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anim-ttrpgs · 1 day

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Eureka: Investigative Urban Fantasy, and Themes of Disability, Mental Illness, and Criminality.

Back Eureka: Investigative Urban Fantasy on kickstarter before May 10th if you want to help a disabled person with limited ability to work pay his bills.

Verisimilitude, What Would a Person Do?

To understand Eureka’s themes regarding disability, mental illness, and criminality, you first have to understand its verisimilitude.

“Verisimilitude” is defined as “the appearance of being true or real,” and it is a big part of the core design ethos behind Eureka. It is a very realistic game.

We aren’t necessarily of the opinion that “realism” is a better design choice than stylization overall for RPGs, but it is a better design choice for Eureka, because we want the PCs to be very normal, believable people who make believable, organic decisions in extraordinary situations. No matter what anyone says, the mechanics of a TTRPG strongly influence what kind of stories are told with it, and what characters do in those stories. So if we want characters to make realistic decisions, the world they inhabit and interact with must be constructed of realistic rules.

Even though there is a small chance that they may be a supernatural creature, PCs in Eureka are still not fearless action heroes, chosen ones, or anything of the sort. They’re normal people with jobs, friends, and families who get mixed up in mysterious and/or dangerous situations, often against their will. They are fragile, vulnerable, imperfect, and they, largely, know it.

“Composure” is a mechanic that helps you know it too. I’ve given a deeper explanation of the Composure mechanic in the post linked here, but I’ll give a very very very condensed version in this post. Composure can sort of be thought of as “emotional/fatigue HP,” (and no, it is NOT “sanity”) it acts as a guideline for how well your character is handling the situation, and when it gets low enough, it starts to have serious mechanical effects as well, because a character’s stat modifier can never be higher than their current Composure level. Fear, hunger, and fatigue all lower Composure, and eating, sleeping, and bonding with one’s fellow investigators can all restore it, at least for normal people. More on that further down. All you really need to know for now is that when Composure gets below zero it starts eating into HP, so characters can even pass out or die from loss of Composure, and also one single bullet is enough to permanently cripple a character, and the rate of Composure loss during combat reflects how serious that is for the characters.

Grievous Wounds

It isn’t too uncommon for RPGs to have some sort of “flaw” system, whereby in character creation you can give your PC “flaws” or some kind of penalty, and usually get that balanced out by being able to add extra bonuses elsewhere, and these “flaws” may take the form of disabilities.

Critical Role’s Candela Obscura, the whole document of which is one of the most egregious examples of liberalism and toxic positivity I’ve ever seen in the TTRPG space, takes this beyond just character creation, and makes it so that if a PC receives a “scar” in combat that reduces their physical stats, their mental stats automatically go up by an equivalent amount, and proudly asserts that to make any mechanic which functions otherwise is ableist. I think you can probably tell what I think of that from this sentence alone and I don’t need to elaborate. Getting bogged down in all the failures, mechanical and moral, of Candela Obscura would make this post three times as long.

I actually do think that as long as you aren’t moralizing and patting yourself on the back this hard about it, “flaw” systems in character creation are a pretty good idea in most cases, it allows for more varied options during character creation, while preserving game balance between the PCs.

But in real life, people aren’t balanced. The events that left me injured and disabled didn’t make me smarter or better at anything—if anything, they probably made me stupider, considering the severity of the concussion! Some things happened to me, and now I’m worse. There’s no upside, I just have to keep going by trying harder with a less efficient body, and rely more on others in situations where I am no longer capable of perfect self-sufficiency.

Denying that a disabled person is, by definition, less capable of doing important tasks than the average person is to deny that they need help, and to deny that they need help is to enable a refusal to help.

This is the perspective from which Eureka’s Grievous Wounds mechanic was written.

When a character is reduced to 1 HP, which by design can result from a single hit from most weapons, they may become incapacitated, or they may take a Grievous Wound, which is a permanent injury with no stat benefits. Think twice before getting into a shootout.

Grievous Wounds don’t have to result from combat, they can also be given to a character during character creation, but not as a trade-off for an extra bonus.

“But then doesn’t my character just have worse stats than the rest of the party?” Yes, didn’t you read the above section? There is no benefit, except for the opportunity to play a disabled character in an TTRPG, and this character will probably have to be more reliant on the rest of the party to get by in various situations. Is that a bad thing?

Monsters

Just like mundane people in Eureka: Investigative Urban Fantasy, monsters are playable, because they are regular people. I’ve gone over this in other posts and also you can just read about it in Chapter 8 of the Eureka rulebook, but the setting of Eureka doesn’t have a conspiracy or “masquerade” hiding or separating supernatural people from normal society. They exist within normal society, and a lot of them eat people.

