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#remains to be seen
bunnwich · 3 days
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WAKE UPPPPP LEONA'S CLUBWEAR CARD JUST DROPPED
I love when you guys send me asks like this like -
"Sire, look look a new card of your catman has arrived!"
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OKAY, OKAY BUN THOUGHTS🐇
1.) I'm am so happy they didn't jack up his face. (Sorry not sorry.) They go so off-model with his face in cards sometimes and I just don't get it. Or make his mouth look weird and thank god!!! (Let's pray the groovy doesn't wash him out!)
2.) AND THE HIGH PONY PREDICTION CAME TRU. I had a feeling he was gonna get the pony but what's more-
3.) THE RETURN OF THE FOREHEAD. I personally think he looks better when his bangs are back, and we haven't got good forehead since his pre-groovy robe card. (Ironically that's my favorite way they have drawn his face/skin.) 4.) HE HAS SUNGLASSES INSTEAD OF GOGGLES????? THAT'S JUST SO ON POINT WITH HOW I HC HIS STYLE VIBES. UNLESS THEY ARE JUST SLIM GOGGLES. VERY GOOD SIR. I'll give you that one.
WOOHOO. The simps can rest now. TBH I'm more excited for the voicelines. I love the tidbits of lore they have. ALSO-
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The shoes are wild, but they fit his personality so I'll let him live for now. They remind me of a cheetah. Gotta go fast!! As for lil old me, I am tempted to redo my Spelldrive art from my old account bc I was going through some funk art-style growing pains. I can do it even more justice now I think. >:3c
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emry-stars-art · 5 months
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Hello! may i request Andreil and no. 4 for the mistletoe drawing meme??
@oddgreyhound you guys had the same brain for a second there and I LOVE it
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Requests are open until the end of Dec ‘23 💕
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dresshistorynerd · 7 months
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I've seen a post you've reblogged and added to, among many things about women showing nipples. Can you recommend any ref material (articles, videos, etc.) are share your knowledge about this? Cause I'm curious about that, as nowadays going out in a shirt without a bra makes you indecent, while in like 90s it was okayish? I wonder how it was in previous centuries.
There is a really cool academic paper about bare breast dresses in 17th century England specifically. I think anyone can read it by creating a free account.
Abby Cox also has a good video about the cleavage during the past 500 years in which she goes through also the nip slip phenomena.
I don't have other sources that specifically focus on this subject, though many sources about specific decades touch on it, but I do have my primary source image collection, so I can sum up the history of the bare nipple.
So my findings from primary source images (I could be wrong and maybe I just haven't found earlier examples) is that the Venetians were the first ones to show the nipple for courtly fashion. At the same time in other places in Europe they sported the early Elizabethan no-boob style that completely covered and flattened the chest. In the other corners of Italy the necklines were also low but less extreme. Venetian kirtle necklines dropped extremely low as early as 1560s and they combined extremely sheer, basically see-through partlets with their kirtle. First example below is a 1565-70 portrait of a Venetian lady with the nipples just barely covered waiting slip into view with a movement of arm. There was an even more extreme version of this with the kirtle being literally underboob style, still with a sheer doublet. Though I believe this was not quite for the respectable ladies, since I have only seen it depicted on high class courtesans. They were not exactly respectable ladies, but they did have quite good social position. The second example is a 1570s depiction of a courtesan, which is revealed by the horned hairstyle. By the end of the century this underbust style with only see through fabric covering breasts, had become respectable. In the last example it's shown on the wife of the Venetian doge in 1597.
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Around the same time, at the very end of 1500s, the extremely low cut bodice fashion enters rest of Europe. The low cut style was present in the bodices of all classes, but the nipple was really only an aristocrat thing. The lower classes would cover their breasts with a partlet, that was not sheer. Bare breast was ironically from our perspective a show of innocence, youthful beauty and virtue, and to pull off the style with respect, you also had to embody those ideals. Lower class women were considered inherently vulgar and lacking virtue, so a nipple in their case was seen as indecent. Bare boobs were also a sort of status symbol, since the upper class would hire wet nurses to breastfeed their children so they could show of their youthful boobs.
Covering partlets and bodices were still also used in the first decade of 1600s by nobles and the nip slip was mostly reserved for the courtly events. The first image below is an early example of English extremely low neckline that certainly couldn't contain boobs even with a bit of movement from 1597. The 1610s started around 5 decades of fashion that showed the whole boob. The first three were the most extreme. Here's some highlights: The second image is from 1619.
