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tejjyinc · 4 months

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What are As-Built Drawings in Architectural Documentation?

As-built drawings in architectural documentation refer to the finalized set of drawings that accurately represent the built structure or project as it exists after construction. These drawings are created after the completion of construction or renovation, and they document any modifications, deviations, or changes made during the construction process.

Key features of as-built drawings include:

Accuracy: As-built drawings should accurately reflect the dimensions, locations, and configurations of all elements in the completed structure. They serve as a record of what was actually built, as opposed to what was initially planned in the original construction drawings.

Modifications and Changes: Any changes or modifications made during construction should be clearly documented in the as-built drawings. This may include alterations to the original design, adjustments to dimensions, or changes to materials.

Redlined Markups: During construction, builders may make redlined markups on the original construction drawings to indicate changes or deviations. These markups are then incorporated into the final as-built drawings.

Record of Variations: As-built drawings help capture any variations or discrepancies between the planned design and the actual construction. This record is valuable for future reference, maintenance, and renovations.

Facility Management: As-built drawings are crucial for facility management, providing accurate information about the building for maintenance, repairs, and renovations. They serve as a reference for anyone working on or within the structure.

Legal and Regulatory Compliance: As-built drawings are often required for legal and regulatory purposes. They may be submitted to local authorities as part of the closeout documentation to demonstrate that the construction adheres to approved plans and codes.

Creating as-built drawings is typically a collaborative effort involving architects, engineers, contractors, and other relevant stakeholders. The goal is to ensure that the final documentation reflects the reality of the constructed project and provides a comprehensive reference for future use.

#architecture #usa #services #diy #architecturedesign #architecturelovers #asbuiltdrawings #asbuiltplan #asbuiltdrawingservices #architecturalasbuiltdrawings #asbuiltdrawingservicesnearme #asbuiltservices #maryland #florida #construction

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westonisweird · 10 months

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i’m starting a newsletter featuring synth music updates as well as an original story in the works by me

signup via the link!

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estatemax · 10 months

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Who and What is "EstateMAX"?

Who is EstateMAX? EstateMAX is a vetted, licensed service provider employing professional project management skills while representing our clients, owners or executors of residential property and estates, in the course of executing our contract obligations. These contracts can include: Downsizing, Property organizing, Property Clean Outs and Trash Out, Packing and Unpacking, Organization of…

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#Antique #Charity #DIY #Donation #Downsizing #Estate Sale #Home & Garden #maryland estate sales #maryland shopping #Tag Sales #used furniture #Vintage

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robinlynnemabin · 1 year

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Venice ⛱️ Beach Maryland - Tiny Town #3 50 Families13 Acres The Civil Rights Table A Private Community DIY Reparations Preemption Act 1841

#civil rights table #diy reparations #preemption act 1841 #venice beach maryland

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amnglobal · 2 years

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[DYK📍🌏] United States (AMNG) @amngforums can help you find resources and solutions for your specific digital marketing and networking needs. Find services | https://t.co/d7MbcLCD1U #mktgblogs #determination #tourism #photography #maryland #FAQs #notes #startups #blog #fyp #diy #blog #fypage #pov #views #baltimoreevents #exploremore #monumentalmondays #md #seomktg #smmmktg #brandpositioningstrategy #marketingaccountability (at United States of America) https://www.instagram.com/p/CkV4WJ7ur5u/?igshid=NGJjMDIxMWI=

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amnglobalmedia · 2 years

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[DYK📍🌏] North America (AMNG) @amngforums can help you find resources and solutions for your specific digital marketing and networking needs. Find services | https://t.co/d7MbcLCD1U #mktgblogs #tourism #towson #maryland #FAQs #notes #startups #blog #fyp #diy #blog #fypage #pov #views #musicculture #greenbeltmd #monumentalmondays #md #seomktg #smmmktg #valueadded #startupfounder #entrepreneurship #contentmktg #contentmarketing #socialmktg (at United States of America) https://www.instagram.com/p/ChZs1wJLOA5/?igshid=NGJjMDIxMWI=

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afeelgoodblog · 1 year

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The Best News of Last Week - April 3, 2023

Kentucky Legalizes Medical Marijuana in Bipartisan Vote After Decade of Failed Attempts

The state of Kentucky has legalized the use of medical marijuana. The bill received final passage on Thursday. Democratic Gov. Andy Beshear signed it into law Friday morning after a decade of failed attempts in the state legislature.

