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winged-self-indulgence · 6 months

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Why Do People Like Yanderes?

Hi everyone, my name is Diya, and this was going to be a YT video-essay-type-thing but I'm too poor to afford a mic and too busy with college to learn how to edit videos, so here's my vague exploration of the psychology behind why people like yanderes so much through the lens of my favourite Visual Novels.

TW for uh. yandere content. Mentions of sex, gore, and non-con, particularly in the last topic. This is more like the first draft of an academic paper so while it's not explicit, I do go into some detail.

Introduction

If you’re a fan of anime or visual novels, then you’re probably already aware of what a yandere is, or at the very least you’ve seen that one picture of Yuno Gasai. Still, for the sake of thoroughness, let’s take it from the tippy top. The term ‘yandere’ is a Japanese portmanteau of ‘yanderu’ – the progressive form of ‘yami’ – meaning ‘sick’, and ‘deredere’ which roughly translates to ‘loving’. Together, the word refers to someone who is – in short – extremely lovesick. Obsessive to the extreme, and with little morality to spare, the standard yandere is characterized by a dangerous fixation on a chosen target, often appearing shy and caring at first only to flip the script and become violently aggressive towards perceived threats (Kroon, 2010).

It should be noted that yanderes are not a strictly romantic or sexual trope. The Ancient Greeks classified at least six forms of love, from familial (storge) to guests (xenia). Modern psychologists may distinguish love as either Companionate or Passionate (Kim & Hatfield, 2004) or consisting of three dimensions of Intimacy, Passion, and Commitment (Sternberg & Sternberg, 2018). Realistically, possessiveness shows up in a variety of relationships. However, people are generally primed to view certain dynamics as inherently amorous. Societal norms tend to encourage the idea that romantic bonds ought to rank above all others, and therefore if Person A is bizarrely fixated on Person B, then clearly there must be an element of sexual interest involved regardless of the actual relationship between the individuals in question.

Regardless, yanderes remain quite popular in fiction. Many dismiss it as a fetish, which it can be, but that isn’t the case for everyone. While there is nothing wrong with indulging in kinky fiction, not all of us get horny at the thought of being chained up in someone’s basement, no matter how hot our captor may be. So why is it so pervasive? Why is this trope so appealing that most writers cannot help but include at least a single line of dialogue implying that – if circumstances had been ever so slightly different – my wholesome shoujo romcom might have turned into a psychological horror?

Hybristophilia

‘Hybristophilia’, also known as Bonnie and Clyde Syndrome after the titular criminal couple, is a word is derived from the Greek word ‘hybridzein’ meaning ‘to commit an outrage against someone’ and ‘philo’ which means ‘a strong preference for’. Sexologist John Money reportedly defined it as a paraphilia in which an individual is sexually aroused by a partner who has a predatory history of hurting other people (Money, 1986, as cited in Matuszak, 2017). In his book, Serial Killer Groupies, true crime and crime fiction author RJ Parker distinguished two forms of hybristophilia: passive and aggressive. The former is when an individual contacts a criminal with the intention of striking up a relationship with them, allowing themselves to be seduced and manipulated but having no interest in committing a crime themselves. The latter are far more dangerous, as the individual not only derives sexual pleasure from their partner’s atrocities but are active participants in carrying out or covering up the crime. To quote Griffiths (2013, as cited in Pettigrew, 2019):

“[They] help out their lovers with their criminal agenda by luring victims, hiding bodies, covering crimes, or even committing crimes. They are attracted to their lovers because of their violent actions and want to receive love yet are unable to understand that their lovers are psychopaths who are manipulating them.”

In some ways, hybristophilia is the nearest thing we have to a realistic understanding of why people love yanderes. I mean, much of the fantasy surrounding such characters and their media tend to be filled with posts begging to be spat on or calling the rightfully terrified main character ungrateful for being a teeny bit upset about finding surveillance cameras in their ceiling. However, enjoying fictitious immoral activity does not predict real perpetration, so what does? There exists little consensus amongst psychologists as to what sparks this particular predilection, and that was strange to me. You would think there would be more studies into this topic, in spite of or perhaps because of its controversial nature. Heck, that one dude wouldn’t shut up about white women’s obsession with Bundy and Dahmer, and I assumed he had gotten that information from somewhere, but it turns out that was just him using modifiers to justify sexism.

However, I believe that we can hedge a few guesses, and over the course of my research, I’ve organized the main rationalizations under four umbrellas which I will explore through the lens of my favourite yandere-themed Visual Novels. Please keep in mind that most of these games are rated as mature due to sexual scenes and/or gore. Additionally, in the spirit of transparency, this ramble will be focused exclusively on male or masculine yanderes. So, without further ado:

Call Me Bob the Builder Because I Can Fix Them

If you’re familiar with DC Comic’s Batman, or just happen to have attended any costume event held over the span of the last 20+ years, you may be familiar with the character of Dr. Harleen Quinzel, better known as Harley Quinn. Initially created as the Joker’s one-off sidekick in Batman The Animated Series, she was so well-received by audiences that she became a recurring character in the cartoon and was eventually given a proper origin story in the form of a one-shot titled Mad Love.

Harley’s origin story has seen some alterations over the past decades, but the core aspects remain largely untouched. In the beginning, Harleen Quinzel was a promising young woman who wanted was a degree from the university’s prestigious psychology department, which she gained through…less than scrupulous means.

(Listen, I’m not sure if the authors were leaning on the Dumb Blonde stereotype, or if they simply thought that casting her as a genuinely bad student would make her later actions more believable. Either way, the idea of Harley as someone with a legitimate PhD came later)

After landing an internship at Arkham Asylum – a half-hospital and half-prison straight out of the 1870s that might as well be built out of one-ply tissue-paper soaked with gasoline and left next to a crate of fireworks – Harleen set her sights on the then incarcerated Joker. At the start, her fixation on the criminal wasn’t remotely sympathetic. She didn’t want to help him, she wanted to use him. Harleen Quinzel wanted piggyback off his infamy and write a tell-all tale detailing what sort of messed up childhood resulted in Gotham’s Clown Prince of Crime. Yet the more she interacted with him, the more the Joker took advantage of her empathy. By the end of their sessions, Harley no longer saw him as a violent serial killer with a clown schtick, but as a “lost, injured child looking to make the world laugh at his antics.”

But Diya, you may be asking, what does this have to do with the video? The Joker never loved Harley, and it could even be argued – as Shehadeh did in a 2017 essay – that her obsession with the pasty-faced clown is more akin to Histrionic Personality Disorder. While that may be the case, I believe that Harley’s story provides one of the reasons yanderes are so popular: their backstory.

Whether they were abandoned by their family, bullied by their peers, experimented on by evil scientists, starved on the streets, died under mysterious circumstances and then trapped in a haunted VCR tape for decades, or are simply so impossibly inhuman that they frankly do not understand why it isn’t socially acceptable to imprison their crush in a pocket dimension made of meat and non-Euclidean geometry, yanderes often have fairly sympathetic or at least understandable explanations for why they are Like That. Your mileage may vary significantly depending on how much you sympathize with these motives, but the point is that yanderes always make sense to some degree. Their morality and priorities may be twisted or even completely incomprehensible, but the audience almost always knows the reason, and that can be comforting. In the real world, other people aren’t always straightforward, and we never really know what they’re thinking, but narrative coherence demands a semblance of internal consistency lest the audience end up frustrated and confused. So yanderes are not only easy to sympathize with, but also fairly predictable. In-universe they may be unhinged freaks with a blood fetish, but to you watching from behind the safety of the screen they’re just acting out the script written for them based on a prototype. And if you understand the why behind their loose gears, then you might just be able to put them back together again.

The concept of rescue romances or “I Can Fix Them” has been around in our stories for thousands of years. The Epic of Gilgamesh detailed how Shamhat essentially ‘civilized’ wild man Enkidu through ritual lovemaking, and a concerning number of religions push the idea that women are dutybound to save men from the follies of sin. Yet men are not exempt either, with one notable example being the German fairytale, King Thrushbeard. Call it what you will regardless: Knights in Shining Armour, the Florence Nightingale Effect, or a plain old case of Because You Were Nice to Me, studies have shown that human beings generally like helping [DA2] others, even when the reason doesn’t necessarily stem from pure altruism. I will delve deeper into this later, but care and compassion are deeply ingrained in human nature, and arising from those roots is the appeal of this mentality: You can save them. You can change them. You can make them better. You are special, and the way you treat this person carries a weight that has not and will never be matched by anyone else for the rest of their mortal or immortal existence.

The illusion is a delicious one, especially if the person you’ve helped turns out to be a billionaire CEO with cash to burn, a super powerful ghost king willing to raze continents to dust for you, a demon having fun on a Friday night, or just your average hot creep with a knife. Moreover, different people have different ideas of what ‘fixing’ even means. Maybe you want to single-handedly rehabilitate your yandere into a functional member of society. Maybe you’re cool with the incessant stalking but would like them to stop slaughtering your friends, family, and local service workers. Maybe you want to make them much, much worse.

Not only do yanderes provide immediate proof that your actions have a tangible impact on the lives of others, but the fantasy also includes the desire of being seen as special. Of being admired and adored by someone whose life you inexplicably made better by virtue of simply being yourself, or an idealized version of yourself. In this fictional world, in this imaginary setting, the person you are is so uniquely, impossibly irreplaceable to someone. And if that’s the case then they can’t risk losing you, can they?

The Allure of Obsession, or ‘Til Death Do Us Part (Literally)

It shouldn’t be necessary, but here is my obligatory disclaimer anyway. Ahem: obsession is not a good thing in real life. Fixating on another human to the detriment of your own wellbeing and that of those around you is dangerous, as is encouraging someone else to obsess over you. You might think you are being worshiped, but real life is not a visual novel. The outside world doesn’t come with an age rating, the author’s guiding pen, and a convenient fade to credits sequence once you’ve reached an ending. The consequences will still be there in the morning, so don’t do it. Just don’t.

PSA out of the way, it’s natural to want to be wanted. Maslow’s Hierarchy places it just above physical safety, but I’d argue that it could easily be compared to baser drives. According to many psychological and anthropological studies, much of humanity’s continued survival and environmental dominance is largely attributed to our ability to form groups, cooperate with one another, and maintain complex interpersonal networks. Social support, intimacy, and a sense of belonging are linked to emotional and physical benefits, such as more optimistic health perceptions, higher subjective well-being, increased creativity and innovation, and greater self-efficacy (DeWall & Bushman, 2011; Harandi et al., 2017; Wang & Sha, 2018). Therefore, it’s perfectly understandable that rejection of any sort would be construed as a threat.