Most RPGs consider monsters to just be evil, they do evil for evil’s sake. RPGs that seek to subvert this expectation often instead make monsters misunderstood and wrongfully persecuted, but harmless. Eureka takes a wholly different approach.

There are five playable types of monsters in the rulebook right now, and it’ll be seven if we hit all the stretch goals, but for simplicity’s sake this post will just focus on the vampire. Despite them applying in different ways, the same overall themes apply to nearly every monster, so if you get the themes for the vampire, you’ll get the gist of what Eureka is doing with monsters in general.

I mentioned Composure above, and how it can normally be restored by eating food and sleeping. Well, vampires can not restore their Composure this way. They don’t sleep, and normal people food might be tasty as long as it isn’t too heavily seasoned for them, but it doesn’t do anything for them nutritionally. Their main way to restore Composure is fresh living human blood, straight from the source. To do what mundane PCs do normally by just eating and sleeping, vampires have to take from another, whether they’re happy with this arrangement or not. They do not, of course, literally have to, and a player is not forced to make their vampire PC drink blood, just like you don’t literally have to eat food, but they do and you do if you want to live in any degree of comfort or happiness, or else they’d eventually just sit at 0 Composure and not be able to effectively do anything.

There’s a reason that this is a numerical mechanic and not simply a rule that says something like “this character is a vampire and therefore they must drink blood once every session,” and that is to emphasize and demonstrate that the circumstances a person faces drive their behavior. In America, there is a tendency to think of criminality and harmfulness as resulting from something of an intrinsic evil, but in my experience and observation, people do not just wake up at like age 16 and decide “I think I’ll go down the criminal life path.” Through their life circumstances they have been barred from the opportunities that would have given them other options. People need food, food costs money, money requires work, work requires getting hired, but getting hired requires a nearby job opening, an education, an impressive resume, nice clean clothes, a charismatic attitude, consistent transportation, and so on. For people without, criminality is something they are funneled into, which becomes harder to avoid the longer they go without consistent access to their basic needs. The choice will be between taking money from others by force or trickery, or running completely out of money.

As the Composure counter ticks down, a vampire, or other playable monster, is going to encounter much the same dilemma. There is little to no “legal” or “harmless” way for them to get their needs met, even if they do have some money. Society just isn’t set up for that. And no your kink is not the solution to this, trying to suggest every vampire get into sex work is like one step removed from telling every girl she should just get an OnlyFans the minute she turns 18, or that women should just marry a man and be a housewife that gets taken care of if they want their needs met.

Playable monsters in Eureka are dangerous, harmful people. They were set up to be.

“Oh well then the vampire should just eat bad people!” You mean those same bad people i just described above? See this post for answers to all the other arguments people are going to make to try and absolve vampires of causing harm.

Society not being set up for that brings me to next reading/theme: Monstrousness as disability, and monsters as takers.

Mundane human characters restore 2 points of Composure per day just by eating food and sleeping, but vampires do not, they can’t. To restore their Composure they have to take from others a valuable resource that everyone needs to live and the extraction of which is excruciatingly painful and debilitating (blood). No one knows what happens to blood after a vampire drinks it, it’s just gone. Vampires are open wounds through which blood pours out of the universe.

This is a special need, something they have to take but cannot give back. Their special needs make them literally a drain on society and the world.

Even in so-called “progressive” spaces, there is a tendency to consider takers, people who take much more than they give back, such as disabled people, as something that needs to be pruned, with the mask over this being the aforementioned total denial of the fact that disabled people take more than they can give.

In this way, vampires and other playable monsters are, inarguably, “takers,” but in positioning them as protagonists right beside mundane protagonists, Eureka puts you in their shoes, and forces you to at least reckon with the circumstances that make them this way, as well as acknowledge their inner lives. You have to acknowledge two things: That they are dangerous, harmful people who take more than they can give, and that they are people. Because they are people, Eureka asserts that they have inherent value, a right to exist, and a right to do what they need to do to exist.

One final point is that of monstrousness as mental illness. Mental illness is a disability, one pretty comparable to physical disability in a lot of ways, so all of the above about disability can apply to this metaphor as well, but there are a few unique comparisons to make here.

It’s not the most efficient, but there are a couple of loopholes deliberately left in the rules that allow vampires to restore Composure without drinking blood. Eureka! moments can restore Composure, and Comfort checks from fellow investigators can restore Composure.

When I was writing the rules for how monsters regain Composure in accordance to these themes, I came to a dilemma where I wasn’t sure if it was thematically appropriate for them to be able to regain Composure in these ways, but ultimately I decided that yes, they can. It works with themes of mental illness, which is mental disability.

People with mental illnesses may have the potential to be harmful and dangerous, but study after study, including my own observation, has shown that mentally ill people with robust support structures and agency allowed to them to handle tasks are much less likely to enact harm, be that physical violence, relational violence, or violence against the self. So that’s why I kept that rule in for playable monsters. Being able to accomplish goals, and having friends who are there for them, makes the harmful person less likely to cause unnecessary harm.

