#probably went to aziraphale and went “I look JUST like you

[jongwoosbraceletofteeth]

Crowley changing his glasses to pink and his snake to gold and otherwise moving his outfit slightly up along the monochrome and stamping that as ‘angel’ (or should I say angle) has “A platypus? PERRY THE PLATYPUS?!” energy.

#good omens #crowley #ineffable husbands #man refused to disrupt his aesthetic and I respect that #good omens season 2 #“nobody’s gonna know #he really thinks that they forgot him #probably went to aziraphale and went “I look JUST like you

[neonvqmpire]

we need to talk about how close aziraphale actually was to saying no to the metatron after the kiss and why:

he's extremely conflicted and keeps looking out of the window to crowley in the car.

he previously said "nothing last forever" when crowley told him that he cant leave the bookshop (crowley also meant "you cant leave me"; the bookshop is a metaphor for their lives on earth for him) and he states exactly this as the first objection here. obviously the metatron shuts it down by appointing muriel as the next owner of the shop.

now he's stuck between wanting to be with the being he loves & who he now knows loves him back and his deep inner need/duty to do good. crowley's confession and kiss clearly made him question his decision and change his mind because here is when he actually decides for both.

you can see how he does not want to join heaven alone. he keeps looking out the window when asked if he needs anything to take with him.

he desperately needs crowley there but he can not have him so he lies and says no.

i this moment he tries to say no to heaven one last time. he starts saying "i think i-" and then looks out to crowley one last time. he's really considering crowleys offer here. i think the decision that he makes instead is actually FOR crowley as well.

he decides to join heaven not as he was previously convinced by the metatron to do good and rule together with crowley (which he did not want to do) but instead to go and keep a close eye on heaven FOR crowley.

aziraphale isnt stupid, he remembers what crowley said about heaven being toxic.

i think the confession and kiss makes him question heaven. crowley, who fell for asking questions made aziraphale question heaven too. something that he was always too scared to do. he has started to rebel in his head. he realised that something has to be up with heaven/the metatron bc they offered him the position. he decided to go but with a completely different purpose than before. 

he puts on a smile and it seems fake because it is. he wants to appear like he hasn't just fundamentally changed his position and decided to go against the one force who he was always afraid of yet dependent on. 

this is sth extremely relatable to someone who is queer and autistic and was raised by very conservative family members. even the thought of supporting queer people felt rebellious, terrifying but also extremely exiting and powerful because i knew it was the right thing to believe. 

aziraphale was being so brave here. he saw a glimpse of the life he wants and can have and choose to join heaven anyway to fight for this life. he is convinced it will not be possible for them to be together if heaven is still kicking about and making him feel powerless and scared. he wants to secure their future by changing or possibly even destroying the system from the inside out. 

unfortunately he didn't have time to tell crowley about his change of intention and i think it really breaks his heart. crowley would probably not understand it anyway. they still have a lot to work through and learn but ultimately they will find each other again. they always do.

i am so so interested to see where and how they meet again in s3, if we get it. after everything i just really want them to be happy and to spend their eternity together. they deserve it after all they went through.

#good omens #gos2 spoilers #good omens s2 theories #good omens s2 #good omens 2 #gos2 #go2 #aziracrow #good omens spoilers #ineffable husbands #good omens theory #1k #2k #sage posting

[agoodomenssideblogiguess]

I dont think I'll ever be able to get over the "I work in Soho, I hear things," line Aziraphale says in 1967. Cuz like if you exam the scene background for more than a couple of seconds you realize how fucking ridiculous Crowley and Aziraphale are being.

Because, Crowley KNOWS where the bookshop is. Crowley was probably there when Aziraphale came up with the idea and when he chose the property and for sure was there for opening day. Crowley KNOWS it's still there in 1941, they go back at the end of the magic show for wine.

The fucking Dirty Donkey is established as being across the street from the bookshop with a perfect view to the inside during s2e4.

See how the crossed out windows the zombies are looking through are visible through the window over Crowley's shoulder. If Aziraphale were heating up the tea kettle on his little parlor stove, he might even be able to see the pub's entrance or any cars coming up the street.

And I doubt that the pub moved locations in or around 1967 only to be moved back by 2023 so we can safely assume that what's visible in 1941 is visible in 1967 during Crowley's meeting.

I went back to the 1967 bit in s1e3 to figure out where the fuck Crowley is parked and I'm pretty sure the ramp he speaks alone to Shadwell in front of is the same ramp that Marguerite's restaurant has.

And in s2e5, as Aziraphale leaves to invite all the shopkeepers to the 'meeting' we see Marguerite's sign through the windows to the right of the front door.

Which means Crowley's conversation with Shadwell is fucking visible from the front door of the bookshop.

And it also means those fucking strip tease signs that Crowley has parked the Bentley in front of are covering up the record shop and the window over Aziraphale's desk (Which I'll admit, unfortunately means that the ramp isn't visible through the window and might only be seen via the windows of the front door of the shop). Why are these windows covered up? Maybe the set designers wanted to give the illusion that they are on some different part of the street. UNFORTUNATELY I CAN FUCKING SEE THE BOOKSHOP PILLARS IN THE CORNER OF THE SCREEN YOU CANT FOOL ME.

Let's put it all together now: Crowley drives the Bentley, his ICONIC Bentley(no doubt who's fucking Bentley that is if you see it come down the street through the window), just past the bookshop, and parks. He has to get out on the bookshop side of the street and backtrack, PAST THE FUCKING BOOKSHOP DOOR, and to the pub that is in perfect view of one of the (only unblocked) bookshop windows, and has a conversation with a strange man in view of the bookshop's front door.

"I hear things" Aziraphale, baby girl, you didn't have to hear anything you can literally see Crowley at every moment.

And also Aziraphale, you're not off the hook for ridiculousness either. Why the fuck did you teleport into the Bentley. THE BOOKSHOP IS RIGHT THERE. You fucking depraved me of a full cravat outfit shot because you wanted to spookily and mysteriously appear to your beloved demon. YOU'RE KILLING ME AZIRAPHALE.

#good omens #good omens 2 #go2 #gos2 #for the most part you can just sort of rely on the audience's suspension of disbelief to make up for moments of necessary inconsistency #but i think its a lit funnier if we just decide that actually Aziraphale and Crowley are just THIS ridiculous

[imagopersonal]

Give me coffee or give me death

I don’t believe in the Coffee Theory per se. I think the whole ‘drugged coffee’ thing is a bit too spy movie to be in Good Omens, but- BUT

The fact that that coffee is in the intro;

The fact that you can see The Metatron in line, waiting for his turn, BEFORE he gets into the coffee shop, like if he was an out of place detail you were supposed to notice and ask yourself questions about;

The very long and apparently superfluous dialogue about choosing coffee instead of death, and how “predictable” that is;

The fact that for two seasons we NEVER see Aziraphale drinking coffee, like that’s not his thing, that’s Crowley’s thing, he’s the “six-espressos-in-a-big-cup” guy, Aziraphale drinks hot chocolate or tea, and we have to assume The Metatron knows that, because he went into that coffee shop and asked for such a specific thing that makes you think that’s something he chose specifically for Aziraphale (who still doesn’t drink coffee, so why?).

He looks reluctant at the idea of drinking it at first

but he accepts it out of courtesy, I presume, and this is the face he makes when he tries it:

Even he is surprised he liked it. He’s on Earth since 6000 years, so we can assume he tried coffee before and chose not to drink it. He’s either lying about liking it out of courtesy, or this is the only coffee he’s ever enjoyed, and The Metatron knew he would have liked it and chose that coffee on purpose.

So, the coffee is either important as a physical element, as something that had an actual effect on Aziraphale and changed him somehow, or it’s important in its metaphorical significance. In Good Omens almost everything is metaphorical, so the second option is very likely.

Now, what’s the coffee supposed to represent? The only certain thing we know, is that the coffee is something The Metatron offers Aziraphale, so it probably represents the offer he’s about to make.

Considering the whole “Does anyone ever choose death?” conversation, considering the fact that we don’t know how the conversation between The Metatron and Aziraphale went, we only know the version Aziraphale chooses to tell Crowley, and considering The Metatron is the angel that decided to erase Gabriel’s memory just because he said “nah” about Armageddon 2.0 and Aziraphale is the traitor, the one who stopped the Armageddon 1.0, so The Metatron has no reason to be friendly with him, my question is:

Did Aziraphale actually have a choice?

Or the alternative was worse than leaving Crowley and the bookshop?

Was it actually coffee or death?

Imago

#good omens #good omens 2 #good omens spoilers #aziraphale #the metatron #coffee theory #good omens theory #good omens meta #media analysis

[krakensdottir]

Crowley and Aziraphale canonically do not have sex organs. There is no indication that they have ever experienced sex or have a desire to.

And apparently... people do not like this. They are resistant to accepting it in a way that, as an asexual, it's hard not to take personally.

But I don't really think it's personal. I think it's just that allosexual thinking is so prevalent, people default to 'but why WOULDN'T they?' instead of 'why WOULD they?' Even though the latter question makes a lot more sense in this context. Allosexual thinking has us expecting that love = sex, and that any being who enjoys good food or music or other Earthly pleasures must also want to try it. Even though many real human people enjoy those pleasures and have no desire for sex at all. Why wouldn't these ethereal beings be like us in that regard?

And look, I've been in enough fandoms by now not to be surprised by any of this. What DO you do with a ship if not have them fuck? That's always the end goal, right? But there's a fine line between fantasizing (always fine) and actually expecting reality - or canon - to work that way. Canonically, we have a sexless romantic relationship that does not, by any sort of default, have to turn into a sexual one to be valid. That's amazing. That almost never happens. But if you went by fan discussions, you probably wouldn't even realize that was the case.

The thing is... aphobia doesn't always look like hatred, or ridicule. Sometimes it looks like erasure. Sometimes it looks like a persistent tendency to sexualize the sexless in order to make it more interesting, or palatable, or to make the relationship 'complete'. It's not on purpose, like that. It's cultural normalcy talking. None of us are untouched by it, and it's easy not to realize.

I don't think I'm coming to a point here. I'd just like if fan discussions weren't always overrun by allosexual expectations. But I also don't really expect it to lead to a lot of self-reflection. I mean, it's fandom. It's whatever. It shouldn't even bother me. But apparently it does, so I wanted to talk about it. And put it out there in case, perhaps, anyone else has been sitting on these feelings and would like to vent.

#good omens #asexuality #if this gets ugly I'll block replies #but I'm not taking it down #read carefully before you reply and do not put words in my mouth

[actual-changeling]

i think this shot from episode 1 is criminally underrated. the comedic cut to michael and the alarm ringing in heaven is incredibly funny but it also distracts from it a lot. this is about to be some more unhinged rambling that probably wildly overestimates the meaning this scene holds but it's fun so here we go.

the first thing i find interesting is that the way aziraphale suggests it, it sounds like this is not the first time they have done half a miracle each. not with these stakes and with someone in the middle, but potentially as part of their arrangement or to hide the two of them from their respective head offices.

secondly, although aziraphale is the one to suggest it, it's crowley who checks if it took, which falls in line with the protector role he likes to take (and his probably unhealthy, trauma-based paranoia).

thirdly, and what i find incredibly intriguing, is the fact that the entire thing happens on the circle rug, which covers aziraphale's chalk/summoning circle. i do not think that positioning is accidental, and i still subscribe to the idea that part of why the miracle is visible from heaven (and as far as we know, hell does NOT notice on their own) is due to the fact that the circle + gabriel broadcast it like a signal. a signal that goes only up since the circle is only intended for communicate with heaven.

tying back to point two, there's just something incredibly symbolic about crowley being the one to quite literally reach up towards heaven and i can't help but be reminded of the scene in season 1 where he talks to god.

the angle is similar, a shot from above with crowley right at the center, and him looking up. the first scene is honestly quite heartbreaking and he does not get any answer from god, as expected. while he attempts to talk to god, it is aziraphale who actually, if accidentally, goes to heaven. he does not get any answers either, but he is still 'above' crowley and can get closer to god (at least in spirit), though i think ultimately this is me being clinically insane and probably does not hold any significance. it does for me though.

we also get the line "you shouldn't test them (humanity) to destruction", which is EXACTLY what happened with crowley and aziraphale.

crowley reached for heaven but it was aziraphale who actually went, and they got tested to destruction. now they need to put themselves and each other back together.

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #good omens meta

[ineffablyruined]

I want to talk about THAT smile. The one from the elevator. The one that scares us (or maybe just me).

This one:

It's stayed with me since the first time I saw it. Michael Sheen is an absolute master of his face, so this sinister smile means something. I don't believe that it's a forced smile that he's pasting on before he enters Heaven. It looks absolutely malevolent.

And I just couldn't figure out WHY.

Aziraphale just left everything he loves behind: humans, food, bookshop, and Crowley. Crowley most of all. He was devastated after that kiss, devastated that Crowley wouldn't just come with him so they could be together. He was hurt, shattered, unsure of himself and his decision. So why the practically evil face?

I don't subscribe to the Coffee Theory. I think it takes too much away from the emotional and character development and everything the fandom went through in those last 10 minutes for Neil to pull the rug out from under us like that.

So if he's not drugged, then what's the face?

The Metatron just dropped a bomb on him. The Second Coming. Heaven's going to restart the apocalypse. End the Earth. The place where he'd just left the love of his life and everything he holds dear. Make everything they'd fought for absolutely meaningless.

And then I remembered this face:

See how similar they are?

I've seen a lot of people put this down to a repeat body swap theory, but I don't buy that either. I think that would be less inspired than what we've come to expect from the brilliance of Neil's and Terry's minds.

I'm going on a bit of a tangent here for a second, but I promise it will make sense in a minute. When the demons were coming for them, Nina told Aziraphale that he shouldn't wait to be saved by Crowley, that he should come up with his own plans and save himself. And he did, but it wasn't a total plan. It was the beginnings of one. He held them off, but when his plan ran out of time, it put him and the two humans (except maybe not -> looking at you, Maggie) he's come to care about at risk. Then he had to do something reckless and probably stupid, and it worked, but it was too close.

Back to the matter at hand:

These two perfectly wonderful, complete f*cking morons have spent the last 4 years together. Probably daily. And do you know what happens when you spend so much time together?

You start picking up the other person's mannerisms, mirroring speech patterns and body language.

My theory:

Aziraphale spent that elevator ride coming up with a plan. He's come up with something that he thinks will be so clever, so unexpected of him (an angel), so Crowley-esque, that the Metatron will never see it coming. And he's not about to cock it up like he did in the bookshop, show up with only a half-baked plan.