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Here the first, very much showing nipples, from c. 1630. The second from 1632.
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The neckline would slowly and slightly rise during the next decades, but nip slips were still expected. Here's an example from 1649 and then from 1650-55. In 1660s the neckline would get still slightly higher and by 1870s it was in a not very slippable hight. The necklines would stay low for the next century, though mostly not in boob showing territory, but we'll get there. But I will say that covering the neckline in casual context was expected. Boobs were mostly for fancy occasions. It was considered vain to show off your boobs when the occasion didn't call for it and covering up during the day was necessary for a respectable lady. You wouldn't want to have tan in your milk-white skin like a poor, and also they didn't have sun screen so burning was a reasonable concern.
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1720s to 1740s saw necklines that went to the nip slip territory, though they didn't go quite as low as 100 years earlier. The nipple was present in the French courtly fashion especially and rouging your nipples to enhance them was popular. Émilie Du Châtelet (1706-1749), who was an accomplished physicist and made contributions to Newtonian mechanics, was known in the French court to show off her boobies. An icon. Here she is in 1748. Here's another example from this era from 1728.
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The Rococo neckline never got high, but in the middle of the century it was less low till 1770s when it plunged into new lows. In 1770s the fashion reached a saturation point, when everything was the most. This included boobs. The most boob visible. There was a change in the attitudes though. The visible boob was not a scandal, but it was risque, instead of sing of innocent and did cause offense in certain circles. I think it's because of the French revolution values gaining momentum. I talked about this in length in another post, mostly in context of masculinity, but till that point femininity and masculinity had been mostly reserved for the aristocracy. Gender performance was mostly performance of wealth. The revolutionaries constructed new masculinity and femininity, which laid the groundwork for the modern gender, in opposition to the aristocracy and their decadence. The new femininity was decent, moral and motherly, an early version of the Victorian angel of the house. The boob was present in the revolutionary imagery, but in an abstract presentation. I can't say for sure, but I think bare breasts became indecent because it was specifically fashion of the indecent French aristocracy.
Here's example somewhere from the decade and another from 1778. The neckline stayed quite low for the 1780s, but rose to cover the boobs for the 1790s.
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The nipple didn't stay hidden for long but made a quick comeback in the Regency evening fashion. It was somewhat scandalous by this point, and the nipple and sheer fabrics of the Regency fashion gained much scorn and satire. The styles that were in the high danger nip slip territory and those that allowed the nipple to show through fabric, were still quite popular. The sleeves had been mid length for two centuries, but in 1790s they had made a split between evening and day wear. The evening sleeves were tiny, just covering the shoulder. Showing that would have been a little too much. Like a bare boob? A risque choice but fine. A shoulder? Straight to the horny jail. (I'm joking they did have sheer sleeves and sometimes portraits with exposed shoulder.) But long sleeves became the standard part of the day wear. Getting sun was still not acceptable for the same reasonable and unreasonable reasons. Day dresses did also usually have higher necklines or were at least worn with a chemisette to cover the neckline. Fine Indian muslin was a huge trend. It was extremely sheer and used in multiple layers to build up some cover. There were claims that a gust of wind would render the ladies practically naked, though because they were wearing their underclothing including a shift, which certainly wasn't made from the very expensive muslin, I'm guessing this was an exaggeration. Especially though in the first decade, short underboob stays were fairly popular, so combined with a muslin, nipples were seen. Here's an early 1798 example of exactly that. The short stays did disappear eventually, but in 1810s the extremely small bodices did provide nip slip opportunities, as seen in this 1811 fashion plate.
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Victorian moralizing did fully kill the nip slip, though at least they were gender neutral about it. The male nipple was just as offensive to them. In 1890s, when bodybuilding became a big thing, bodybuilder men were arrested for public indecency for not wearing a shirt.
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doore-knobe · 10 months
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Vibin
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chirpsythismorning · 3 months
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Fun fact: the shot of Mike stepping off the cliff in s1 was likely a visual parallel to Sarah jumping off the stairs in this shot from Labyrinth (1986).
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For those that haven't read this theory, please do because I didn’t make these observations myself and the original post goes a lot deeper into the details from Labyrinth, which in some ways align a little too conveniently with the narrative we’re seeing unravel on the show with Mike over the seasons.
For some basic context, in s4, we even get a reference to M.C. Escher’s Relativity hanging on the wall in Mike’s room, which is also on the wall of Sarah’s bedroom, along with that work being what inspired the scene in Labyrinth. 
