could tell there was nothing natural about it. There was something fundamentally wrong with the castle, it wasn't the way it appeared out of nowhere, nor it's appearance.
===
When Sam finally became an adult, she didn't have to think twice about moving out. It was a bit difficult, with her parents not wanting to let her go just yet, but her grandmother managed to persuade them, thankfully.
When she was younger, Sam had always dreamed of owning a castle. Though its appearance did change in her mind when she grew older, from pretty and pink to one of darker colors and crows, which is why she never got one when she was younger, she realized.
But now that she was an adult, what was stopping her?
Nothing, that's what.
So, Sam buys one that matches her tastes and moves in. There was a lot of space, far more than she really ever thought about and now had to find a use for.
Magic.
Was something that enthralled Sam ever since she was young, that and the occult as a whole. So, for a few months after moving did she try and get her hands on things like magical tomes, items, scripts and learn it.
Surprisingly, she was strongly successful in her attempts of learning magic. It was surprising to be sure, but now that she compares it to the portal to the afterlife, having a half dead friend and having hunted down ghosts, she realizes that magic wouldn't be that much farfetched in the equation.
A fair bit of her time now was spent covering her castle in wards, sigils, and runes, ones that would strengthen themselves over time, various protection wards and multiple others that she found useful. Most of them were ones that she found through text, though others were ones she personally made.
After she finished the entirety of the castle, she studied thoroughly to gain more knowledge and power for herself, she even made a few spells of her own along with various potions. Unfortunately, she was interrupted in her studies by various other witches, because apparently having such a powerful fledgling witch on her lonesome was too tempting of an offer to pass up for the nearby covens.
So she had to... move, before they tried to force her to join them. As for how, well, she moved her entire castle! What better way to refuse, really?
Unfortunately, it was her first time using such large-scale teleportation magic and she messed it up. Not that her calculations on where the castle was supposed to be were wrong, but while in the midst of moving through space she was... thrown off kilter.
She didn't even know how or what caused her to mess up. But her castle both was and wasn't where she wanted it to be. Her original destination was coordinates near Amity Park, and while they were on said coordinates.
This wasn't Amity Park.
To say she worried was an understatement. She scrambled to find something about where she ended up, and realized not only was she thrown off kilter, but she was also thrown off so badly that she ended up in an entirely different dimension. Luckily, she managed to make the philosopher's stone.
To say making it was easy would be wrong, for even she didn't know how she created it. It was by accident and for a while she didn't even know she had made it, when she had and tried to do something with it the stone had, uh, well.
It fused into her skin.
It had placed itself right over her face, on her chest, and it granted her immortality it seemed. Though that wasn't the effect she was currently thankful for no, the effect of making gold would be valuable to her, she wouldn't have the Manson wealth, but she could at the very least sustain herself.
For now, though, she did have her studies to get back to.
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emotional support part 3 of physical therapy au
--
It is not exactly a short walk to Dream's flat, but Hob drops him off at his door anyway. Dream can't remember the last time someone did something like that for him. Took so much time just to make him feel safer.
He should just thank Hob and go in, but instead he hesitates in the entryway. He can't deny how it makes him feel, Hob's kindness, and interest in Dream's art, and then him jumping to Dream's defense so viscerally and unapologetically. Hob is... good. Kind. Dream does not know if he deserves it, but for a moment he allows himself to want it.
"You going to be okay?" Hob asks. His eyes are so kind. And Dream wants. It's been so long since he's wanted.
He leans in to kiss Hob and--
--Hob catches him with a hand against his chest.
Dream jumps back, shame coiling hot in his throat. Even when he thinks someone kind might want him, he is still only misreading--
"Dream," Hob says. His expression is still kind, though his smile is a bit pained. "I can tell you're spiraling, love."
That word again. Why would Hob say it if he does not mean it?
"If I am wholly wrong and you do not feel anything then please just say so," Dream sniffs, trying and failing not to feel completely stupid.
"You're not," Hob says--which catches Dream before he can fall completely into the net of melancholy that had begun to entrap him. "I'm just--" he runs a hand through his hair with a self-deprecating laugh, his general self-assuredness slipping for the first time Dream has seen. "I'm trying to be sensible."
Dream doesn't understand. It's true that Dream is not exactly a sensible choice in partner, that's been proven, but--
"It just doesn't look very good does it?" Hob continues. "Chase off your asshole ex only to come onto you at your own home? That's real respectful, isn't it?"