I couldn’t really figure out where to fit this paragraph in so I’m sticking it here right before the conclusion: Vampires are especially great for this because they’re immortal, and because they always come back when “killed.” They can’t be exterminated, they aren’t going away, there will always be problem people in society, no matter how utopian or “progressive.” They’re a never-ending curse, who will always be a problem. The question is how you will handle them, not how you will get rid of them.

In conclusion,

Eureka is as much a study of the characters themselves as it is the mystery being solved by the characters. It is a harsh, but compassionate game, that argues through its own gameplay that yes, people do have needs which drive their behavior, many people do have special needs that are beyond their ability to reciprocate, and failure to meet the needs of even a small number of people in a society has high potential to harm the entire society, not just those individuals whose needs are unmet.

And Candela Obscura sucks.

Back Eureka: Investigative Urban Fantasy on kickstarter before May 10th if you want to help a disabled person with limited ability to work pay his bills.

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If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!

If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!

You can also support us on Ko-fi, or by checking out our merchandise!

Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

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mydiazboys · 23 days

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buck is grey, eddie is blue. eddie 100% used the last of buck's favourite expensive lotion which caused this convo the power of eddie's NAH

#911 abc #911 #911 fox #911 buddie #buddie texts #buddie imagine #evan buckley #eddie diaz #dont mind me #im literally STILL reeling over the fact that evan buckley is bi #LIKE CANON BI #NOT JUST HEADCANON BI #SJFKFGJDFKJFB #im screaming into the void rn #no i will NOT take constructive criticism on this post #thank you for your time #buddie

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writer-room · 7 months

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Obsessed with Lloyd never mentioning his grandfather is the First Spinjitsu Master, apparently to the point even Arin didn't seem to know, because "eh, it never came up". Cause like, yeah, sure, my grandfather is God, what of it? Normal day for me. Shit happens. My dad is also evil, you wanna talk about that? I sure don't.

It's also funny from a character arc perspective. Here's itty bitty baby first season Lloyd, loudly proclaiming he's the son of Garmadon, and probably also making sure everyone knows he's God part 3 electric boogaloo. And then one Tomorrow's Tea and a few more years later and he's doing everything physically possible to NOT care about his heritage. In fact he'd probably rather his parentage was literally anyone else. Dude could care so less he forgets about it most of the time. King behavior.

#ninjago #dragons rising #ninjago dragons rising #ninjago dr #lego ninjago #lloyd garmadon #first spinjitzu master #garmadon #text post #talk #ideas #lloyd that entire time interally was probably like 'did wu get a temple--? oh wait thats granddad. sorry granddad. i guess'#he took one look at that altar and went hm. should probably fix that. mostly cause it'll fix my problem but wu didnt raise no disrespect #(except for when the disrespect is funny) what who said that #do you think he was like 'oh thank granddad finally my godly heritage isnt screwing me over' when the ghost mentioned needing a descendant #or was he like 'well. its another day of me being grandfathers favorite i guess'#do you think sora and arin felt awkward realizing they were in the temple of lloyds granddad. meanwhile lloyd did not give a flying fck #as far as hes concerned granddad can stuff it cause hes 80% all the sht that happens to him is bc God really likes him & thinks starting #problems is an appropriate way to show his love. and he doesnt think god takes constructive criticism #he sure will try tho #also yknow his closest interactions with Gods are his dad & uncle. & Wu is. like that. & also he's so sick of garmadon's bs #'my dad is literally banging some news guy i could not respect him less if i tried. his taste has only ever been mediocre. sorry mom'

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deargravity · 3 months

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kuroko autism propaganda btw. if you even care

#knb #kuroko no basket #kuroko tetsuya #kagami taiga #i have too many of these text post thingies i’m going to have to start queuing them up 😭#🥀.textpost #i dont take constructive criticism on this

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fujii-draws · 1 year

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IN WHAT WORLD

#pmd eos #pmd art tag #I AM NOT TAKING CONSTRUCTIVE CRITICISM #THAT SHAYMIN IS DEAD.#NO. SCRATCH THAT. ALL OF THEM ARE.#EVERYTHING ELSE THAT HAPPENS POST GAME IS THE AFTER LIFE.#IT MIGHT BE ‘’MAGICAL TRANSPORTATION EX MACHINA’’#BUT THIS IS THE FUNNIER ALTERNATIVE TO ME.

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soyellowcurtainsthen · 4 days

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Who’s the man at the prison gate in the Pit Babe Series 2 Trailer?!?!?