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This next part has actually been talked about before quite a bit in the fandom, even outside of tumblr, so it’s not exactly some breakthrough as a concept on its own.
Every season, in the first scene (re)introducing the main characters, Mike is running late in some capacity. In 1x01 it’s around 3 minutes, in 2x01 it’s around 6 minutes, in 3x01 it’s around 8 minutes, and in 4x01 it’s around 13 minutes. 
So technically not the literal season opener, as that’s usually reserved to a flashback at some different location, but obviously still within those first 15 minutes, following directly after the opener…
And since we already have an idea of what the opening of s5 is going to be, what do we think the scene directly after it is going to be? You know, in the scene that Mike has been consistently running late in, for four seasons now?
Speaking of 15 minutes, I think that if they were to keep this trend going for the final season (the full circle-ness of it all is honestly too epic to pass up), it’s likely that this final time it will happen around the 15 minute mark of 5x01, as that would make the build up for it each season pretty consistent.
And not only that, but it would also literally be a callback to what Karen says to Mike that first time he’s late in s1: 
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And here’s my other favorite line from one of these scenes, in the context of this theory, because it literally acknowledges this concept directly and with this air of foreshadowing I cannot stress enough:
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Interestingly, another detail that ties all these ‘Mike being late’ scenes together, is stairs.
In s1 he’s running up the stairs to convince his mom to let them keep playing.
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In s2 he’s rushing down the stairs trying to avoid Nancy’s wrath.
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In s3 he’s awkwardly bumping into strangers going down the escalator in Starcourt Mall.
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And in s4 he’s hurrying down the stairs on his way to school.
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The whole point of Labyrinth is that it’s an allegory for growing up, with Sarah going from dressing up as a princess to reenact one of her favorite fairytales after being chastised by her step-mom for not going on more dates like girls her age, to Sarah rejecting her childhood and it leading to an unfortunate series of events, forcing her to face reality and take responsibility of her own life.
Does this sound like anyone we know?
Mike, who starts the show in s1 playing DND animatedly with his friends before being interrupted by his mom to end the campaign despite protests, to his mom in s2 punishing his bad behavior by having him get rid of some of his favorite toys, to him in s3 insisting that they’re 'not kids anymore' and that it was inevitable for them to stop playing games and grow up and get girlfriends, to him now in s4 reverting back to this earlier version of himself, sporting the Hellfire shirt proudly, to then reverting back to pretending when showing up at the airport with Argyle calling his outfit a shitty knock off (aka calling Mike a shitty knock-off), and without the story ever acknowledging why those shifts happened in the first place, and with one season left?
Hint? Forced conformity. That’s what’s killing the kids. That’s the real monster.
They literally told us already that out of all the monster we've seen in the show, this is what is worse than all of that. Meaning that what is about to go down, most likely topping everything we've seen up to this point, is likely going to involve forced conformity.
I also think it’s interesting that the scene in Labyrinth happened during the climax of the film, because arguably if you were to watch Stranger Things in its entirety, from s1-5, the beginning of s5 is going to feel very much like the climax to the overall story. 
Things are going to be happening fast. The stakes are insane because they need to top everything that they’ve done up to this point. Something’s gotta give. And Mike is just not looking safe out here guys.
I could go on and on about all the hints that Mike is danger, but I’ll just share my favorites. 
How am I gonna survive a whole week without you guys? Mike says, at the tail end of his opening scene in s4, and with s5 set to start at the end of said week.
Mike sitting in front of an antique funeral home fan in the s4 promotional pictures of the party in the Creel attic.
Nancy saying she saw Mike die in the vision Vecna showed her, with the early stages of said vision coming true as season 4 nears its end.
Mike getting hit in the head with an arrow front and center by Suzie’s brother, in a sequence that was loaded with foreshadowing for the end of s4 (and beginning of s5?).
Watch out dominos. Your dominos are gonna fall. Argyle says, with Mike equally in the frame behind him.
Without heart, we’d all fall apart. Will says, after telling Mike he’s the heart.
A Karen lookalike standing in front of the missing person's board at the end of s4.
Mike’s very first line in the show (also the literal first line in the show) being A shadow grows on the wall behind you, swallowing you into the darkness. It is almost here…
So maybe, theoretically speaking, what we could get by that 15 minute mark going into s5, is Mike running late one last time, and it potentially being a callback to that cliff scene ie. Labyrinth.
Another scene that I think might've been foreshadowing what is currently going down, is Max and Mike both getting knocked out by Billy at the end of s3. Max goes down first and Mike follows right after, though Max is the first to come to and help them both up.