No. He's got something positively diabolical. Something inspired by Crowley. So he makes the face that he's learned from spending four years in the daily company of the original owner of that expression. The only face he could possibly make when figuring out how to save the world and get back to his demon. And thinking about how much he can't wait to tell a Crowley how clever he's been.

That face is 6000 years of togetherness in the making.

#good omens meta #good omens spoilers #good omens s2 spoilers #gos2 spoilers #gos2 meta #elevator smile #aziraphale elevator #crowley x aziraphale #aziraphale x crowley #good omens season 2 spoilers #go2 #aziraphale #ineffable husbands #ineffable idiots #good omens

[gotholdladywithadhd]

Unpopular opinion, probably.

So I've read many metas, and thought a lot about it and have come to my own personal conclusion about the final 15.

I'm taking it at face value.

Because it was the most human Crowley and Aziraphale have probably ever been and I think that is at least part of the point. Love makes people stupid and they are navigating a very human thing in very unhuman circumstances, and it's hard enough to do as a human in human circumstances!

I think Aziraphale believed the Metatron about Crowley bc he was expecting the worst when TM mentioned Crowley but instead got the one thing he wanted most (him and Crowley together and safe, not Crowley being an angel. ) Crowley was absolutely the carrot here. (and no I do not think Crowley would have been safe or happy, but that's besides the point.) I can't tell you how many times I've believed patently ridiculous things because I wanted to believe them so badly even though if I was looking at the same situation objectively from an outside POV I would see how ridiculous it was, so I totally get it. This isn't to say I think Azi had a real choice to go to Heaven or not and I think he did understand that as well, but I get the temptation the Metatron threw out to him, I really do.

As for Aziraphale literally saying all the wrong things to try and get Crowley to come with him? Um yeah been there done that too, the nerves take over, the brain shuts off, the mouth goes into autopilot pulling stuff out its ass, and "WITAF did I just say?" happens.

Crowley not taking any of it well and only hearing what he expected to hear (I'm not good enough for you bc I'm a demon and you only really want me if I can be an angel) *and* also being more able to see through heavens bullshit bc he has lived it, and can see it from the outside, *and* all whilst being the most honest and vulnerable he has ever been with Aziraphale in 6,000 plus years (or in fact possibly to anyone, ever. the closest before this admitting he was lonely to Azi during the Job minisode,) *then* hearing what he took to be the same Heaven will save us line from Azi was enough to trigger a massive bout of RSD and a broken heart. Everything was supposed to "vavoom and sorted! " and instead the stupid awning broke and everything went wrong. I think I've said it before that at this point Crowley can't hear anything over the sound of his heart breaking into a million pieces.

That's a whole lot to pack into the brief moments before Azi has to leave with the Metatron (who let's be honest was rushing him before he could change his mind) esp when neither of them are used to discussing their relationship openly. They didn't have time to think, to ask questions, to share information, (like hey guess what really happened to Gabriel?) Crowley tried to communicate as much as he could about his feelings with the kiss but Azi didn't have the time to properly process all that and said the wrong thing again and Crowley was rejected (he thought) again and it all just went so very wrong. You can't fix a 6,000 year relationship in 15 minutes, you just can't no matter what the story books say.

It's about two people wanting the same thing but not being able to get it (yet) because of circumstances and personalities. All of S2 was about them seeming to be closer than ever (and in many ways they were) but really they were opposed at almost every turn. (in RL not the minisodes, those actually showed them working together and coming out okay mostly, if you don't count wee Morag or Crowley getting dragged to hell) The way they both handled the Gabriel situation, how they both worked to solve the mystery, even how they tried to make Nina and Maggie fall in love were all either done alone, or in opposite ways. I've said it before and I'll say it again, as it was pointed out right in ep1, their exactlies aren't the same and until they are, they aren't going to be able to be together. The one time they did work together in the season, they produced a 25 lazuri miracle. That is the point of the final 15, and the whole season 2 in my opinion.

They'll get there in the end though!

#aziracrow #aziraphale loves crowley #crowley loves aziraphale #crowphale #good omens #aziraphale #crowley #ineffable husbands #aziraphale x crowley #aziraphale good omens #crowley x aziraphale #neil gaiman #anthony j crowley #crowley good omens #gomens #good omens 2 #az fell #ineffable spouses #final 15 #final fifteen #good omens meta #the final fifteen #aziracrow good omens

[dalliancekay]

Aziraphale does NOT need to suffer MORE

Can't believe I have to say this. TW: grief, mourning, death (sorry) I have, since falling into the fandom 6 months ago to escape real life, seen many takes on how Aziraphale needs to suffer in S3 to match Crowley's suffering. Mainly as the counterpart to the moment Crowley thinks he lost Aziraphale as he's looking for him desperately in the burning bookshop.

Then drinks, we suppose, to dull his pain, waiting for the Armageddon. Also, the way Crowley suffers at the bandstand argument, the 'I Forgive You' moments, which many people find utterly devastating and incredibly heartless from Aziraphale. Not to mention when he doesn't react in the 'right way' to Crowley's confession in the Final 15. And then on top of that, 'abandons' Crowley. Oh and also for, and I quote: "The smug and entitled way Aziraphale went around in S2 assuming Crowley would love and follow him everywhere." And for all this pain that Crowley endured for him, Aziraphale should suffer in S3, to I assume, even out the scores. Some people want to see him lose it, show his emotions, to cry or beg or otherwise show how much he misses Crowley and how very sorry he is for what he's done.

Now for the TW grief content I motioned above. You can skip to the next sentence in bold.

WE ALL SUFFER DIFFERENTLY I was on holiday late September last year, visiting my mum, stepfather and my two younger brothers. We went to a cousin's wedding. It was great. The day after, as I was hanging out reading a book my mum got a call. The kind of call every mother fears. My youngest brother (he was 27) died in an accident. We needed to speak to police and the coroner. She cried and cried. She's still crying. She asks questions. She gets no answers. I did not cry. I talked to the police. I googled a funeral home. I bought my brother his last set of clothes. He lived in a hoodie and torn black jeans. Mum wanted a suit. But he died in the one he bought for the wedding. I texted a lot of people. I bought snacks for the many friends who came to the funeral and wanted to speak to us after. My grief feels like a vice. I am not sad. I do not appear sad. Contrary to what people expect. But I am ANGRY. I am furious. But nobody can see this. I am not fine and I wish no one would ever* ask how I was again. TW/Personal content over. Since I was small (because I am weird like that) I genuinely wondered if, finding myself in danger, I could scream like people in films do. I don't think I could. I cope with hard situations, fear and stress and anxiety by shutting down, sometimes by retreating too, by furiously trying to find a way out. And I think Aziraphale does the same. And that's why I love him so much. And why I feel get him and understand that people sometimes can't tell how much he's actually feeling. I also express love the way Aziraphale does - by organising things for people I love, inviting them places, making plans. When Crowley said you call me for three things (and it's basically any old reason) I felt SO SEEN. This is what I would do with a friend who I know is feeling unmoored, sad, stuck. I'd text them with any old thing. I'd never actually say I love you, how can I help though, I would try to get them to talk, meet me, go somewhere. Aziraphale does not express emotions the same way as Crowley.

But his emotions are valid nonetheless. He is worried for Crowley from around 3 minutes into their acquaintanceship. And he NEVER stops worrying.

And are we quite sure he has never lost Crowley?

How many times did Aziraphale's heart freeze in horror when he realised Hell has taken Crowley and he had no idea if he'll ever come back and what is happening to him?

How did Aziraphale spent the night after vanquishing the demons and starting a war? He had no idea where Crowley was. He was probably sick with worry that Hell just took him away. We didn't see him drink, but surely, the worry must have been overwhelming. The wait for what will happen.

ALL his worries over the Arrangement. Was he worried for himself? Do we really think that?

Crowley thought he lost Aziraphale in S1, yes, we saw that. And what happened to the angel then?

He got blown into atoms which I bet wasn't pleasant and when he arrives in Heaven he limps. Why is he hurt? Why is he quickly pretending he isn't? Why is he always hiding how he feels? Also, he immediately deserts, wants no part in the Holy War and quickly finds an extremely unconventional way to get back. It's not a grand gesture, he doesn't deliberate, doesn't worry that he will Fall (although surely that must have been what he thought), there's no pomp around it, he thinks it and then does it. No hesitation.

Is this coming from an angel who just can't leave Heaven behind and longs to be a part of it? Who loves to follow rules? And let's not forget in those moments Aziraphale thought Crowley was most likely gone. That he probably left for Alpha Centauri. Last he heard from him he was told he was talking to an old friend and had no time for him. Why we NEVER talk about how that might have felt for Aziraphale?

Things are not as simple as Aziraphale has been supressing his emotions and lying to himself about how he feels and he should get over it and become free. That's not how this works. He was suppressing his emotions OUT OF LOVE. His main goal was always to keep Crowley safe. They simply couldn't run away or hoodwink Heaven and Hell. They had nowhere to go. They had no hope and yet they kept loving each other. That's courage. I know we all grew up with Romeo and Juliet and Heathcliff and Cathy and we FORGOT that those were CAUTIONARY tales. And this is not what Aziraphale wants for them. He would never allow himself to go so fast he would hurt Crowley. He feels guilty enough for agreeing to the Arrangement and for meeting Crowley at all when he knows they can be discovered and punished at any point. And Crowley knows it and RESPECTS it. He does not tolerate Aziraphale's decision to not go on a date and to hell with circumstances. He understands Aziraphale's reasoning and he respects Aziraphale's decision. Don't forget, they have NO POWER. They can't change Heaven and Hell. They can't stop believing in God and work on their religious trauma. Their Heaven and Hell are real places with real power and they BELONG to them. Aziraphale's trauma and his personality are deeply intertwined and he'd probably never be the kind of person who is open in showing their grief or stress. He will learn to be more open, I' sure. With his love especially, we see him reaching for and touching his demon in S2. Openly being with him, looking at him without guarding himself. They got a little bit of freedom for themselves despite ALL odds. So. Just because Aziraphale is not crying and screaming and I dunno, tearing his hair out or whatever some people would have him do, does not mean he isn't overflowing with pain, fear, uncertainty, doubts, worries, and so much anxiety that if he let it all out, half of the solar system would turn to ashes.

Aziraphale does not need to suffer in S3 to level out Crowley's suffering. They are, unfortunately, equal in their pain as they are in love. If there is one thing Crowley would never abide, it'd be this take from the fandom. * One more note on grief: (obviously from my personal experience) As initiated by @anthony-crowleys-left-nut in a comment

It's not that I mind to know people care and worry etc, but asking how I am can only end in me lying (fine, thank you) and both of us knowing it's not really true and feeling awkward or not lying (I feel like shit, mostly cos I can't sleep and think the world is a stupid unfair place) and both of us feeling awkward anyway. Does that make sense? I wish I could tell friends/colleagues to ask what I've been up to or something similar instead. What I've been reading (um, AO3, but I'll make something up), watching, do I want to go see some spring flowers bloom (I do).

#aziraphale #good omens #crowley #aziracrow #ineffable husbands #neil gaiman #ineffable divorce #aziraphale my beloved #good omens thoughts #aziraphale defense squad #suffering in silence #grief #tw grief #dealing with grief #loss #tw death #kaypost

[createserenity]

I won’t leave you on your own.

Right, this might be controversial, or I might be the only one who sees this moment in this way, but I need to talk about this now. It’s really sweet when Crowley says this, except what happens afterwards isn’t sweet at all. And can I just add right now that I love both Azirpahale and Crowley, they’re both wonderful and also brillianty flawed, I don’t hate either of them. But as far as I’m concerned Crowley behaves really stupidly here.

GIF by ladybokatankryze

C: I’m going to get the humans out of here and then I’m coming back. I won’t leave you on your own. A: I know.

Oh dear, Crowley. Why did you leave him on his own after saying this? Why did you let Aziraphale down? Why does no one talk about the fact that you did? You walked out that bookshop and Aziraphale was so confident you would come back that he expressed this confidence to the humans and then defended his reliance on you, “Crowley will have a plan,” “Rescuing me makes him so happy.”

But you didn’t come back, Crowley! Why? You left the bookshop, spotted Muriel and then in some super weird ADHD* move just left Aziraphale to sort out the demon problem on his own whilst you went off to heaven. Whyyyyy?

Now okay. I admit, Crowley was working towards the ultimate goal of finding out what the heck had happened to Gabriel, which was something that needed to be done. He spotted the opportunity, knew it probably wouldn’t come up again and so took it. He did what probably needed to be done. He also did it expecting that the demons wouldn’t ever be able to enter the bookshop because Aziraphale was never going to say they could come in. It’s not his fault Maggie is an idiot. I still love him and so does Aziraphale. Also Aziraphale is perfectly capable of defending himself in some ways and we see this after Crowley leaves…

BUT. What a mistake.

He basically left Aziraphale on his own to fight the demons. An Aziraphale who trusted so absolutely that Crowley would come back, and that Crowley would know what to do, that he hadn’t bothered to come up with the whole plan himself. He didn’t have to. Aziraphale and Crowley are a team, they work together and they don’t let each other down.

Except this time Crowley did.

It’s unclear exactly how long Crowley spent in heaven watching the trial etc but since the ball starts at 6.30pm and the demons seem to turn up not that long into the evening, we can assume it’s a really long time. By the time he comes back it’s very clearly morning again, the entire night has passed. Maybe Crowley didn’t intend to be away that long, maybe he expected his jaunt to heaven to be quicker, or maybe this is because time passes differently in heaven and Crowley had no way of knowing exactly what time he’d return to earth, but whatever the reason, he leaves Aziraphale alone for a really long time, after explicitly stating that he won’t leave him on his own.

By the time he does turn up it’s long after the battle is over and long after Aziraphale has been forced to take an action he really didn’t want to take in order to defend himself and the bookshop.

Just look at Aziraphale’s face when Crowley returns, he isn’t super delighted to see him, he's sort of happy, but more looks like he can’t believe Crowley is actually there.

When he says, “You came back!” he sounds kind of surprised and also perhaps relieved. Why? Because he’s given up on Crowley coming back by that point. He has no idea what has happened to him or why he let him down so badly.

