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#may their memories be a revolution
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It's been 7 years.
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pratchettquotes · 2 years
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"Now, this is a soldier's song, see? You don't look like soldiers but by the gods I'll see you sounds like 'em! You'll pick it up as we goes along! Right turn! March! 'All the little angels rise up, rise up, all the little angels rise up high!' Sing it, you sons of mothers!"
The marchers picked up the response from those who knew it.
"How do they rise up, rise up, rise up, how do they rise up, rise up high? They rise heads up, heads up, heads up--" sang out Dickens as they turned the corner.
Vimes listened as the refrain died away.
"That's a nice song," said young Sam, and Vimes realized that he was hearing it for the first time.
"It's an old soldier's song," he said.
"Really, Sarge? But it's about angels."
Yes, thought Vimes, and it's amazing what bits those angels cause to rise up as the song progresses. It's a real soldiers' song: sentimental, with dirty bits.
"As I recall, they used to sing it after battles," he said. "I've seen old men cry when they sing it," he added.
"Why? It sounds cheerful."
They were remembering who they were not singing it with, thought Vimes. You'll learn. I know you will.
Terry Pratchett, Night Watch
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ikemen-bully · 2 years
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Reverse harem/otoge/joseimuke gacha mc finally getting vacation with other girls they can relate to, doing a tea party together and then a sleepover at night
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rivertalesien · 9 months
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Godspeed, Sister Shuhada
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Fundraiser for Adalah Justice Project
In honor of Shatzi Weisberger, Jewish anti-Zionist/LGBTQ+ activist, AIDS nurse, abolitionist, and so much more - please join me in donating to this fundraiser in her honor. She was the ancestor we should all aspire to be. May her memory be for a revolution, and may you join me in picking up the torch!
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tikkunolamresistance · 2 months
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Yesterday, Sunday 25th February, a man self-immolated outside the Israeli embassy in Washington D.C. His name was Aaron Bushnell, 25 years old, a member of the US Air Force. Whilst burning, he screamed “Free Palestine” in protest against the ongoing genocide and refusing to be apart of the US Military’s complacency.
Self-immolation is a historic act of protest; during the Vietnam War, Thích Quảng Đức, a Muhayana Buddhist monk, self-immolated in protest of the persecution of Buddhist Monks by the South Vietnamese government.
We believe Aaron Bushnell’s spirit will see a Free Palestine, may his memory be a blessing and may it fuel this revolution. May his sacrifice be a call to action for those who should have ended this seige on Gaza, on Palestine, decades ago.
You can read a thread on Bushnell’s sacrificial protest here, however we must warn you in advance for disturbing details. As much as his protest is important, please don’t put yourself in mental anguish if you know you cannot manage something like this in this moment. Come back to it when you can, as his noble sacrifice should be honoured.
His passing will not be in vain.
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lavender-rosa · 7 months
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The thing about Erzsebet is that she's a very unsubtle colonialism metaphor.
Olrox likens her to the Spaniards who invaded his land and slaughtered his people, She speaks of how she wants to conquer Europe and later the "New World" because she considers it her divine right to do so (The Manifest Destiny ideology that made invaders believe that they were divinely ordained to destroy the native population and settle on their land).
She tells the Night Creatures in episode 8 to silence Edouard's singing. During the French Revolution, music and songs were considered a fundamentally important part of it (him singing the songs he used to sing when he was a human could also symbolise his rebellion against his nature as a Night Creature, beings that were considered nothing but bloodthirsty, mindless monsters that held no memories of their past lives)
Even the great power she possesses is not her own, it was the blood of Sekhmet, an Egyptian goddess, another land she conquered and stole from (Drolta says that she was an Egyptian priestess in life, making me believe that Erzsebet was the one to turn her)
She promises slave-owning vampires that as their Messiah she will return the world to it's "natural order", where the slaves that revolted against them will become their property again.
This directly contradicts what Annette's mentor said. That slavery may seem like this practise that always existed to people like Annette who was born into a family of slaves, and lived the majority of her life in chains and people like Comte de Vaublanc who was likely born into a family of slaveowners, someone who spent his entire life enslaving and abusing people. But ultimately, humans did not come into this world as slaves and slaveowners. Turning slavery into something that is not natural and inevitable but rather a man-made evil that can be defeated.
Idk i noticed those things while watching the show and i saw no one in the tags talking about it so I decided to write down my thoughts.
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i-miss-breathing · 1 month
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DPxDC prompt idea
So everyone believes Danny is some ancient being, and in this one, he IS.
In a time travel incident with clockwork he got stuck in like the beginning of time, clockwork got idk captured or something and wasn’t able to, or didn’t want to, get him out of the past before it happened, and Danny has been trying to find a natural portal for millennia to see what happened to clockwork, and to get back to his time. But they either don’t stay open long enough or he does go into one and appears in the past infinite realms, aligning with the time he’s in instead of the time he’s from.
He becomes a master at fitting in, learning all the languages keeping up with the fashion trends, both as Danny and as phantom.
He meets all the immortal heroes in this time, he avoids himself in the time periods he already time travelled to, and he just continues to be a hero throughout all of it. Knowing after the first 10 years he’s immortal as he hasn’t changed at all, he knows he’ll see his family and friends again one day, the thought playing in his head like a mantra for like 10,000 years, he sees a little bit of history everywhere, becoming a nomad, traveling from place to place, doing odd jobs for whatever currency his newest home uses, staying in inns or with whoever’s kind enough to let him, he’s in a constant state of mourning and keeping his need to protect fed and trying to keep his morale up, refusing to break
he does things like watching the Industrial Revolution and pushing oil and coal instead of the newly discovered substance ectoplasm, as ectoplasm is radioactive and they don’t have a way to make it safe, and they also don’t have any access to solar power yet and he wouldn’t know where to start. Sam was going to kill him.
He sabotages nazis in ww2, he frees prisoners in concentration camps, and he meets Wonder Woman, who has apparently heard stories about him.
