The girls are home!!!
Mouette and Noisette 💙💙💙
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I did not put my money on Percy Jackson, a show helmed by 12 year old characters, to be the first show I've actually seen to authentically portray what happens when you're looking at your passenger more than the road.
Any other tv show: Driver spends half the time looking at the passenger because they're having a "Serious Conversation" TM, and/or they're giving looks with serious longing/romantic overtones. Despite this, the drive is smooth and incident-free.
Percy Jackson show: Percy stares at Annabeth instead of the road for one moment (because she just encouraged/believed in him) and he immediately takes the mirror off the passenger side by scraping the car against a wall.
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Well. hrm. the way they all connect to each other. like it’s all starting to look like a circle of some sort. jess as rory’s mirror/reflection/narrative foil but also jess as he pertains to luke and jess as he pertains to lorelai. luke breaking the church bells luke who says he was troubled but they gave him a chance and just bc a kid has issues doesnt mean they don’t deserve that. luke who is a figure placed against the rest of the town, just in the sense that he is not like them, he does not hold their values, he doesn’t even sound like them. which is of course a result of scott patterson’s new york accent, but adds to this theme anyway. and they use jess to build this picture, because they walk the same and talk the same and they’re stubborn—independent to a near self-endangering degree—and emotionally repressed in the same way and luke himself admits that he spent more time working at his dad’s shop than he did at school, which jess also does. but jess and luke are also. very very different when you get past these similar values that are maybe ingrained into them through different circumstances and same genetic makeup. and in their differences you get a lot of jess and lorelai’s similarities. when it comes to their family dynamics and how it’s affected them in particular. it’s made them independent yes, but it’s also made them hypervigilant, almost paranoid in the way they are allergic to accepting help and especially accepting help from the people who hurt them. jess only goes to his mother’s wedding because luke asks him to, lorelai only asks her parents for money because rory needs it for school. and they, and this is where they differ from luke, don’t know how to trust people and so they don’t know how to talk to people. where luke’s particular brand of emotional constipation comes from a general cluelessness as to how to do it—which is why the tapes helped him so much—lorelai and jess’ come from emotional responses to the situations they grew up in. while it was different—lorelai growing up rich, jess growing up poor—the effect it had on them still resulted in something similar. lorelai with her overbearing manipulative mother and (emotionally) absent father, and jess with his neglecting manipulative mother and (in all senses of the word) absent father. the ways that, despite their effort to distance themselves, they still end up with similar mannerisms to the parent they have the most conflict with (lorelai and her controlling nature + that scene where they have the same nighttime routine, jess and his love for books + tendency to run away). and of course, their romanticism. their big confessions and period drama-esque speeches and, yeah, i do think in a way jess was asking rory to marry him in 4x21. come with me. let’s get married. luke and rory both being the most important people in their lives. literati+javajunkie where they are all melding into each other, and luke is rory and lorelai is jess but on the surface level dynamic luke is jess and lorelai is rory and they are all each other. on accident. by sheer nature of making jess as a character for the sole purpose of interfering with luke and lorelai’s relationship (which means he is important narratively to them both) and by making him rory’s love interest/foil (because ASP casted him before she even had the idea for the character) you have now made an accidental blending of them all together. he is like a skeleton key of a character. Okay. okay.
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Harry Kim x Voyager and ‘Home’
quote sources + notes under the cut
Chelsea Dingman, from "Psychogeography," published in The Los Angeles Review / Longing Poem by Johann Wolfgang von Goethe / James Baldwin, Giovanni's Room / Joy Harjo, from “We Must Call a Meeting,” In Mad Love and War / James Baldwin, Giovanni’s Room / Joan Bauer - Almost Home / James Baldwin, Giovanni’s Room / Clementine von Radics, ‘Courtney Love Prays To Oregon / Samuel Beckett, Waiting for Godot / Fatimah Asghar, from “How'd Your Parents Die Again?” / Naguib Mahfouz / Louise Glück, The Triumph of Achilles / Brandon Melendez, ‘How to Write Heisenberg’s Uncertainty Principle into a Promise to Return Home
Purple highlight refers to Non-Sequitur, pink refers to Favorite Son, Yellow refers to Deadlock, green refers to Emanations and red refers to Timeless.
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the fact that christopher called logan, who got kicked out from a lot of private schools, a great guy is just the biggest red flag to me.
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every once in a while i rewatch legends of tomorrow and go oh wow snart and mick had something really gay going on i forgot how gay it was.
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my one boss was asking a much younger manager if they watched this cartoon and described it as “a cow losing his entire family” and the younger manager was wondering why cartoons were so fucked up and didn’t know what the hell the cartoon was but in my animated tv show addicted mind as a child knew it was barnyard
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You know that time in the comics when the Doctor is so depressed, he shuts off the lights, turns on an interrogation spotlight, locks himself in the console room, and argues with a bunch of judgmental shadow-figures resembling his past incarnations?