"I came onto you," Dream points out. Hob wants to be respectful of Dream? The bar is currently low when it comes to respecting Dream. Dream thinks he would rather have the kindness than the respect. "And I do not mind."
"Well, that's the problem, isn't it?" Hob says. "Look, believe it or not, and you'll probably believe it, but I've been widely known to be impulsive as hell. But I still don't want to be the guy jumping on you the moment you get out of a bad relationship."
This... had not truly occurred to Dream. "I do not think you will be like him."
Hob takes his hand then, the bad one, the one he's fixed. He does it carefully. "No, I know. But I'd hazard you didn't think he'd be like that before you got together, either."
"I... suppose not." Hob is different, though. He knows it.
"Let's just finish our work with your hand first, yeah?" Hob says, squeezing his hand lightly. He seems genuine. He does not seem like he is just making up reasons to turn Dream down. "I think you need to get back to some normalcy, and then you'll know for sure if you really want this."
"I do want this," Dream says. He does not want to lose touch with that feeling. Of wanting something for himself.
"Then you'll still feel that way later on, hm?"
Dream can't find fault with his argument. Though he can't help but still feel that little curl of shame. Embarrassment.
Hob raises Dream's hand to his lips and kisses his knuckles. Dream's breath catches.
"Goodnight, Dream," Hob says, letting his hand go again. "I'll see you next week."
And with that, and a smile, he leaves Dream standing in his entryway.
Dream presses his hand to his chest. Perhaps Hob is right. Perhaps he is too... fragile... for this right now. He certainly feels fragile. But Hob makes him feel less so. Not more.
But Hob is not the one who ended up in a relationship with someone who reacted to disappointment by smashing his hand with a hammer. So perhaps Dream should heed his relationship advice, and not his own.
He retreats into his empty flat. Shuts the door, locks it, deadbolts it, and shoves a heavy box of unpacked books in front of it for good measure. Then sits on the floor where there should be a couch and takes out his paints. It still hurts his hand to hold the brush for any length of time. But even to this day, it's the only thing that soothes him.
~~
It's just typical that the time Hob really wants someone is the time he decides he needs to be responsible for once in his life. But he just... he needs time. He needs to know that Dream isn't just... fixating on him because Hob's actually treated him nicely when the last person who cared for him didn't. He doesn't want to do this if Dream is just using him as an emotional rebound from a bad relationship. He's become too enamored with him for that. And he's no king of ideal relationships himself, but he doesn't think it's the best time to be starting a relationship when Dream is still carrying the literal scars of the last one.
Damn if he doesn't regret turning him down, though. Just a little.
He hopes Dream doesn't decide to bail on their regular appointment. In fact, since dropping Dream home, he's been so fixated on the possibility that he fucked it all up that he's stress-cleaned his entire flat. Then he bought finger paints to see for himself how well it works as an exercise. All he's really succeeded in doing is proving that Dream is better at art with one and a half hands than Hob is with two, but maybe it'll make Dream feel better.
He brings his attempt at finger painting to their next appointment. And he's so relieved when Dream does show up. He looks a bit more balanced than he had the other day, too. The hurt in his expression when Hob had turned him down had been painful.
"I decided to try out your exercise," Hob tells him. "To prove to you how well you're doing, if nothing else." He shows him the painting.
And Dream bursts out laughing.
"Hey," Hob protests, but can't stop his smile at the joy on Dream's face. "Don't be mean about it or anything."
"What is this meant to be?" Dream asks, taking the painting and studying it.
"It's a landscape."
Dream turns it ninety degrees. Squints. "Ah, yes, I see that now."
"Well now you're just being a dick about it."
Dream only smiles, then puts the painting away in his bag.
"Oh, you're taking it with you, too?"
"You have mine," says Dream, pointing at the painting of cats that's still propped against the wall by Hob's desk. "So I will put yours on my fridge."
"Oh, great," Hob grumbles. But he can't be upset about the smile on Dream's face.
He's glad to see that putting a pause on things hasn't hurt their developing friendship. If anything it seems better. Perhaps Dream's had time to think things over, too.
"But you see, don't you?" Hob says. "Even while you're recovering, your skills are still way better."
"I... see, yes," Dream agrees, ducking his head. "I. I did try painting again. But it hurts."
Because you're probably overdoing it, Hob thinks. "How's your hand feel now?"