The news makes Kentucky at least the 38th state in the U.S. to legalize medical marijuana.

Now Indiana is surrounded by weed states. The encirclement is complete 😂

2. The Maryland House of Delegates voted Saturday to approve the Trans Health Equity Act

The Maryland House of Delegates voted Saturday to approve the Trans Health Equity Act — a bill that just a year ago disappeared from the chamber’s agenda ahead of a floor vote.

The bill would require Maryland Medicaid, beginning on Jan. 1, 2024, to provide coverage for additional gender-affirming treatments, which are currently disallowed in the state’s plan but commonly covered by private insurance. The expanded treatments include hormone therapy, hair alteration, voice therapy, physical alterations to the body, and fertility preservation.

3. FDA approves over-the-counter Narcan. Here's what it means

The approved nasal spray is the best-known form of naloxone. It can reverse overdoses of opioids, including street drugs such as heroin and fentanyl and prescription versions including oxycodone.

Making naloxone available more widely is seen as a key strategy to control the nationwide overdose crisis. Effects begin within two minutes when given intravenously, and within five minutes when injected into a muscle. The medicine can also be administered by spraying it into a person's nose.

4. Boston expands tuition-free community college program to all residents

Boston has expanded its tuition-free community college program to include all city residents regardless of age, income or immigration status.

Starting this fall, any city resident will be eligible to pursue an associate’s degree or certificate at one of six partnering local institutions without paying to attend. The program also includes a $250 stipend for incidental expenses each semester for up to three years, and up to $2,500 of debt relief for students whose account balances are keeping them from re-enrolling.

5. First cheetah cubs born in India since extinction 70 years ago

India has welcomed the birth of four cheetah cubs - more than 70 years after the animals were declared officially extinct there.India's environment minister announced the good news, calling it a "momentous event".

The country has been trying to reintroduce the big cats for decades, and last year brought eight cheetahs over from Namibia as part of the plan. Another 12 cheetahs were brought to India from South Africa last month.

6. BBC education show in Afghanistan helps children banned from school

The BBC has launched a new education programme for children in Afghanistan who are banned from school.It is aimed at children aged 11 to 16, including girls whose secondary education has been stopped by the ruling Taliban.

The weekly programme is called Dars, which means lesson in Dari and Pashto, Afghanistan's official languages. It is hosted by BBC Afghan female journalists who were evacuated from Kabul during the 2021 Taliban takeover.

Each new weekly half-hour episode of Dars will air four times a day, Saturday to Friday, on the newly launched BBC News Afghanistan channel.

7. A Trans Creator Has Raised Over 1.5 Million for Trans Healthcare on TikTok Live

Transgender TikTokers are celebrating Trans Day of Visibility by raising over $1.5 million for gender-affirming care around the world.

Mercury Stardust — a DIY TikToker and trans advocate who calls herself the “Trans Handy Ma’am” — raised $120,000 last year in a livestream for the mutual aid nonprofit Point of Pride, which maintains funds for surgeries, hormone therapy, and free binders and gaffs. This year, Stardust and cohost Jory, a.k.a. AlluringSkull, set themselves a goal of raising $1 million in a planned 30-hour live stream…and then smashed that milestone less than six hours after starting the stream Thursday evening.

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I have started a Youtube channel with wholesome videos I can find on the internet. Check it out :)

That's it for this week :)

This newsletter will always be free. If you liked this post you can support me with a small kofi donation:

Buy me a coffee ❤️

Also don’t forget to reblog

#best news of last week

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flanaganfilm · 1 year

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Hey Mike! Can you talk about your experience going from Absentia to Oculus? That process after Absentia went on its festival run to pitching Oculus? Would love to learn about that time in your life & career!

I moved to Los Angeles in 2003, right after I graduated college. I went to Towson University in Maryland, was an EMF major (Electronic Media & Film) and had wanted nothing more than to make movies my whole life. We were a comfortable middle class military family (my dad was in the Coast Guard) and for most of my life, making movies for a living felt like an impossible dream.