Hi, I’m an idiot with an internet connection So, here is my totally accurate and scientifically sound analysis in support of my theory that it’s Pete. Grab your tinfoil hats friends and follow me down the rabbit hole.

First, I’m going to need you to turn your brain off and live in a world with me in which we won’t even consider that this is a new character who has not been introduced yet ( jokes on me because change2561 would pull this type of thing).

Now we need to narrow down the pool of candidates from our currently known characters. Obviously if our Prison throuple of Kenta, Winner and Dean are out of prison and spying on the X-Hunter squad we can safely assume the person who got them out isn’t likely to be in the inner circle of the X-Hunter team, so we can safely disregard Babe, Charlie, Alan, Jeff, North, Sonic, and Kim. Now we have three players in the running- Way, Pete and Tony.

So let’s get to narrowing this down, behold Exhibit A

Our man in black stays out of focus for most of the clip, but from what we can see it seems that this man is dressed in a suit and as we never see Way ever dressed in those types of clothes the whole season I think it’s fair to also vote him off the Island.

Now to our final two candidates, it’s time to analyse some heights baby!!! We are going to use Kenta as a control subject, height wise, for this as he is the most likely of the prison throuple to have had scenes with both the remaining candidates.

So let’s start with Tony, it’s ridiculously difficult to get shots of these two together where Kenta isn’t half a mile behind and throwing off the perspective because of that, but I tried my best.

As you can see from these over the shoulder shots, Tony and Kenta’s eye level looks to be about the same, with them being almost exactly the same height ( Tony being slightly taller at a push). With this shot also confirming that they are very similar in height to each other.

Moving onto Pete, we can see that our baby boys have a bit of a height difference, with Kenta being the shorter of the two. His eyeline whenever talking to Pete is directed upward.

Now let’s head back to the original shot of the mystery man’s back and use our new found knowledge, and attempt to solve this by using the ancient scientific method of drawing lines on pictures.

As Winner isn’t standing at full height I’m disregarding him from the experiment, much like I wish I could disregard him from the narrative completely.

So let’s draw onto our screenshot where Kenta and Dean’s eyeline should land if they were looking at someone that was of similar height to them.

And now let’s draw where their actual eyeline ends up, taking into consideration where our mystery man’s shoulders are to give us a rough estimate of where their eyeline should land if they were looking at his face, which they are.

Now as you can see from my totally foolproof scientific method, both of their eyelines are pointed slightly upward indicating that the person on the other side of the gate is taller than both Kenta and Dean. Now there is only one of our candidates who is taller than Kenta and that leaves us with only on option left… Pete.

I rest my case.

( Also just on the logical side, why would Tony get the man who betrayed him and stabbed him out of jail, like that makes no narrative sense)

#I have half a science degree and I’m not afraid to use it #I will take no constructive criticism at this time #only my Nobel prize #you’re damn right I’ll try and shoehorn in PeteKenta crumbs to the trailer #pit babe the series #pit babe series 2 #meta post #my meta posts

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houlebubo · 1 year

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One day I'll probably do a 40-minute video essay on this topic, but the internet's misinterpretation of "Death of the Author" is just a real shame.

I frequently see the concept brought up in relation to a certain terf author. People attempt to 'separate the work and the author', but that is frankly not how it is intended to be used.

"Death of the Author" is supposed to be a tool for literary analysis. That's all it is. It is not a theory by itself, nor a political stance or a way to judge morality.

It is a tool to encourage readers to interpret the content of a text authentically, but you should use it critically, and be aware of why, how and when it is relevant. It is not an excuse to ignore context or paratext, as both of those should also be considered in a proper analysis.

The tool was developed during a time when the discourse was more favourable towards an author's intention rather than a reader's interpretation. People used intention to dismiss other readers' analysis of texts, using diary entries or letters by dead authors to counter less mainstream takes of canon texts. It was a period where the 'goal' of literary analysis was to uncover a text's true meaning. The original essay was a short controversial counterargument but the conversations it sparked over the following decades have led to the scale tipping more in favour of interpretation. It has also led to a 180 of the original problem.

Killing the author has the potential of empowering readers and encouraging deeper. Maybe even uncovering biases the author wasn't even aware of! However, (mostly outside of academic circles but not always) people are misusing the concept and use it to dismiss context and racist dog-whistles as well as discourage readings that rely more on subtext.

In simple terms we have gone from a mentality saying "AHA, I have evidence and it said you are wrong" to "AHA, it doesn't matter and therefore you are wrong". Neither is constructive in a conversation about art.