He doesn’t do anything to change any major event, as much as it hurts, because clockwork isn’t here to guide him on what’s going to lead to something better or worse, and if he changes something too much he may never meet his friends again.
He’s finally in the 21st century.
He can see his friends again.
But…
He’s future Danny sent to the past by future clockwork, present Danny still has present clockwork, who is probably aware of what’s going to happen but isn’t going to say anything, future clockwork is nowhere to be seen, and Danny is finally in the 21st century. But he’s not their Danny.
Several more years of traveling, contemplating, saving people, reminding himself that his friends are so close and yet refusing to see them. His memory never changes, he barely forgot anything in 10,000 years, he still remembers their last conversation as if they’d just had it, but he also remembers all the friends he’d made in that time without them. He knows even if he doesn’t go back, he’ll be ok.
He can feel the portal open. He knows what’s happening. He almost wants to stop it just so that present him, past him, doesn’t experience this eternity. He doesn’t.
He leaves Illinois, he sees the debut of Superman, he sees the creation of the justice league
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arijackz · 1 month
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PICK A CARD: What Era Is Your Beauty From?
☯︎ “A man should hear a little music, read a little poetry, and see a fine picture every day of his life, in order that worldly cares may not obliterate the sense of the beautiful which God has implanted in the human soul.” ― Johann Wolfgang von Goethe
Disclaimer: This is a general reading, take what resonates. I am not suggesting any of these descriptions are cannon to your ancestral history, these are just how my intuition perceived, and then presented your beauty’s energy.
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p1 → p2 ↙︎ p3 → p4
🂽 Pile One 🂽 (the devil, 2oC rev., ace of cups rev., 4oW, 3oC, king of swords, the tower, the world)
❖ Pile one, I feel like I’m watching the Game of Thrones out of context. Just flashes of people from around the Medieval 1400s living their day-to-day; singing, dancing, eating together, and then… not.
❖ The imagery I got when I asked what era your beauty came from, was very longing in nature. There was a lot of joy and celebration but it felt like I was watching the film through teary eyes and a heavy heart.
❖ The “movie” flashed between a thriving culture sharing tales of triumph and having happy, drunk sing-song moments together; and then those same people under a war-torn regime of a very cruel but powerful man. I sense themes of religious persecution, nationwide government-forced famine, and general desecration of the once-peaceful way of life. The population was going through collective mourning.
❖ People lamented over their unfulfillable desire to reconnect with their homeland and all of their loved ones. With the World card at the end of the spread and the Empress at the bottom of the deck, I get the clear image that your beauty is the physical embodiment of a large collective’s longing for the sanctity of their community. You invoke that feeling people get when they remember a bitter-sweet memory that hums fervor in their chest and gives them the fire they need to push forward.
❖ Your beauty comes from an era where the genuine smile and cheer of a pretty girl sparked a nation’s hope for reformation. You are the last remaining connection to long-lost celebration and the heart of a forgotten city.
How Do You Paint The Divine Image of Hope?
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🂽 Pile Two 🂽 (7oC rev., 4oP rev., full moon, leo, sacral chakra)
❖ WHOOOAAaaaaa Ammberrr is the collluuhhhhh of ya enneergyyy!! WHOoaaA, shades of gaawwllddd displayyy naturraalllyyyyyy…..
❖ Just know I was HOLLERING that. This is my hippie pile. My people. Yea that’s right, I’m talking the late 1960s - early 1970s.
❖ Your beauty arose at a time when society desperately needed color (specifically seeing some of you wearing a lot of bright colors or eye-catching jewelry or hairstyles). The world was bleak and the war’s aftermath on the overall mental and emotional welfare of the general public pushed people to radical ideals and birthed a revolution centered around liberation, pleasure, and community.
❖ Your beauty is all sunshine and rainbows. Psychedelics and organic food. The best music in human history (feel free to argue with me, but know that it is going straight out the other ear, mama) and week-long outdoor festivals full of peace, love, and vulnerability with total strangers.
❖ Your beauty brushes people with the chilling winds of shameless pleasure. The taste of unadulterated personal freedom that is almost a societal taboo. Your beauty is so purely liberating.
❖ Lmao, I imagine a guitar riff going off everytime you walk into a room.
❖ You are the physical embodiment of eccentric love and vivacious rebellion.
Play That Funky Music
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🂽 Pile Three 🂽 (The lovers rev., the High Priestess rev., Ace of Swords., 4oC. 7)
❖ Revolution is a running theme for all of the piles. This collective’s beauty awakens people.
❖ I’m seeing a brilliant man going mad at the lack of creative intelligence around him and pushing for societal rebirth. A complete cultural shift from the Dark Ages (pile one), to modernity. This is my Renaissance pile.
❖ You embody the mystical fusion of art, religion, architecture, and science. You are all the world’s intrinsic beauty rolled up into one figure. You are the art that attracts painters, inventors, and philosophers alike.
❖ You have the beauty of an all-around muse. You invoke the spirit of creative passion. It is like people see you and get a stroke of inspiration. Something that kicks them in the ass and tells them to go outside and create.
❖ This pile is very romantic. A classical beauty, like red roses and bottle poems. The universal innate desire to dream big.
❖ Shoutout to my Aquarians, 11th housers, and Shatabhisha natives.
The Medieval-Modern Muse
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🂽 Pile Four 🂽 (king of pentacles, 2oP, 5oP rev., 9oP)
❖ OKAY PLOTWIST?? I don’t know what era this pile’s beauty is from because it’s set in the future.
❖ It’s funny how the last piles were all set in periods of revolution (putting in the WORK) and your pile, the final pile, is set in a better world full of financial stability, the end of inequality, economic fairness, and universal abundance (the fruits of the labor).
❖ Dude, I was trying to read the message at first and was just scratching my head. I was like, “When has anywhere, literally ever been this good???” Then I saw the ace of wands reversed at the bottom of the deck and saw impending change and it clicked.
