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creativecuteness · 3 months

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Total Slaughter Island (Rescue Rangers) Prologue

I did promise I would post each week and here's the beginning of my brand shiny new Fanfic based on Evaeee-ry's horror AU I used to love Total Drama as a kid and in a way I feel like I'm writing a love letter. Anyway, enjoy the Prologue and let me know you're thoughts.

The fresh ocean breeze left a salty taste in her mouth and nostrils as the bow rocked to and fro. She stared at her reflection in the clear blue water with purpose. With the cloudless sky, orbiting seagulls, and cool breeze, it was a perfect summer day. Perfect for swimming, fishing, and cold creamy treats, but it wasn’t perfect in fact; to her, the last thirty days couldn’t have been more stressful.

She glanced at her associate out of the corner of her eye. The sun always had a way of hitting his handsome features just right—his short black hair, subtle beard, and brown eyes. He was wearing a white T-shirt with a teal green one over it, dark shoes, and brown khakis. his sorry excuse for a signature outfit.

To many, Christopher McLean was the Canadian equivalent of a Hollywood icon; he has appeared in countless movies, was a host for several radio shows, podcasts, and reality TV shows (put a pin in for that last one), and he was handsome to boot, especially when the light hits him just right. But to her, it wasn’t endearing as much as it was annoying.

Dakota Natalie (age 16) knew full well that Chris’s nice guy act was nothing more than that. His quote-on-quote acts of selflessness were just a way to paint himself as a humble, chivalrous, not your average celebrity kind of guy. But below the surface, the countless fangirls and mutual respect were the many ways he stroked his own ego. In actuality, Chris was an egomaniac, narcissistic, and overall insufferable. Any brave fool who tried to call him out on it would be fired on the spot and taken to court for ludicrous charges. Only a fool would work for Chirs, and sadly, Dakota, their captain who was manning the boat, and two junior high schoolers were those fools.

She turned herself fully to get a better look at Chris as he smoked his cigarette. He truly had no care in the world, and that just added to the young girl’s disgust. How could he be so nonchalant about this? Were his staff and actors just that disposable to him? Or maybe he was starting to feel an ounce of regret and couldn’t risk showing that vulnerability. Dakota liked to think it was the second option, but the logical side of her knew what was going on in his twisted brain.

Chris lowred his cigarette and puffed out smoke, all of which hit the brunette square in the face, making her start hacking as she fanned the air as the smoke stung her eyes and lungs.

“Ugh, yet another reason why I shouldn’t start smoking." She prayed that the repulsive stench wouldn’t linger on her clothes. A brown-skinned girl with purple hair in a braid handed her some water, which she gladly drank. Once her coughing fit ended, she gave Chis the best death glare she could muster.

“Watch where you’re blowing that stuff. Are you trying to kill me too?" She spat, a small part of her wanting to throw the TV host overboard.

“Hey, I gave you a warning, but you were so lost in my beauty, I guess you didn’t hear me.” He remarked teasingly. Even in her observation, she didn’t see his lips moving once he hadn’t said anything to her, and he knew she knew that. Barely anything gets past her.

“Pfft as if.” She scuffed, crossing her arms and leaning back on the railing. “I’m just seeing if you regret leaving twenty-one teenagers on a deserted island while you left to save your own hide.”

Chris’s features softened for once, letting his ego deflate as he gave his assistant an affectionate pat on the head. She had the urge to push it away, but moments like this were rare and far between, so she let it slide. (Just this once.)

“Look, as much as I hate admitting my wrongdoings, you have a point.” He sighed, taking another drag from his cigarette, this time blowing in the direction of the wind (and out of her face). “I shouldn’t have left those kids on the island with a crazy killer.” He spoke, “It’s just seeing Ezekiel’s head and severed body parts I panicked. I didn’t know what to do; what was I supposed to do?”

“Uh, bring them with you!” She snapped, banging her fist on the metal railing, startling their other two helpers, who were playing Go Fish using a barrel as a makeshift table. "Call the authorities and let them handle the rest! But no, you had to selfishly leave, giving those kids no way out, all of which could be dead thanks to you. How do we tell their parents?! They’ll sue you from here to Timbuktu; your reputation will be ruined, and you have yourself to blame for this, McLean!" She yelled, giving him another hateful glare.

Chris had to hand it to her; just like Hearther, her looks could kill, and it left him regretting waiting this long to rescue them.

A Hispanic teenager with short brown hair watched the scene unfold. He thanked his lucky stars that he wasn’t chosen for the show. As Chris and Dakota argued back and forth on the morality of their situation, he eyed the purple-haired girl and motioned for her to invite Dakota to play with them.

She nodded in understanding, not wanting this short-term alliance to be the end of them before their search even began. “Hey Dakota!” She spoke, waving to her, “Why don’t you play with us? We need a third player to even the playing ground.”

Dakota thought for a moment, giving a small glance at Chris, wondering if he had any final words on their conversation, but figured it’d be better to just end it now.

"Fine, deal me in.” She agreed, not giving the former host a second glance as she joined the two acquaintances, her expression still stormy, which showed since she didn’t bother to make small talk; the only time she spoke was to ask for a card. Chris would never admit it out loud, but he hated seeing her like this; Dakota’s dad was an old friend of his. Back before Chris was a big-time movie star, he got his start as a radio host. Dakota’s father worked in audiovisual and kept the sound in check and made sure the equipment stayed in perfect condition. It wasn’t long before Chris had himself a small fan base and was asked to audition for a variety of different roles. (His voice and charisma made him very likeable.) It wasn’t until years later that he reconnected with his old friend and offered him a job in the studio; he had a pet project he was secretly working on and wanted the best AV man on board. Plus, hearing he had a wife and daughter was intriguing; he guessed it wouldn’t be bad to have one of them on board too.