I think we can fairly safely assume that Aziraphale and Crowley can sense at least to some extent where the other one is when they are both on earth if they try to do so, and it’s probable that at some point after sorting out the demon problem Aziraphale had wondered where Crowley had gone and tried to sense him, so likely he knows Crowley has been away from the earth. What he doesn’t know is where he’s been or whether he went there willingly (at least until he turns up with a bunch of angels, at which point he’s intelligent enough to work it out).**

So now he knows where Crowley went, but he doesn’t know why or what he discovered. He’s still in the “Crowley let me down,” space at this point. Then Crowley asks what happened to the demons and Aziraphale has to tell him he blew up his halo. Crowley finds this delightful and he laughs, but for once they aren’t laughing together. This is only the second time that we have seen Crowley laugh at Aziraphale (the first is when he mocks him about thinking he’s a demon after the Job thing, which he quickly stops doing and switches to being kind when he realises how upset Aziraphale is). When he laughs about the halo he doesn’t mean it to be mocking, it’s actually the same disbelieving reaction that he does on the walls of Eden about the flaming sword, except magnified, he doesn’t just do a single “you what?” of disbelief and amusement as he does in Eden, he properly laughs because he knows Aziraphale better and thinks their relationship can take the laughter.

Usually he’d be right, but the problem is he’s just let Aziraphale down. So while he isn’t really mocking Aziraphale, because he loves that Aziraphale does these unexpected and wonderful things, Aziraphale doesn’t like the laugh at all. Look at his face. He glares at Crowley and his look very much is one of, “if you’d come back like you said you would, if you hadn’t let me down, I probably wouldn’t have had to do it at all.”

Then since Crowley rather stupidly doesn’t read the reaction and stop laughing the look changes more to, “I’m really upset about all this, please, please don’t laugh at me, you’re hurting me.”*** It's only shown briefly so it's difficult to capture, but you can just catch this in his expression before the camera cuts back to Crowley, and then again for a second when it recuts to Aziraphale, just before he reacts to the arrival of the demons.

Basically, Aziraphale is really fucking pissed off and upset with Crowley at this point. (Side note, Maggie and Nina look less than impressed by the laughter too – even they know it’s not the right reaction.)

If you need anymore evidence of how annoyed he is, look at how far away he stays from Crowley whilst he’s laughing. Aziraphale never stands that far away from him!

Luckily for Crowley Aziraphale is very good at forgiveness, and also very much likes it when Crowley takes charge of a situation and thankfully Crowley finally steps up. Whilst Aziraphale worries about what he’s done (look at the tension in his hands) Crowley categorically declares there will be no war and the demons react by listening to him. You can see Aziraphale start to reconnect with Crowley, his eyes flick back to him and then once Shax is up and awake his hands relax and he closes the distance between him and Crowley, angling his body towards him and standing close to him again.

Crowley is going to sort things out and Aziraphale’s faith in him is easily restored, although without doubt it’s suffered some damage underneath.

So what does this all mean? Well, firstly Crowley hurts Aziraphale deeply here and doesn’t realise he’s done it (and this is the second hurt he’s caused him within the space of a few days). Aziraphale forgives him pretty quickly, because Crowley unknowingly repairs things and Aziraphale is so full of love that it will take more than this one transgression to break their bond.

What it does mean though is that Aziraphale has just had a reminder of the demonic nature of demons shoved in his face. Crowley has just hurt him in several different ways in the space of a very short time. I doubt he consciously sees this as demonic because by this point I don’t think he really even thinks of Crowley as a demon on a day to day basis, but I do think he is responding to that hurt in a very human way.

Look, if your partner left you in a sticky situation and told you they would be back immediately and then didn’t turn back up for hours wouldn’t you be pissed off? Even if nothing happened (if Maggie had never let the demons in for example) you’d still have a few things to say about your partner’s hours of absence – yes, even if they had just unveiled a huge clue about why the whole situation was happening in the first place. That wouldn’t undo all your thoughts about how they let you down really badly and left you on your own in a terrible situation.

Another issue is Shax’s demonic nature – specifically how Shax has hurt him during the attack on the bookshop. If Crowley had been there there’s no way Shax would have had even half a second to get in her jibes to Aziraphale, but he’s not there and Shax gets her chance. What she does is play on Aziraphale’s fears about Crowley’s feelings for him (right at a time when Crowley is letting him down) and also remind Aziraphale of some of the ways in which he is a less-than-stella angel (as a side note I find it really interesting that Shax seems to have this ability to look at people and see their worst fears about themselves – do all demons have that or does every demon have a slightly different ‘power’?) So now Aziraphale has been let down by Crowley, which has directly led to Shax hurting him, and had his worst fears about his own nature brought to the forefront of his mind.

He’s been let down, mocked and emotionally wounded, and he goes into the conversation with the Metatron carrying that hurt, only to hear the Metatron singing his praises and telling him he’s, “the perfect angel for the job”. The Metatron deliberately soothes Aziraphale’s worst fears about himself in order to manipulate him. I’m not saying Aziraphale doesn’t see through it or that he is completely taken in by it or that this is his motivation for accepting the job, I think there’s more to it than that, but well… something to think about?

Mainly though, Crowley acts in a bit of a daft way here. His jaunt to heaven is funny and useful for moving the mystery along, but in terms of his relationship with Aziraphale it's an absolute disaster of a move. I'd want the "I was wrong" dance as an apology for that one if it was me. Just saying.

#good omens 2 #good omens meta #ineffable husbands #good omens #final 15 #aziraphale #crowley

[weirdly-specific-but-ok]

pt XVI good omens season 2 (still not traumatic) episode 3 EDINBURGH

HELLO IT'S ME IT'S THE OFFICIAL GOOD OMENS MASCOT WHY DO I STILL KEEP INTRODUCING MYSELF IDK. If you don't know who I am, thank God and Satan for their mercy and flee. Also, the day after I post this, I'll be watching the last three episodes on livestream for the first time so. You know. I'm hyped on the energy of this being my last day not enveloped in tears. Take the summary:

Before the episode starts, someone asks why Crowley said in the last episode that Aziraphale couldn't fall because look at him, all angelic when Crowley looked the same as starmaker. I reply that "Crowley thinks he deserved it, he sees Azi as something beautiful and untouched while he probably sees himself as idk marked in some way so god kicked him down."

I am told that I am learning too fast to weaponise the narrative to induce angst. So then I say oh, I go too fast for you. Tears ensue.

The episode begins! Everyone shrieks about Edinburgh, David Tennant, how it is their favourite episode, and SCOTTISH CROWLEY.

We open with lesbians being gay, and then Muriel enters as Inspector Constable! They are very sweet and very determined to do their job right, and they are adopted by Crowley and Aziraphale just like Jim.

Crowley sits on Aziraphale's chair's arm. The maggots all swoon.

Fine, I also swooned.

Aziraphale gaslight-gatekeep-girlboss-mansplain-manipulate-manwhores his way into getting Crowley to give him the Bentley keys (BOUNDARIES. BOUNDARIES.).

WHAT PLENTY OF USE DO BOTH OF YOU GET OUT OF THE BOOKSHOP?

The really ineffable plan is whatever the fuck was happening in Aziraphale's brain when he somehow went from London to Edinburgh via Loch Ness (check the map) and then proceeded to disguise himself as a detective who pretends to be a journalist.

Crowley slays in sleeve garters and a cardigan keeping house in the bookshop meanwhile, does not sell books, instead cleans with Jimbriel and periodically yeets book stacks into corners when distracted.

Aziraphale reads his old diary entries about Crowley, a (6000+) 13 year old with a crush.

MINISODE MINISODE. They are in Edinburgh during the mid 1800s. Victorian outfits, check. Scottish Crowley, check. Capitalist Karen Aziraphale, che-wait what.

Huh. Well. There's a wee bit of body snatchin' going on, to sell to doctors for medical research because there aren't enough murderers, and to make enough money to survive.

Aziraphale channels his inner capitalist judgemental Karen and ruins that plan, come on Aziraphale you have religious trauma but you're better than this, and long story short, Wee Morag dies after Aziraphale realises his error, her friend Elspeth has to sell her corpse for pennies, and is about to commit suicide with laudanum. Azi, oh god. I'm glad you underwent character development at least.

NOW CROWLEY HERE SLAYS. I KNOW THIS IS AZIRAPHALE'S PERSPECTIVE AND IS BIASED. BUT WITH THIS POV, CROWLEY SLAYS.

He calmly educates Aziraphale about how his whole "the poor have more opportunities and you shouldn't give them money or they'll lose the virtue of poverty" is absolute bullshit, and he does this understanding Aziraphale's situation and not losing his temper.

The framing. The framing of the shot when they see Wee Morag and Elspeth sitting down on a step and explaining their situation. Aziraphale stands above, bustling with righteousness, and judges them. Crowley sits down. He sits down next to them, rather than taking the high ground. He meets them where they are and empathises. It is the fact that he is fallen and damned that makes him behave really divine and sorry I wrote a whole hymn on him have it I'll stop rambling just know I love him.

I think his amusement is a facade so hell won't think he's genuinely being good. I think he's morally grey and incredibly brave and kind.

When Elspeth is bouta kill herself with the laudanum, Crowley grabs it and drinks it himself, and grows tiny and then huge, absolutely high off his head. David Tennant takes the opportunity to travel Scotland from east to west in terms of accent variety.

He gives us the good message of NO DYIN'. NO MORE DYIN'. IT'S NOT ON. And then forces Aziraphale (who doesn't want to ruin her virtuous poverty) to give the girl all the guineas he has in his pocket, and tells her to go off and start a farm or something. BUT NOT JUST PRETENDY GOOD, BE PROPERLY GOOD.

He then gets pulled into hell. To be punished for this. Aziraphale is frightened and heartbroken for him, looking around desperately, and we find out that Crowley didn't meet him for a while after. And later he wanted holy water. To protect himself? He got punished by hell. For how long? The whole month in between the incident and the diary entry? There can't be anyone better at punishment and cruelty than hell.

Sorry I'm just screaming here.

Never mind fuck I started this summary really happy and bouncy and listening to a dance playlist. Dionysus by BTS and Italian pop is still playing and now I'm crying.

Is this the natural progression. Fuck I'm crying. Sorry guys something else happens with Aziraphale politely talking to a phone and Crowley smiling really beautifully while unsuccessfully trying to manipulate two lesbians into a relationship and something about a visit I don't care everyone's being morally dubious as usual and then lovely Scottish music outro I CAN'T FUCKING ELABORATE I'M SITTING HERE CRYING OVER CROWLEY.

right summary done, time to go sob, lmao i thought i wouldn't cry today over good omens HAHAHAHA still not traumatic eh HAHAHAHAHAHAHHAHAHAHAHAHAHA

#good omens mascot #good omens #good omens fandom #weirdly specific but ok #asmi #crowley #maggots #lgbtqia #aziraphale #neil gaiman #edinburgh #scotland minisode #victorian minisode #scottish crowley #david tennant #michael sheen #ineffable fandom #ineffable idiots #good ineffable omens #ineffable brainrot #good omens brainrot #CRYING OVER FICTIONAL CHARACTERS #AGAIN #YAY #anthony j crowley #starmaker #wee morag #elspeth and wee morag

[ineffable-suffering]

Why Aziraphale is an unreliable narrator

Part 1: The Story of Job

I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.

I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!

Alright, let's get into it under the cut of doom.

Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."

This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.

And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?

What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.

"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"

We've all been there. Bobby made it out alive. Don't buy gas station pizza.

Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.

Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.

So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.

So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.

So, time to look at where the furniture isn't.

Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:

... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:

... back to this at the crucifixion of Jesus Christ in 33 AD:

I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.

And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).

So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!

And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.

They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.

Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:

The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.

You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.

More specifically: Aziraphale's impression, emotions and exaggerations.

Like "remembering" Crowley with sunglasses because he's been wearing them for so long.

Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.

Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.

Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.

Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.

Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.

There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!

It's subjective. It's unrealiable.

It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.

The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):

God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.

God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.

Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."

Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)

Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.

Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).

Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.

Update: Part 2 and Part 3 have officially been written, you can find it them right here:

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

Hugs and kisses, (God)!

#good omens #good omens season 2 #gos2 #go2 #good omens 2 #good omens meta #ineffable husbands #aziraphale #crowley #story of job #job minisode #good omens analysis #aziraphale is a storyteller #but not a very accurate one #my own meta

[kotias]

Ineffable Rockstars

Time to properly become creatively feral about the Ineffable Rockstars project with @vavoom-sorted-art, @searchingforakeythatdoesntexist , @daneecastle, @moonyinpisces and Stitcherydoo!

Summary of the story: human!AU, Crowley and Aziraphale are rockstars in their respective groups, Celestial Harmonies and Hell's Rebuke. Word is out that those two groups have bad history together, and therefore the two of them, while shamelessly talking to each other any festival they get to meet at, do have to be careful about being seen together by their own bands.

Summary of this excerpt: Aziraphale explains the story of the two bands to Crowley, who has arrived after everything went down and was kept in the dark by his mates.

Lyrics: written for the purpose of this fic.

Word count of the excerpt: 872 words

Excerpt:

Crowley sat down next to Aziraphale, whose eyes laid probably a second too long on those long fingers, on this chest showing so proudly from behind his open shirt- He coughed and drank a large gulp from the flute, clutching at the glass like a lifeline.

“It’s- it’s alright. Are you feeling comfortable? How was the concert?”

“Hah, acting like I didn’t see you in the audience, are ya?” Crowley asked with a smirk, and Aziraphale looked away, feeling the heat building up on his face.

“Well, we do need to keep it silent, don’t we?” he answered nonetheless with a coy smile, sipping on his drink.

“Why, though? It’s completely beyond me; Bee recruited me right after the split between Celestial Harmonies and Hell’s Rebuke, but there’s always been… you know, a feeling that it didn’t happen for no reason.”

“They haven’t explained it to you?” Crowley shook his head, and Aziraphale sighed. “No wonder you’re lost. Well, to put it simply… Hell’s Rebuke’s members were part of Celestial Harmonies, a few years ago.”

“Yes, I know that-”

“Let me talk, please; I would like to make sure we work with the same information.”

As he began explaining the official history of the two bands, he was cut by a thunder of clapping as the concert was coming to an end, and he and his counterpart felt compelled to stand up and join the applause.

When you reached Summer,

You lost sight of the star lights,

Questions died in your throat,

Cursing a future that is naught

And the night falling upon you

Left you laying awake with open eyes.

After two encore songs and enough clapping to make their hands and wrists sore, Crowley and Aziraphale walked towards another scene and stayed in relative distance, ensuring that they would hear each other. “So, you were saying, Hell’s Rebuke and Celestial Harmonies.”