If you use the death of the author effectively while acknowledging intention and context you actually add a lot of nuance to your analysis, and doing so can demonstrate your analytical abilities. You will be able to distinguish what the text is saying plainly, what is said between the lines, and if the narrative effectively handles what it originally claimed. It is an effective 1-2 punch. Let me give you an ultra-short example:

On the surface level, '50 Shades of Grey' tells you that it is a sexy BDSM story. Throughout interviews and promotional material, E. L. James frames her story as a female-empowering book. But by critically examining how the books handle themes of consent, privacy, agency etc. we can argue that the narrative doesn't live up to proper BDSM conduct and that the protagonist is not empowered, and is instead displaying an unhealthy relationship. If we take the analysis further we could make an argument about what this says about society at large. Does it normalise boundary-breaking behaviour? Could it make someone romanticise stalking? The thesis statement is all up to you. (disclaimer I have not actually read these books, don't come for me, this is an example)

Here is what we just did: I presented a surface reading of a text. I presented the most likely intention of the author. I then argued for my interpretation by looking at literary themes and context. I used the conflict between Jame's intention, and my interpretation to illustrate a conflict. 1-2 punch. I am not killing James, I consider her opinion and intention to strengthen my argument, but I don't let her word of god determine or dismiss my reading. In just 3 simple sentences I use a variety of resources from my toolbox.

When people weaponise the author's intention it can look like this:

"Well, E. L. James said it is a female power fantasy, you're just reading too much into it" <- dismissing context and subtext by using 'word of god'. Weighing intention above interpretation.

"Does it really matter that E. L. James didn't research BDSM before publishing, can't it just be a sexy book?" <- dismissing context, subtext as well as author intention and accountability. Weighing their own interpretation and subtly killing the author

Simply exclaiming "I believe in death of the author" (which I have heard in Lit classes) means nothing. It's nothing. Except that you want to ignore context and only indulge in the parts of the text that you find enjoyable.

In the plainest way I can put it, the death of the author is supposed to make you say: "the author probably meant A, but the text and the context is saying B, therefore I conclude C". Don't just repeat what the author says. Don't just ignore context. And allow the feelings the text invokes in you to be there and let them be something you reflect on. The details you pick up on will be completely unique to you, the meaning you get will be just your own. You can do all of these things at once, I promise it doesn't have to be one or the other.

There has to be a balance. Intention matters. Interpretation matter. Watch out and pay attention. Are you only claiming the author is dead or alive when it serves your own narrative?

When you want to ignore an author ask why

When you don't want to read a book because you don't condone the actions of the author ask why

Examine how you dismiss arguments and how you further conversations.

#literature #lit #uni #death of the author #i don't write long tumblr posts what the fuck is this #i take constructive criticism but be nice about it #English is not my first language there are probably a ton of mistakes and weird things in this #analysis #i'll probably delete this thing #but i'll post it for now i guess because I have been writing on it for too long

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star--anon · 3 months

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I'm bored, let's find something to talk about

Miscellaneous headcanons:

Minho is left-handed

Thomas is a cat person

Minho loses bookmarks left and right, and Thomas' love language is buying Minho new ones and getting down on his knees to search underneath the couch for any lost ones

Minho has bad knees and can't do it himself

Thomas wears glasses with the little chains on the back. Minho swoons every time he puts them on because he thinks they make him look handsome.

Thomas eats straight Nutella. As in, dips a spoon in and eats it right out of the jar

actually, Thomas just has a big sweet tooth in general

Thomas is in love with Minho's morning voice.

Thomas crochets in his spare time. All of Minho's hats were crocheted by him.

Thomas' favorite color is a soft, sunset orange

#a lot shorter than my usual I'm Bored posts since my brain is exhausted lol #I'm bored let's talk #thominho #tmr minho #tmr thomas #maze runner #headcanons #I don't take constructive criticism because I'm not wrong

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tmnt-on-the-mind · 7 months

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they’re taking a break :)

#my art #rottmnt #rottmnt leo #rottmnt donnie #TCESTERS STAY AWAY‼️‼️‼️#<- moving to tags bc I don’t want to see it when i get notifications for this post 😭#im not gonna lie i cooked when i drew this like dang #like i dont Like drawing backgrounds but it actually looks good #also i didnt look up references of the new lair so idk if it’s completely accurate but i think it looks fine as is #dude i better not see any tcesters here like i did not spend 19 hours on this for that #normally i draw faster than that but i redrew their faces SO MANY TIMES 😭#but i love the final result so it was worth it #rottmnt leo seems like a pop socket person no i do not take constructive criticism im right

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amiactuallydoingthis · 1 year

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its a-me: mario(kart)

someone eventually broke their controller but it’s ok they wrote it off as a business expense

#mfb #beyblade metal fight #metal fight beyblade #madoka amano #masamune kadoya #yu tendo #yuu tendo #ginga hagane #tsubasa otori #beyblade #mfb headcanons #beyblade metal saga #yes because midterms are the perfect time to start posting again why not #listen i will take constructive criticism for the others but madoka mains bowser i am correct

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aegagrusscholarship · 1 year

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contributions to the 2021 madness day canvas collabs

#madness combat #madcom #mc deimos #hank j wimbleton #actual art #yes i’m posting these now. no i do not take constructive criticism #(i… don’t know what i was thinking tbh?? didn’t want to post too much to tumblr? not sure.)#(better late than never though)#(so here you go)

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keylovesstuff · 9 months

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Lost and Found

Mario fandom, may I humbly offer my first contribution lol. A Peach fanfic cause I can't get my mind off this gal. A little idea that's been crawling in my brain for a while, and I finally sat myself down in front of a word doc to just write it up. So, takes place in the movie-verse until the point in the flashback where baby peach encounters the toads and just a tad bit after that.