It wasn’t long before he met Dakota and took a minor liking to her; she was sweet, patient, and didn’t talk too much, which Chris minded at first, expecting to be bombarded with questions and the story of his life. Only to have that come crashing down when she stated she had never heard of him. Those words felt like a punch to the gut, and he took it personally. If it wasn’t for his busy schedule and reputation, he’d take her to the screening room and show her his filmography. But he had work to do, and being full of yourself doesn’t make for a good first impression, so he let the remark slide, reasoned his work in America wasn’t as popular as it was in his home country, and gave the family the tour, making a mental note to get Dakota familiar with his acting career when he had the time.

It wasn’t long before he developed a sort of uncle/niece, father/daughter relationship with her. For once, Chris’s ego didn’t get the better of him, and he enjoyed the downtime with the Natalie family; he even gave Dakota an internship, which she seemed to enjoy for the most part. He was on top of the world, and nothing was going to stop him. He was going to achieve his life goal of creating and hosting his own reality TV show, and for the moment, it seemed it would come true. Then he had to go and screw it up; in hindsight, he should have prioritized the players safety over ratings and drama. They only gave a brief overview of the filming location and didn’t even explore the whole island, but in his defense, no one pointed out strange happenings, human-shaped shadows, or anything of the nature. They didn’t know a psycho even lurked in the forest. So, naturally, they thought it was safe. Oh, how wrong they were, and now twenty-two minors could be dead, and a crazed murderer was still at large. And it was all his fault; he never should have left them and swept Ezekiel Miller’s death under the rug. He had more than enough money to pay whatever price his parents would have demanded for losing their son. Heck, he has enough money to pay all the legal fees those angry parents would’ve thrown his way.

And yet he left them anyway; his stupid pride and fear of a ruined reputation were what kept him from loading the campers onto his boat and calling authorities. And as if he didn’t feel bad enough, his favorite person can barely look at him. He showed Dakota his true colors, and now their entire relationship has fallen apart. (But little did he know he'd been showing the cracks even before then.)

McLean looked at his secret fiancée, Chef Hatchet. (It wasn’t easy being a bisexual man in this day and age; yet another act of cowardice Chris can add to his growing list.) They both looked at each other with saddened eyes. Hatchet knew how much Dakota’s distance hurt him behind his ego and selfishness. He was a human being with a heart of gold that was corrupted by his growing fame. Chef always knew his lover wasn’t the biggest fan of kids but hoped bonding with one would have Chis finally agree to adopt some with him. When he got out of the war, Chef worked as a daycare attendant and loved those little munchkins and their mischievous nature; Sure, they were a headache and gave him war flashbacks. Yet leaving them left him longing for kids of his own. He expected the longing to last a year or two before moving on, but it never did. Instead, it was replaced with a desire to raise a few with the love of his life.

Chris wasn’t a bad person by any means, but he sure as hell wasn’t a good one either. And yet that’s why Chef loved him; he too had a twisted mind and some deep, dark secrets he never wanted to get out.

If Chis was Dakota’s second father, slash uncle, Hatchet was her third, and he loved that kindhearted teen with all his heart (something he didn’t know he was capable of). Chef mouthed the words, “Give her time; she’ll come back around.” And they pretended their daughter from another mother, and father was going through a rebellious phase and returned his focus on getting them to the island before nightfall.

Chris just nodded, looking at his assistant, who barely said a word as she watched the two helpers. Who tagged along to widen their search.

“Yeah, things will return to normal eventually. All I need to do is save a few kids, show the world I’m not at fault, and everything will be right in the world again.” He thought he was pretty sure of himself. Though no amount of lying could prevent the elephant in the room, assuming the killer claimed more victims, that amount of trauma and worry is enough to fluff up anyone’s mind. Even if therapy is provided, who’s to say the trauma will become too much and someone could turn to unhealthy coping methods or commit suicide? Heck, for all Chris knew, they lost all hope and already did, making this rescue null and void.

“Face it, McLean.” A part of his brain spoke, “Nothing will ever be the same, and you know it. This act of cowardice will forever haunt you and the campers. So, stop playing hero, kiss your career and Dakota goodbye, and enjoy your last days of freedom. Because prison is the only place you’ll be going.”

And for once, Chris listened to the little voice in his head and kept his head down, trying to ignore the stabbing pain in his heart and feeling of dread as Camp Wawanakwa slowly filled the horizon.

#Total Slaughter Island (Rescue Rangers) Prologue #dakota natalie OC #chris mclean #chef hatchet #sierra td #td alejandro #more character will be tagged as the story goes on #I gave Chris way more humanity than I expected but oh well makes him a more complex character #Next chapter comes out next Friday

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heymacy · 1 month

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IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

#happy world bipolar day to all my bp babies #(more thoughts at the end of the tags)#shameless #shamelessnet #shamelessedit #ian gallagher #cameron monaghan #*macygifs #bipolar disorder #hello pals how are we doin #i made this gif set in july of 2023 and never posted it because 1) i was terrified to share it and potentially see Bad Takes in the tags #and 2) because my hyperfixation was waning. and while both of those things are still mostly true (the fixation comes and goes)#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation #that isn't often given to the disorder and those (like myself) who live with it every single day #world bipolar day is a day where we can both celebrate ourselves and our resilience and also raise awareness of the reality of the disorder #which is both terrifying and beautiful at its core. this disease is not a death sentence or a sentence to an unfulfilled and miserable life #while there are challenges galore when it comes to balancing life with this disorder it IS possible to live a full and productive life #and i think it's really important to have representation of that in media - and while shameless dropped the ball on a LOT of storylines #over the years THIS is the one they really fucking nailed and i am incredibly grateful #i first started watching shameless while in the midst of a major depressive episode and i was later (finally) diagnosed during an extended #hypo/manic episode - this show and ian's storyline got me through so much and made me feel so seen and validated in my struggles #world bipolar day is also vincent van gogh's birthday (happy birthday buddy) who was posthumously diagnosed with bipolar disorder #and who experienced both depressive and hypo/manic episodes during his lifetime (and was regularly institutionalized)#it takes a lot of help and support to keep us going. it takes the support of our family and friends and *most* of all #it takes patience and kindness and understanding - which is so so so easy to give if you are willing to love and listen #so please. be willing. listen to our stories. be patient with us. show us love without conditions. support us in any way you can.#we are worth it #i promise #anyway. that's really all i wanted to say. happy world bipolar day to those who celebrate (me) and may all of us living with this disorder #go on to live happy fulfilling beautiful magical lives

