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#mrs. bruce
servants-hall · 6 months
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The Gilded Age 2x03
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lesbiangummybearmafia · 4 months
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droughtofapathy · 5 months
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The Gilded Age's Broadway Divas MASTERPOST
Welcome to my passion project. It has come to my attention that some viewers of HBO's The Gilded Age are unfamiliar with the extensive theatre credits, alcoates, and vocal talents many of the actors possess. As the resident Broadway Diva expert, it is my responsibility to fix that.
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Pictured: 20 Tony Awards and 52 nominations. Audra McDonald...well, she kind of inflates the numbers a little. Edit: Justice for Tony winner Debra Monk. She's main cast.
Introducing my new series of blog posts where I will be highlighting two theatre veterans per day in the lead-up to our much-anticipated season two finale episode.
This series will heavily focus on a select few musical performances that are widely available for viewing, in addition to a brief career rundown. I will be limiting myself to no more than five videos per Diva, otherwise we'd be here for a lifetime. These performances will include popular songs and hidden gems alike, all curated to specifically show off the actress's considerable range in the theatre, especially juxtaposed against their roles in the show.
With respect to Michael Cerveris, Nathan Lane, and the other theatre gentlemen, I will be focusing this series on the women because I am a lesbian and this show is about the women, dammit. But fear not, they will most certainly be making appearances throughout because everyone has worked with everyone on stage.
The Divas:
Christine Baranski (Agnes van Rhijn) Donna Murphy (Caroline "Lina" Astor) Kelli O'Hara (Aurora Fane) Katie Finneran (Anne Morris) Debra Monk (Armstrong) Celia Keenan-Bolger (Mrs. Bruce) Laura Benanti (Susan Blane) Linda Emond (Clara Barton) Amber Gray (Bea) Denee Benton (Peggy Scott) Audra McDonald (Dorothy Scott) Jeanne Tripplehorn (Sylvia Chamberlain) Bonus: Duets, Trios, and Other Crossovers
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Detroit Rock City (1999) directed by Adam Rifkin and written by Carl V. Dupré.
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ikiprian · 2 months
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Mr. Fenton is a competent teacher. Almost too competent.
If Mr. Daniel Fenton had any more than a BS (with a minor in education), Tim would’ve flagged his profile as a potential Rogue. That’s the way of most charismatic academics, at least in Gotham. (Got a PhD? Instant watchlist.) Instead, he’s Gotham Academy’s newest celebrity, as a young, passionate, out-of-towner substitute while the chemistry teacher’s on maternity leave.
Tim gets the hype. Fenton seems to genuinely love teaching, and is invested in the welfare of the student body. He hands out bananas during exam week, hosts a “study habits seminar” each month to coach effective learning strategies, and the third time Tim falls asleep in his class, he even pulls Tim aside to ask if he’s doing okay. With all the late work he accepts and the protein bars he sneaks Tim, he’s every teen vigilante’s dream teacher. He could’ve been Tim’s favorite.
In fact, Mr. Fenton was Tim’s favorite. Up until Tim walks into Mr. Fenton’s chemistry classroom for a forgotten textbook, an hour after the final bell.
On the board where tallied scores for today’s review game had been kept, “THE CHEMISTRY BEHIND DR. CRANE’S FEAR GAS: ANXIOGENICS, NERI’S, & YOU,” is now scrawled. A detailed diagram of the human endocrine system projects in front of a small crowd of adoring and attentive students.
Fenton is wrist-deep in the skull cavity of an anatomical model. A short tug, and out pops the brain.
It’s plastic. It’s fake.
Tim identifies the nearest emergency exit.
Fenton turns to the door, and in the dark classroom with the projector illuminating half his face, his eyes almost seem to flash red. “What’s up, Tim?” he asks. His friendly grin is too big for his face. “I didn’t know you wanted to join the Just Science League!”
[OR: Danny’s a science teacher at Tim’s school. Gotham’s a pretty wild place, even for someone who grew up a superhero in a ghost-infested town, so he takes it upon himself to start a club teaching kids how to manage themselves in the event of a crisis. These Gothamites are pretty hardy, but a little extra training never hurt anybody! And he suspects one of his students might be a teen vigilante, like he’d been, back in the day. As a senior super, it's Danny’s duty look out for him! Surely, this is the subtlest and most appropriate way to give the kid pointers.]