But if someone is obsessed with you, then you have no reason to worry about that, right? No more nights spent agonizing over how they feel about you, asking yourself whether your last text made you sound too desperate, or if you’re boring them because you spent the past hour info-dumping about Stardew Valley farm layouts. With a yandere, there will never be any doubt that they care about you. Sure, they might go about it in weird, manipulative, and insidious ways that violate your physical and mental autonomy, but you can’t deny their loyalty. They do love you in their own bizarre way. You are the sun around which they orbit. When you’re in the room, no one else exists. Every single messy flaw is just another bullet point on the mile-long list of why they adore you.

In essence, yanderes are not only attentive, but their love can be virtually unconditional. A yandere might know everything about you, and still revere you. It’s unhealthy as hell and you might genuinely question their taste, but it can be tempting to pretend that all of you, right down to the ugliest parts of yourself – the traits and choices that you would never share with another living soul even at gunpoint – are worthy of understanding, if not open praise and affection.

Attractiveness, or Okay but Have You Considered That They’re Hot Though?

I mean what am I supposed to say here? They’re hot, what do you want from me?

No, but in all seriousness, fictional media paints an idealized version of the world, and most yanderes are hot because they have the freedom of existing purely behind that screen; artfully arranged and edited to forever appear compelling to anyone who happens to enjoy their particular style. And there are a lot of styles to choose from. Whether you want them pretty faced and disarmingly cute, or scarred up and big enough to pin you like a butterfly, yanderes come in a wide variety of shapes and sizes that are meant to pique your interest and draw you in like a naïve little fish being lured towards the mouth of an angler fish, unwilling to believe that anything bad might happen to us when the bait is this pretty.

This is often referred to as the Halo Effect, a form of cognitive bias referring to the tendency for people to assume that a single obvious positive trait must be associated with other positive traits. The go-to characteristic is typically physical attractiveness, but a nice voice, good humour, and cooking skills are also factors which serve to influence our perceptions.

So, conventional physical attractiveness is one thing, but that’s only skin deep. What about beyond that? After all, the yandere still has to talk to you before they enact their master plan of tying you up in their basement until Stockholm Syndrome kicks in.

When I showed my friend a picture of John Doe from the game John Doe, she told me that he looked like a creepy slob, and she’s far from the only person who’s ever thought so. Look at them. I feel like if I tried to comb that hair it would simply eat me, and some of the CGs really put the scopophobia in Scopophobia Studios. I love Doe, but he is not hot, and he doesn’t behave in a normally appealing way either. If the player chooses not to take a bath, Doe will immediately comment that you “smell good” before following you home, breaking into your house, and leaving a bloody organ on the floor for the player to trip over. Many yanderes can at least fake a veneer of normalcy, but from the get-go Doe doesn’t even bother to pretend he’s anything less than an otherworldly creature stuffed into a vaguely person-shaped meatsuit. In an effort to find out why so many people had latched on to Doe – including me – I shopped around social media and YouTube for answers, and what I found was a widely unanimous sentiment.

While some were drawn to his fun design and goofy personality, most simply thought that he wasn’t inherently malevolent, just very confused. In addition to being a supernatural being with a completely alien axis of morality, Doe’s meta-awareness and unbridled attempts at winning the player’s affection lends him quite a bit of support from the audience, especially if you yourself also happen to struggle with social cues and relate to his pure earnestness. In Ending 7 of the extended version, the player character has the option to tell Doe – who has altered himself to pass as more ‘normal’ – that they prefer who he truly is, at which point he grows visibly flustered and sports an adorable pair of literal heart-shaped pupils.

Whether they’re charismatic, seductive, cute, sweet, funny, nurturing, or generous, the best yanderes have engaging personalities. Even while they’re committing truly heinous crimes against God, man, and your guts, you still kinda want to hang out with them, and you want them to acknowledge you as being just as interesting. And this is all fine in fiction because you’re the one in charge, and if you ever get bored or uncomfortable or busy with something else, then you can simply close the tab or window with zero consequences, which brings us to the final and most important reason.

Power Dynamics and Consent in Fantasy (I Couldn’t Think of a Joke Here Guys, This Is Kinda Serious)

Once again, I feel that I must preface this section just for the sake of my own peace of mind: sexual coercion and assault are vile and disgusting crimes that should never be emulated or tolerated in the real world. We are speaking purely of fictional media, specifically adult-oriented media in this case, so please be mindful.

In 2009, Bivoni and Critelli conducted a study on 355 undergraduate women with the goal of assessing the reasons behind fantasies of non-consent. At the time, there were two leading explanations of this phenomenon. One stated that women with high libidos but repressed views of sex used these imaginary scenarios to alleviate the guilt they had grown to associate with sex. Because the simulation was a purely mental exercise and they themselves were cast as helpless victims in the scenario, they were able to remain blameless while still finding sexual gratification. The second stated that these fantasies were an expression of liberation by women who were adventurous and comfortable enough with their own sexuality to engage with taboo ideas that they weren’t at all interested in performing in real life. Which do you think was more common?

If you guessed the second option, you’d be right. The study found that of the 220 women who had experienced such fantasies, 45% found theirs erotic, 46% were mixed, and only 9% reported pure aversion. One justification for this outcome relies on psycho-biological theories, for example masochistic preferences or the unintended activation of the sympathetic nervous system and subsequent mis-attribution of arousal. Other reasons have to do with higher order thinking and are tied to the power dynamics within such fantasies. On the surface is the appeal of being so desirable to someone that they simply cannot control themselves, but then there is a deeper impulse, which the researchers referred to as Adversary Transformation. To quote the article: “[fantasies] involve a struggle between an assailant and a potential victim in which it is relevant to consider who is the winner and who is the loser. At one level, it is a struggle over sex, but the woman's non-consent may be feigned or token. At another level, the woman may be seeking a victory that is not about whether sex occurs, but about what happens emotionally between the protagonists.”

Basically, the imaginary perpetrator may have ‘won’, but the self-character need not have ‘lost’.

Media provides an extra layer to the illusion, one that you as the viewer have absolute control over. If you are choosing to engage with a piece of media that explicitly labels itself as including R18+ yandere content, then you clearly have some expectations, and that background awareness goes a long way in reducing long-term discomfort and allowing audiences to make informed decisions. If you don’t like the plot, you can simply turn it off it with the click of a button, and when the screen goes dark it’s not like the yandere is going to punish you for saying no. Strade isn’t going to break into your house with a drill, there are no homicidal clown ghosts hiding in your TV, and no suspicious pink-haired hackers watching your webcam. They aren’t real, and the consequences aren’t real either. You have all the power here.

Conclusion

In summary, Yanderes are appealing for a variety of reasons. Whether you want to save them, think they’re attractive, wish to indulge in a dream of being utterly coveted, or simply enjoy a bit of spice in your me-time, it’s obvious why the trope has persisted for so long and will likely continue to do so. If you enjoy yanderes but are worried that having a taste for the less wholesome side of things might imply something about who you are as a person, don’t be. The notion that fantasies and media preferences directly reflect subconscious desires is not only painfully out of date debunked nonsense but also indicative of restrictive ideologies wherein bad thoughts = sin. This isn’t 1984. You haven’t committed a thought-crime by having a weird kink. You aren't going to superhell for fantasizing. The human mind is hardly ever so mathematically rational, and the point of fiction is to allow us to safely engage with and explore various ideas, provided the everyone involved is mentally, chronologically, and emotionally mature enough to do so.

Thank you all for listening to me. If you learned something or were just a little bit entertained. If you're curious about knowing more, I've listed my sources below

REFERENCES

Bivona, J. M., & Critelli, J. W. (2009). The Nature of Women’s Rape Fantasies: An analysis of prevalence, frequency, and contents. Journal of Sex Research, 46(1), 33–45. https://doi.org/10.1080/00224490802624406

Critelli, J. W., & Bivona, J. M. (2008). Women’s Erotic Rape Fantasies: An Evaluation of Theory and research. Journal of Sex Research, 45(1), 57–70. https://doi.org/10.1080/00224490701808191

DeWall, C. N., & Bushman, B. J. (2011). Social acceptance and rejection. Current Directions in Psychological Science, 20(4), 256–260. https://doi.org/10.1177/0963721411417545

Flynn, F. J., Reagans, R., Amanatullah, E. T., & Ames, D. R. (2006). Helping one’s way to the top: Self-monitors achieve status by helping others and knowing who helps whom. Journal of Personality and Social Psychology, 91(6), 1123–1137. https://doi.org/10.1037/0022-3514.91.6.1123

Harandi, T. F., Taghinasab, M. M., & Nayeri, T. D. (2017). The correlation of social support with mental health: A meta-analysis. Electronic Physician, 9(9), 5212–5222. https://doi.org/10.19082/5212

Hazen, H. (1983). Endless rapture: rape, romance, and the female imagination. https://openlibrary.org/books/OL3161300M/Endless_rapture

Kroon, R. W. (2010). A/V A to z: An Encyclopedic Dictionary of Media, Entertainment and Other Audiovisual Terms. McFarland.

Matuszak, M. (2017). Hybristophilia White Paper. https://static1.squarespace.com/static/55dfd21ee4b0718764fb34cc/t/5cb7cabee5e5f00ab13be58b/1555548863275/Hybristophilia+White+Paper.pdf

Oarga, C., Stavrova, O., & Fetchenhauer, D. (2015). When and why is helping others good for well-being? The role of belief in reciprocity and conformity to society’s expectations. European Journal of Social Psychology, 45(2), 242–254. https://doi.org/10.1002/ejsp.2092

Parker, R. (2014). Serial killer groupies. RJ PARKER PUBLISHING, INC.