"...Sore," Dream admits.
"Can I see?"
Dream gives him his hand, and Hob feels victorious that it's with less hesitance than he had once done. He starts massaging Dream's palm where it feels the most tense, and watches Dream's wary expression--he must have thought Hob was just going to move his hand this way and that and make it hurt--melt into surprise.
"Do you do this with all of your clients, Hob?" he asks, weakly.
"Only the ones I really like," Hob says, and winks. Can't have Dream thinking he's not interested, after all.
Dream blushes, but lets Hob keep playing with his hand. He really does have such gorgeous hands. If Hob ever runs into that ex again he might have to do more than punch him.
"That helping?" Hob asks, and Dream nods, but he's still blushing so it's somewhat unclear in exactly what manner it's helping.
"Good," Hob says anyway. And finds he's truly hopeful that they'll get there. With Dream's dexterity, with... other things.
It's just going to take a bit of time.
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unable to stop dwelling on the discworld trouser leg of time where, in the penultimate fight scene in Nightwatch, Carcer manages to kill teenage Sam Vimes.
Which means that the future that Duke Vimes came from can no longer exist, which means he can’t go home. Meanwhile you’ve got a bunch of history monks with stored up temporal energy, a prepared space outside of time, and the need to do some desperate damage control before the Auditors get involved. Death shows up, reality is unweaving, Sam is reading Carcer his discworld miranda rights because what else is he supposed to do.
and finally, with little other option, the monks de-age Sam so he fits the time period and send him back out into the fray.
(they didn't call it deageing of course. His memory is hazy, splintered during that terrible in between moment, They....took the time out of him? Sanded away the edges of his self for a terrible, workable fit? It...wasn't a good feeling.)
Just—damn. Sam Vimes having to live his whole crapsack life over again, but this time as his disillusioned-reillusioned, unwillingly-character-developed, noir-epic, Duke of Ankh, Commander Sir Samuel Vimes self.
Younger (Older? He's never felt so Old, His steps so Childlike, reality twisting in his gut like one of Dibbler's pies) Sam Vimes walking around in a haze after the revolution. Desperate to go home, knowing he can’t. Wanting to drink. Knowing he can’t.
The whole precinct feels pity, he really took Keel’s death hard, hardly speaks except to do his job. Eventually he has to grit his teeth and start being present, because what else is there to do?
Resists the urge to drink until Colon takes the whole watch out to celebrate because -he’s going to be a father!
Come on Sammy, one drink won’t kill you— and after the first drink he’s cracking jokes and after the second hes smiling and after the third hes honestly the life of the party and sometime after that he’s crying about how he was going to be a father and my wife would be ashamed if she saw me drinking like this and—
Oh shit, Did anyone else know he had a wife?? A PREGNANT wife??? What—aren’t you like 12—no you're 17 now aren't you but when did—
You guys n’ver met ’er—oh gods none if you ev’n know ‘er, is jus’ me...
What—when did you lose—
I lost her the same damn day I los’ ev’rythin else, whadya think...bleeding Carcer...the fuckin revolution...
So! That! Sam only vaguely remembers the night, but rumors travel faster than light on the disc, so by the next day the whole damn city knows about poor Sam brung low by the loss of his poor, tragic, pregnant wife, so young to be a widower, and the Seamstresses nod because they already knew, don’t ask them how, somethings you just have to know in that trade.
And his mother—I don’t know, sue me, I’m a time travel fiend but there’s something deeply intriguing about a man meeting his dead parent, who is somewhat younger than him, and stepping into the old relationship like a badly fitting thing that's supposed to fit well. She would know, right? How would she deal with her son’s impossible grief? Maybe she wouldn’t know—he spent most of the time out of the house, running with different street gangs, maybe he avoids her until she dies and lives with the guilt twice over. God, we don’t even know her name. There’s just so much narrative and emotional potential that I don’t even know where to start.
When he’s on duty, which is most time - it’s agonizing because at first he remembers cases, saves lives that would have been lost. But the more time passes, the hazier his memory because in the original timeline he was becoming an alcoholic. Fuck! A kid dies and he could have saved her if he hadn’t been such a drunk, if he had just remembered where the asshole lived, but it’s all a haze, and he wants to drown out his guilt, but that’s what caused this in the first place.
Good young Sammy, who spends his rare off-time in dusty libraries (and yes, the irony that he’s apparently Carrot now is not lost on him) reading gods-only-know.