The small blonde walked through the now abandoned town in search of just anyone at this point. Stores that were once filled with shoppers looking to purchase a variety of different things while workers assisted were now empty. The playground where she'd play and laugh with girls and boys of all ages was now filled with silence. Home, where she had awoken from a nap alone for the first time ever, was missing her mom and dad. The door was left wide open as she scrambled off the couch making a grab for her purple blanket and tying around her neck. With pink shoes now on the best way her parents showed her how to and pacifier in hand she was out the house. What started out as a fun game of hide and seek in the young child's mind, began to grow into worry as the sky went from a beautiful light blue to a bright orange.

"Mommy? Daddy? Hello" The child once again called out, peering around yet another aisle inside yet another building. The three-year old made sure that no area was left unsearched even if that meant stacking items on top of each other to reach door handles. For the tenth time in her mind, she was met with no response.

Small blue eyes began to fill up with tears as she felt her heart break in two. Sniffling, she Reached up to her cheeks to wipe away the wetness and reached inside her skirt pocket for her pacifier. It wasn't much but it did bring her some comfort as it always would. Vaguely she could hear her father telling her mother how she was getting too old for it and should have been weaned off of it ages ago. A small smile would appear on her mother's face while she cooked up a meal in the kitchen laughing as she would always promise to start the process next week only to not follow through. With another failed search in locating anyone, the girl left the store feeling exhausted mentally and physically. Little legs aching for a break after walking for what seemed like forever she finally gave in, sitting on the ground and leaning against the brick wall of the store.

Taking the blanket from around her neck she covered her body and closed her eyes. The child's mind finally embraced the negative thoughts that started to itch at her brain after the fifth place she looked.

No, there will be no one at the next place you go.

No matter how loud you call out, no one will answer back.

Yes you are alone and will never see anyone again.

With the last of her hope dissolving, she succumbed to sleep and let the last of her tears fall.

The cold breeze awoke her from her slumber this time, having shifted from her original sitting to lying on her side sometime in her sleep causing the blanket to slide off. Shivering slightly she wrapped the blanket as tightly around her as she could to feel warm. Wiping the sleep from her eyes, she realized that the sky was now a dark blue and the only light came from the moon and the many of the stars in the sky. A memory of sitting in her dads lap with her mom on his side pointing out the stars on a grassy field to them flashed before her eyes. They began to fill up with salty water after removing her sight from the sky to look across the street when something strange caught her eye. Floating and staring was a pink pudgy starry figure that she only ever saw in the picture books her parents read to her during bedtime. Sitting up she stared right back into the creature's black eyes as she tried to recall the name the stories gave it.

"A Duma?" She took her pacifier out and voiced aloud as its name finally came to mind. It made a sound in a language that probably no one would understand. The Luma beckoned with its entire body to follow and started off down the street. Puzzled for a moment to process things she shook her head standing up and frantically cried out "Wait, please don't go" she grabbed her blanket once again placed it around her neck and pocketed her pacifier before taking off in the direction it went.

The Luma led her to the forest that every adult, be it their families or not in the town warned every child that could walk not to enter. As it went ahead, the little girl came to a complete stop where the town ended and the forest started hesitating to cross. Sensing that she was no longer following, the Luma also came to a stop and turned to face her, repeating the beckoning gesture from before.

"Duma, I'm not supposed to go in there." She explained with a soft voice pointing a finger at the forest that is full of unknown secrets. "I'll get in trouble if someone sees me-" that last word barely escaped her mouth before she promptly closed it, bringing her previous hand to cover her mouth.

The thoughts from earlier crept back into her mind, repeating the phrases she tried hard to ignore throughout the day. This time though a new thought came to her mind. What if everyone went into the forest and was just waiting for her to join them? A new hope filled up in her chest and she looked at the Luma with a newfound determination and courage.

"Ok I'll follow you, but you gotta promise that there's anyone there" She told the creature and it responded with the same unknown sound.

"Alright let's go then" she let out a small giggle before looking at her feet one by one as they crossed into the beginning of the forest. The girl turned to take in one final look at the empty and stared for a moment before following the Luma further in.