Wang, T., & Sha, H. (2018). The influence of social rejection on cognitive control. Psychology, 09(7), 1707–1719. https://doi.org/10.4236/psych.2018.97101

#reference list is completed!#yandere #sunny day jack #my dear hatchet man #mdhm #stnaf #ddlc #john doe #boyfriend to death #tpof #degrees of lewdity #your boyfriend #14dwy #br<3ken colors #camp willowpeak #br0ken colors #obey me #binary star hero #favor vn

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verysium · 6 months

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『01』呪術廻戦: jujutsu kaisen recs

五条悟: gojo satoru

i know you still think about the times we had by @saetoru

satoru will always comes when you call him, he just never thought you’d stop calling. notes: satoru is so desperate and pathetic here it is just delicious; has the right amount of angst to cause tension but a good ending to soothe my poor heart; traditional rich boy and disapproving mother/father scenario but implemented relatively well; miscommunication and feelings of inadequacy; reader realizing the extent to which satoru loves them

pretty eyes by @quirklessidiot

in which the right eye is mine and the left eye is yours and when we meet for the first time, you see your own eyes staring back at you. notes: takes tragic star-crossed lovers to a whole new level; riddled with parallels and symbolism; idea of illness and loving someone at their worst; right person, wrong time at its finest; fate being unnecessarily cruel; surprising moments of humor

minazuki by @quirklessidiot

In which Y/N L/N is placed under a union she has no choice but to partake for the sake of her survival. notes: this series needs to be scientifically studied; it is just that good; halfway in and i fell in love with the reader instead of gojo; strong and somewhat morally grey characters; dark themes around femininity in a patriarchal society but concept was executed flawlessly

21: only by @tenjiiku

“What do you want, Satoru?” You do not use his last name or any honorific to address him despite his age. He was older than you by a few years — but certainly did not act the part — so you do not think he deserves your respect. Your host father told you he does — something about his being from a prominent private school as an educator, which you cannot possibly fathom being the truth — but only in front of you is Satoru Gojo an inane, odd man with a need for clean, dry-cleaned clothes that, for some strange reason he has conjectured in his equally baffling mind, that only you can provide. He smiles at you, placing his cheek in his hand. “You.” notes: this fic embodies the duality between gojo and satoru; he is easy-going until he isn’t and you realize he actually has a considerable amount of depth; the plot twist did it for me; satoru being a loud-mouthed tease but secretly harboring feelings

soulswap by @orphxus (impxria)

this is where the evening splits in half, love or death. grab an end, pull hard, & make a wish. notes: short but realistically describes everything wrong with jujutsu society; poetic voice; gojo being serious for once; disillusionment and tragic hero archetype; being the strongest yet being unable to save anybody; geto would read this fic and feel seen

両面宿儺: ryomen sukuna

nocuous by @quirklessidiot

“It’s ironic, isn’t it? I knew how this was going to end but I’m still terribly hurt by it.” notes: the heian era setting is so complex and established even through dialogue and subtle description; reader strikes me as older and able to deal with sukuna’s chaotic nature; sukuna being an absolute menace is sending me; tragic angst but almost didn’t notice it due to how beautifully the images are presented

avīci by @rotpeach

Several years ago, Satoru Gojo was involved in the exorcism of a uniquely stubborn curse. The official report states that one of Ryomen Sukuna's fingers was recovered from the scene, and nothing else. Only the two of you know the truth. notes: gore, gore, and even more gore; boy was this fic a wild ride; imagine a work that condenses the ugliest and most revolting parts of human nature yet presents them so elegantly you start questioning the blurred lines of morality; cannibalism, violence, and love triangles; japanese mythology & folklore; heian period references; cursed spirit reader tries to grapple with the idea of self after being created for the sole purpose of serving others; themes of existentialism, identity crisis, obsession

#fic recs #jujutsu kaisen #jjk #jjk x reader #gojo satoru #gojo x reader #sukuna ryomen #sukuna x reader

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magicalmanhattanproject · 3 months

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Bad's Choice Is His Own

Badboyhalo family guy death pose dot jpeg. Now what?

I've seen a couple posts already talking about how Bad has been cast out of Heaven by a cruel, harsh, judging Father with impossible standards whom Bad is now rejecting because his own love as a Father is greater than that Father's love for him and like I don't want to say anyone else's read is wrong, but it's not what I saw at all.

So, let's talk about what we all saw. First, the scales.

[ID: Towering gold scales, level. Nothing on either side. End ID]

To one side of the scales, the gates. We know from Bad's dialogue these have been chained every other time he has died.

[ID: Towering grey gates, framed in gold with gold handles. End ID]

Then, on the other side of the scales, the way back to Earth.

[ID: Small passageway framed in gold and black with flames at the base. End ID]

The first thing that really struck me about this scene is that the scales were empty and level. With the ankh on Bad's back, the first thing I thought of was Ancient Egyptian religion, where the heart of the dead would be weighed against a feather and only those whose hearts were lighter would be allowed to pass.

This doesn't happen. Nor does anything else touch the scales nor do they ever come off level. There are no other voices besides Bad's in this scene, nor any indication that he is hearing anyone except himself. He is making guesses about what is going based on the environment, but he has nothing but the environment to confirm his guesses.

There is no one else here to sit in judgement against Bad.

So what are the scales for then?

Well, there's one other line that references weighing to me, if not quite directly, it still stuck out to me.

"Why are you cutting my happiness in half?"

In half. Two sides of his happiness, each with equal weight, each set on one side of the scales, which stand equal.

I don't think Bad is being punished by being forced to choose. I think he's in a truly brutal position and being gifted the chance to choose for himself.

How many fallen angels who claw their way back to heaven would hesitate? How many of them want anything besides to fling open the gates back home? How many of them manage to teach themselves to endure the light again for any reason other than true longing and desire for the light itself? For them, there is no need for a choice. The scales weight towards Heaven and they have no reason to even glance behind.

But not Bad. It's not God cutting his happiness in half. It's just the fact that his happiness didn't come from God. It came from his children. Half his heart is on Heaven half is on Earth.

I don't think the gates will be closed to him again unless he really beefs it this time around. He's shown that he loves. He's shown that his love is enough to carry him home. But it's enough to build him a new home too, a home from which it would be cruel to wrench him away. Either choice would have been correct. The scales weigh level.

But, Bad doesn't know this. He only knows that his heart has been split in half but his children need him.

#sorrelposting #qsmp #badboyhalo #qsmp analysis #qsmp meta

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am-i-the-asshole-official · 3 months

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AITA for not changing my OCs backstory?

Saw some recent posts about people fighting over RP characters so I thought I'd throw mine in.

I (F25) am in a RP server for peoples OCs. It's a small server for friends or friends-of-friends so everyone is either a friend or an aquaintence.

There's a channel specifically for people to post their OCs to see if anyone wants to RP with them. The posts are basically references with the characters name, appearance, backstory, etc. and a list of things the person wants to RP with them (smut, angst, medieval, coffee shop, roomates, etc.)

Anyways, I started RPing with two other people, Amy (F23) and Jenny (F25) recently and things were going good. We were doing a modern with magic type RP and all of our OCs met each other at a bar.

Eventually as the RP progressed my OC revealed that she thought she was a lesbian and then realized she was bi (they were all sitting at a table together commenting on other people in the bar and who they thought was cute).

Amy suddenly stopped responding to the RP so it was just me and Jenny, and I just figured that Amy was busy with college stuff so I didn't want to bug her about responding.

A few days later I get a DM from Jenny saying that Amy is REALLY uncomfortable with my OCs backstory. I'm of course confused and ask her why Amy didn't just message me. She told me Amy was really upset and didn't want to talk about it. I say "If she doesn't want to talk about it why is she telling you to tell me? If she has a problem she needs to tell me so I can fix it."

About 20 minutes later I get a message from Amy with a list of problems she has with my OC. The list said:

My OC is lesbophobic.

Your OC is saying that being lesbian is a phase (not at all what my OC's dialogue said during the scene, the word "phase" was never once used).

There's not enough lesbian rep in things and you're taking away even more.

You're replacing actual lesbian rep with an inferior straight character (yes, she used the word inferior).

She basically demanded that I change her backstory and make her a lesbian again, or AT LEAST make sure she ends up in a relationship with another woman.

I was pissed.

I replied back and said:

"Please go back and highlight the dialogue line where my OC stated that being a lesbian was a phase, because I searched the word "phase" in our channel and I couldn't find it. That word wasn't even used once during our RP, by any of us.

Also, there's nothing wrong with something being a "phase". People don't get one chance to pick a sexuality or gender and then get stuck with it for the rest of their life. Sometimes it takes people a while to figure themselves out. Sometimes things change.

My OCs sexuality is literally based on my own personal experiences. I thought I was straight, and then I thought I was a lesbian, and now I realize that I'm actually bi. I'm not lesbophobic for changing my mind, that's not what that word means.

If you want more lesbien rep then go make more lesbian characters. I'm not "taking away rep" because it was never there in the first place, and again, my OC is based on my OWN EXPERIENCES, and I as a person do not exist to provide representation. Why is lesbian rep more important than bi rep? I can name multiple, canon lesbian characters but I can only think of one character that canonically likes men and women.

I'm not replacing lesbian relationships with a straight relationship because even if she dated a man she would still be bi, not straight. It's fucking disgusting that you think a relationship or person is "inferior" because they're not the sexuality you want them to be. She's based on me, do you think I'm inferior for something completely out of my control?

I'm not changing shit about her backstory, especially not to coddle the feelings of biphobes."

She responded with a huge rant that I'm not going to post here but the TLDR is "You're lesbophobic and you hate lesbians and you're awful and dangerous and you don't care about good rep fuck you." and then blocked me.

I told Jenny what Amy had said and she said "Idk, it's not really a big deal to change it? It was a small part of her story and it made Amy uncomfortable :/"

So AITA for not changing it?

It IS a small, insignificant part of her story that wouldn't change anything if I removed it but for me it's the principle: I'm tired of bisexual characters (and people!) being treated as lesser or not as good as "real" LGBT+ people/relationships.

Also I'm planning on making comics with my OCs and I make sure that there's at least a few lesbian, gay, trans, etc. characters in each story so that EVERYONE gets rep. Which matters way more to me than "rep" that only like 15 people in a discord server will see.

What are these acronyms?

#aita #am i the asshole

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pippin-katz · 1 year

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Arthur’s Love Confession

The word choice for Arthur’s confession is really… interesting. As many people have pointed out, if you remove the pronouns from the conversation, everything Arthur says can be true for Merlin as much as Gwen.

Here’s the thing: I’m a writer. I’ve said this before, and I’ll keep saying it when it comes to posts like this.

If I was writing a love confession from one of my characters, I wouldn’t have what they say be so vague that it would be unclear who they were referring to when taken out of context.

If you showed this conversation to someone who had no idea who these characters were other than a knight and a servant, it would be completely believable that the knight is talking about the servant he’s with.

Hell, Merlin’s reaction to Arthur being unable to say he’s in love and how certain he is that nothing could happen seems a bit strong considering the conversation is about Gwen, not him. He’s her friend and would understandably try to convince Arthur that they could be together, but the dialogue does it in such a round about, vague way before they get to the point. There’s no reason for them to be vague. They both know full well who they’re talking about.

I suppose I have to say this is an opinion of the writing because I can’t claim that the writers did anything with underlying intentions. It’s just seems strange to me how perfectly the description aligns. Even the lines not here could easily have the pronouns swapped and still make sense.

“How can I admit that I think about her (him/you) all the time? Or that I care about her (him/you) more than anyone? How can I admit that I don’t know what I’ll do if any harm comes to her (him/you)?”

It still works. We can’t prove that Arthur thinks about Merlin all the time, but there’s a damn huge amount of evidence that he cares for him deeply and can’t handle him being hurt. Anyone wanting to argue with me on this, go watch The Poisoned Chalice again, which is the FOURTH EPISODE by the way.