❖ I also saw some star semblance, and see that your beauty is a reminder to mankind that the “impossible” is already set in motion. The hell we have created will crumble.
❖ You are a physical embodiment of society’s future triumph. You radiate wealth and fairness. My Venusians, especially Libra. You also look regal, something about you makes people want to stand taller.
❖ You got the pride card, I see that you give people the feeling of victory. You are living proof of future triumph in a better world where greed and sorrow are eradicated.
❖ You are the harbinger of the next era.
Introducing The First Titanium Man On The Moon!
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blackexcellence · 1 year
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#BlackHistory365 Art Round-Up ⬇️
Elsa Soares via @rodrigoincolors
"This is Elsa Soares. She's one of the biggest names in Brazilian music and considered a matriarch of Brazilian black artistry. BBC named her the voice of the millenium and she was one of the most important and loudest voice against racism, LGBTQIA+ and women rights, among other social causes. She's died yesterday at age 91. This is a very simple, but sincere tribute to her. May you rest in power!
Please, listen to her music and search more about this great woman."
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2. Portrait of Sarah Forbes Bonetta by Hannah Uzor via @fyblackwomenart
Portrait of   Sarah Forbes Bonetta by  Hannah Uzor
Sarah Forbes Bonetta  was an Egbado princess of the Yoruba people in West Africa who was orphaned during a war with the nearby Kingdom of Dahomey and later became the slave of King Ghezo of Dahomey. In a remarkable twist of events, she was liberated from slavery by Captain Frederick E. Forbes of the British Royal Navy and became a goddaughter to Queen Victoria. She was married to Captain James Pinson Labulo Davies, a wealthy Lagos philanthropist.
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3. Marian Anderson by @novva
I’ve always wanted to do a series on black classical singers for BHM, so here’s a sketch I squeezed in this week—a tribute to the great Marian Anderson!
Marian Anderson (February 27, 1897 – April 8, 1993) was an African-American opera singer and contralto. In 1939, after the Daughters of the American Revolution refused to allow Anderson to sing to an integrated audience in Washington, D.C, then First Lady Eleanor Roosevelt and her husband President Franklin D. Roosevelt arranged for Anderson to perform an open-air concert on the Lincoln Memorial steps on Easter Sunday, April 9, 1939. She was able to deliver a critically acclaimed performance before an integrated crowd of more than 75,000 people, and a radio audience in the millions.
Read more about her accomplishments here, and donate to the National Marian Anderson Museum here.
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Remember: tag your history & trailblazers art with #BlackExcellence365 for a chance to be featured!
And keep your eyes out for next month's theme... 👀
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aronarchy · 3 months
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A copy of the reading list, if you dislike clicking on Google docs links:
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The Popular University of the Palestinian Youth Movement Presents Our History of Popular Resistance: Palestine Reading List 
As Palestinians, we are bearers of a rich and beautiful history. Our history is not defined by Zionism, but by our people’s steadfast popular resistance to Zionist colonization and imperialism. For over 75 years, our people have faced Zionist ethnic cleansing and for over 75 years we have risen in struggle against it. Even prior to the 1948 Nakba, Palestinians consistently rose up against British imperialism and the Zionist movement, as exemplified in the 1936-9 Arab Revolt. Our history and struggle, therefore, cannot be defined by victimhood. Instead, they are defined by a relentless persistence toward liberation, even under the most brutal colonial conditions.
Today is no exception. In a moment when the word is rising up for Palestinian freedom, we must emphasize that popular uprisings across Palestine are deeply and firmly rooted in our history. For this reason, our recommended reading list offers historical context on Palestine through the prism of popular resistance, which continues to be our main resource in the fight for land, return, and liberation. We include sources in English and Arabic on popular resistance ranging from political histories, interviews, memoirs, poetry, films, and primary documents. By popular resistance we refer to all forms of resistance taken up by Palestinians: in the form of economic resistance, women’s organizations, unions and labor organizing, and military/armed resistance.
As the Popular University, a committee of the Palestinian Youth Movement, we believe that education must be wielded in service of struggle. Our viewpoint finds inspiration and guidance from the Popular University in Palestine, of which the martyred Basel al-Araj was a part. In our meeting with an educator in this project, Khaled Odeitallah, he emphasized how the political role of pedagogical strategies inspired the objective and vision of the Popular University. He asked: “What is the political role that knowledge production must play?” From this perspective we seek to motivate, engage and facilitate a robust engagement on the history and present of our struggle. Study and struggle are intimately tied to one another.  We do not learn and produce knowledge on Palestinian history for academic or careerist pursuits; we produce knowledge in service of our political struggle for Palestinian liberation.
We encourage you to use this reading list to educate yourself on the history of Palestine beyond the objective facts of colonial domination. This is a political responsibility for anyone concerned with Palestine’s liberation. Through engagement with our history of resistance, we may join the struggle armed with knowledge and a continued commitment not to our suffering, but to our collective strength.
Note: We included a number of texts in Arabic that offer analysis and context for this battle that is rarely offered in the English media outlets. Even if you do not read Arabic, we recommend copy pasting the texts in Arabic into Google Translate or another translation service. The translation, while imperfect, will provide you with an overall sense of the arguments and main points being made.