When I moved to LA I took whatever work I could find. I shot and edited those local car commercials you see on TV at 2am, I was a logger and an AE for reality TV shows, and I eventually worked my way to editing.

I said I'd give myself 5 years to make it in Hollwood. By the time we shot Absentia, I'd been here for 7 years, and in that time I hadn't gotten any closer to my dream.

I've already written at length about how Absentia came along and what it was like to make that little movie, and I've recently blogged about how the Oculus premiere changed my life and birthed my career, so I won't rehash those - but I don't often talk about what went on in between.

I finished editing Absentia just before my oldest son was born in 2010, and went back to working full-time as a reality TV editor. In fact, in the months leading up to his birth, I was working double-time - I spent my days at a company called Film Garden working on a series for DIY Network, and my nights editing packages at Nash Entertainment for those true crime clip shows. Whatever it took to keep the lights on and provide as much support as I could for my son.

While this was happening, I'd submitted Absentia to a pile of film festivals. We didn't get into any of the majors - Sundance, SXSW, and Toronto all passed on the film. Our world premiere was at the Fargo Film Festival, where Tom Brandau, one of my former professors from Towson - and one of my mentors - was teaching.

(Our original festival poster, WAY better than the weird clip art that would come later)

The movie got into a fair amount of film festivals, and we traveled with it as much as we could. I have fond memories of the Phoenix Film Festival, San Luis Obispo (where I met Greg Kinnear at a party and very awkwardly asked for a picture - you can see how thrilled he is about it) and my personal favorite: the Fantastia Film Festival in Montreal.

(At one of the screenings, I believe the San Luis Obispo Film Festival)

While this was happening, the film was picked up for a tiny VOD and DVD release through Phase 4 Films.

They were a Canadian distribution company whose claim to fame was putting out Kevin Smith's Red State under a very unusual distribution model. They acquired the movie, which led to a company holiday part in Hollywood.

There, I briefly met Kevin Smith for the first time. We've met again since, and I've now had a chance to thank him for the kindness he showed me back then - I was just some starstruck kid at a party, but he was gracious and available and inspiring. I really admire the way Kevin deals with his fans, and I've tried to emulate it over the years.

So that was kind of it for Absentia. We went to a few festivals, went to a few parties, and posed for a few pictures with some people we admired. Phase 4 designed some truly godawful cover art, dropped the movie into video stores, and that was that.

($2.99 is a pretty good deal)

So Absentia had pretty much run its course. It had a passionate following of fans, but between the crappy art design and glut of low budget horror films on the market, its moment had already come and gone. I was back at work, editing a series for DIY Network called Extra Yardage, and yearning for another chance to make a movie.

Absentia might not have broken open the industry doors like I'd wanted it to, but one thing it did yield was a meeting with an entertainment attorney named Joel VanderKloot.

I had been represented a few times over the years by various managers (to be honest, they were actually Jeff Howard's managers, and they took me on because we had a co-written project together.) But those relationships hadn't gone anywhere, I'd never sold a script or booked a job, and when I suggested making Absentia they were not supportive ("You've already tried the indie thing, haven't you?") so by the time Absentia was made, I was completely unrepped.

Joel was a family friend of Jason Poh, who was one of our Absentia Kickstarter backers. He was a guy who'd just found the project online and donated a thousand bucks. He kept up with us, and loved the final movie. He told me he knew an entertainment lawyer and offered to arrange a lunch.

I left my editing job at Film Garden for a long lunch and met Joel in Santa Monica (this was a day-killing drive for me). Joel had seen the movie and really liked it. We had a good lunch, but wasn't immediately sure about taking me on - it's a lot of work to take on a new client, and there wasn't much heat on my movie. But there was something there that he liked, and he called later that day to say he would take me on as a client.

I was elated. I felt like I'd made my movie to the best of my ability, and that it had flashed in the pan and then died... no one had noticed outside of a few festival audiences and critics. But here was someone who worked in the industry and he saw something in the film that he believed in.