Other than that iconic episode, there’s plenty of other things. He doesn’t let Merlin drink the “poison” during the test at the labyrinth. He denies any accusations of him having magic whenever they come up, which is because he genuinely doesn’t believe he has any, but it also has to do with the fact that he would be executed. He always protects him in dangerous situations and tells him to run when things get too dicey. We all know how he acted when Merlin was believed to be dead.

Like I said, it’s weird how well the lines match up. And Arthur looks at him like this before the conversation:

And like this after this conversation:

Maybe I’ve just never had a “true bestie” because I have never looked at someone or had someone look at me like that. Arthur looks so flirtatious in that second gif man.

But anyway! That’s just some thoughts I was having about the love confession!

#merlin #merlin bbc #bbc merlin #merlin thoughts #merlin emrys #arthur pendragon #merthur #medieval husbands #two sides of the same coin #merlin 2x04 #lancelot and guinevere #the once and future fandom

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nanabansama · 5 months

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Meaning of ー...

In Chapter 108, when Nene and Tsukasa are plummeting to their doom, this happens:

Tsukasa goes... 「ー...」

This on its own could mean anything, but here I want to argue--without a shadow of a doubt--that he was uttering Amane's name. Not a crazy thing to argue, I'm sure, but when I've seen so many people argue otherwise I feel the urge to speak up!

First, I think some people remain unconvinced on the issue that Tsukasa is even saying anything at all, and while it is up in the air, I want to direct your attention to this screencap from AidaIro's old visual novel:

Ehem. So the character speaking here, Esterio, is muttering something almost unintelligible to the protagonist, Neige. These lines he's speaking represent each censored syllable of the word he is saying, which we later find out is the title of the game ending this scene comes from. I will now refrain on uttering any further spoilers from this point onward...

So, here we have a clear-cut example of AidaIro using lines, like the ones from Tsukasa's dialogue bubble, to censor a word being spoken. I personally find this pretty convincing.

Beyond that, we need to address the actual context of this scene.

Nene had been pestering Tsukasa to call Amane's name in the hope that he would come and rescue them! (Side note, I think it's cute that Nene is so insistent on this when she just learned how precious Tsukasa, as Hanako's yorishiro, is to him... she knows, just trust her!!! ♡)

I personally think this moment falls flat if Tsukasa stayed silent after already stubbornly staying silent the entire chapter. What's the big deal if he continued to not call his name? Why focus a whole panel on Tsukasa's persistent resignation?

But! It doesn't end there.

Near-instantaneously after this panel, Amane himself showed up!

Is that not incredibly strange? How do you explain Hanako finding them so fast if Tsukasa hadn't called for him?

Take note of Hanako's expression, too. He looks sour. He's looking at Tsukasa. He's asking... "What?" He's ANNOYED!! He would not be treating Nene this way. And he demonstrably is not--he isn't looking at her. He is responding... to Tsukasa. He's responding to what he said.

And I can think of nothing better for him to have said than "Amane"!

☆☆☆☆☆☆☆

That's it! I hope that this post, while brief, was informative. Feel free to reference it if you ever need to.

And if I had to guess why AidaIro censored it like that, I want to direct your attention to the visual novel once more... I like the idea that Nene, our point of view character, couldn't hear him. That Tsukasa's whisper was so soft you could barely discern it from silence. A whisper that represented the tiniest sliver of hope that Tsukasa still allowed himself to have, after all the times Amane ignored him... thank you for reading!!!

#jshk #tbhk #toilet bound hanako kun #jshk 108 #yugi twins

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annymation · 5 months

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Reimagining the Characters in Wish

(Part 4- The 7 teens)

Yup, you read that right, I’m rewriting AAAAALL these fellas, or rather, just giving more substance to them because as they were in the movie we barely got CHARACTERS, just a 7 dwarfs reference, heck, I doubt y’all remember their names.

If you’re new here, hi, I’m rewriting all the characters in Wish before I start sharing my rewrite, here’s part 1, part 2 and part 3.

Now you may wonder, why am I even keeping the concept of the 7 teens in my rewrite, when just scrapping them all together would make my life so much easier instead of writing lines of dialogue and character motives to all of them?

Well the answer is that I like to make myself suffer I think they actually have a lot of potential, and I really like their designs.

Sooo lets meet the gang.

Who are the 7 teens?

So in my rewrite, the 7 teens will be a little bit more than just Asha’s best friends. Because each one of them will be the sons and daughters of some members of the royal staff.

I’ll be specifying in this blog the following things about each one of them:

- Their personality.

- Who their parents are.

- How they met Asha.

- What purpose will they serve in the story.

So buckle up because this blog might get a lil bit long hahaha I regret this already.

Dahlia 🍪

- Dahlia is a 17 year old girl, she has mobility issues, so she has to use a crutch to walk.

- She’s very organized and proactive, always doing her best to get things done. She’s often the one who takes the lead when planning things for her friends such as surprise birthday parties or deciding where to hang out (or whatever teenagers did back then aside from dying from the plague).

- She has an habit of making lists with the step by step of everything she has planned, which her friends find pretty amusing. Her ideas always turn out to be a lot of fun, although she really needs to learn how to let go of this need of control and just let things play out naturally.

(She’s kinda like Twilight Sparkle… this will not be the last time I’ll mention a My Little Pony character in this blog)

- Sometimes when things don’t go according to plan or she gets anxious she starts stuttering and replacing words

(much like how Doc from Snow White did constantly, I’m shocked they didn’t reference that once in the movie, it’s such an awkward teenager thing to do)

“Asha! We shook— I mean LOOKED everywhere for you la-last night! Why would you fun- I MEAN RUN away from the hackle like that??”

“… I think you mean castle-“

“YOU KNOW WHAT I MEANT”

- But overall she’s a very kind and supportive friend to Asha, something they both have in common is that they enjoy working hard to achieve their goals, even though Dahlia still wants to give her wish for the king.

- I might’ve made her come off as a bit of a control freak but really she’s very easygoing and kind. Even when things don’t go according to plan she knows anything with her friends will be fun and work out in the end.

Even if what doesn’t go according to plan is a heist mission to infiltrate the castle?

She’s the daughter of the royal cooks

- Her mother is the royal baker and her father is the royal lead chef.

- They both work in the castle, and Dahlia sometimes goes with them to lend a hand when they’re short staffed or to learn the family business.

- Dahlia has witnessed first hand how the royal couple can be not so sweet when they’re away from the public eyes:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

King Magnifico: Diner yesterday was absolutely dreadful, what happened? Have I granted your wish to be the greatest chef in the land for nothing?

Dahlia’s father: m-my deepest apologies sire, you see, the queen took all the salt from our storage yesterday to make her potions so-

King Magnifico: Blaming my wife for your incompetence now, I see

Dahlia’s father: n-no! I’d neve-

King Magnifico: If you got no salt, find a work around, I’ll not be accepting any less than the finest meals from you, was I clear? Dismissed.

Dahlia: … Dad, that wasn’t your fault, you can’t let him talk to you like that.

Dahlia’s father: He’s the king, Dahlia, he’s always right. Besides, it’s thanks to him granting my wish that I know how to cook at all, the least I can do is not disappoint him.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

- Because she got to see this behavior, it’s easier for her to believe when Asha tells her the king and queen’s true colors.

- She’s expected to follow her parent’s foot steps, and become a great cook, but all she really knows how to bake is cookies.

- She sees cooking a lot more as a past time than something she’ll be doing for the rest of her life, but she doesn’t want to let her parents down, she keeps trying to develop some interest in cooking, so she can wish to be a great cook once she turns 18

(Just wishing for it without having truly the interest in cooking wouldn’t work, because a wish has to be something that you really want and comes from the bottom of your heart)

She was the first one that met Asha

- Dahlia was helping her mom sell her baking goods to the neighborhood, so she went all by herself with a little cart carrying a bunch of sweets (like a Girl Scout)

- She knocked on Asha’s house and was greeted by lil 6 year old Asha with her grandpa, they bought some sweets, but as she was walking away Asha noticed she was having some trouble carrying the cart while walking with her crutch.

- Asha looked at her grandfather who gave her a reassuring nod.

- Asha offered to help Dahlia carry the cart.

- They talked while they walked door to door for a while, and after there were no more sweets in the cart they went to play together, and that’s how they became best friends.

She will be the leader

- I mentioned briefly in my blog about reimagining Asha that after her grandfather passed away she started living with Dahlia, so they’re basically sisters, and as such, Dahlia is very protective of Asha and becomes increasingly worried when Asha starts acting weird after her meeting with the king and queen, like she’s hiding something… and why the heck she has a friend that dresses up like a prince now?

- There will be a point in the middle of the story where Asha and Aster run away from the kingdom

(for reasons that I really should explain soon because the whole middle chunk of this rewrite is yet to be shared on Tumblr, I’m so sorry, I’ll get to writing it here soon)

- And Asha is seen now as a traitor, so, the 7 teens are conflicted.

- Should they believe their king, who says that Star guy is dangerous and Asha was plotting to betray them? Or should they trust their best friend?

- Dahlia is the first one who rises up saying they should go after Asha and help her, pack their stuff, tell their parents they’re going to make a sleepover or something, and just go to the middle of the woods.

- Everyone is a little unsure at first (specially Gabo and Simon) but after she gives them a little speech and reminds everyone of all the things Asha did for them, they’re convinced to go.

- Once they do find Asha and Aster, she helps a lot when they have to make a plan on how to defeat the royal couple.

Simon 💤

- Simon is a 21 year old young man, the oldest of the group, and since the day he gave way his wish he hasn’t been the same.

- Simon used to be very energetic and hard working, now, he’s in a constant feel of exhaustion that doesn’t go away, no matter how much he sleeps, he doesn’t feel motivated to do anything.

- His friends are very understanding tho and every time they hang out they always bring a pillow in case he needs a nap (which he always does need).

- They assume Simon has been so exhausted since he turned 18 because after that his father has been more demanding of him and his training, we’ll talk more about that later.

- Even tho he’s overwhelmed with sleepiness, Simon is still very protective and caring with his friends, he always tries his best to stay awake when they’re having fun together, he doesn’t want to miss a moment with them.

- He was even more protective before he turned 18 of course, he was like the older brother of the group, but since now he’s way too sleepy to be the voice of reason, that role is now Asha’s, the second oldest.

He’s the son of the captain of the royal guard

- The training I mentioned before was sword fighting, horse walking, navigation, tactics and a bunch of other exhausting things.

- But for whaaaateveeer reason Simon has lost all interest in learning about them since the day he gave away his wish, gosh I wonder what that wish wa— It’s the same that it was in the movie.

- Simon wished to become the next captain of the royal guard, just like his dad, so he can make him proud and protect his friends.