Introductory and Archival Materials
Decolonize Palestine 
(مكتبة سبيل (الصفحة العربية 
Sabil Library (English Site) 
Learn the Revolution
باب الواد - الجامعة الشعبية 
Revolution and Rebellion under the British Occupation:
The Revolution of 1936-1939 in Palestine: Background, Details, and Analysis, Ghassan Kanafani
(ثورة 1936- 1939: خلفيات وتفاصيل وتحليل.“ غسان كنفاني (1972”
Memories of Revolt: The 1936-1939 Rebellion and the Palestinian National Past, Ted Swedenburg (1995)
أبو جلدة والعرميط Abu Jilda & Al ‘Armit
“Abu Jilda, Anti-Imperial Hero: Banditry and Popular Rebellion in Palestine,” Alex Winder (2015)
“A century of Palestinian resistance: the legacy of Izz ad-Din al-Qassam,” The East is a Podcast (2021)
Palestine: A Modern History, Abdul-Wahhab Kayyali (1978) 
Palestinian Resistance 1948 - 1993
Palestinian history doesn’t start with the Nakba by PYM (May, 2023)
Armed Struggle and the Search for a State: The Palestinian National Movement, 1948 - 1993, Yezid Sayigh (1997)
(معنى النكبة“ قنسطنطين زريق (1948”
Palestinians: From Peasants to Revolutionaries, Rosemary Sayegh (1979)
(2006) “من التحرير إلى الدولة: تاريخ الحركة الوطنية الفلسطينية، 1948-1988” هيلغا بوبغارتن
Green March Black September: The Story of the Palestinian Arabs, John Cooley (1973)
“Interview with Fr. Shehadeh Shehadeh on the First Land Day Protest,” Sharif Hamadeh (2005)
Gender in Crisis: Women and the Palestinian Resistance Movement, Julie Peteet (1991)
“What the Uprising Means,” Salim Tamari (1988)
“The Stone and the Pen: Palestinian Education During the 1987 Intifada,” Yamila Hussein (2005)
Popular Resistance in Palestine: A History of Hope and Empowerment, Mazin Qumsiyeh (2011)
(وقع الانتفاضات الشعبية الديمقراطية - تاريخ المنظمة و الحر كات“ جميل هلال (2011”
“Fighting on Two Fronts: Conversations with Palestinian Women” Soraya Antonius (1979)
“100 Years of Palestinian Popular Resistance” by Nasreen Abd Elal (May, 2023)
Contemporary Palestinian Resistance 
Zionism in crisis: Palestinian resistance forges a new horizon (April, 2023)
“The Palestinians’ inalienable right to resist,” Louis Allday (2021)
“No Choice but to Break Free: An Interview with Ahmed Abu Artema,” Ahmed Abu Artema and Lara Sheehi (2019) 
Interview with Ahmad Saadat, Leading from Prison, Ending Negotiations, and Rebuilding the Resistance (2013) 
“Palestinian Resistance and Sheikh Jarrah,” Devyn Springer, Mohammed el-Kurd, and Abu Shuwarib, Groundings Podcast (2021)
Notes from the Great March of Return w/ Tareq Loubani, The East is a Podcast (2022)
(هبّة باب العامود: نصر جديد وتحدٍّ جديد 2“ خالد عودة الله (2021”
(حراك «طالعات» الفلسطيني: لا وجود لوطن حرّ إلّا بنساء حرّة“ حلا مرشود (2019”
Operation Sword Edge [2018] - Sayaret Matkal’s Covert Operation, Silah Report (2021)
Battle of Shujaiya - The 51 Day War: Ruin and Resistance in Gaza
The Evolution of the Palestinian Resistance and Its New Strategy (October, 2022)
On the Joint Operations Room
Palestinian Institutions and Political Parties
PLO: History of a Revolution - Six-part documentary series about history of the Palestinian Liberation Organization (2009)
The PLO: The Struggle Within, Alain Gresh (1985)
“The Joy of Flying 1967-73” in The Palestinian Liberation Organization: People, Power, and Politics, Helena Cobban (1984)  
“The Palestinian National Covenant,” published in Basic Political Documents of the Armed Palestinian Resistance Movement, Leila Kadi (ed.) (1969)
“PLO Institutions: The Challenge Ahead,” Jamil Hilal (1993)
“A New Hamas Through Its New Documents,” Khaled Hroub (2006)
Worker Mobilization, Labor Movements, and Economic Resistance 
“When pickles become a weapon: Economy of the first Intifada,” Palestinian Journeys
(أداء المؤسسات الاقتصادية في المناطق المحتلة قبل الانتفاضة وخلالها“ عادل سمارة (1990”
“Developing a Palestinian Resistance Economy through Agricultural Labor,” Rayya El-Zein (2017)
Resistance in Zionist Prisons
(2021) كلام الأسرى.. عيون الكلام 
Video: Steadfastness and Resistance — the Palestinian prisoner’s movement and the case of Ahmad Sa’adat
“One Man as a Whole Generation: The Unfinished War of Zakaria Zubeidi,” Ramzy Baroud (2021)
“Liberating a Palestinian Novel from Israeli Prison,” Danya Al-Saleh and Samar Al-Saleh (2023)
“The Prisoner Walid Daqqah: a stubborn conscience that cannot be seared,” Wisam Rafeedie (2023)
“Freedom or Martyrdom: Walid Daqqah’s fate is in our hands,” PYM (2023)
“Resistance and Revolutionary Will: Soha Bechara and Nawal Baidoun’s Testimonies of Khiam Prison,” Mary Turfah (2023)
Role of Palestinian Women in the Resistance
Interview with Samira Salah (2013)
Behind the intifada: Labor and Women’s Movements in the Occupied Territories, Joost R. Hiltermann (1991)
Palestinian Women and the Intifada, Rana Khoury (1995)
“The Palestinian women’s autonomous movement: Emergency, dynamics and challenges,” Rabab Abdulhadi (1998)
“Women of the Intifada: gender, class and national liberation,” Nahla Abdo (1991)
Women, War, and Peace: Reflections from the Intifada, Nahla Abdo (2002)
Palestinian Women’s Activism, Islah Jad (2018)
Memoirs and Personal Profiles 
“Committed to Liberation: Remembering Soha Bechara’s Clandestine Mission” (includes chapter 7 of Resistance: My Life for Lebanon by Soha Bechara) 
My People Shall Live, Leila Khaled (1971)
Liberation, Wonder, and the “Magic of the World”: Basel al-Araj’s I Have Found My Answers, Hazem Jamjoum (2021)
(وجدت أجوبتي: هكذا تكلم الشهيد باسل الأعرج“ باسل الأعرج (2018”
(مذكرات نجاتي صدقي“ ،تقديم وإعداد حنّا أبو حنّا، (2001”
“I Went to Defend Jerusalem in Cordoba: Memoirs of a Palestinian Communist in the Spanish International Brigades,” Najati Sidqqi (2015)
“Two Portraits in Resistance - Abu ‘Umar and Mahjub ‘Umar,” Jehan Helou and Elias Khoury (2012)
My Life in the PLO: The Inside Story of the Palestinian Struggle, Shafiq al-Hout and Jean Said Makdisi (2019)