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haunted-xander · 3 months

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I think one of the (several) reason for why Shadowbringers is so good is because the narrative is more about the individual characters than it is the Greater Conflict.

Like, the Greater Conflict is definitely there, obviously, it's what keeps the story going, but the focus is always on the people, much more so than the other expacs. HW and STB also have some level of character focus ofc, but it's very selective and even then the focus is based on them in the specific context of the current conflict.

But in SHB, the story bends around the characters' narratives, rather than the other way around. The story forms to put them in situations that challenges their flaws and limitations, by forcing them to confront it and actually deal with it. Even just at the very beginning, you see the twins being dealt a terrible hand that very neatly clashes against their faults.

Alisaie is confronted with a situation that she can and could never do anything about. She has no means to help the patients (at the time at least). The only way for her to help them is by eradicating the source of the affliction itself: the Light. But the Light isn't just some Big Bad she can kill and be done with. Even when all the lightwardens are down the Light is still there, it's just more manageable. Alisaie learns to not only see the bigger picture, but to care for it for her own reasons. For all that she has participated in Big Operations, it has always been because that's what others were doing, what others cared for to be done. She feels for the people of Doma and Ala Mhigo, but she didn't set out to liberate their homelands because she has any personal investment in it. But other people do, and she cares about what other people- be they strangers or friends- care about.

Caring about other peoples feelings and opinions isn't a flaw by itself of course, but doing things without any sense of personal purpose, is. This is what SHB helps her fix and confront, because it is personal now, she does it because she cares.

Alphinaud is forced into a situation where diplomacy and negotiations does and would never work. He can't talk himself into Eulemore, and he sure as hell can't convince Vauthry or the free citizens to let go of their life of ignorant luxury. The problem here also isn't as straightforward as a corrupt ruler, because even after Vauthry is revealed for the bastard he is, it takes considerable effort and convincing to get them to get off their asses and get to work. It's one thing to change the minds of people who wanted the same outcome just in a different way (like Ishgard- they rejected unity with the dragons, but they still wanted an end to the war), but it's another thing entirely to convince people that another way of life is even worth it.

And this is what SHB teaches Alphinaud, that words and deeds can achieve much, but that there is much more to diplomacy than appealing to their wants and/or sensibilities to convince them of an alternative outcome. His development may not be as immediately noticable as some of the others (largely bc he had a lot of it already from HW), but it is still very much there.

Urianger's development had already been build up and sort-of started already, but we don't really get to see it until it near explodes in his face after we kill Vauthry. Even after he swore off secrecy, he's forced to confront his morals when the Exarch bids his assistance. Urianger has always been looking at the greater picture, to the point he'd almost lose himself in it if it wasn't for the overwhelming guilt he feels. He works with the Exarch, because he knows he's the only one capable of it, and he hates the very fact that he is. When the climax of the plan is about to be executed, he is pained to the point that even he can't mask it anymore. He has betrayed their trust once more and once more it will result in the death of a friend.

But it doesn't, and that's what's needed for him to confront himself. As terrible and unexpected as the circumstances around it was, it did show him that there are other ways. There is no one way to solve a problem, the first choice doesn't need to be the only one. And he would find those other ones of he had just talked to the others.

The pay-off doesn't quite come until EW, where we see him actively make the choice to go against his first instinct of acquiesing to the Loporrits' plans, and instead chooses to consult us, but that scene wouldn't have made sense or even happened had it not been for his development in SHB.

Now, Y'shtola is a bit of an odd one because while she does get her due focus, she doesn't quite get the same amount of development as the others. Rather, it shows how she thrives when not held back by others interests and (often somewhat needless) bounderies. Her intelligence and charisma have the chance to shine, her independence and confidence now rewarded rather than punished. In ARR, she is constantly annoyed by the Maelstroms way of dealing with things, and how no one bothers to actually listen to her. Her advice and reprimands are almost entirely ignored until the problem blows up in their faces and they have no choice but to concede that she was right.

Being independent and confident aren't flaws by themselves, but her sometimes aggressive approaches to telling others off does her few favors. In SHB, she has the Night's Blessed who actually heed her word and respect her, they listen to her and actually take what she says- be it advise or reprimand- to heart.

She does also, however, have to deal with Thancred who, much like the Maelstrom, ignores her reprimands and doesn't listen to her. The difference here is that her bluntness actually serves a purpose. In ARR, her bluntness lacks tact and meaning, simply a result of frustration. The Maelstrom won't listen to someone who doesn't come up with fleshed-out arguments and solutions, but Y'shtola doesn't bother giving them any until she knows they'll listen. But with Thancred, she does give him the solution. It's just that the solution is him. His words, to be precise, and his acceptance. And he needs to be reminded of that, and she does. It doesn't automatically solve anything, but that's simply how it is with complicated situations like that.