We know Max is unlikely to be separated from the rest of the characters the whole season, that’s just not feasible. She'll at least be on-screen despite maybe not being back with the others right away, even if it’s just a cryptic cliffhanger at the end of 5x01, followed by her returning more consistently on screen after that leading up to her rescue. With the way things ended in s4 though, we need to know where she’s at and get to finding her. Which is why I think at most it will be a 1-2 episode arc.
So maybe, this moment from s3 was a hint about Max and Mike’s impending doom at the hands of Vecna, as a result of not only their emotional states, but also their bonds with El, and them then being isolated for a short time (presumed dead), only to find their way back?
It’s also worth noting Mike was the only person to witness any of Max’s symptoms from the curse prior to her finding out about it, with the camera focusing on him beside her and looking at her worriedly as her nose bled. We don’t know who Vecna’s fourth victim was going to be, because Max threw herself in as bait, but could it have originally been Mike?
I know a lot of people don't like the Mike getting Vecna'd theories or Mike is depressed takes and so if you find yourself in that position, feel free to subtweet away or whatever you need to cope with my nonsense.
I'm not a big Mike is suicidal truther or anything even, nor do I think it makes sense for him to get Vecna'd in the traditional sense like how it happened with the others in s4 because the gates are open. But Vecna still hasn’t carried out his entire plan, a plan that includes Mike dying. And the imagery surrounding it all leading up to this is compelling regardless.
If one shot at the end of s3, with Max sitting in Billy's room while Hopper was in the background saying and yeah sometimes it's painful and sometimes it's sad was enough to hint at her whole depression arc in s4, then Mike being focused on for multiple shots while Hopper was in the background saying But, lately, I guess I've been feeling... distant from you. Like you're pulling away from me or something.-- And I guess, if I'm being really honest, that's what scares me. I don't want things to change, with Mike looking longingly at the Byers house, cutting to Will looking out the car window crying, then cutting back to Mike walking into his mom's arms with a dead stare on his face, has gotta be enough to justify dude going through some shit, which coincidentally matches up with everything talked about here.
Turns out getting to Mike, now that was the key…
Maybe the first episode of s5 is about Mike ending up wherever Max is, somewhere caught in between, and them ‘crawling’ back ie. The Crawl.
Definitely might add some context to that funkopop shot-listing video Ross posted, followed by one other photo a few days later with the caption being that they finished shot-listing for 5x01-5x02. Meaning the initial video posted was likely from 5x01...
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lemondemonpickuplines · 10 months
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came just in time. happy pride, everyone 🫡
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Yup, movie still got me fucked up.
Pining Creature is still living in my head rent free.
Working on chapter two of Cease to Resist, but in the meantime, who wants some fluff?
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liliallowed · 8 months
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day2: dating start!
self indulgence
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maybe we can still get along... even as enemies.
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wellgoslowly · 1 year
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ok I just thought abt it and locklyle's "just reckless enough" is SOOOO sherbert's "tragical romance and all?" "remains to be seen" in a different font idk how to explain it
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write the fanfic you want to see in the world
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shaqmeat · 1 year
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Can’t sleep so here are some Jay doodles :3
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resetting37 · 4 months
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Okay I gave them names ! Meet Jean and Salem ! Children of my actual ocs, of course this is set in the future where everyone is older and these guys have been raised collectively by my main ocs.
As step siblings, Jean is worried he won't be able to live up to his father's superhuman abilities or mother's magic. Salem is coming to terms with being the second oldest. Second best. (Also, like her parents.)
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daisywords · 2 months
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just planned out/very hastily storyboarded basically an entire animatic. do I know how to animate? no. do I know how to make videos? also no. do I have an audience for my contextless silly little oc story content? also no. am I going to try and make it anyway? well
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horrorsequel · 1 month
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16 mm onf/nfb prototype camera, otherwise known as as Canada’s Chode
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filet-o-feelings · 3 months
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Thanks for the tags @ramonaflow @mammameesh and @chelle-68 ! Finally something I can participate in despite not having written anything this month!
He’s not sure how close it is to sunrise, but he imagines there are going to be some questions if two corpses have seemingly gone missing in the middle of the night.
Tagging @tyfinn @stereopticons @hippolotamus @treluna4 @statueinthestonetoo @queenmabcreates @demora00 @a-noble-dragon and anyone else who wants to play
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starryalpacasstuff · 3 months
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Last episode of Last Twilight is airing soon!
I'm scared.
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