(Omg Simon is Papyrus Undertale confirmed)

- Magnifico is waiting for Simon’s dad to pass away so he can grant Simon’s wish, can’t have 2 captains of the royal guard at the same time, now can he?

- The tragic irony of it all is that a wish that Simon made to make his family proud just made him become an embarrassment to his father, who now doesn’t even try to teach him anything, knowing his son is just gonna fall asleep during his lessons.

- Simon is very distressed by all this, deep down he knows that he might feel this way because, for whatever reason, the king hasn’t granted his wish yet

- Whenever he tries to explain that to his father tho, he just angrily cuts him off for even daring to question or blame the king for his own failures, saying he must always be loyal and thankful to the king… Always.

(His father is mean like that because he wished to be the king’s most trusted and loyal knight so he literally is incapable of questioning Magnifico, even if that means he hurts his son in the process)

- After getting these speeches from his father so many times Simon just accepted that the problem was him, and it definitely wasn’t the king’s fault

- However, Asha did suspect that Simon’s wish wasn’t granted, just like how her grandfather’s wish wasn’t either, she recognized how Simon shared a lot of behavior patterns with her grandfather.

“You know Simon… Maybe you should ask the king if your wish was granted at all, don’t you think? You haven't been acting like yourself for 3 years now”

“What? Oh no no no I… I shouldn’t bother him with something so silly, I mean, of course he granted my wish… And if he didn’t then he must have his reasons and I just gotta wait haha but it doesn’t matter either way, after all I’m totally fine… I’m fine…”

Simon is the only one in the group who has absolutely no criticism about the king.

He was the second one that met Asha

- Simon was 10 when he started training sword fighting on his backyard, he’d use some scare crows as his opponents, and he made some wood swords by himself.

- Asha and Dahlia were hanging out when they saw Simon training, Asha thought it seemed fun so she asked if she could play too.

- Simon really could use some more lively opponents so yeah, why not?

- They played sword fighting the whole afternoon while Dahlia cheered for Asha and joined in the fun too.

- Since then they were very close friends and Simon taught Asha how to properly sword fight during their preteen years… they haven’t done that in a while now.

He’ll be the traitor

- Yup, oh sweet sleepy lil Simon betrays them in my version too, but don’t worry, it’s not just because he wants to get his wish granted like it was in the movie

(because that was a jerk move that made Simon feel very unlikable, like I get it he’s constantly exhausted and depressed and wants it to go away but bruh couldn’t even look guilty when doing it)

- So, like I mentioned, they all go after Asha and Aster in the forest. Simon at first is very resistant and the others even say it’s okay if wants to stay.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Dahlia: It’s okay Simon, you don’t have to go if you don’t want to.

Gabo: OH SURE! I’m a jerk for calling this a suicide mission, but the strongest and oldest of the group not wanting to go is completely understandable, I see how it is.

Simon: …hmm

Dahlia: Simon’s case is different Gabo, if his dad realizes he’s missing then we might have even more guards on our tail.

Safi: Besides, Simon might be a liability.

Simon:… what’s that supposed to mean?

Safi: Ah… shoot- eh you know like… it’s getting pretty late and you didn’t get a nap this afternoon so—

Gabo: He means we can’t carry you through the woods like a sleeping beauty waiting for a kiss, Simon.

Simon:…

Hal: Wow Gabo, very classy (sarcastic)

Gabo: Hey, just saying what we’re all thinking-

Simon: I’m going.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

- Simon decides he has to go because someone has to be there to protect his friends, not just from the woods, but most importantly from that star guy the king warned everyone about

- May seem contradictory that Simon believes both in the king and Asha, but truth is that he’s holding up hope that this is all some big misunderstanding and Asha just misunderstood something the king said, or she’s being brainwashed by that star, or anything else.

- He just can’t accept that the king is truly evil.

- So, when they’re packing up their things to go, Simon grabs a little something from his father’s room.

- A magic mirror, used only by the king’s most trusted knights, that gives direct contact to the king's study.

- He planed to just use it in case that they needed help if they found out the star was really harming Asha.

- However, once they did find Asha and Aster, it became undeniably clear that the star wasn’t harmful at all, which left Simon very confused.

“Maybe the book the king read about wishing stars was wrong, I should just explain to him that he made a mistake!”

(Oh poor naive boy)

- After planning how they’d defeat the king and save the wishes, Simon just lied saying he was gonna take a nap behind a tree, and thus, he entered in contact with the king and queen

- Magnifico at first dismisses Simon like he’s just messing with his father’s stuff until Simon mentions he knows where Asha and the star are, that peaks his interest, but he and Amaya disguise their enthusiasm perfectly by pretending to be worried for his safety.

“Oh my, are you alright? Has it done anything to you? Where are you? We can send help immediately”

- He says they’re fine, and tries to explain that maybe the king was wrong about star, and there has been some misunderstanding that lead to Asha thinking they were bad people, if they just talked things out everything would go back to normal.

- Like I mentioned in part 2, one of Magnifico’s abilities is hypnosis through eye contact, so he’s able to make Simon see things his way.

- He manipulates Simon into thinking that the star is tricking all of them to get to the wishes, and the only way for Simon to save them is doing EXACTLY what Magnifico says.

- He asks Simon to tell him what their plans are, so he can stop them from… doing anything they might regret.

- Simon, even under the influence of Magnifico’s power, is still conflicted and asks if his friends will be in trouble after this is all over.

“Trouble? Oh heaves no, dear boy, I wouldn’t dream on letting any harm come to them, trust me, your friends will be perfectly safe… If you do as I say.”

“… “if”?…”

“Enough chit chat, now, what are they plotting exactly? Don’t leave any details”

- Of course, Magnifico also offers to grant Simon's wish if everything goes according to plan, Simon is fully convinced.

- Simon agrees to lock his friends in a room during their invasion to the castle, the king convinced him that's the best way to keep them “safe” (Asha will be locked in a different room tho, for… reasons)

- But once he does lock them up, he hears his friends screaming and arguing with him through the door, eventually he has a change of heart and lets them go, so they can stop the king and queen together.

- Simon first betrayed his friends, but then he betrayed the king, and as he’ll find out in a very painful way… Magnifico really doesn’t like being betrayed.

(See what I did there? That’s a line Magnifico says in the Wish movie hehe… okay moving on)

Gabo 😡

- Gabo is a 17 year old teen, he’s also a little person.

- He’s a menace to society the brutally honest of the group, always with a sarcastic remark on the tip of his tongue, sometimes they’re funny, sometimes they’re way too harsh, but he often apologizes if he goes too far, he doesn’t mean to hurt people, being blunt is just how he expresses himself.

- You may wonder why his friends even hang out with him if he’s so… grumpy all the time, well, his friends understand that he has a lot of pent-up anger inside because of personal stuff, so they try to help him through it.

- He also has a more soft side to him, he can be very wise for his age when his friends need some advice, and he’s always loyal, even when they disagree, he’d go anywhere they go.

- He’s specially loyal and supportive to Asha and most of the time refrains from throwing shade at her, actually he’s mostly just blunt when talking to the guys, he’s a lot more respectful to the girls.

(Ironic considering Grumpy hated Snow White at first just because she was a girl lmao)

He’s the son of a soldier

- His father is just a random soldier, nothing special really.

- However, once when Gabo was a kid, he was visiting the castle with his father and he wanted to explore, so he sneakily grabbed his father’s keys to the dungeons and went to see how was it like, ya know, boys will be boys.

- He got in, and at first there wasn’t nothing out of the ordinary, just your average scary dark and gloomy dungeon… except that by the end of a hall, full of empty jail cells, there was a door.

- And he could hear someone screaming from behind that door, like they were pleading, and he saw light coming from the key hole… It looked like the king’s magic, except it was green instead of blue.

- He tried to use the keys to open it, but none of them worked.

“Ugh why don’t any of these keys work??”

“Because this area is forbidden, little one”

- He turned around quickly to see who was behind him, and there she was, the queen was smiling down at him, a sweet and tender smile, like she wasn’t hearing the sounds of desperate cries coming from behind the door.

“I- sorry your majesty but umm… it sounds like someone is in trouble in there, shouldn't we help?”

- Then he heard the distinct sound of something made of glass breaking, and suddenly… silence, no more crying, no more screaming, and no more light coming from the door.

“I don’t hear anything my sapling, poor thing, you must be imagining things. Now, why don’t you just hurry along back to your father? He’s looking for you… And remember, this is our little secret~”

- And Gabo never told this to anyone, he knows no one would believe him.

(If you’re wondering what was going on behind that door… let’s just say there’s STILL more evil stuff Magnifico does that I couldn’t fit in my blog about the villains, what’s that you ask? *maniacal laugh* I’ll let you guess)

- Gabo always had the feeling that there was something WRONG with Rosas, but he couldn't quite pin point what, and that experience in the dungeon made him start questioning if the smiles he saw plastered on the king and queen's faces everyday were real or fake.

- This feeling that there was something wrong but there was nothing he could do about it made him, for a lack of a better word, grumpy a lot of the time.

- Needles to say, when Asha explained that the king and queen were actually evil, Gabo believed in a heartbeat.

- Because he’s a little person, Gabo is not expected to follow his father’s foot steps, and that makes him furious, because he wishes he could be seen as strong like he sees himself, but he’s constantly underestimated and treated like a kid.

He was the third one to met Asha

- During a kite festival in the kingdom, Dahlia, Simon and Asha were flying their kite when they noticed a boy sitting down on the grass, next to a broken kite.

- The boy looked very grumpy, so Asha tried offering him a hug, Gabo quickly pushed her away, saying he wanted to be left alone.

- Simon and Dahlia suggested they should just leave him be, but Asha insisted they should just give him some time to calm down.

- They sat a little bit far away from Gabo and started to just talk. Gabo appreciated that even though Asha didn’t even know him she was willing to wait for him to get some alone time and try to reach out for him later, most people just walked away when he had his anger episodes.

- After a few minutes, he got up and asked if he could play with them.

He will be the comedy relief, and the straightforward voice of reason

- Comedy relief is also an important role in a story, to alleviate the the tension and just be that one character that gives more contradictory remarks, otherwise everyone just agrees with each other and really where’s the fun in that?

- Also, after they figure out Simon betrayed them, he’d be the one who snaps Simon out of the idea that the king is a good person, throwing some facts to his face and like, not sugarcoating it, just straight up calling Simon out for being a dirty traitor, an awful friend and an absolute idiot, which may seem harsh but was exactly what Simon needed to hear to realize he was making a mistake.

- Like, Simon just opens the door apologizing in the verge of tears while Gabo keeps kicking his leg to let out his anger while everyone else is staring at Simon very disappointedly, comedy gold.

Bazeema 🥰

- Bazeema is 17 years old, who’s very shy.