Speaking of Thancred, his narrative is probably the most important of all for SHB. He's always been shown as a capable, but ultimately self-destructive man who genuinely does not know how to deal with himself in a healthy manner. Theoretically speaking he knows, he recognizes that he is self-destructive, but he still has no idea how to actually fix it. It's been shown as early as ARR when it results in him getting possessed, but it's not really made a point of until it almost ruins his relationship with Ryne. Up until now he could just ignore his problems, but with Ryne he can't because now The Problem(s) aren't just his anymore. Anything that would hurt him now would also hurt her, meaning that if he wants to continue doing the one thing he actually cares about (protecting his loved ones) then he needs to get his shit together.

But Thancred doesn't know how to. And for all that his friends try and try to help him, he doesn't know how to. He's paralyzed. Thancred is so deep into his self-destructive habits that it takes the threat of both his and the person(s) he loves the most in the worlds deaths to get him into action. He doesn't know if it's Minfilia or Ryne who will return, and I'm not sure he expected to survive Ran'jit. He only has this chance, and if he wants to die without (as many) regrets he has to do something now.

And he does. He does and what it is he does is tell Ryne that whatever happens, it has to be her own choice. That he will accept any outcome, that he will still care about her no matter what, that as long as she lives or dies as she wants to, that he still loves her. He still loves her. And it works, because that's what he's needed to do all this time, to be able to just tell her that she matters. That he cares.

He tells her to live her own life, and he learns to live his own too.

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lauraneedstochill · 1 year

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My first choice (part 1/2)

summary: Aemond thinks you are way too good to be Aegon’s best friend. But you are enough for the one-eye prince to fall in love with.

pairing: Aemond Targaryen and F!Reader words: ~ 5500

warnings: friends to lovers, slow burn (with very obvious mutual pining), angst, Aegon is a sad boy (but ends up being a pretty good wingman!)

author's note: this is inspired by “Little women” and Amy March in particular. I took the liberty to rewrite some plot lines because to me Aemond is nothing like Laurie (Aegon is ;) and I hate love triangles so we are not having any of that sorry. it's a bit of a roller coaster so I divided it into 2 parts in hopes that it will be easier to read: the first part explains Aemond's feelings, the second one is about hers. ✨ part 2

part 1. How could you be so blind

Aegon knows he's supposed to be relieved — he never wanted the crown and now that Rhaenyra is the Queen and a feast is arranged in her honor, he should be celebrating. And he may have been hitting the wine way too hard for the past couple of hours, but he can’t pretend to be happy, and he gave up trying to force a smile. It’s ridiculous that he is upset over this, and yet he can’t help but feel horribly useless. The prince drinks one cup after another until the room starts spinning and he can’t even sit straight — and then he suddenly finds himself propped against the wall, sliding under the table instead of sitting at it. Aegon catches a few judgemental glances but at this point, he couldn’t care less. There is only one person whose judgment he is afraid of — and it’s not long before he’s greeted with a displeased remark:

“When I asked you not to swoop too low, I couldn’t imagine you would literally lay on the floor.”

He looks up — and here you are, staring down at him, not even trying to cover up your disappointment. At any other time, Aegon would’ve at least tried to sober up, but today he’s disappointed in himself, too, so he doesn’t make an effort. Instead, he reaches out an arm to you with a lax smile:

“Would you like to join me?”

“I didn’t get the invitation to this pity party so I will pass,” your tone suggests you are not in the mood for jesting. “Now that you’ve succeeded in making a fool out of yourself, would you mind getting upright?”

“I think I like it here,” he retorts, shamelessly staring at the legs of the maids passing by.

“You like wallowing in misery for all to see?” you huff. “Aegon, get up.”

He fakes a whine:

“My legs gave out, I’m afraid!”

“You would need to drink all the wine in the castle for that to happen, and I doubt you managed to do that,” you roll your eyes, taking a step toward him — but pause upon hearing a voice behind your back:

“You underestimate my brother.”

Aemond has a habit of sneaking up on people which often startles you yet right now you are too angry at Aegon to be bothered. You throw Aemond a glare over your shoulder but your eyes soften when you see the apologetic look on his face. It’s not the first time that the two of you find yourself in this situation — throughout the years you learned to work as a team: you bring Aegon back to his senses while Aemond helps to physically bring him to the nearest flat surface. You have never asked him for help — and yet he’s always there.

Aemond is about to lean down to help his brother up — you stop the one-eye prince with your hand, your palm inches away from his chest. Anyone else would’ve thought twice before standing in his way but you don’t hesitate.

“He is perfectly capable to get up on his own,” you reject Aemond’s attempt, your eyes fixed on Aegon. “He can hold onto the wall shall he feel unable to stay on his two feet.”

There is something in your gaze that makes Aegon uncomfortable, piercing him to the bone. You are never downright mean or rude but with just a few words you can easily unmask his feigned recklessness. The prince stands up, tottering and feeling a little light-headed.

“Are you happy, now when I'm in the standing position?”

“If you cared about anyone else's feelings but your own, you wouldn't be in this position,” you scold him while Aemond takes his brother under the arm to guide him out. Aegon tries to grab another cup of wine but you slap his hand.

“Do you ever get ashamed of yourself?” you hiss at him.

“Let me think... No, why would I?” he sounds sarcastic.

“You should be,” you whisper scream at him. “You can find nothing to do but dawdle and make a mockery of yourself!”

Aemond feels his brother shuddering at your words, and he tightens his hold on Aegon.

“Well, what else am I to do,” his voice is bitter. “Since I am not an heir and serve no purpose to the realm nor do I have any taste for duty.”

You slow your pace, and a sigh leaves your mouth.

“I feel sorry for you, Aegon, I do. I only wish you'd bear it better,” you reach out to stroke his arm but the prince bristles.