“Ah! Yes; so, this is fairly public knowledge.” Crowley nodded impatiently. “At least, it is not something that we are actively hiding, neither of the two groups; somebody who knows how to Google us would be able to find this information.” Aziraphale frowned, crossing his arms. “Honestly, that is why it concerns me a little that you have not been informed of this; it is a fairly common question that people are trying out on us, asking about the other group to see how we react. Anyways-”

The vendors just a few metres from them had started cooking a few crepes, and Crowley did not miss the eyes darting towards them. “Want some? C’me on, it’s my treat,” he insisted as Aziraphale’s eyebrows raised -and it was obvious that he wasn’t going to refuse such an offer.

“Well, if you insist,” he answered, the corners of his lips curling up and his eyelashes fluttering; Crowley’s heart missed a beat, his fingers pressed against his flute, and he barely managed to keep a groan from reaching out of his mouth.

“You do have to tell me more, though; ‘specially if you think my ignorance could bite me in the ass.”

“Yes, of course.” Aziraphale’s voice dropped as they reached the line, keeping it to the level of a private conversation. “Bee and Gabriel were… an item.”

“Oh, excellent start. If that’s only the beginning, I might have to stock up on popcorn with that crepe of yours.”

“Heh, well, it might be one of the more interesting aspects of this entire story, so do not keep your expectations too high.”

“No, no, don't kill my hopes, now. Go on, tell me everything, I’m sure it will be full of riveting details, Bee’s never been good at keeping things tidy anyways.”

Aziraphale groaned. “Oh, you should see Gabriel when he gets involved… Ah- one crepe with sugar, thank you,” he said with a bright smile to the vendor. “Alright, so- long story short, the band was originally founded by the two of them; excellent musicians those two are, and the band did have quite the promising future before it. We started having a fairly good reputation.”

“Black coffee and a serving of fries. The name’s been around for a while now, that’s right- I remember seeing it ten years ago on some festival announcements in my city. Cash, thanks.”

“We have, yes. We were very local for a long while, but…”

“What changed?”

“Gabriel and the others were wishing to go professional; Bee and who are now Hell’s Rebuke were not willing to do that.”

“Ah, I see. Well, they didn't change much in that aspect,” Crowley mumbled sourly, extending his arms to grab the crepe and coffee. He gave the dessert over, then took his serving of fries, and they left the vendor’s stand. “Wait, where did you stand? You stayed with Celestial Harmonies, after all.”

“Hm, well…”

That did not sound like somebody who was fully happy to have stayed, Crowley thought, and he crept closer to Aziraphale, nudging him with his elbow. “Come on, spill the beans! Honestly, I’m looking to go in that direction, if there’s anything I should be aware of…”

“Being professional was, and still is, something that I hold dear,” Aziraphale explained, his slow speech feeling heavy, like he was choosing every word carefully.

#good omens #crowley #aziraphale #aziracrow #crowley x aziraphale #aziraphale x crowley #ineffable rockstars #human AU #fanfiction

[wordsinhaled]

the thing about crowley’s confession is… he must have thought about it in the bit of time he had before doing it. i mean... he went and sat outside marguerite’s with his wine, and thought. he thought very hard about how there was a threat—a sleeper—a ticking time bomb in aziraphale’s bookshop that could explode at any moment, take away all their hard-won peace, their safety, their comfort.

but most importantly, a threat to aziraphale. gabriel had tried once to destroy aziraphale already, and only hadn’t because they'd swapped bodies. and crowley's clearly terrified that this time, what they're doing feels reckless, feels like playing with something far too important at stake. it's like... already knowing someone is so important to you—and then having the possibility that it could really be something dangled in front of you—and then knowing there's an existential threat to that potential? awful. horrifying. no wonder he can't find the words.

we know crowley is a romantic. we know how much joy it brings him to see other people fall in love. and... honestly... i'm not sure it’s that nina needed to spell the nature of his feelings out for him, exactly. crowley's known where he stands towards aziraphale for a long time if we're to judge him by his acts (which are always acts of service, care, and attention, which always speak louder than his words). so i don't think it was that, as much as just—the experience of being perceived by someone else, sort of jostling something for him.

because crowley's watched the romance films, hasn't he, he knows the exact tropes he's working with, but the idea that they could apply to him—to him and aziraphale? i don't think he considered that until it was offered to him as an option. and once it was, there was crowley's mind far exceeding the speed limit trying to wrap itself around all of this.

and so he must have looked at it, and all signs, all signs, were pointing to aziraphale being receptive.

crowley probably thought about all the times aziraphale had touched him in the last day alone. all the little glances and looks aziraphale had been giving him, which crowley surely hadn’t missed because he’s always staring right back. he probably thought about how aziraphale thinks the bentley is their car and the bookshop is their shop, about how aziraphale told him that he thought they’d carved a peaceful existence out for themselves. and after the ball, he probably thought about how aziraphale asked him to dance, at this event that was meant to get other people to fall in love, but aziraphale had wanted to dance with him.

so crowley most likely looked at all of this and thought he’s finally ready. he’s finally caught up. when i ask this time, he’s going to say yes. and he watched aziraphale so warily, too, after the realization, because there's a way that it feels, to be holding on to a truth so direly important and so terribly exciting and so very requited, as far as crowley can tell. it's like, am i holding myself differently now? can he tell? has he always been able to tell? am i about to muck it up? i'm about to muck it up. i muck everything up, but not this. not this. he's the center of my universe so it's worth it. and it's alright, even if i muck it up, because he's going to say yes. dear god: i'd only ask if it was important.

and so he queued up their song in the bentley and he talked to muriel like they’re a them, like they’re going to be a couple, a couple who needs us time. he gave himself the luxury of imagining it, of planning it all out in his mind—how everyone was going to finally leave off pulling them toward some greater purpose and just let the two of them be together, and aziraphale was going to at last let crowley be to him what he’s always wanted to be—what he’s been being already, evidently, to the point where strangers on the street ask how long they’ve been together.

and then in the end, to be rejected like that. to be rejected even while the love is pouring off aziraphale in anguished waves—and if he loves me too, then why won't he say yes? to be rejected and to know this isn't how it's supposed to go, even though it's the way it's always gone. crowley always asks and aziraphale always says no. somehow, this time was supposed to be different. he'd dared to hope properly. and how had he misjudged it so terribly this time? how much of it had been wishful thinking? and he had to have felt aziraphale's hands grasping at his shoulders, had to have felt the start of a kiss returned, and thought that maybe there was a spark of hope yet.

but there wasn't.

because nothing lasts forever. apparently.

#aughhhhhh #good omens #good omens 2 #ineffable husbands #aziracrow

[reloha]

Jacobi and McKellen as grand marshals of New York City's 2015 pride march.

All Good Omens (show) fans will know Derek Jacobi as the Metatron. His brief role on Doctor Who is also getting a lot of mention in recent posts, but I'm not going to talk about any of that.

Like his Vicious co-star Ian McKellen, Jacobi has had a long and illustrious career in theatre, television, and film. McKellen and Jacobi met when they were at Cambridge.

I'm not a huge fan of the Daily Mail, but this article, an interview with the two actors, is quite interesting. I'll just quote this part:

Jacobi says he came out to his mother when he was at university. ‘She said, “All young men, go through this phase, don’t worry.” I remember saying, “Don’t tell Dad.”’ He doesn’t know to this day if she did. ‘I think she did, but I don’t know. But they were wonderful, my parents, not much was said but they kind of knew, they got it.’

McKellen hasn’t heard his friend talk of this before. ‘That’s the first time I’ve heard that,’ he says, genuinely moved. ‘I never came out to my family. Biggest regret of my life.’ It turns out he didn’t even come out to Derek at university, even though it’s always been reported that he had something of a crush on him. 

‘Yes, I did fancy Derek, but I didn’t act on it, God, no. It was illegal, remember. I do get on my high horse about it, because it was so difficult. There were no gay clubs you could go to. No gay bars, no gay newspaper, nothing. What there was was a bit sleazy, I suspect. One of the reasons I became an actor was that you could meet gay people. Even then everything was difficult. When you went to America they asked, “Are you now, or have you ever been, homosexual?” I lied on the form. It was a different world.’

I want to talk about Vicious for a bit, the ITV britcom in which Derek Jacobi and Ian McKellen play an aging gay couple, (respectively) a homemaker, Stuart Bixby, and an actor, Freddie Thornhill, for fourteen episodes.

Freddie (McKellen) tells Stuart (Jacobi) about a part he's hoping to get.

I had to add these for the Broadchurch reference.

It's a law that British actors of a certain age play this part.

I couldn't find one with Michael Sheen and the skull, but here he is in the role.

McKellen did the part again at 81 in an age-blind production.

Jacobi's big breakout was the titular role in I, Claudius on the BBC in 1976.

In the '90s, Jacobi played amateur sleuth and 12th century monk, Brother Cadfael on the ITV series.

I had watched some of Vicious before, but, spurred on by Jacobi's reappearance on Good Omens, looked for it again and watched both seasons a couple of weeks ago. Because I love a good fancast and Jacobi and Sheen (at least as Aziraphale) remind me a little of each other, I couldn't help but think that Jacobi and McKellen in their youth could have played a version of Aziraphale and Crowley. (There have been a couple of posts noting this about Jacobi, and that he might have been up for the part if it had been done soon after the book came out.)

Jacobi, left, and McKellen, right (obviously).

I also think that Tennant and Sheen could have pulled off playing Freddie and Stuart in a flashback.

An even younger version of Freddie and Stuart does appear in the series, however, played by Luke Treadaway and Samuel Barnett.

Also good casting! They do a great job playing McKellen and Jacobi playing Freddie and Stuart.

Shoutout to this post by @ember-knights, that suggested Good Omens fans should check out Vicious for a glimpse of what life in the South Downs cottage might be. And also to other posts mentioning Vicious and Good Omens in the same breath, as well as comparing Sheen and Tennant to Jacobi and McKellen (which I probably reblogged but can't find right now).

Cast of Vicious: Frances de la Tour, Iwan Rheon, Philip Voss, Ian McKellen, Derek Jacobi, Marcia Warren (Wikipedia). (Yes, the upstairs neighbor (Rheon) does go on to play Ramsay Bolton on Game of Thrones. He's a sweetheart in this, though.)

Now, I don't think Crowley and Aziraphale are the same as Freddie and Stuart, by any means. Freddie and Stuart say quite cruel things to each other. The characters become deeper in the second season; it’s a little sweeter than the first. I enjoy the bitterness of the first season too, though. It is funny, and Good Omens fans may enjoy watching it if only to see Derek Jacobi (who plays the Metatron) in a comedy role and a role that's sympathetic, especially if they are not familiar with his large and impressive body of work.

I don't think Aziraphale and Crowley's life in the bookshop as a couple, not just a group of two, or life on the South Downs, would be exactly like this, but there are somehow some similarities that I don't even know how to begin to pinpoint or explicate.

Crowley and Aziraphale’s affection is always so palpable and that’s not always clear with Freddie and Stuart. Crowley and Aziraphale are so loving that, even when they're bickering, it's joyful, even when they're arguing, even when they're coming apart (temporarily) at the seams, their love is undeniable. I don’t even think their breakup was toxic; although they were desperate at that point and hurt each other badly, it wasn't what they wanted. Sometimes it's that way.

And, lest I'm putting you off Vicious here, the Ineffable Husbands are a high bar as love stories go, but you will get to see some love and affection between Freddie and Stuart too, and I'd really love to see these actors work together more. (I am happy with how the show ends up, by the way.)

Toodle-loo! Hope everything is tickety-boo with you.

#Good Omens spoilers #Good Omens #Good Omens viewpoints #Derek Jacobi #Ian McKellen #Vicious #Derek Jacobi appreciation post #***Good Omens #tickety boo

[kaylinelizabeth4004]

Heaven is Here

SYNOPSIS: Through many fleeting moments throughout history with a strange woman, Aziraphale and Crowley learn they accidentally trapped a human soul to Earth, stuck to reincarnate forever.

TAGS: Aziraphale x Crowley x Reader, fluff, slight angst, soulmate au (on accident), history, historical settings, no beta we die like men

WORD COUNT : 12,253

A/N: This fic is kind of accidental. I’ve always been more about Aziraphale/Crowley in this fandom than any reader insert, but one day I happened upon a Tumblr fanfic and had an idea. This probably won’t be a regular thing - except I am planning a sequel to this exact fic - but I thought why not. Im still more Aziraphale/Crowley.

55BC—————

"And you love this?" Crowley asked, holding the seafood up to the light as though it would reveal to Aziraphale all the disgusting little details.

"It's delightful!" Aziraphale insisted, showing Crowley how to eat the oyster. "Try it, dearest. You might just enjoy it."

Crowley pursed his lips, not wanting to put whatever the hell this was in his mouth. But Aziraphale was looking at him with those eyes. He didn't know how describe them, and he didn't want to analyze how they made his heart hurt inside his vessel's chest. So he closed his eyes and ate the damned thing.

He put a hand over his mouth to stop the gagging. This Angel's taste was not quite normal if this is what he considered fine dining. He tried to smile politely, to not let him know that it was utter horseshit.

"You don't like it," Aziraphale said with a rather disappointed voice.

"N-No, I don't," Crowley said, and he didn't know why but he was sad to disappoint the angel. He was just trying to be kind after all, it wasn't as though he had properly sinned. But why would a demon feel bad for an angel? That went against his lot's whole thing.

However, Crowley found a wicked part of him that liked pissing off his lot. He'd never put it in as many words however.

"Pity, they are quite delectable."

"Sure, angel," Crowley said, sipping a large mouthful of wine. They sat in companionable silence for a few minutes, eating and drinking as they'd like. Then Crowley looked up to Aziraphale's soft "ahem." He was pointing behind Crowley, and when he turned he saw what caused it.

A young woman was sat in the corner, a large glass of wine in her hands, and she was weeping to herself. It wasn't loud or particularly noticeable, if it wasn't for the tear tracks down her cheeks, glittering as they caught the light. She was looking at her lap and sipping the wine, balking at the taste yet coming back for more.

"She looks happy," Crowley said.

"She looks sad! You demons need to learn the proper emotions."

Crowley stared at Aziraphale for a moment, wondering if he was joking. Upon realizing that Aziraphale was, in fact, not joking Crowley said, "that was sarcasm, Angel."

"What was sarcasm?"

"My comment, 'she looks happy.' Of course she doesn't look happy that's why I said it."

