April 28, 2023: To Be Alive, Gregory Orr
To Be Alive
Gregory Orr
To be alive: not just the carcass
but the spark.
That’s crudely put, but. . .
If we’re not supposed to dance,
why all this music?
--
Today in:
2022: A Metaphor, J. Estanislao Lopez
2021: Ode to the Unbroken World, Which Is Coming, Thomas Lux
2020: What Kind of Times Are These, Adrienne Rich
2019: Conversation with Phillis Wheatley #2, Tiana Clark
2018: Love Poem, Denise Levertov
2017: Young Wife’s Lament, Brigit Pegeen Kelly
2016: For the Confederate Dead, Kevin Young
2015: Awaking in New York, Maya Angelou
2014: when you have forgotten Sunday: the love story, Gwendolyn Brooks
2013: Scrambled Eggs and Whiskey, Hayden Carruth
2012: My Place, Franz Wright
2011: from The Wild Geese, Wendell Berry
2010: Love After Love, Derek Walcott
2009: To This May, W.S. Merwin
2008: Father, Ted Kooser
2007: from Little Sleep’s-Head Sprouting Hair in the Moonlight, Galway Kinnell
2006: Crusoe in England, Elizabeth Bishop
2005: Dream Song 1, John Berryman
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hi! your blog is one of my favourites and i absolutely adore reading your thoughts. my grandfather recently passed away and it feels like i lost myself with him. how do i continue living after this? there is this constant weight on my chest and it feels like an emptiness has made a home inside of me. how do i go on when it feels like the world crashed on my shoulders?
hello, love! this is so very sweet and kind of you, and i hope you're treating yourself gently and kindly right now - there aren't words for a loss like this. that heaviness is difficult, and hard, and painful. it's okay if things don't feel okay, right now, or even soon - i think that's something that a lot of the people i know that have gone through similar grief feel: like they should be able to get back to a relative 'normal' in a [insert far too short period of time].
but it's okay if it hurts. that's where i'd like to start. you're allowed to feel that emptiness, that world-crashed feeling that goes beyond words, beyond time. don't feel like you have to rush this to feel some sort of better. things get easier with time, i promise you this, but sometimes painful feelings are important to feel, too. cry, scream, feel your emotions. they're a part of you. grieve.
it's perhaps a little silly, but when i think about death i always think about a couple of space songs: mainly drops of jupiter by train and saturn by sleeping at last. there are perhaps others that speak to the emotions better, but these two have always hit something a little deeper for me, and are popular for a wide-reaching reason.
and while personally i don't know much about grief like this, i do know a lot about love; and i think they're a lot of the same thing.
the people we love are a part of us, and this is why it takes from us so deeply when we lose them, because it does feel like we've lost a part of ourselves in the wake of it. but it's because they were so central to our experiences of living - our lives, that the separation introduces a hollowness - a place where they used to be. a home that now goes unlived in.
an emptiness, like you said.
but just because they're not here physically, doesn't mean he's not still there, in your heart, in your life, your memory. you can hold him close in smaller ways, as well: steal a sweater, or cologne/scent for something a little more physical and long lasting for remembering. hold onto the memories you cherish, the things that made you laugh, the ease of slow mornings and gentle nights. write them all down, slide a few photographs in there, go through it and add more when you miss him. keep them all close, keep them in your heart.
you're not alone, in this. he's still there, with you, it's just - in the little things.
he's with you in the way you see and go about your daily life, in doing what he liked to do, in the ways he interacted with the world that you shared with him. the memories you recall fondly when the night is late or the moment is right and something calls it into you like a melody, an old bell, laughter you'd recognize anywhere.
but i think, perhaps most importantly above all others - talk about him. with your family, your friends, his friends, strangers; stories are how we keep the people we love alive. the connections they've made, the legacies and experiences they've left behind, and so, so many stories.
how lucky, we are - to love so much it takes a piece of us when they go. grief is the other side of the coin, but it does not mean our love goes away. it lives in you. it lives in everyone who knew him, in the smallest pieces of our lives.
the people we love never really leave us, like this: they're in how we cook and the way we fold our newspapers, our laundry, in the radio stations we tune in to and the way we decorate our walls, our photo albums. they're in the way we store our mail, organize our closets, the scribbled notes in the indexes of our books. the meals we love and the drinks we mix, the way we spend time with one another. they've been passed down for generations, for longer than history - and we are all the luckier for it.
think about what you shared with him, and do it intentionally. bring him into your life, like this, again. whether it's crosswords or poetry or sports or anything else. if one doesn't help, try another. something might click.