“You don't have to feel sorry for me. Your duty is to marry, and we will see how that goes,” he mutters before he can stop himself — and regrets it the very next second when you swiftly turn to him.

“At least I would be respected if I couldn't be loved,” your tone hushed but sharp.

Aegon stops dead in his tracks, his wide eyes meeting yours. You moved away from the crowd into the hall, and it becomes silent. And then his lower lip quivers.

“But I thought that you loved me,” Aegon whimpers, his assumed nonchalance instantly gone.

“Oh, Aegon, how much did you have to drink?” you come to his side, lending him a shoulder to cry on. While he’s aggressively sniffling, you look at Aemond and quietly mouth “How many cups?”

“Way more than usual,” he gives you a wan smile, and you groan at his answer, taking Aegon by the arm.

“Alright, you can lean on me. But don’t get handsy or I will push you down the stairs,” your remark earns a weak laugh from the older prince, and the three of you head toward his chambers.

Aegon doesn’t talk much but his mood softens and you exchange a few jokes before finally reaching his room.

“I can take it from here,” Aemond suggests but his brother eagerly protests.

“No, I want to be tucked into bed! And definitely not by you,” he sticks out his tongue, and you chuckle at his whim.

“Aemond, I can handle him.”

The one-eyed prince shoots you a knowing glance and holds the door open for you and Aegon to walk in. You slowly move to his bed, making sure he doesn’t stumble on his way — and then, with a sudden boost of energy, the prince flops down on the fluffy blankets, letting out a satisfied moan. You hold back a giggle and wait for him to crawl under the covers.

“Should I call for the maid to help you undress?”

“No, I am way too comfortable like this,” he pulls the blanket up to his chin, and you sit on the edge of the bed.

“I am sorry for the way I behaved,” he reveals, frowning. “I did not mean to, truly.”

“Aegon, you know I’m not the one you should apologize to,” you take his hand in yours, and he squeezes it with childish eagerness. “You left Helaena all alone. And you promised me you would make an effort.”

“I know, I know,” he yawns. “I was doing better until today, I swear, you should ask her,” his speech becomes incoherent as he is already too drowsy to talk, his cheeks flushed from the wine and the heat of the blankets. As you stand up to leave, Aegon mumbles:

“I fetched you a book... the one you were looking for,” he sloppily points to his table by the window before dozing off.

There is only one book so it’s easy to find — and when you do, you can barely contain a sound of surprise: it's the complete history of Westeros, heavy and hardcover, decorated with gilding. You glance at Aegon but he looks fast asleep so you cautiously get out of his chambers.

If you were to turn around, you would’ve noticed that he kept an eye on you with a grin on his face.

When you walk out, you see Aemond still standing there, his gaze landing on the book and then immediately on you. It takes you a minute to figure it out and then you smile at him:

“Even though I appreciate the gesture, it is hard to imagine Aegon in the library.”

“He asked me to help him find the book you wanted. I did,” the prince explains as if it isn’t that big of a deal. But to you, it is — although you think he only did it out of politeness.

“Thank you, Aemond,” you enthusiastically turn your attention to the book, flipping through the pages in awe. He watches you, feeling the warmth in his chest at the sight of your joy.

“You know that you bring out the best in him?” Aemond says in a low voice, and your heart skips a beat at his comment. You are thankful for the dim lighting that makes your heated cheeks less obvious.

“You overestimate my influence,” you say, then dither before admitting, “I’m afraid I was too hard on him today.”

“Someone has to do it,” Aemond objects, and there’s something in his tone — sincere and soft, that makes you look at him again. At this moment, away from the prying eyes and the pressure of everyone’s expectations, you can see the side of him that people rarely get acquainted with.

“I think you are doing a pretty good job, too,” you tell the prince, finding his presence ever so calming. You could never understand why would anyone call Aemond intimidating when he’s been nothing but kind to you ever since you two met. Whenever you have a chance to be alone with him, his company always brings you comfort, and that feeling is so rare, you want to chase it.

But then you remind yourself of the harsh reality, and your smile falters.

“I’m sorry you had to get involved,” you look down at the book. “I wouldn’t want to distract you.”

“You need to elaborate on that,” Aemond says uncomprehendingly.

“I’ve heard that you were courting lady Baratheon,” you explain casually, avoiding his gaze.

He hesitates before answering.

“Well, I only plan to,” the prince clarifies. “If she accepts my advances.”

“It would be silly of her not to,” you blurt out and, while you can’t see it, Aemond gives you a quizzical look.

“She may have her reasons —”

“I can’t come up with a single one,” you tell him with so much confidence, Aemond’s heart flutters at your words but you continue without a second thought. “You are intelligent, good-hearted, handsome — and a really skilled swordsman. Not to mention you have the biggest dragon in the realm, which does sound like a reasonable perk.”

The prince is glad that you’re too preoccupied with the book to see his stunned expression. It’s not just the fact that you compliment him so easily — but also the way you do it. When other people try to, they usually start with Vhagar as if the old grumpy creature is the main good thing about Aemond. But you only bring up the dragon at the very end and in passing, instead keeping the focus on the prince. He is silent for a moment, letting your words sink into his memory.

And then Aemond persuades himself that you only said it out of politeness.

You notice his lack of response — and you are about to question it when a maid comes to you in haste:

“Lady Y/N, your presence is needed. Your father is looking for you.”

“Better not keep him waiting,” the prince encourages you with a grin. “If he finds Aegon, he might hug him to death.”

You playfully elbow him and turn to follow the maid but then stop to say:

“Please make sure your brother stays in bed.”

“Will do,” Aemond looks at you walking away, clutching the book to your chest as if it's the most precious thing in the world.

