here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
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I’m my opinion, one of the greatest tropes is when a character either one, desperately doesn’t want to become/do/say/etc a thing, but then later on, that becomes the precise thing they’re striving for, or two, a character comes off as normal at first and then becomes/does/says/etc a thing that was unexpected (but if you read it again you’ll see hints dotted around).
Like, a character would say, ‘no, I refuse to befriend anyone here!’ or ‘I could never fall in love with such a person!’, but then later on in the series they have a large and close-knit group of friends and the other one just proposed
Or a character looks and acts normal for a large portion of the beginning but then they pop up with the ‘why would I be bothered if you killed them?’ or ‘I’ll do anything to make you mine!’
Okay I might have made one sound more positive than the other but honestly I like them more when it’s a violent change in the direction of violence, so shut up
So pretty much what I want in a series is for it to start off normally, probably a good amount of cliches, hopefully gay but I can only wish, maybe the mc is really unfriendly and made an enemy out of some hot guy really fast idk
But then later on in the series, the longer and more gradual the change the better, I could do for like eight seasons baby, they slowly change
They get a bigger and bigger friend group, they grow more and more accustomed to violence (probably a medieval fantasy setting because of course), and they fall more and more in love with the person they used to hate. Maybe even a bit too much in love with them, if you consider that to be a thing.
Mmmmmmmmm I want it but I feel like there’s a part of the equation that just makes these types of stories, but I can’t think of it for the life of me. Comedy? Being gay and doing a lot of crime? I mean I guess if it was advertised as like ‘person gets stuck in otome game, comedy ensues’ and ended up being bloody and violent I would be a little miffed but??
I feel like a witch trying to brew up the perfect concoction and trying not to ruin it by adding too much eye of newt or something god damn
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