Joel started looking for managers while I clung to my day job. He passed the movie around and we had a few nibbles, which led to the first manager in my career who wanted to simply represent ME: Nicholas Bogner.

Bogner went about setting general meetings at production companies who specialized in horror films. There weren't a lot of takers, and not everyone was willing to watch an entire feature film in consideration of a general meeting. So it was hit or miss - I was a nobody, after all, and they get these kinds of incoming inquiries all the time.

But there were a few takers. And the very first meeting I had was with Anil Kurian at Intrepid Pictures.

Again, I took an extended lunch from my editing job and drove across town to Intrepid's offices in Santa Monica. I was beyond nervous when I sat in the waiting room. The young man working the front desk signed me in and offered me a water. And then, just before the meeting started, he leaned over and he said "I loved Absentia, by the way."

Anil was a really cool executive and we had a good general meeting. At the end of it, he introduced me to the heads of Intrepid: Marc Evans, and Trevor Macy.

We all ended up in the conference room, where posters for Intrepid's other movies - at that time, The Strangers and The Raven - were hanging. I vividly remember staring at them while I pitched all five of the ideas I had for movies.

One of them was a story about a little boy whose dreams manifested in real life, and another was a take on Stephen King's novel Gerald's Game. But at the time, none of these ideas worked. The meeting was over, and everyone was politely going about their day.

I felt a panic in me. It was my first real meeting, the door had been cracked open just an inch by Absentia, and I was about to walk away with nothing. Would my new manager want to keep me? Would my new lawyer think he was wasting his time?

I stopped in the doorway and turned back. "I've got one other thing," I said. "I made a short years ago about a haunted mirror, and I have a take for a feature."

They kind of laughed at the idea of a haunted mirror. "How do you make that scary?" Trevor asked. I said "Think of it like a portable Overlook Hotel," and the room got a little quieter.

"I'd like to see that short," Trevor said. I agreed to send it immediately.

I ran back to work, stayed a few hours late to make up the time I'd burned on my lunch hour, and went home to find a DVD copy of Oculus: The Man with the Plan.

I'd made that short in 2005. It was 20 mins long, and a lot of fun. Over the years whenever I'd get into meetings (all courtesy of Jeff Howard, who had sold scripts long before we started writing together), people would see it and ask about a feature. Every time, though, the conversation stalled because they wanted the film to be a found footage movie, or they'd balk at the idea of me directing a feature.

I sent the DVD to Intrepid and waited. About a week later, they called and asked me to come back in.

I took another long lunch (this would become quite a habit as the project advanced) and drove back down. We met again in the conference room, but this time the mood was a little different.

Trevor said "We're interested in this. How would you expand it? I know there are cameras in the room with the man and the mirror, which begs the question of found footage..."

My heart sank.

"... but we're thinking that's a mistake. It looks like all the fun is in playing with reality, and you can't do that with found footage. So how would you do it?"

And we were off.

I won't rehash the long journey between this meeting and the Oculus premiere at Toronto (scroll down to find another blog about that), but that was really the moment when things changed.

I drove back to work a little giddy. Intrepid optioned the short film, I called Jeff Howard to see if he'd still want to work on a feature with me, and we were commissioned to write the script.

It was my first Hollywood job. I was paid the bare minimum, but I was also able to join the WGA because of the deal. I still didn't quit my day job (and wouldn't for a long time, not until the movie was really shooting in Alabama the following year) but I was off to the races.

Once the script was done, Oculus would lead to my first agents (at APA, and they treated me very well) and my first "real" movie.

What's particularly neat about this time, looking back, is that I owe it all to Absentia. We'd made this tiny little movie to try to kick open the door of Hollywood and start a career. And despite the enormous pride I had in the finished film, it felt for a long time like it hadn't quite succeeded in that.

But quietly, subtly, the movie did exactly what I hoped it would. The festival screenings built up a small but confident word of mouth. The movie led directly to my attorney Joel (who still represents me to this day), which led directly to my first real representation, which led directly to Intrepid Pictures.

Trevor Macy is now my business partner and has produced every single thing I've ever made since. We run Intrepid Pictures together, and I see that same eagerness in the faces of young filmmakers who find their way to us for general meetings. I try to be as supportive and accessible to them as I possibly can, because I remember very well what it feels like to stand in their shoes.