Lightning through the Clouds: ‘Izz al-Din al-Qassam and the Making of the Modern Middle East, Mark Sanagan (2020)
جيفارا غزة - القصة الكاملة ��بطل فلسطيني حارب الاحتلال ببسالة
جيفارا غزة - وثائقي الميادين 
Historical fiction, literature, and poetry 
The Trinity of Fundamentals, Wisam Rafeedie
“Live Like a Porcupine, Fight Like a Flea,” A Translation of an Article by Basel Al-Araj
“Here We Will Stay,” Tawfiq Zayyad (1966)
Poetry of Resistance in Occupied Palestine, translated by Sulafa Hijjawi (Baghdad, Ministry of Culture and Guidance, 1968)
Returning to Haifa, Ghassan Kanafani (1969)
الأدب الفلسطيني المقاوم تحت الإحتلال 1948ـ1968“ ,غسان كنفاني”
“Resist, My People, Resist Them,” Dareen Tatour (2015) 
(نظرية اللعبة“ خالد عودة الله (2018”
Rifqa, Mohammed El-Kurd (2021)
“A Place Without a Door” and “Uncle Give me a Cigarette”—Two Essays by Palestinian Political Prisoner, Walid Daqqah (2023)
On Zionist Literature, Ghassan Kanafani (1967 original, 2022 English translation)
Films
Fedayin: Georges Abdallah’s Fight (2021)
Naila and the Uprising (2017)
Off Frame AKA Revolution Until Victory (2015)
When I Saw You, Lamma Shoftak (2012)
Slingshot Hip Hop (2008)
Leila Khaled: Hijacker (2005)
Jenin Jenin (2002)
Naji al Ali An Artist With a Vision (1999)
Tell Your Tale Little Bird (1993)
Everything and Nothing (1991)
They Do Not Exist (1974)
Palestine Books Library
To search for the book you’d like:
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yurimother · 7 months
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'I'm in Love with the Villainess' Anime - Episode 1 Review
An astounding and hilarious first outing for the series with the power to revolutionize Yuri
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We are finally here, the long-awaited and much anticipated first episode of Platinum Vision’s I’m in Love with the Villainess anime aired on Tokyo MX and is streaming everywhere outside of Asia with a plethora of dubbing options, including English, on day one on Crunchyroll.
The first outing covers most of the events of the light novel’s first chapter, or the first three chapters of the manga, at a rapid but steady and not overwhelming pace. At this rate, the anime should be able to cover much of the series’ first arc, or the first two out of five books, in a single cour. Perhaps a bit less, depending on which of the story’s various adventures it elects to include. This is an exciting possibility, to be sure, as the story is a character-driven, socially mindful, and expertly written and, despite its fantasy setting, an exceptionally relevant tale of romance, socio-economic inequality, and of course, queerness.
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While the first arc of Villainess is a triumph, it would be a shame not to see at least some of the developments from the extra chapters that lead into the second story, like (spoilers for the end of volume 2) Rae and Claire’s wedding and their adopted twin daughters May and Aleah. If we are lucky, perhaps they will appear in the final episode or, dare to dream, a second season (end of spoilers).
Now, onto the show itself. For those who, for whatever reason, have not read Inori’s masterpiece, I’m in Love with the Villainess follows Rae Taylor. A salary worker who dies and is reincarnated as the protagonist of her favorite otome game, Revolution. However, Rae has no interest in any of the game world’s three eligible royal bachelors and has eyes only for the game villainess Claire François. Armed with exceptionally magical ability, Rae sets out determined to secure a happy ending for her beloved Claire against the coming revolution and perhaps win her heart in the process.
Now, the opening of I’m in Love with the Villainess is the series' weakest moment in all mediums, which, considering episode one’s outstanding quality, only highlights just how superb the Yuri masterpiece is as a whole. Even with its need to establish the setting, characters, and premise of the series, the premiere managed to be an excellent introduction and set the bar high with lots of laughs, entertainment, and service between our two leads.
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I watched the Japanese audio, and Yu Serizawa and Karin Nanami are fantastic in these roles, with Serizawa playing up Rae’s teasing adoration and borderline masochism at full blast, and Nanami explicitly giving voice to Claire’s arrogance and frustration. She even manages to deliver a perfect Ojou-style laugh to seal the character’s elite status and lean into the show’s use of otome tropes. And having the leads sing the excellent opening and ending themes is just icing on the cake.
Speaking of tropes, while Ironi’s original work is a genre-defying masterpiece that broke the Yuri mold, it is never afraid to play with the genre’s iconography and its otome game setting. Every other scene had another allusion, including to the book’s cover. As always, I am likely overeager to see connections, however intentional they may be, but the academy’s halls harken to otome staples, the bells and strings of the first scene's soundtrack conjured blistering memories of Strawberry Panic (perhaps a sacrilegious comparison to make but I digress), and even an areal shot of the campus was another check mark on my “Scenic Yuri” theory.
Now, as mentioned, I’m in Love with the Villainess has to establish the groundwork here, and narratively, these are the weakest moments, often direct exposition, with a few exceptions like Rae’s conversation with her roommate Mash about maintaining Claire’s attention. The narration is at least accompanied by relevant and creative, if perhaps limited, animation. But to their credit, these moments are succinct, existing only as long as they have to in order to provide the necessary information and get out of the way for what matters most: the characters.