It’s not like he can ask the wizards for help, cutthroat and vicious as they are now in the not-so-distant-past.
Good young Sam, who...talks to the Broken Drum’s pet Bouncer like he’s a real person and not a dumb rock? That’s a bit weird, but he’s a bit of a funny guy.
Good old Sam, who believed the testimony of the dwarf who said the humans were trying to rob him and let the dwarf go??
the PROBLEMS this man would cause, good grief. Can you imagine a moderately progressive middle aged man with some degree of begrudging diversity and equity training that he did, for all his sins, pay attention to, suddenly going back to like, 1990, going back just 30 years, and going...oh damn this is kind of fucked up, no man you can’t say that, holy shit.
Except Sam’s lived through even more rapidly shifting social moroes! There’s no seamstress guild, there’s no women allowed inside the university, there’s no black ribboner’s society. People hunted trolls for their teeth! But Sam can’t just unlearn everything, and he can’t shut up, and he has no real luck and anyway he would absolutely get himself (temporarily) fired.
FUCK. Sam has no idea what to do with that. None. Zero clue. Wanders around in a haze until that dwarf he saved from police brutality finds him and insists on repaying the debt. No, he insists, do you have any idea what debt means to a dwarf?
“Sort-of?” he replies hesitantly, and that honest admission of incomplete knowledge shows a hell of a lot more respect and understanding than any self proclaimed dwarf-expert ever did.
Gets a job as a surface man, hauling rocks into the city. It’s backbreaking work, but, in true Discworld fashion, it’s also one hell of a workout (again the irony of being Carrot is not lost him. he freezes for a minute while hauling a rock cart, when he remembers he's technically Lost Nobility too, in a strict sense, but someone curses at him in the street and he's comfortingly grounded)
And here is where this au slides into a SPECTACULAR romantic comedy, BEAR WITH ME. Because in his time on the Watch he’s already done noir, action adventure, war story, detective who dunnit, psychological horror, but guards guards only allowed him to be a romance protagonist in an extremely limited context.
Give me righteous, twenty-something-looking, can’t-say-he-doesn’t-have-style, young Sam Vimes, not an alcoholic, being fed three square meals a day by his dwarven forced found family, hauling rocks. He is startled to find him bumping his head on a low hanging bar that he doesn’t think used to be there, eventually realizing that he’s an inch or two taller than he remembers. Huh. Guess all that bearhuggers really did stunt his growth.
Still doesn’t get what some of the looks from women he’s getting are about, sure, he’s dirty but so is everyone else. Fine, he took his shirt off, but it’s hot out, there’s far wrinklier than him hauling heavy loads, get a life.
Happens to glance in the Ankh one day when it’s particularly slow and shiny and is startled to realize that he might be turning heads for a different reason. Oh. Right, not that he was ever a heartbreaker, but he did alright for himself... when he was a younger and his face hadn’t been broken so many times. Which...it isn't now.
Is mildly disturbed by the revelation.
Especially once things blow over at the precinct and what with high mortality rates, he ends up with getting hired again. The boys are delighted to have him back, nevermind that he’s an odd one, noone is ever quite in your corner like Vimsey, absence makes the heart fonder, no one else works that hard, and he’s not even competition for promotion. All around great guy, we should set him up with somebody and just, no.
It just keeps getting worse! He’s literate! He’s a feminist! He believes abuse victims! He’s got a tragic backstory! He’s unreasonably good in a fistfight! He’s kind to animals! Word gets around that there’s a good man on the watch and he’s just waiting for a good woman to come snap him up. The widower excuse doesn’t hold people off completely, and for some it’s its own sort-of appeal.
Things REALLY become stressful after he rescues that carriage full of noblewoman.
What’s he supposed to do? Let them get robbed? Or worse? Chasing down and beating up 10 goons is as easy as beating up one, when they’re that stupid, getting separated like that, drunk and distracted, and he knows these streets better than anyone, really it’s nothing. And oh lord he’s Modest too.
I mean, they were genuinely greatful, as genuine as people like that are capable of being, the skill having grown rusty. And then there is something...magnetic about the man. An air of command.
So, soon enough you get Lady Marigold of Marigrave calling on Treckle Road for that gallant young officer who rescued them, she really needs to thank him. And Viscountess Elanor Thitzferal specifically requesting that he guard her at her next soiree. And Baroness Julieta van Shoeholten insisting that he come to her home while her husband’s away, for... manly protection.