And Trevor even ended up making those other pitches he'd rejected all those years ago - Before I Wake and Gerald's Game followed soon after Oculus was done.

Absentia did everything I could have wanted it to do, and much more. I'll always remember that period of time with great affection... but man, it was stressful. The uncertainty of those years still exists in me, I don't think it'll ever leave.

Someone told me, along the way, that there wouldn't be a moment when I realized I "made it." It would happen while I wasn't looking. That ended up being absolutely true.

#absentia #oculus #intrepid pictures #hollywood dreams

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reallyradrecs · 2 years

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Dosser - Brainscan (Special Edition) /100 screen-printed, hand-numbered sleeves wild lavender vinyl

More obscure and cursed vinyl here

#vinylrecords #vinylporn #vinyljunkie #dosser #brainscan #baltimore #maryland #grunge #shoegaze #12"#rare #vinyl #vinyl records #op #music recommendation #diy music #diymusic #diyemo

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averymorstan · 1 year

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I’m popping in to say

MY BOOK IS AN ACTUAL BOOK NOW!

If you’ve ever wanted to read my Quaint City romance series, but you’re not really an Ebook person, the first three books are now available in one solid volume called Quaint City: Three Tales of Queer Love by Avery Morstan.

From the back of the book:

* In Seams a Bit Queer, Kam is wondering if she can kick Scarlett’s awful boyfriend out of their shared apartment and keep Scarlett all to herself.

* In Upcycle My Heart, Denver (they/them) comes out later in life and needs a new start- maybe with DIY enthusiast Celia?

* In Vane Attraction, salon owner Vane struggles with family issues while harboring a crush on her soft butch lead stylist, Hannah.

It’s $14.95 on Amazon right now, or you can try to find me at some Pride festivals this summer but unless you’re in Maryland, that’s probably not cost effective for you. :-P

#i write gay books and I cannot lie #lgbtquia author #LGBTQUIA books #amazon books #indie publisher #sapphic #wlw books #nonbinary mcs #nonbinary characters #they them pronouns

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yunyebai · 2 months

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As promised! blurbs about the rest of my muses. I am pretty sure I've gotten back to everyone who liked my last post, but obviously feel free to hit me up if we haven't begun to plot. 🎔

Tyson had a pretty ordinary childhood. Kind of. He was born and raised in Annapolis, Maryland. His father works in some kind of lobbying-adjacent role in DC that Ty doesn’t fully understand, and was always at banquets and fundraisers or otherwise in the capital as often as he was home with his family. His mother is a homemaker obsessed with DIY. Oh, and his sister’s a famous Kpop star! Tyson’s an embarrassment. He has a knack for being drawn to that which others inevitably label cringe. He’s the world’s oldest iPad baby, grew up on Minecraft and Roblox and Discord, went full-tilt into a furry phase that lasted through high school and into which he sunk thousands of dollars. He’s penned a number of Five Nights at Freddy’s and Undertale and Homestuck fanfics, and owns a not-so-small collection of FNAF and Poppy Playtime plushies. As of now, he lives in the artists' share house, doing digital art commissions for money and trying to figure out a way to stream without totally pissing off his housemates.

PLOTTING POINTS: Tyson lives in the (haunted) share house. Roomies?

Yeongsu moved from Gwangju to Seoul just over a year ago to study film. Growing up, he found it difficult to slot himself into the world, and struggled with befriending his peers on account of an innate social awkwardness; he's not great at reading body language and social cues, and that makes it difficult to navigate relationship. He was hoping to find some kindred spirits to connect with, although that hasn't quite happened for him. It doesn't help that he's flat broke and works a bunch of jobs.

PLOTTING POINTS: Classmates? Yeongsu hangs around the indie music scene a bit. He also works two days a week in a muse store and another two days in a convenience store. Co-workers (past or present)? Exes?

Yoogeun was born in a hospital in Seoul, but has no memory of the city before the age of ten or so, as very shortly after his birth his parents relocated to Texas. It was in Austin that he spent his childhood, although his parents were busybodies that refused to settle. Not out of any malicious impulse, but more because having a stable of international businesses to run sort of necessitates a constant motion. Yoogeun learned to just…go with the flow, to focus on himself and the things he could control; the things in his own orbit. Tuck your arms in and cross your legs and let the water take you where it will.