-In this rewrite she is pretty much the same except for a little design and background change, you see, I found this piece of concept art

- Do you see it? Bazeema seems to be wearing a hijab, I like that, we don’t get enough Muslim representation, so there, Bazeema is Muslim and she wears a hijab now, her religion won’t affect anything in the narrative tho but I just wish they kept this detail in her design.

- Also I’m keeping that gimmick that sometimes she appears out of no where and scared the hell out of Gabo, because yeah I think it has comedic potential.

- She’s a very sweet and gentle girl, very soft spoken and likes to have some alone time once in a while “us introverts need sanctuary” as she said.

(She’s kinda like Fluttershy, see? I told you I’d mention more my little pony characters)

She’s the daughter of the royal gardeners

- Nothing much to it, Bazeema just saw the queen being rude to her mother once because the flowers were red instead of white. So again, when Asha sas the royal couple is evil she believes her just fine.

- Also she knows about a secret passage inside the palace’s garden, in the center of a hedge maze, that leads to inside the castle.

- Specifically to an underground storage room where her parents keep some gardening tools, but, if they can get in there, they might find a way to get inside the castle through the underground.

- She doesn’t mind following her parents footsteps at all, in fact, she loves the idea of just talking to flowers all day.

She’s the fourth one who Asha meets

- When Asha was 10, she and her friends went to watch a kids play telling the story of Rosas, Bazeema was playing the queen.

- But Bazeema got stage fright, and ran to the back of the stage, embarrassed that she forgot her lines

- Asha followed the sound of her crying and reassured her that it was alright and she could take as long as she needed to feel ready, and complemented that she looked beautiful in her Queen’s dress.

- Bazeema really appreciated that, and she went back on stage, although, she tried keeping her eyes closed to not see the crowd.

She’ll give important info on how to get inside the castle

- Like I mentioned before, Bazeema has info on how to get inside the castle through the garden, so she’ll just assist on that part of their plan.

- Also comedic relief, with her gimmick of disappearing then showing up out of nowhere.

Dario 💎

- Dario is 17 years old, and in this rewrite, he’s mute, not deaf tho, just mute, so he communicates through sign language. That’s to reference how Dopey, the dwarf he pays homage to, was also mute.

- I wouldn’t say Dario is dumb in my rewrite, he’s just really easily distracted, sometimes when his friends are talking he’ll just doze off and look at some flowers he finds along the way or collect rocks, and they don’t really mind.

- Dario is very emotionally intelligent tho, and among all the 7 teens, he’s one of the quickest to believe that Asha is innocent (Right after Dahlia)

He’s the son of the royal announcers

- Ya know those people with the big trumpets that give announcements to the kingdom? Yeah that’s what his parents do.

- Due to his disability Dario can’t really become an announcer, at least not a verbal one, he doesn’t really mind tho.

He’s the fifth one that Asha meets

- Asha was 11 when she and her friends met Dario, he was new in their class because he and his parents just moved to Rosas.

- Since he was mute, he had a really hard time making friends, so, Asha and her friends went to the library and found a book teaching about sign language

(I’m not gonna pretend you can actually learn ALL about sign language with just a book, I should know, I had ASL class in college, with a deaf teacher, and even then I don’t know even half of what there is to know, but this is a fantasy, so let’s pretend these kids learned the whole language, because it’s wholesome)

- So they make this effort to communicate with him and that makes Dario really happy, and he quickly joins the group.

He’ll be the silent comedic relief and also help creating a distraction for the king

- Most scenes when everyone is talking and focusing on more serious things, Dario is easily distracted and can be on the background doing the most random things, it’s not that he doesn’t care tho, he’s listening, and sometimes he comes up with creative ideas of his own.

- Also, as the son of the royal announcers, he goes tell them he has seen the star on the north side of the forest, his parents obviously believe him, and announce to the guards and the king, thus they can get inside while Aster distracts Magnifico.

Safi 🤧

- Safi is the youngest in the group, he’s 16 years old, and he has a tendency to sometimes not thinking before he speaks, so he kinda blurts out things that might come off as indelicate, but he never means to be rude. Also he’s allergic to EVERYTHING under the sun, so, of course, he sneezes a lot.

- I gave him this characteristic of blurting out things that he’s not supposed to say because it kinda reminds me of a sneeze, uncontrollable and sometimes inconvenient, but this way it gives him more character.

- Also if it was only Gabo saying inconvenient stuff and everyone else were saints this would be no realistic group of teenagers, teens are relentless when it comes to saying dumb stuff with each other y’all, they just don’t care.

- Safi is also a germophobic, always avoiding situations that might get him sick, like flowers, animals, dust, humidity, flour, the rain-

- And even though he’s terrified of everything that might give him a sneezing fit, his friends are always there to help him get through it.

He’s the son of two members of the cleaning staff

- So, as you can imagine, Safi really doesn’t want to follow his parents career path, with a job that is all about cleaning dust.

- One day, he was asked to help them clean the castle so he could at least try to learn something.

- While he was helping, the king showed up and started complaining with his parents that his study wasn’t clean enough

- While he was busy talking with them, he left something very important lying around.

- Safi saw the king’s magic staff leaning on the wall.

- Safi wanted to get a closer look, so while the king was distracted he approached the staff, but then, he felt it, a sneeze was coming up.

- He tried to hold it in but it was too late, Safi sneeze was so strong the staff got out of balance, and when it was about to hit the ground Magnifico managed to grab it just in time.

- Safi looked relieved and even chuckled to himself thinking the king would do the same. But the expression the king had was something he never seen from him before… Safi saw pure rage.

“DO YOU HAVE ANY IDEA WHAT YOU ALMOST DID? YOU WRETCHED BRAT! YOU COULD’VE ENDED ALL THE MAGIC IN ROSAS! I COULD’VE BEEN RUINED”

- Safi was pressed against a wall apologizing frantically and so were his parents.

- The king took a few deep breaths, and as if nothing happened his expression went back to his usual charismatic smile

“Maybe cleaning duty just isn’t your calling, lad. You’re dismissed from assisting for today, or any other day for that matter.”

- So Safi is not allowed inside the castle anymore.

He was the sixth that Asha met

- Safi was terrified during the festivals celebrating the foundation of Rosas, because the kingdom was decorated completely with, well, roses.

- There were roses everywhere, and he couldn’t stop sneezing with all the pollen in the air.

- Asha and her friends noticed him distressed, and decided to help him by taking Safi away from the kingdom.

- Safi was sad he couldn’t join in the party, but Asha and her friends said they could bring the party to him, so they danced and played instruments all day long.

This boy whose only personality trait was SNEEZING is literally the one who provides the info they need to defeat the villains, no, I’m not joking

- Like I mentioned before, Safi had a interaction with the king where he heard the king say “You could’ve ended all magic in Rosas” but he never understood what Magnifico meant by that.

- It’s not like all the king’s magic is stored in that one staff right?… but what if it is.

- When they’re coming up with a plan to defeat the king, Safi brings up this information, and there you have it, now they know what’s his weakness.

Hal 😄

- Hal is 17 year old, and judging by her earrings that resemble the “Jaaro dibbei” earrings from the Fulani tribe, so with that in mind, in this rewrite she came from Africa but moved to Rosas with her family as a kid.

- Hal is a very extroverted and joyful person, it’s rare to not see her smile, unless the situation really gets serious.

- Shes contagiously optimistic.

- Is often practicing her jokes with her friends, or just throwing some quick witted quips to lighten the mood.

(She’s a lot like Pinkie Pie… All the girls are My Little Pony references)

She’s the daughter of the royal entertainers

- Hal used to practice a lot of juggling and try acrobatics when she was little, but she quickly realized that kind of act wasn’t her calling

- She much prefers telling jokes and funny stories to the king and queen wherever her parents bring her with them to perform

- Hal noticed how the laughs and smiles the king and queen made during her acts always felt kinda forced, like they didn’t mean it.

- However the king would often burst with laughter whenever a performance from her parents went wrong, that always rubbed her the wrong way.

She was the last to met Asha

- When Asha was 13, she and her friends saw Hal practicing juggling near the forest, and she was really struggling with it.

- She told them she was really nervous because she had to be ready to perform for the royal couple in a few days.

- Asha suggested she should try a different kind of act, so she and her friends helped Hal come up with stories to narrate to the king.

- Hal discovered a new passion for story telling, and that became her new act.

She's the one who encourages Aster to confess his feelings

- Our Star Boy wasn’t actually that confident with confessing how he really felt about Asha, after all Aster knew that after granting her wish they would never see each other again, so what was the point in confessing?

- Hal encourages him with her optimism and explains that if he doesn’t tell her he’ll just regret it forever.

- That leads to the “At All Cost” scene

- So thank Hal for playing cupid

- Oh and Bazeema will help encourage Aster too

Final Thoughts

Welp this was a doozy one, but I’m pretty satisfied with how they turned out, everyone now feels like they got something to do and some actual backstories.

The way I’m planning to actually introduce in the story how they all met Asha is through a musical flashback that we see Asha going from a little kid to a teenager, think of it like the UP intro or “Do You Want To Build a Snowman”.

Like the movie would have in the beginning Asha’s grandpa reading to her the story of Rosas and we get a sweet scene of them interacting, then it cuts to this musical sequence (probably with no lyrics like in UP) where we see how Asha met each one of her friends, and also show how as time went on her grandfather grew more and more senile and dependent on her.

The sequence would end with Asha’s grandfather’s passing, and her friends being there to support her. Just like that in a flashback sequence with no dialogue we understand who are Asha’s friends, who was her grandfather, how Asha cares about all of them dearly, and with all that established the story begins.

Like can you imagine that? Introducing why we should care about Asha’s friends by showing to us who they are instead of just telling us and throwing them in the story with no explanation? What a concept, I’m sure glad a certain multibillion company didn’t just waste them…

Anyway, I’ll start actually sharing the chapters of my rewrite here pretty soon, I’m already confident enough to do it!

I was gonna first share a blog about how I’d reimagine Valentino buuuuuut I think it’s gonna be a pretty short blog that I can write later, and I can tell some people really want me to just tell the story already, and I want to start doing it too so let’s gooo!

Thank you so much for reading!

#disney wish #wish 2023 #wish #wish star #wish asha #wish disney #wish movie #wish rewrite #king magnifico #wish reimagined #wish the 7 teens

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reduxulousoctopus · 27 days

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X-Men '97, Post-Episode 7, ~2500 words Morpherine established relationship, missing scene (unless the show actually does explore what happened during that fight, in which case boy is there egg on my face).

I follow established show canon by referring to Morph as he/him in diegetic works (fanfic and fan art) and they/them in non-diegetic works (my episode analyses and reblogs), because that's the stupidest option and, like Morph, I am also an enby with a terrible sense of humor.