Aziraphale furrowed his brows, "but your words meant the opposite of what you said."

"Exactly," Crowley said. And with a flourish he added, "it's called sarcasm."

"But why say something you don't mean? Isn't that lying?" Aziraphale asked, in all sincerity.

Crowley thought it over, "s'pose it could be seen that way. Most people view it as ironic."

"Oh, yes, of course." Aziraphale took an anxious sip of wine, looking back towards the girl.

"Angel..."

"Yes?" He was avoiding eye contact

"You don't know what ironic means, do you?"

Aziraphale pouted, "no I don't and I quite detest that you do."

"Ironic literally means saying the opposite of what you mean for some sort of point. Mine being that she looks downright miserable."

"Even though you said she looks happy." Aziraphale said slowly as he tracked that line of logic through his head.

"Right, even though I said she looks happy."

"And that's ironic?"

"Don't ya think?" Crowley said with a wide smile, his teeth appearing almost like he had pointed fangs.

"Why yes I do think-"

"Angel, that was irony."

"Oh." Aziraphale blinked rapidly a few times then sipped his wine, embarrassed he didn't know something that Crowley did know. He thought he was the knowledgeable of the two. "Well, sarcasm or not, we should help her."

"We?"

"Why - yes, we're both here and we see -"

"I don't help people," Crowley said quickly, his voice deep and harsh. "I'm a demon, I do the opposite of help."

"Well, yes but-"

"There are no buts with this. My lot were created to ruin your lots pickings. I pillage and plunder, that's my job." Crowley said this firmly as though it would make his point clearer. The more intense he was, the more his words seemed to slur together a bit.

Aziraphale paused for a moment, and Crowley wondered if he was about argue his point once more. "Isn't the phrase rape, pillage and plunder?"

"I don't do that. I'm not a monster," Crowley balked. He finished his wine and set the glass down. Throwing some money on the table he said, "sorry Angel. Got a priest to tempt. Catch you later."

"Oh, goodbye." Aziraphale said as Crowley ambled off through the restaurants doors. But despite himself, Aziraphale found himself smiling. Crowley wasn't truly all bad, even if he thought himself it. His gaze at the doors quickly moved over to the pretty girl weeping. She was still crying and her glass was a lot emptied.

Aziraphale got up, straightened his toga, and walked over to the girl. "Oh, um, hello. I'm -" oh shoot, he hadn't thought of this part yet. He had to quickly think of a name. Instantly his eyes shot up to the art above her, a fleece. Aha! "Jason. My name is Jason. Pardon the intrusion, but I couldn't help but notice you're upset."

She sniffled, setting the glass down on the table. Aziraphale was struck by her face, now that he could see it not turned down and hidden. She was pretty. She eyed him warily, "Yeah, what's it to you?"

Aziraphale sat down on the chair opposite her, "I wondered if I might be able to help."

She laughed bitterly, "only if you can stop the Emperor." Aziraphale's eyebrows raised at that and she rushed to cover for herself, "oh no, I didn't mean that. All Hail the Caesar and what not. He's doing a mighty fine job."

"It's certainly not a 'mighty fine job' if he's got you crying as such."

"No, I s'pose not."

"What can I do for you?"

"Nothing," she said honestly, wiping the tears away quickly. "Honestly, Jason, I appreciate the thought but what's done is done. You can't change the past."

Aziraphale made a face in slight disagreement, though he knew he couldn't explain that to a human female. "Then perhaps telling someone will make you feel better. I harbor no connection with the Emperor, your opinions are quite safe with me."

She stared up at him after he said this, looking him truly in the eyes as though they told her all she needed to know. Then she did speak. "It's this invasion on Britain. My father and brother were both sent off and I worry. I've heard horrible things about the natives, truly barbaric things like removing of one's head. I don't want them to be hurt. Especially my brother, he's so sweet. He could get hurt by the army rather the natives."

"Hurt by his own army?"

"He doesn't stand up for himself. And that lot can be harsh. I s'pose I shouldn't blame them, I'd be harsh too if I had to kill people in battle. But I worry they will pick on him, push him 'round to try and get him to fight, and he won't."

"Ah, I see," Aziraphale said, rolling his tongue in his mouth as he thought it over. "Well, I can assure you one thing. The natives are not unnecessarily cruel. They do fight, but only when they need to. You couldn't expect anything less, dear."

She nodded, biting her lip. "No, you're correct. I'd defend my country against invaders as well."

"But they won't torture. Your brother will be quite alright, I'm sure of it."

After a minute of silence she looked up again at Aziraphale, "Thank you, Jason. Strangely enough, that makes me feel better. Knowing it wouldn't be torture."

"No, it wouldn't be."

"I really should be going, my daughter will be expecting me."

"Right, of course. Blessings on you, my dear." And though he'd already said the blessing, he felt compelled to say it again. To strengthen it for this poor soul. "Blessings on you forever."

Aziraphale helped her out of her seat. Just then, for an imperceivable second, Aziraphale thought he saw a golden shine cross her eyes. He didn't think much of it, figured it was the miracle. He'd never seen that happen, but he wasn't often looking in their eyes.

She took his hand, kissed the back of it, and thanked him again before walking out. Aziraphale smiled contentedly, though he felt a pull in his heart he hadn't felt before. Urging him to follow her, but he figured it was some sort of indigestion.

Crowley was sprawled on a bench not far from the restaurant, glancing up at a night time sky he couldn't see. He wanted to see it, but he gave up on that dream 2,000 years ago. The Fall took many things, and his eyesight was one of them. He could still see in general, he knew what people's faces looked like and where he was going. But specifics were lost on him, and the night looked like eternal darkness rather than the sparkling stars and planets he'd been told about.

"I helped create some of those," he mumbled to himself.

Then he closed his eyes, needing to not look at what he couldn't see. It still hurt, as though the wound wasn't thousands of years old. But it never properly healed in the first place.

He felt a weight against his foot and heard a thud within a matter of seconds, and he blinked in surprise. At his feet, a young woman was crumpled to the ground. His foot was sticking out in the pathway. Whoops.

He thought about rising to help her, then thought better of it. Beelzebub didn't need another reason to hate him. So he sat still and watched the woman get onto her hands and knees, glaring at him.

"Not going to help are you?"

"No, I think I'm keen to just watch," Crowley responded. She rolled her eyes, getting onto her feet and dusting off her toga. He examined her quickly, not knowing what to make of her. Then, she said something entirely unexpected.

"Keep your foot out of the way, asshole."

It wasn't a particularly inspired remark, nothing witty or threatening. But it was the fact that a random woman said that to him, a demon, without prompting. And with that remark, she walked away.

"Damnation on you eternally," Crowley murmured, waving his hand in a flourish towards the woman. He doesn't know why he said it, he's never really said it like that before and he certainly didn't why he even added the 'eternally' bit. But whatever the reason, he said it.

Though he knew she was too far away to hear him, she turned and looked back. And found a brief moment, maybe it was the trick of the light, he saw a golden shine pass over her eyes. She smirked shyly, then turned and walked away. And with each step, Crowley felt his heart pulse in a way he hadn't felt before.

1377—————

There was complete silence in the cathedral as a young boy, only aged 10 and dressed in trousers, walked through the crowd towards the priest. They seemed to hold their breaths as he lay on the floor before God, surrendering himself to Her mercy. Aziraphale watched the coronation. He had mixed feelings about the child, Richard. He wasn't a particular fan of the whole 'king' concept, but he thought the honoring to God bit was a nice touch. He wore simple enough clothes to note stand out, yet nice to enough to be recognized as a noble. His layers were in varying degrees of beige as he hid in the very middle of the crowd.

After the 10 minutes on the floor, Richard rose and made his way to the priest where he was being dressed in oil.

"Bit like a salad, eh?" A sultry, baritone voice said from beside Aziraphale, making him shudder. When he looked, it was Crowley. Dressed in similarly simple noble clothes, of course in tones of black and red, he watched the young king as different body parts were coated in oil for different purposes.

"Crowley? How did you get in here? It's a church?" Aziraphale said in a hushed whisper, earning glares from the people beside him. "Sorry Lord Wellington."

"Churches are built by humans."

"And what does that have to do with anything? You're still a demon in a place of worship for God," he said the word 'demon' especially softly for fear someone would turn in a panic at the word 'demon' being said in a cathedral.

"Yeah but it wasn't made by God. It was made for Her, by humans. Totally human structure."

"It is not."

Crowley shrugged his shoulders, "you got a better reason I can come and go in these?"

Aziraphale pursed his lips, "I suppose not."

A loud smack echoed through the church and Crowley frowned, "you made me miss the slap, Angel."

"That is your concern?"

Crowley shook his head in frustration, "He's a bloody king now, last time he coulda gotten hit and it's by a priest. S'course I wanted to see it."

"He's a child."

"Not anymore. He's got too much to think about now to be a child."

"No," Aziraphale wondered. "I suppose he's not longer a child at all. You know, dearest, you really do have the grandest thoughts when you think about it."

"Shut up," Crowley replied, his cheeks turning rosy at the compliment.

Within seconds of him saying it, the priest placed the crown on top of boy's head and declared loudly, "Long Live King Richard II!"

The crowd burst into applause as the young king was carried through the cathedral. They whooped and hollered, crying "all hail" and "god save the king" as he passed them by. The boy looked cheerful, pink cheeks and bright curls waving underneath a crown that looked awful heavy for a boy his age. But no, Aziraphale thought, perhaps this was the end of his childhood after all.

"Are you attending the feast afterwards? I hear they will serve beef, and I haven't have beef in decades!"

"Ahh, well I don't know, Angel."

Aziraphale smiled, leaning in as though he was sharing a conspiratorial secret, "I hear there are miraculously two spots for a Lord Fell and Mr Fell, if you are so inclined."

Crowley's eyebrows shot up, eyes hidden beneath his favorite pair of sunglasses, "oh you devil!"

Aziraphale's smile dropped, "don't you say that."

There was a pause as Aziraphale processed the hurtful words, and Crowley processed that he actually cared to make it right to him. Then all at once, they both started speaking on the issue, words overlapping in a frightful mess.

Crowley sighed, "Right I'm sorry -"

"- that really hurts -"

"- I know, I know -"

"- I mean, I am most certainly not fallen -"

"-we had this conversation in 1066 -"

" - I did not appreciate that."

" -I know, Angel. I'm sorry."

After that final note, Aziraphale nodded. "Alright, well. Thank you."

They started to walk together towards the banquet hall not far from there, waiting to indulge in fine wines and beef. There was a large parade towards it, all the nobles and even those fortunate peasants engaged in laughing and singing. Jesters performed stupid dances in their funny hats, knights marched in perfect unison, and songs came pouring from every lute and voice in the area. It was a perfect celebration of a new king, all on their way to fall victim to gluttony, drunkenness, lust, greed and infinitely more temptations.

All things that should fill Crowley's heart with a miserable sort of glee. And yet... he felt off. Crowley couldn't explain the feeling in his chest, almost like a nagging telling him things weren't right. But all this temptation, he thought. This ought to be perfect! But it wasn't, and he had a feeling before he even glanced at his Angel that it was because of him.

Sure enough, he was right. Though Aziraphale hadn't said anything, being kind enough to accept Crowley's words at face value and dropping it, but Crowley knew him well enough to know something was wrong. He hadn't made it up to him.

"Angel, a word -" Crowley said, grabbing Aziraphale's elbow and leading him away from the crowd. As he did so, he missed the way Aziraphale's mouth dropped open, blue eyes fixated on the contact. They'd rarely touched before.

"Yes, Crowley?" Aziraphale asked politely but his tone was full of too much passive aggression to really be polite. He stood stock still, arms poised in front of him and looked expectedly at Crowley.

"I- I, I need to..." Satan this was hard. The words felt like glue in Crowley's mouth but he did his best to force them out. "I need to, to s'make it up to you."

"Pardon?"

Oh damn Aziraphale, making Crowley actually communicate. "What I said, I was wrong. You were right. It wasn't right of me and I need to make it because my apology isn't enough."

"I never said that."

"Ah, yeah, you never said it. But you's do this thing with your face when you's upset. And my words aren't getting there. Just tell me what I can do to make it up to you."

They waited a moment, staring at one another. Suddenly, a large crash came from parade and the two looked over in surprise. The musicians were playing a long, one very eager man slamming the cymbals that caused such a loud sound. Behind them another jester bobbled along a delicate little dance, flourishing his arms on either side before turning and doing a bow.

Crowley saw Aziraphale's eyebrows raise, the corner of his cute little mouth twitch up and a finger pointed towards the little dance. He ran to stop it, saying, "no, no, no, I'm not doing that."

"Come now-"

"A dance? You want an 'I was wrong, You were right dance'? You can't be serious, Angel."

"I am serious, you wily serpent. Now do the little dance or I'll never forgive you," Aziraphale said in mock frustration, puffing out his chest.

Crowley saw before him a choice, between what his lot were bound to and Aziraphale. And without a second thought, he chose Aziraphale. He would choose Aziraphale every time, he just didn't know it yet. And so, despite all the humiliation he knew this would cause him if the bosses down under ever found out, Crowley did the little dance.

Aziraphale watched, eyebrows raised in shock. He hadn't thought Crowley would do it. Certainly not for him. But as Crowley bowed, enunciating his t's with a flourish, he couldn't help but smile.

"Very nice."

"Are we good, now?"

Aziraphale beamed, "quite right, dearest. We are quite right."

Crowley let out a breath, adjusting his glasses as though they would hide that dance from history's books. "Well then, let's get a move on."

The pair followed the parade into the banquet hall, and continued with the affair. Aziraphale literally wiggled in his seat when the food was placed before him, so excited he couldn't sit still. Crowley drank the wine, actually quite good for English wine.

Then the dancing started. King Richard - now Richard II - climbed on top of the table and proclaimed everyone to dance. And so, the nobles in their fancy gowns, drunk and laughing to no end, jumped from their seats to join in the dance. Aziraphale sat still for a moment, not knowing what he should do. Angels don't dance, not really. But this Angel longed to dance.

Crowley saw the way his fingers tapped along the table to the beat. He groaned, getting up from his seat.

"S'alright Angel, up up."

"Pardon -"

"You heard what I said. Come on Angel, let's dance."

Aziraphale giggled and got up, following Crowley into the chaos of swirling dresses and flirtatious looks between anyone and everyone. Almost immediately they were separated, swung by different partners.