PLOTTING POINTS: A student at Sungkyunkwan. Classmates? Acquaintances? Yoogeun is very chill and quite friendly so he isn't hard to befriend.

#;;ooc #{I meant to post this ages ago but forgot whoops}

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humanhost · 1 year

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Human Host In Public : The First Two Decades Part 1 - The First “Pre-Recorded” Show, April or May 2003, St. Thomas Church in Towson, Md.

In the spring of 2003 the grindcore/speed punk band Squints, screamo heavies Beyond The Grunt Call, and ultra slop garage punks The Castrates shared a bill with Human Host at St. Thomas Church in Towson, Md. If memory serves correctly, Squints were the headliner and the Host played second to last, right before Squints. By that point we had played no more than 2 or 3 other shows and those earlier gigs featured a line up that was mainly doing a kind of psychedelic punk which was almost totally different than the electronic/beat-driven music that would soon become our signature sound. So the kid who booked us at this gig was familiar with us as a 4 or 5 piece band that had a live drummer, guitars, and all the other average instrumental accoutrements of late 20th century rock. In short, everyone assumed we were just another guitar band filling out a bill with a buncha other guitar bands.

This assumption could not have been further from the truth.

The spring '03 show at St. Thomas was the first Human Host show to feature a set of completely electronic music mixed with performance art. The only live music element was vocals; the instrumental music was pre-recorded, just backing tracks played through the p.a. - no amps, no instruments, no problem.

This type of performance was a knod to the dynamic/dance driven shows created by some of our fave early aughts pop acts - boy bands like N-Sync and Backstreet Boys; rap acts like Three Six Mafia, Cash Money Millionaires, and Nappy Roots; the big flashy choreography of live gigs from Destiny's Child, Blaque, Britney Spears, Christina Aguilera, Mandy Moore, and other bubblegum divas. Of course, our dance moves were never as rehearsed as any of the pop artists we loved. Our intentionally spazzed out steps resembled avant garde performance art a ' la The Living Theatre and Andy Kaufman, or the physically demanding 1920's slapstick comedy of Buster Keaton, Charlie Chaplin, Laurel & Hardy, and other surrealistic vaudevillians.

To say the least the audience of young suburban punks, Carver Center students, and metal heads really had no idea what to do other than simply to stare at us with their mouths agape. We had no records out at the time but we had plenty of lyric sheets to give out that night, an element that freaked the kids out even more. The lyric sheets highlighted the occult poetry of our interdimensional message; the artwork/design on these lyric sheets reflected an interest in the paranormal, paganism, comic book art, folklore, and other arcane visual/literary elements. In addition to the occult message, the crazy moves, and raw band-less/amp-less minimalism of 4 or 5 people running around with nothing but microphones and a billion pounds of nervous energy, we performed by the stark light of the fluorescent fixtures that hung throughout the venue. All the other acts played by dim floor lights that were confined to the stage. Our choice to have the regular lights on ( blasting us and the audience with brutal clarity) only accentuated the insane affront to rock'n'roll that we brought that evening.

Dominic Angelella performs music today with internationally known indie acts DRGN KING and Lucy Dacus. But back in the early 2000′s Dominic was one of the Towson area’s major DIY music promoters. He was the one who booked the spring 2003 gig where Human Host debuted its electronic music mayhem. Appropriately enough, as Dominic remembers it this show was groundbreaking and controversial for reasons that transcended music, a true “ground zero” moment for the explosion of genre shattering creativity that’d soon become Maryland’s most important contribution to global arts and culture:

Dominic Angelella: “This show was a wild one for me on so many levels. I had settled in to a show-booking position I felt good about at St. Toms [aka St. Thomas Church] and this is the first time something felt off to me. Not that (Human Host) had anything to do with it; The Castrates made fliers where they did a collage of various vintage nun porn images and posted them around the city. I remember various people coming to me telling me there was a protest planned for the show, not from the religious right but from punks who found the flier sexist. Calls were made for me to cancel the gig I think?