[Tim immediately assumes supervillain.]
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spicyhamsamson · 1 year
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I am. So fucking tired of Batman being portrayed as a bad parent and a toxic person. And it’s so goddamn widespread. Fuck, it might be as bad as the whole “Superman being a kindhearted Boy Scout is boring” take.
I get it, the man’s not exactly stable, he watched his parents get murdered in front of him and spent years of his life training to fight crime dressed like a giant scary bat, of course he’s not perfect.
But to say that Bruce Wayne isn’t caring, isn’t empathetic, to call him abusive…it just misses the point of who the character is to me.
Why do you think he fights crime? Yes, part of it is because he’s bitter and sad because his parents were cruelly ripped from him as a child, and he’s lashing out against the corruption of his city. It’s arguably the focus of his earlier years. But he learns to become more than that. He learns to bring hope, a chance to be better.
Harleen Quinzel is the Joker’s right hand lady, but she’s also a victim of an abusive relationship and a woman with a surprisingly strong moral compass and a love for animals, and wants to get better. That’s why we see time and time again that he has a noticeable soft spot for her, because he knows that she’s a good person at her core.
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Harvey Dent is a man who will decide someone’s fate on a coin toss(and a pretty inaccurate depiction of DID), but he’s also Bruce’s close friend who clearly needs help learning to live with his condition, rather than try to get rid of it, and someone who he still goes out of his way to visit, even after everything, because he recognizes he’s not just a criminal with a weird gimmick, he’s a man who is struggling with a condition that he’s mishandled his whole life.
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Victor Fries is a cold, emotionless man who will callously discard allies and blame them for being careless, but he’s also a man who’s either lashing out because he had the love of his life taken from him, or just desperate to make sure she isn’t taken from him, and is willing to do anything just to guarantee her survival. Of course Batman would understand, his whole life was defined by having people he loved taken away from him.
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Even the Joker, arguably one of the most morally bankrupt characters in all of fiction, is someone that Batman has offered a chance to. After the guy shoots the daughter of his friend, a girl he cared for like she was his own kid, and paralyzes her from the waist down, he tells the Joker that he doesn’t want to hurt him. He wants to get him help. He looks at this monster who has taken countless lives and says “You don’t have to be alone.”
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For fuck’s sake, he sat with Joe Chill in his last moments so that he wouldn’t be alone. Joe Chill, the man who murdered his parents, who took so much from him, the person responsible for all of the misery and suffering he’s gone through. And he sits with the man to comfort him while dies. Do you know how much emotional intelligence and maturity that must take? To comfort someone who arguably ruined your life?
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And you’re gonna tell me the man who did that would abuse his kids?
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That he’d hold up the young man whose death was his greatest failure, the boy he grieved, and say this?
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That he’d look his goddamn son in the eyes and say this to him?
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Why the FUCK do you think he took in Dick Grayson in the first place? It wasn’t because he saw the kid and thought “Ah. A potential soldier.”, it was because he saw a boy experiencing the same heartbreaking loss he had so many years ago, and wanted to make sure he didn’t end up as bitter and miserable as he was.
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Why do you think he smiled when Tim Drake presented him a broken watch for Father’s Day? Because he was just happy to see the boy alive and safe.
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DAMIAN LITERALLY POINTED AT A COW AND SAID “I’m keeping her. She’s Bat-Cow.” AND BRUCE JUST WENT WITH IT. DIDN’T EVEN NEED TO ARGUE WHY BRUCE SHOULD LET HIM KEEP HER. HE SAID “this cow is my pet now” AND BRUCE SAID “aight, bet”.
The thing about Batman is that he wants to make sure nobody else ends up feeling the way he does. That’s not just about stopping a mugger so a boy’s parents aren’t gunned down. It’s about giving his loved ones the support and care that he couldn’t have, because it was taken from him. It’s about comforting someone who just went through a traumatic experience and letting them know that they’re going to be okay. It’s about going to someone locked away in a cell who thinks that they’re a lost cause and a burden to society and telling them that he wants to help them get better. It’s about EMPATHY and COMPASSION.