Now come watch me struggle to write two whole lines of dialogue for one of my favorite characters in the series, Beast, because Me Too Stupid to Write Smart Talk Good.

“You wanna explain what the hell happened back there?”

Although he considers pretending he didn’t hear the question, Morph reluctantly glances across the center aisle of the Blackbird to see Logan glaring back at him with an expression as hard as the adamantium underneath it. Although it’s a look he’s seen plenty of times before as an innocent bystander, Morph has only been the target of that glare on a handful of occasions. Usually when he’s severely fucked something up. Or when Logan is completely out-of-his-mind, cuckoo-bananas worried about him.

Morph suspects that this time, it’s a little Column A, a little Column B.

A wiser person might realize they were in a hole and stop digging; Morph smirks and asks, “What, the Summers Family Reunion? Well, you see, when a man and the clone of his wife love each other very much…” Morph chuckles. “By the way, this might be a bit creepy to say as one of his honorary uncles, but Baby Nathan grew up to be a serious hottie—emphasis on serious.”

No laugh. Okay, maybe that wasn’t his best material, but not even a lip twitch? Logan must be pissed.

Morph sighs and slouches in his seat. God, he doesn’t want to talk about this right now. Or maybe ever. He can feel his throat literally closing up to stop the words from coming out.

When enough time has passed that what little patience Logan had left in the tap completely runs dry, he goes right for the jugular: “I thought you were dead. Again.”

Morph winces.

“I saw that… ‘Trask Sentinel’ blow your goddamn head off. Then, next thing I know, you’re up and walkin’ around like nothing happened.”

“Not that you’re complaining, right?” Morph asks with a weak attempt at a laugh. “You know what they say about gift horses. Although, you’d think the lesson from the Trojan War would be that you should look gift horses in the mouth.”

From the seat behind him, Morph hears: “Although it’s a common misconception, that phrase actually has nothing to do with the Trojan Horse. The proverbial ‘gift horse’ is a literal, living horse, and to look it in the mouth—”

“With all those books you read,” Logan grumbles, “I thought at least one of them would've taught you it's rude to eavesdrop.”

“It would be difficult not to overhear, given the two of you are speaking quite loudly in a confined space while surrounded by people,” Beast points out. “Have you considered that this perhaps isn’t the best venue for a private conversation?”

“He is a super-genius. We’d better listen to him,” Morph tells Logan. “We’ll talk later, okay big guy?”

The stubborn set of that heavy jaw says Logan knows damn well ‘later’ means ‘never,’ and he isn’t gonna let Morph weasel out of this that easy. “If you ever want me to let you off this plane, you’ll talk now.”

“Let me?” Morph scoffs. He transforms into Quicksilver, puts on his best smug speedster grin, and says, “Just try and stop me, slowpoke.”

To his shock, Logan actually flinches. It’s a subtle thing, Morph might not have even noticed if he didn’t know Logan so well. The cause eludes him, however—until Morph remembers that he looked like Maximoff when the Thrask Sentinel… when everything went dark and quiet for a few seconds.

Funny. There was a time when Morph, blinded by youthful naivety and hero-worship, would have insisted Wolverine wasn’t afraid of anything.

Returning to his default form, Morph mutters out an apology. He tries to imagine what it would be like to see Logan die, only for him to get up a few seconds later and act like nothing happened. With that healing factor of his, they’ve gotten damned close to that exact scenario more than a few times.

How much worse would it feel, if Logan had kept his quick-healing abilities secret and Morph had to find out the hard way?

Morph takes a breath, looks out the window at the black clouds rushing by, and starts from the beginning.

“You know how most of us don’t know we’re mutants until we hit puberty, and our powers manifest? Well… I didn’t have to wait that long. Problem is, since I was just a baby, I had no idea how to control my powers—no more than a normal baby is born knowing how to walk or talk.

He holds out his hands with his palms cupped together to form a shallow, makeshift bowl.

“When I was born, I looked like a wriggling lump of white clay, about yay-big. No arms or legs, no face, no ears, no eyes. Just a mouth that would appear somewhere on my body whenever I was hungry or wanted to cry.”

Whatever Logan was expecting to hear, from the look on his face, it clearly wasn’t that.

“But even at that tender age, someone clearly recognized my star potential. I was only two days old when I made my media debut: Severely Deformed MUTANT Born In Pittsburgh Hospital.” Morph shrugs. “Not the most positive review, I’ll admit, but you know what they say: all publicity is good publicity. After all, that’s how the professor found me.”

Logan’s frown returns, more confused than angry. “You told me you didn’t meet Xavier until you were thirteen—after your mom passed.”

“That’s when I moved to the Institute. Turns out we actually met quite a lot earlier than I remembered, which is pretty embarrassing. Ideally, you don’t want to meet your future high school principal, college instructor, mentor, and world famous civil rights leader while wearing a diaper. Even worse, I was wearing a diaper, too—and I told him, mister, one of us is going to have to go home and change his outfit and it sure isn’t going to be me.”

That gets him a smile and a huff of a laugh, which would be an encouraging sign if he didn’t know how the story ends.

“So Xavier talked to my parents, explained the whole ‘mutant thing.’ Dad wasn’t happy. Then again, I’m not sure he ever was. He would have been disappointed to have a girl—a sentient lump of polymorphic biomass was right out. Thankfully, Xavier was able to use his telepathy to coach me through my very first transformation. He showed me how to turn into a normal baby boy, who would eventually grow up to look like this.”

Morph transforms into his old default, the one he still uses whenever he wants to pass: pale (although not that pale) skin, brown eyes, brown hair, hooked nose, pointed chin, gaunt cheeks, arched brows. Not exactly Fabio, but it’s the face Logan used to know him by—the face he sometimes worries Logan might secretly still prefer.

“Then he put some psychic blocks in place to limit my powers to something a bit more… manageable. Don’t give me that look. It sounds shady, but the professor messing with my head was the only reason I got to have a normal, happy childhood with my parents. God only knows what would have happened otherwise—if I’d even be alive now.”

The worry and suspicion that appeared on Logan’s face at the mention of psychic tampering grudgingly fade away. “When did you find out?” he asks instead.

“A couple months after the professor… y’know,” Morph sighs. “I hacked his personal files. Since he wouldn’t be around anymore to help you recover your memories, I hoped that maybe I could find something small he overlooked, some clue that might give us an idea where to look next.”

Logan’s eyes widen and his mouth goes slightly slack. “Morph…”

“I didn’t find anything, before you get excited. Not about you, anyway. Sure found out a lot about myself, though—a lot more than I was bargaining for.”

“That’s when your default form changed,” Logan realizes.

“Yeah. It was kind of hard to think of this,” Morph replies, gesturing at the face of his human-passing form, “as my ‘real’ face after that. Not that my new look is any more real, of course.”

“Who else knows?”

“Other than our friends listening to this conversation right now?” Morph asks pointedly, causing an entire plane full of X-Men to each make their best attempt at looking busy. Nightcrawler’s method of peering thoughtfully at the radio controls with one hand on his chin is particularly masterful—Logan mentioned he used to perform in a circus, so it’s no wonder he’s got such a good instinct for stage-business. “I told Hank and Moira not long after I found out. Seemed like a bad idea to keep that information from my doctors. Especially when one of them is also my therapist.”

At receiving a glare from Logan, Beast develops a sudden and convenient fascination with the view through the Blackbird’s window.

“But you didn’t want anyone else to know.” Logan could accept that, even if he doesn’t like it. Nothing personal. A man’s business is man's business, after all—even for a not-quite-man like Morph.

Too bad it wouldn’t be the truth; no more ‘real’ than any face that Morph wears.

“I didn’t want you to know.”

Morph can handle Logan’s anger, no problem. That’s almost charming, after all these years. But it’s the flicker of hurt, just like that little flinch earlier, that really cuts him to the quick.

“Not because I don’t trust you, or want to keep things from you or anything, it’s just… I didn’t—I couldn’t—”

He sighs and looks away again. He transforms back into his new default: smooth white skin, mask-like face. Obviously inhuman.

Still a lot more human than he looked when he was born, though.

“So, yeah. That’s why I’ve apparently gained the ability to survive having my head blown off. It sure would have been handy to know that my organs were optional the last time a Sentinel put me down. Now, instead of being out of commission for two years I’ll never get back, I can just squish myself back together and keep on keepin’ on.”

Logan doesn’t respond, and slowly, the mutter of other conversations step in to fill the void. Morph stares at nothing, sick with nerves. It’s deeply unfair that he can still feel nauseous even though he doesn’t have a stomach anymore.

He would say it’s all in his head, but if he can survive without one, maybe he doesn’t have a brain, either.

Badum-tch.

Good line. Hopefully he’ll remember it after the existential horror wears off, in the brief window when things will be funny again before the heartbreak sinks in.

Because there’s dropping a bombshell on a relationship—then there’s dropping a fucking nuke.

Oh God. There isn’t going to be a window, is there?

“Morph. Look at me.”

Although he considers pretending he didn’t hear the command, Morph reluctantly glances across the center aisle of the Blackbird to see Logan looking back at him with an expression as soft as the heart he usually tries to hide.

“No matter what you look like, there’s one thing you’ve never been able to change,” Logan tells him. “That’s real enough for me.”

A wiser person might realize they were in a hole and stop digging; Morph can’t stop himself from opening his big stupid mouth. No wonder that was the one feature even Baby Morph knew to give himself. “There are more blocks Xavier left behind that I haven’t pushed through, yet. Maybe I’ll even figure out how to change my scent, someday.”

From the look on his face, Logan clearly hadn’t considered that possibility. Morph immediately wishes he could take it back, feeling like he’s just tarnished something sacred.

It’s always been strangely intimate, the way Logan can recognize him by scent alone. Even from the beginning, when Morph decided to pull a prank on the grumpy new recruit, only for Wolverine to sniff him out mere seconds into his planned routine—it was as if, like the Emperor’s New Clothes, he suddenly realized he had been naked the entire time.

Another, smarter shapeshifter might have avoided Logan after that; Morph couldn’t get enough.

One-sided pestering turned into an unlikely friendship, turned into friends-with-benefits, turned into… whatever they have now. That which dares not speak its name.

The thought of losing that connection, the idea that someday he may be able to change himself so thoroughly that even Logan won’t be able to recognize him anymore… It’s too awful. Cursed knowledge. Like learning about the solar cycle when he was a kid, and suddenly having the horrible realization: if even the sun is going to die someday, what makes him so sure Mom will get better?

Out of the corner of his eye, Morph sees Logan’s hand start to move, stop, then start again, reaching across the aisle towards him. For a insane, terrifying moment, he thinks Logan’s about to hold his hand, outing them in front of God, the other X-Men, and everybody—but of course, that enormous, rough mitt lands on his shoulder instead. Perfectly platonic, approved for all audiences by S&P.