I’m not really sure why I chose not to cancel the show, (maybe I even talked to [the artists] about this?) but regardless this gig really sticks in my mind as one of the times that cool city bands came up to Towson to play. HH really flipped my wig at the show, mainly because I didn’t expect it. I was at the first HH show at The Talking Head (in winter 2003), and thought I knew what the deal was going to be. Looking back, in many ways Human Host’s set predicted the soon to come Wham City onslaught that would siege the city, forcing musicians to choose between CCAS/Barclay and the new MICA-centric Baltimore music world.”

Despite the fact that Human Host had done a handful of gigs prior to this, in many ways our spring 2003 set at the fellowship hall at St. Thomas Church was *spiritually the first* Human Host show simply because it was the first gig to feature our own homemade *symbiosis* of electronic music and visuals. Our sample-based collage of dancey toy synth melodies, Miami bass/Timbaland-influenced drum machine patterns, and tonal modern classical motifs never overshadowed the hyperactive performance art and vice versa. This was our way of proudly defying predictable early aughts genre conventions by melding hedonistic pop spectacles with faith-based anti-worship and art music. It was the spark that set off the many ultra weird live show explosions to come. From here on out everything Human Host did only got joyously and progressively weirder.

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enterpriselp · 2 years

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Professional Construction Company in Maryland

Are you planning a well-designed office space for your company in Maryland? It’s crucial to find the right individuals for the job.

Designing and constructing a professional workspace in Maryland is a demanding job. That is why you must hire professionals who comprehend the needs, lay down a blueprint and execute the work with utmost effectiveness and efficiency.

Know more about how professional construction companies in Maryland work and how they can help create the perfect office space for you

However, if you are always uncertain about whether or not you should choose an established company over freelance contractors, we are going over four reasons that will help you make up your mind.

They provide customized services

Professional construction companies in Maryland have property-specific professionals on board. As they have worked in their field for many years, these experts have hands-on experience in construction office spaces that will meet all your requirements.

During the initial session, they sit with you to understand your requirements and budget. They may also pitch their ideas and suggestions, which can be useful for projects.

Thus, with their expertise and experience, you get a custom office space on time and within a budget in Maryland.

They ensure the cost-friendly and timely completion of work

It would take months for a lone contractor to remodel an entire office. Even after that, there is no assurance of your office hanging out exactly as planned. So, instead of hiring an unqualified contractor, it would be best if you leave it in experienced hands equipped with the required time and experts. Construction companies assign their resources optimally to achieve desired outputs. As a result, they are more prepared in terms of workforce, equipment, and experience.

Moreover, they know how to leverage all three elements to get your office construction in Maryland or renovated within the decided time and budget.

They don’t leave until the customer is satisfied

Professional construction companies in Maryland thrive on consumer satisfaction. Even bad thinking can ruin their business. That is why they ensure that their clients are satisfied with the work. If you think something needs fixing, the experienced will be happy to make the changes. You can guarantee that there won’t be any major flaws in the project. But if you find something, you can trust experts to patch it up instantly without questions.

They mitigate the risks

Risks cannot be thoroughly eliminated whether you work on your office project alone or involve a contractor in Maryland.

But, with understanding and knowledge, skills can mitigate such issues. Unlike a layperson, construction workers in Maryland are certified experts in their respective areas. They have the required certifications and training. They follow important safety precautions and know how to deal with unforeseen circumstances.

Moreover, most respected construction companies have adequate insurance coverage. That is why engaging them is much better than DIY-ing.

Final Thoughts

Construction is a detail-oriented job. It takes a lot of activity, experience, and knowledge to safely satisfy construction and renovation tasks. Moreover, Maryland commercial contractors must acquire approval from authorities before working professionally.

The best part about them is that they can give accurate time and cost estimates for your project, permitting you to focus on other important aspects of your business.

Also, construction companies in Maryland are credible. If things don’t go well, you can hold them responsible. They will reimburse for your loss. Thus, hiring a professional company for your construction project is better than doing it yourself.

#Professional construction companies in Maryland #Maryland commercial contractors #Flooring Services in Maryland

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