That’s what makes him a HERO. He’s meant to inspire us, to show us that we can have that same empathy for others around us, that we can turn our suffering into hope for a better future.
I just wish more people at DC would start recognizing that. But I might as well follow that example myself. Maybe through this struggle of having to see this hero mistreat the people around him and act like a grade-A jackass, people will start to recognize that missing compassion, and slowly but surely, it might come back. After all, what is this post, if not trying to bring attention to the matter in the hopes of fixing it?
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New Robin Tim: *Just sitting there happily watching the Incredibles with Dick and Bruce*
Dick and Bruce: *secretly watching Tim and glancing at each other every time Syndrome comes on screen*
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dailydccomics · 3 months
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if you're gonna be a child vigilante, may as well have some fun Batman: One Bad Day - Mr. Freeze (2022) art by Matteo Scalera
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bruciemilf · 9 months
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"Alfred is way too chill with what Bruce is doing" my good bitch it's probably because Thomas and Martha were 10x worse. Bruce is like a sundae ice cream compared to those two
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servants-hall · 7 months
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The Gilded Age Season 2
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lesbiangummybearmafia · 5 months
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The Gilded Age, 02x05 Close Enough to Touch, my thoughts...
Omg I'm so happy for Aunt Ada! It was brilliant she didn't allow her fears to stop her marring the Reverend Forte. Their so sweet together. I understand that Aunt Agnes had to marry that man she did and as result had a horrible marriage but I'm glad the Reverend Forte pointed out to her that it was for her own selfish reasons she didn't want Ada to marry him and not because she was trying to protect Ada. I'm also glad Aunt Agnes got her head out of her butt and went to the wedding! Because no matter what she said under the grumpy exterior I want to believe she actually happy for her little sister. Now I want them to find a man for Aunt Agnes, wouldn't that be amazing to see!
Ok I completely annoyed by the whole Peggy and her boss thing. How played out, over done, so predictable and well just lazy is that?! Why can't they make her character smarter than that. Be all like oh hell no fool, you're married. Yes we had a scary fucking moment back there but no we don't need to be kissing or anything else. Because it makes Peggy's character come off as less than she is, less intelligent, less brilliant. It does such a deserves to her character!
But Bertha's staff was so not on our watch mf! I freakin love them. Especially Church making sure the Duke didn't end up with a lap full of hot soup. And Watson for catching on to what was going on in the first place! Bertha needs to give them and Mrs. Bruce a rise!
Oh I loved, loved watching Turner's plan at revenge go up in smoke. Omg Mrs. Fish comments perfectly just hitting Turner's last nerve lmfao!! God their making me truly hate her.
Bertha's dinner party gown was so beautiful. I do like seeing all the lighter colors this season and flower prints. I thought Bertha was rather cute when she kept checking to make sure everything for the dinner was perfect and all her staff kept reassuring her. I would like to see more moments like that where she's well cute. When Gladys tried to walk further down the talk, Bertha all come back here you lol. I so knew one of the main reason Bertha wanted to meet the Duke was because of Gladys. If she gets her way Gladys is going become a Duchess. It was great Bertha and George are not longer fighting omg. I didn't realize how heavy that made the show until the episode. Even with the events with Peggy unfortunately the episode still feel lighter.
Oscar and Maude Beaton are very sweet together but I don't want to see Maude get hurt. If Oscar actually loves her, perhaps like one loves a very dear friend or a best friend than maybe it's alright but if not. He definitely needs to stop acting like any kind of goldigger though! I just really want him to have honest feelings for Maude is all.
Marian if she doesn't want to be with Dashiell Montgomery ok. But her doing cringie face everytime he said something in that direction is getting old and annoying. Could she please grow the same spine for herself she seems to have for everyone else.
It's so awesome they put in about Emily Warren Roebling the first female engineer. That whole thing Larry finds out is completely ture part of history. I really appreciate the show added. It's important that our women's history finally be included.