And all the TARDIS' lights go out and her interior becomes a maze to keep his companions out of the console room, all from her psychic connection with the Doctor (“moodbleed”)?
And his companions are left wandering in circles for two days as the air goes “stale,” not knowing where he is but thinking the worst, while he hallucinates in a dark room?
...because I'm thinking again about the times this definitely happened when he was with the Ponds.
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When I started Gilmore Girls I saw everyone saying that Rory became insufferable in the later seasons, that they hated her and now that I've finished the show, I have to say: I disagree.
Rory definitely has bad moments but 1. She also had them in the first seasons and, most importantly, 2. It's okay. She's in her early 20s, she's a bit confused, she's a bit lost, she's trying to find her place in the world, she's experimenting. Making mistakes is normal. She apologises. She tries to do better. She's still growing up.
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just saw quite possibly the worst gilmore girls take I have seen in my life and it is simply too stupid to ignore...... some popular tiktok video is saying that lorelai should never have let rory go to chilton or reconnected with her parents because that just "infected" rory with classism....... have none of these people ever heard of an inciting incident??? do they not understand the concept of storytelling and creating conflict within the narrative??? did they just get so caught up in judging the love interests of the show that they somehow missed the entire central premise?????
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Hiiiii! So, a few days ago you were talking about the whole thing with Amy, Rory, and River. And when I saw those posts a thought arose in my head and I wish to share it with you.
Since River grew up with Amy and Rory as Mels. And Mels was Amy's best friend do you think that they ever talked about children? Since I know that it can come up when talking with friends, and like... do you think that Amy might've ever expressed whether or not she wanted children?
And if she didn't, that Mels would've had to listen to her mother say that she doesn't want children? The idea is so heartbreaking and sooo interesting.
What do you think about it?
no, no, see, you're so right and this drives me wild.
because, the way i see it, i don't think amy wanted children. she's somewhere on the 'hasn't thought about it' to 'vaguely negative feelings about it happening' range to me, which falls sharply into 'Not Happening Ever Again' post-s6. (specifically, in terms of having a kid herself, even if she could, i really don't think she would. i do love that she and rory end up adopting a kid later, because that does make sense, for amy pond who grew up alone in one universe with her family swallowed by cracks in time before the doctor helped her set it right again, for her to want to make sure another child won't be alone in the world like she was. getting off-track here.)
and that's so. because the first real memory river/mels has of amy is of amy shooting at her. and depending on how well the silence fucked up the rest of her memory, it might be one of the very first memories she has at all. that's how she met her mother, crying for help and getting a bullet instead. her mother tried to kill her, so of course, you have to think. she must have needed to hear that she was wanted, right? even if she was taken away, even if amy shot her, at some point, melody must have been wanted?
river is good at getting people to do what she wants, but she is very, very bad at subtlety. and mels is younger, has less practice, so when she wants to know this, she's just going to ask. blunt and quick, easy enough because amy's used to the way mels will open her mouth and you just have to be ready to roll with what comes out if you want to keep up. it's why they're such good friends (like mother, like daughter.)
they're nine, and mels asks if amy wants kids, and amy wrinkles up her nose and says she won't have time for children, obviously, once her raggedy doctor finally comes back. they're fifteen, and amy and rory dance will they-won't they in a way that makes mels twitchy to watch, and taunting amy about wanting to have rory's babies is a good way to get on her nerves. but amy calls her gross, tells her she's got more life planned than children would leave room for, and besides, imagine her, a mom? it'd be a disaster.
mels does. a lot. she looks at her mother and just sees her best friend instead. she's not even sure what she wishes was there, but. maybe amy's right. and besides. imagine her, a daughter, instead of the ticking time bomb she really is? it'd be a disaster.
they're sixteen, seventeen, eighteen, and on. mels stands on the outside of a love story that births a universe. and her. how do you compete with that? not that she would know, not yet, she hasn't been there. but it doesn't make her feel any less alienated when amy and rory talk in whispers about a half-remembered world that's bled through to this life, about roman soldiers and boxes and the big bang of belief.
all these memories, they never mention children. on amy's wedding day, she's different, not like someone remembering a dream but someone who lived it. rory stands straighter, won't leave her side, and they're both so much older than they were yesterday. maybe now, right? a wedding's as good a time as any to decide you want kids.
mels not being at amy & rory's wedding is such an obvious lazy way of them trying to explain why they totally didn't just throw this plot twist together at the last minute that i'm not even going to acknowledge it. of course she was at their wedding. she's their best friend. there's too many people around the doctor, and she wasn't ready today of all days, so despite this horrible burning need under her skin to strike, she stays her hand. doesn't let him dance with her because she might just tear his throat out if he gets too close. stays with amy and rory as the maid of honor should. she must have been there for the awkward questions that always gets asked, 'so, any plans for a baby?' 'when am i getting grandkids?' 'oh, you two are going to have gorgeous children together.' standing a few feet from amy in her wedding dress and watching her mother tense and grit her teeth and brush off the questions. watching her look nervously at rory but never ask if he means it when his mom asks him if he'd prefer a son or a daughter, and rory answers 'either one, some day, not anytime soon.'
god i'm just going on and on, aren't i. but really, what's it like to know that amy never changed her mind. the next time she sees them, she's already been born and stolen. i don't like let's kill hitler for. so many reasons. but there is something compelling about how recklessly river lashes out at the world, at the doctor. even her sacrifice at the end is almost suicidal, throwing all her regenerations into this man without knowing if that will even work or if it might kill her to do it. but it makes more sense in the context of someone who has reached the end of a long, long wait for some kind of indication, any kind, that her mother wanted to have her. and finally been told, no. she didn't choose melody.