i hope things feel a little easier for you, as they tend to do only with time. i hope you find joy in your grief, even if it is small and hard to grasp at first. know that your hurt stems from so much love that there isn't a place to put it properly, and that it is something so meaningful and hurting poets and storytellers have been struggling to put it into words and sounds that feel like the fit right for eons, and that it is also just simply yours. sometimes things don't have to make sense. sometimes they just are - unable to be put into words or neat little sentiments, as unfair and tragic as they come.
but i promise it will not feel like this forever. your love is real. and perhaps, on where to begin on from here - i think it's less on finding where to begin and just beginning. and you've already started. you've taken the most important and crucial step: the first one.
wherever you go, after that, from here? you'll figure it out. you always have, and you always do. it'll come, as things always do. love leads us, as does light - and you're never alone in your hurt. in your grief, your missing something dear to you. i think if you talk about it with others, you'll find they have ways of helping you cope as well - and they have so much love of their own to spare, too.
as an aside, here is the song (northern star by dom fera) i was listening to when i wrote this, for no other reason more than it makes me think of connections, and love, and how we hold onto the people we love and how they change us, wonderfully and intrinsically. it's a little more joyous than the others i've mentioned, and plays like a story, and it made me think of what is at the core of this, love and stories and i am here with you, and maybe it'll bring you some joy, if you'd like it. wishing you all my love and ease 💛
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April 1, 2023: Reasons to Live Through the Apocalypse, Nikita Gill
Reasons to Live Through the Apocalypse
Nikita Gill
Sunrises. People you have still to meet and laugh with. Songs
about love, peace, anger, and revolution. Walks in the woods.
The smile you exchange with a stranger when you experience
beauty accidentally together. Butterflies. Seeing your grandpar-
ents again. the moon in all her forms, whether half or full. Dogs.
Birthdays and half-birthdays. That feeling of floating in love.
Watching birds eat from bird feeders. The waves of happiness
that follow the end of sadness. Brown eyes. Watching a boat cross
an empty sea. Sunsets. Dipping your feet in the river. Balconies.
Cake. The wind in your face when you roll the car window down
an open highway. Falling asleep to the sound of a steady
heartbeat. Warm cups of tea on cold days. Hugs. Night skies. Art
museums. Books filled with everything you do not yet know.
Long conversations. Long-lost friends. Poetry.
==
‘bout that time, eh, chaps?! Happy National Poetry Month once again.
As a reminder, you’ve signed up to receive a poem every day in April. Anyone can do the same right here. Or follow along on Twitter, Tumblr, or RSS. Hooray, poetry.
==
Many(!!) years of Aprils predate this one. You can browse the archives by jumping to the poem sent on today’s date in:
2022: New Year, Kate Baer
2021: Instructions on Not Giving Up, Ada Limón
2020: Motto, Bertolt Brecht
2019: Separation, W.S. Merwin
2018: Good Bones, Maggie Smith
2017: Better Days, A.F. Moritz
2016: Jenny Kiss’d Me, Leigh Hunt
2015: The Night House, Billy Collins
2014: Tim Riggins Speaks of Waterfalls, Nico Alvarado
2013: Nan Hardwicke Turns Into a Hare, Wendy Pratt
2012: A Short History of the Apple, Dorianne Laux
2011: New York Poem, Terrance Hayes
2010: On Wanting to Tell [ ] about a Girl Eating Fish Eyes, Mary Szybist
2009: A Little Tooth, Thomas Lux
2008: The Sciences Sing a Lullabye, Albert Goldbarth
2007: Elegy of Fortinbras, Zbigniew Herbert
2006: When Leather is a Whip, by Martin Espada
2005: Parents, William Meredith
(Insider secret: you can usually find my top tier favs by looking at what was sent on April 1 and April 30.)
Thanks for being here, friends.
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Literature isn't a thing you do for yourself, but you also don't not do it for yourself. Your soul needs saving, too. Writing is not even a thing you do for revolution, though you don't not do it for revolution, too, and just as you sometimes have to write "I saw, I felt" you also have to write "we felt, we did," too, and "they did, they said," also, even when the we is a shaky and nascent and sometimes wavering collectivity and the they is the one that constitutes an enemy that you would rather not discuss.
They the state, They the oil companies, They the institutions by which the present arrangement reproduces itself -- these are not the Theys I prefer, not like They the lavender asters in September, or They the clouds, or They the bats who adorn the attic. To leave any of it out: the clouds or the state or the bats or the institutions would, however, be a lie. To write only of an I without a We just because the We we have is not yet sufficient would be a lie, too, because the I of the moment is even shakier than a We -- if the We is a dance party with the ghost of a memory of a promise in it, the I is a daybed with the same.
—Anne Boyer, from “notes on poetry: there will be singing” (September 24, 2020)
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