Crowley danced with an older woman who squeezed his buttocks when she thought he wasn't looking. He wasn't fond of dancing, not the way Aziraphale was, but he enjoyed the freedom of it all. There were no rules, not really. Yes some people liked the structured ones where you pose and turn on every 3rd beat or what not. But in dancing there was an air of just living - being truly alive. That's what it was all about, it's all anyone yearned to feel.

In the next turn to switch partners, time seemed to slow for Crowley. He saw her, flitting between the people to slide her arm into Crowley's and continue the dance. She was pretty in an unconventional way. A way society might not call beautiful, but made Crowley stop and stare. He was pulled towards her, as though he couldn't control it. She was the center of his focus and he wanted nothing more than to meet her. Then, she turned that pretty gaze on him. Her lips quirked into a smile, hands warm and soft as they held his tightly. Her skin was flushed from the dance, and her dress swung around her in bright, dashing colors. The last dance had ended and all the people were gasping for air yet still ready to dive into the next.

"Hello," she said softly, though somehow he heard her voice over the crowd.

"Hello," Crowley answered back, not sure what to do. He'd never been in this position before.

"A dance?" She asked, taking a deep bow before holding her hand out. Palm up. She wore one, golden signet ring.

"I'd love to," Crowley answered honestly, taking her hand and pulling her into him.

She giggled happily, throwing an arm around his neck as he led the pair towards the center of the dance floor. He started to laugh along with her. Their dancing wasn't particularly good, both of them knew that, but they were having fun. She would twirl away only to twirl back into him awkwardly, laughing so hard she snorted which only caused a barking laughter from Crowley. They continued forward, holding each other close until the final pull drew them chest to chest. She was shorter than he, and she glanced up through dark lashes.

"Hi," she murmured, her breath hitting Crowley's face. She smelled of wine and temptation. He looked into her eyes and there it was - that one moment in history he thought was a fluke.

It had been 1,432 years, not like he was counting, but he didn't forget the way the golden band seemed to fleet over her eyes back in 55BC. And now, he saw that same golden shine slide over the same pair of eyes. It was just a second and yet it made Crowley's mouth drop. She saw it too, but for different reasons. He watched as she looked at his lips, he could tell what she was thinking.

She went to lean in, breasts pressed against his chest and breath hot, but was ripped away by the next dance. She giggled wildly as she was pulled into a circle, but found herself glancing over her shoulder to stare at the handsome stranger she almost kissed.

As Crowley stood in the middle of the floor, mystified, Aziraphale went over to his table to get a drink. All this dancing was positively amazing, but it certainly drained one of their energy.

As he brought the cup to his lips, a body crashed into his, sending the crimson liquid all over his clothes.

"Oh, bugger," he said, setting the cup down to assess the damage.

"I am so sorry, sir!" A girl said, breathless as she ran over. "That was entirely my fault. Please, let me help you clean it. I'm sure there's a tub not far."

Aziraphale smiled politely and went to decline the kind offer, but when he looked into her eyes he found himself agreeing to go with her. She lit up with excitement, grabbing his hand and pulling him away. There was something about her, something he couldn't explain. But he was in awe of her movements and eager to learn more about her.

She turned into an empty hall near a bathroom. She had him wait here while she collected a basin of water and grease.

"I can't promise it will fully work," she said as she set it down, "but I'll do my best. I really am so sorry, sir. I would have never ruined your clothes intentionally."

"It's quite alright. They weren't my favorite anyway," he said as he removed the outer layer. His multiple layers undergarments were fine, and could suffer slight staining. It was the outer garment that changed the most.

She shook her head as she dunked it in the basin, "you can't mean that, sir."

"I find that I quite do," he said, watching her with a quite awe.

"What's your name, sir? I feel I've seen you before," she said, suddenly watching him with the same astute attention. She kept narrowing her eyes as though she'd remember.

Maybe it was the stain, the wine, the party, the demon nearby, or maybe it was just this woman that did it to him but without realizing, he answered honestly, "Aziraphale."

Her eyes lit up, "like the Angel?"

"Precisely, my dear."

"That's a beautiful name. Aziraphale, Aziraphale... can you believe it?" She mumbled the last bit to herself, rubbing liberal amounts of grease into the fabric.

"Do you have a connection to the name? Or the Angel, perhaps?" Aziraphale asked curiously, wanting to hear more about her.

"I do, strangely enough. It's a silly connection..." she said, absentmindedly turning the signet ring over and over on her hand.

"I rather find that when it comes to angels and demons, nothing is silly." Aziraphale chose to neglect some of the more strange decisions the staff had made.

"I, well, oh goodness it sounds all made up. Well, I was in the shops the other day. My friend makes jewelry and he's very good. I came by and he said a man dropped off this gold signet ring with the name Aziraphale burned into it. Said he didn't know what to do with it, not many people knows the Angel, and he gave it to me." She took the ring off her finger, staring at it with an admiration before holding it out to him. "It's your name. You should have it."

"Oh I couldn't possibly take from you, dear."

She shook her head, "no it's not taking. It's a gift. It's fate, that I should have a ring for an Aziraphale just before meeting one of my very own."

"Oh dear, I couldn't -"

She interrupted him by pressing a soft kiss to the ring, taking his hand and sliding it onto his pinky finger. When she looked up, still holding his hand, Aziraphale's jaw dropped. That golden shine. Where had he seen that before? It was brief, flashing over a pair of kind eyes, but it was there all the same.

"Please accept this, Aziraphale."

"I - I will. Thank you, my dear."

Neither Crowley nor Aziraphale saw her after that night. They didn't know her name, her status, or even really remember her outfit. If Cinderella was around, she would have been the prime candidate for it. Neither told each other about their experience with a strange woman until 150 years later as they talked about Henry VIII's decision to have Anne Boleyn beheaded. Nasty business that was.

1601—————

"He's really quite good," Aziraphale said, watching fondly as the actor of Hamlet lamented about life and death. It really was moving the way he toyed between truly living a life, or if death was not truly what life was about.

Aziraphale found himself doing that 'excited sigh' that Crowley described. He found it an odd way of saying his behaviors, but Crowley insisted that when Aziraphale was excited it wasn't a 'satisfied sigh' but an 'excited sigh.' To be fair, he'd said this after 2 whole bottles of wine and a shot of pure vodka, so Aziraphale couldn't grant its true authenticity. A drunk demon would truly say anything just to illicit a reaction.

The speech made him wonder what it was like to be a human, with no certainty about what happens with their souls. They don't have a guarantee about life, or death, and yet are expected to do as they are told with no questions. Crowley knew what it was like to ask questions, and it lead to scars even Aziraphale didn't know about.

"Ngk, s'pose so." Crowley grumbled, watching as the man stamped his foot on the stage. "Bit dramatic, no?"

"It'd a tragedy!" Aziraphale countered, furrowing his brows in surprise.

"Eh, I still prefer the funny ones."

Aziraphale shook his head, turning to watch the man on the stage. A flash of purple fabric caught his eye, and his gaze traveled to see a young woman peaking out from behind the railing. She was trying to stay hidden, but Aziraphale could see that she just couldn't resist the temptation to watch the rehearsal. Her eyes were bright and wide, soaking in the sight. Her clothes were dirty and well worn, a few sizes too big and the hem covered in a layer of mud. But despite it all, she looked entirely unique.

She was pretty, and Aziraphale didn't often feel as though many humans were pretty. He appreciated the art of humanity, and believed each human was their own work of art. But he didn't feel a pull to any of them, but her... she had an attraction to her. He could see her lean too far over the edge, as though the stage were dragging her in. It wasn't just a love and an admiration, it was an addiction. Aziraphale could see what was going to happen moments before it did, but it was too late. The girl tumbled over the edge and fell onto the floor of the Globe, catching the attention of everybody in the rehearsal space.

Her cheeks immediately blotted pink, covering her face in a rosy hue as the stage manager came to her with a snarl, "oi, who're you?"

"I-I-"

"You's not supposed to be 'ere," he said, grabbing her roughly by the arm and dragging her to her feet. She stumbled along as he pulled her to the entrance. "Out with you."

"Mary? Whatcha doin here?" Crowley called out, sauntering over to the man and the girl. The man stopped, looking at Crowley with a skeptical gaze. The girl's eyes widened, bright and eager, as she realized what Crowley was doing and she nodded vigorously.

"Yes, sir, I came to fetch you! Mistress Paulson requested you." She said quickly, trying to stand on her own despite the stage manager's tight grasp.

The man cocked an eyebrow, "oh yeah? You know's him?"

"Know me? Know me?" Crowley sauntered over with a cackle, "me's and Mary goes way back."

She nodded, ripping her arm from the man's grasp then standing politely. "Oh yes, Mr..."

"Oh don't bother with all the Mr Crowley Miss whatever business, just call me Anthony like any other bloke."

"Anthony has helped my sister much. He's an excellent doctor," she said, standing firm. Aziraphale watched her in awe, he was impressed. She picked up that Crowley was saving her quickly, easing into the lie with an expert comfort. She seemed familiar, as though they'd met her before. And most importantly, she was intelligent.

"Doctor? You didn't mention that about your friend," the man said to Aziraphale, his enunciation so poor he practically spat the words at Aziraphale's feet.

Aziraphale flashed a charming smile, "I hadn't realized that those particular skills would, uh, come up in a theatre of this, err,... caliber."

"I haven't the pleasure of meeting you, sir." The girl piped up, her smile was warm and gentle. But he could see in her eyes a tension, wanting to convince this man to not throw her out or worse - press charges. "My's names Mary Edwins. Friend of Mr Crowley."

Mary Edwins, clearly a fake name. Just basic enough to be believable, but enough slight hesitation that Aziraphale knew she was lying. She gave a little curtesy, spreading the oversized purple skirt over the floor. It really was too large, but she still looked charming. Aziraphale felt as though he'd seen that curtesy before. There it was, fast you could have blamed the lighting, Aziraphale knew better. There that same golden shine came over her eyes, if just for a moment. His mouth fell open in a little 'o,' unable to speak for a while 10 seconds before stuttering out, "oh, h-hello Miss Edwins, I'm Mr Fell."

The stage manager thought on it for a moment, before deciding that he wasn't paid enough to care. It was hours away from opening night, after all, and the little boy playing Ophelia needed alterations in his costume.

"Alright then," he said, walking back towards the director, a Mr William Shakespeare.

The girl was still a few feet away as Crowley walked dramatically back towards Aziraphale. The Angel tried to ignore it. He hadn't mentioned that part of it with Crowley, and he didn't know how to continue. Crowley mistook Aziraphale's expression as one of angelic smugness and rose a finger, "shut it, Angel."

"That was a good thing you did," he said with a little smile. He pushed it to the back of his mind, something to worry about when it was late and the city was asleep.

"Twasn't good, no. I was, real, I - I - I was bad. I let a criminal get away."

Aziraphale patted Crowley's shoulder, "no, dearest. You let a woman enjoy her passion. Look at her, you've saved her."

The pair glanced over at her as she tried, and failed, to subtly watch the actors get ready for their next scene. Her hand was on her heart, as though if she didn't put it there her heart would pop right out.

"Ehhh, that's not saving. Not really."

"Oh, it's not? Then what would you say is a human's purpose?" Aziraphale asked with a soft voice.

"I thought that's your job, Angel. Praising God and what not."

Aziraphale pursed his lips, looking away from Crowley. "You know as well as I that love of God is not all humans were made for. I am of the firm opinion they are here for their passions. They survive by it. They might be able to live with food and water alone, but no soul could truly exist without their drive. And this woman, her passion is theatre."

"Rather blasphemous words from an Angel."

"Rather kind actions from a demon."

Aziraphale smiled, looking towards the stage. Crowley tried to hide the blush on his ears and cheeks. It was always his ears that turned bright red from, from, well he didn't quite know from what. But he felt the heat and looked away. He looked at the girl, who perked your once she realized he saw her. She went over shyly.

Despite her apprehension, she raised her voice enough to say, "thank you for your help, Mr Crowley and Mr Fell."

"Mmm," was Crowley reply, gazing around the globe with a distinguished air about him. As if he was the most important person in the room. He tried to ignore her presence. She had a pull to her and he couldn't explain it, didn't want to address it. He already had the issue of a certain Angel who wouldn't leave his mind.

"Who are we to stop the love of the arts?" Aziraphale said, rather eccentrically. "Though you could have waited a few hours to see the whole show."

"I can't afford it," she said quietly, staring at her feet. Aziraphale noted her sweet little boots, their pointed ends digging into the dirt out of anxiety. "My mistress only gave me the morning. I need to be back in an hour."

Crowley and Aziraphale shot a glance with one another, not quite knowing how to respond. They stood in silence, the girl's eyes wide as she drank in Ophelia's mad lullabies.

"What's your name?"

"Mary Edwins."

Crowley smiled, "nice try, love. Your real name."

She cocked an eyebrow, glancing up at first at Crowley, then at Aziraphale, before looking back at her reflection in his sunglasses. "Why do you want to know?"

"We did help you, dear. We'd just love to know you, but if you cannot tell us, we won't rush you."

"Are you two a couple?" She asked quickly, pointing at the two and waving her hands in some strange, gesture of coupling. Her choice of question was so drastic, they didn't bother to notice the intentional diversion in topics.

Aziraphale looked up, mouth dropping in a little 'o' and he looked at Crowley. Crowley lifted a brow. Aziraphale answered, "We've known each other for a long time."

"That doesn't answer my question, Mr Fell."

"Aren't you a sly one, Miss Edwins." Crowley sneered, his top lip recoiling.

She just smiled, shrugging her shoulders with a little giggle. "Suppose so, Mr Crowley."

The golden shine. Crowley sucked in a harsh breath as she turned to look back at the stage. He could practically hear all his thoughts as they raced through his head, and he was unable to settle on just one. Those eyes. He hadn't seen them in years and yet this was the third woman who just happened to flirt with him, and had a gold shine go across her eyes. He reckoned she didn't know it happened, she probably didn't know what those little eyes could do to an immortal creature. Crowley swallowed, praying she never had to.

Then, the show continued and 'Mary's' eyes seemed transfixed. Aziraphale loved the theatre, Crowley enjoyed it, but 'Mary' adored it.

Crowley watched her eagerly, partly out of curiosity and partly because he liked feeling her passion in his soul as though it was her own. He found himself attracted to it, a drag of one's purpose. The passion filled her up, and she seemed to want to lean into it. She gasped as Hamlet killed his mother, she listened with eager ears as he instructed the actors on how they were to act, she cried as it seemed that everyone fell to the floor in a miserable death. Then, it was over. Actors stumbled to their feet, laughing as though they weren't stabbed with poisoned rapiers. The story was over, but 'Mary' seemed to be in a daze. Crowley watched with shrewd, yet eager eyes as she came out of it.