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Rae and Claire are front and center from the very get-go, and there is little time wasted in showcasing Rae’s intense bottom energy or establishing Claire’s elitism and bewildered anger towards Rae’s excitement in the face of Claire’s carefully calculated cruelty. It is a montage of silly and fun competitions between the two that had me laughing and smiling all the way through, as the Yuri was present in full force, and gives glimpses at the mutual obsession the women have for each other that will soon blossom into a wonderful romance.
These early story beats have a light tone and focus on the bullying, teasing, and rivalry between Rae and Claire, a dynamic that previously and understandably made a subset of readers somewhat uncomfortable. However, assuming the anime unfolds in a similar manner to the manga and light novels, the narrative will explore meatier, heavier subject matter and a far deeper lesbian romance, all without losing its sense of fun and adventure. The next episode or two will be incredibly telling - as the source material is perhaps the most profound and forthright depictions of LGBTQ identity in Yuri, and that all starts with a pivotal conversation that, if it is included, will be coming up shortly.
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Overall, I am incredibly excited for this series. The first episode is everything I had hoped for out of an adaptation of one of my favorite works of all time, save the animation, which is average at best. While there is a lot more to see, and we will have to wait to know if I’m in Love with the Villainess lives up to its incredible potential and source material, I am extremely hopeful. We have one of the funniest, most thoughtful, and queerest works of Yuri transformed into a stunning anime project unlike anything that has come before and offers the chance at not just a new Yuri “gateway” but to continue the work of its source material in revolutionizing the genre.
Ratings: Story – 8 Characters – 10 Art – 5 LGBTQ – We shall see… Sexual Content – 3 Final – 8
I'm in Love with the Villainess is streaming on Crunchyroll with English sub/dub.
Review made possible by Avery Riehl and the rest of the YuriMother Patrons. Support YuriMother on Patreon for early access, exclusive article, and more: patreon.com/yurimother
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gay-jewish-bucky · 1 year
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80th Anniversary of the Warsaw Ghetto Uprising: "The World Has to Know That We Did Not Go Like Lambs to the Slaughter."
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April 19th, 1943 - May 16th, 1943 Warsaw, Poland
“The question is not why all the Jews did not fight, but how so many of them did. Tormented, beaten, starved, where did they find the strength, spiritual and physical, to resist?” – Elie Wiesel
In the morning of April 19th, 1943, on what would be the first night of Passover, the Warsaw Ghetto Uprising began. German troops and SS entered the ghetto to deport its surviving inhabitants to the death camps.
In the summer of 1942, as Jews living in the Warsaw ghetto were deported to Treblinka, reports that made their way back quickly made it clear that "resettlement" meant mass-murder. In response to this, Jews citizens in the ghetto began forming organized resistance forces; the Jewish Combat Organization (ŻOB) and the Jewish Military Union (ŻZW).
Following the January 1943 success of a smaller-scale resistance preventing a deportation attempt, an act that led to the suspension of such deportation efforts by the Nazis, the residents began to secretly build subterranean tunnels and shelters in preparation for a full-scale uprising.
Throughout April rumours swirled of a final deportation of the ghetto's remaining Jews. On the 18th it became clear that German forces, reinforced with artillery and tanks, were moving in to carry out their final action. The alarm was raised, and residents retreated to their underground shelters. They would remain here for the duration of the uprising, refusing to surrender themselves to deportation.
A group of around 700 Jewish resistance fighters, made up of the ŻOB and ŻZW and led by 24-year-old Mordechai Anilevitch, joined together to stage what would be their final stand against the Nazis. These brave young people were malnourished and lacked proper military training, they were equipped with nothing but poor-quality or even homemade weapons and their bare hands.
By contrast German forces numbered 2000, they were well-equipped and well-trained and had advanced knowledge of the existence of these resistance groups.
Despite this stark imbalance, on the first day of the uprising the ragtag Jewish fighters met the invaders head on and successfully forced the Nazis to retreat outside the city walls.
Amongst all of the chaos and destruction all around them, the Jews hiding in the tunnels and bunkers gathered together to celebrate Passover with what little they had, breaking homecooked matzah and drinking illicitly obtained wine.
The Warsaw Ghetto Uprising held strong for a full 27 days, coming to an end on May 16th, 1943. Unable to gain a full advantage, the Germans had resorted to burning the Warsaw Ghetto to the ground in an attempt flush out those in hiding so they could be rounded up.
In the months following the official end of the uprising some Jews remained hiding out in the rubble, periodically attacking German police on patrol.
This was the largest uprising by Jews during World War II and the first significant urban revolt against German occupation in Europe. It inspired many more uprisings, especially amongst Jews in camps and Ghettos.
May Their Memories Be a Revolution
Learn More: Warsaw Ghetto Uprising | Holocaust Encyclopedia Holocaust Survivors Describe the Last Passover in the Warsaw Ghetto Tuesday, Nissan 27, 5783 / April 18, 2023 - Jewish Calendar - On This Day
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frail-and-freakish · 1 year
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today, april 11th, is the anniversary of Mel Baggs' death. Mel Baggs was one of the early founders of the neurodiversity movement and believed that no one was too disabled for human rights, something that modern nd movements fail to understand to this day. sie was so instrumental to my understanding of literally everything. sie died from medical ableism and neglect during the beginning of the pandemic. we would be nowhere fucking near where we are now without hir. i've decided to make a masterlist of some of my favorite posts of hirs, organized into different categories.
(some of these are listed in more than one category because they overlap so much)
here are some of the "essentials" (what you might have already read by hir/should read first):
hir memorial site hosted by ASAN:
In My Language
the oak manifesto
There is ableism at the heart of your oppression, no matter what your oppression might be
Getting The Truth Out (many pages, parody of bad autism awareness campaign called "getting the word out")
the meaning of self-advocacy
what makes institutions bad
aspie supremacy can kill
here are some of hir beautiful writings on perceiving/communicating with hir environment as an autistic person, and on communication in general:
up in the clouds and down in the valley: my richness and yours
distance underthought
the naked mechanisms of echolalia
empty mirrors and redwoods
the fireworks are interesting
hir tumblr tag #sensing (@withasmoothroundstone)
on personhood and who has the authority to take it away:
being an unperson
what it means to be real
empty mirrors and redwoods
on institutions and the I/DD service system:
caregiver abuse takes many forms
"i don't know that person's program"
what my home means to me
dd service system tag
god help the critic of the dawn: glamour and its fallout
what makes institutions bad
post on the JRC
outposts in our heads
on online social justice communities/their inaccessibility:
Your politics have a problem when they contradict the real-life experiences of the people they're supposed to be about.
politics, ethics and mental widgets
hir tumblr tags #outside the wall and #little packages (@withasmoothroundstone)
misc:
The Bones My Family Gave Me
Please violate only one stereotype at a time
My sort of people, just as real as theirs.