The two figures ventured in silence for a little while longer. The blonde child only stopped every few feet to glance around and up ahead for any sign of a familiar figure. The Luma came to a stop first and the girl bumped into its body several seconds after being distracted.

"Hey why did we-" she started to ask but could not continue the rest of her question as she took in her new surroundings. The luma had led them to an area with a stony ground surrounded by huge pillars. What had caught her eye the most was the green object built in between the two pillars as it glowed a white light in the middle. "Wow" was the only word she could bring herself to voice.

The girl suddenly had a feeling that whatever was inside the pipe was calling to her as she started to walk forward only to be stopped by the Luma placing its body against her to keep her in place. The Luma floated lower to the ground and it took the child a few moments to figure that it must have wanted her to sit down. Sitting on the ground she crossed her legs and placed her hands in between them facing the green object. With more than decent patience for a child her age, she started squirming in place the longer they sat there the more she wanted to just get up and go into the mysterious object. From fiddling with the blanket around her body to messing with the object in her pocket to tapping her fingers against her legs, all of that could only distract her but so much from not focusing on the light. What if everyone was waiting for her on the other side and she was holding them up by waiting here? As soon as that thought entered her mind she got up and tried to make a dash as quick as her little legs could go.

All she could process was the sound of the Luma making a noise behind her and bumping into something the next moment before landing on her bottom. Rubbing her head she looked up to what had caused her to fall and what she saw took her by complete surprise left her speechless.A light blonde haired women with a bang covering one eye wearing a crown in a beautiful blue dress was levitating slightly above the ground and holding a star wand appeared in front of her with a smile. While she never knew everyone in the town, she was certain she would remember a person that could float. The question 'who are you' was on the tip of her tongue but she couldn't bring herself to voice it aloud, It didn’t take much longer for the women above her to speak.

“Hello there little one, It’s a pleasure to meet you.” She kindly greeted the child who still stared at with a confused expression in her eyes and mouth agape in question.

“You have gone through so much in such a short amount of time. Allow me to heal your mind.” With that said, she lowered the wand to the child's head. It began to glow as all the negative thoughts and memories left.

On one hand it felt as though nothing could hold the child back from embracing any and everything that would come her way. On the other hand it felt as though two important people disappeared and she couldn’t recall who they were or if they ever existed in the first place. The woman removed her wand when she was satisfied with her magic. The girl continued to look on with wide eyes.

“You are going to do so many amazing things and inspire so many in your future.” The woman started to say to the child who looked on with wonder filled eyes.

“You will meet allies and foes alike. There will be many challenges you’ll have to face but you will get through them with your bravery. I have already seen it.” She assured and moved to the side to reveal the glowing green object once more.

“Go on in, They are waiting for you on the other side. Guide and Protect them. Show them what a respectable and kind leader you can be. Our paths will cross again one day” With that final promise the woman started to vanish before the girl's eyes.

When the figure faded away completely she was once again alone and had so many questions. What did all of it mean? Was everything the women said was true? Who will she meet on the other side? That last question would be answered sooner rather than later as she could finally enter the thing that was pulling her in. While she was mostly ready to take that step, there was a small part of her that was fearful of the unknown. Reaching in her pocket once more she grabbed her pacifier and put it in her mouth to feel that comfort, before taking in a small breath and stepping in. Finding herself flowing aimlessly through this portal, she took in the colors some of which she had never seen before. Despite floating in midair she felt calm and just let the current take her to its predetermined destination. Up ahead she saw another round green object similar to the one in the stoned area, The current around her started to slow down in preparation to enter the pipe again.

The girl was finally able to stand up and walk on her own two feet the rest of the way. Clutching her hands she took in the environment around her as the exit came closer she placed her hand on the green object to hold her balance as she took a step down. Taking this time to look in front of her she noticed that these rainbowed people dressed in identical clothing and were slightly taller than herself but they had this warm and inviting presence about them that made approaching them much easier so she did. The creatures also approached her but with slightly more caution in their step following the green person who was leading the other two bent down in front of her with a smile. The woman's words of being ‘a kind person’ ringed in the back of her mind. So she did what she thought was the nicest thing and took out her cherished pacifier and stuck it in the creature's mouth who looked on in confusion. Giggling she jumped up wrapping her arms around its shoulders immediately feeling safe and secure as this person also embraced her holding her up.

“Told you that you had a way with kids” came a teasing voice from behind. “Ow what I say?” the yellow person rubbed its arm and stared offendedly at the other person that whacked him moments prior.

“Now’s not the time for jokes, you dummy this is serious.” the red one scolded the other. “Some strange person just came out of the pipe after it's been glowing all day. It could be here to kill us.” It tried to get the other to understand their point of view. “You better take that thing out of your mouth TG, it could be poisonous” he suggested to the green guy. The yellow one scoffed out a ‘really dude c’mon’ under its breath.