Then she straightened her back, smiling tightly to both of them. "Mr Fell, Mr Crowley, thank you for letting me stay. It has been such a gift. I'm afraid I must go."

"Let us escort you home," Aziraphale said, without realizing what he was offering.

She blinked wide eyes, "there's no need, sir. It's two blocks away."

Crowley lifted his chin, "love, we'd like to see you off safe."

"If you insist. Though I must tell you it's entirely through the city. Eyes will be on you at all times," she said it as a threat, a reminder to not do anything unsavory. Crowley almost frowned at that little bit of false hope. If they actually had bad intentions, a crowd wouldn't stop anything. She wasn't truly safe. But both Crowley and Aziraphale nodded, as though they truly headed her warning.

"Was that your first Shakespeare production?" Aziraphale asked, making polite conversation as he walked on one side of her, Crowley on the other.

"Oh, no. I do my best to attend all of them. I tend to prefer the funny ones, but the crowds can be a bit much for me."

"Eh? What'd you mean by that?" Crowley asked.

She blushed, "I don't like when crowds get very loud. They tend to jeer and toss things at the actors. It doesn't feel safe for anyone. I do enjoy his dramas though."

They walked in companionable silence for a moment before she asked the next question, "what do you two do? If I may, you're dressed rather odd."

"Odd?" Crowley asked with a frown, gazing down at his outfit. He was quite proud of this outfit. The ruff was amazing, really helped one feel confident.

'Mary' giggled. "I don't dislike your outfits, you just don't see these colors often."

Aziraphale and Crowley exchanged a glance, shifting in their outfits. Perhaps they do cling to their colors a bit much. But Aziraphale never felt it was a problem, he was proud of his wardrobe.

"I make my own clothes," Aziraphale said with a smile.

'Mary' lightened up, her eyes taking on a bright, sparkling quality before she actually smiled, a little tell that Aziraphale noticed. He'd seen that before, but couldn't place it. "That is quite wonderful, Mr Fell. I'd love to make my own, however I mostly sew for my mistress."

"You make her clothes?"

"Oh no, I tend to mend them."

The conversation lulled again, and Crowley bit his lip as he thought before asking the question that has been on his tongue since the play ended, "why do you love theatre so much?"

Her chest flared, her eyes wide and sparkling, and she could barely contain the words before they poured from her in excited spurts, "what's not to love? It's stories about being human wrapped up in fancy costumes and dramatic voices. It's full of stories that seem so outrageous yet we still find our way to connect. Isn't it just fascinating that you could watch a show about a man, driven mad by jealousy caused by a deceiving friend, murdering his wife and leave full of emotions? You'd think you'd be mad at the murderer, condemning him for killing his love. And yet, there's more to it than that. You can't quite hate Othello, but you can't love him either. It's so hard to explain what it is to be human, there's no word or sentence to explain it. It can be so isolating. But these stories can give us insight. I, sorry, I'm rambling," she said, taking a wistful sigh.

"Stories can be found anywhere, dear. Books, especially," Aziraphale noted. He enjoyed hearing her speak with such fire. In the back of his mind, he felt as though he could recall someone else talking about their love of stories, but he couldn't place it.

She nodded, smiling. "Yes, of course. And I adore books too. It's just... theatre is such a temporary art. Those moments on stage, or watching, could never be recreated, it could never be exactly as it was. And that's what made it so beautifully tragic. You are stuck with a slightly different story each night, with different takeaways."

"What a beautiful takeaway," Aziraphale said, watching her with a slight sort of awe.

She blushed, "I'm hardly unique in that way."

"Ngk," Crowley mumbled in disagreement, though he didn't actually say a word. Yet, she seemed to still understand what he was trying to say and blushed all the same.

As they walked, Crowley took off his sunglasses for a moment to wipe his eyes. He seemed to forget that his were unusual, yellow and with a snake like slit as a pupil.

"Are you alright?" She asked.

"M'yeah," Crowley answered, opening his eyes to look at her. After the initial realization he was seeing her without glasses, thus revealing the snake like eyes, he went to shove the sunglasses back on. But she wasn't looking unkindly at him.

Instead, she smiled widely, "they're beautiful."

"Wot?" He said in shock.

"Your eyes are beautiful, Mr Crowley." Then, as Crowley sputtered in surprise, she stopped in front of an expensive flat. "This is me mistress's. Thank you, Mr Crowley and Mr Fell."

She looked both of them in the eyes as she said their names, and with equal kindness and appreciation. Then, she turned away and scampered around towards the servants entrance. Aziraphale waited until she was inside to blow out a breath.

"She was something," Crowley said.

"Yes, she was."

"I- angel, I could be wrong on this but didn't she feel-"

"Familiar?" Aziraphale finished for Crowley, looking down the alley as though she would magically reappear.

"Yes! It's so bloody weird," Crowley said, rubbing his hand along his jaw.

"Yes, weird," Aziraphale said, enunciating weird in an odd way that made Crowley furrow his brows. The two beings tried to shrug off this encounter, heading their separate ways for the time being.

1865—————

Aziraphale stared at Crowley as though he'd never seen him before, utterly gobsmacked. "I will not provide you that, that thing! It's suicide."

"Aw not for that Angel," Crowley groaned, waving his hand nonchalantly as though he hadn't asked for the one thing that would completely kill him. "Just for, err you know, protection."

"You are a demon, Crowley. The world would need protection from you."

Crowley tried to not let that sting. He'd never said as much to Aziraphale, but these last 200 years have really brought some perspective over what it is to be a demon. He found a weird sense of discomfort over the word demon. As though he were entirely bad because of what he was, and not what he does. But he'd never say it, or tell Aziraphale he accidentally rhymed.

"It's not like that, I just want to secure myself. That's all."

Aziraphale pursed his lips and looked away, not bearing the thought that his closest acquaintance would dare to think of something like that. It was simply not going to happen, Aziraphale refused to let that happen. Crowley was going to live forever, with Aziraphale, and he was going to do so happily. He'd never tell Crowley, of course, but Aziraphale didn't know if he could manage eternity without him.

"Oi! That can't have that!" Crowley said quickly, throwing himself off the bench and facing towards a woman standing by the river.

She turned to look at the, in her view, random man dressed in mourning garb barreling towards her and shouting in a thick accent. She clutched the loaf of bread close to her chest, eyeing him warily as he continued rambling.

"Bread's not good for 'em, it can - can - can cause diseases," he said once he got close to her.

She sucked in a breath. He was taller than he'd looked from afar, and she found herself staring at him. He was also quite handsome, with tanned skin and shocking bright red hair, curled away from his face. She noticed a pair of odd looking spectacles hiding his eyes, and a tattoo peaking out beneath his sideburns.

"I'm sorry, I didn't know," she said breathlessly. She felt kind of stupid now, holding a loaf of bread as he stared at her with a passion for the ducks. A man dressed in all beige apparel came by quickly, standing by the other man's side. He looked kind, with bright blue eyes and plush pink lips she didn't even realize she'd taken note of.

"I'm terribly sorry for my friend's outburst," Aziraphale said to the woman, still looking shellshocked. "Though I'm afraid he is right, bread is not the best for them."

She looked down and stared at it. "Right, well I apologize. I hadn't been doing it long, if it's of any comfort."

Crowley grumbled but didn't say anything else, eyeing her with skepticism. After a pause where the three stood in silence, the woman tore the loaf into three sections. She then offered up a piece to each of the men, "better we eat it than them?"

Crowley and Aziraphale exchanged a glance, they hadn't expected this. Maybe it was the mood of St James's Park or the pull of this young girl, but they reached out to accept their proffered piece.

Just then a golden shine passed over her eyes. Both men's jaws dropped as they'd never shared of this particular detail of their stories, and had never experienced it together. And, for the first time, she seemed conscious of it too.

A hand went up to her cheeks just below her eyes, which had grown wide in surprise. "What was that?"

"Pardon?" Aziraphale asked in that slightly tense voice he had when he was covering up for something.

"The, my, my eyes. I was looking and then it went all - gold like."

"Oh I don't know about that," Aziraphale said.

She shook her head vehemently, pointing at the both of them. "Yours did too, and yours!"

"You saw our eyes shine gold?" Crowley asked shyly.

"Y-yes. I saw through your spectacles. The whole eye, it went gold -"

"It must have been a trick of the light, dearest. Eyes don't 'go gold.'"

She shook her head again, "no. I know what I saw. I, I think I'd better go. Thank you for the, the, the ducks."

"Wait-" "Don't go-" Aziraphale and Crowley started at the same time, but she'd already lifted her skirts so she could walk away as quickly as possible.

"She saw it this time," Crowley said, mouth open in surprise.

"This time? This time? You've had a girls eyes shine gold before?" Aziraphale asked, trying to ignore the way his heart ramped up at the news. Crowley felt it too, it wasn't all him.

"And by the sound of it, you have too."

"Yes, I have. But only thrice before, 55BC, 13-"

"-77 and 1601."

Aziraphale's blue eyes widened and he stared at Crowley in shock, "I- I, how did you know?"

"Same for me, Angel. Same for me."

"So she's connected then, to the both of us." Aziraphale said slowly, trying to work it all out in his head. Crowley nodded, pursing his lips and making a 'tsk' noise under his breath.

"She's looked different each time. I don't think she's an Angel or a demon," Crowley said, ripping off a small piece of the bread she gave him and tossing it into the water. No, it wasn't good for them but who cares at this point. They were eternally connected to something.

"No, I think you're quite right. She's something else entirely. I'll have to do some research, I'll let you know if I have anything of note."

Crowley swallows, "same 'ere."

"Okay. Well then, good afternoon to you," Aziraphale tipped his hat and wandered off back to his book shop, his head completely filled with ideas of shapeshifters and witches, all sorts of creatures.

Current Day—————

Crowley parked the Bentley outside Aziraphale's shop, the wheel a slight tap before getting out. It was cold today, and he saw dozens of people shuffling into Nina's shop for some warmth. He himself was freezing but he knew even slightly suggesting to Aziraphale would earn him some pampering, blanket tucked in, hot chocolate, and near undivided angelic attention. Normally he didn't like asking for it, but it's been a weird few years with the Armageddon't, and he could use some pampering.

He felt a pang in his chest, a strange sort of pull he didn't know what to do with. What did humans do when their hearts hurt? Then it struck him - he wasn't human. Why would his heart be hurting?

"Oi, you doing okay?" A voice said from the pavement outside Aziraphale's shop. Crowley looked up, surprised to see Nina with a bag full of ingredients.

"What're you doing out

She held up the bag with a raised brow, as though he was stupid to just suggest it, "you're alright then?"

"Yeah, yeah, I'm fine. But you haven't got other staff and the place's full."

"Oh, yeah, forgot you didn't know about that." Nina said dryly. "I hired a new barista. Name's Y/N. New to town."

There it was, that pull dragging him towards her shop. He couldn't explain, tried to rack his brain as to what would want him in there. He glanced back through the windows, trying to see if anything was amiss.

Each instance with her seemed to last for a second, barely enough to know if it was the truth or a trick of the light. But Crowley had lived long enough on enough stupid planets to know that when he saw something that wasn't typically there, it wasn't a figment of his imagination. He swallowed, trying to betray anything to Nina.

"Right. Well then, better get back to it," he said, moving past her shoving his way into Aziraphale's bookshop.

"Oh Crowley, wonderful you're here-"

"Yes, yes, I'm wonderful, you're wonderful, the world's bloody wonderful. Angel, do you remember in 1865 when we saw her in St James's Park?"

There wasn't a need to clarify who the 'her' was. Aziraphale straightened, removing his spectacles from his nose. "Yes, I do."

"And you remember when you said you'd research it and report back, but never did?"

"Yes, I do. Crowley-"

"I need that research now, Angel." Crowley said quickly, not letting Aziraphale ask more pointless questions.

"Nothing came of it, dear, that's why I'd never told you. We would have sensed if she was a witch, angel, demon, or anything other supernatural. We have those senses."

"Are you absolutely sure?"

"Crowley, what happened? What did you see?"

"She's here."

Aziraphale's eyebrows shot up and he placed a surprise hand on his chest, not quite knowing what to do with that information. "Here?!"

"In London. In the coffee shop, in Nina's coffee shop. I - I saw her. There was a golden thread between us. I know it's her, Angel. She looks different but she has every time. It's her."

"You saw a golden thread?"

"Yes."

Aziraphale put his spectacles back on, heading for one of his bookshelves towards the back of the shop, "are you absolutely sure?"

"Yes, Angel, I'm bloody positive."

"A Golden thread has never shown up before. The previous times were all the, err, the eyes. This means something." Aziraphale said, gathering the dusty book from his shelf and depositing it on his desk with a thud. "In Greek mythology the golden thread was your life line. Your life thread so to speak. Fate, destiny, the whole nine yards."

"Yes, Angel, but the Greeks were wrong and that's how we exist so what does it mean for us?" Crowley grabbed a chair and fell into it, placing a frustrated hand on his temple.

Aziraphale thumbed through pages until he found what he was looking for. He read the words, but it only helped to scrunch his brow. "This doesn't make any sense. The threads only have two colors, two avenues."

"What do the threads mean, Angel?" His tone pained in frustration. This girl was scaring him, and he couldn't explain why. As far as he knew she presented no threat to him. And yet all the same, he feared her. He wasn't a fan of the unknown. Everything had been so planned out for so long, even though he didn't like the idea of the world ending it was a plan nonetheless.

"It says here that white thread is for eternal blessings. Saints and what not. Black thread for eternal damnation. But it only exists on a human while they are alive."

"Wot? I don't see black threads on people, d'you see white threads?"

Aziraphale adjusted his spectacles, "it says here they only appear if an Angel, or in your case, dearest, a demon, specifically bless them. Or, err, curse them."

"Still, you'd think 6,000 years and I woulda seen something."

Aziraphale nodded in agreement, "I've not seen any either."

"Wait, how'd you know about all this then?" Crowley waved a hand vaguely in between Aziraphale and the book.

Aziraphale looked confused for a moment, "all this? Oh, ah, you mean how I've come to know about the threads? Well it is to my understanding that this was brought up by Michael -"

"Head honcho Michael?" Crowley asked.