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droughtofapathy · 5 months
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The Gilded Age's Broadway Divas: Mrs. Bruce (Celia Keenan-Bolger)
Despite having a largely underdeveloped Downstairs role in The Gilded Age, Mrs. Bruce runs the Russell household like a tight ship. From averting near-disastrous soup escapades, to catching escaped dogs in the dusty streets, she approaches her job with no-nonsense competence, all while totally unable to reach the high shelves.
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For the first time, Celia Keenan-Bolger (45) has broken free of her child typecast cage to play a fully grown adult with adult responsibilities and it must be such a thrill for her. Those unfamiliar with Celia may not be aware of her illustrious career playing children on Broadway as a grown adult.
In 2005, Celia (26) made her Broadway debut in The 25th Annual Putnam County Spelling Bee as twelve-year-old Olive Ostrovsky, a precocious spelling bee contestant who should have won, dammit, and I'll die on that hill. In 2011, she (31) played thirteen-year-old Molly Aster in Peter and the Starcatcher, nominated for a Tony the same year as her brother Andrew Keenan-Bolger (Newsies). In 2018, she (40) starred in To Kill a Mockingbird as six-to-nine-year-old Scout Finch, for which she won a Tony. This coming spring, Celia (46) will once again be a child on Broadway as she takes on the role of Jessica Lange's teenaged daughter in Mother Play. (List non-exhaustive)
#1: "Green Finch and Linnet Birds," Sweeney Todd (2002)
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In one of her earliest professional roles, Celia (24) takes on sixteen-year-old Johanna Barker, the daughter of the titular Sweeney Todd, who has become Judge Turpin's ward. This is not great for her. But the role was. Too often, this particular song gets the short end of the stick. It's long, slow, and very high, yet Celia approaches it with a controlled vibrato that makes us all sigh in relief.
The Kennedy Center production featured a fantastic cast, including Mary Beth Peil as The Beggar Woman, Broadway's Leading Man Brian Stokes Mitchell as Sweeney Todd, and our very own Agnes van Rhijn, Christine Baranski as Mrs. Lovett.
#2: The Light in the Piazza - Pre-Broadway (2003)
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Before Kelli O'Hara took on the role of Clara Johnson, a young woman whose mental development stunted at age twelve after being kicked by a horse, the role belonged to Celia Keenan-Bolger (25). Ultimately, when the production moved on from Chicago, the creative team decided they wanted a Clara who was a little older. Kelli, who had been playing Francesca, the sister-in-law, was unwilling to "steal" a role from someone she considered a dear friend, but either way, Celia was out, so Kelli was in with minimal damage to their friendship, which persists today.
However. Some years later, when South Pacific was auditioning their Nellie Forbush actresses, the final three came down to Kelli O'Hara (who got it), Celia Keenan-Bolger, and Victoria Clark, who won a Tony for playing Margaret, Clara's mother, in Piazza. Talk about awkward.
#3: "The I Love You Song," The 25th Annual Putnam County Spelling Bee (2005)
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Losing out on Clara wasn't all thunderclouds for Celia (26). Shortly after, she landed a role in the off-Broadway production of Spelling Bee, and when it transferred to Broadway, she received her first Tony nomination.
In this scene, Olive sings the most heartbreaking and beautiful number in the entire show. It is just devastating. Up until this point, the show is a barrel of laughs, and then suddenly you're sobbing your eyes out over a lonely little girl in a bad home situation.
Will Celia Keenan-Bolger ever be allowed to play an adult again? How long until she is no longer able to play children? How did she get the role of Mrs. Bruce if she's only allowed to play kids? All questions we have no answers to.
LINK TO MASTERPOST
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smallandangry24 · 1 month
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To keep up with the trend:
Me and the bad bitch I pulled by being autistic:
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Honorable Mention: Bruce Wayne
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frownyalfred · 8 months
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what Bruce Wayne had for breakfast: coffee and a smoothie
what Bruce Wayne had for lunch: more coffee
what Bruce Wayne had after someone tried to touch one of his kids: a FELONY
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limitedseries · 11 months
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"Your lucky numbers are 46, 24, 11, 6, and 5." It's all how you read it.
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