“Mmm” TG mouthed before shifting the child's body weight onto one side of its body removing the pacifier and sticking it back into her mouth. “Well it does just seem like an innocent baby, but better safe than sorry. Let’s head to Toadsworth. He could probably tell us what you are. Yes he can” he gave the blonde's belly a tickle drawing out that giggle from earlier.

“No, don't make friends with it, we aren't sure of its motives yet” The red one tried again with no avail as it began to lead the way back to the others with the other two trailing behind.

“I like the moon, it's pretty” was the first sentence the child said out loud as she pointed at the object in the sky as they all hiked back.

“Wow you do?” TG engaged with her as she nodded eagerly. “I do too, it's very pretty on nights like these” he agreed with her. Several minutes of this went on where she pointed out things she likes and he would talk with her. At one point even the yellow guy hopped into the conversation much to the annoyance of the red person.

“Hey, what are you?” she asked tapping TG’s shoulder to get his attention.

“What am I? Oh well I’m what's called a Toad. Can you say that? Toad” he mouthed it out loud to her slowly and they both repeated it several times.

“I like Toad, they're nice,” she said, nuzzling her face closer into TGs neck and wrapping her arms around him tighter. Before he could return the compliment the red toad spoke up.

“We’re here guys, let's go.” He knocked on the door three times before a brown spotted Toad with a brown mustache and red bowtie appeared in the doorway. “Something finally came out the pipe that we’ve been keeping an eye on all day. It appears to be a baby of some kind” he added as the three of them were ushered inside.

Toadsworth offered them tea as they all began to gather around the small table. The child continued clutching onto the green toad and only glanced every now and again at the mustached gentleman. The four of them conversed over tea gathering new information from the elder Toad. They first found out its gender which was revealed to them as a female and that she belonged to one of the species called humans, though with there being many galaxies and regions they could reside in, the probability in pinpointing the exact place of origin she was from would be a challenge even a guy as smart as him couldn’t figure out. They also came to the conclusion that based on how she interacted with the environment that she was on par with the toad children starting school. The red toad finally stopped giving the child a look of suspicion and after the third round of tea the host directed the conversation towards the blonde girl reaching for the kettle in the middle of the table.

“Oh how rude of me. Please accept my sincerest apologies my dear.” Toadsworth quickly got out of his seat heading over to the cabinet to grab another cup. “A gentleman must always offer a lady a drink.” He started to pour her a cup of tea before the green toad interrupted

“I think she might be a little too young for tea or anything with caffeine for that matter, Toadsworth sir.” he said, motioning his head to the child who now had her own seat.

“You are quite right, The youth these days mustn't get used to relying on stuff like this.” Toadsworth chuckled and went over to the fridge to see what refreshments he had in there. “Oh yes I just received a carton of milk from the meadows this morning. Would you like that m’lady?” In response he got an excited round of applause from the child.

Toadsworth offered to take care of the child for the remainder of the night and start some research in the morning for which planet she could be from and if needed within the next couple of days or weeks put together a group of toads to get this kid back home to her parents. He prepared her for bed first and then went through his nighttime routine which included grabbing a snack for bed, tonight being a fresh bowl of sliced peaches. The girl sat on the bed flipping through a picture book he gave her.

“Well my dear I’m terribly sorry for just now realizing this” He apologized, placing the bowl on the nightstand next to the bed she looked up from the book first to the food and then to him. “My fellow comrades or I failed to ask you your name. So what are you called?” he asked and she stared at him for a few moments before she opened her mouth.

“I want the Peach” she pointed to the bowl that was on the nightstand behind him causing him to reach for the bowl and present it in front of her, smiling when she reached out and grabbed a couple slices.

“Ok now back to important matters.” he cleared his throat into his fist. “What would you like us to call you for the time that you reside with us?” He tried again to get her to focus on what he was asking.

“I like Peach” She said with a smile after finishing the last bite flashing him a toothy smile and he stared at her thoughtfully for a moment.

“Alright I shall call you Lady Peach when you’re in my presence and make sure everyone calls you that as well” He told her and assumed she’d probably have a different answer to the question by tomorrow or the next couple of days.

#Super mario bros. movie #Super Mario #Princess Peach #First fic in forever I'm posting without having it beta read #Feel free to leave your thoughts in the comments or tags #Also I'm so ok if you want to leave any form on constructive criticism if you'd so choose. I know there's still things I need to work on lo #I will try to get this posted on both my ao3 and fanfic net for people who like to read there by tomorrow and reblog it with those links #Oh gosh I'm just stalling in the tags now hyping myself up to hit post lmao #Thanks for taking time to read I hope you all enjoy it I had a very nice time writing this

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