"Yes, though I wouldn't use such human terms myself. Michael had thought it up around 100BC. Thought it would be a fun way of identifying humans. But the upstairs didn't fancy the idea, She dispelled it not too long after."

"Hmm... never woulda pictured that out of Michael."

"Well, they say you never really know someone." Aziraphale replied, looking back over the pages as Crowley began to ramble.

"Always thought that applied to killers. No one ever says that 'bout the good deeds, they only say it after you've hurt someone. If someone's killed a kid, everyone's all up in arms like 'you never really knew 'em.' But if someone's a paramedic no one's like 'you never really know-'"

Aziraphale felt his jaw drop open as the words at the bottom of the page finally clicked. Part of the reason Michael's plan never worked, at least according to Gabriel, was that the wording was too specific. "No one uses 'eternally' in their everyday vocabulary," he had argued. Back then Aziraphale had quite agreed with Gabriel, but everyone agreed with Gabriel if it meant shutting Michael up. But he remembered a time not long before the thread idea was vanished when he had used the word 'eternally' in conversation. He reread to be sure, then piped up over Crowley's random complaining, "C-Crowley... do you remember what you said to her in 55BC?"

Crowley's face scrunched as he tried to think all the way back. "I, uh, tripped her. On accident, then she called me an asshole and I-I damned her for eternity I think."

"Oh dear."

"What does this 'oh dear' me? Angel?" When Aziraphale didn't say anything Crowley got up, stalking over to him quickly. "What did you see?"

"I blessed her for eternity."

"So? What's that mean?"

"I-I think, and I could be very very wrong, however I think that means we've, err, we've trapped her soul in an endless strain between Heaven and Hell."

"No, no, no, no," Crowley started to say, unconsciously pacing as he tried to unravel it all in his head. "That doesn't make any sense. Her thread is gold, white and black don't make gold. It makes grey, she should be grey!"

"I think the color of her thread is far from our biggest issue, Crowley."

"So, so what? She's trapped to us?"

Aziraphale ran a hand down his face, trying to process. "I- she might be."

"But her body's changed each time. It's not the same woman."

"Ah, but her eyes. They've stayed the same. You know as well as I do they're the same."

Crowley stopped, knowing he didn't have grounds to argue. Aziraphale was right, after all. Then he groaned, rubbing his eyes. "Fucking hell-"

"Language," Aziraphale said with pursed lips.

"Wot? For the fucking or the hell part?" Crowley snapped, then upon seeing Aziraphale's dropped expression he immediately retracted. "I'm sorry. That was rude. You're not getting the stupid dance though. Angel, she's not immortal. Her soul is. She must just keep being, being reborn. But the soul from 55BC is still the same."

"That would make sense," Aziraphale said. "They do say the eyes are the window into the soul. Perhaps that explains why they remain while the rest of her can change."

"Yeah, yeah. It makes sense, don't it?"

"So we've accidentally trapped a human soul to Earth to live and die for eternity?"

"Yeah, yeah," Crowley sniffed. "Think we did, Angel."

There was a quiet pause as the two reflected on what they just realized. They, unwittingly, had created an immortal creature. She doesn't even know she's immortal, and by the past experience it sounds as if her mind is wiped with each death. But her soul lives on.

"Fuck," Aziraphale said quietly.

Crowley looked up sharply, "wot'd you say?"

"I said fuck." He repeated, with more confidence this time around.

On any normal circumstance, Crowley would laugh and cherish the moment he saw Aziraphale curse - and with fuck of all of them - but he couldn't help but think Aziraphale was right. Fuck, indeed.

"What do we do?" Crowley asked.

"We have to tell her."

"We do? Why's that? What d'ya think we're gonna say? Hi random stranger I'm a demon he's an Angel and your soul is stuck, here have a cuppa."

"Well that would be straightforward -"

"Sarcasm, Angel. You've been here for thousands of years and you still don't process sarcasm."

Aziraphale stood up and went over to Crowley, touching his shoulders so he'd look up to him. "I understand that this is difficult. This is, it's entirely unprecedented territory. But she deserves the truth." He leaned in, his voice but a whisper. "It does help that we both feel a pull to her. Once we see her, it hurts to no interact. Perhaps we can find a way to end this, to help her."

Crowley swallowed, looking away from Aziraphale's bright blue eyes. He smelled of vanilla and old books, a scent Crowley would bottle up and spray all over his stupid, cold flat if he could. Maybe this girl could help, maybe she was good. But they first needed to meet her.

"Alright. Fine. Let's go, now," Crowley said, sliding his sunglasses back on. Aziraphale nodded and retrieved his coat.

The pair walked out of the bookshop, locking up, and swiftly walked cross the street. They hesitated outside the door, neither knowing what to do. A flash of a blue apron in the window caught their attention, and then a golden thread, shining in the light, emerged and wrapped round the owners waist.

"You seeing that, Angel?"

"Y-yes, I am. It's not faded."

It didn't. It sparkled and swayed in the air, moving with the owners body as she walked around in the shop.

"On three," Aziraphale said. Crowley grumbled in agreement. "One, two ... three."

They opened the doors and were almost immediately greeted by a sweet smile and kind eyes. The same eyes they'd seen for hundreds of years. She smiled, tucked a piece of her hair behind her ear.

"Hi guys, welcome in! Feel free to take a seat wherever you like, I'll be with you in a moment."

"O-okay," Aziraphale said, his voice wispy in the confusion and whirlwind that was her. But she was entirely unaware, blissfully living in her own world that she didn't know was about to be ruined.

They sat in a far corner, away from any windows. Crowley sprawled in the seat, looking anywhere but at Aziraphale. Aziraphale sat stiff as a bored, left leg bouncing so furiously the table itself started to shake.

"Right, what can I get you lads?" She seemed to appear out of nowhere, shining golden thread wrapped round her sweet waist right where the apron was tied.

Aziraphale spoke first, not looking her in the eye but instead staring out the window. An uncharacteristically rude action on his part. "Oh, um, just a latte please. With 3 shots of vanilla."

"Ooo, yum. And for you, the one with the glasses?" She asked, her voice light.

Crowley thought for a moment. Better bite the bullet, eh? He turned, took his sunglasses off, and looked her in the eyes. "Espresso, darling."

Her eyes had a golden flash and she seemed to jump, her pad falling to the table in her shock. She looked between Aziraphale and Crowley with wide eyes, hands going to her stomach as she took deep breaths. "Aziraphale. Your name is Aziraphale," she said to him. Eyes wide. She turned to the demon. "You're Crowley."

"Yes, dear, we are."

"Why do I know that?" Her voice was shaky and yet she stayed, not angry or scared that she knew unknowable information.

Aziraphale and Crowley exchanged a glance. Crowley sighed, flicking his hand. Time around them stopped. Customers held their mugs up in the air, Nina mid pouring a cup, and a man getting ready to ask for the most ridiculous drink he could think of. All were trapped in this moment except for her, Aziraphale and Crowley.

She jumped, looking around with wide eyes, "h-how'd you do that? Why did you do that?"

"Please, take a seat dear," Aziraphale said, snapping as a plush chair appeared behind her. She tripped into it, her body language stuff and frightened.

"This is all feeling like a very strange dream, and I don't like it," she said, taking deep breaths to try and clear her mind. "Did you just stop time and if so, how the hell did you? And you just miraculously created a chair? And why do I know who the hell you are?"

"Dearest, it's not a dream, I'm afraid. You have met us before. You've met us multiple times before," Aziraphale took a breath. "I-I'm afraid we have some complicated news."

"Tell me who the hell you are!" She was getting scared, her heart fighting against her rib cage. She wanted to get up, she wanted to run away, put her hands over her ears and scream 'la la la' over and over until they left her alone. But she didn't. It wasn't a physical thing, even though these familiar strangers had put her in a terrifying position she knew they'd let her go. It was her soul that kept her trapped. "Who are you? I need to know. Who are you really?"

Aziraphale placed a warm hand on her own. His was large, soft and yet strong. She liked the feeling of his hands as he held one of hers, looking into her eyes. "My name is Aziraphale. I am an Angel of God. I was the Guardian of the East Gate at the Garden of Eden, but now I am on Earth. I perform miracles and I run a bookshop, with my dearest friend."

His eyes glanced over to the other man. He was handsome, tanned skin with fiery red hair slicked up and back over his head. Aziraphale might have called him a friend, but she wasn't stupid enough to believe that. It was more than that, maybe they didn't know it but she definitely did.

Another hand grasped hers, this one lean and long. He grasped her hand with a soft intensity she didn't know possible. "My name's Crowley. I'm a demon, you'd know me cause I was a, uh, let's call me a reptile."

She blinked rapidly, "you were the snake that tempted Eve?"

"Wow, she's a quick one," Crowley smiled widely.

"Wasn't he cursed to only use his belly?"

Crowley rolled his eyes, "it's complicated."

"You, both, are not human. You're an Angel and you're a demon. So Christianity is right."

"Yes, love. But God is actually a She, that bit got muddled," Aziraphale smiled. "Are you feeling better?"

"That doesn't explain, why- why do I know you? I recognize both of you, but I don't know why. Then you made that comment about having met me multiple times, for years, what does that mean?" She was getting a little riled but she tried to stay calm. This wasn't going to make any more sense by screaming at a literal demon. And Angel, but the demon was more infuriating at the moment. He stared at her with a mix of awe and shock, and she didn't want to think about any of it.

Aziraphale sighed, "before the current era, you know Roman times and what not, the Archangel Michael played with the idea of threads. It was similar in concept to the Greek idea of fate -"

"You happened to be alive when this was a thing. It means when a demon curses you and says the word 'eternally' a black thread'll appear to let everyone know you're damned forever. White thread with angels."

"I'm damned forever? Wait, you said Roman times - I was alive during the ancient roman era?"

"Well, darling, he blessed you and I cursed you at the same day. Meaning your soul is trapped with both Heaven and Hell," Crowley said softly. "We think your soul has been reincarnated since about 55BC. And it's because of us. This Golden shit you see is our connection."

"But white and black make grey?"

Crowley clapped and said "aha! She gets it!"

"Crowley," Aziraphale said, though his eyes were light with amusement. "We can't explain the color of the thread. But we believe it means you're connected to us. Both of us, we get this pull to you when you're around. As though we have to see you."

There was a moment of silence as they let her collect her thoughts. Unconsciously, she'd curled up into a ball on the comfy chair Aziraphale had miracled. She thought and thought, rolling over the idea that she's trapped here on earth. An accidental immortal being tied to these two.

She glanced at Aziraphale. She knew him, she has known him. She bit her lip, wishing to understand everything as it was.

"M-May I?" She asked, tentatively lifting a hand near his face. She needed to touch him, to feel him, to try and remember.

The Angel nodded. He was soft, his hair light and white, in short curls on top of his head. She liked the curls, they looked rather fetching on him. Her fingertips brushed lightly down his face, feeling his kind face. She liked his lips, they were pink and couldn't fight a smile. Then she glanced down and saw his hand in his lap. Running an hand down his shoulder to his hand, she lifted it and eyed the golden ring.

"Aziraphale..." she murmured. It all started to fall into place. The dancing, the food, the wine. He'd looked so out of place in pale clothing, so obviously finer than anyone else's. He'd tried to blend in with an outdated style, to balance the richness, but she could spot him through the crowd with ease. His cheeks had gotten pink, and he'd gone for a drink. She hadn't meant to spill on him, she just wanted a chat. "I gave you this ring. You didn't want it at first, but I gave it to you. It says Aziraphale on it."

He took a shaky breath, his eyes becoming glassy with tears. His lips trembled as he said, "you did."

Aziraphale slid the ring off his finger, turning it so she could see the inside. There enough his name was scrawled in haphazard writing. It had faded from the years, some of the details lost to time. But she remembered this ring when it was new. When William had gotten it in his shop and didn't know what to make of it. And she'd taken it, knew it would be special.

She pressed a soft kiss to the ring, then slid it back on Aziraphale's finger. She looked him in the eyes as she kissed the back of his hand, "I remember you."

The tears had actually fallen now, hitting his cheeks softly. He didn't try to hide it, and she wouldn't want him to. Perhaps it was this whole eternal blessing thing, but she was drawn to him.

Then she turned to the demon. Crowley. He sat high and mighty in his chair, looking away as though he were intruding on Aziraphale's private moment. He was handsome in a different way than Aziraphale. Where Aziraphale was soft and strong, Crowley was sharp and sweet. She smiled when she looked at him, knowing he was sweet without saying it.

She went to him to, lifting her hand then asking softly, "may I touch you?"

He swallowed, and nodded. She first touched his hair, it was softer then it looked. Her fingertips brushed it so it feel on his forehead, liking the contrast of his skin against the red. Then she traced along his tattoo, the way his cheekbone felt under her touch.

With gentle hands, she cupped his cheeks and turned his face so he had to look her in the eyes. She smiled. "I'd wondered if they were still yellow."

He closed his eyes, cringing. He'd always hated his eyes. "Sorry they're-"

"Beautiful." He opened his eyes quickly. "I remember your eyes. They've been in my dreams and I never knew why. The man with the yellow snake eyes. They are so, so beautiful. Like a sunflower."

"You're comparing s'demon eyes to a sunflower?"

She smiled and nodded, "you have the most beautiful eyes I've ever seen."

Crowley sucked in a breath, closing his eyes. It as though the attention itself would make him implode.

"Keep them closed," she said. Then he felt a pair of soft lips kiss one eyelid, then the other. "Absolutely beautiful. Don't you think so, Aziraphale?"

Crowley was shocked to hear Aziraphale agree. "I adore your eyes, dear. They've been my favorite for a long time."

The three didn't know what to do with themselves, time frozen around them. But however strange the situation, she wasn’t afraid. Not anymore. She wanted to get to know this Angel and demon, understand their pasts and more about their connection.

“Thank you, my dear, for your patience,” Aziraphale said kindly.

“I suppose I should be thanking you, you’ve waited hundreds of years.” She said with a dry laugh that made Crowley smile.

There weren’t any words that seemed to describe the moment the three of them shared, in a moment frozen in time knowing they had all the time in the world. But for now it was enough, and that was all it needed to be.

#good omens #good omens season 2 #fluff #soulmate au #good omens fanfiction #good omens x reader #kind of on accident #didn’t think I cared about it until now and I still don’t but I’m proud of this fic #god it’s long please read #historical shit #Aziraphale x Crowley x reader #Aziraphale x Crowley #12k words #my sanity is gone #don’t even care that much about a reader insert with them but I’m here #so enjoy