Reviving the concept of cousins
gender tag
this is hir poems and creative works:
this is hir writing on autistics.org:
may hir memory be a blessing/revolution.
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57sfinest · 1 year
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theoretical entroponetics: the post
okay. LONG post incoming. i have summarized all available information on the pale, separated into confirmed objective truth & in-canon speculation that may or may not be true, and then appended my own very detailed theory on the pale! this post is meant as a resource; please feel free to add things of your own in replies/reblogs (please tag me if you do!) or point out any errors i may have made. you’re welcome to use any of my personal theory in your own work but please credit me if you do!! (and tag me in that/send it to me, i really want to see what you do with it!)
Here’s what we *know* about the pale, according to in-game and concept art: 
It erases data, at least the kind stored on radiocomputer filament and magnetic tapes.
It has no dimensions of its own- pale latitude compressors serve to force dimensions on raw pale and allow navigation. 
The pale is referred to in the context of entropy
It arrived with mankind, but not immediately- there are 8000 years of written history, but the pale was first recorded 6000 years ago, implying that pale either didn’t start forming immediately or that it was so insignificant/distant that it went unnoticed for 2000 years. 
There exists a group of people who are actively trying to expedite entroponetic collapse; the ideology is called entropolism
To this point, pale isn’t immediately visible. Pale has molecular structure, but manifests as a waveform, and only becomes visible at a certain distance from the origin, once wave frequency is sufficiently high. 
During pale exposure, people experience “sense objects”: visual or auditory hallucinations and/or vivid physical recollections of memories. These hallucinations may originate from their own consciousness or someone else’s. c
People require physical and mental examinations before interisolary travel and are allotted a certain number of days per year as their pale exposure threshold. 
Overexposure results in a pale “addiction”- these individuals crave pale exposure, and it’s unclear if this addiction can ever be broken. It’s also unclear whether there is a point at which pale exposure becomes lethal, but given that it dissolves matter, we can be fairly certain that a given length of continuous exposure will kill. 
Radio signals, cold plasma torches and anodic sound are all used to manage the pale to permit travel through it. Plasma torches destabilize the molecular structure of the pale to create gaps, anodic sound widens and maintains these gaps, and radio signals rationalize the pale into recognizable dimensions.
Radio signals are, in return, susceptible to corruption by the pale, resulting in entroponetic crosstalk, where signals from the past or the future are transmitted to the present. CCP is one such phenomenon and is directly related to the formation of new pale through magpie interpretation.
There is a dedicated Union for people who work in and with the pale (the Pale Workers Union). They have two slogans; “The light purifies; The sound absolves; The pale no more” and “Son et Fureur” (sound and fury)
Here’s what we may choose to believe about the pale, based on the thoughts and beliefs of in-game characters:
In conversation with Soona, the pale is described as a “curdling milk” phenomenon: “repulsive, but natural”
In this same conversation you can theorize that the churches were meant to contain the pale origins; out of the seven churches, six were destroyed during the suzerain or the revolution
The phasmid and whatever other lifeforms it’s communicated with believe that entroponetic collapse is comparable to an oxygen holocaust (i.e. the great oxygenation event), implying mass extinction due to a toxic overabundance of sapient thought
Harry refers to it once by saying “The wolf is at the door. It’s going to eat the sun.” so take that as you will
It’s likely that Tiago’s “Mother” is some manifestation from the pale, if you choose to believe that the 2mm hole is in fact a pale origin point (the concept art does confirm it’s a pale origin, but the game offers other explanations, so I won’t say it’s the only answer)
Inframaterialists believe that revolutionary action (NOT thought) may create a counter-force that will prevent the spread of pale; it’s unclear if any reversal is possible.
The world will be fully consumed by the pale in 27 years (I put it here because you may or may not believe that shivers and harry are reliably sourcing this information)
And now my personal speculation about the pale:
A quick and easy point: it’s confirmed that the pale has a measurable EMF “exhalation” frequency that varies with proximity. Strong enough EMF pulses can actually tamper with magnetic storage- radiocomputer filaments! Electronics! Fortress Accident data loss! This gives us a tangible explanation for why pale can delete data :)
This may also explain its ability to cause radio interference- radio frequencies are just a subset of EMF frequencies, so it’s possible that pale exhalation on *just the right frequency* is what’s responsible for the entroponetic crosstalk we get on radios sometimes
The pale canonically has an atomic structure, but it also has wave properties, so it’s possible that the pale has wave-particle duality on its subatomic level, like photons do
Based on this, entroponetics is likely a very similar field to quantum mechanics, which might be an interesting source of ideas for anyone (like me) who wants to explore pale-related possibilities
The pale could be a manifestation of raw patterns. That’s why math “forces dimensions” on it- it rationalizes or “tames” the patterns, which allows it to be manipulated to a certain degree.