Though they’re shooting through the air at supersonic speed, under the heavy weight of that hand, Morph feels rooted to stable ground. He closes his eyes and takes a few slow breaths he doesn’t actually need, with lungs he only has when he remembers to make himself some.

If there are any people left when the sun finally burns out in a few billion years, they’ll still be telling each other jokes as they go into that endless good night. Just think of the money we’ll save on sunscreen. Maybe, but you know the light-bulb companies are gonna take us to the cleaners. Ha ha, freeze frame, theme song, end credits.

Even as her body slowly wasted away under the combined onslaught of cancer and chemo, Mom always laughed at his jokes, no matter how many times she heard the one about the chicken who crossed the road. His most appreciative audience, to the very last curtain call.

The world is pretty fucking scary right now, and only getting scarier. Sinister. Genosha. Losing Gambit. Sentinels again, in all new and even more monstrous forms. Even worse: total war between humans and mutants looming over the horizon, shaking the ground with each step, getting closer and more inevitable every time someone mentions it, like a demon whose power grows every time you says its name.

But just because things are scary doesn’t mean the world's turning into a horror movie, and just because things are sad doesn’t make it a tragedy. Everyone gets to choose the genre of their life story—and Morph will always pick comedy.

He gives the hand on his shoulder a friendly pat, and uses the motion to disguise a slightly more-than-friendly squeeze. “I’m alright, just a little airsick. I think it’s making me maudlin.”

As he pulls his hand back, Logan frowns a little in confusion—he knows Morph is experienced enough in the air that he shouldn’t be getting nauseous over what are, for the Blackbird, barely above pleasure-cruise speeds.

“How unfair is that, by the way?” Morph asks. “I don’t even have a stomach right now.”

Logan chuckles. Nah, baby, don’t give it up for me that easy, Morph thinks, fighting a grin. You gotta make me work for it a little…

He needn’t have worried, though. When he does make it to the punchline, Logan laughs so hard that he snorts, the laugh-lines Morph has personally carved into that seemingly indestructible face creasing and growing deeper still. And as their friends who Definitely Weren’t Eavesdropping join in—even Rogue, so teary and congested that her laughs would sound like sobs if she wasn’t smiling—Morph knows all their attempts to hide their relationship have been for nothing, because there’s no way that all the love he feels for Logan in that moment isn’t writ large all over whichever face he's wearing right now.

That’s real enough for him.

#x men 97 #x men #morph #wolverine #morpherine #my stuff #wait what this actually ended up good #have I actually been a good writer this whole time and just too depressed to notice?#what the fuck that's not fair

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h4lftruths4ndhyperb0le · 8 months

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I finally caught up on watching the Ahsoka show, and I’m so glad, because episode five was so good. I think that it did a great job of addressing the fact that Ahsoka never got to really sit back and fact the trauma of being thrust into a war as a child (which is why I think it’s important to me that we saw two battles, one before and one after she left the Jedi Order—we’re reminded that she never escaped the fighting, even back then).

I’ve seen a few posts now that reference Anakin asking “is that what this is about?” when Vader comes up, and I was surprised to see how differently I had interpreted the scene from what they all were saying. The posts mainly depict this line as Anakjn brushing off Vader like it’s not a big deal, and Ahsoka shouldn’t think about it. In my eyes, though, Anakin sees Vader as his mistake, his demon, something haunting him. He’s not brushing off the fact that it mattered to Ahsoka, he’s denying the idea that the things he did wrong are somehow her mistakes, too. And it fits perfectly into that surrounding dialogue: Anakin is telling her she’s part of a legacy, thinking that, by holding onto that, she can know she’s something more than the violence and fighting she took part in. He tells her that she is more than that, and that he knows because he, too, is more than that. But Ahsoka can’t look at herself and not see the violence which was her mark on the legacy, and when she looks at Anakin, she sees only the evil he did or the master he was.

And then we come to the line “Is that what this is about?” It’s not asked in a way of ‘Oh, is that all?’ The followup exchange clarifies this:

“If I am everything you are…”

“You’ve learned nothing.”

Anakin has been telling her that the choices she had to make during the war weren’t her fault, nor were the mistakes, that she’s MORE than that. And what she’s gotten out of that is that his mistakes are hers, too. And I don’t think he realizes she’s doing that until this point, which is when he takes them back to the beginning, changing tactics and becoming Vader, so that Ahsoka can address this supposed part of herself she’s afraid of.

I don’t know if any of that makes sense, but it’s just SUCH a great scene, and Hayden Christensen did so well as Anakin in the episode as a whole, and I loved this line and had feelings about it

#ahsoka #star wars #star wars clone wars #anakin skywalker #ahsoka tano #ahsoka series #ahsoka spoilers #episode 5 #darth vader #ramblings #edited for typos #because I typed this in a rush on my phone

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crowhunterzz · 3 months

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i know it’s been said on here plenty of times but i genuinely get so upset when i see people continuously perpetuate the whole “Gehrman’s a creep and the Doll is a sex object theory” when there’s an actually direct in-game evidence showing that none of that is true. and yk what despite the posts abt this that already exist i am, in fact, gonna make one of my own.

Okay so first off, The Voiceline. You know the one.

Yeah this line got interpreted by a portion of the fandom as weird, especially because of the tone it’s said in. However, there are two pieces of context that immediately show what he meant by this.

The first, is that you DO use the Doll. She provides a service for you by taking your blood echoes and turning them into your strength (the level up system).

Aside from this, the ability to talk to her, and the option of giving her an item, there is nothing else you can do with her, and nothing else the game even implies you can do with her. She does not even have any truly “romantic” dialogue. She mentions that she loves you, but that she does because she was created to do so.

She loves all the hunters because her purpose is to care for them, and in her words, embolden their sickly spirits.

The second piece of context is in Gehrman’s dialogue just before he says the line about the Doll.

He is telling you that anything you find in the workshop is a tool you can use to strengthen yourself and make the hunt easier. He is referring to the Doll as a tool, because she is one of the few the workshop has not lost. He’s not sexualizing her, he’s talking about her like she is a tool, and something to be used, not seen as a person.

Is it a good thing? No, but considering he resents her for not being what he created her to be (or by another interpretation, coming to life when he never intended her to), it’s not unreasonable to assume that over time he would just categorize her as a thing instead of a person.

The second piece of evidence towards this god awful theory is the Doll’s white blood. Honestly I cannot believe people genuinely take this as being semen, because not only is there a canon reason for creatures to have pale blood, but also it’s just disgusting.

You need a minimum of one insight to see the Doll during the game, she was given life by the Moon Presence following Gehrman’s placement in the Hunter’s Dream, and she bleeds pale blood. She’s kin. (Yes I am aware the game does not consider her kin in regards to whether or not she can be dealt damage based gems that alter your attacks vs kin, but you’re not supposed to be fighting her anyway, and it’s not like you need a bonus to kill her in the first place).

And finally, to address the other big point, the item descriptions that appear on Maria’s Hunter Garb and the Doll’s Set.

I would like to address first, the obvious, that Maria’s garb says directly she was “unaware of his curious mania” (however you interpret that), but the point is she was unaware, he clearly in life, never made advances on her (which is something I’ve seen a few people state is ‘implied’???).

The second, and this one is a bit in the subtext, is that the Doll seems to not have any idea that Gehrman ever had any positive feelings towards her at all, she expresses a love for the hunter in a way that reflects someone who was never shown love in any capacity (likely due to the circumstances surrounding her achieving sentience), so its reasonable to assume as well that she was entirely unaware of the ‘curious mania’ as well.

Additionally I would point out that while referencing Gehrman’s mania once more, the Doll’s description also directly states that she was once loved and cared for, something that changed after she gained sentience. She likely served as a memorial for Maria, considering there is no canon evidence Maria herself actually has a grave.

The grave that provides the Old Hunter Bone may be hers, but the item description refers to the hunter it came from as “he.” This could be due to it being placed there prior to the decision to give Maria the quickening skill in her boss fight, or it could be that Maria did not have a proper grave for whatever reason, and thus the Doll was needed, which could then relate the obsession to an obsession with Gehrman keeping a memory of her, as there is nothing else he seems to have of her.

Everything here aside I would like to also point out that the Doll is quite literally, a doll. There is nothing that would even suggest she would be capable of any sort of sexual relationship.

Especially because even before the Dream, the Doll did have a specific purpose. She seems to be modeled after Victorian mourning dolls, which were items used to help families/loved ones process grief, typically of children, by having something to remind them of the deceased that did not itself look deceased. If you consider the grave in the Abandoned Old Workshop to be Maria’s and know that that’s also where the Doll is in the waking world, then that’s probably what she’s for. Or as stated before, the grave may NOT be hers, and the Doll itself IS her grave.

Another thing I didn’t point out but will, for a moment get into, is the Doll’s clothing being feminized. A lot of people take this as Gehrman being a misogynist and sexualizing her in a more feminine way as if he himself was not training Maria (and likely other women) to be hunters during his life. He encouraged the less feminine life she lived as a hunter!

That point always confuses me, especially knowing that one of the last things Maria likely said to Gehrman was what she said after the massacre at the Fishing Hamlet where she threw away her weapon and renounced the hunt, choosing to retire (and potentially become a caretaker for the Church’s patients, judging by her role in the Hunter’s Nightmare). Like OF COURSE he dressed her like that, she expressed that she no longer wanted to be a hunter so he made her the opposite. The only reason she is dressed the way she is in the Hunter’s Nightmare is because that is how Kos is depicting her, not because it’s her conscious choice.

The point of this is, Gehrman is one of my all time favorite characters alongside Maria and the Doll, and while yes, I am well aware he isn’t perfect, it’s still frustrating to see him get so mischaracterized by a fandom who insists they love lore so much, and care about the tiny details. You can dislike Gehrman or think he does shitty things and that’s fine, but creating a story where he’s a creep just to prove you care about Maria and the Doll is weird. And it’s weirdER that people argue IN FAVOR of the theory as if it MUST be true, because honestly why would anyone even want it to be???

This post also was specifically done without consideration for whatever type of relationship Gehrman and Maria had according to canon or any interpretations. Essentially I’m not necessarily saying any of this has anything to do with whether or not you ship them, I personally don’t, but I know some people do, and I feel like on either side you can still be critical of this Doll theory, as it is entirely baseless.

(In case anyone is interested, the images and references used for this were from the Bloodborne wiki, specifically this one.)

#bloodborne #gehrman the first hunter #lady maria of the astral clocktower #the plain doll #debunking my least favorite theory #sorry i saw someone say smth abt it and got frustrated so i wrote this at 2am and then instantly passed out #bloodborne theory #bloodborne lore #mistakes and spelling or grammar fuckups are due to this being written when i shouldve been asleep #if i see one i’ll fix it later

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