To this day, it is truly a mystery to him how Aegon managed to befriend someone like you. You met the Targaryen brothers when your family was invited to one of the royal feasts. You were ten and three, the middle one of three sisters. Your oldest — Elaesa — has been the center of attention, beautiful and graceful, but while everyone’s eyes were on her, you looked a little bit disoriented. It was the first feast that you’ve attended, and maybe you got too agitated or overwhelmed — or both — but soon you ended up lost in the castle, and somehow ripped the hem of your dress in the process.

Aemond was the one to find you. The prince has never been keen on taking part in celebrations, often sneaking away from all the noise. That’s when he saw you — fussing with the dress, your sobs echoing through the hall.

“Are you hurt?” he rushed to your side, and you looked up at him with blubbered eyes.

“Why do you have so many halls? You should hand out maps so people can find their way back,” despite being clearly upset, you sounded unusually serious, and Aemond fought back a smile.

“I can help you find your parents without a map,” he suggested, and for a second it seemed to lighten your mood but then your pout worsened.

“I cannot go back,” you gestured at the dress. “I am in such trouble!” you whined, the tears threatening to spill out of your eyes.

Truth be told, Aemond didn’t have much experience with ladies back then nor did he know a thing about dresses but your distress seemed so genuine he couldn’t leave you be.

“It is not that bad,” he pointed at the ripped material. “I can ask our seamstress to take a look.”

You studied his face for a second, then glanced back at the dress — surprisingly, that was all it took for you to stop crying, and no other coaxing was needed. You wiped your nose and fixed your hairdo, smoothing the damaged hem the best you could.

“I'd appreciate it if you help me find my way back,” you said, your face seemingly more relaxed.

Getting you to talk was pretty easy, and Aemond shortly discovered how open-minded and outspoken you were, using your quick thinking to compensate for your timid personality. When you returned to the hall of the Iron Throne, he was reluctant to let you go but promised to come back with the seamstress. The task only took him about ten minutes, but when he did reappear, you were not alone — Aegon was standing next to you, making you laugh so hard, it looked like you forgot about the dress already. Aemond didn’t mean to interrupt as he suddenly felt very out of place, uninvited in his own home, so he abandoned the idea of helping you and just left.

At first, he thought you fell for Aegon’s flirtatious charms but soon learned that, as much as you did like his brother’s humor, his charms had no effect on you. On the contrary, you often chided him for hitting on young girls and openly condemned his affection for wine. Your honesty set you apart from all the ladies Aegon was surrounded with — and that was the reason he came to enjoy your company as much as he did. Despite the three years age gap, you were the one who told him the truth, no matter how ugly it might’ve been, but you did so without prejudice or any ill intentions. You would usually follow your critique with advice or a solution of some sort to keep the prince away from unnecessary trouble. That is why you were on friendly terms with Helaena, too, and your influence was also welcomed by Alicent, the then Queen. She liked that you were straightforward with your remarks and often said that you were wise beyond your years. Although, as much as Aemond agreed with it, he suspected there was a reason you had to grow up early.

It happened the same year you met — your older sister, with all her grace and beauty, ran away from home to elope with some unworthy beggar. Your mother was inconsolable for at least a week, saying that Elaesa brought shame upon her family. Your father, the kind man that he is, forgave his daughter fairly quickly and tried his best to restore peace. And yet, you came to realize that Elaesa's vagary did cast a shadow over your House. Your youngest sister, Alyna, was a fragile little thing, frequently sick and tacit — which left you to be the one representing your family in the eyes of society.

Within a few years, there wasn't a thing you weren't good at: lords lined up to have a dance with you, ladies admired how well-spoken you were and shared a laugh at your florid sarcasm, and you learned to embroider, to ride a horse, to walk exquisitely dressed and with impeccable posture. But while for everyone else it was a reason to compliment you, Aemond saw the underlying cause of your diligence — the corrosive desire to prove one's worth which was something he learned to live with as well. And which led him to think he understood you better than anyone.

More often than not he found himself watching you as if he had the need to make sure you weren't in harm's way. Helping you with Aegon was a part of that routine but it also gave him a chance to be alone with you. You talked about everything and nothing in particular, and he would catch glimpses of you — the real you, shy and emotional at times, but still understanding and perceptive. He cherished every opportunity to steal you away from the never-ending chattering, from lords ogling at you, from Jason Lannister whose interest in your company should've been concerning. Aemond has gotten so used to observing you, so enthralled with your covert conversations, he didn't realize that a particular feeling was creeping up on him. But there was one person who turned out to be more observant than Aemond has been. Aegon was the mere reason why his brother ended up at your door a few days later. Aemond’s been to your place a couple of times and he promptly memorized the way to the farthest room of the house — the one you used to paint in. It was the only thing you truly allowed yourself to enjoy, an unexpected talent of yours which you soon perfected, too, except it wasn't meant for the others to marvel at but plainly for you to keep your head occupied, to have some quiet time.

He walks in when you are already painting the finishing touches. When you turn to greet him, you stop mid-sentence, seeing that it’s Aemond instead of his brother who you were waiting for.

“He overslept,” the younger prince shrugs. “It isn't a bothersome task to come pick up the portrait of my nephews.”

You point in the direction of the painting with the brush in your hand. Aemond admires your work — as he always does — while you try to shake off your confusion. There is another reason you did not expect to see Aemond today. You tarry with voicing your concern but eventually glance at him with empathy:

“I was sorry to hear about lady Baratheon’s decision.”

“I was not,” he’s quick to retort.

“I cannot imagine agreeing to marry a Stark,” you say, dipping a brush in a jar of water.

“Is it the cold weather?” Aemond grins knowingly.

“Yes! Gods, just thinking about it makes me feel uneasy. All the layers you have to wear to keep yourself warm, barely being able to move, getting no sunlight...,” you ramble, making sure to wet all the brushes before lining them up on the table.