There are several references to the pale that refer to mathematical concepts and patterns, saying that the world dissolves into “a tangle of azimuths and cosines” as it blends into the interisolary pale- more on this later
Steban comments that the pale is commonly theorized to be nostalgia or “historical inertia”, but it’s largely agreed that it’s “the past” in a broad sense. Thinking about the idiom that history repeats itself, it could be that history/the past is part of the pattern that comprises the pale, and that it’s also the type of pattern most readily perceived by people (people don’t viscerally *perceive* math, for example, but we experience memories)
To first define entropy: Chemically speaking, “the measure of a system’s thermal energy per unit temperature that is unavailable for doing useful work. (per encyclopedia britannica).” Physically speaking, it’s a measure of randomness or disorder in a system. Less work/less order = more entropy; it’s a physicochemical “winding down” of a given system
It’s commonly thought that pale is the entropic force, but what if it’s the opposite? (Keep in mind the chemical definition: less ability to do work = more entropy) Consider: the pale as less entropic, a cleanup force, recycling the potential lost by death and destruction in the universe. This in part explains why a dead person’s memory is present in the pale- their potential has been recycled into the pale in the form of their memories (their life’s *pattern*)
Enthalpy is a related concept to entropy and is defined as the total energy contained within a system. Holding the system enthalpy constant- saying the universe will always have the same amount of total energy, no matter what, according to thermodynamics- results in an entropic tug-of-war between the pale and the world. The pale wins through sheer inertia (again, inertia is mentioned specifically in game)
Overall: think of the world as “cooling”, losing heat and energy through war and death and complacency. Think of the pale as steam and heat, melting down old materials to start it all over again. (Kim says, *through entroponetic interference*: “it’s been a long, cold winter.”)
Consider: the pale as a sinusoidal function, eternally repeating. The pale recycling the universe to start a new cycle, “spending” itself, resulting in pale not being present in the beginning. Then, as the new things begin to settle- with the advent of the human mind, specifically- the pale reforming, slowly reclaiming potential, eventually ending the cycle to start again.
In comes CCP and magpies. Consider: CCP as a backwards transmission from the next “cycle” (after all, pale has no sense of time). Magpies as *pattern-sensitive* people who are able to decode CCP into something useful called novelty. They reach into the potential of the next cycle to build the potential in their current one- this paradox could be what creates more pale, because (and this is where it gets weird, I apologize) doing this retroactively increases the total amount of energy/work/potential in the current cycle to have been reclaimed by the pale for the next one.
Think of the pale as the compost bin for every single thought in the universe. The pale is the exact right size to compost every little atom and thought in the universe, and can hold nothing extra. But magpies reach into the future, the next cycle, and bring in extra. This paradox forces the pale to grow to accommodate the additional material, which also increases the starting potential of the next cycle. This process allows each cycle to accumulate minor changes from the previous one, which can snowball over many cycles.
Furthermore, to the inframaterialists’ point: revolutionary action would be such a radical shift in inertia that it would increase the potential in the world, forcing the pale to pause/shrink to “balance the equation” in terms of pale-vs-world thermodynamics. So maybe they’re right after all :)
And some diagramming, to explain the utter bullshit I’ve just dropped:
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matan4il · 23 days
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Daily update post:
Israel has been preparing for the possibility of a direct strike from Iran. To that end, the IDF has been initiating GPS jamming, first in the south, and now in central Israel as well. On a personal note, I had to calm my mom down today (I could do this thanks to having heard about it on the news already), because it's a scary thing for people, and they don't know what to think, when they open Waze and find themselves "appearing" in enemy territory. Iran's attack options might also include drone attacks, or anti-Jewish terrorist attacks around the world. We've heard about Esther and Mordechai's Tomb being attacked tonight in Iran itself.
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Speaking of the country that's the biggest funder of terrorism globally, tomorrow it's "Al-Quds Day" (Jerusalem Day) in Iran. It was established in 1979, after the Islamist revolution, as an antisemitic political measure, meant to help radicalize people against the Jewish state. Officially, it's a protest of Israel's sovereignity in Jerusalem, the city which has been the capital of the Jewish people, the place we pray to, for over 3,000 years, longer than Islam has existed. Some people worry that Iran will use this date specifically to strike against Israel or other Jewish targets around the world.
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With or without connection, the chief of Israel's army intelligence is quoted as saying in private conversations, "I have told you time and time again that it is not certain that the worst is behind us and we are ahead of complex days."
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Back in February, we heard that the niece of Hamas' overall leader, Ismail Haniyeh, gave birth in an Israeli hospital, and her baby, which was born prematurely, was treated in an Israeli hospital's NICU, the same hospital that had to have millions of shekels spent on, in order to make parts of it safe during Hamas' rocket attacks. While at it, we were reminded that several of Haniyeh's sisters live in Israel after marrying Israeli Bedouins, and that a few more of his relatives were allowed from Gaza into Israel for medical treatment. Just a small reminder that Haniyeh's personal wealth is estimated to be somewhere between 4 to 5 billion dollars (Taylor Swift's is only a little over 1 billion dollars), and if he wanted to, he could have flown his entire family out of there, to join him in Qatar, with the best facilities and care, rather than get medical care at a hospital subsidized by the "genocidal Zionist enemy."
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Now we get the news that one of Haniyeh's sisters, a 57 years old woman, has been arrested for helping Hamas, including support for the Oct 7 massacre.
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This is 34 years old Lidor Levi.
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He was critically injured in the Palestinian terrorist attack in Gan Yavne. He was in a hospital, fighting for his life for 4 days. Today we got the news that he succumbed to his wounds. He leaves a pregnant wife and a daughter behind. May his memory be a blessing.
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I will never understand how the accidental killing of 7 civilians in Gaza is making more headlines, and causes more rage, than the on going and intentional killing of so many Israeli civilians targeted in terrorist attacks along this entire war. I can't remember the world even addressing it, let alone raging about how unacceptable these killings are, and how they're proof that Palestinian terrorist organizations must be stopped. For that matter, I haven't come across anywhere as many headlines and world leaders' statements about an intentional drone attack that killed several rescue workers in Kharkiv, where a residential area was targeted. The hyperfocus on the one conflict where Jews can be demonized, is also leaving a lot less attention for, practical aid, and just general caring about other conflicts, which are in many ways far worse (just look at Tigray alone on the below map). It's harmful to so many more people than we come close to realizing.
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(for all of my updates and ask replies regarding Israel, click here)
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