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Opening emergency commissions!
COLOR BUSTS - 45€
First, let me just say that my cat is doing fine and is not in pain. But since his treatment is a bit pricey and is putting us in a bit of trouble, I’m offering these character busts done in the style I used for Huevember 2022, which you can check out here (Huevember tag) or here (first round of this type of commissions).
Details:
busts only
one character per piece, limited to two per commissioner
you can message me here, by email (
[email protected]) or on discord (if you have it); send me some references as well as the color of your choice
payment is by Paypal only, an invoice will be sent to you after you’ve approved of the sketch
sale will run from today (Friday September 15th) until next week (Friday September 22nd), any requests received after that deadline will not be taken under consideration
I will start working on these in the order I got them
as usual, you can follow the progress here
___
Thank you so much for your interest, and for your neverending support 💙💜
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hii <3
Welcome to whatever mess this is going to be:D
I’m Sam🩵
bisexual
pronouns are she/her
not a minor anymore!
i mainly blog about percy jackson, gilmore girls, lockwood & co, buffy the vampire slayer, taylor swift and olivia rodrigo! and other random stuff that interests me lol
i occasionally vent about my life on here as well or talk about my unrequited crushes soo
don’t hesitate to shoot me a message if you want to talk, i genuinely love talking to you guys! 💟
Have fun!
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society if anyone* cared about or admired or had interest in or emotional generosity toward ANY of the other characters on gilmore girls even a fraction as much as jess mariano:
(insert that futuristic utopia picture here)
*except me, god dammit
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which gilmore girls characters would own guns?
lorelai: has a tiny pink camo pistol she has never bought ammo for — she thinks if she just pulls it out during a confrontation, it will scare off her attacker. really, she thinks of it as more of a cute accessory she can keep in her purse instead of a weapon
rory: is pro-gun control so she doesn’t own any firearms. however, she does have a baby blue pepper spray instead (it’s expired)
luke: has a couple firearms he all keeps very responsibly in a safe hidden in his closet. one he bought for self defense purposes, but the others were passed down from his father and he doesn’t have the heart to sell them
christopher: used to own one or two pistols, but he got rid of them when gigi was born
emily: has one antique rifle kept in her panic room that she thinks will defend her in the case of a burglar (it won’t)
richard: has a gun safe in his office containing a pistol and a sophisticated looking rifle, but he hasn’t told emily that they’re there
trix: believes that it’s a man’s job to handle the self defense of the home. however, she still keeps the old firearms that her late husband owned in case of “dire emergencies”
dean: goes hunting with his family regularly and therefore owns several firearms and knows how to use them
jess: has illegal firearms, one of which is a fully automatic that he takes out into the woods occasionally to shoot with his buddies
logan: has several high-tech, custom built handguns and rifles that he and his friends show off to each other. rory vehemently disapproves
lane: prefers knives, or perhaps a baton
mrs kim: she once shot an american soldier during the korean war, traumatizing her and being the inciting event for her conversion to seventh day adventism
paris: expert at self defense. she has a tricked out glock with tons of attachments, as well as excelling in several forms of hand to hand combat
sookie: was there when lorelai bought her pistol, so she also has a matching one. hers is lime green camo and it hasn’t seen the light of day for about five years
jackson: afraid of guns, but owns one gun (that he never touches) to keep up appearances of being tough and masculine
michel: european (doesn’t like guns)
taylor: acts scandalized by the idea of townspeople owning guns and tries to pass a motion banning them from the town, but really he has a large collection of historical muskets and rifles in his home for which he made “special exceptions”
kirk: bought a handgun once, but he shot himself in the foot and the town petitioned at a town meeting to confiscate it as a matter of public safety (it passed unanimously, with even kirk voting to confiscate)
liz: not really interested in firearms. she knows she’s too clumsy to use them — instead, she owns several swords, none of which are really practical
tj: bought a handgun once he and liz bought their house, but he still doesn’t know how to use it
patty: when asked, she says dramatically that she once “shot a man in reno.” she will not elaborate
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Hey, is the mbav fandom still alive? I would normally just assume it isn't, but I've checked and most of the post are just from last years, soooooo........
Are they all, like, in hibernation or smt?
Or are ya'll hidden somewhere?
If you are a mbav fan, please just send me a sign that I'm not the only one obsessed with this Disney Channel show in 2022
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