“Some say they've got quite a beautiful scenery,” Aemond tries to object although he knows his argument doesn't stand a chance.

“I wouldn't be able to enjoy that,” you huff. “How am I to capture the beauty if my paint freezes?”

He only hums in agreement, watching you busy yourself with your supplies. You go through the brushes, delicately cleaning the bristles with a cloth. Your fingers carefully take one brush after the other, and Aemond silently admires your love for neatness and order.

“You are staring,” you say without turning to him.

“Where do you want me to look at?”

“Aemond, you are in a room full of art!” you chuckle lightly. “Surely, enough options to land your eye on.”

The prince lets his gaze go around the place, and it takes him about a minute to quickly examine all the paintings. And then he inevitably looks at you again. Aemond thinks he likes this view the most.

“When do you begin your next great work of art?” he asks, hoping to distract you.

You halt movement, then force out glumly:

“Never.”

“What do you mean?” he’s taken by surprise.

“I’ve come to realize that I’d never be a genius,” you reluctantly explain. “So I’m giving up all my foolish artistic hopes.”

“Y/N, you cannot be serious. You have so much talent and — ”

“Talent isn’t genius!” you throw up your hands in defeat, and he can sense your frustration from a distance. “I may be talented in other things, but when it comes to painting, I want to be great or nothing. And I am only of middling talent,” you scoop up the brushes, give them a quick look and place in another jar to dry.

Aemond wants to argue, he really does — but he also knows better than to try and persuade you when you are like this: firmly standing your ground, exuding nothing but stubbornness. In any other situation, he would’ve found it endearing but it’s upsetting to see you downplaying your brilliance.

“Hm, may I at least ask your last portrait to be of me?”

You instantly turn to him, taken aback. Throughout the years you’ve known him, he clearly expressed that he did not like being painted, and you only could make a quick sketch or two, at best, when he wasn't paying attention.

“Alright,” the long-awaited opportunity makes you smile. “Next time I come for breakfast, I will drag you into the garden to pose for me,” you give him a pointed look, and Aemond humbly nods.

Your smile grows wider but you try to tone it down, afraid to spook him, and focus on wiping the nearest table.

“What are you going to do with your life in the meantime?” he changes the subject.

“Polish up my other skills and become an ornament to society,” you sigh, putting the cloth away.

There’s a brief pause before he says, his voice a bit strained:

“Here is where Jason Lannister comes in, I suppose?”

You say yes but the answer comes a little bit too fast, and Aemond notices that the topic makes you uncomfortable.

“But you are yet to be betrothed to him,” he clarifies, gaze fixed on you.

“I will be if he proposes,” your eyes meet his, and you are sure that there’s a shadow of disapproval on his face that only spurs your stubbornness. You fully turn to the prince to say: “I always knew I had to marry well, I do not feel ashamed of that.”

But Aemond isn’t looking for a fight — he swiftly corrects himself:

“There is nothing to be ashamed of. As long as...” — he can barely bring himself to say it — “As long as you love him.”

For the reason unknown to Aemond, his statement brings a bleak smile to your face.

“I believe we can have some power over who we love,” you object, lowering your gaze for a second as you start absentmindedly twisting the ring on your finger.

“I think the poets would disagree,” he chuckles, trying to defuse the unexpected tension.

But when you look up at him, your glare is as obdurate as ever.

“Well, I am not a poet, I am just a woman,” you rebut crisply. “And as a woman, I have no illusions about my prospects which do not include me earning a living to support my family. And my parent’s fortune has its limits as I've come to learn. Hence why, if I want to have children — I do — and be able to provide them with everything they wish for, I must rely on my husband,” that last word is pronounced with disappointment. “So don't stand here and tell me that marriage isn't an economic proposition, because it is. It may not be for you but it certainly is for me.”

Had he not known you, Aemond would’ve been very impressed — with how blunt and witty you are, you are very good at delivering speeches. But as he’s standing in front of you, watching your face, he senses that your determination is akin to despair. Aemond thinks he might take a chance at arguing with you, after all — but you’re both startled by a knock on the door:

“Lady Y/N, Ser Lannister just arrived.”

You look baffled for a second, your confidence crumbling.

“Why would he — I, I didn’t expect him today,” you mumble, almost ashamed of his arrival.

Yet you pull yourself together faster than Aemond can come up with a reason for you to stay. You remove your apron and quickly examine your dress, then move to put on a cape.

“Did I miss any paint stains?” you ask Aemond in a haste.

“No,” he looks over the flowing material of your neat dress, your hair knotted up high — and then: “...Wait!”

You stop abruptly while he grabs a clean cloth.

“There is something on your cheek,” he says as you both step toward each other — and in the next second you’re suddenly standing too close.

You turn to him and shyly shut your eyes, taking a deep breath. Aemond is frozen for a moment but then carefully wipes away a slight smudge of green from under your cheekbone. His hand unwillingly lingers as he examines the delicate features of your face. You open your eyes, looking at the prince questingly. His facial expression is unreadable but it makes you wish you didn’t have to go.

You brush away that silly thought and stand back, fixing your cape.

“How do I look? Do I look alright?”

“You look beautiful,” Aemond says with no hesitation, taking you in — with your cheeks a bit flushed, lip parted and eyes shining. “You are beautiful.”

You seem bewildered at his words but then a smile grows on your face — and in a blink of an eye, you’re gone. The prince is left standing there, staring at the spot where you were just now. The room suddenly feels so empty without you — and so does his heart.

The realization strikes Aemond like lightning: he wants to be the one you come to, at all times. The one holding your hand, watching you paint, or read, or dance — watching you do whatever your heart desires. Because his only desire is to be with you. That thought puts down roots deep into his chest, and he doesn’t know how to pluck it out.