Aaaah just zero sympathy from the guys. None. 'It’s become a competition, they’re just trying to see who can get me into bed first, it’s like I’m a piece of meat, you can’t send me sir, the Marquess greeted me in a nightee last time you made me go to—' and 'small gods Vimes are you even listening to yourself, shut the hell up'.
Simultaneous to this, (again this is several years into the timeline) swamp dragon accessories come into style. Which means abandoned swamp dragons scrounging on the street. Vimes takes one back to his apartment, blows his paycheck on dragon medicine, and eventually, heart in his chest, brings it to the Ramkin estate. The sunshine orphanage doesn’t even exist yet and he’s just standing outside the gates like an idiot, what is he thinking. Turns around, but her carriage is pulling up and—
well. they meet. it's cute. he's never felt so young. he's never felt so old, too old for her, too poor—
and certainly her thoughts linger too long on the awkward, kindly, handsome young commoner, but is it any wonder she doesn't quite connect it to the stern, dangerous, sexy young guard the ladies seem to be in some quiet, cuthroat competition over?
i have this gorgeous, absurd scene in my head in which Vimes is strong armed into standing guard at some high society soiree and one of the pushiest ladies insists he dance with here, or, if he prefers, if he's not confident about his skills, he can dance with her in-private at her home and he’s like [grinding teeth, looking for a way out, seeinf one] “I would be honored to dance with you.”
Steps right into some ultra-complex dance with multiple partner swaps (she never thought he'd pick this one, devilishly intimidating to one not strictly trained, and you barely spend anytime with your first partner).
But he does alright. Better than alright, for a common man, sometimes misstepping but his hands and feet always end up where they need to be. Raises several eyebrows part way into the song because he's throuwing in some slightly scandalous, no innovative, extra lifts and twirls that wouldn't become fashionable for another decade or two. Who even is that guy? Some out of towner? No, no he's in a guards uniform...how very strange.
Gets to Sybll and she's used to embarrassment during these dances, she tries to get out of them when she can... but can't always. Men awkwardly skipping the lifts, or worse, trying and failing. But him — oh it's him, the one who helped little Erold, and looked at her like—like—well like she was someone beautiful. And he's doing it again, and he's strong and there's a quiet moment where she's in the air, they lock eyes, and the rest of the room melts away.
And then the partners change again, the moment ended.
Just...living throught it all again. To the left, a dance he almost knows the steps to, throwing others off balance with erratic moves , honest mistakes, and delibrate stepping on toes. Improvising. Ruining. Improving. Getting far, far too much attention.
Hes almost excited when the first assassains start coming after him. It's like a hobby.
Everyone tells him he should get a hobby.
Interactions with young vetinari...I don't have the energy to write it all down, the slow circling in on each other, both burning with the need to fix the city, save it, their city.
needless to say he ends up fired again, life under real threat after offending some high lord.
Conveniently enough he has an employment opportunity- bodyguard to fucking Vetinari on his 'grand sneer.' The bastard knows vimes isn't what he seems, though sam is pretty sure that he doesnt know the exacts.
Vetinari hypothesis:(the ghost of keel? Keels son, with some hereditary curse? Or a larger spirit of justice possessing a string of unrelated souls? He knows things he shouldn't- mind reader? Fortune teller? Havelock once arranged for a wizard to bump into him on the street, the magical fool gave an odd double look and then muttered something about destiny looping in on itself giving him a headache. Destiny? Lost noble? And hes far too familiar with sybyl, one of the few bearable noblewomen in this city. And his thoughts on guilds, when havelock can trip him into speaking... Most of all, if hes reading him at all correctly (for all the mystery hes not that hard to read, unless thats a very clever cover) then it seems that behind those dark haunted eyes is Respect. Loyalty. For vetinari. What an interesting man. A puzzling asset. An intriguing threat. )
Did I mention the timeline is changing, healing slowly around the place where it was torn? Healing enough around scars to perhaps get some flexibility back, with some painful stretches and...massaging of said scar tissue?
And hes heading to unresting uberwald, a place where a werewolf pack still hunts humans and, truely unrelated but perhaps equally exhausting, an eldritch spirit of vengeance just might be looking to stretch its legs in a hapless vessel?
Opening drabble
Vimes Vetinari Meta (Unwell)
Scene from the Uberwald Grand Sneer
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