Nor does he want to. It’s all he can think about for the duration of the week, until you come to the castle — with canvas and supplies, not hiding your excitement. He almost forgot about his promise but follows you into the garden without objection. You sense a slight change in Aemond’s behavior, him being more quiet than usual, but decide not to push the prince so he won’t reconsider.

“I will start with a sketch and then we will go from there. Alright?”

He just hums in response while looking at you but you are unaware of the meaning behind his gaze.

“Take any pose you like, I don't want you to feel uncomfortable,” you suggest with a half-smile, knowing full well he will probably remain standing.

And he does, arms clasped behind his back, his eye never leaving your face. You immerse in the process too quickly to be bothered, the piece of charcoal in your hand sliding over the paper, leaving lines and shadows. Drawing Aemond is an effortless task, and you can only enjoy how easy it is to sketch the sharp contours of his face and his lean body. The simplicity can also be explained by the fact that you've already memorized all the details by heart: the curves of his cheekbones and his lips, the flow of his silver hair, the shape and cut of his eye.

When you are finally satisfied, you can’t tell if it’s been an hour or three, and the prince, as it seems, hasn’t moved a muscle. At this point, Aemond’s demeanor does worry you yet you blame it on his nervousness.

“Want to take a look?” you hand him a few sketches. “Mind you, I’m not finished so please don’t judge too harshly —”

“I could never,” his hand brushes yours when he takes the drawings.

Aemond has seen your works before but it's a whole new experience when he's the one being portrayed. He almost doesn't recognize himself — you didn't miss a single feature of his yet somehow this version of him looks too beautiful to be real. He's at a loss for words until he spots that there's another drawing hidden underneath. It's a sketch of him sitting, both arms on the table, his face looks like he's deep in his thoughts.

“When did you do this one?”

“After the coronation,” the memory makes you smile. “Made my poor father lug around with charcoal in his pockets while he was trying to keep up the conversation with Ser Lannister.”

It was the day you got introduced to Jason. You were supposed to be by his side, with your charming smile and polite talks, yet you spend your time drawing Aemond. He can imagine your gaze focused on the piece of paper, the way you must've been looking at him to capture every detail and movement — all of that without him asking to, without him even noticing. There's so much care in that act, he is unexpectedly moved by it.

The words leave his mouth before he can think them over:

“Don't marry him.”

His request makes your hands tremble, and you drop the piece of charcoal, slowly looking up at Aemond, the smile disappearing from your face. He did not mean that, you must've misunderstood.

“...What?”

Aemond turns to you, looking you straight in the eyes:

“Don't marry him,” he repeats, helplessly and desperately.

“Why?” you ask in disbelief, suddenly having trouble breathing. The only reason you can think of sounds delusional, close to impossible. You wait for him to come up with some clever explanation — instead, he comes closer to you, his gaze so warm it makes your cheeks burn.

“You know why,” Aemond says and his hand gently lands on yours. You look down at it, perplexed, your mouth opening and closing, heart rate speeding up.

He keeps his eye on your face as he waits for your reply. You are not repulsed nor angry — which is supposed to be a good sign — but the reaction he gets is actually worse than that. Because when you finally glance at him, you look hurt.

“No,” you yank away your hand as if his touch stung. “No, Aemond, you are being mean, stop it,” you take a step back, your eyes glossy and lips tight. The look you give causes him physical pain — while you are trying your best to fight back the tears.

His intelligence clearly fails him because Aemond has no clue what’s going on. He feels like there is a deeper meaning to your words but he does not get it.

“Why am I being mean?” he asks incredulously as you slowly continue putting more distance between you two.

You don’t even realize you are doing it — it’s almost an urge to not be in his presence, for the first time ever. The weight of his words feels suffocating and merciless. How easy it is for him to toy with your emotions, you think, and that cruelty of his — as you see it — wounds you so deeply, he might as well put a torch to your heart.

“I have felt like everyone’s second choice my entire life,” you bemoan, not being able to keep your agony bottled up any longer. “In everything, no matter how hard I’ve worked to be better. I thought you out of all people would understand that,” you sound raspy, trying to swallow the lump in your throat.

“So I will not be the person you settle for just because your first marriage proposal was turned down,” only when your voice shudders, Aemond finally understands how wrongfully you interpreted his intentions.

But you are out of his reach already — at least ten feet away from him, and the distance separates you like a giant chasm.

“No, I won’t. I can’t,” you are hurting so much, your feelings spill out like blood from a wound. “I can’t do it. Not when I have spent years loving you.”

His breathing hitches as your confession pierces through his chest — and he is left speechless, deafened by it. The moment slips through his fingers with unforgiving pace: you were standing so close only a minute ago — and now you are turning your back to him, rushing away. The last thing he sees is how broken you look, your shoulders slumped and eyes brimming with tears.

Aemond stands, shocked and paralyzed until it’s too late — the garden is silent with your absence and the only evidence of you being there is your supplies scattered on the ground. Your words are ringing in his head, his heart heavy with a dreadful feeling.

He was afraid he would never have you — but he actually could have.

If only he wasn't so blind.

➡ Part 2

yes, this is me blabbing again: I’ve watched this movie an embarrassing amount of times, and I’ve wanted to write a fic based on it for a few months. I did rephrase a couple of quotes but still tried my best to do the story justice. my apologies for the angst — just so you know, it was painful to write. also, will I ever stop using friends to lovers trope? only time will tell! (I probably won't, though) I know there is a very heartwarming fic by aemonds-war-crime that was also based on “Little women” and it's only fair that I link it as well!

tagging @greenowlfactif because you asked 💙 comments and opinions are VERY welcomed! 🥺 🎨 my masterlist English is not my first language, so feel free to message me if you spot any major mistakes!